Lightsounds School Flyer

Testing, Testing, One, Two, Three

ISSUE #1 2015

In this Issue:

Passive or Active Speakers, Which Matches Your School’s Needs? .................. 2 Sound Solutions That Will Dazzle Students, Parents, and the Community ......... 3How to Light Your Student Performers Like a Professional ............................. 6Lighting Solutions for Any School Environment ............................................... 10

Lights...Sound...ACTION!

“We were looking for some inexpensive but ‘real’ equipment to let our students gain classroom experience with intelligent fixtures. The equipment that Lightsounds recommended fit the bill perfectly, and was amazingly feature-packed for the price. We were very happy with the service from Lightsounds - both before and after the sale. I’ll definitely look at them for future

purchases and would recommend them as a vendor.”

Mikkel Mynster, Head of Production - National Institute of Dramatic Art

Lightsounds have provided equipment to many Schools, including but not limited to:-Scots College, Knox Grammar, Sydney Boys High, De La Salle College, Inaburra School as well as many others

For purchase, rental and installation options please see www.lightsounds.com.au

Why Lightsounds? Reliable products • Affordable prices • Trusted brand2

Lights...Sound...ACTION! Lighting and Sound Systems for Schools

Not sure which equipment is best for your application? We can help! Call us on 1300 881 400

Unless you’re an audiophile (and you know who you are), lighting and sound sys-tems can get pretty technical, leaving you overwhelmed and wondering if you’ve even purchased the right equipment for your school. Let’s untangle this mess, so you know exactly which type of speaker is best suited for your auditorium, or gymnasium. So what’s the best choice when consider-ing your speaker setup? Active speakers have their advantages, yet so do power amps and passive speakers. Grab your favorite beverage of choice, sit back, and relax - we’re going to take you through all of the major differences.

The “Active” Experience

Active or powered speakers come with an amplifier built into the enclosure. This is really handy for easy, fast set-up as the active speakers contain the electronics and amplifier allowing you to just plug and play. It also means less components to carry around as there is no separate amplifier.

It’s a one stop shop. Setup is simple, and it’s great for PA, School Dances, Speaking from the stage, etc.

Most active speakers tend to be made out of ABS (that’s plastic to you and me), which keeps their weight down but they do also feature heavy duty enclosures.

Some active speakers are wooden and perform brilliantly with increased power and volume. These have the convenience of being active but with more of the audio and tonal qualities of larger, passive, wooden speaker systems.

Many active speakers have the facility to plug in guitars, microphones and music devices. They usually come with multiple channels, separate volume controls, digital effects with MP3 players and advanced equalization too.

The “Passive” Experience

Passive refers to a speaker that needs tobe powered by a separate amplifier. These power amps aren’t like domestic hi-fi ver-sions. They usually only have a volume knob for each channel on the front, and some operational electronics in the back. The result is lots of power with some amps rated to thousands of watts per channel.

Passive speakers and power amp combi-nations are best installed in venues or in professional touring rigs as they are ideal for controlling the amplifier without being anywhere near the speakers. Usually, when using sub bass or multiple speakers, ad-ditional components such as equalisers and crossovers are required to ensure the best sound quality for a particular room.

Passive is a GREAT alternative for a more sophisticated setup to include multi-channel concerts, plays, and bands.

What’s The Best Option For Me?

It all depends on what you will be using the equipment for.

Generally passive speakers go much louder than their active counterparts. Some would argue that passive speakers have a more pleasing sound, although active speaker technology is now such that they are strong competitors! In a venue passive speakers would certainly be best suited with a separate amp, but really the main difference is that active speakers are fast to set up being highly portable and more power efficient for their size and weight.

Acoustical Wood!

Another key difference between active and passive speakers comes down to their construction material. Active speakers tend to be made from plastic while passive speakers are usually wooden. There are examples of both however and it is key to remember that wood is a more resonant material that lends itself well to music and vocal performance.

