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B  o  o k  s September 6–12, 2007 Time Out Chicago 87 TIMEOUTCHICAGO.COM Curse case scenario Junot Díaz’s new novel pits a dictator’s legacy against a ghettonerd. By Jonathan Messinger If you, like so many self-respecting college students often do, skip the footnotes in Junot Díaz’s new novel, The Brief Wondrous Life of Oscar Wao, you’re only cheating yourself. Tucked into text so small only an ant could love it are gems like “You really want to know what being an X- Man feels like? Just be a smart bookish boy of color in a contemporary U.S. ghetto. Mamma mia! Like having bat wings or a pair of tentacles growing out of your chest,” and “Lil’ Fuckface went on murdering right to the end.” Both of these notes, oddly enough, strike at the core of Díaz’s debut novel, the major work many have been waiting for since his story collection,  Drown, blew critics out of the water in 1997. The aforementioned X-Man is the titular Oscar Wao, an obese “ghettonerd” who downs role playing games, sci-novels, and movies like french fries and Coke, and who is ostracized by his New Jersey neighborhood for lacking any game when it comes to women. Though supposedly the protagonist, Oscar really is just the latest in the line to be tormented by a  fukú, a curse his family has lived with for generations. As if to demonstrate the curse’s pervasiveness, the story veers off Oscar’s slow-trotting path, into the tortured history of his mother and grandfather in the Dominican Republic and the struggle of his sister in America. It’s all narrated by Oscar’s “watcher,” a former boyfriend of his sister who takes Oscar in during college after a botched suicide attempt. But what of Lil’ Fuckface? It’s the affectionate term the narrator uses for Rams Trujillo, son of the brutal Dominican dictator Rafael Trujillo, who looms large in the novel, even if much of the discussion of Dominican politics is kept to the margins. There’s a feeling that Oscar’s family cannot escape the oppressive reign of Trujillo, that somehow their predicament of being poor, abused (each in his o r her own way) and miserable in America is directly related to the dictator’s ghost. In other words, he’s the one responsible for the  fukú. While reading Oscar Wao, we couldn’t help but think of Gary Shteyngart, author of  Absurdistan and The Russian Debutante’s Handbook. Like Shteyngart, Díaz has a knack for tossing his characters into a complex ethnic and political context and showing the various ways it tears at them—while simultaneously dening them. Díaz also shares Shteyngart’s particular interest in diaspora, the dispersal of a country’s people across the globe. The Dominican island birthed the  fukú, but it’s its endurance on the mainland that holds Díaz’s attention. All of which could result in some heavy-handed ction—the kind that treats characters as vessels of history—to make the author’s point. But in Díaz’s work, the characters break hearts on nearly every page. And the history lessons—rapid-re and hilarious accounts of some of the Caribbean’s worst offenders—are slung from the narrator’s college- groomed street tongue. At one point, he dubs Trujillo a “consummate culocrat” ( culo being a Spanish term for, in English parlance, booty). Eventually, of course, all of these pressures heat the stew to a boil, and we see it in each of the main players. The mother has been mistreated all of her life, and survived cancer more than once. The sister has been sexually abused as a child and is forced to return to the D.R. to live with her grandmother after she runs away from home and is nally caught. Oscar is an outcast’s outcast—even when his Dungeons & Dragons pals start landing girlfriends, they won’t introduce him to other nerd-loving ladies. After he returns from college still a virgin, his fortunes change, and the result makes his life wondrous, if still brief. We’d say more, but we’re afraid of that  fukú.  Díaz reads from The Brief Wondrous Life of Oscar Wao (Riverhead, $24.95) at the Harold Washington Library Center on Monday 10. See listings. “The characters break hearts on nearly every page. CHAOTIC GOOD Díaz’s D&D playing protagonist is at the whim of history. Reviews Books Listings 88 Don’t miss! 89 Brother, I’m Dying tttttt By Edwidge Danticat. Knopf, $23.95. Danticat’s rst memoir—following her supremely successful debut novel,  Breath, Eyes, Memory(an Oprah pick in 1998), and three other books of ction—farms more of her background as a Haitian-born American immigrant. She sets up a natural push-and-pull of happiness and sorrow by relating how her father was dying from pulmonary brosis in New York at the same time she found out she was pregnant. The tale of her father’s death runs parallel with one from her childhood, when her parents left her at age four in the care of an uncle as they sought a better life in America. Uncle  Joseph and his wife, Tante Denise, raised Danticat for eight years until her parents were able to send for her and her younger brother. Things aren’t easy in America. She and her brother struggle to t in with a family they hardly know: There are two American-born younger brothers when they arrive, and their parents seem like strangers or gments of foggy childhood memories. Danticat’s beautiful prose reads as though you’re sitting at her knee, hearing a favorite story told again. Warm and inviting, she makes Haiti seem like a second home to the reader. That’s not to say Danticat waxes sentimental. Full of controlled anger and grief, the author strips her family’s history bare.—  Beth Dugan 132.books.layout.indd 87 132.books.layout.indd 87 8/31/07 11:04:02 AM 8/31/07 11:04:02 AM

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B  o ok  s

September 6–12, 2007 Time Out Chicago 87TIMEOUTCHICAGO.COM

Curse case scenario

Junot Díaz’s new novelpits a dictator’s legacy against a ghettonerd.By Jonathan Messinger

If you, like so many self-respecting college students often do, skip thefootnotes in Junot Díaz’s new novel,

The Brief Wondrous Life of Oscar Wao, you’re only cheating yourself.

