Lighting Design Portfolio

L I G H T I N G D E S I G NPORTFOLIO

m a r y m a r b e r r í o s a l b i n o

P O R F O L I O

marymar berríos albino787-247-1037

[email protected]

MFA lighting design the new school of design

4

SCHOLAR’S LIBRARY

24 hours library

USPLSite A is located in the north side of Union Square Park. This rectangular site is in the mid-dle of the block with just one exposed façade, the south façade. The program is a Scholar’s Library that will be open 24 hours. The high demand of energy of a 24 hour program requires an efficient energy strategy. This site has 2 main challenges to maintain its functioning as much efficient possible. One; is to minimize the direct sunlight to get into the building throw the south façade and two; take advantage of skylight as a desirable daylight penetration in the spaces, considering the program is a library and ambient light is highly recommended. It is important for this matter the use of materials, apertures in the right proportions, program orientation and floor plan density are important base where the control systems layer will be supporting.

Top, Mass concept diagram

Bottom, Panoramic view from building

sw sw

5

1- Reading Area | 742 sq/ft2- Lounge | 194 sq/ft3- Lobby | 185 sq/ft4- Reading Area | 1,454 sq/ft

A- ServiceB- StairsC- Elevators

5- Reading Area | 742 sq/ft 6- Lounge | 194 sq/ft7- Lobby | 185 sq/ft8- Stacks | 1,258 sq/ft

9- Reading Area | 742 sq/ft10- Terrace | 1,959 sq/ft11- Lounge | 194 sq/ft12- Lobby | 185 sq/ft13- Reading Area | 1,139 sq/ft

14- Reading Area | 742 sq/ft15- Reading Area | 1,906 sq/ft16- Lounge | 194 sq/ft17- Lobby | 185 sq/ft18- Reading Area | 1,306 sq/ft

19- Reading Area | 742 sq/ft20- Stacks | 1,835 sq/ft21- Lounge | 194 sq/ft22- Lobby | 185 sq/ft23- Lounge | 285 sq/ft24- Stacks | 1,435 sq/ft

25- Gallery | 742 sq/ft26- Auditorium | 1,414 sq/ft27- Lounge | 194 sq/ft28- Lobby | 185 sq/ft29- Cafe | 1,103 sq/ft

30- Lounge | 194 sq/ft31- Lobby | 185 sq/ft32- Security | 353 sq/ft33- Lounge | 706 sq/ft34- Entrance/Foyer | 1,028 sq/ft

35- Lounge | 742 sq/ft36- Lounge | 194 sq/ft37- Lobby | 185 sq/ft38- Study Room | 355 sq/ft39- Stacks | 4,184 sq/ft

NO DAYLIGHT

DAYLIGHT & VIEW

SOME DAYLIGHT

CIRCULATION

Skylight

Winter Solstice 4:00 PM

Sum

mer

Sol

stic

e 1:

20 P

M

1 286%

65%

55%

86%

80%

43%

80%

71%

Only electrical lighting

Only daylight

Primary daylight zone of Direct Sunlight 8%

Daylight + electricalW E N S

Explode 3D with areas and zones

Longitudinal Section with daylight penetration analyisis

6

0 fc

50 fc

40 fc

30 fc

20 fc

750 fc

1500 fc

The organization of zones with their respec-tive occupancy sensors, manual controls and photocells will help to improve the efficiency of the architectural decisions. The controls must support the control requirements by ASHRAE 90.1 2010.

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W30 Wall washer

Metalux SNF

C20 Ceiling washer

CFR12 Linear Flourescent

Ba-os Occusmart

Quintessence round

id 4.5”

Ledline

Hydrel 4750

Calculite 8011WW

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Second floor plan

Daylight and electrical light combined

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0 fc

50 fc

40 fc

30 fc

20 fc

750 fc

1500 fc

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W30 Wall washer

Metalux SNF

C20 Ceiling washer

CFR12 Linear Flourescent

Ba-os Occusmart

Quintessence round

id 4.5”

Ledline

Hydrel 4750

Calculite 8011WW

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Forth floor plan

Electrical light only

Third floor plan

8

View from Union Square Park - South facade, night and day rendersDuring the night the building expose its light structure.

9

Interior view of reading area - change of daylight and electrical light in the space provide different

layers of information

10

3A

2A

A

GLOWING SHOE BOX

LIT SHOE BOX

LIGHT CASE SHOE BOX

DARK SHOE BOX

PROPORTIONS SHOE BOX

6”

? !