In the end, the decision should be based on your needs, hopefully not on your budg-et. Moving in the direction of a passive speaker setup with amplifiers and wireless mics will lend you the most long term ver-satility, no matter what the purpose.

Passive or Active Speakers – What is best for me?

For purchase, rental and installation options please see www.lightsounds.com.au 3

Lighting and Sound Systems for SchoolsLights...Sound...ACTION!Many more product options available. Call us on 1300 881 400 or visit www.lightsounds.com.au

...The Votes Are In: The Winners For “The Best Speaker Setup” In The School Category Are...

12” Passive 400W RMS Monitor Wedge 2way Speaker 8ohm.

DELTA12M 12” MONITOr

$449.00DELTA12M

DELTA PASSIVE SPEAkErS

TITAN PASSIVE SPEAkErS

10” Passive Speaker 300W RMS, Low Distortion Cast Frame Woofer and 1” Titanium Compression Driver.

$429.00DELTA10

12” Passive Speaker 400W RMS, Low Distortion Cast Frame Woofer and 2” Titanium Compression Driver

$459.00DELTA12

15” Passive Speaker 500W RMS @8 Ohm. Cast Frame Woofer and 2” Tita-nium Compression Driver.

$569.00DELTA15

15” Passive 1600W PRG, Black 2-Way ABS Moulded Speaker. Uses heavy duty 15” low frequency drivers and a 2” titanium compression driver

$449.00TITAN15P

Class D 1RU amplifier 2 x 540Wrms @ 4?. extremely high efficiency, reduced power waste and very low heat dissipation. Only 3.3kg! $579.00

DIGIT1K0

$1,099.00DIGIT2K2

$1,299.00DIGIT3K6

8’’ Passive 150W RMS, Black 2-Way ABS Moulded Speaker. Powerful, compact and lightweight. Ideal choice for many installation or semi-outdoor applications.

$179.00TITAN8P

Titan12P 12” Passive 1000W PRG 2-Way ABS Moulded Speaker. With moisture proof woofer & a 44mm tita-nium diaphragm compression driver

$299.00TITAN12P

DIGIT AMPLIFIErS

The Titan range is generally more com-pact and visually appealing however does not feature the same sound brilliance as the Delta series. It is also known that timber speaker boxes such as the Deltas result in superior sound quality compared to plastic moulded speakers like the Titans.

2 x 540W RMS 2 x 1100W RMS 2 x 1800W RMS

The Delta series features Plywood con-struction, which ensures durability and su-perior sound quality. Their Rhino RockTM new texturised composite finish provides the great look of a painted finish with the durability of a carpet covered enclosure giving you the best of both worlds.

Double 15” Passive 1000W RMS 4ohm uses two high output, low distortion 15” cast frame woofers with 3” voice coils. Rubberised 4-way Handles

DELTA215 DOuBLE 15” SPEAkEr

$849.00DELTA215

18” Passive Subwoofer box 800w RMS @ 8ohm. High output, low distortion 18” cast frame woofer with a 3” voice coil.

DELTA18B PASSIVE SuBWOOFEr

$629.00DELTA18B

Passive Speaker Solutions

Picking the right speaker size depends on the size of the hall and audience. The smaller speakers (8”-12”) have better sound reproduc-tion in the high frequencies which are great for speeches, singing and instruments. They are usually recommended to be combined with a Subwoofer to improve the low end (thumping) especially if you are planning to play modern dance music with a strong beat. 15” speakers are a good all-rounder and are typically louder than the smaller sizes. They don’t need a sub as they already feature reasonable low end frequency performance. There are 2 series of passive speakers depending on your budget and preference.




Active Speaker Solutions

Most active speakers are plastic moulded and are designed for visual appeal and port-ability. The Titan range is one of the most reli-able and well-accepted Pro Audio brands in Australia. It is almost impossible for the driver on a Titan speakers to be overdriven as these speakers feature an inbuilt Qubit Proces-sor which prevents the frequencies entering the speaker from damaging the driver. This makes these speakers incredibly reliable.

