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This month’s auction is all about collections, as we present significant pieces from two private properties, as well as a noteworthy selection of beautiful fans. With a large collection of items from both Walbutt House in Kirkcudbrightshire, and Lorbottle Hall in Northumberland we have all manner of antiques and treasures for your home.
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Sale 386 | Saturday 20th July 2013 | Affordable, Stylish & Unique
Buyer’s GuideEverything you need to know
Sale 386
Saturday, 20th July, 2013 at 10am
at 33 Broughton Place, Edinburgh EH1 3RR
Viewing Times
Thursday, 18th July 10am - 5pm
Friday, 19th July 10am - 5pm / From 9am on sale day
Enquiries
Theo Burrell
[email protected] Riordan
© Lyon and Turnbull Ltd.2013. All rights reserved. Nopart of this publication maybe reproduced, stored in aretrieval system ortransmitted by any form or byany means without the priorwritten permission of Lyonand Turnbull Ltd.
Viewing
In personTo view all of the lots in thissale please note the publicviewing times listed above. Allviewable at 33 BroughtonPlace, Edinburgh.
OnlineAll lots are available to viewonline and each image can beenlarged for closerinspection. If you requireadditional images or wouldlike a report on the conditionof your lot(s) please contactus [email protected]
EstimatesAll lots carry an estimatedprice band, listed in thecatalogue, which indicatesour opinion of value. The finalprice may be higher or lowerthan this band depending ondemand. If there is a reserveon the lot then it cannot besold below that price.Reserves do not exceed thelower estimated price andmay be lower.
Bidding
There are four easy ways tobid at this sale, and all bidsare (of course) confidential:
By absentee bidIf you are unable to attend theauction we can bid on yourbehalf. Simply complete anabsentee bid form and eitherhand it to a member of staffor fax it later to 0131 557 8668at least 24 hours before thesale. Please note that our biddepartment may contact youfor further details.
The amount you enter on theform should be yourmaximum limit. We will bidup to that limit for you, andremember you may end uppaying less than your limit,depending on other biddingon the day.
In person at the saleSimply register at receptiontoday, or when you arrive atthe saleroom. You may needto provide identification. Onceyou have registered you willbe handed a numberedpaddle to use in thesaleroom. When the biddingbegins on your lot raise yourpaddle to bid. When thebidding stops the auctioneerwill bring down the gavel andread out your number if youhave won the lot.
By telephoneIf you would like to bid bytelephone, our clerk will callyou from the saleroom on thesale day, just before your lot(s)come up, and bid on yourbehalf live at the sale. You canregister to bid on the ‘phoneat reception today, or contactus at least 1 hour before thesale on 0131 557 8844 or [email protected]
Please note that for telephonebidding it is assumed thebidder will be prepared to paywithin the estimate or higher.For lots with a bottomestimate below £500 wewould encourage you to leavean absentee bid, bid in personor bid online.
Online atlyonandturnbull.comMany clients prefer biddinglive online at our auctions. It’seasy to register with us onlineand you can watch the sale asit happens and place bids atyour computer. These liveauctions are run by Artfact onour website, and they willcharge you an additional 3%plus VAT for this service.
You can register to bid at anytime before the sale; howeverwe suggest you allow plenty oftime to register to secure yourbids.
Payment
You can pay by a number ofmethods - cash, credit ordebit card or bank transfer.You will be charged thehammer price plus a buyer’spremium of 25% up to£25,000 and 20% thereafter(premium subject to VAT). Ifthere is a dagger (†),asterisk (*) or section mark(§) next to your lot numberin the catalogue, your lot willbe subject to VAT or Droit deSuite charges on thehammer price in addition toour standard buyer’scharges. See our StandardTerms & Conditions on theinside back cover for furtherdetails.
If you are not able to come inand see us to pay by credit ordebit card please use ourOnline Payment service. Youwill find a link to this servicein any email invoice we sendyou or you can visit thepayments section of ourwebsite.
Please note that if you arepaying by credit card weaccept Mastercard and Visaonly and there will be a 2%surcharge.
For further informationon buying at Lyon &Turnbull please see ourStandard Terms &Conditions of Sale andCollecting Your Purchasesat the back of thecatalogue.
3
Hello and welcome to our latest Interiors sale! This month’s auction is all about collections,as we present significant pieces from two private properties, as well as a noteworthyselection of beautiful fans (page 35).
Starting on page 14, with over 100 items fromWalbutt House in Kirkcudbrightshire, wehave all manner of antiques and treasures for your home. Property from the impressiveLorbottle Hall in Northumberland is also a feature of our July sale, turn to page 50 toview the various paintings, furniture, taxidermy and ceramics on sale.
We teamed up too with Edinburgh based interior designer, Siobhan Mooney, this monthto provide a little inspiration for the home. Siobhan picks her favourite pieces from ourJuly sale and shows us how to place them in the home for a very effective look on pages 24and 25.
And finally, as ever, we will be on view for two days prior to the sale to allow you to trybefore you buy! Staff will be on hand to answer anyquestions or queries, so feel free to come in, wanderaround and have a look. Also, don’t forget to pick upyour free cup of tea or coffee once you’ve registeredtoo!
We look forward to seeing you then!
Welcome to
If you cannot attend the sale you can watch or bid online from your desk, bid on the phone, or leave an absenteebid with one of our staff members – ring us for details on 0131 557 8844.
Theodora BurrellHead of Interiors
Charlotte RiordanPicture Specialist
Image©SiobhanMooney
4
Selection of Fansfrom a Scottish Collector
Our third Interiors sale features a striking collection of European and Asian fans, datingfrom the 1700s through to the 20th century. Comprising of over 60 pieces, including aScottish Jacobite fan and items inspired by the Grand Tour, the collection demonstrates thebeautiful quality of these historic fashion accessories, straight from the hands of anEdinburgh collector.
