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Beowulf and the Funeral Ritual
By Chris and Noah
Introduction
3 funerals: Shield Sheafson, Hildeburg’s relatives, and Beowulf
A fourth? “The Lay of the Last Survivor”
Each funeral represents a change in the story—in the setting, plot or mood
Recurring themes: the importance/life cycle of gold, glory in battle, warrior mentality
Shield Sheafson
Shield Sheafson
Mood: ‘Death is honorable,’ begins the poem with sense of glory and great respect when he is sent out to sea’
Main Theme: Glory in Battle/Warrior Mentality “scourge of many tribes, a wrecker of mead-
benches, rampaging among foes…” (3)’
Explains the main theme in their society: glory in battle is rewarded; treasure is used to reward victory in battle
Shield Sheafson
Gold: His body is cast away at sea with treasured possessions
Gold and treasure is used to represent the King’s greatness, being given back to the sea to live on “the great ring giver…I have never heard of a ship so
well furbished…” (5)
Each item is described to show its importance “far-fetched treasures, battle tackle, bladed weapons,
coats of mail…” (5)
His death was mourned and he was ‘cast away’ to drift forever
Hildeburh’s Relatives
Hildeburh’s Relatives
‘Saga of the Finns’ sung at Heorot after Beowulf’s victory over Grendel
Hildeburh, her brother Hnaef and King Finn fight in Finn’s hall and both die in battle, set on funeral pyre together to burn
Change in mood: the sad story of Hildeburh offers a foreboding feeling immediately after a Danish ‘victory’ leads to conflict with Grendel’s mother
Hildeburh’s Relatives
Consequences of war: Hildeburh’s husband, brother, and son are killed great sorrow and remorse instead of reverence, vicious/bloody side of war, being on pyre together signifies communal loss, mourning “how could she [Hildeburh] not lament her fate
when morning came and the light broke on her murdered dears?” (72)
Glory: death is no longer ‘majestic,’ being cast away, but instead is fiery, very reminiscent of Hell
Hildeburh’s Relatives
Warrior mentality? The story describes the ugly side of battle—a stark contrast from the ‘glory’ described in Shield Sheafson’s funeral
Gory details to describe vicious side of battle and change course in the poem, criticism of warrior culture/mentality? “the flesh on his bones to sputter and blaze beside his
uncle’s…heads melted, crusted gashes spattered and ran bloody matter…” (75)
Gold: ‘Effulgent gold’ is described and some items forged in gold are put on pyre, in a way mocking glory of battle? Life cycle of gold ends…
Beowulf
Beowulf
Combination of pyre and burial
Fitting end for the poem: mood is mournful but glory has been restored, but not glory of warrior? Instead of wrecker of mead-benches, Beowulf was the
“man most gracious and fair-minded, kindest to his people and keenest to win fame…” (209)
Glory: greatness of his life is displayed in funeral, dragon’s hoard is buried with Beowulf
Biggest difference: comparison to Shield Sheafson “it was their hero’s memorial…mourning his loss as a
man and a king…gave thanks for his greatness” (209)
Beowulf
Gold in great abundance is buried with Beowulf, jewels, torques author says gold is under gravel, “gone to earth, as useless to
men now as it ever was,” criticism of warrior culture Change in the importance of gold? Great sorrow in their leader’s
death and their society coming to an end makes gold seem useless
Dragon’s remains are cast over the cliff to sea connection to Sheafson’s funeral and poem comes full circle, related to ‘life cycle’ of gold
Grand funeral with the most precious items, his best warriors rode around the tomb
4th Funeral?
“Lay of the Last Survivor”
Theory of 4th “funeral” in Beowulf
Last man of an ancient race stows all of his people’s treasures in a cave and waits to die
Comparable to Shield Sheafson’s burial with the things that are buried “I am left with nobody to bear a sword or burnish plated goblets, put
a sheen on the cup… the hard helmet, hasped with gold… the coat of mail… no trembling, no tuned timber, no tumbling hawk, no swift horse” (151).
Mentioning of “tumbling hawk” refers to end of life, hawk flying in and out of mead hall represents a life
Change: gold has not reached its ‘final resting place’ and is ‘cursed’
Real Burials
Real Burials
There have been many findings of different burials from medieval times.
There were many burial mounds during the early stages of medieval times
Ship burials were quickly adapted Ship burials involved the dead corpse being placed in a ship, and it would
either be cast to see, or left on land, and depending on the location, set on fire
Many great jewels, armor, gold, and other important artifacts were always left with the corpse
Conclusion: While the Hildeburh’s Relatives being burned on the same pyre is a stretch, and there is no proof of any ancient race stowing away all of its treasures, the descriptions of funerals in Beowulf are very accurate descriptions compared to what they would have been
Ibn Fadlan
Ibn Fadlan
Ahmed ibn Fadlan, a writer from the 10th century, wrote a description of a Scandinavian burial
Dead chieftain placed in temporary grave for 10 days while being guarded by one of his female servants, who was encouraged to drink and sleep around with the men working
The dead chieftain is then placed in proper attire and is prepared to be burned, while the servant woman was strangled and stabbed
They are both burned together on the chieftains pyre related to Hildeburh’s relatives’ burial
Sutton Hoo
Sutton Hoo
Located in south-east Suffolk, England
A large field that is the site of many different ship burials and mound burials
Is being funded to be both studied in more depth, as well as to be protected
Describes burial sites in Beowulf would likely be similar to Sutton Hoo
Thank You
Works Cited
http://www.englishmonarchs.co.uk/images/viking_ship_gokstad.jpg
http://research.uvu.edu/mcdonald/Anglo-Saxon/A-S-Life&Culture/The%20mound-1.gif
http://www.powayusd.com/teachers/dsykes/viking1.gif
http://gallery.nen.gov.uk/gallery_images/0806/0000/0129/sitepic.jpg
http://www.suttonhoo.org/index.asp
http://www.pdwhite.com/images/Dragon's%20Hoard.jpg
http://images.tribe.net/tribe/upload/photo/e7a/e03/e7ae033c-38fb-4008-b03c-caac8adfe9e6
Owen-Crocker, Gale (2000). The Four Funerals in Beowulf: And the Structure of the Poem. New York: Manchester University Press.
Smyser, H.M. (1965). "Ibn Fadlan's Account of the Rus with Some Commentary and Some Allusions to Beowulf". Franciplegius: Medieval and Linguistic Studies in Honor of Francis Peabody Magoun, Jr. eds. Jess B. Bessinger Jr. and Robert P. Creed. New York: New York University Press