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Words and Music by CYNTHIA LAUPER Arranged by ANDY BECK Mellow rock (q = ca. 110) Mellow rock (q = ca. 110) © 2012 OUR LADY OF THE RAINBOW MUSIC All Rights for OUR LADY OF THE RAINBOW MUSIC Controlled and Administered by SPIRIT ONE MUSIC (BMI) This Arrangement © 2014 OUR LADY OF THE RAINBOW MUSIC All Rights Reserved. Used by Permission. International Copyright Secured. Sole Selling Agent for This Arrangement: Alfred Music To purchase a full-length performance recording of this piece, go to alfred.com/downloads for S.A.B. voices and piano with optional SoundPax and SoundTrax CD* KINKY BOOTS A CHORAL MEDLEY Charlie’s Soliloquy • Step One • The History of Wrong Guys • Take What You Got • Everybody Say Yeah • Hold Me in Your Heart • Raise You Up / Just Be SOPRANO ALTO BARITONE PIANO 5 CHARLIE’S SOLILOQUY B¨5 mp Do SOLO mp I be long - here? Am I what’s wrong here? Know what I’m do ing? - Or B¨sus4 B¨sus4 * Also available for S.A.T.B. (41838). SoundTrax CD available (41840). SoundPax available (41841) - includes score and set of parts for 2 Synthesizers, Guitar, Bass, and Drumset. 41839 3 Preview Onl y Legal Use Requires Purchase

KINKY BOOTS - Stanton's · KINKY BOOTS A CHORAL MEDLEY Charlie’s Soliloquy • Step One • The History of Wrong Guys • Take What You Got • Everybody Say Yeah • Hold Me in

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Page 1: KINKY BOOTS - Stanton's · KINKY BOOTS A CHORAL MEDLEY Charlie’s Soliloquy • Step One • The History of Wrong Guys • Take What You Got • Everybody Say Yeah • Hold Me in

Words and Music byCYNTHIA LAUPER

Arranged byANDY BECK

Mellow rock (q = ca. 110)

Mellow rock (q = ca. 110)

© 2012 OUR LADY OF THE RAINBOW MUSICAll Rights for OUR LADY OF THE RAINBOW MUSIC

Controlled and Administered by SPIRIT ONE MUSIC (BMI)This Arrangement © 2014 OUR LADY OF THE RAINBOW MUSIC

All Rights Reserved. Used by Permission. International Copyright Secured.Sole Selling Agent for This Arrangement: Alfred Music

To purchase a full-length performance recording of this piece, go to alfred.com/downloads

for S.A.B. voices and pianowith optional SoundPax and SoundTrax CD*

KINKY BOOTSA CHORAL MEDLEY

Charlie’s Soliloquy • Step One • The History of Wrong Guys •Take What You Got • Everybody Say Yeah •

Hold Me in Your Heart • Raise You Up / Just Be

SOPRANOALTO

BARITONE

PIANO

5

CHARLIE’S SOLILOQUY

B¨5

mp

Do

SOLOmp

I be long- here? Am I what’s wrong here? Know what I’m do ing?- Or

B¨ B¨sus4 B¨ B¨sus4

* Also available for S.A.T.B. (41838). SoundTrax CD available (41840). SoundPax available (41841) - includes score and set of parts for 2 Synthesizers, Guitar, Bass, and Drumset.

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Page 2: KINKY BOOTS - Stanton's · KINKY BOOTS A CHORAL MEDLEY Charlie’s Soliloquy • Step One • The History of Wrong Guys • Take What You Got • Everybody Say Yeah • Hold Me in

8

11 13

14

am I a fraud? Do I fit in? Where do I be gin?-

B¨ B¨sus4 B¨

I’m

mp

watch ing- my -

Same old Char lie,- fright ened- and flawed.

(end solo) ALL mp mel.

B¨sus4 B¨ E¨

self and I know what to do. Hey,

mel.

F B¨ E¨/B¨

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Page 3: KINKY BOOTS - Stanton's · KINKY BOOTS A CHORAL MEDLEY Charlie’s Soliloquy • Step One • The History of Wrong Guys • Take What You Got • Everybody Say Yeah • Hold Me in

17

Rock (q = ca. 138)

Rock (q = ca. 138)

20

23

look at me now…

SPOKEN SOLO: It’s a shoe.

F

STEP ONE

F5 F/A Dm C/E

mf

This

mf

is time for a shake up, look at me wake up

F5 F/A B¨5

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29 31

32

tak ing- con trol.-

This

mf

is a new be gin- ning,- my gears are spin-

D‹ C/E F5 F/A

Just put

- ning. Let’s rock and roll. Just

B¨5 Dm C/E F5

one foot on ward- and for ward.- I

put one foot on ward- and for ward.- I

F/A B¨5 Dm C/E

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35

37

40

used to be a ze ro,- but now I clear ly- feel that

D5

I may be the he ro- who re in- vents- the heel. I

f

may be fac ing- the im -f

C5

f

pos si- ble.- I may be chas ing- af ter- mir a- cles.-

F5 G‹ F/A

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48

And there may be the steep est- moun tain- to

B¨ D‹

o ver- come.- But this is step

C B¨ C

one. Yeah, this is step one.

