K.Callis Undergraduate Portfolio

Kaitlyn CallisAuburn UniversityUndergraduate Work 2009 - 2014

CONTENTSUrban Maori Holistic Health Center

Auckland, New Zealand

Boston Specialty HospitalBoston, MA

Rome Urban Analysis Study and DevelopmentRome, Italy

Alabama Impact Crater and Science CenterWetumpka, AL

Sketches and Watercolor Independent Works

Resume

2014

SPRING 2013

SPRING 2012

SPRING 2011

Urban Maori Holistic Health CenterAuckland, New Zealand

Thesis Year 2014

As an exchange student, New Zealand was uncharted territory, both culturally and environmentally. With a growing interest in the people and place affected by architectural design, I decided a project deeply rooted in the culture made best use of the experience. Because of this, I chose to design a Maori-centered healthcare center, which correlates to the aspirations of the indigenous Maori people and the Auckland District Health Board. The project site is located in Manukau City, Auckland, where a large Maori population resides. The purpose of this project is to introduce a new conversation about contemporary cultural healthcare, especially in the urban context, something that differs from the standard healthcare typology. Healthcare architecture is undergoing a movement towards more evidence-based and patient-oriented design. By focusing on the Maori people as the client, whose cultural beliefs coincide with these global healthcare architecture strategies, the project is able to take on a larger conversation of where healthcare architecture is headed. Throughout the different phases of the design, I remained in contact with both Maori healthcare leaders and healthcare architects in the Auckland area for guidance. Use of the “Australasian” Healthcare Design guidelines and codes were critical design focuses as well. The design outcome is a strong visual building with influences taken from the greater cultural landscape. The engagement with the natural environment, an important aspect to Maori culture, is developed in several different stages of the overall design. The incorporation of indigenous plants within the building is critical in the design, because of the medicinal aspects associated with plants in Maori healing strategies.

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Entry Perspective from the neighboring park

Site Map

Lines pulled from culturally significant green areas, to guide the development of the atrium space.

Lines pulled from culturally significant waterways, to guide the transition spaces and pathways.

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Lines pulled from culturally signficant prehistoric fort sites, creating the “meditiation space” near the entrance. Interior view of the meditation space

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In order to engage with the neighboring park, while still transitioning into the urban fabric, the building site is pushed out into the existing one-way street

By doing this, traffic is diverted around the building, creating a visual presence from the motorway.

Also, this provides safe travel for pedestrians along the park edge and into the building entrance.

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Sketch diagram showing the progression of natural environment from the park to the interior of the building.

Entrance Perspective

Sketch diagram showing the shift of floor-plates to allow for views into the atrium from each level.

The second floor provides services specific to the local community: a “clean eating” cafe, atrium meeting spaces, and multi-purpose community spaces. The second floor is able to be accessed after hours from an external staircase, allowing local community groups to utilize the spaces for meetings and events without interfering with closed-off medical spaces. The rooms are able to be opened up to create larger open spaces for larger groups.

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Sustainability IndicatorsThe following design developments are in reference to Robin Guenther and Gail Vittori’s “Sustainable Healthcare Architecture” list of key sustainability indicators.

including roof overhangs which allow for low winter sun, while blocking high summer sun angles. Year-long vegetation, including climbing vines, provide additional shading and allow for the utilization of balcony space.

allows both heating and cooling to

Ease of access is also created in establishing the systems within the

Rainwater is collected on the angled

tank located in the basement level. The water is then used in grey- and black-water systems, for toilet and non-potable functions.

An internal green moss wall, located along the North wall, provides the

helps maintain a comfortable internal temperature.

The roof system establishes an integrated photovoltaic (PV) system to provide onsite renewable energy. Mechanically operated louvres are located along each “ridge” to provide natural ventilation for the atrium.

The diagonal facade system acts as the secondary structure for the building through the multiple cross-bracings, and also visually resonates with nature, resembling the fractal branching of a tree.

SECTION Scale: 1:100

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(VAV

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en M

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Wal

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Clim

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pons

ive

Roo

f Sys

tem

Biop

hilic

Fac

ade

Des

ign

Rai

nwat

er C

olle

ctio

n an

d R

euse

Sustainability IndicatorsThe following design developments are in reference to Robin Guenther and Gail Vittori’s “Sustainable Healthcare Architecture” list of key sustainability indicators.

including roof overhangs which allow for low winter sun, while blocking high summer sun angles. Year-long vegetation, including climbing vines, provide additional shading and allow for the utilization of balcony space.

allows both heating and cooling to

Ease of access is also created in establishing the systems within the

Rainwater is collected on the angled

tank located in the basement level. The water is then used in grey- and black-water systems, for toilet and non-potable functions.

An internal green moss wall, located along the North wall, provides the

helps maintain a comfortable internal temperature.

The roof system establishes an integrated photovoltaic (PV) system to provide onsite renewable energy. Mechanically operated louvres are located along each “ridge” to provide natural ventilation for the atrium.