TITAN12D 12” ACTIVE SPEAkEr

“I’ve tried JBL, Mackie, Db Technologies and NOTHING

comes close to the Wharfedale Titans! The sound is crystal clear and they’ve never broken down

once!”

Jack Field, Australia’s premier trials stunt performer

as featured on Wolverine

8 Channel Studio / Live USB Mixing Desk. 2-input 2-output 16-bit/48kHz USB. Flexible record bus & dedicated return channel. 3-band EQ, FX

MIXING DESkS

$699.00SL824USB

12 Channel Studio/Live Desk. Built-in full duplex USB interface. High quality 2-input 2-output 16-bit/48kHz USB interface. 3-band EQ & FX processor.

$849.00SL1224USB

Features 8 total inputs. 2x Balanced XLR Mic Input, 2x Stereo Channels with Un/Balanced 1/4” TRS Jacks + USB & 2 x 1/4” Jack Stereo + Headphones

CONNECT MICrO-MIXErS

$209.00CONNECT802USB

This high quality micro-mixer features 5 total inputs (1 x XLR / 6.3mm Jack, 2 x twin 6.3mm jack + 1 USB) and 2 x 6.3mm jack outputs + headphone.

$179.00CONNECT502USB

70W Battery & Mains powered. Ideal for announce-ments & presentations. Perfect for up to 200 people. Retract-able handle & recessed wheels.

EZGO COMPACT POrTABLE PA

$849.00EZGO

Dual Channel Wireless Microphone receiver module for EZGO (644 to 665MHz)

$379.00EZGORDM

USB player module for EZGO

$149.00EZGOUSB

Handheld wireless microphone for EZGO 644-665MHz

$139.00EZGOMIC

Weatherproof Bag For EZGO

$65.00EZGOBAG

Active 15’’ Subwoofer,1600W PRG, 15mm Plywood - MK2 Model. Extra Lightweight. With precise 24-bit 192kHz DSP Qubit processor.

TITAN15A SuB 15’’ SuBWOOFEr

$799.00TITAN15ASUBMK2

TITAN WALL MOuNT BrACkETSTitan 8 Wall mount bracket

$45.00TITAN8WBB

Titan 12 or 15 wall mount bracket

$89.00TITANWBB

1000W PRG now uses bi-amplified Class D technology and is lighter than ever. Qubit 24-bit 192kHz DSP processor ensures speaker cannot be overdriven

$449.00TITAN12D

Active 1600W PRG 15” 2-Way ABS Moulded Speaker. In addition to Qubit processor it features true independent adaptive LF and HF signal limiting.

$599.00TITAN15D

Active 720W PRG 8” 2-Way ABS Moulded Speaker. Incorporates a high grade Bi-amp Class D and Class A/B Amplifiers.

$449.00TITAN8AMK2



Wireless microphonesWireless mic frequencies have changed from January 2015 onwards due to the onset of digital TV channels. All wire-less products from Lightsounds fit within the regulated frequency range allowed for such devices. If you have old exist-ing wireless mics it is very likely that the range on those devices is no longer allowed. A safe frequency spectrum for wireless audio devices is 520–694MHz.

“I believe this product to be excellent and very professional for any type of use… I have thus recommended the UHF2 to all my friends & contacts in the music

scene including DJs who have been very impressed both about its quality and price.”

Daniel Lopez, Piano, Guitar and Vocals

Super Cardioid Dynamic Microphone single pack

DM5S DYNAMIC MICrOPHONE

$29.00DM5S

Compact, dual UHF wireless mic system. Surprisingly high quality for its price. Range up to 60m. Inc two hand held mics &

uHF2 WIrELESS MIC

$229.00UHF2

Using constant Q filters to maintain even bandwidth. Fader range switchable 6dB to 12dB. High Pass Filter to remove unwanted low end. Rackmountable.