Page 35
PrivateCollection fromLorbottle Hall,Northumberland
Lorbottle Hall and Estatedates back to 1789 and islocated six miles from thesmall market town ofRothbury inNorthumberland beingclose to the county’simpressive National Park.This time around we featurepictures, furniture, antiquesand even a full sizedpainted mannequin fromthis unique property!
Page 50
Highlights from the Sale
Property removed fromWalbutt House,
Kirkcudbrightshire
This summer our sale includes a substantialcollection of antiques from Walbutt House in
Castle Douglas. Built in 1881, thisimpressive Victorian property boasts
beautiful views of the surrounding WestScottish countryside. Items include
miniatures, walking canes, Asianworks of art and a notable
group of tea caddies.
Page 14
1† FA389/3TWO GEORGIAN STYLELEATHER ARMCHAIRSthe first, a wing back the archedback above outswept arms anda loose cushion seat, raised onsquare legs united bystretchers, 80cm wide, 110cmhigh, 54cm deep; the second, abarrel back arm chair, with ashaped back above out sweptarms and a loose cushionedseat, raised on square legs andbrass casters, 76cm wide,113cm high, 55cm deep (2)£400-600
2 FE348/23GILTWOOD OVERMANTLEMIRROR19TH CENTURYthe broken pediment flanked byurn finials above multiplemirror plates and a centralshelf, raised on turnedsupports, flanked by two furthershelves116cm wide, 115cm high£200-300
8 FE396/25SET OF TWELVE MAHOGANYCHIPPENDALE STYLE DININGCHAIRS20TH CENTURYcompring a pair of armchairsand ten side chairs, with foliatecarved crest rails over a carvedand pierced interlaced splatwith foliate carved C scrolls,above a drop in padded seatand foliate carved seat rail,raised on acanthus carvedcabriole legs ending in claw andball feet (12)59cm wide, 98cm high, 44cm deep£1,200-1,800
9 FD727/1PAIR OF FRENCH EMPIRESTYLE OPEN ARM CHAIRSeach with a carved arched backabove cushioned arms withcarved griffin supports, over acushioned seat, raised on outswept legs and lion paw feet (2)67cm wide, 109cm high, 51cm deep£200-300
6 FF69/6LIMED OAK FRAMED CREAMBUTTON BACK CHAIR19TH CENTURYthe shaped back and downswept arms above a loosecushioned seat, over a carvedserpentine apron, raised onfluted turned legs84cm wide, 101cm high, 60cm deep£1,200-1,500
7 FE396/26GEORGIAN STYLE MAHOGANYTRIPLE PEDESTAL DININGTABLEthe reeded rectangular topabove turned supports, raisedon sabre legs and brass capsand casters, including two leafextensions335cm wide extended, 76cm high,99cm deep£600-1,000
3 FF131/17SET OF FOUR BURNISHEDSTEEL FILING CABINETSCIRCA 1920each fitted with four drawers (4)39cm wide, 132cm high, 62cm deep£1,000-1,500
4 FF68/3PAIR OF GEORGE II STYLEMETAMORPHIC LIBRARYCHAIRSeach with a shaped back aboveout swept arms, over a solidseat, hinged to reveal fourtreads, raised on cabriole legsand united by stretchers (2)61cm wide, 90cm high, 54cm deep£2,000-3,000
5 FG152/6BIEDERMEIER STYLE BEACHAND EBONY TRIPOD TABLEthe moulded circular top abovea baluster turned support andunder tier, raised on a triformbase with bun feet45cm wide, 76cm high£250-350
5
6 5 8
24
16 FG183/10PAIR OF LEATHERGAINSBOROUGH CHAIRSeach with an arched buttonback above padded arms and abuttoned seat, raised on squarelegs united by stretchers (2)69cm wide, 107cm high, 55cm deep£1,200-1,500
17 FF160/3REGENCY MAHOGANYWRITING TABLEthe cross banded square topabove a frieze drawer enclosinga writing slope, raised on ringturned legs with brass caps andcasters52cm wide, 77cm high, 48cm deep£300-500
18 FF159/3SET OF TWELVE MAHOGANYGEORGIAN STYLE DININGCHAIRS20TH CENTURYthe shaped top rail above apierced vertical splat and dropin pad seat, raised on squarelegs, united by stretchers,including two open armchairs(12)51cm wide, 103cm high, 42cm deep£800-1,200
19 FF160/2GEORGE III MAHOGANYBEDSIDE COMMODEthe rectangular galleried toabove a frieze drawer and crossbanded cupboard doors over alower sliding section, raised onsquare legs56cm wide, 81cm high, 46cm deep£200-300
20 FE553/5GEORGE II OAK DRESSER18TH CENTURYthe moulded cornice over awavy frieze and three openshelves, the lower part with sixshort drawers above threefurther drawers, raised onchamfered legs joined by anundertier145cm wide, 205cm high, 45cm deep£1,000-1,500
21 FE395/1SET OF FOUR ANGLO INDIANHARDWOOD SIDE CHAIRSeach with a shaped top railabove horizontal splats, overcaned a seat, raised on turnedlegs, united by stretchers withinscription to the back rail (4)53cm wide, 84cm high, 38cm deep£400-600