But this is step one. Yeah, this is step

F/A B¨ F/A

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Page 7: KINKY BOOTS - Stanton's · KINKY BOOTS A CHORAL MEDLEY Charlie’s Soliloquy • Step One • The History of Wrong Guys • Take What You Got • Everybody Say Yeah • Hold Me in

51

Electro pop (q = ca. 132)

Electro pop (q = ca. 132)

54

57 58

This is step one!

one, step one!

C/G F5

SOPRANO

THE HISTORY OF WRONG GUYS

SPOKEN SOLO: Oh, no. You don’t dare. Girl, girl, girl, I’m warning you!

ALTO

C5

mp

G/B B¨5

Wom

mpopt. SOLO

en- have been mak ing-

F5 C5

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64 66

bad choic es- since the be

3

gin- ning- of

3

time.

G/B B¨5 F5

Are you gon na- be an oth- er- one of mine?

C5 G/B

Uh oh.-

(end solo)

Used

ALLmp

to think you were from

mel.

Used

mp

to think you were fromB¨5 F5 C5

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out er- space. Who’s this bright eyed guy

out er- space. Who’s this bright eyed guy

G/B B¨5

in your place? You’re kind of cute

in your place? You’re kind of cute

F5 C5

when you’re not so shy. Uh oh.-

when you’re not so shy. Uh oh.-

G/B B¨5 F5

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78

Woh,

mf

But

mf

I’ve been here be fore.- Have I come back for more?

C5

mf

G/B

in the his to- ry- of wrong guys.

An oth- er- chap ter- in the his to- ry- of wrong guys.

B¨5 F5

Woh,

You used to be so “eh,” a limp lack lust- er- bore.

C5 G/B

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80

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84

in to- some one- I just can’t ig nore.-

But now you’re chang ing- in to- some one- I just can’t ig nore.-

B¨5 F5

mel.

Char

f

lie,-

Char

f

lie,-

f

C5 G

hon est- ly,-

hon est- ly,-

D5 G

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91

I’ve been hurt like this be fore.-

I’ve been hurt like this be fore.-

C5 G D5

Is there real ly- more

Is there real ly- more

C5

to you than what I al ways- thought?

to you than what I al ways- thought?

G D5

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93

95

97

How can you sur prise-

How can you sur prise-

G C5

me an y- more,- –ore,

me an y- more,- –ore,

G D5

–ore, –ore?

–ore, –ore?

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Page 14: KINKY BOOTS - Stanton's · KINKY BOOTS A CHORAL MEDLEY Charlie’s Soliloquy • Step One • The History of Wrong Guys • Take What You Got • Everybody Say Yeah • Hold Me in

Folk rock (q = ca. 126)

Folk rock (q = ca. 126)

100

103 104

105

SOPRANO

TAKE WHAT YOU GOT

ALTO

BARITONE

G5

mf

Gmaj7 G5 Gmaj7 C('2) D/C

Re

mf

mem- ber- the pub where

C('2) D/C G5 Gmaj7

our fa thers

3

- went to spend the end of their day?

G5 Gmaj7 C('2) D/C C('2) D/C

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108

111 112

114

Re mem- ber- the yard be hind- the pub where we’d run and play?

G5 Gmaj7 G5 Gmaj7 C('2) D/C

Yeah well, now the pub is a

3

laun dro- mat.-

C('2) D/C Em7 C('2)

Now the yard is a high rise- flat. You can’t go

G5 Dsus4 G5 Gmaj7

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117

120

123

You’ve

mf

got ta-

back, you can’t make it

3

last.

mel.

G5 Gmaj7 C5 D/C C('2)

take what you got. E ven- when your life is in

3

3

Em7 C('2) G5

knots. You take aim, take your shot. Some-

Dsus4 Em7 C('2)

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126

128

130

times you’ve got ta- re write- the

3

plot.3

G5 Dsus4

You’ve got ta- take what you

3

You’ve got ta- take what you

3

got.

Em7 F%

got.

G5 Gmaj7 G5 Gmaj7 C('2) D/C

mp

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Page 18: KINKY BOOTS - Stanton's · KINKY BOOTS A CHORAL MEDLEY Charlie’s Soliloquy • Step One • The History of Wrong Guys • Take What You Got • Everybody Say Yeah • Hold Me in

Hot soul jam (q = ca. 132)

Hot soul jam (q = ca. 132)

133 134

136

139

EVERYBODY SAY YEAH

Let

f

me hear you say yeah, yeah! Say

Yeah,

f

yeah!

C('2) C E¨

f

yeah, yeah! Say yeah!

Yeah, yeah! Say

F Gû 7(#9) C

SOPRANO only

Say yeah! Yeah!

ALTO only

yeah! Yeah! You

mf

can

E¨ F Gû 7(#9)

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142

144

147

We’re

mfALTO only

get ting-

throw out the old way, ’cause it’s been done.

mf

C

read y- for the new.

