LADY OF THE LAKE AUDITION PACKET

Kevboard l/Conductor

Now we're

WHATEVER HAPPENED TO MY PART?

*f Pop ballad

\6u_t.-u". hap-pened to my part?

SpamalotTour

It was ex - ci-ting at the

I've been off"'J'i+'

haliway through Act Two And I've had nothing yet to

+K2: Stgs. o's

-169-

one un-hap-py di

2. WHATEVER HAPPENED TO MY PART?

15

Spamalot - Tour

The Pro - du-cer's a de-cei - ver There is no-thing I can sing from my

Wha - te - ver hap-pened to my part?

(Tbn.out) !

=

I've got con-stant P. M. S. My ca a- bout as

heartVln, K2 (+8vb

Hn,Bs. Cl.

love life is a messVln, K2 (+8vb)

ASreer

nf+Shaker

.t\'s, Tamb. on'4'

+Drs: lite timeEm, Em7 A7 Em am/D

mf

-

G Drs: fill

nfe+e;;ee*6x.. Drs: Time (X-stick backbeat)

>>>

sim.+Tbn.

>>

-170-

3. WHATEVER HAPPENED TO MY PART?45

Spamalot - Tour

hate me there back-stage they say too old for my age.

J

to re - place metry - ing with Posh

+AltoSax (Shaker out)

J'+K2: Stgs, Tbn.

tr A tempo

cfesc_

wlTpt2,Tbn.

Wha-te-ver hap-pened to my show?

b) fr+l

f (Gtr. out) cf,ntbs Ffit Bm7 am/A

+Tbn. Em7 AsusilGtr.*abmi'=S

"rnt".+Bs. Cl. Drs: filI

+Cym.roll

DbIEbAt7

-

emzls 9lDrs:time (Snare, Ride) ' E

- 17',1

-

4. WHATEVERHAPPENED TO lvfY PART?

54

I'm with a

tights!

(3 8ves)I might as

bunch of Bri-tish knightsVln, K2 (+8vb)

Spamalot - Tour

:_I>-know-Jr-2

Pran-cins round in

G1They've been out

J

go to the)

r''5

-l fill+Alto

Drs:

ching for shrub

\-.-'l

Hn.e aTbn. F-

-Fl-l

Alto,Tpt,

shop-ping for a bush-o+8vb)

5. WHATEVER HAPPENED TO MY PART?

63 I

they can kiss my tush

Wha-te-ver hap-pened to my

I

u. d, 5

Spamalot - Tour

seems to me they've real-ly lost the

call my

(no Tamb.)

Not vours not yours But

Alto,Hn, Tbn.

t.

-r'

p+Gfr.

(Bs Cl, K2 out)

{l,ql

+K2: Stgs, Tbn.

Wha-te-ver happened to my-A

+a

>>>+Timpani

4-a_

:sfz

p-l a ^t '+Tamb.tDmr A.o,.vttt

^v on r4tDrs:time (Rim, Hi-hat)

fw/Gtr.

cb DbDrs: time w/tom fills

Cb Db Dbsus Db

Spamalot - Tour6. WHATEVERHAPPENED TOMY PART?

A tempo

Kbd. l/Cond.

lENprNG A1@

pan

I

+Timp, Tbn.

\7

cbbb {o^"^r Bbal\J2Drs: w/Cym's

-174-

?.=lr., o.r., rimp. o.,tTt

soul

you won't fail

2. FIND YOUR GRAIL

6

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ptotor,*

aggressively' !oud and sustained

>+=lo +Mark Treew/Bs, TimP. roll cont'd'

Keep Your eyes

That's Your

SPamalot Tour

LADY OF THE LAKE:

Rds., Brass, K2,K3, Vln' out

the goal

That's Your Grail

-90-

Keyboard l/Conductor

E

sffong

Gtr.

Keep right on

=p..II

wlK2&3, Bs., Drs.

Find your Grail

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I(2wlK3

4. FIND YOUR GRAIL

zo

up to you- You must choose what to- pur-sue-

w/Gtr. rhYthm (2&4)

Set yourmind- on what to find- Andthere's no-thing you can't Oo'J;. *r*,

you'll find Your

Spamalot Tour

1"t t trl Il,/ \l\----

-

+

toSolo

to the end

T)T,' 'SLLt!J

'rsl{u

at-" t> ::-

w/Drs. full

w/K2 cont'd. 8va sim,

Keyboard l/Conductor

37

Find Your

*J -'--)

Spamalot Tour

K2 gliss.

1 l.

fail Find Your Grail Find your

1'tl7P:i- tsJ-.t{JJ

-93-

Kevboard l/Conductor SpamalotTour

THE SONG THAT GOES LIKE THIS

Once in ev'ry show There comes a song like this It startsoffsoftandlow And endsupwithakissVln, K3: Stgs.

ffirrSolo '

the song that goes like Where is it? Where is it?K2:Oboe solo

Where where where?Vln, K3: Stgs.

u./_Hom solo i-,

npv

+K3: Bsn/Stgs. o 's

-49-

sen-ti-men-tal songK2: Oboe, Vln, K3: Stgs'

2. THE SONG THAT GOES LIKE THIS

That casts a ma-gic sPell

l-)IYisl

J

Gm7 c7Ft.,Dm

+Toms fill, CYm. roll

3. THE SONG THAT GOES LIKE THIS

18

Spamalot - Tour

Now we can go straightFlute, Vln, K2,K3: Stgs +

far for me.-

In to the mid-dle eight A bridgeN

-

t | | | |I'ltt-ltlt I!!) 4 +'tJ )

While we both em-braceI'll sing it in your face,=;nt

li, 4 ilJ )

cTsus c7f B, j" w/Gtr. strum's

A7 t.7"lt

Dm c7 (Tamb.w/Tbn.