Q215 2X15 CHANNEL EQuALISEr

$329.00Q215

30 band 1/3 octave graphic equaliser shares the qualities for Q215.

Q230 2X30 CHANNEL EQuALISEr

$379.00Q230

The UHF2B is the body pack that is used in conjunction with the UHF2 dual wireless microphone receiver.

uHF2 ACCESSOrIES

$69.00UHF2B

Headset for UHF2, for use with UHF2B

$19.95UHF2H

Lapel Mic for UHF2, for use with UHF2B

$14.95UHF2L

DM-S MICrOPHONEDynamic mic (with Switch). Handles wide vari-ety of vocal & instrument applications.50Hz-16kHz frequency response

$69.00DMSMIC

DM-S Microphone 3 Pack (with switch)

$139.00DMSMIC3

DM-X DYNAMIC MICrOPHONEDynamic mic (no Switch). Handles wide vari-ety of vocal & instrument applications.50Hz-16kHz frequency response

$69.00DMXMIC

DM-X Microphone 3 Pack (no switch)

$139.00DMXMIC3

TITAN PrOTECTION BAGSThe Titan Tour Bag is a padded nylon zippered carry bag that protects your Titan 12 Speaker.

$49.00TITAN12BAGMK2

Titan 15D Speaker Bag

$89.00TITAN15BAG2

$21.95FCMCML1010m $64.95

MSMSSL2020m $22.95

SRSRSL33m

XLr SIGNAL LEADS

XLR 3-M to XLR 3-F Signal Lead (1m) Microphone/ DMX lead

$11.95FCMCML11m

SPEAkON LEADS

NL4-M Speakon to NL4-M Speakon 2 Core Speaker Lead (10m)

$49.95MSMSSL1010m

HEAVY DuTY rCA SIGNAL LEADS

2 x RCA-M to 2 x RCA-M Heavy Duty Signal Lead (1.5m)

$18.95SRSRSL11.5m

adjustable aerials.




Top Three Ways to Achieve “Broadway-Level” Lighting to Entrance Your AudienceA little lighting magic can go a very long way. Lighting your band not only adds a new dynamic to your shows but it’s also a great and worthwhile way to stand out from the crowd! Adding production value to your gigs can mean the difference between you getting top billed or being the eternal support act.

The best thing about lighting is that you can create an impressive effect on a rea-sonably modest budget. Stage lighting can be as simple as a set of par cans, or as sophisticated as a fleet of intelligent mov-ing heads programmed to every beat of the music. The good news is that lighting has become more affordable and convenient, whether buying your own lighting rig, or hiring one on a gig-by-gig basis.

TEN SIMPLE LIGHTING TECH-NIQuES TO MAkE YOur BAND LOOk THE BOMB

1. Who’s in the Spotlight?

Typically profiles or spotlights are used on individual performers so that they’re the focus point during the show. The lead singer would be lit up during a song’s per-formance, however if there is a lead break then the guitarist would become the focus point in order to direct the audience’s atten-tion to them.The spotlight does not have to be white; in many cases shades of amber and warm white can be used depending on the mood you’re looking to create. And the extreme of red is great for a ‘fiery’ performance for example. One par can is okay but ideally we’d rec-ommend using 2-3 for a small performance to light the star performer from multiple angles.The height of the lights needs to be 1-2.5m which can be achieved using a lighting stand.

2. Backdrop or “Cyc” Lighting

A stage will generally have a back wall that can be used to project a backdrop or illuminated to match the mood of a song. One could use par cans with a set colour or changing colours as per a pre- pro-grammed sequence (via DMX usually). If your music is upbeat and has a high level of bass to it, you can use the par cans or another disco effect set to music activation.Mood lighting such as a water or oil effect is also possible if you require a soothing look.If you want to achieve brighter and more interesting effects in the background, use a couple of moving heads with gobos (gobos are built into the light and allow it to project different shapes on the wall) rotating and changing shapes. This option is more ex-pensive but can certainly be hired instead of purchased without breaking your budget.