The diagonal facade system acts as the secondary structure for the building through the multiple cross-bracings, and also visually resonates with nature, resembling the fractal branching of a tree.

SECTION Scale: 1:100

0 5 10

B

0 5 10

Scale: 1:100

SOUTH FACING SECTIONC

Raised Floor DetailScale: 1:50

Roof DetailScale: 1:50

Shingle Cladding DetailScale: 1:50

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Scale: 1:100

SOUTH FACING SECTIONC

Raised Floor DetailScale: 1:50

Roof DetailScale: 1:50

Shingle Cladding DetailScale: 1:50

Above: Atmospheric section drawing showing the “oasis” environment within the building, and the “grit” of the urban context.

Opposite: The atrium spaces are programmed to provide areas of transition (bottom) and places of rest (top).

Boston Children’s Specialty HospitalFall 2012

The new Boston Children’s Cardiac Hospital will be located on Cross Street, across from the recently developed greenway. This design addresses interconnection between public gathering spaces and private patient areas within the hospital. The main public spaces, including the ground floor atrium and localized lobby areas on higher floors, are connect-ed through a ribbon of circulation, composed of exaggerated staircases. These elements are interconnected through the hospital, engaging patients and visitors alike with the experience of the different spaces, offering separation from the busy street life. This scheme also allows for medita-tional walking, similar to that of a labrynth, which has been shown through medical studies to decrease stress. As the staircases begin to wrap the different layers of the building, each turn allows for an “Ah, ha!” moment as one enters or re-enters an open area. The facade, comprising of trans-lucent glazing at the more private areas and transparent glazing at the double-height public areas, allows for a visual composition of pushing and pulling. From the exterior one observes the building as a wrapping facade, with corners and edges being cut-away at different levels. The purpose of this scheme is to create areas of interaction and a feeling of community, in a typology that has historically been known for being sterile and cold.

Entry Street Perspective

Above:Section Diagram

Opposite:Typical PCU FloorplanGround Floorplan

Diagrammatic circulation model

ENTRY / LOBBY PUBLIC CAFE

MAIN DINING

VISITOR LOBBY

VISITOR LOBBY

AUDITORIUM

VISITOR LOBBY

TYPICAL PATIENT CARE FLOOR PLAN1’-0” = 1/16”

GROUND FLOOR PLAN1’-0” = 1/16”

FOLDING THE TRAJECTORY

UNFOLDING THE TRAJECTORY

ENTRY / LOBBY PUBLIC CAFE

MAIN DINING

VISITOR LOBBY

VISITOR LOBBY

AUDITORIUM

VISITOR LOBBY

TYPICAL PATIENT CARE FLOOR PLAN1’-0” = 1/16”

GROUND FLOOR PLAN1’-0” = 1/16”

FOLDING THE TRAJECTORY

UNFOLDING THE TRAJECTORYUnfolding of the Trajectory

Folding of the Trajectory

8TH FLOOR- OFFICES MECHANICAL / ELECTRICAL

7TH FLOOR- COMMUNITY SERVICES I/D CARDIOLOGY

6TH FLOOR- AUDITORIUM CARDIOVASCULAR SUITE

5TH FLOOR- LOBBY / WAITING NURSING UNIT (PCU)

4TH FLOOR- LOBBY / WAITING NURSING UNIT (PCU)

3RD FLOOR- DIETARY SERVICES NURSING UNIT (PCU)

2ND FLOOR- PUBLIC CAFE PREP / HOLD / RECOVER INTENSIVE CARE1ST FLOOR- ENTRANCE / LOBBY EMERGENCY PHARMACY / LABORATORY RADIOLOGY

BOSTON SPECIALITY HOSPITAL #102The new Boston Children’s Cardiac Hospital will be located on Cross Street, across from the re-cently developed greenway. This design addresses interconnection between public gathering spaces and privatized areas within the hospital. The main public spaces, including the ground floor atrium and localized lobby areas on higher floors, are connected through a ribbon of circu-lation, composed of exaggerated staircases. These elements are interconnected through the hospital, engaging patients and visitors alike with the experience of the different spaces, offer-ing seperation from the busy street life, yet connecting through a simple scheme. As the stair-cases begin to wrap the different layers of the building, each turn allows for an “Ah, ha!” moment as one enters or re-enters an open area. The facade, comprising of translucent glaz-ing at the more private areas and transparent glazing at the double-height public spaces, allows for a visual composition of pushing and pulling, from the exterior one observes the build-ing as a wrapping facade, with corners and edges being cut-away at different levels. The exte-rior changes take place at every floor level, including the roof, to elide the idea of verticality and horizontality.

