Juan Antonio Muro_basic Pieces, Vol. II

8/9/2019 Juan Antonio Muro_basic Pieces, Vol. II

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bout the uthor

JUAN ANTONIO MURO completed his studies at the Barcelona ConservatorioSuperior de Musica in 1973. His teacher there wathe present professor of guitar at the Conservatory, Jose Luis Lopdtegui. At the end of his studies he won the ConservatoryPrixd Honneur.Afterwards he continuedhis studies with other teachers, among them Narciso Yepes, for musical interpretationand in 1973-74, composition with the Finnish composer Enojuhani Rautavaara.

Juan Antonio Muro composes for chamber groups, the gui tar being an important element in his compositions. He has madcmany recordings for Television and Radio and participated in numerous international music courses and festivals. Htregularly performs in chamber music ensembles all over Europe. He is a member of the Finnish Guitar Trio who have recordechis arrangement of the complete score of De Falla s El Amor Brujo for Chorus P roductions in Finland, together with a selectioof contemporary Finnish guitar music. He is a lecturer of guitar, pedagogy and modem chamber music at the HelsinConservatory since 1973.

Juan Antonio Muro is also a professional painter and holds regular exhibitions. In 1992 he received his Diploma from the FretArt School of Helsinkifor concrete and abstract painting.

FOREWORDBASIC PIECES is above all acollection of works offeringan alternative to traditionalmethods. As it has beenplanned to provide didacticmaterial as well as arepertoire of small workssuitable for concerts it maybe, and indeed is being, used

as a method. It can howeveralso function well in acomplementary r61e withanother teaching method.

This Second Volumedevelops the principlesexplained in the 1s t volume,whose main didacticpurpose is the developmentof the basic right handmechanisms which form thefoundation of guitartechnique.

VORWORTBASIC PIECES ist vor allemeine Sammlung von Werken,die eine Alternative zu dentraditionellen Methodenanbietet. Da es alsdidaktisches Material undauch als ein Repertoire vonkleineren Werken, d ie fiirKonzerte geeignet sind,

geplant wurde, kann es undwird es auch erfolgreich alseine Methode benutzt. Esk a m aber auch in Zusam-menhang mit einer anderenLehrmethode funktionieren.

Dieser zweite Band erganztdie Grundlagen die imersten Heft erklart wurden.Demzufolge ist das wichtig-ste didaktische Ziel dieAusbildung der Spieltechnikder rechten Hand, die die

Grundlage derGitarrentechnik darstellt.

PROLOGUEBASIC PIECES est avant toutune collection de piecesoffrant une alternative auxmethodes traditionnelles.Conqu pour prodiguer unmateriel didactique et u

repertoire de petites piecesconvenant au concert,l ouvrage peut @tre et sera)

utilise comme une methode,et peut egalement avoir unr6le complementaire avecn importe quelle autremethode.

Ce second volume est ledeveloppement du premierdont le principal proposdidactique est lesdevelopppement desmecanismes de base pour lamain droite qui forment lefondement de la technique

guitaristique.

P R O L O OBASIC PIECES es ante todouna colecci6n de obras queofrece una alternativa a lasescuelas tradicionales. Puedtutilizarse y de hecho se,utiliza con exit0 comosistema diddctico per0puede tambien tener unafunci6n de complemento

junto a cualquier otrometodo de ensefianza, yaque ha sido concebido a lavez como material diddcticoy como repertorio depequefias obras de concierto

Este segundo volumendesarrolla el mismoconcept0 elaborado en elprimero, es decir, suprincipal objetivopedag6gico es la prPctica de10s mecanismos bdsicos de

man0 derecha que forman elfundamento de la tecnicaguitarristica.

Juan Antonio Muro, 99:



ontents . Inhalt Index Indice

Melody and Single Note Accompaniment

The Olive Trees . . . . . . . . . 4ABallad 6

U

Two simultaneous Notes on adjacent Strings

Three-note Chords. . . . . . . . . . . .2 Autumn 33

23 Prelude 424 .Mist . . . . . . . . . . . 5

5 n old time Dance 36

3. ARhyme . . . . . . . . . . . . 8. . . .In the Shade of a Palm Tree 10

ElMelody and two-note Accompaniment

. . . . . . . . . . . . .Study 16

ElArpeggio for Thumb and three Fingers

5 AWaltz . . . . . . . . . . . . 12

6 Onth eswin g 137 The Battle . . . . . . . . . . 14

Two simultaneous Noteson non-adjacent Strings

. . . . . . . . .6 The Cathedral 37. . . . . . . . . . .

7 Reflections 38. . . . . . . . . . . .8 Milonga 40

. . . . . . . . . . .Minuetto 17. . . . . . . . .0 Hungarian Song 18

. . . . . . . . . .Spanish Song 192 A Song and a Dance 20

Arpeggio for the Thumb and two Fingers. . . . . . . .3 n Evening Song 22

4 A Circle Dance 23

Melody in the Upper Voice. . . . . . . . . . .5 Rain drops 24

. . . . . . . . . . . .6 A Prayer 257 Sunday morning 268.Study. 289 Study 30

. . . . . . . . . . . .0 Prelude 31

. . . . . . . . . . . .1.Study 32

29 Phrases

30 The Ladybird31 Cottonweed32 Villanesca .

3 A Waltz. . .4 Relaxing

35 A Folk dance36 .Left Hand

Legato

Scale Technique

7 Major and Minor 508 Evening Garden 519 Profiles 520 . Shadows 54



Melody and Single Note AccompanimentMelodie mit einstimmiger Begleitung Melodie avec accompagnement d une seule note