3. Mood and Drama

Different colours can drastically change the mood and intensity to a show. Use darker colours like blue or violet for a dramatic blues effect or colours like amber or red to add energy to the performance. The light source would usually be a par can or a wash led bar. These can be placed in dif-ferent locations e.g. shining from the side onto the performers to add another dimen-sion of colour to the show.

Always make sure the lead performer or singer is washed by a brighter colour than the rest of the band to draw attention to them. If there is no lead performer as such, then we recommend that all members of the band are highlighted by the brighter colour in clear contrast with the back-ground lighting.

To be continued.. Check out our next Newsletter



P64LED 30W LED PArCAN

Par 64 RGB 30W with 183 LEDs, Piggy Back Plug, double yoke allows it to stand on the floor inde-pendently. DMX or sound active. Black or Polished.

Need The Perfect “Multi-Use” Lighting System that Can Dazzle Any Event?Par Cans and Flood Lights

The brand LightEmotion is an Australian brand that has been around since 1992. It is manu-factured by the same factories that make for many worldwide brands like Martin, Chauvet, American DJ and others. If you are not familiar with the brand, you are most probably familiar with the products, just with a gold plated badge on them. We like to keep things ‘real’! Why pay

for an overpriced badge, when you can have the same product with the Aussie LightEmotion brand on it? We guarantee the products’ quality and longevity. LightEmotion has been installed in more venues and schools across NSW, QLD than any other brand in its class. If you don’t believe us, take a look at the testimonials..

The traditional Stage Par Can has been replaced by LED alternatives. The most basic

7x3W RGB 3-in-1 LED Tri-colour Flat Par can. Comes with a double yoke so it can be used as a floor based fixture. Sound activation or DMX

FLAT0307 FLAT PAr CAN

$239.00FLAT0307

UV LED Flood Light - 18 x 1W LED UV Brick. Programmable effects like dimming and strobe. Controlled by DMX.

uVLED18 uV LIGHT

$329.00UVLED18

Narrow, streamlined design LED flood light, 35W LED RGB Wash Light, 384 LEDs. DMX, sound active. Great for uplighting and general flood lighting.

35W LED BAr

$269.00LEDBAR

Par 64 RGB 30W with 183 LEDs, economy version. DMX or sound active. Black or Polished.

P64LED 30W BuDGET LED PArCAN

$139.00P64LEDLITE

12x10W 6-in-1 LED Flat Can RGBWAUV. 40 degree beam angle ensures great coverage. DMX or sound activated.

FLAT1212 120W FLAT PAr CAN

$529.00FLAT1212

3 in 1 RGB Parcan. 40 or 80 degree beam angle. COB LED technology with one LED emitting the light instead of multiple LEDs. Excellent colour mixing

P64100rGB 100W COB LED CAN

$469.00P64100RGB

12 x 5w QUAD (RGBW) IP65 outdoor LEDBAR with individual pixel control

60W QuAD LED BAr

$699.00LEDBAR5QUADO

$169.00P64PLED

P645QuAD 60W LED PArCANS12 x 5W Quad LED Parcan. Uses 4in1 LEDs to produce vivid colours with great colour mix. DMX, stand alone or sound activated. Black or Polished

$479.00P645QUADB2

$479.00P645QUADP2

LED parcans have a mixture of small LEDs of the colours Red, Green and Blue. The mixture of these 3 colours results in an endless variety of projected colours.

More sophisticated LED lights have larger LED’s where colours are combined within one LED. This gives a superior colour mix and less ‘colour shadowing’, which is typical of more basic LED cans.

