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42 COVER The monochrome mistress, Janelle Monáe is back and ready to electrify your speakers once again. Gloria Ogunbambo sat down with the most original woman in music to talk self-acceptance, why she’s sticking to black and white, and why’s she’s staying natural until she’s six feet under. S TEP BACK! SHE’S ABOUT TO BLOW! I ’m at a plush hotel in Marylebone, on a crisp Sunday afternoon, talking to Janelle Monáe about paintings. Not just any paintings mind you. We’re talking specifically about her own creations: the works of art that have inspired her latest masterpiece – her sophomore album, The Electric Lady. “I kept painting this one drawing of a woman’s silhouette,” she starts in soft, velveteen tones. “For the past two years, I’ve been doing that and thinking: “What’s going on with me? Why am I drawing this same woman?” Only it wasn’t the same woman. She came in different shapes, different sizes and different colours.” Statements of that nature are just par for the course when you attempt to view the world through the kaleidoscopic lens of Ms. Monáe: the 27-year-old, five-foot-nothing, extremely hard to pigeonhole, singer, songwriter, artiste and all around force of nature. As expected, the musical maverick is clad in her trademark black and white: patent black loafers, slim black tuxedo pants, pristine white shirt, and a bowler hat perched just so, allowing her perfectly pouffed pompadour [“it only takes me 7.5 minutes”] to have a moment. For those still wondering, her self-imposed monochromatic “uniform” is less a sign of a woefully inactive imagination and more a matter of principle. “I took what I like to call the ‘How dare she’ approach. You know, “How dare she wear that black and white tuxedo every day?” It’s about me exercising my right as an artist and also about wanting to be tied with the working class. My mother was a janitor; my father was a trash man, and my stepfather, who treated me like his own daughter, worked at the post office. They all wore uniforms.” 042-045 Cover-JanelleAA.indd 42 20/08/2013 10:57

Janelle Monáe. Pride Magazine. September 2013

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"Am I a trendsetter? Absolutely. I will humbly say that."

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  • 42

    Cover

    The monochrome mistress, Janelle Mone is back and ready to electrify your speakers once again. Gloria Ogunbambo sat down with the most original woman in music to talk self-acceptance, why shes sticking to black and white, and whys shes staying natural until shes six feet under.

    STEP BACK!SHES ABOUTTO BLOW!

    Im at a plush hotel in Marylebone, on a crisp Sunday afternoon, talking to Janelle Mone about paintings. Not just any paintings mind you. Were talking specifi cally about her own creations: the works of art that have inspired her latest masterpiece her sophomore album, The Electric Lady. I kept painting this one drawing of a womans silhouette, she starts in soft, velveteen tones. For the past two years, Ive been doing that and thinking: Whats going on with me? Why am I drawing this same woman? Only it wasnt the same woman. She came in different shapes,

    different sizes and different colours.

    Statements of that nature are just par for the course when you attempt to view the world through the kaleidoscopic lens of Ms. Mone: the 27-year-old, fi ve-foot-nothing, extremely hard to pigeonhole, singer, songwriter, artiste and all around force of nature. As expected, the musical maverick is clad in her trademark black and white: patent black loafers, slim black tuxedo pants, pristine white shirt, and a bowler hat perched just so, allowing her perfectly pouffed pompadour [it only takes me 7.5

    minutes] to have a moment. For those still wondering, her self-imposed monochromatic uniform is less a sign of a woefully inactive imagination and more a matter of principle. I took what I like to call the How dare she approach. You know, How dare she wear that black and white tuxedo every day? Its about me exercising my right as an artist and also about wanting to be tied with the working class. My mother was a janitor; my father was a trash man, and my stepfather, who treated me like his own daughter, worked at the post offi ce. They all wore uniforms.

    042-045 Cover-JanelleAA.indd 42 20/08/2013 10:57

  • 43

    CoverSTEP BACK!SHES ABOUTBLOW!

    It should be said, that thats as close to conformity as this Kansas native (she now resides in Atlanta) will ever get. You see, Janelle Mones not one to play by the rules. To hell with society and its patriarchal views on how a woman should be! Janelle Mones the type of sista who marches firmly to the beat of her own drum so dont be surprised when she goes wild on stage and decides she wants to play it too. If its the status quo that youre offering her, shell gladly pass. For me its all about being free, and knowing that youre in possession of your freedom. Ive always had this rebellious spirit that rises up and surfaces whenever I feel like anybody is trying to treat me like a robot. But Im certain thats something shell never be.

    It speaks volumes about an artist, and their true status as an individual, when its a struggle to compare them to anybody else, especially anybody else of their own gender. Mones music spans traditional RnB, soul, funk, opera and rock and her show stopping, frenetic live performances are the very definition of theatrical. [The day after this interview, at her album playback, Mone would order unsuspecting journalists and music industry types to remove their shoes and literally dance like they were on fire on a

    I WILL COnTInUE TO

    BE nATUrAL UnTIL THE

    dAy I dIE. ITS jUST WHO I Am.

