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Draft – 1/11/2011 Writing Is for Knucklehads Grade 4 Writing Camp Lesson: Adding the “Beef” to a Draft with the Reviser’s Toolkit Objective: Good writers strengthen and revise narrative drafts by adding thoughtshots, sensory details, dialogue, and action that “shows, not tells.” Materials: Knucklehead or Spaceheadz booktrailer video Reviser’s Toolkit slide show Enlarged copy of War excerpt from Jon Scieszka’s autobiography, Knucklehead Reviser’s Toolkit: Where’s the Beef? graphic organizer (student copy) TAKS 2010 Writing Sample: My Motorcycle (student copy) Student drafts for revision Notebook, paper, pencil, scissors, and tape Chart paper and markers Note: Prior to the lesson, preview the Knucklehead booktrailer as it includes some words and/or content that may be objectionable. Additionally, decide whether students will revise an existing draft or whether they will collaborate with a partner to create revise the student writing sample, My Motorcycle. Connection connect today’s work with our ongoing work explicitly state my teaching point Ask students to stand and stretch their arms as high as they can. Challenge them to stretch even higher on a second attempt. Explain that often people don’t do their very best on their first attempt at something. This is especially true when writers are composing the first draft of a story. Remind students that writers dig into their “Reviser’s Toolkit” to polish and refine their drafts for an audience. Specifically, good writers strengthen and revise their stories by adding thoughtshots, sensory details, dialogue, and action. It’s important that writers “show, not tell” their story. Today, students will examine strategies that will help them revise their drafts to create an enticing, action‑packed story. Teach restate and tell a personal or class story connected to the teaching point demonstrate by thinking aloud and point out things students should have noticed Remind students that our five senses provide writers with important sensory details that can help us create a movie in the minds of our readers. Tell students that you would like them to use their senses to pay attention to the images and actions they see and the sounds they hear in a book trailer from the author, Jon Scieszka. Introduce the video trailer by explaining that Scieszka grew up in a household of 6 boys. He was the second oldest, and he learned a valuable lesson from his eldest brother Jim who grew up to be a lawyer. Scieszka discovered that if you were the one telling the story, it could save you from a “heap of trouble.” Show the booktrailer video, Knucklehead or Spaceheadz, and ask students to share some of the sights and sounds from the short clips. Discuss the impact on the effectiveness of the booktrailer if some of the key sights and sounds were left out. Connect the important idea that sensory details, dialogue, thoughtshots, and action help readers to create the “sights and sounds” of the story using a “show, not tell” approach. Introduce the Text Dude found on slide 1 of the Reviser’s Toolkit slide show. Click the mouse to reveal each item. Slide 2 introduces the acronym – BEEF, which comes from the 80s sloan, “Where’s the Beef?” Teachers may show the Where’s the Beef? ad to explain the idea that the details make the difference in a well‑crafted narrative. On slide 3, review the different parts of the BEEF acronym. Display slide 4. Explain that author Jon Scieszka is masterful at helping readers create mental movies of the stories he describes in his autobiography, Knucklehead . In the story, War, Scieszka uses sensory details to help the reader see, hear, and imagine themselves caught in a play battle of war with neighborhood friends. Additionally, Scieszka adds dialogue and his thoughts about the events to create a funny retelling of the experiences. Read aloud the short story and use a think aloud process to help students notice when the author uses the different revision tools. Review the revision tools found on the graphic organizer, Reviser’s Toolkit: Where’s the Beef? and show were each one is found in Scieszka’s narrative using the color‑coded copy of the story. Active Engagement ask students to be actively involved by turning and talking listen, observe, &/or coach their active involvement and share an example of what you heard/observed Explain that students will use the revision strategies to improve a 2‑rating composition from the 2010 TAKS test. Share the writing prompt, and then introduce the story by explaining that the young author describes a time when he helped his dad find his lost cell phone at a garbage dump. In the process, the author unearths a recycled treasure – a motorcycle. Remind students that a 2‑rating composition is the minimum passing standard on TAKS, and therefore, the story needs revision to receive a higher score. Model how to use one or more of the revision strategies by focusing in on a specific event or detail from the story. Then have students work with a partner to use the same strategy to improve a different part of the composition. Listen in on the conversations and share students’ revisions with the whole group. Link restate the teaching point and tell students how what you taught can be used in the future Recap the big ideas shared in the lesson by reminding students that good writers take time to revise their drafts. Remind them that our best writing usually comes after we’ve had a chance to look back and make changes to it. Tell students that they can help readers make a movie in their minds when they add thoughtshots, sensory details, dialogue, and action to a story. “Showing, not telling” is the best way to help readers lose themselves in a well‑crafted story that sticks in their mind long after the piece is read. During the independent writing activity, provide time for students to add thoughtshots, dialogue, action, or sensory details to their draft. Students may cut and paste the revisions into their draft. Have students share their revised stories with the group. Alternatively, students may work together with a partner to revise the student composition, My Motorcycle. Possible Conference Questions How do thoughtshots reveal the feelings you have about the experiences in your story? What sensory details can help the reader see, smell, taste, touch, and hear the sounds in your story? What part of your story might be enhanced with a “show, not tell” type of action scene? Where could dialogue be added to improve your story? Ideas adapted from Gretchen Bernabei’s Crunchtime (2009)