$169.00P64LEDblack

black

polishedpolished




Ultra-convenient & port-able package. 4xLED RGB heads mounted on a T-Bar, with lighting stand, foot controller & compact carry case. Quick Setup.

PArBAr LED BAr

$479.00PARBAR

Tri LED Parbar with 28 3W Tri LED (3-in-1 RGB). Much brighter than PARBAR. Uses TRI LEDs (one LED has all 3 RGB colours) for better colour mix

PArBAr LED BAr

$799.00PARBAR3TRI

Latest model with 2x8W RGBWA LEDs, DMX & sound active. Very popular effect with wide spread of colours easily filling the room.

rAZOrTrI LED DISCO EFFECT

$199.00RAZORTRI

1500W strobe with vari-able brightness. Manually dimma-ble for where full brightness is not required. Also DMX controllable to fit within a full lightshow

ST1500 STrOBE LIGHT

$149.00ST1500

Mirrorballs

The Mirrorball, The classic disco icon that’s timeless! With an ABS (heavy duty plastic) core these balls are built tough with high quality glass tiles casting a fascinating pat-tern of dappled light spots across the room. Mirror balls range from 6 to 20 inches, but can be custom made to many sizes and shapes. Smaller Mirrorball sizes can be used in clusters to create an amazing effect.

Moving heads

The LX60 and 90 LED moving heads feature a super bright white LED light source which coupled with superior optics provides delivers a powerful and brilliant beam of light. Both models have a colour wheel with 6 colours plus open, 7 bi-direc-tional interchangable rotating gobos, 0-100% dimming, strobing and a three facet prism.

They also feature DMX controllable focus which means blurry patterns no longer have to become part of your lightshow. Light weight and compact.

90W LED Moving Head Spot. Shares the quali-ties of the 60W version. Features super-bright LED source.

$1,199.00LX90SPOT

Mirror Ball 6” clear (classic) 16cm

$13.95MB06


$29.95MB10


$60.00MB16


$30.00MB12


$109.00MB20


$19.95MB08

60W LED Moving Head Spot. Light and compact.

$999.00LX60SPOT



Lighting Control optionsMost lighting controllers rely on a protocol called DMX. DMX allows individual functions of a light to be controlled by an external controller. Functions such as colour, bright-ness, blackout, gobo (projected shapes, e.g. in moving heads), XY movement (where applicable) are examples of what you can control via an external DMX controller. DMX is not a necessary feature in a light unless you have a larger number of lights to control simultaneously or if you need to control the exact movement of more complex lighting fixtures such as moving heads.

Budget Lighting Stand with T Bar. 2.5m

LTS6 LIGHTING STANDS

$59.00LTS6

3m x 3m Push Up FLAT Truss System with T Bars. Compact, light weight truss-ing system. Ideal for small applications. Load capacity 120 kg

TLTS30T TruSS SYSTEM

$249.00LTS30T

Sunlite EC with 3D visualiser, 1024 DMX channels and standalone mode. Can operate on backed up programs without the PC.

$1,099.00SUNLITE2EC

Aluminium Lighting Stand with T Bar and Side Arms. 3.25 m. Detachable side arms allow for several fixtures (8 in total) to be mounted on the stand

$139.00LTS1B

Tri truss 300mm x 2m, 2mm thick with global compat-ible connection. Other sizes and accessories available. Call us.

TruSSING

$249.00TT32

Sunlite First Class version with added features like Time lines, Cycle mgmt, and MIDI control. Best for full control in live applications

$1,499.00SUNLITE2FC

Double Lighting Stand / Truss Bag. Tough, durable and makes transporting your equipment a breeze.

TruSS ACCESSOrIES

$19.95LTSBAG2

Has 240 scenes, 6 chases already built in. 192 DMX channels.

DMX192 DMX CONTrOLLEr

$199.00DMX192

12 scenes per page & up to 8 pages. 96 effective playback faders.