=

- +scale

NIKE OFFICES

NIKE NYC headquaters

Shoe BoxNike offices in NYC are design having in mind the importance of the brand and their connec-tion with the product as the user not only the shoe. This allow to translate different effects of light that give the user the idea of connection between his body and the brand.

11

_ [RECOM

MEN

DATIO

NS IES & LPD

]

SMA

LL CON

F. ROO

M333 SQ

.FT

ASH

- 1.3TAW

PR- 393.9IL H

- (40) 30-50IL V- (10) 5-30

VERTICAL

CIRCULATIO

N413 SQ

.FT

ASH

- 0.6TAW

PR- 247.8IL H

- (50) 30-50IL V- (20) 5-30

RECEPTION

/W

AITIN

G A

REA707 SQ

.FT

ASH

- 0.9TAW

PR- 636.3IL H

- 10IL V- 3

ENTRY

115 SQ.FT

ASH

- 3.2TAW

PR- 369IL H

- (40) 50-100IL V- (30) 20-50

FLEXIBLE SPACE1983 SQ

.FT

ASH

- 1.7 TAW

PR- 3371.1 IL H

- 15-20IL V- 5-20

DISPLAY

96 SQ.FT

ASH

- 2.6 TAW

PR- 249.6IL H

- (100) 150-200IL V- (100) 50-200

OFFICES

1,189 SQ.FT

ASH

- 1.11TAW

PR- 1,319.79IL H

- (30) 30-100IL V- (10) 10-50

LOU

NG

E141 SQ

.FT

ASH

- 1.2TAW

PR- 169.2IL H

- (20) 30-100IL V- (5) 10-50

COPY RO

OM

157 SQ.FT

ASH

- 0.63TAW

PR- 98.91IL H

- 10IL V- 3

LUN

CH RO

OM

445 SQ.FT

ASH

- 1.2TAW

PR- 534IL H

- 10IL V- 3

LARG

E CON

F. RO

OM

510 SQ.FT

ASH

- 1.3TAW

PR- 663IL H

- (50) 30-50IL V- (20) 5-30

LOU

NG

E259 SQ

.FT

ASH

- 1.2TAW

PR- 310.8IL H

- (10) 30-100IL V- (5) 10-50

OPEN

OFFICE

2,860 SQ.FT

ASH

- 1.1TAW

PR- 3,146IL H

- (30) 30-50IL V- 5

OFFICE

164 SQ.FT

ASH

- 1.11TAW

PR- 550.56IL H

- (30) 30-100IL V- (10) 10-50

COPY RO

OM

106 SQ.FT

ASH

- 0.63TAW

PR- 98.91IL H

- 10IL V- 3

EXECUTIVE O

FFICE397 SQ

.FT

ASH

- 1.11TAW

PR- 440.67IL H

- (40) 30-100IL V- (10) 10-50

VERTICAL CIR-

CULATIO

N413 SQ

.FT

ASH

- 0.6TAW

PR- 247.8IL H

- (50) 30-50IL V- (20) 5-30

LPD A

LLOW

ED

LPD D

ESIGN

ED

RECEPTION/WAITING AREA

SMALL CONFERENCE 1ST

LARGE CONFERENCE 2ND

PRIVATE OFFICES 1ST

LOUNGE 1ST

STAIRS

LOUNGELINEAR FLOURESCENT

ELEVATOR LOBBYRECESSED DOWNLIGHT - HALOGEN

STAIRSLIGHT LINE PANEL SYSTEM - LINEAR FLOURESCENT

DISPLAY

FLEXIBLE SPACERECESSED

DOWNLIGHT

FLEXIBLE SPACERECESSED

DOWNLIGHT HALOGEN

FLEXIBLE SPACE“THEATRICAL” TRACK

LIGHT SYSTEM

RECEPTIONFLOURESCENTFLOOR RECESSED WALL WASHER

RECEPTIONRECESSEDDOWNLIGHT

COPY ROOMCOVE - LINEAR FLOURESCENT

DISPLAYWALL WASHER FLOOR RECESSED

A A

BB

scale: 1’-0”= 1/8”

COPY ROOMCOVE - LINEAR FLOURESCENT

ELEVATOR LOBBYDOWNLIGHT - HALOGEN

STAIRSLIGHT LINE PANEL SYSTEM - LINEAR FLOURESCENT

OFFICECOVE - LINEAR FLOURESCENT

FILINGRECESSED DOWN-LIGHT

LIGHT LINE PANEL SYSTEM - LINEAR FLOURESCENT

KITCHEN/LUNCH

DESK LIGHTINGLINEAR FLOURESCENT

LOUNGEWALL WASHER

A A

BB

12

street level

second �oor

third �oor30’-8”

