58
IP-AUDIO NETWORKS IN THE REAL WORLD: How MPR, Univision, and The University of Indianapolis are Using IP-Audio to Solve Problems

IP-AUDIO NETWORKS IN THE REAL WORLD: How MPR, Univision, and The University of Indianapolis are Using IP-Audio to Solve Problems

Embed Size (px)

Citation preview

  • Slide 1
  • IP-AUDIO NETWORKS IN THE REAL WORLD: How MPR, Univision, and The University of Indianapolis are Using IP-Audio to Solve Problems
  • Slide 2
  • ABSTRACT Most broadcasters agree: IP-based audio systems represent the future Many people dont realize systems using Internet Protocol addressing with Switched Ethernet to transport audio already exist
  • Slide 3
  • ABSTRACT Today, well explore the challenges broadcasters face, and Learn how prominent broadcasters have used IP-Audio to meet these challenges
  • Slide 4
  • THE KING IS DEAD, LONG LIVE THE KING When tape carts came along in 1959, transcriptions became obsolete In 1990, carts were still king. But
  • Slide 5
  • THE KING IS DEAD, LONG LIVE THE KING Experimentation using IBM PCs with digital audio cards began. No one thought this could possibly work!
  • Slide 6
  • THE KING IS DEAD, LONG LIVE THE KING 1991: Cart Machine for the PC is introduced gets over 2,000 Compuserve downloads in 90 days By 1996, cart machines had been replaced by PCs.
  • Slide 7
  • THE KING IS DEAD, LONG LIVE THE KING Today, IP-Audio is poised to make traditional audio distribution infrastructure as obsolete as the cart machine These systems employ the same IP addressing technology powering business data networks IP-Audio eliminates the discrete- wiring model used since the dawn of radio
  • Slide 8
  • THE FUTURE IS NOW IP Audio networks enable broadcasters to cut costs by utilizing a common transport mechanism for audio, messaging, and other data traffic Why are IP-Audio Networks considered to be the future of the broadcast plant?
  • Slide 9
  • THE FUTURE IS NOW IP-Audio networks provide broadcasters the flexibility to grow and change that traditional systems lack Why are IP-Audio Networks considered to be the future of the broadcast plant?
  • Slide 10
  • THE FUTURE IS NOW Since IP-Audio networks are standards-based, even smaller stations can afford to deploy them Why are IP-Audio Networks considered to be the future of the broadcast plant?
  • Slide 11
  • THE FUTURE IS NOW Real-time IP-Audio in the IT world is already commonplace, as seen in the accelerating migration from traditional telephone services to Voice-over-IP (VoIP) technology
  • Slide 12
  • THE FUTURE IS NOW Sales of VoIP-based PBX systems outstripped traditional TDM systems for the first time in 2005 Estimates indicate that by 2008, VoIP will account for over 90% of PBX sales while traditional phone systems decline to 8%
  • Slide 13
  • THE FUTURE IS NOW VoIP Access Lines in the U.S.