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  • 44

    Covergrass carpet.] Raised on a musical diet of everything from Judy Garland to Stevie Wonder, James Brown, David Bowie, Prince, Earth Wind & Fire its no shock that shes drawn comparisons to many of those iconoclastic figures. And my gosh, is she a breath of fresh air.

    In a sea of oversexualised, questionably talented, female stars whove pretty much shown us everything save their internal organs, Janelle Monae stands out like an African in Antarctica, single- handedly challenging the norm and redefining what it means to be sexy. Sexy isnt defined by the word; its defined by the person. Ive always said its up to people to embrace the things that make them unique even if it makes others uncomfortable. If you wear this youre sexy; if you wear that youre masculine, lets push those lines away. I actually feel sexy in a tuxedo! I feel sexy in my white shirt with just two buttons down. I do have dresses, I have skirts, I have heels, I do all that as well but its so important not to play into gender roles or play into sexism. Is anybody telling Kanye or Andre [3000] theyre less sexy because of what they wear?

    If theres one thing Ive learned about Janelle, its that explosive elements often come in small packages. She may be petite and possess disarmingly beautiful, angelic features but those eyes tell a slightly different story. Sure, they light up and glint in a way that makes you feel like youre privy to some awesome secret, but within them also lies a steeliness that tells me shes not the type who suffers fools gladly. And its that ferocity, that willingness to take a stand over the issues she feels most passionately about that have made her, for better or for worse, a role model. I dont let that term get in the way of me being a human being. We all make mistakes; we all fall short of someone elses expectations but Im somebody who really focuses on putting myself in situations where I can really grow and blossom and become a better person

    than I was last week, last month, or last year. I want to redefine what it means to be a young, black woman. I want to inspire, to be someone with a different perspective that others can aspire to.

    So armed with grace, poise and an air of self-assurance is Janelle Mone, that its unfathomable to think that shes ever suffered a crisis of confidence. Heres a woman with absolutely zero interest in being a part of the herd in fact shell gladly separate herself from the pack describing herself as an android several times during our conversation, and far from proffering mock self-deprecation in a thinly veiled attempt at appearing down to earth, shell tell you when shes due credit and when shes not. Am I a trendsetter? Absolutely. I will humbly say that. I didnt invent the tuxedo but, when I came out, I didnt see any females wearing them. I never saw a young African-

    American, android female, in a tuxedo. Now, everybodys in black and white, so I definitely feel like I have been a direct influence on the fashion world. Yet beneath the super confident exterior, shes still human and just like the rest of us, shes had her fair share of shaky moments. Ive definitely felt the pressure to look a certain way. Growing up I read magazines, I watched TV, and I saw the ads just like you and it always seemed to me that there was this stereotype; this monolithic approach to how women should look. You really do have to ask yourself, mentally say: How long is this going to keep going on? When am I going to give in to what I was given? When am I going to just love my face, who I am, and figure out how to rock that and be the best that I can be? Embracing that and

    finding that balance is something that Ive learned over time. Thats why it means a lot to me that Im natural. Its cool to me it gives me more options and more room to be creative. I will continue to be natural, probably until the day I die. Its just who I am. I love that its become this whole movement now. [When I was coming up] I didnt see many mainstream artists with that trend. It was just Erykah [Badu], Jill Scott and Lauryn [Hill] but no one of my generation. Its so important for me to feel like Im representing what we naturally are.

    Those themes of self-love, self-acceptance and self-actualisation are definitely at the heart of her forthcoming release, The Electric Lady. So far, Janelles managed to keep the vast majority of the album under wraps but after being granted a little sneak peek, I have to say that Primetime, a

    stunning duet with Miguel, and the titular track Electric Lady, a throwback 90s jam featuring

    Solange, will take some beating. In addition to that, the album will

    feature an appearance from one of Mones self-professed musical

    heroes a little known artist who goes by the name of Prince Rogers

    Nelson.

    A long time ago I asked myself what position I was going to play, begins Mone when I ask how she hopes people will feel when they hear her new body of work. Was I going to play it safe? Or was I going to be true to who I am? I want people to use this album in their daily lives. I want them to feel like its their Bible. I want it to inspire, enrich, uplift, spark dialogue, make you want to rebel, make you fall in love. Most of all I want people to feel empowered and to take the realisation of those super powers and go out and be the Electric Ladies they can be. And with that were done. As I exit the suite, I say my goodbyes to her manager, who congratulates me on my interview. Janelle always texts me if shes had a bad interview, so well done! he exclaims. Like I told you, Janelle Mone doesnt play. P

    Am I A TrEndSETTEr?

    ABSOLUTELy. I WILL

    HUmBLy SAy THAT.

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  • 45

    Cover

    Janelle Mones The Electric

    Lady is released September 9th on

    Atlantic Records.

    WHEnEvEr I

    fEEL LIKE AnyBOdy IS

    TryIng TO TrEAT mE

    LIKE A rOBOT.

    IvE ALWAyS HAd THIS rEBELLIOUS SPIrIT THAT rISES UP

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