Lindsey on 1920s Harlem

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    Ahistoricaloverview

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    Priorto19200Post-CivilWar:wavesofSouth-to-Northimmigration

    0 especiallyafterPlessyv.Ferguson(1896)0AfricanAmericanswerealreadylivinginNYC:

    0 Mid-1800s:SoHoarea0 Late1800s:GreenwichVillage0 1890s:West20sand30s0 1900s:West50s,beginmoveintoHarlem

    0Harlemin1900:0 Overzealoushousingdevelopment(forwhiteworkers) 0 Subwayhasntfullyarrived,especiallyontheeastside 0 African-Americanmigrationbeginsontheeastside,moveswest0 From1900-1920,thenumberofblackslivinginHarlemdoubles

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    Harlemin1920

    OnlineResources

    0TheHarlemRenaissance:AnOverview

    0DigitalHarlem

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    Harlemin19200 Demographics

    0 1920:152,467peopleofAfricandescentlivinginNYC.39,233borninNYState,30,436fromoutsideUS(primarilyCaribbean),and78,242fromotherstates(mostlySouthern).

    0 1920-1925:approx.50,000morearrivefromtheSouth

    0 Quicklyovercrowded:upto3xasmanypeopleinthesamespacewhencomparedtojustafewdecadesprior

    0 aracecapital:BlackMecca0 Aspacefor0 newopportunityandimprovement0 intellectualandaestheticexpansion0 culturalsolidiication

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    Segregationin1920sHarlem0 Irrationaldistinctionsintermsofemployment:

    0 one-droprule0 Passingisageneralculturalphenomenonsoistherejectionthereof

    0 colorlineswithinthecolorline0 Aswhitesdiscriminateagainstblacksbybeingunabletoseethemasreal(canonlyseestereotypes),thesamethinghappensbetweenlighter-skinnedanddarker-skinnedAfricanAmericans

    0 Womenaredoublydiscriminatedagainst:0 nopositivehealthyimagesinpopular

    culturenotconsideredsocietysidealofbeauty

    0 stillseenassexuallyindiscriminate(thelegacyofslavery)0 womenofmixedheritagestillseenasparticularlysexuallyexotic(legacyofthetragicmulattocharacterofthe1800s)

    ANegroworkermaynotbeastreetorsubwayconductorbecauseofthepossibilityofpublicobjectiontocontactbuthemaybeaticketchopper.Hemaynotbeamoneychangerinasubwaystationbecause

    honestyisrequiredyethemaybeentrusted,asamessenger,withthousandsofdollarsdaily.Hemaynotsellgoodsoveracounterbuthemaydeliverthegoodsaftertheyhavebeensold.Hemaybeaporterinchargeofasleepingcarwithoutaconductor,butneveraconductor;hemaybeapolicemanbutnotaBireman;alinotyper,butnotamotionpictureoperator;aglassannealer,butnotaglassblower;adeckhand,butnotasailor.

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    Thecitywithinacity0safehaven0voluntarysegregation0Harlemisamodernghetto.True,thatisacontradiction

    interms,butprejudicehasringedthisgrouparound

    withinvisiblelinesandbars.Withinthebarsyouwill

    Bindasmallcity,self-sufBicient,completeinitselfariot

    ofcolorandpersonality,amedleyofsongandtears,a

    canvasofbrownsandgoldsandBlamingreds.Andyet

    bound.(EuniceHunton)

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    African-AmericanPoliceman,HarlemCa.1915

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    Open-AirReligiousMeeting,HarlemCa.1915

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    HarlemStreetsCa.1920

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    AfricanAmericansonRaceinthe

    1920s0 Raceasaglobalidea

    0 WestIndianshadhistoricallyplayedabigroleinculturaldevelopment0 CulturaldividebetweenSouthernmigrantsandCaribbeanimmigrants0 ThequestionofAfrica:howtorelatetothatlandanditspeoples

    0 ReestablishinganAfrican-Americanpast0 Schomburg:reclaimedbackground0 Howtoixthesocialandeconomicdamageofslavery?

    0 Eachoneteachoneidea(startsduringslavery,re:reading)0 Beingabreakthroughperson,airst,doesntguaranteeasustainedfutureforothers(willtherebeasecond?)

    0 BookerT.Washingtonindustrialeducation/skillsdevelopment0 W.E.B.DuBoisTalentedTenth:(essay,1903)1in10blackmenmaybecomeleaders.Shouldhaveaclassical(notindustrial)educationinordertoensurethattheydo.

    0 MarcusGarvey,BacktoAfricamovement.ReuniteallpeopleofAfricanancestryintoonecommunitywithoneabsolutegovernment

    0 Art,Music,Performance:ameansofagitatingforequality,progress(ex:PaulRobeson)0 Bye&Bye(withLawrenceBrown;1925)0 SwingLow,SweetChariot (1933)0 OnplayingOthello(1943)

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    Jazz0Divisivenewsound

    0 asculturallydisruptiveasModernismwas 0 musicallyfragmented,drawsuponprimitivism

    0 Prohibition+segregationresultsinsomeverystrangecombinations:0 CottonClub:African-Americanperformers,whitepatrons

    0GoingtojazzclubsinHarlemwasthehipthingtodoedgy0 1stuniqueAmericanmusicalsoundforexport

    0 RootsinAfrican-Americanfolkculture,CreolecultureofNewOrleans,citysounds

    0 Risqu,explicitlysexual0 Rogers:Musicallyjazzhasagreatfuture.Itisrapidlybeing

    sublimated.

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