Tucked into text so small only anant could love it are gems like “Youreally want to know what being an X-Man feels like? Just be a smart bookishboy of color in a contemporary U.S.ghetto. Mamma mia! Like having batwings or a pair of tentacles growing out of your chest,” and “Lil’ Fuckfacewent on murdering right to the end.”

Both of these notes, oddly enough,strike at the core of Díaz’s debut novel,the major work many have beenwaiting for since his story collection, Drown, blew critics out of the water in1997. The aforementioned X-Man isthe titular Oscar Wao, an obese“ghettonerd” who downs role playing 

games, sci-fi novels, and movies likefrench fries and Coke, and who isostracized by his New Jerseyneighborhood for lacking any gamewhen it comes to women. Thoughsupposedly the protagonist, Oscarreally is just the latest in the line to betormented by a fukú, a curse his familyhas lived with for generations.

As if to demonstrate the curse’spervasiveness, the story veers off Oscar’s slow-trotting path, into the

tortured history of his mother andgrandfather in the DominicanRepublic and the struggle of his sisterin America. It’s all narrated by Oscar’s“watcher,” a former boyfriend of hissister who takes Oscar in during college after a botched suicide attempt.

But what of Lil’ Fuckface? It’s theaffectionate term the narrator uses forRamfis Trujillo, son of the brutal

Dominican dictator Rafael Trujillo,who looms large in the novel, even if much of the discussion of Dominicanpolitics is kept to the margins. There’sa feeling that Oscar’s family cannotescape the oppressive reign of Trujillo,that somehow their predicament of being poor, abused (each in his or herown way) and miserable in America isdirectly related to the dictator’s ghost.In other words, he’s the oneresponsible for the fukú.

While reading Oscar Wao, wecouldn’t help but think of GaryShteyngart, author of  AbsurdistanandThe Russian Debutante’s Handbook.Like Shteyngart, Díaz has a knack fortossing his characters into a complexethnic and political context andshowing the various ways it tears atthem—while simultaneously defining them. Díaz also shares Shteyngart’sparticular interest in diaspora, thedispersal of a country’s people across

the globe. The Dominican islandbirthed the fukú, but it’s its enduranceon the mainland that holds Díaz’sattention. All of which could result insome heavy-handed fiction—the kindthat treats characters as vessels of history—to make the author’s point.

But in Díaz’s work, the charactersbreak hearts on nearly every page.And the history lessons—rapid-fire

and hilarious accounts of some of theCaribbean’s worst offenders—areslung from the narrator’s college-groomed street tongue. At one point,he dubs Trujillo a “consummateculocrat” ( culo being a Spanish termfor, in English parlance, booty).

Eventually, of course, all of thesepressures heat the stew to a boil, andwe see it in each of the main players.The mother has been mistreated all of her life, and survived cancer more thanonce. The sister has been sexuallyabused as a child and is forced toreturn to the D.R. to live with hergrandmother after she runs away fromhome and is finally caught. Oscar is anoutcast’s outcast—even when hisDungeons & Dragons pals start

landing girlfriends, they won’tintroduce him to other nerd-loving ladies. After he returns from collegestill a virgin, his fortunes change, andthe result makes his life wondrous, if still brief. We’d say more, but we’reafraid of that fukú.

 Díaz reads from The Brief WondrousLife of Oscar Wao (Riverhead, $24.95) at the Harold Washington LibraryCenter on Monday 10. See listings.

“The characters

break hearts on

nearly every page.”

CHAOTIC GOOD

Díaz’s D&D playingprotagonist is at

the whim of history.Reviews

BooksListings 88

Don’t miss! 89

Brother, I’mDyingtttttt 

By Edwidge Danticat. Knopf,$23.95.

Danticat’s first memoir—following hersupremely successful debut novel, Breath, Eyes, Memory(an Oprah pickin 1998), and three other books of fiction—farms more of her backgroundas a Haitian-born American immigrant.

She sets up a natural push-and-pullof happiness and sorrow by relating 

how her father was dying frompulmonary fibrosis in New York at thesame time she found out she waspregnant. The tale of her father’s deathruns parallel with one from herchildhood, when her parents left her atage four in the care of an uncle as theysought a better life in America. Uncle

 Joseph and his wife, Tante Denise,raised Danticat for eight years untilher parents were able to send for herand her younger brother.

Things aren’t easy in America. Sheand her brother struggle to fit in with afamily they hardly know: There aretwo American-born younger brotherswhen they arrive, and their parentsseem like strangers or figments of foggy childhood memories.

Danticat’s beautiful prose reads asthough you’re sitting at her knee,hearing a favorite story told again.Warm and inviting, she makes Haitiseem like a second home to the reader.That’s not to say Danticat waxessentimental. Full of controlled angerand grief, the author strips her family’shistory bare.—  Beth Dugan

132.books.layout.indd 87132.books.layout.indd 87 8/31/07 11:04:02 AM8/31/07 11:04:02 AM