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cowboy dressage JESSICA BLACK WITH EITAN & DEBBIE BETH-HALACHMY | FOREWORD BY DR. ROBERT MILLER Riding, Training, and Competing with Kindness as the Goal and Guiding Principle cowboy dressage ®

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Page 1: J cowboy dressage - Horse and Rider Books Dressage... · 2015-08-25 · good idea to get a horse moving forward right away. Never restrict forward motion! Eitan advises letting the

cowboy dressage

JESSICA BLACK WITH EITAN & DEBBIE BETH-HALACHMY | FOREWORD BY DR. ROBERT MILLER

Riding, Training, and Competing with Kindness as the Goal and Guiding Principle

Cowboy Dressage® was born of a desire to meld the best of two worlds in

pursuit of one ultimate goal. By combining Western riding traditions with classical dres-sage concepts, founders Eitan and Debbie Beth-Halachmy provided a way for riders from all walks of life to develop deeply harmonious and satisfying relationships with their horses.

Cowboy Dressage is open to all breeds and all levels of riders; there isn’t a set frame for over-all look, head carriage, or action. The singular goal is to consider your horse’s potential at all times as you strive to achieve a subtle and relaxed flow of information between you.

In these pages, lifelong horsewoman Jessica Black traces the exciting evolution of Cowboy Dressage back to its roots, sharing the story of Eitan and Debbie Beth-Halachmy and the phenomenal Morgan horses that have served as the movement’s ambassadors. Black expert-ly weaves Eitan’s experience and expertise into an engaging explanation of the Cowboy Dressage philosophy, as well as recommenda-tions on groundwork for a solid foundation for the discipline. She includes training advice for achieving engagement, regulating the gaits, smoothing transitions, and balancing bend and straightness.

Specific descriptions of the Cowboy Dressage tests and “court”—the training area designated for practicing the tests—are provided, with addi-tional tools for those interested in competition, including rules, divisions, and how to execute and judge tests.

Richly illustrated with gorgeous full color pho-tographs and helpful diagrams, Cowboy Dres-sage gives readers everything they need to find a “soft feel” with their horses and share what they’ve developed with a community of like-minded horsepeople. Cowboy Dressage is more about a way of life than a rulebook—and with that as its premise, you can see how it shows the way to true partnership with your horse.

$29.95co

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Jessica Black grew up riding and show-ing Morgan horses. She was introduced to

Spanish doma and rode pure Spanish-bred and Lusitano horses while studying in Spain. Lat-er, she spent several years training, galloping, and racing Thoroughbreds and Arabians as an amateur in Spain, and galloped Thoroughbreds and Quarter Horses in Mexico and Panama. She earned an MA in Psychology from Humboldt State University and is currently pursuing her Doctorate at the University of Oklahoma. Her research is focused on the intersection of narra-tive and morality.

Eitan and Debbie Beth-Halachmy founded Cowboy Dressage and have devot-

ed their lives, their Morgan horses, and their Wolf Creek Ranch in Grass Valley, California, to spreading the movement’s ideals of lightness and kindness as reward in training. Find out more at www.cowboydressage.com.

For a complete catalog of equestrian books and DVDs, contact:

Trafalgar Square BooksBox 257, Howe Hill RoadNorth Pomfret, Vermont 05053800.423.4525www.horseandriderbooks.com

Cover photographs by Lesley Deutsch

Printed in China

JESSICA BLA

CK W

ITH EITA

N &

DEBBIE BETH

-HA

LACH

MY

®

®

Cowboy Dressage is......a discipline, a pursuit... ...a passion, a lifestyle...

It is a world that emphasizes, above all else, the relationship between horse and rider.