16’-8”

0’-0”

scale: 1’-0”= 1/8”

13

street level

second �oor

third �oor30’-8”

16’-8”

0’-0”

scale: 1’-0”= 1/8”

14

Marymar Berrios

Equidistant Projection Analysis Series

undesirable

undesirable

desirable

unde

sirab

le

Marymar Berrios Albino Daylight & Sustainability Sp12 A PGLT.5143.A.Sp12.2370

Equidistant Projection Analysis Seriesovershadowing diagram + sun chart + viewshed analysis

north

true south

eastwest

Overshadow analysis at 36 feet over ground level

*36 feet

Z02 l R 0.2

Z01 l R 0.3

Z06

l 0.4

Z0

5 l R

0.2

Z0

4 l R

0.4

Z03 l

R 0.3


Equidistant Projection Analysis SeriesERC + SC + Sky Component

0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100%

100%white

100%black

LRV Scale

OVERCAST 936 DOTS

zone dots reflectance total Z 01 242 x 0.3 = 72.6Z 02 146 x 0.2 = 29.2Z 03 115 x 0.3 = 34.5 Z 04 1 x 0.4 = 0.2Z 05 0 x 0.2 = 0Z 06 1 x 0.4 = 0.2SKY 431 x 1.0 = 431.0

567.7 ERC 56% SC 43%

Z02 l R 0.2

Z01 l R 0.3

Z06

l 0.4

Z0

5 l R

0.2

Z0

4 l R

0.4

Z03 l

R 0.3


Equidistant Projection Analysis Seriesroom drawing + glazing + IRC

0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100%

100%white

100%black

LRV Scale

0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100%

100%white

100%black

LRV Scale

CLEAR SKY 976 DOTS

zone dots reflectance total Z 01 226 x 0.6 = 135.6Z 02 74 x 0.6 = 44.4Z 03 137 x 0.4 = 54.8 Z 04 0 x 0.6 = 0Z 05 1 x 0.4 = 0.16Z 06 2 x 0.6 = 1.2SKY 536 x 1.0 = 536

772.16 ERC 77% SC 53%

90%

90%

90%

80%

80%

90%

50%

0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100%

100%white

100%black

LRV Scale


*36 feet



WALL

W

ALL

GLASS & FILTERS

WAL

L


Equidistant Projection Analysis Seriesovershadowing diagram +sun chart + room drawing + glazing +solar radiation




Equidistant Projection Analysis Seriesovershadowing diagram + sun chart + overheated period + shading mask + shading device

Horizontal Worst Case Pro�le Angle : 26o

VerticalWorst Case Pro�le Angle : 40o









August 12:30-3:30SW 1161 Btuh 1/2 Day

1. 4+5+6+6+7+7 = 35%

2. 1161 x .27 x .35 = 109.71 btuhs avoided during 3 hour period

109.71 btuh x 350 sf = 38,398.5

3. 38,398.5 / 1,200 sf = 31.99

Estimate cost savings

4. 38,398.5 btuh / 3.4 watts = 11,293.67 watts/hr 11,293 x .33 = 3,726.69 watt/ hr of cooling energy saved