DMX48 DMX CONTrOLLEr

$349.00DMX48

Sunlite DMX Light-ing control software with 3D visualiser, 512 DMX channels extendable to 1024 channels by sacrificing the DMX input.

LIGHTING CONTrOL SOFTWArE

$999.00SUNLITE

Controller for the P64LED, P64PLED and P64PLEDLITE. This makes it simple to control the P64LED can series without the need for a complex DMX controller.

PArCAN CONTrOLLEr

$149.00P64LEDC

Galvanised Safety Cable with Snap Hooks. A rated breaking strain of 250kg $7.95

SC75

Spigot for Lighting T-Bar connector. Used for attaching lighting products

$19.95DRB004




Effect MachinesFog Machines emit thick fog, which can be used for theatrical applications or in dance parties to show the lighting beams in the air. Fog machines vary in power depending on the amount of smoke required. Low lying foggers produce fog that stays low to the ground which is perfect for stage and theatre.

Haze machines produce thin haze which his less visible in the air. It is used for enhancing the lighting effect in the air without the overwhelming thick fog.

800W fog machine is ideal for smaller applications with low-fluid indica-tor to protect the machine from damage. Output is 85m3 / min.

W508 WIrELESS FOG MACHINE

$329.00W508

3000w DMX controllable fog machine. Ideal for large venues and outdoor events. Output is 1132m3 / min.


$1,099.00W530

1000w DMX controllable fog machine is great for small to medium applications. Output is 425m3 / min.


$579.00W510

Low Lying Fog machine 1000w, holds up to 10kg of ice

LOW LYING FOGGEr

$1,149.00ICEFOG

Medium Haze machine. Wireless / DMX control. Low fluid consumption rate: 21 hours of Haze on 1L of fluid. Built-in timer control. Output: 56m3/min

HZ350 HAZE MACHINE

$1,199.00HZ350

Professional Haze Machine with built-in flight case. High-output device for large-scale events. Low noise operation. Completely dry haze. 85 m3/min

HZ500 HAZE MACHINE

$2,199.00HZ500

1500w DMX controllable fog machine. It is ideal for large venues, outdoor events, movie production and many other applications. Output is 566m3 / min.


$899.00W515

Antari Heavy Fog Fluid, 1 Litre. Manufac-tured for higher quality and longer lasting odourless fog.

HEAVY FOG FLuID

$14.95FLG1

“We used the ICEFOG on the television series “Terra Nova” and

film production of ‘I Frankenstein’. Fantastic effect!”

An economical hazer that uses fog fluid instead of haze fluid. Self-cleaning technology ensures added reli-ability. DMX/remote controlled. 7hrs/1.3L tank

Z350 FAZE MACHINE

$599.00Z350

Odourless, colourless, leaves no residue, non-flammable & complies with Australian health & safety regulations. Long hang time & low moisture content

HAZE FLuID - 1 LITrE

$27.50HZL1

Heavy Fog Fluid, 5 Litre

$49.00FLG5

Heavy Fog Fluid, 20 Litre

$179.00FLG20



Some special effects are rarely used in your theatrical application. You can easily rent them for your particular performance at a fraction of the price of purchasing.

Most products in this flyer and many more are available to rent from various Lightsounds stores.

Check if you have a local outlet near you.

Compact Bubble Machine with remote control and timer func-tion. 600mL/hr consumption for a constant stream of bubbles. Use with Antari Bubble Fluid.

Z10 BuBBLE MACHINE

$129.00Z10

With new advanced tech-nology, it’s now even more reli-able & generates 50% more snow than before. DMX or remote control. Output: 180ml/min.

S100X SNOW MACHINE

$699.00S100X

Super Quiet Operation compared to typical Snow machines. Perfect for Theatre. DMX or remote control. Adjustable output. Output: 200ml/min

S200X SNOW MACHINE,

$899.00S200X

Produces white, bubbly foam. Easily regulated output. Foam is safe, clean, odourless & dissi-pates effectively. Output 320ml/min. 5L tank

S120 FOAM MACHINE

$549.00S120

Medium bubble machine with high powered fans blowing bubbles up to 10 metres. Great for outdoor but not weather-proof. 1.2L/hr Fluid consumption.