ISBN 978-1-57076-680-0

9 781570 766800

5 2 9 9 5

$29.95 USD

www.horseandriderbooks.com

®

“I am very happy that the discipline of Cowboy Dressage is growing so rapidly

in popularity. It emphasizes kindness and gentleness, not mastery….Its aim is a mutually satisfying partnership.” —Dr. Robert Miller, Author of Natural Horsemanship Explained and Imprint Training of the Newborn Foal

CowboyDressageFullCover.indd 1 6/17/15 9:49 AM

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Foreword ................................................................. xiNote to the Reader and Photo Credits ............... xiii

Preface ........................................................................... xvEitan Beth-Halachmy ........................................... xviDebbie Beth-Halachmy ....................................... xxiiFirst Steps ........................................................... xxiiiTurning Points ................................................... xxviiThe Trip of a Lifetime .......................................... xxx

One: Introducing Cowboy Dressage ....................1Accessibility .............................................................. 3Focus on the Relationship ...................................... 4Soft Feel ................................................................... 5Emphasis on Kindness ........................................... 6Cowboy Dressage or Western Dressage? .............. 7

Two: Philosophy ........................................................13Zeitgeist..................................................................14Partnership ............................................................16The Importance of Words .....................................19Lifestyle .................................................................. 22

Three: Rider, Equipment, and Horse .................25Cues and Aids ........................................................ 27The Rider’s Seat ......................................................30

Equipment ............................................................. 31The Bridle ............................................................... 31Bits ..........................................................................34Snaffle ..................................................................... 35Curb ........................................................................36The Hackamore ...................................................... 37Other Artificial Aids ..............................................38The Horse ...............................................................39A Horse for Cowboy Dressage ..............................40

Four: Equine Behavior ............................................47Horse as Precocial Prey Animal ........................... 47Imprinting ..............................................................48Pecking Order Is Very Important ........................50Make the Horse’s Instincts Work for You ........... 51Use the Horse’s Instincts in the Round Pen .......56Body Language Is the Essence of Equine Communication .....................................56A Little Psychology ................................................ 57Classical Conditioning ..........................................58Operant Conditioning ..........................................59Concluding Remarks ............................................. 62

Five: The Foundation ..............................................65Groundwork ........................................................... 67Leading as a Starting Point................................... 67

Contents

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Using the Round Pen ............................................68Getting On .............................................................70Classical Dressage Precepts ..................................73Going Forward, Turning, and Stopping .............. 75Going Forward ....................................................... 75Turning ...................................................................76Stopping .................................................................79Final Words about the Foundation .....................80

Six: Forward Motion and Engagement ............83Engagement ...........................................................84The Gaits .................................................................86The Walk .................................................................86The Jog ....................................................................88The Lope .................................................................89Additional Maneuvers .......................................... 91Backing Up ............................................................. 91Turn-on-the-Haunches ......................................... 92Turn-on-the-Forehand .......................................... 92Frame ......................................................................94Collection ............................................................... 95Self-Carriage .......................................................... 95Transitions .............................................................99Transitions Between Gaits .................................100From Walk to Jog ................................................102From Jog to Walk ................................................102Picking up the Lope.............................................103Transitioning from Lope to Jog .........................104Stopping ...............................................................105Transitions Between Frames ..............................106The Short Frame ..................................................106From Medium to Long Frame ...........................106From Long to Medium Frame ...........................107Evaluating the Changes of Frame ......................107

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Straightness and Bending ..................................107Defining Straightness .........................................107Bending ................................................................108Lateral Work ........................................................109Circles ................................................................... 111Riding the Bend ...................................................112

Seven: The Cowboy Dressage Court .............. 115Origins of the Court: The Dressage Manège ......................................116Transitioning to the Cowboy Dressage Court ..................................117The Cowboy Dressage Challenge Court .............119

Eight: Competition ...............................................123Purpose ................................................................124The Cowboy Dressage Tests ................................127Walk Jog ...............................................................128Walk Jog Lope .....................................................129The Challenge Tests .............................................129Freestyle ...............................................................130Partnership on the Ground ................................130The Latest Additions ...........................................132Vaquero Style ......................................................132Gaited Horses ......................................................134The Welcome Arena .............................................135Organizing Cowboy Dressage Competitions ....................................................136Judging Cowboy Dressage Competitions .........136