3,726.69 x 17 C per kwatt / hr =63 C



26O

W29.8

E

S

N

oW

29.8

E

S

N

o

Marymar Berrios


Marymar Berrios


undesirable

undesirable

desirable

unde

sirab

le



north

true south

eastwest


*36 feet

Z02 l R 0.2

Z01 l R 0.3

Z06

l 0.4

Z0

5 l R

0.2

Z0

4 l R

0.4

Z03 l

R 0.3



0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100%

100%white

100%black

LRV Scale

OVERCAST 936 DOTS


567.7 ERC 56% SC 43%

Z02 l R 0.2

Z01 l R 0.3

Z06

l 0.4

Z0

5 l R

0.2

Z0

4 l R

0.4

Z03 l

R 0.3



0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100%

100%white

100%black

LRV Scale

0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100%

100%white

100%black

LRV Scale

CLEAR SKY 976 DOTS


772.16 ERC 77% SC 53%

90%

90%

90%

80%

80%

90%

50%

0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100%

100%white

100%black

LRV Scale


*36 feet



WALL

W

ALL

GLASS & FILTERS

WAL

L


















1. 4+5+6+6+7+7 = 35%


109.71 btuh x 350 sf = 38,398.5

3. 38,398.5 / 1,200 sf = 31.99



3,726.69 x 17 C per kwatt / hr =63 C



26O

W29.8

E

S

N

oW

29.8

E

S

N

o

Marymar Berrios


Marymar Berrios


undesirable

undesirable

desirable

unde

sirab

le



north

true south

eastwest


*36 feet

Z02 l R 0.2

Z01 l R 0.3

Z06

l 0.4

Z0

5 l R

0.2

Z0

4 l R

0.4

Z03 l

R 0.3



0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100%

100%white

100%black

LRV Scale

OVERCAST 936 DOTS


567.7 ERC 56% SC 43%

Z02 l R 0.2

Z01 l R 0.3

Z06

l 0.4

Z0

5 l R

0.2

Z0

4 l R

0.4

Z03 l

R 0.3



0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100%

100%white

100%black

LRV Scale

0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100%

100%white

100%black

LRV Scale

CLEAR SKY 976 DOTS


772.16 ERC 77% SC 53%

90%

90%

90%

80%

80%

90%

50%

0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100%

100%white

100%black

LRV Scale


*36 feet



WALL

W

ALL

GLASS & FILTERS

WAL

L


















1. 4+5+6+6+7+7 = 35%


109.71 btuh x 350 sf = 38,398.5

3. 38,398.5 / 1,200 sf = 31.99



3,726.69 x 17 C per kwatt / hr =63 C



26O

W29.8

E

S

N

oW

29.8

E

S

N

o

Marymar Berrios


MICROPROJECTdaylight module

InBetween

Daylight module proposal investigate the light experience in between two layers. These two different layers provide deepness and orientation of light and views. One layer provide the filter for light and the other a diffuse reflector for it. This combination allows to have a two light qualities in order to balance the space.

Skylight GlazingAllows the direct Sunlightto get into the space

Facade Glazing(fritted, frosted and clear)Diffuse light beforeit enters the space

Back Wall (Diffuse)Diffuse the direct Sunlight after it gets into the space

Facade LouversCut the amount of light

summersolstice

equinox wintersolstice

30

50

70

90

110

40% and 60%covereage

Low - E - VE-130 ClearLow - E - Fritted 40% and 60% (1 & 2)

15’ 2.5 WH = 21.5 x 2.5 = 53.75’

15’ 2.5 WH = 21.5 x 2.5 = 53.75’

Primary Daylight Zone Secondary Daylight Zone

15’ 2.5 WH = 21.5 x 2.5 = 53.75’

15’ 2.5 WH = 21.5 x 2.5 = 53.75’


summersolstice






summersolstice


30

50

70

90

110



15’ 2.5 WH = 21.5 x 2.5 = 53.75’

15’ 2.5 WH = 21.5 x 2.5 = 53.75’


15’ 2.5 WH = 21.5 x 2.5 = 53.75’

15’ 2.5 WH = 21.5 x 2.5 = 53.75’


summersolstice


15





summersolstice


30

50

70

90

110



15’ 2.5 WH = 21.5 x 2.5 = 53.75’

15’ 2.5 WH = 21.5 x 2.5 = 53.75’


15’ 2.5 WH = 21.5 x 2.5 = 53.75’

15’ 2.5 WH = 21.5 x 2.5 = 53.75’


summersolstice






summersolstice


30

50

70

90

110



15’ 2.5 WH = 21.5 x 2.5 = 53.75’

15’ 2.5 WH = 21.5 x 2.5 = 53.75’


15’ 2.5 WH = 21.5 x 2.5 = 53.75’

15’ 2.5 WH = 21.5 x 2.5 = 53.75’


summersolstice






summersolstice


30

50

70

90

110



15’ 2.5 WH = 21.5 x 2.5 = 53.75’

15’ 2.5 WH = 21.5 x 2.5 = 53.75’


15’ 2.5 WH = 21.5 x 2.5 = 53.75’

15’ 2.5 WH = 21.5 x 2.5 = 53.75’


summersolstice






summersolstice


30

50

70

90

110



15’ 2.5 WH = 21.5 x 2.5 = 53.75’

15’ 2.5 WH = 21.5 x 2.5 = 53.75’


15’ 2.5 WH = 21.5 x 2.5 = 53.75’

15’ 2.5 WH = 21.5 x 2.5 = 53.75’


summersolstice


16

INSTALLATION

school installation (group work)

Focal pointThis project required the finding of a space which could be improve by the use of light. The choosen space is located in the second floor of SCE of The New School, Parsons. This space allows two displays areas, one for the entrance and the other for the hall.