10† FA389/5PAIR OF QUEEN ANNE STYLEWALNUT HIGH BACK HALLCHAIRSeach with an arched top railabove a cushioned splat, over asolid seat, raised on block andturned legs, united bystretchers (2)46cm wide, 126cm high, 39cm deep£250-350
11 FB72/51EMPIRE STYLE MAHOGANYAND MARBLE COFFEE TABLE20TH CENTURYthe rectangular top raised onout swept legs united bystretchers with brass eagles154cm wide, 54cm high, 74cm deep£200-300
12 FF69/7FLORAL UPHOLSTEREDARMCHAIR20TH CENTURYthe arched back above outscrolled arms and a loosecushioned seat, raised on bunfeet91cm wide, 84cm high, 62cm deep£400-600
13 FF69/11SMALL PAINTED SERPENTINECOMMODE19TH CENTURYthe shaped top above twograduated drawers, raised onmoulded cabriole legs, withfloral decoration50cm wide, 72cm high, 30cm deep£300-500
14 FF68/5LARGE MAHOGANY ANDEBONY INLAID CIRCULAR‘HOPE’ DINING TABLE19TH CENTURYthe circular brass inlaid topabove a turned support, raisedon out swept legs and brasslion paw feet and casters183cm wide, 73cm high£2,000-3,000
15 FG68/1GILT WOOD OVER MANTLEMIRROR19TH CENTURYwith multiple mirror plateswithin a gadrooned and foliatecarved frame170cm wide, 45cm high£250-350
6
16 12
1431
22 FE307/4MAHOGANY COLLECTORSCABINET OF SHELLSthe moulded rectangular topabove panel doors enclosing aninterior fitted with shelves,raised on a plinth base100cm wide, 90cm high, 39cm deep£400-600
23 FE358/1GEORGIAN MAHOGANY DROPFLAP SUPPER TABLEthe rounded rectangular topabove opposing drawers, over aturned support and reededoutswept legs, with brass lionpaw feet and casters113cm wide, 72cm high, 58cm deep£300-500
24 FE401/1VICTORIAN MAHOGANYBREAKFAST TABLEthe oval moulded top above aturned support, raised onmoulded cabriole legs144cm wide, 72cm high, 112cm deep£400-600
29 FG187/1IRON CLUB FENDER19TH CENTURYthe distressed leather padsabove square supports and apierced base145cm wide, 60cm high, 53cm deep£300-500
30 FF47/1STEEL FRAMED BED19TH CENTURYthe head and foot boards withfoliate mountings, includingside rails and a base140cm wide, 128cm high,196cm deep£300-500
31 FF69/1CHINOISERIE WRITING TABLE20TH CENTURYthe canted rectangular topabove two frieze drawers,raised on cabriole legs,decorated with figural sceneson a mustard ground107cm wide, 79cm high, 56cm deep£600-800
27 FF163/2MAHOGANY CHINESE STYLEFOLDOVER TEA TABLE BYJOHN CORLYON20TH CENTURYthe rectangular top above acarved frieze, raised on blindfretwork square legs, after atable from 10 Downing Street,edition no.11 of 5091cm wide, 72cm high, 46cm deep£300-500
28 FF131/12GLASS AND POLISHED IRONDINING TABLEPART 19TH CENTURYthe rectangular top raised ontwin trestle end supports unitedby cross stretchers, the endsupports inscribed ‘FleetWorks, London, PrintingManufacturers’215cm wide, 79cm high, 114cm deep£400-600
25 FD158/3REGENCY MAHOGANYLIBRARY TABLEEARLY 19TH CENTURYthe rounded rectangular topwith an inset leather writingsurface above two short friezedrawers, raised trestle supportsending on reeded sabre legswith brass caps and castors,united by a turned stretcher107cm wide, 74cm high, 62cm deep£600-800
26 FF69/9FRENCH TRUMEAU MIRROR18TH CENTURYthe arched monochrome figuralscene above a rectangularmirror plate, within a parcel giltand painted frame78cm wide, 132cm high£1,200-1,500
7
13 20 26
15
36 3538
36† FA389/4VICTORIAN WALNUT CHEVALMIRRORthe open fretwork pedimentabove an arched mirror platewithin a moulded frame,flanked by turned supports,raised on down swept legs90cm wide, 187cm high, 63cm deep£300-500
37 FD373/3AFTER SIR ROBERT LORIMERFUMED OAK CENTRE TABLE,CONTEMPORARYthe octagonal sectional top withpegged construction, abovechamfered frieze on spirallytuned fluted and reededsupports with moulded collars,linked by curved and chamferedstretchers on moulded bracketsupports96cm diameter, 79cm high£200-300
38 FD373/4AFTER SIR ROBERT LORIMERFUMED OAK CENTRE TABLE,CONTEMPORARYthe octagonal sectional top withpegged construction, abovechamfered frieze on spirallytuned fluted and reededsupports with moulded collars,linked by curved and chamferedstretchers on moulded bracketsupports96cm diameter, 79cm high£200-300
39 FG109/2GEORGIAN MAHOGANY DROPLEAF DINING TABLEthe rectangular top above aplain frieze, raised on squaretapering legs156cm wide extended, 73cm high,132cm deep£250-350
40 FF68/2CHINESE CHIPPENDALE STYLEAGED GESSO PIER MIRRORthe oval mirror plate within anacanthus carved, pierced frame90cm wide, 150cm high£600-800