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Page 1: Lesson: Adding the “Beef” to a Draft with the Reviser’s ...storage.schoolnet.com/cfisd/LANG_4_A_Writing Camp_LES_1 Knuckl… · booktrailer as it includes some words and/or

Draft–1/11/2011 WritingIsforKnucklehadsGrade4WritingCamp

Lesson: Adding the “Beef” to a Draft with the Reviser’s Toolkit

Objective: Goodwritersstrengthenandrevisenarrativedraftsbyaddingthoughtshots,sensorydetails,dialogue,andactionthat“shows,nottells.”

Materials: KnuckleheadorSpaceheadzbooktrailervideo Reviser’sToolkitslideshow EnlargedcopyofWarexcerptfromJonScieszka’sautobiography,Knucklehead Reviser’sToolkit:Where’stheBeef?graphicorganizer(studentcopy) TAKS2010WritingSample:MyMotorcycle(studentcopy) Studentdraftsforrevision Notebook,paper,pencil,scissors,andtape Chartpaperandmarkers

Note:Priortothelesson,previewtheKnuckleheadbooktrailerasitincludessomewordsand/orcontentthatmaybeobjectionable.Additionally,decidewhetherstudentswillreviseanexistingdraftorwhethertheywillcollaboratewithapartnertocreaterevisethestudentwritingsample,MyMotorcycle.

Connection connecttoday’sworkwithourongoingwork explicitlystatemyteachingpointAskstudentstostandandstretchtheirarmsashighastheycan.Challengethemtostretchevenhigheronasecondattempt.Explainthatoftenpeopledon’tdotheirverybestontheirfirstattemptatsomething.Thisisespeciallytruewhenwritersarecomposingthefirstdraftofastory.Remindstudentsthatwritersdigintotheir“Reviser’sToolkit”topolishandrefinetheirdraftsforanaudience.Specifically,goodwritersstrengthenandrevisetheirstoriesbyaddingthoughtshots,sensorydetails,dialogue,andaction.It’simportantthatwriters“show,nottell”theirstory.Today,studentswillexaminestrategiesthatwillhelpthemrevisetheirdraftstocreateanenticing,action‑packedstory.

Teach

restateandtellapersonalorclassstoryconnectedtotheteachingpoint demonstratebythinkingaloudandpointoutthingsstudentsshouldhavenoticedRemindstudentsthatourfivesensesprovidewriterswithimportantsensorydetailsthatcanhelpuscreateamovieinthemindsofourreaders.Tellstudentsthatyouwouldlikethemtousetheirsensestopayattentiontotheimagesandactionstheyseeandthesoundstheyhearinabooktrailerfromtheauthor,JonScieszka.IntroducethevideotrailerbyexplainingthatScieszkagrewupinahouseholdof6boys.Hewasthesecondoldest,andhelearnedavaluablelessonfromhiseldestbrotherJimwhogrewuptobealawyer.Scieszkadiscoveredthatifyouweretheonetellingthestory,itcouldsaveyoufroma“heapoftrouble.”Showthebooktrailervideo,KnuckleheadorSpaceheadz,andaskstudentstosharesomeofthesightsand sounds from the short clips.Discuss the impact on the effectiveness of the booktrailer if some of the key sights and soundswere left out.Connecttheimportantideathatsensorydetails,dialogue,thoughtshots,andactionhelpreaderstocreatethe“sightsandsounds”ofthestoryusinga“show,nottell”approach.IntroducetheTextDudefoundonslide1oftheReviser’sToolkitslideshow.Clickthemousetorevealeachitem.Slide2introducestheacronym–BEEF,whichcomesfromthe80ssloan,“Where’stheBeef?”TeachersmayshowtheWhere’stheBeef?adtoexplaintheideathatthedetailsmakethedifferenceinawell‑craftednarrative.Onslide3,reviewthedifferentpartsoftheBEEFacronym.