Wit

mf

ness- the fu ture- of “Price

SOPRANO only

Ow! Pa

mf

pa’s- got a brand new shoe.

A life of

and Son.”

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150

153

156

bro

Ah,A.

ken- heels

wah

got

ah.

you down? Well,

Well

we’ve

we’ve

got

got

your

your

so

so

lu

lu

-

-

-

-

B¨ E¨

tion.

tion.

-

-

Get

Get

up!

up!

Get it on

Get

and get

in

in, step with

with

our

our

F C B¨

kink

kink

y

y

-

-

rev

rev

o

o

-

-

lu

lu

-

-

tion.

tion.

-

- Let

f

me hear you say

E¨ F Gû 7(#9)

f

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159

162

164

yeah, yeah! Say yeah, yeah!

Yeah,

f

yeah! Say

C E¨ F

Let me hear you say yeah! Say

yeah, yeah! Yeah!

Gû 7(#9) C

yeah! Say yeah! Yeah! Yeah!

Yeah! Yeah! Yeah!

E¨ F Gû 7(#9)

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167 Ballad (q. = ca. 58)

Ballad (q. = ca. 58)

169

171

HOLD ME IN YOUR HEART

C5

mp

G5/C

You

mpopt. SOLO

don’t want to see me an y- more.-

C5 G

You can’t lis ten- to me laugh out loud.

(end solo)2 2

C5 G

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173

175

177

You

mpALL

don’t want to see me dance. You can’t e ven- take the chancemp

Dm C/E

that it might re flect- on you.

F C/G G

You missed out on the best part of me. The

C G

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179

181

183

part that made me who I am to day.- Oh,

C G

but the best part of me is stand ing- in

But the best part of me is stand ing- in front of youDm C/E

front of you and

mel.

loves you an y- - way.

F C/G G

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185

187

189

mel.

Hold

mf

me in your heart till you un der- stand.-mf

A¨maj7

mf

Fm9 Cm7

Hold me in your heart just the way that

cresc.

I am. Withcresc.

D¨maj7 B¨m9 C7

sim. cresc.

all your faults I

f

love you, I need you to love me that way,f

D¨maj7 B¨m9

f

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191

Dance club tempo (q = ca. 120)

Dance club tempo (q = ca. 120)

193

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too.2

2

Csus4 D¨ E¨

RAISE YOU UP / JUST BE

mf

Fm Cm E¨

Oo!

mf

A¨ B¨

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Once

mf

I was a fraid- but then you came a long,- you

Fm E¨

put your faith in me and I was chal lenged- to be strong.

A¨ B¨

Whenmf

I lost my way, you were there to see me through.

Fm E¨

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Now let Lo la- lend some love and do the same for you.

A¨ B¨

Feed your fi re- to take you high er.- We’ll

F B¨

light you up like a live wi re.-

F C

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Cel e- brate- you to el e- vate- you. When you

F B¨

strug gle- to stand, well, take a help ing- hand. IfIf

f

youf

C

hit the dust, let me raise you up. When your

f

C Am7 Dm

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bub ble- busts, let me raise you up. If your

B¨ C Am7 Dm

glit ter- rusts, let me raise you up.

and up.B¨ C Am7 Dm

Hoo. Raise ya up! Raise ya up!

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Hoo. Raise ya up!

SPOKEN SOLO: Ladies and gentlemen ... as people all over the world clamor for Kinky Boots ... it is time for us to

F Cm/E¨ B¨/D F/C

get back to work. But before we go, we’d like to share the “Price and Simon” secret to success!

B¨/D F Cm/F B¨/F

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231

(SPOKEN SOLO)

and it goes like this:

One!

f

f

F B¨/D F

Pur

SOLO 1f

sue- the truth. Learn

SOLO 2f

some thing- new.

Two! Three!

Cm/F B¨/F

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Ac

SOLO 3f

cept- your self- and you’ll ac cept- oth ers,- too.

Four!

F

Let

SOLO 4f

love shine. Let

SOLO 5f

pride be your guide.

Five!

Cm/F Cm/D

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You

SOLO 6f

change the world when you change your mind.

Six! Just

B¨/F

be who you wan na- be. Nev -

F E¨ B¨

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er- let ’em tell you who you ought to be. Just

F

be with dig ni- ty.-

E¨ B¨

Cel e- brate- your life tri um- phant- ly.- You’ll see,

F

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249

SMALL GROUP (mixed voices)

It’s

f

beau ti- ful!- It’s beau ti- ful!-

you’ll see, just

B¨sus4/E¨ B¨

It’s beau ti- ful!- It’s beau ti- ful!-

be, just be. You’ll see, you’ll see,

F B¨sus4/E¨

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252

Slower, the grand finale (q = ca. 84)

Slower, the grand finale (q = ca. 84)

254

It’s beau ti- ful!- It’s beau ti- ful!- Just

just be, just

be

(rejoin section)

be beau

ff

ti- ful!-

ff

F D¨ E¨ F

ff

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