Z30 BuBBLE MACHINE

$199.00Z30

Antari premium and high-vapory snow liquid. It vaporises easily, snowflakes also disappear faster. 5 Litre Container.

PrEMIuM SNOW & FOAM FLuID

$39.00SL5A

““The Antari S200 is definitely quieter than the previous genera-tion of snow machines and works well for us on set. I wouldn’t buy

any other machine now.”

Dan Oliver, Dan Oliver Special Effects

5L Antari Bubble Fluid. Water-based composition that creates vivid, transparent bubbles. Colorless, odorless & non-flammable.

BL5 BuBBLE FLuID

$45.00BL5

is used to clean & maintain Antari fog and snow machines. Use it regularly to give you the best perfor-mance & the longest lifetime of products.

ANTArI C300 CLEANING SOLuTION

$25.00C300

BuDGET SNOW & FOAM FLuIDDesigned for use with S100 / S120 Foam Machines, the fluid uses De-Ionised water. Safe, non-toxic & 100% biodegradable.

$125.00SL20B

$35.00SL5B

FOG SCENTS

$12.95

AppleFSCENTAP

LemonFSCENTLM

MintFSCENTMT

RoseFSCENTR

StrawberryFSCENTST

1 bottle per 25L of smoke fluid



Why Lightsounds? Reliable products • Affordable prices • Trusted brand

How we can help youBuy

Our range of products is available online. Please visit www.lightsounds.com.au for product information or if you wish to place your order online

Venue Installations

Lightsounds Projects division specialises in specifying and installing the most suitable equipment into your School for a reliable and cost-effective turn-key solution

Hire

You may hire the equipment for your special events thereby converving your budget or to simply try a product out if you are not sure about your choice. Head to www.lightsounds.com.au to browse your local store’s Hire inventory

Event Productions

If you need help with delivery, set up or operation of your hired gear, our experienced team can assist you and take the hassle out of your big day.

Our Locations

NSWKingsgrove

31 / 192A Kingsgrove Rd, Kingsgrove NSW 2208Phone: (02) 9560 0300

NSWWollongong

7 Flinders St, North Wollongong, NSW, 2500Phone: (02) 4226 1177

QLDGold Coast

U2 / 3 United Road Ashmore, QLD, 4214 Phone: (07) 5597 2869

NSWSydney City

170c Riley St, Darlinghurst, NSW, 2010Phone: (02) 9357 1771

NSWNewcastle

18 Maitland Road, Islington NSW 2296 Phone: 1800 55 22 05

QLDToowoomba

109 Russel St, Toowoomba, QLD, 4350Phone: (07) 4632 7377

NSWLiverpool

162 Terminus St, Liverpool, NSW, 2170Phone: (02) 9822 8244

QLDBrisbane

2/72 McLachlan St Fortitude Valley, QLD, 4006Phone: (07) 3852 5566

QLDMackay

Cnr Milton and Heinrich Sts, Mackay, QLD, 4740Phone: (07) 4952 2799

About LightsoundsAs one of the most reliable and affordable sources of professional lighting and audio products and services in Australia. The Lightsounds range of products and services is designed with your educational institution in mind. While we specialise in the latest technology in light-ing and audio, our equipment is designed for durability and will fit with most budgets. We have been supplying reliable and affordable lighting and audio equipment to schools, venues and entertainment professionals since 1995 with excellent feedback.

Lightsounds Head OfficeABN 81 161 547 771

PO Box 887 Kingsgrove NSW 1480

Contact your local store: 1300 881 400 Online order inquiries : (02) 9560 0300

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Documents

Lightsounds School Flyer