Melodia con acompaiiamiento de una sola nota

The Olive Treesie Olivenbiiume Les Oliviers Los olivos

c lmo





2

BalladBallade Ballade Balada

cantabile







mp legato dolce

m poco staccato deciso

p legato semplice e lontano

come una riposta





poco rit t mpo

ossia P P



M elody and two note AccompanimentMelodie mit zweistimmiger egleitung

MClodie avec accompagnement de deux notes Melodia con acompafiamiento de dos notas

WaltzWalzer Valse Vals

llegretto

po o ten



6On the Swing

Auf der Schaukel Sur la galangoire En el columpio

Allegretto

Fine

D C a1 Fine



The attleDie Schlacht La ataille La batalla

gitato

po o rit



tempo

cresc W

cresc f

senza rit

sempre



tudyt u d e t u d e s t u d i o

osso

I . . l . . .

P

po o rit



i

Two simultaneous Notes on non adjacent stringsZwei gleichzeitig gespielte Noten auf nicht benachbarten SaitenDeux notes joukes simultankment sur des cordes non adjacentes

Dos notas tocadas simultineamente en cuerdas no adyacentes

9inuetto

Maestoso enuett enuet inueto

I I l

D C a1 Fine



Hungarian SongUngarisches Lied hanson hongroise ancibn hungara

Allegretto

Fine

i D C al Fine



panish ongSpanisches Lied hanson espagnole ancibn espaiiola

llegrettom

m



Song and DanceLied und Tanz ~ h a n s o nt Danse Cancio n y danza

ndante



ritmico poco piu mosso

3. 3. 3

poco accell

12wo o rit

empo primo

p dol e/

rit



i

Arpeggio for the Thumb and two FingersArpeggio iir Daumen und zwei Finger Arpege pour le pouce et deux doigts

Arpegio para el pulgar y dos dedos

n Evening SongAbendlied Chant du Soir Cancio n de atardecer

ndantinom i m i m





Melody in the Upper VoiceMelodie in der oberstimme

M lodie dans la voix sup rieure Melodia en la voz superior

Regentropfen outtes de pluie Las gotas de lluvia





Sonntagmorgen imanche matin ia festivo

llegrettod



rit

e

ordinario

ordinario

ritardando ento

Tempo primo

LT



tudytude tude s tudio

Molto tranquil1

simil



d im



tudytude tude s tudio

ndantino

cresc

a tempo



reludePrael ud iu m Pre lude Prel udi o





i Three note ChordsDreistimmige Akkorde Accords de trois no tes. Acordes de tres notas

utumnHerbst utomne Otofio

dagio

p sul tasto

ritardando molto



reluderaeludium rilude reludio

oderato

poco rit

tempo m



24.Mist

Nebel Le Brouillard La niebla

lontano molto legatomelody in the middle voice)

D.C.

non ritardandodimin uendo a1 niente



25

n old time DanceAlter Tanz Danse ancienne Danza antigua

llegro

D C a Fin1



: Arpeggio for Thumb and three Fingers Arpeggio iir Daumen und drei FingerArphge pour le pouce et trois doigts Arpegio para el pulgar y tres dedos

The athedralDie Kathedrale La athi dra le La atedral

ndante s rioso





D C a1e Coda

d i m

CODA



28

ilonga

a m i

D C



LegatoDas Legato Le Legato l Ligado

29

PhrasesPhrasen Phrases Frases

12 Pre para to Exercises for Legato 12 Vo rstu die nji ir da s Legato Spiel12 Exercices pripa ratoir es pour le legato l 2 Ejercicios preparatorios para el legato







The LadybirdDer Marienkafer La Coccinelle La rnariquita

31Cottonweed

Wollgrass La patte d u Chat La pata del gato



VillanescaVillanesca Vil anelle Villanesca

anse

C em p re con etizione 7

sempre con ripetizione

f \Dal a1Ll

0 poi oda

oda



33Waltz

Ein Walzer Une valse Un vals

L?

\ \

llegretto



omodo

34Relaxing

Entspannung En se reposant Relajhndose

11 12 Fine

al a1 Fine





Left andLinke and Main gauche Mano izquierda

Vivace

left hand only

pizz.



cale Techniqueonleitertechnik echnique de gammes kcnica de escalas

Major and Minorur und Moll Majeur et mineur Mayor y menor



Evening GardenGarten a m bend Le Jardin a u Soir El jardin de la tarde

Andante poetic







ShadowsSchatten mbres Sombras

ndante misterioso

m i m m l

i m i





Juan Antonio Muro

BASIC PIECESEasy entertaining guitar pieces for beginners

Leichte Gitarrenstucke fur AnfangerPieces de guitare faciles et agreables pour debutants

Piezas de guitarra faciles y agradables para principiantes

This unique collection of original, attractive and entertaining graded teaching pieces is specificallyplanned for developing technical, rhythmical and musical skills in beginning classical guitarists.Unusual and welcome are the many teacher s accompaniments, which greatly enhance the learningexperience for pupil and teacher alike.This collection, aiready a natural choice for teachers, may be used as a method or as a supplement.

Bar code to e used for distributionoutside North Amerlca

Bar code to be used for distributionwithin North America

Documents

Juan Antonio Muro_basic Pieces, Vol. II