Display slide 4. Explain that author Jon Scieszka is masterful at helping readers create mental movies of the stories he describes in hisautobiography,Knucklehead.Inthestory,War,Scieszkausessensorydetailstohelpthereadersee,hear,andimaginethemselvescaughtinaplaybattleofwarwithneighborhoodfriends.Additionally,Scieszkaaddsdialogueandhisthoughtsabouttheeventstocreateafunnyretellingoftheexperiences.Readaloud the short storyandusea thinkaloudprocess tohelp studentsnoticewhen theauthoruses thedifferent revision tools.Reviewtherevisiontoolsfoundonthegraphicorganizer,Reviser’sToolkit:Where’stheBeef?andshowwereeachoneisfoundinScieszka’snarrativeusingthecolor‑codedcopyofthestory.

Active Engagement

askstudentstobeactivelyinvolvedbyturningandtalking listen,observe,&/orcoachtheiractiveinvolvementandshareanexampleofwhatyouheard/observedExplainthatstudentswillusetherevisionstrategiestoimprovea2‑ratingcompositionfromthe2010TAKStest.Sharethewritingprompt,andthenintroducethestorybyexplainingthattheyoungauthordescribesatimewhenhehelpedhisdadfindhislostcellphoneatagarbagedump.Intheprocess,theauthorunearthsarecycledtreasure–amotorcycle.Remindstudentsthata2‑ratingcompositionistheminimumpassingstandardonTAKS,andtherefore,thestoryneedsrevisiontoreceiveahigherscore.Modelhowtouseoneormoreoftherevisionstrategiesbyfocusinginonaspecificeventordetailfromthestory.Thenhavestudentsworkwithapartnertousethesamestrategytoimproveadifferentpartofthecomposition.Listeninontheconversationsandsharestudents’revisionswiththewholegroup.

Link restatetheteachingpointandtellstudentshowwhatyoutaughtcanbeusedinthefutureRecapthebigideassharedinthelessonbyremindingstudentsthatgoodwriterstaketimetorevisetheirdrafts.Remindthemthatourbestwritingusuallycomesafterwe’vehadachancetolookbackandmakechangestoit.Tellstudentsthattheycanhelpreadersmakeamovieintheirmindswhentheyaddthoughtshots,sensorydetails,dialogue,andactiontoastory.“Showing,nottelling”isthebestwaytohelpreaderslosethemselvesinawell‑craftedstorythatsticksintheirmindlongafterthepieceisread.Duringtheindependentwritingactivity,providetimeforstudentstoaddthoughtshots,dialogue,action,orsensorydetailstotheirdraft.Studentsmaycutandpastetherevisionsintotheirdraft.Havestudentssharetheirrevisedstorieswiththegroup.Alternatively,studentsmayworktogetherwithapartnertorevisethestudentcomposition,MyMotorcycle.

Possible Conference Questions Howdothoughtshotsrevealthefeelingsyouhaveabouttheexperiencesinyourstory? Whatsensorydetailscanhelpthereadersee,smell,taste,touch,andhearthesoundsinyourstory? Whatpartofyourstorymightbeenhancedwitha“show,nottell”typeofactionscene? Wherecoulddialoguebeaddedtoimproveyourstory?

IdeasadaptedfromGretchenBernabei’sCrunchtime(2009)

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Name: _________________________________ Date: ___________________

Reviser’s Toolkit: Where’s the BEEF?

Thoughtshots

What is your Brain thinking?

Dialogue & Sounds

What are your Ears hearing?

Visual Images

What are your Eyes seeing?

Action

What are your Feet and body doing?

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Source:Knucklehead(2005,2008)

War by Jon Scieszka

1 We told our little brother Tom not to follow us because we were going to war.

2 Tom followed us anyway. 3 “Mom said I could,” said Tom. 4 “Mom’s not going to be the one who takes a dirt clod in

the side of the head and runs home crying,” said Jim. 5 It was the middle of summer. Builders were putting up

new houses on the empty block at the end of our street. The dirt lots were covered with foxholes and trenches and wood – perfect for war.

6 “You’re gonna get hurt,” I said. 7 “No I won’t,” said Tom. 8 “Yes you will,” said Jim. 9 “No I won’t,” said Tom. 10 Jim and I ran down into our dusty foxholes and started

piling up ammo – fist-sized chunks of dried dirt. Perfect dirt-clod grenades.

11 Jim pulled the pin on one with his teeth (just like we’d seen on our favorite TV show, Combat). He chucked the grenade half-sidearm, half-overhand, just like Sarge did.