32 FF156/1SET OF TEN GEORGE III STYLEMAHOGANY DINING CHAIRS20TH CENTURYin the Hepplewhite style,comprising a pair of armchairsand eight side chairs, withshield shaped backs andpierced splats carved withwheat sheafs, over stuffoverseats, raised on square taperedlegs ending in spade feet (10)53cm wiie, 97cm high, 42cm deep£700-900
33 FF156/5GEORGIAN STYLE MAHOGANYDRESSING TABLEthe three quarter galleriedrectangular top above a centraldrawer, flanked by shortdrawers, raised on turned legs104cm wide, 82cm high, 47cm deep£400-600
34 FF156/7PAIR OF MAHOGANY FRAMEDARMCHAIRS20TH CENTURYthe cushioned back anddownswept arms over a loosecushioned seat, raised on spiralturned legs73cm wide, 96cm high, 62cm deep£250-350
35 FE184/12DUTCH MARQUETRYFOLDOVER GAMES TABLE18TH CENTURYthe rectangular foldover topwith flowering urn, foliatescrolls, butterflies, and birdmarquetry, opening to a baizelined playing surface, over asingle long frieze drawer raisedon square tapered legs withfloral marquetry throughout150cm wide, 84cm high, 63cm deep(closed)Provenance:Property of an Edinburgh estate
£300-500
8
34 48
41 FF159/1LARGE GEORGIAN STYLEDINING TABLE20TH CENTURYthe cross banded circular topabove fluted supports, raised onout swept reeded legs andbrass lion paw feet and casters192cm wide, 75cm high£400-600
42 FF160/40GEORGE III MAHOGANYBREAKFRONT WARDROBEthe moulded cornice abovepanel doors enclosing slides,over two short and twograduated long drawers,flanked by panel doorsenclosing hanging space, raisedon a plinth base246cm wide, 216cm high, 63cm deep£700-1,000
43 FF160/42GEORGE III MAHOGANYBOWFRONT CHESTthe shaped crossbanded topabove two short and threegraduated long drawers, raisedon bracket feet106cm wide, 91cm high, 62cm deep£250-350
49 FB72/24PAIR OF LOUIS XV STYLEGILTWOOD CONSOLE TABLES,BY CHELINI GIOVANNINI20TH CENTURYthe serpentine marble tops overpierced shaped friezes, andraised on cabriole legs (2)110cm wide, 88cm high, 52cm deep£1,000-2,000
50 FB72/50PAIR OF ROCOCCO STYLEITALIAN PARCEL GILTMIRRORS, BY CHELINIGIOVANNINI20TH CENTURYthe shaped bevelled mirrorplate within a foliate mouldedframe (2)102cm wide, 166cm high£600-800
47 FE346/1VICTORIAN MAHOGANYBOOKCASE ANDUNDERCABINET, BY WYLIE &LOCHHEADthe moulded cornice abovethree glazed doors enclosingadjustable shelves, over threepanel doors, raised on a plinthbase203cm wide, 253cm high, 51cm deep£1,000-1,500
48 FB72/31LLOYD LOOM PAINTED CANEDINING TABLE AND CHAIRSMODERNthe table with a glazedrectangular top raised onmoulded legs, 180cm wide,76cm high, 90cm deep; with sixchairs, each with a woven caneback above a cushioned seat,raised on turned legs, 45cmwide, 105cm high, 44cm deep(7)£300-500
44 FF160/43GEORGE III MAHOGANY NIGHTCUPBOARDthe galleried rectangular topabove panel doors and twograduated drawers, raised onmoulded square legs50cm wide, 76cm high, 42cm deep£200-300
45 FF160/1GEORGIAN MAHOGANYCORNER CABINETthe moulded cornice above anastragal glazed door enclosingshelves, over a boxwood strungcupboard door, raised onbracket feet87cm wide, 209cm high, 56cm deep£300-500
46 FE402/1SET OF SIX AUSTRIAN SCHOOLSTAINED BEECH DININGCHAIRSEARLY 20TH CENTURYthe shaped top rail above ahorizontal splat, raised onreeded and turned legs;together with TWO FURTHERCHAIRS (A/F) (8)47cm wide, 93cm high, 46cm deep£200-300
9
40 47 50
4932
74 57
5481
59 FB61/16EMMANUEL MANE KATZ(UKRAINIAN 1894-1962)PORTRAIT OF A YOUNGHASSIDIC JEWSigned and dated ‘25, pen andink and wash on buff-colouredpaper14.5cm x 11cm (5.75in x 4.25in)£250-350
60§ FE499/14AJAMES HARRIGAN(SCOTTISH b. 1937)HOUSES THROUGH THE TREESSigned, oil on board20cm x 30cm (8in x 11.75in)£400-600
61 FE499/18HAIDEE BECKER(AMERICAN b. 1950)BLUE LILIES 11Signed, signed, inscribed anddated 1995 verso, oil on canvas140cm x 119.5cm (55in x 47in)£800-1,200
62§ FE290/6SIR ROBIN PHILIPSON R.A.,R.S.A., R.S.W., R.G.I., D.LITT.,L.L.D. (SCOTTISH 1916-1992)MARTYRDOM 1, 1967Mixed media on canvas46cm x 46cm (18in x 18in)£1,500-2,000
63§ FE470/3EARL HAIG A.R.S.A.(SCOTTISH 1918-2009)TREE BY THE RIVER TWEEDSigned, pen and wash on paper14cm x 20cm (5.5.in x 8in)£200-300
64§ FE470/2EARL HAIG A.R.S.A.(SCOTTISH 1918-2009)EILDON HILLS FROMBEMERSYDESigned, watercolour and ink onpaper24cm x 34.5cm (9.5in x 13.5in)£300-500
65§ FE470/1EARL HAIG A.R.S.A.(SCOTTISH 1918-2009)A MOSS TROOPERSigned, watercolour and crayon27cm x 23cm (10.5in x 9in)£400-600