Nine: The History of Cowboy Dressage ........139Classical Dressage ............................................... 141American Cowboy ...............................................144The Vaquero Tradition.........................................144

La Jineta ...............................................................145La Doma Vaquera ................................................147La Garrocha ..........................................................149The Unique Combination That Is Cowboy Dressage .............................................150

Ten: Collaboration .................................................153Light Hands Horsemanship ...............................156Cowboy Dressage World .....................................158The Expansion of Cowboy Dressage to Related Organizations .................................158Bringing Cowboy Dressage to the Rest of the World ..................................160Where Do We Go from Here? ............................160

Afterword .............................................................165

Appendix A: Cowboy Dressage Competition Rules ............................................167

Appendix B: Execution and Judging of Tests ...170

Appendix C: People and Organizations .............174

References ............................................................175

About the Author ................................................176

About the Photographer .....................................177

Acknowledgments ...............................................179

Index .....................................................................180

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The GaitsCowboy Dressage focuses on the three gaits nat-ural to most horses: walk, jog, and lope. (Gaited horses can also do Cowboy Dressage; tests are be-ing developed to allow them to demonstrate their progress in Cowboy Dressage while using their distinct gaits. See www.cowboydressage.com.)

Before reading the sections below, make sure you understand the difference between step and stride. A step is the movement of a single foot, from the time the hoof leaves the ground to the time it returns to the ground. Steps are often called beats with reference to horse gaits.

The stride is the entire cycle of all four feet in a horse, from the time the left hind, for ex-ample, leaves the ground to the time it strikes

6.2 – The walk is a four-beat gait. This means that the horse takes four steps in each stride, or the entire cycle of all four feet. For example, in this diagram, the stride begins when the horse steps forward with the right hind, followed by the right fore, then the left hind and finally the left foreleg. At the walk, a stride that begins with the right hind foot ends when the left forefoot strikes the ground.

the ground again after the other three feet have moved (see figs. 6.1, 6.2, and 6.3). The length of the horse’s stride depends on his frame and the momentum at which he is traveling.

The WalkThe walk is a flat-footed, four-beat gait, right hind, right front, left hind, left front. The horse will always have at least two feet on the ground (fig. 6.2). The horse’s head will move up and down for balance. A steady four-beat rhythm should be maintained. The tempo will vary with the speed and stride length; the average horse’s normal walking speed is approximately 4 miles per hour. Cowboy Dressage distin-guishes between the working walk and the free

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6.3 – A horse needs to be warmed up before he is asked to perform any demanding maneuver. This begins with walking, which allows him to loosen his muscles and focus on the task. If you walk at the beginning of the lesson, a horse will be ready to learn. Later, the walk serves as a break between lessons and maneuvers, and a cool down after the day’s work. At any time during the ride, the walk brings both rider and horse to a state of mind that facilitates communication and partnership.

walk. The working walk is a ground-covering gait, with light contact maintained through the aids and the face slightly above vertical. In the free walk, the rider urges the horse to stretch his neck forward and down by lengthening the reins; in this fashion, the weight of the rein will encourage the horse to lower his head. Both frame and stride will be longer, but the tempo should not change.

Both the working and free walk are essential parts of learning. Sometimes, we forget the importance of the walk, even when we spend a long time perfecting the jog or lope. A good walk will make everything you do with your

horse more enjoyable (fig. 6.3 ). Trail riding offers the opportunity to relax while practicing this essential gait.

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Of course, it is just as important to work at the jog and lope. In fact, at times it may be a good idea to get a horse moving forward right away. Never restrict forward motion! Eitan advises letting the horse go forward when he is willing to go: “Before you restrain a horse that wants to go, ask yourself if it wouldn’t be better to let the horse move forward.”