INTERCONNECTING VERTICAL SPACES

SECTION DIAGRAM1’-0” = 1/32”

PATIENT CARE UNIT PLAN1’-0” = 1/4”

Interior Perspective ofGround Floor Atrium

Entry Street Perspective

BOSTON CHILDREN’S SPECIALTY HOSPITALBoston, MA

Kawneer Curtain Wall 1600UT Detail Drawings

Egres

Mechanical

Structural Column GridCurtain Wall Detail SectionScale: 1/2” = 1’-0”



Egres

Mechanical


Patient Room Section Perspective



Egres

Mechanical




Egres

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Construction Section Drawing

Rome Urban Analysis and Development Spring 2012

The space next to the Zekka currently holds haphazard parking and access to Corse Vittorio Emmanuele II, creating noisy congestion near the smaller streets of Rome. Additionally, the area across holds underutilized green space and a former street that has been seperated from the main traffic due to elevation changes. By creating two twin buildings, one on either side of the Corso Vittorio, the comfortable feeling of the smaller streets of Rome is regained, creating a more pedestrian friendly environment on either side. Additionally, the two buildings will house a open green space within the inner courtyard, a pathway along the first floor, and apartment living within the upper floors. The first floor pathway will intersect the floorplan of the building, but extrude out along the street’s edge, providing visual connecting points and a sense of direction for those along the street. The facade strategy will keep with Rome’s typical courtyard symmetry, the openings create a comfortable approach, and also allow for the idea of harmony between inner and outer spaces. Though, the openings will also become more dense along the edge near the Zekka, becoming less apparent near the Corso Emmanuele side. This brings presence to the entrance, and also create a sense of rhythm, allowing a subconcious feeling of ease in direction for pedestrians.

“Heat” from historic facades, creating localized piazzas along the Via Papalis.

Facing Facades Creating Zones

Unprogrammed Areas

Views to Nearby Landmarks

Apartment buildings showing intervention to street access.

Connection to San Giovanni San Fiorentini. Intervention with access to Corso Vittorio Em-manuele II.

Wetumpka Crater Center Spring 2011

Wetumpka, Alabama is home to one of the selective known impact craters in the United States. In order to fully admire this fact, the town decided to establish a Science Center at the base of the crater. The crater recognizes the interaction between space, land, and sea as the three came together during the collision. My design addresses the crater’s ability to cut through the site, as my building visually creates access points throughout. At different points within the site, one can see straight through the building at certain angles, as if almost missing the building entirely, much like the crater itself for many decades. Also, the ampitheater cuts through the concrete building, making an impact visually seen from both the interior and exterior.

Interaction with SiteModel

Cut Through the Building

Ground Floor

Second Floor

Section through Auditorium

Preliminary Model Analysis

Sequence of Spaces Model Study

Independent Rome Site Sketches and Watercolor Study

Independent WatercolorStudies

Professor: Iain Stewar

K A I T L Y N C A L L I S102 Walton’s Creek Road

Morrisville, NC 27560

[email protected]

E D U C A T I O NAuburn University -- Auburn, Alabama Bachelor of Architecture International Business MinorUNITEC Masters Program for Thesis Research: Auckland, NZUniversity of Arkansas Rome Center: Study Abroad ProgramRural Studio: Newbern, AL

2014Spring, 2012

Fall, 2011

P R O F E S S I O N A L E X P E R I E N C E

SR&F Architects -- Auburn, AlabamaIntern Architect: Responsible for As-Builts and Construction AutoCAD drawings, as well as Design Development. Participated in meetings with clients and on-site visits.

R E F E R E N C E S

Sean Foote, President of SR&F, AIA Architect

300 North Dean Road, Suite 5-122, Auburn, AL [email protected], 334.826.1993

H O N O R S & A W A R D S

IFSA Butler / SECU Grant for International ExchangeNew Hope Ruritan ScholarshipAuburn University Academic Heritage ScholarshipJenkins Brick Endowment Scholarship

20142009 - 20132009 - 2014

2010

2012 - 2013

2009 - 2014

Duke University Eye Center -- Durham, North CarolinaVolunteer Design Editor: Responsible for layout, presentation, and image management for the Duke University Eye Center Pediatric book for children undergoing their first surgery.

2011 - Present

Auburn University -- Auburn, AlabamaIT Teaching Assistant: Responsible for teaching and providing laser cutter assistance to undergraduate and visiting students.

2013

A C A D E M I C I N V O L V E M E N T

BPAC CertificationAIAS MemberHistoric Preservation Guild

20142010 - 20142010 - 2011

Joel Beckum, IT Administrator - Auburn University

104 Dudley Commons, Auburn University, AL [email protected], 334.844.8800

Tony van Raat, UNITEC Architecture Department HeadAuckland, New [email protected]

Dr. Guy DearDurham, North [email protected], 919.906.5652

S K I L L S

Proficiency in:AutoCADSketch-upAdobe Creative SuiteMicrosoft OfficePodiumHand DraftingWatercolor Rendering

Working Knowledge:RevitRhinoGBSAutoCAD ArchitectureFlow Design

Language:EnglishElementary Italian

Documents

K.Callis Undergraduate Portfolio