51§ FF406/1BET LOW(CONTEMPORARY SCOTTISH)THE ISLANDSigned, watercolour47cm x 60cm (18.5in x 23.5in)£500-700
52§ FF406/2BET LOW(CONTEMPORARY SCOTTISH)EVENINGSigned, watercolour60cm x 48cm (23.5in x 19in)£500-700
53§ FF38/3PETER HOWSON O.B.E.(SCOTTISH b. 1958)NIGHT FALLSigned and dated ‘06, pastel31cm x 23cm (12in x 9in)£400-600
54§ FF38/2PETER HOWSON O.B.E.(SCOTTISH b. 1958)HEADSTONESigned, pastel23cm x 31cm (9in x 13in)£400-600
55§ FF128/1MARY ARMOUR R.S.A., R.S.W.(SCOTTISH 1902-2000)TOR-MOR, TAYVALLICHSigned, signed and inscribedwith title label verso, oil onboard40cm x 53.5cm (15.75in x 21in)£700-900
56§ FE736/7NAEL HANNA(SCOTTISH/IRAQI b. 1959)PORTRAIT STUDYSigned, oil on canvas76cm x 76cm (30in x 30in)£300-500
57§ FE499/77CHARLES SIMPSON(SCOTTISH b. 1952)MORNING SUN, SANMAGGIORESigned, oil on board21cm x 24cm (8.25in x 9.5in)£400-600
58§ FE499/76CHARLES SIMPSON(SCOTTISH b. 1952)POST BOX I, TIREESigned, oil on board19cm x 23cm (7.5in x 9in)£400-600
10
66§ FE386/3JAMES MCINTOSH PATRICKR.S.A., R.O.I., R.G.I.(SCOTTISH 1907-1998)A VILLA, SPAINSigned and dated ‘43,watercolour15.5cm x 23.5cm (6in x 9.25in)£400-600
67§ FD740/1GORDON MITCHELL R.S.A.,R.S.W., R.G.I. (b. 1952)BODY PARTSSigned, oil on canvas71cm x 91cm (28in x 36in)£1,000-1,500
68§ FD676/1ROBERT EADIE V.P.R.S.W.(SCOTTISH 1877-1954)VIEW OF LARGS; LOOKINGACROSS THE ISLE OFCUMBRAESigned, signed verso, oil onboard68cm x 89cm (26.75in x 35in)Exhibited:The Fine Art Society, June 1982
£1,000-1,500
69-71No lots
80 FE489/1DUNCAN CAMERON(SCOTTISH 1837-1916)CORNSTOOKSOil on canvas51cm x 81.5cm (20in x 32in)£600-900
81 FE479/1GEORGE OGILVY REID R.S.A.(SCOTTISH 1851-1928)CASTING ON THE RIVER,WALESSigned, oil on board24.5cm x 34cm (9.75in x 13.25in)£400-600
82 FE336/118TH CENTURY SCOTTISHSCHOOLHALF LENGTH PORTRAIT OF ABEWIGGED GENTLEMAN WITHWHITE STOCKFeigned oval, oil on canvas76cm x 63cm (30in x 25in)and a companion probably hiswife (2)£500-800
76§ FC359/1J. D. FERGUSSON(SCOTTISH 1874-1961)the TWO SUITORSc.1906, conte21cm x 16cm (8.25in x 6.25in)£800-1,200
77§ FD771/1STEPHEN CONROY(SCOTTISH b. 1964)HEAD STUDY IMonogrammed, signed andinscribed with title and dated1986 verso, oil on paper40cm x 30cm (15.75in x 11.75in)£2,000-3,000
78 FG51/1ROBERT MCGREGOR R.S.A.(SCOTTISH 1847-1922)THE OLD WATER PUMPSigned, oil on canvasboard25cm x 35cm (9.75in x 13.75in)£400-600
79 FE499/72FOLLOWER OF JOHN KNOXLOCH TARBERT, WESTHIGHLANDSOil on panel40cm x 60cm (15.75in x 23.5in)£500-700
72 FB61/4VICENTE GARCIA DE PAREDES(SPANISH 1845-1903)THE WATER CARRIERSigned, indistinctly inscribedverso and dated 1920, oil onpanel31.5cm x 22.5cm (12.5in x 9in)£200-300
73§ FB791/36JOHN BELLANY R.S.A., R.A.,C.B.E. (SCOTTISH b. 1942)THE HARMONIOUSSigned, watercolour58cm x 82cm (22.75in x 32.25in)£400-600
74§ FB791/37JOHN BELLANY R.S.A., R.A.,C.B.E. (SCOTTISH b. 1942)MONOCHROME FIGURES IIISigned, watercolour58cm x 82cm (22.75in x 32.25in)£400-600
75§ FC167/1CHARLES JAMES MCCALLR.O.I., N.E.A.C.(SCOTTISH 1907-1989)BEDTIMEInscribed with title and signedback label verso34cm x 25cm (13.5in x 9.75in)£600-800
11
77 65 61
6851
91§ FG152/21JOHN MCGHIE(SCOTTISH 1867-1952)STEAMBOAT ON THE CLYDESigned, oil on canvas39cm x 58.5cm (15.25in x 23in)£500-700
92§ FG152/20GEORGE MELVIN RENNIE(SCOTTISH 1874-1953)LOCH DUICHSigned, oil on canvas50cm x 75cm (19.75in x 29.5in)£800-1,200
93§ FG152/13ERNEST ARCHIBALD TAYLOR(SCOTTISH 1874-1951)FARMYARD SCENECharcoal and wash23.5cm x 17cm (9.25in x 6.75in)£300-500
94 FG152/12GEORGE SMITH R.S.A.(SCOTTISH 1870-1934)HAYFIELD IN BELGIUMSigned, inscribed ‘In Belgium’and dated 1914 verso, oil oncanvasboard30cm x 40cm (12in x 15.75in)£400-600
95 FG152/11THOMAS MARJORIBANKS HAYR.S.W. (SCOTTISH 1862-1921)the EILDONS FROMGATTONSIDESigned, inscribed and dated17.10.04 in pencil, watercolour12cm x 17cm (4.75in x 6.75in)and another by the same hand,a pair (2)£400-600
96 FG152/9JAMES WATTERSTON HERALD(SCOTTISH 1859-1914)HEAD STUDY OF A GIRLSigned and inscribed verso,pastel on grey paper26cm x 30cm (10.25in x 11.75in)£400-600
97 FG145/118TH CENTURY BRITISHSCHOOLSTILL LIFE IN THE FLEMISHSTYLEOil on canvas29cm x 21.5cm (11.5in x 8.5in)£300-500
98 FG107/1STUART HENRY BELL(SCOTTISH fl. 1880s)HOLY ISLAND CASTLE,NORTHUMBERLANDInitialled bottom left, inscribedverso, oil on canvas29cm x 39cm (11.5in x 15.5in)£500-700
99 FF83/1SAMUEL EDMUNSTON(SCOTTISH fl. 1870-1887)ON BRUNSTAIN BURNSigned, signed and inscribedwith title artist’s label verso, oilon board23cm x 32cm (9in x 12.5in)£300-500