12 It flew through the air and landed Bam! on a sheet of plywood with a perfect noise and puff of smoke.

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Source:Knucklehead(2005,2008)

13 I heaved another round and made an excellent Thoop! mortar sound.

14 Bam! Puff of smoke. 15 “Hey Scieszka!” someone yelled from behind a pile of

dirt. 16 “Snipers,” said Jim. “We’ll have to take them out.” 17 I nodded. “Roger.” 18 Jim and I launched an all-out attack of dirt grenades,

dirt bombs, and dirt machine-gun fire. All with perfect sound effects.

19 Fred and Bobby D. returned fire. Bam! Boom! Bam! 20 We ducked down in our trench. 21 “We have to outflank them,” said Sergeant Jim. 22 I looked up at Tom standing at the edge of our foxhole

just in time to see an incoming dirt-clock round pop him right in the side of the head. Bam! It made a great puff of smoke.

23 Tom half crouched half sat down. Jim and I looked at him. He looked like he was going to cry.

24 Two more dirt clod bombs dropped behind us. 25 Tom didn’t cry. He jumped into the foxhole. 26 “Charge!” yelled Jim. 27 And we did.

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Source:  Knucklehead  (2005,  2008)  

War by Jon Scieszka  

1 We told our little brother Tom not to follow us because we were going to war.

2 Tom followed us anyway.

3 “Mom said I could,” said Tom.  

4 “Mom’s not going to be the one who takes a dirt clod in the side of the head and runs home crying,” said Jim.

5 It was the middle of summer. Builders were putting up new houses on the empty block at the end of our street. The dirt lots were covered with foxholes and trenches and wood – perfect for war.

6 “You’re gonna get hurt,” I said.

7 “No I won’t,” said Tom.

8 “Yes you will,” said Jim.

9 “No I won’t,” said Tom.

10 Jim and I ran down into our dusty foxholes and started piling up ammo – fist-sized chunks of dried dirt. Perfect dirt-clod grenades.

11 Jim pulled the pin on one with his teeth (just like we’d seen on our favorite TV show, Combat). He chucked the grenade half-sidearm, half-overhand, just like Sarge did.

12 It flew through the air and landed Bam! on a sheet of plywood with a perfect noise and puff of smoke.

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Source:  Knucklehead  (2005,  2008)  

13 I heaved another round and made an excellent Thoop! mortar sound.

14 Bam! Puff of smoke.

15 “Hey Scieszka!” someone yelled from behind a pile of dirt.

16 “Snipers,” said Jim. “We’ll have to take them out.”

17 I nodded. “Roger.”

18 Jim and I launched an all-out attack of dirt grenades, dirt bombs, and dirt machine-gun fire. All with perfect sound effects.

19 Fred and Bobby D. returned fire. Bam! Boom! Bam!

20 We ducked down in our trench.

21 “We have to outflank them,” said Sergeant Jim.

22 I looked up at Tom standing at the edge of our foxhole just in time to see an incoming dirt-clock round pop him right in the side of the head. Bam! It made a great puff of smoke.

23 Tom half crouched half sat down. Jim and I looked at him. He looked like he was going to cry.

24 Two more dirt clod bombs dropped behind us.

25 Tom didn’t cry. He jumped into the foxhole.

26 “Charge!” yelled Jim.

27 And we did.

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TAKS Grade 4 Spring 2010

Rating: 2 Page 1 of 2

My Motorcycle Prompt: Write a composition about a time when you found something. 1 Have you ever found something? Well I know I have it was a rusty old motor cycle. Now let me tell you what happened. 2 It all started when my dad dropped his phone in the trash can right as the trash people came. So we had to go to the junk yard. Then we got in the car and drove to the junk yard. Next we pulled in and showed them his ID and stuff. A guy asked what happened so we told him he dropped his phone and we are here to look for it. They let us in and we were just looking at all of the piles of stuff they had. We parked the car and got out and started looking. 3 He found his phone and right as we were about to leave I saw that rusty old thing. We put it in the truck and left. I took it out of the car and got some tool’s. I losened up the screws and took it apart. After that we went to Home Depto and got some paint. I painted the flames my dad painted the solid black for the back ground. I went to the store and got a brand new engion. I put it in the back and drove home. I took out the old one and put the new one in. I told my friend about it and he came over to help. 4 Then I got some other part’s and connected it to the engion. I went to a key store and brought the

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TAKS Grade 4 Spring 2010

Rating: 2 Page 2 of 2

My Motorcycle

motor cycle. I tried to see if they could find a key to fit it. We had to waight four day’s for them to make a key. We went and got there motor cycle and I turned it on and road it around. I took my friend to his house and told him thank you for the help. I went home and took a shower got drest and layed down. 5 Then I told everybody good night and went to bed. I will always remember that motor cycle I found.