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an introduction to those photographers you’d be embarrassed not to know about JAPANESE PHOTOGRAPHY

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  • an introduction to those photographers youd be embarrassed not to know about

    JAPANESE PHOTOGRAPHY

  • Introduction

    Im no expert - just a very basic guide

    Overview of most well-known Japanese photographers

    Certainly not comprehensive

    Attempt to show different schools and philosophies

  • UEDA AND DOMON

  • Shoji Ueda

    1913-2000

    Opened his own studio at 19, but only gained worldwide attention in the 1970s.

    Surrealist, compositional based photographer.

    Well known for Tottori sand dune photos.

  • Shoji Ueda

  • Shoji Ueda

  • Ken Domon

    Documented aftermath of Word War 2.

    Looked at society and lives of ordinary people.

    Realist - a snapshot that is absolutely not dramatic.

    Rejected posed and artistic photography.

    Strokes in 1960 and 1968 - confined to wheelchair, and photographed Buddhist temples.

  • Ken Domon

  • Ken Domon

  • VIVO

  • VIVO - overview

    Short lived photo agency formed in 1957 by Shomei Tomatsu, Kikuchi Kawada, Eikoh Hosoe and Ikko Narahara.

    Seminal junin no me (eyes of ten) exhibition.

    Personal views of Japan. Renounced realism.

  • VIVO photographers - key publications

    Eikoh Hosoe - Kamaitachi.

    Shomei Tomatsu and Ken Domon - Hiroshima Nagasaki Document 1961.

    Kikuchi Kawada - Chizu.

  • Eikoh Hosoe

  • Eikoh Hosoe

  • Eikoh Hosoe

  • Shomei Tomatsu

  • Shomei Tomatsu

  • Shomei Tomatsu

  • PROVOKE

  • Provoke - overview

    Late 1960s to mid 1970s.

    Short lived, low cost photography magazine.

    Founders - Kohi Taki, Takuma Nakahira, Takahiko Okada, Yutaka Takanashi and Daido Moriyama.

    Klein and Tomatsu influenced many of these photographers.

    Aim - to create a new photographic language that could transcend the written word.

    Rethinking photographic conventions: are, bure boke - rough, blurred, out of focus.

    Push processing, use of Olympus Pen - half-sized negatives.

    Conceptualism over realism.

    Chance and the unknown to be revealed through the photographic process.

  • Provoke photographers - key publications

    Bye Bye Photography - Daido Moriyama.

    Hotel, Shibuya - Daido Moriyama.

    For a language to come - Takuma Nakahira.

    Toshi-e - Yutaka Takanashi.

  • A few words and a video on Moriyama

    Initially influenced by William Klein

    But, with Provoke, developed a style that is truly his own

    Without Moriyama there may never have been Anders Peterson, Michael Ackerman, Jacob Aue Sobol and even Yusuf Sevincli!

  • Video intermission

  • Bye Bye Photography - Daido Moriyama

  • Bye Bye Photography - Daido Moriyama

  • Bye Bye Photography - Daido Moriyama

  • For a Language to Come - Nakahira

  • For a Language to Come - Nakahira

  • Toshi e - Takanashi

  • Toshi e - Takanashi

  • POST-PROVOKEAraki, Yoshiyuki, Kurata and Naito

  • Nobuyoshi Araki

    One of Japans most well-known photographers

    Influenced by Provokes Moriyama and Nakahira

    Because of their visceral engagement with their subject matter, especially the subject of the street and the expressive character of individual lives

    My Wife Yoko, A Sentimental Journey

    Leading proponent of personal photography that can be seen in young contemporary photographers such as Nagashima and Hiromix

    Women queue around the block to be photographed by him - his preference is for the every day woman, the housewife

    Bondage photos

  • Nobuyoshi Araki

  • Nobuyoshi Araki

  • Nobuyoshi Araki

  • Kohei Yoshiyuki

    1979 exhibition - The Park

    A soft-core voyeurs manual

    35mm infrared film and infrared flash

    Pushes boundaries between photographer, spectator, viewer and participant.

    Loneliness, sadness and desperation that so often accompany sexual or human relationships in a big hard metropolis like Tokyo. - Martin Parr

  • Kohei Yoshiyuki

  • Kohei Yoshiyuki

  • Kohei Yoshiyuki

  • Seiji Kurata

    One of my favourite Japanese photographers

    Flash-Up for many years a collectors object - recently re-issued by Zen Gallery

    Hard, immersive, fearless Weegee like images - fights, crime scenes, portraits, hostess clubs

    Pictures from Tokyos most notorious district in the 1970s - Ikebukuro

    Journal style articles accompany the pictures - to provide context and authenticity

  • Seiji Kurata

  • Seiji Kurata

  • Seiji Kurata

  • Masatoshi Naito

    Very difficult to find information about him

    1970s - Ba Ba Bakuhatsu (Grandma Explosion) a collectors item

    Interest in Folkloric traditions that can be seen in Lieko Shigas work today

  • Masatoshi Naito

  • Masatoshi Naito

  • Masatoshi Naito

  • YURIE NAGASHIMA AND HIROMIX

  • Yurie Nagashima

    Received urbanart award in 1993 for her Kazoku series of pictures of her and her family in the nude - which some commentators argue is a contemporary take on Fukase Nasahisas project of the same name.

    Araki nominated her for award.

    Compared to Nan Goldin.

    Concerned with family, gender, identity, sexuality and censorship.

  • Yurie Nagashima - Kazoku

  • Yurie Nagashima - Kazoku

  • Yurie Nagashima

  • Hiromix

    Pioneer for female photographers in Japan.

    Won 1995 Canon New Cosmos award as a teenager.

    Championed by Araki.

    Self portrait heavy, snapshot aesthetic. Colour.

    I take photos of what I like. Claims she is influenced by no-one and has no particular theme.

    Participant and observer of working class youth culture. Her subjects dont expect anything from the future.

  • Girls Blue - Hiromix

  • Girls Blue - Hiromix

  • Girls Blue - Hiromix

  • POST NAGASHIMA AND HIROMIX

  • Ume Kayo

  • Ume Kayo

  • Ume Kayo

  • Ume Kayo

  • Ume Kayo

  • Motoyuki Daifu

  • Motoyuki Daifu

  • Motoyuki Daifu

  • AND SOME OTHER FAVOURITES

  • Jun Abe

    Rinko Kawauchi

    Lieko Shiga

    Daisuke Yokota

  • Jun Abe

  • Jun Abe

  • Rinko Kawauchi

  • Rinko Kawauchi

  • Rinko Kawauchi

  • Lieko Shiga

  • Lieko Shiga

  • Kohei Yoshiyuki

  • Daisuke Yokota

  • Daisuke Yokota

  • GENERAL PRINCIPLES

  • Importance of the print and the photo book

    Very few share their work online or even have websites

    Photographers on the whole are very humble

    Very much an in person community

    Often a surreal and personal view of the world

    Sheltered (deliberately?) from outside influence

  • FURTHER READING AND USEFUL RESOURCES

  • The photo book as an object.

    Dan Abbes blog - Street Level Japan.

    Japan Exposures - blog and online Japanese photo book store.

    Japan-Photo blog

    Fraction Magazine

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