The JogThe Cowboy Dressage jog traces its origins back to the comfortable, ground-covering gait adopted by the cowboy who needed to traverse vast areas of land while moving the cattle. It is a two-beat diag-onal gait: the horse moves his right foreleg with his left hind, and his left fore with his right hind.

The jog must be distinguishable from the trot as seen in traditional dressage. The trot features strong impulsion and suspension. The Cowboy Dressage jog does not require suspension; the horse’s relaxed back and free shoulders should be evident in a fully engaged but shorter stride. The jog must show regular rhythm and active for-ward motion (fig. 6.4).

Like the walk, the Cowboy Dressage jog can be either working or free. In the working jog, the horse moves in a steady, two-beat rhythm, with the back relaxed, the head slightly above the ver-tical. The rider maintains light contact with the horse. In the free jog, as in the free walk, the rider encourages the horse to stretch his neck forward and slightly down in relaxation by lengthening the reins (figs. 6.5 A & B).

Posting is optional and is encouraged if it makes the ride easier by keeping the weight of the rider off the horse’s back. The rider should not speed up when posting. The horse’s frame and stride will become longer, but the tempo stays the same at the working and free jog. A steady, regular tempo and a relaxed topline are essential to both the working and the free jog.

6.4 – The jog is a two-beat diagonal gait. The horse takes two steps, left front, right hind followed by right front, left hind, for each stride. The stride begins when one diagonal leaves the ground and ends when the other diagonal strikes the ground (the first two feet will leave the ground again at the same time).

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The LopeThe Cowboy Dressage lope is a comfortable, three-beat gait. The sequence of hoof beats de-pends on the lead. For the right lead, the horse starts the stride with the left hind leg, then moves the diagonal pair (right hind and left fore), and finishes with the right fore, which is the leading leg. (The leads are named “right” or

“left” for the leading foreleg.) For the left lead, the sequence starts with the right hind leg, followed by left hind and right fore together, with the left foreleg completing the stride (fig. 6.6).

6.5 A & B – The horse should maintain a steady even tempo at both the working and free jog. At the free jog (right), the horse stretches down into a longer frame and stride, but does not speed up. Note that in the working jog, the horse maintains a medium frame, while at the free jog he relaxes into a long frame.

6.6 – The lope is a rocking three-beat gait. In this image, the horse begins the right lead by pushing off with the left hind leg. Next, he moves the right hind and left fore together. Finally, he’ll finish the stride with the right foreleg.

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Like the other working gaits, the Cowboy Dressage working lope is characterized by a me-dium frame, with the head slightly above the vertical and light contact maintained through the aids (fig. 6.7). The horse should move forward with impulsion, ready to respond to any request from the rider. For example, flying lead changes are often done at the working lope. The rider can take advantage of the horse’s stride to execute a successful change of lead by asking for the other lead on the third beat, when the horse has three feet off the ground.

6.7 – As the horse lopes, the left hind foot will make contact with the ground first, then the diagonal right hind-left fore, and lastly, the right fore; by this time, the other three feet are in the air. Only the diagonal pair will be on the ground at the same time. In this picture, the horse’s left-fore/right-hind diagonal is about to strike the ground for the second beat of the working lope (medium frame), on the right lead.

6.8 – Garn Walker and Hez the Fireman complete a 20-meter circle at the lope. In Cowboy Dressage tests, the horse performs 20-meter circles at the working and free lope. Both feature a distinct, three-beat rhythm made possible by a relaxed, rounded back and engaged hindquarters.

The free lope is characterized by the lengthening of the reins and stride; the tempo should not vary. The free lope is the hallmark of the trained West-ern horse; he should be willing to lope on a loose rein without speeding up or changing the tempo.

The Cowboy Dressage lope should be notice-ably different from the canter of traditional dressage, which has more impulsion, suspension, and contact with the horse’s mouth. In contrast, the image of the Cowboy Dressage lope is relaxed and comfortable, in keeping with the Western tradition (fig. 6.8).

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