100 FG103/119TH CENTURY SCOTTISHPROVINCIAL SCHOOLABERDEENOil on canvas32cm x 56cm (11.5in x 22in)£1,200-1,500
101§ FG152/10HAMISH MACDONALD(SCOTTISH 1935-2008)BEACH DINGLESigned, oil and pastel on paper19cm x 24cm (7.5in x 9.5in)and another by the same hand(2)£400-600
83§ FE241/1GEORGE HOUSTON R.S.A.,R.S.W., R.I.(SCOTTISH 1869-1947)ARROCHARSigned, oil on canvas71cm x 91cm (28in x 36in)£1,000-1,500
84 FE28/1G** VAUTIER(19TH/20TH CENTURY)ON THE RIVER BANKSigned, oil on canvas41cm x 61cm (16in x 24in)£500-700
85 FB61/6SCHOOL OF ARMFIELDSPANIELS AND TERRIER PLAYFIGHTINGOil on panel19cm x 21cm (7.5in x 8.25in)£150-250
86§ FB791/89BERNARD LAMOTTE(FRENCH 1903-1983)THE LILY PONDSigned and dated 1927, signedand indistinctly inscribed verso,oil on canvas73cm x 92cm (28.75in x 36.25in)£300-500
87 FE211/1JAMES DRUMMOND(BRITISH 1816-1877)A GOOD CATCHWatercolour41cm x 33cm (16in x 13in)£200-300
88 FE191/20AROBERT GEMMELLHUTCHISON R.S.A., R.S.W.(SCOTTISH 1855-1936)COTTAGE RUINSSigned, oil on board14.5cm x 22cm (5.75in x 8.75in)£400-600
89 FG152/23ROBERT MACGREGOR(AMERICAN 20TH CENTURY)SAILING BOAT IN A STIFFBREEZESigned, watercolour andbodycolour on paper28cm x 48cm (11in x 19in)£300-500
90 FG152/22WILLIAM HENRY CROME(BRITISH 1806-1873)RURAL LANDSCAPESigned, oil on canvas68cm x 92cm (26.75in x 36.25in)£1,000-1,500
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83100
Scottish Contemporary& Post War ArtAuction 20th August, 2013
If you would like to know more about this sale please visitwww.lyonandturnbull.com, or contact
Nick Curnow0131 557 [email protected]
PETER MCLAREN (SCOTTISH CONTEMPORARY)CAR COUPLEOil on board
£4,000-6,000
AUGUST
19 Scottish Design & Wemyss
19 Scottish Silver & Accessories
20 Scottish Contemporary & Post-War Art
20 The Robert Elliott Meteorite Collection:Part III
27 The Studios of Cunningham & Wyllie(sale to be held in Glasgow)
SEPTEMBER
04 Rare Books, Maps, Manuscripts &Photographs
OCTOBER
05 Interiors
23 Fine Antiques
EVE ARNOLD (AMERICAN 1913-2012)MARILYN MONROE AND JOHN HUSTON - LUCKY TOSS)
47/49, signed label verso, silver gelatin print
£5,000-8,000
112 106108
106 FD227/249JAPANESE BRONZE VASEof baluster form, decorated withbutterflies and chrysanthemumflowers in relief, with marks tounderside, converted to a lamp34cm high£400-600
107 FD227/250EDWARDIAN OAK AND BEVELGLAZED POST BOXof rectangular form with gothic-like white metal handles, thehinged glazed panels inscribed‘Post’ and ‘Delivery’, opening toreveal two void compartments13.5cm high, 32.5cm wide,19cm deep£200-300
108 FD227/253CHINESE CANTON FAMILLEROSE VASELATE 19TH CENTURYof baluster form with a flaredneck, typically modelled withcreatures in relief, decoratedwith opposing figural panels46cm high£200-300
109 FD227/254CHINESE CARVED HARDWOODJARDINIERE STANDthe circular marble inset topabove a fretwork frieze, raisedon moulded legs and united bystretchers36cm wide, 92cm high£200-300
110 FD227/258PAIR OF MAHOGANY CARVEDCOLUMN CANDLESTICKSeach with an ogee mouldedfoot, 34.5cm high; together witha pair of MAHOGANY ANDBRASS CANDLESTICKS, eachwith a turned column above themoulded spread foot, with abrass drip tray, 32cm high (4)£200-300
111 FD227/260GEORGE III MINIATUREMAHOGANY SNAP TOP TABLEthe circular top surface raisedon a turned column and tripodbase, with brass mechanism32cm high, 27cm diam.£250-350
Hall
102 FD227/243EDWARDIAN INLAIDMAHOGANY LETTER RACKwith three shaped divisions anda pierced kidney shaped handle,inlaid with a shell patera,35.5cm high; together with aGEORGE III MAHOGANY KNIFEBOX, of typical form with abrass lock, the interior void,30cm high (2)£200-300
103 FD227/244PAIR OF LIMED OAK OBELISKSOF MODERN MANUFACTUREeach of typical tapering formwith a knop finial, raised on anogee foot and a stepped squarebase (2)50cm high£100-200
104 FD227/245PAIR OF FRENCH GILT BRASSCANDLESTICKS19TH CENTURYeach with rococo styledecoration in relief, depictingfruiting vines and acanthusleaves, on a spread base withthree moulded feet (2)23.5cm high£100-200
105 FD227/248COLLECTION OF FRAMEDSAMPLERSvariously decorated withreligious and alphabetinscriptions, and animal motifs,comprising of: two woolworkexamples, by Helen Yeats, 1884,41 x 31cm; and Sarah EllenArcher, 31 x 44cm; and threeneedlwork samplers, by EleanorJacks, 1843, 29.5 x 27cm;Emma Orwood, 28 x 30.5cm;and Sarah Aykroyd, 1834,50 x 46cm (5)£300-400