  • Slide 14
  • THE FUTURE IS NOW In September 2005, Cisco, reporting the sale of its 6-millionth IP phone, said that VoIP is displacing up to 8,000 traditional circuit-based telephones every business day
  • Slide 15
  • THE FUTURE IS NOW NPR affiliates can browse a list of programs, arrange feeds, and download metadata including promos, audio samples, and rights information NPRs Content Depot program distribution system employs IP- over-satellite technology
  • Slide 16
  • THE FUTURE IS NOW The broadcasting industry is on the verge of an IP-fueled revolution in distribution and infrastructure design
  • Slide 17
  • How IP-Audio works: Audio sources connect to audio nodes
  • Slide 18
  • How IP-Audio works: Nodes convert audio to uncompressed, 24-bit/48 kHz digital audio, then translate it to packet data
  • Slide 19
  • How IP-Audio works: Each audio node input/output is assigned an IP address for identification and routing purposes
  • Slide 20
  • How IP-Audio works: Logic ports on each device are connected to GPIO nodes, which convert on/off, tally and other commands to packet data
  • Slide 21
  • How IP-Audio works: Each node makes its audio and control data available to the network
  • Slide 22
  • How IP-Audio works: Each studios local Ethernet switch is connected to the other rooms via core switches or daisy-chain Studio AStudio BStudio C
  • Slide 23
  • HOW IP-AUDIO WORKS Compared to traditional multi-line broadcast phone systems, an IP-Audio based system requires only a single Ethernet connection simplifying installation By integrating IP-Audio interfaces into equipment, installations are greatly simplified
  • Slide 24
  • HOW IP-AUDIO WORKS With an IP-Audio based computer delivery system, audio travels to the network via the computers NIC card without soundcards, multiple audio lines, or D/A/D conversion By integrating IP-Audio interfaces into equipment, installations are greatly simplified
  • Slide 25
  • HOW IP-AUDIO WORKS BE, BSI, D.A.V.I.D. Systems, dMarc, Enco, IDC, Netia, Omnia, OMT, Pristine Systems, Prophet Systems, Radio Systems, Synadyne, Telos and Zenon Media have all announced IP- Audio system compatibility
  • Slide 26
  • HOW IP-AUDIO WORKS In addition to simplified installation, lower costs both short and long term are significant benefits of IP- Audio systems
  • Slide 27
  • APPLICATIONS: Interchangeable Studios For years, broadcasters have built Mirror studios for interchangeable use, but Taking any room to air as needed presents logistical challenges with traditional hardwired systems Even with TDM systems capable of multiplexing logic commands with audio, additional hardware is required
  • Slide 28
  • APPLICATIONS: Interchangeable Studios With its decentralized, shared data approach, IP-Audio networks simplify construction and use of identical studios Gigabit Ethernet has the capacity to carry hundreds of simultaneous stereo audio channels per link with audio, logic, and program associated data all traveling the same CAT-6 cable
  • Slide 29
  • Slide 30
  • APPLICATIONS: WOR System Benefits IP-Audio system met all operational requirements including the ability to access any source in any location and automate the switching of feeds to destinations Installation of an IP-Audio system saved them roughly 25% of the cost associated with traditional means
  • Slide 31
  • APPLICATIONS: Simple Scalability Hardwired facilities are not amenable to growth TDM routers face similar challenges often requiring additional frames, cards, and increased wiring infrastructure all at significant cost
  • Slide 32
  • APPLICATIONS: Simple Scalability IP-Audio networks are not subject to the growth limitations of hardwired systems Adding a new studio to the network is accomplished by connecting its audio nodes to a local Ethernet switch, which links to the core switch via CAT-6; then assigning IP addresses to the new inputs
  • Slide 33
  • APPLICATIONS: Simple Scalability While IP-Audio networks cannot scale upward indefinitely, their ability to carry tens of thousands of stereo channels per system is enough to satisfy most facilities
  • Slide 34
  • APPLICATIONS: Minnesota Public Radio MPRs expansion called for doubling the size of their facilities The change from traditional routing to IP-Audio made this upgrade easier and provided far greater scalability all at lower cost This Ethernet-based system enabled MPRs network to be fully redundant and self-healing
  • Slide 35
  • APPLICATIONS: Minnesota Public Radio
  • Slide 36
  • APPLICATIONS: Quick Changes With router/switchers, making system changes or additions can prove difficult Routers reach plateaus in terms of capacity IP-Audio networks solve this problem because they are both scalable and modular