image 1 image 1 + concept

jacinda ross + marymar berrios

AGI 32 representation image 1 + AGI 32 representation = photomontage


2´-6´´

reflected ceiling plan1’- 0” = 0’- 3/16”

ushio exz ultra 12v 50w 24 degree spread

ge halogen ir 120v 60w 40 degrees spread

linear spread lens

multidirectional spread lens

before after

17

image 1 + installation idea - main concept


linear space focal point

image 1 image 1 + concept


AGI 32 representation image 1 + AGI 32 representation = photomontage


image 1 + installation

the hookdistortion of extremes

as a trademark of the logo


2´-6´´

reflected ceiling plan1’- 0” = 0’- 3/16”

ushio exz ultra 12v 50w 24 degree spread

ge halogen ir 120v 60w 40 degrees spread

linear spread lens

multidirectional spread lens

before after

18

Marymar Berríos-Albino/ Luminaire Design / Scott Hershman / Kenneth Kane

20 W Walkway

IL20 - InLineSPEC SHEET

Application: Outdoor/indoor wall, stair, and walkway illumination.

Electrical: 20W MR-16. Powered by integral 120V Power Consumption:

23 W

Material: Die Cast (exterior), galvanized sheet metal (recessed).

Mounting: Vertically positioned face plate mounts to single, gang box (recessed). Optimal mounting distance is 24”

Approval: Wet and dry locations.

66

Note: Can be used as emergency backup lighting.

Type:

Distribution:

Project:

Modified:

Quantity:

Notes:

Color black = 013white = 014gray = 015

Front viewSide view

Detail

NF = narrow flood (24°) F = flood (36°)

CODE WATTAGE LAMP BEAM Ballast FINISH

IL20 - - Powder coated - 013

E = electronic 120V to 12V

20 W

MR16

MR-16

= 3000K, std CRI

Note: Standard CRI has a value of 95-100.

12-2011MB

Ballast: Electronic ballast 12 V to 120 V

.93

.83

.82

.73

.63

.62

2.2

2.2

3.3

3.8

3.9

2.8

4.8

4.4

3.6

3.4

3.4

3.6

1.6

1.2

1.8

3 1/8”4”

4”3 1/8”2 1/16”

3 7/8”

3 1/8”

3 1/8”

3 1/8”

3 1/8”

Minimum footcandles: 0.62Maximum footcandles: 4.8Average footcandles: 2.40Average to Minimum uniformity: 1:2Maximum to Minimum uniformity: 8:1

3 1/8” 3 1/8”4”

4”

3 1/8” 3 1/8”2 1/16”

1 1/2”

3 7/8”

.93

.83

.82

.73

.63

.62

2.2

2.2

3.3

3.8

3.9

2.8

4.8

4.4

3.6

3.4

3.4

3.6

1.6

1.2

1.8

LUMINAIRE DESIGN

pathway light fixture

InLineUsing a light line (wall - horizontal reference) in conjuntion with a task light (floor) is posible to give time and space reference. Design and Spec sheet are part the understanding of materi-als and process of manufacture.

3 1/8”

3 1/8”

SIDE VIEW

3 1/8”4”

4”

3 1/8”2 1/16”

1 1/2”

3 7/8” SECTION

19

LIGHTBOX

light intensity and pattern

This project is based in a light effect capture in an photograph. The translation of a light effect throw sources , materials and tecnique experi-

mentation give life to a light box.

20

TABLE TOP

cutlery design

the Complement

The Complement pice works like to pices a fork and a knife, but their flat surface between them make a direct relationship of the pieces.

21

The resting spoon, allows to mantain it always on the plate. This considerations are important

for higenic purposes but also aesthetically.

22

photoshop render

Day & NightExploration of day and night throw the use of light in photoshop. The original images are the day time and the night time is a interpretation of how it could change the light layout.

PHOTOSHOPEXPLORATION

23

24

DIGITALREPRESENTATIONtriptic and views

Furniture, space and light

The exploration of 3D modeling as a continua-tion of design was motivation in this class. The process of modeling started with the selection of existing furniture designs. These selections were arrange as a composition into a 25’ x 40’ x 20’ volume. The evolution of furniture modeling a spacial composition allowed an interior space to emerge. To get a realistic imagery from this project was important to assign materials, fin-ishes and colors to the furniture pieces but also to the volume. My approach to this project was to have a play between the furniture composition with daylight (model daylight) to create interesting reflections and shadows.