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Property removed fromWalbutt House, Kirkcudbrightshire
Walbutt House near Castle Douglas was built in 1881,and retains many of its original Victorian featurestoday. Sitting in a remote spot in the southwestScottish countryside, the house over looks rolling hillsin this picturesque spot. Lyon & Turnbull are veryfortunate to be selling a collection of items from theproperty, including paintings, furniture and a largeselection of works of art. In particular, notable itemsinclude a group of tea caddies, a pair of glassgirandoles and a variety of Asian ceramics.
Dining Room
112 FD227/265ROYAL CROWN DERBY PARTFRUIT SERVICEeach piece decorated in theimari palette, with maker’smarks and the painted number‘8145’, comprising of: a footedcomport, 11.5cm high; twoshaped oval dishes, 27cm wide;and six plates, 23cm dia. (9)£200-300
113 FD227/266LATE VICTORIAN GERMANCARVED OAK MANTEL CLOCK,BY LENZKIRCHthe gilt metal and enamelleddial with Roman numerals, inan ornately carved casedepicting acorns and lionmasks below an ogee toppediment, the eight daymovement striking on twogongs and inscribed ‘Lenzkirch,A.G.U.’41cm high£400-600
119 FD227/274LARGE JAPANESE CLOISONNEVASEof baluster form with a taperedneck, decorated with panelsdepicting exotic birds andcreatures below ornate borders(A/F)76cm high£100-200
Library
120 FD227/281AFTER SIR EDWIN LANDSEERHIGHLAND MUSICoil on canvas42cm x 57cm (16.5in x 22.5in)Provenance:Christies South Kensington
£800-1,200
121 FD227/282FRENCH BOULLE TEA CADDYof rectangular serpentine form,with decorative brass inlay andblack lacquer to the sides andback, the hinged lid opening toreveal a void interior, all restingon four bun feet12cm high, 22.5cm wide,11.5cm deep£200-300
117 FD227/272COLLECTION OF WALKINGCANEScomprising: a silver collaredexample; various other caneswith white metal collars; acrook handled stick carved witha thistle; and a stick modelledwith a horse’s head; togetherwith an UMBRELLA WITH ASILVER HANDLE; and an IVORYPARASOL/WHIP HANDLE (8)£100-200
118 FD227/273WRYTHEN WALKING CANEwith a crook handle above fourgold plated collars, two withengraving, the shaft of taperingform with various plain bands,90cm long; together with aSIMILAR WALKING CANE, alsowith a gold plated collar andmount to the tip of the handle,88cm long (2)£200-300
114 FD227/267EDWARDIAN MAHOGANY LAZYSUSANof circular form with a mouldedlobed rim, raised on a turnedcolumn and spread foot14cm high, 37.5cm wide£100-200
115 FD227/270SILVER COLLARED ANDEBONISED WALKING CANECIRCA 1910the handle modelled as a dogwith glass inset eyes, above thesilver collar markedBirmingham 1910, with atapering shaft91cm long£300-500
116 FD227/271MALACCA WALKING CANEWITH A CARVED IVORYHANDLEthe spherical handle modelledwith various grostesques abovea gold collar stamped K.14, witha tapering shaft89cm long£300-500
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127 FD227/288GEORGE III INLAID MAHOGANYTEA CADDYof square form, decorated withinlaid oval paterae depicting ashell and a flower bud, with aflat hinged lid opening to reveala lined void interior11.5cm high, 12cm wide, 9.5cm deep£200-300
128 FD227/289VICTORIAN BURR WALNUTHUMIDORof square form with brasshandles, the hinged dooropening to reveal two fitteddrawers27cm high£400-600
129 FD227/290VICTORIAN SET OF POSTALSCALES, BY S. MORDAN & CO.,LONDONthe incised brass mechanismwith decorative detail andmaker’s stamp, raised on a burrwalnut base with squat bun feetand a paper label to theunderside, with a collection ofweights20cm wide£150-250
130 FD227/291BLUE JOHN PAPERWEIGHTof rectangular form with naturalinclusions, surmounted by ametal handle11.5cm wide£200-300
131 FD227/292IVORY AND GILT METALMOUNTED DESK SEALthe baluster turned handle, witha decorative socket stem andplain chamfered glass matrix,10.5cm long; together with TWOGILT METAL FOB SEALS; aBRASS RING BOX; and variousother miniature and metalitems (qty)£300-400
132 FD227/293VICTORIAN PAPER MACHEDESK TIDY, BY JENNENS &BETTRIDGEof rectangular form, decoratedwith gilt and polychromeborders and motifs, with asloped hinged lid, opening toreveal various fittedcompartments, stamped to theunderside13.5cm high, 20cm wide£200-300
122 FD227/283GEORGE III PAINTEDMAHOGANY TEA CADDYof shaped octangonal form,later decorated with panelsdepicting flowering urns, with aflat hinged lid opening to reveala void interior11.5cm high, 14.5cm wide, 8cm deep£200-300