  • Slide 37
  • APPLICATIONS: XM Canada Two studios Montreal and Toronto for origination of XMs Canadian content Programming generated in Canada feeds back to Washington, DC headquarters via broadband OC-3 connection
  • Slide 38
  • APPLICATIONS: XM Canada Changes occurred because of the scope of the project Ethernet has a scalability and flexibility others systems dont, so building with it provides a much more a la carte approach. - Tyler Everitt, Sales Manager, Pippin Technical
  • Slide 39
  • APPLICATIONS: Progressive Buildouts IP-Audio networks ability to not only scale, but to co-exist with other systems enables broadcasters to begin migrating to new technology without being forced to make wholesale changes to existing studios
  • Slide 40
  • APPLICATIONS: Progressive Buildouts Systems can be staged to accommodate remodeling or facility upgrades by retiring old gear on a studio-by-studio basis This process facilitates spreading upgrade costs over time
  • Slide 41
  • APPLICATIONS: Univision Radio Univision has 3 stations in McAllen, TX Starting with KBTQ, switching/routing systems were installed With a scalable Ethernet backbone, network can expand via additional nodes, (control) surfaces, and Ethernet switches
  • Slide 42
  • APPLICATIONS: Univision Radio IP-Audio rack at Univision Radio, McAllen, TX 3 audio nodes (below switch, top) provide 24 sets of stereo I/O; router selector accesses audio channels system-wide
  • Slide 43
  • Each bidirectional Gigabit Ethernet link can transport up to 200 channels simultaneously eliminating multi-pair, home-and-back cable runs, punch blocks, and soldering - along with most infrastructure troubleshooting APPLICATIONS: Painless Configuration/Documentation
  • Slide 44
  • In an IP-Audio network, as in a standard Ethernet computer network, each node is assigned a Unicast IP address APPLICATIONS: Painless Configuration/Documentation
  • Slide 45
  • During configuration, each nodes inputs (and outputs) are given a channel number and descriptive text APPLICATIONS: Painless Configuration/Documentation
  • Slide 46
  • Behind the scenes, the nodes software assigns each input and output a unique Multicast IP address APPLICATIONS: Painless Configuration/Documentation
  • Slide 47
  • These names and channel numbers follow the inputs audio throughout the network, and are displayed whenever a user browses or takes available feeds APPLICATIONS: Painless Configuration/Documentation
  • Slide 48
  • Since all parts of an IP-Audio network have assigned IP addresses, the ability to remotely administer the system is built in APPLICATIONS: Remote Administration and Control
  • Slide 49
  • Since studio consoles in the IP- Audio environment are just human interface devices controlling digital mixing engines, software applications can enable talent to board-op themselves remotely APPLICATIONS: Remote Administration and Control
  • Slide 50
  • Increasingly, stations are finding it hard to overcome frequency proliferation and STL path obstructions as population centers grow. APPLICATIONS: Ethernet STL/Data Links
  • Slide 51
  • At the same time, the desire to add Ethernet equipment control and other data services to uncompressed STL has increased. APPLICATIONS: Ethernet STL/Data Links
  • Slide 52
  • APPLICATIONS: Clear Channel, Birmingham Station cluster experienced increasing STL frequency interference IP-audio nodes located at studio and transmitter were linked with 18 GHz Ethernet radios Setup provides multiple uncompressed STL stereo audio channels & backhaul
  • Slide 53
  • APPLICATIONS: Clear Channel, Birmingham Dragonwave 18 GHz Ethernet radio exchanges audio and data between IP-audio equipment at studio and transmitter. I see the future of audio transmission belonging to Internet Packet data. There is no end to the wealth of reliable products to get the broadcasters job done economically using the consistent protocols and connections of the Ethernet standard. Bob Newberry Chief Engineer
  • Slide 54
  • BUT IS IT READY FOR PRIMETIME? YES! Make no mistake IP-Audio is not Internet audio!
  • Slide 55
  • BUT IS IT READY FOR PRIMETIME? IP-Audio networks are not Internet based rather, they are carefully controlled environments where traffic overloads are not allowed to exist
  • Slide 56
  • BUT IS IT READY FOR PRIMETIME? IP-Audio networks employ switches with guaranteed QoS, along with careful system design and specialized transport protocols to deliver real-time, no-loss, synchronized Ethernet audio
  • Slide 57
  • CONCLUSION The numerous operational benefits of IP-Audio networking have been and are being continuously proven by professional broadcasters around the world each and every day
  • Slide 58
  • THANK YOU!