The first triptych is a play between the light and the individual pieces of furniture. The use of close-ups helped to create interest in the differ-ent textures, and the use of light is the catalyst to overlap these textures.

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The second triptych is the furniture composition in interplay with the light but also between them.

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Theater Building

Administration Building

Music Building

Dance and Fine Arts Building

HSA HARLEM SCHOOL OF ARTSart school

ConnectorHarlem School of Arts is located at Nicholas Ave between 145th and 141st streets. With an impor-tant history of community place for arts develop-ment HSA need to be an open and welcoming place. However, this building was constructued in the mid 70’s and it was though as an oasis from the turbulent context of that moment. The change in the context of HSA promote the repo-sitioning of the school in the community, creating opportunities to rethink their infrastructure. The proposal is to incorporate a connector into the existing scheme to promote the exaltation of each disciplines within the building. This move allowed to open the entrance to the building creating an exterior plaza from where is pos-sible to see this connection. Nevertherless, this connector is though as a dinamic element that changes during the day and night depending of the sun movements and activities happening in the building.

The connector is morphologically connected with the sun path and the program.

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AA

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Daylight Concepts Electrical Lighting Concepts

Separate through quality of light, unify by patterns

Concept

9:00 am 6:00 pm

9:00 am 6:00 pm

By using massing orientation is possible to manipu-late different qualities of light at the same time of the day. This can help to read each one of the school departments as differnt identities inside of the art umbrella. At the same time this elements would be unify by patterns.

LD + ID

Music furniture

Bridge furniture

Bridge furniture

Cafe furniture

Fine Arts furniture

Section AAScale 1/8” - 1’-0”

Exploted IsoThe integration of lighting design and interior design allowes the dinamic environment experience in th bridge

Section BBScale 1/8” - 1’-0”

The use of color and materials allows the light to transform the connector and adjacent areas

during the day and night.

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Equidistant Projections and Sun View Studies

To achive different qualities of light in the building is necessary to analize the sunlight exposure through the year and focus in the specific desire moods and experiences.

Location: 40.7°N, -73.9°E Tempeture and Sky Coverage

HsaAllied StudioMarymar Berrios Albino, Shu Zhao, Justin UhrGroup 5

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LD ProblemHarlem School of Arts exhisting layout mixes the different disciplines without enphasizing there characteristics.

Light CatcherThe experimentation of real daylight conditions show the opportunity of using reflected light to color the bridge.

“Bridge-Connector”

ProposalBy the use of a central piece -bridge- the day-light would be catch and redistributed. These distribution would transform the ligth by re-flecting it over colored surfaces representing the dinamic exhistance of the all the disciplines.



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The Caffe area design allows daylight penetra-tion and interaction with the context.

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Gallery, space conectec to the main bridge (con-nector). The use of integrated lighting into the

skin is essential to the transition of spaces.

Dance if you want to...Dance if you want to...Dance if you want to...

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Dance if you want to...Dance if you want to...Dance if you want to...Dance if you want to...

The combination of Miami and 80’s came back to inspire this club. South-side is a retro music club that revive the neon colors.

SOUTHSIDE CLUB

Dance if you want to...Dance if you want to...Dance if you want to...

tropical color light


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Brinkley’s Station is located at 153 E 60th Street. The use of wood and warm textures was mixed with warm color temperature lighting design. The use of two different color temperatures 2700 K and 3000 K gave the space a dinamic feeling.

Images from: Google images

BRINKLEY’S STATIONAxon Design Inc. (Freelance work)


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BABABABA

BABABABA

DA

DADADADADA

DADADADADA

SA SA SA

SB

PA PA PA PA PA PA

LALA

LALA

LA

LA

LA

LA

LAWA

WA

LELE

LE

LELELELE LELE

LELA

LA

LALA

LA LA

LA

LD LD LD LD LD LD

LBLB LC LC LC LC LB LB

LA

PA PA PA PA PA PA

SA

SC SC SD

SA SA SB

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Ruggles Residence is a 1,600 sf. loft located in Tribeca. The space is divided into 3 bedrooms, 2 full bathrooms, kitchen, living and dining areas. Art display and relax atmosfere were taking into consideration through the use of dimming controls.

RUGGLES RESIDENCE residencial

Tribeca Loft

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Detail A

Ruggles ApartmentLaight St. #3S

Re�ected Ceiling Plan

M F A LIGHTING DESIGNPARSONS - THE NEW SCHOOL

m a r y m a r b e r r í o s a l b i n o

Documents

Lighting Design Portfolio