. out)

Spamalot - Tour

4. THE, SONG THAT GOES LIKE THIS

GMajzl'

Kbd

trBut

Je'very-one can see

Tt ats aw-fullY high for meNow we're

FI, K2, IVln. -t'intoE j

I

-.---.---

(Tpts. outl::=-' nfw/Drums: ttme

+iumu. .N ''

should have staYed in Dthat goes

Jlike

JI4

fi

1

-. D

"/D_^rAnAi -Tor, firr. lyrn 911

feel-ing varY Proud)

I7n,Tpt2 f 'w/Drums: time

stand-ing on mY toes

5. THE SONG THAT GOES LIKE THIS

DENNIS: 35

ing our

Spamalot - Tour

You're sing-ing far too loudIl2+

!t tn" this song goes

IF'_! )

Horn 1 f

that goesSing

{

Em GMajzTOG> mfwiK3

C BmAm

D/E E (Tamb.sub.f Tom fill out)'mp c/D

A

Spamalot - TourKbd

E6. THE SONG THAT GOES LIKE THIS

far too long l'm sure That's the trou-ble with this song)Horn solo 4p

For songG

too

can't b+lieve there's more

K2. Vln 8va (Flt out)

>Drs: Clm. on 'l' (K3. Bs' Cl' out)

on and on and on this

'rpy wlGtr' arq's

Drs. lite time

'"!*#" Ffi ro- r,u,npEsus E+Bs Cl, K2: Tbn.

Kbd.t 7. THE SONG THAT GOES LIKE THIS

DENNIS: so

Spamalot - Tour

LADY:

'lf

w/Drums: time

LADY:

a' 1 C a'+Tbn. J's. w/Bs Cl.K2: Tbn. o 's

wish that you weren't bom Let's

w/Gtr, strum'sfe(Timp. out)

stop this damn re - frain Be Iore we go ln - sane

cfm/Fil

--

[T) M !!

-55-

AJI

songI

waysal

l*

rends

WOMEN:like

ends like

) ) J

Hn, tbn. f: 1I

V

tt .-4 >

7r +Tpt2 >

ai3: >l -'=t,ffof,n > cf'

,rrlS.++l

+;e::Ffisus FfiCfimz

+Timp. to end

Rall.

Kbd.l 8. THE SONG THAT GOES LIKE THIS Spamalot - Tour

(Tbn. out)

L Ffztus

^ D,t

Rfi

-56-

Segue

PATSY:ARTHUR:PATSY:ARTHUR:

The Stage fills with Knighrs.

KNIGHTS:ARTHUR:KNIGHTS:ARTHUR:KNIGHTS:

ARTHUR:KNIGHTS:

ARTHUR:

Oh no you're notSo all alone

I'm here you twot.All by myself I'm all alone

He's all alone!I'm all alone

All by himselfAll by myself

There is no one here beside himHe's all alone

I'm all aloneApart from usNo one to comfort him or guide him

Each one of us is all aloneSo what are we to doIn order to get through?We must be lonely side by sideIt's a perfect way to hide.

We're all aloneWe're all alone

Yes all aloneSo all aloneEach by ourselvesWe're allAlone.

2-9-29

KNIGHTS:ARTHUR:KNIGHTS:ARTHUR:

The Ladv of the Lake descends the stairs.

LADY:

Arthur realizing it was her.

But you're not alone Arthur. Haven't you noticed? I've been

with you all the time. Who gave you the sword, who made you

King, who welcomed you to Camelot, who helped you off on your

quest?

Sure I've been off stage for far too long but I am here to help you

and I always have been.

Patsy, I'm not alone.ARTHUR:

PATSY: No, sir.ARTHUR: The Lady of the Lake has been with me all the time.

z-9_30

LADY: And so has patsy.ARTHUR: Ah, yes but...Patsy's family.LADY: You see, Arthur dear, we're all here to herp each other.ARTHUR: Can you help me put on a Broadway show?LADY: Yes. You're in a Broadway show.Sparkling stage Effect. Arthur looks out at the audience.

ARTHUR: Oh my.LADY: You've been in a Broadway show all the time.ARTHUR: oh. who knew? (To audience) Arethere any Jews here?PATSY: The truth is, Sire, I'm Jewish.ARTHUR: You are?PATSY: Yes, sire, on my mother's side.ARTHUR: Well why didn't you say so?PATSY: well, [t's not the sort of thing you say to a heavily armed

Christian.

ARTHUR: So now what?LADY: well you have to finish the show. It is a musical, so you

have to find the Grail and end with a wedding.

ARTHUR: Well who could I possibly marry?LADY: Well, it would have to be someone who loved you and cared for

you enough to give you a sword, to make you King, to welcome

you to Camelot, to help you off on your quest...

He is a little slow off the mark. Patsy whispers in his ear.

2-9-3r

ARTHUR: You?LADY: Oh. that's an idea.ARTHUR: But I thought you were a fairy.LADY : Oh no, that's Lancelot. Oh you missed that scene. Anyway,

Arthur, I'm as human as you are.

ARTHUR: And you would consent to be my bride?LADY: Are you asking?ARTHUR: Are you saying yes?LADY: Oh Arthur.They embrace. They lean infor a kiss and suddenly turn away to sing.