123 FD227/284TORTOISESHELL AND MOTHEROF PEARL INLAID TEA CADDY19TH CENTURYof sarcophagus form with inlaidpanels depicting flowers andfoliage, below the canted hingedlid opening to reveal twocovered compartmentscomplete with ivory finials (A/F)12cm high, 18cm wide, 10cm deep£200-300
124 FD227/285RARE GEORGE III INLAIDMAHOGANY TEA CADDYof sarcophagus form, the frontsurface depicting a housefacade, below the hinged cantedlid, opening to reveal three voidcompartments16cm high, 22cm wide, 13cm deep£400-600
125 FD227/286FRENCH KINGWOOD ANDPORCELAIN INSET TEA CADDYof rectangular form with giltmetal mounts and a plaqueinscribed ‘Yohann’, the hingedlid inset with a Serves styleporcelain panel depictingflowers, opening to reveal a voidinterior lined with lilac material12cm high, 17.5cm wide, 10cm deep£200-300
126 FD227/287REGENCY TORTOISESHELLVENEERED TEA CADDYthe bombé shaped body with acanted hinged lid, opening toreveal a fitted interior with twocovered compartmentscomplete with ivory finials, allraised on four ivory bun feet14cm high, 16.5cm wide, 9cm deep£300-500
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133 FD227/295PAIR OF MINIATURE BRASSCANNONSeach of typical form with castdecoration, pivoting on a beechcarriage with four wheels, 17cmlong; together with an AFRICANKNIFE, with a carved woodenscabbard and hilt, blade,20.5cm long (2)£100-200
134 FD227/359COLLECTION OF ITALIANMICRO MOSAIC FRAMESLATE 19TH/ EARLY 20THCENTURYall with decorative foliate detail,comprising of: an arch shapedexample, 21.5cm high; acircular strut mirror,18cm high; a small pair offrames; and three other pieces,one labelled ‘Real FlorentineMosaic’ (7)£400-600
135 FD227/296LARGE MAGNIFYING GLASSof typical form, with a facet cutglass handle and white metalmounts36cm long, 15cm diam.£200-300
136 FD227/298FRENCH BRONZE FIGURE19TH CENTURYmodelled as a naked warriorbearing a sword and targe,stamped ‘Medaille d’Or, Paris’,raised on a marble base42.5cm high£300-500
145 FD227/44SMALL SILVER CASED SPADEand a SAW, with a plated bladeand an ivory handle; togetherwith a PAIR OF OPERAGLASSES, late 19th century,enamelled with figural andcountry scenes; and a SMALLSILVER TABLE INKWELL, ofcircular outline with planishedlobed panels, a domed lid andball finial (4)£250-350
146 FD227/308JAPANESE KO-KUTANIPORCELAIN VASE20TH CENTURYof bottle shape with a flaredscalloped rim, decorated withfour laquer panels amongstborders depicting fish, marks tounderside40.5cm high£200-300
142 FD227/305ROCK CRYSTAL BALLof spherical form with naturalinclusions, 47cmcircumference; together with anAMETHYST BALL, of similarform and style, 30cmcircumference (2)£200-300
143 FD227/307SMALL GILT METAL ANDENAMELLED CASKETin the Faberge style, ofrectangular form, the sides andhinged lid with decorativeenamelled floral motifs10cm wide£200-300
144 FD227/31MOET ET CHANDONMINIATURE SILVERPROPELLING PENCILtogether with an IVORYCIGARETTE HOLDER, bothmodelled as champagnebottles; together with TWOSILVER PIN CUSHIONS, onemodelled as a pig, the other asa chair; and a CASED THIMBLE(5)£250-350
137 FD227/301EDWARDIAN BRASS DESKTELESCOPEof typical form with a spirit leveland lens cover, raised on amahogany tripod stand38.5cm high£300-400
138 FD227/302REGENCY MAHOGANY ANDBRASS INLAID LAP DESKof typical form, with a plaqueinscribed ‘Mr J. Hooper, BurySt. Edmunds’, the interior witha leather writing slope, 17cmhigh; together with aVICTORIAN ROSEWOODLAPDESK, 12cm high; and afurther VICTORIAN WALNUTLAPDESK, 14cm high (3)£200-300
139 FD227/300PAIR OF VICTORIANUPHOLSTERED FOOTSTOOLSeach of oval form, with a fourshaped feet and plushupholstery (2)32.5 cm wide£100-200
140 FD227/303CARVED BEECH PILASTERCAPITALmodelled in the classical stylewith a semi-clad woman aboveacanthus leaves19.5cm high£150-250
141 FD227/304MORRIS, REV. F.O. - EDITORCOUNTRY SEATS OF THENOBLEMEN AND GENTLEMENOF GREAT BRITAIN ANDIRELANDEdinburgh and Dublin: WilliamMackenzie, comprising of fourvolumes of five, includingcoloured plates (4)£150-250
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151 FD227/314COLLECTION OF FRAMEDMINIATURE DOG PICTUREScomprising of: an oil painting ofa hound; a watercolour of agreyhound; a further picture ofa greyhound; a circularwatercolour of a hound; andthree circular colouredmezzotints, depicting classicalscenes of figures and dogs (7)Provenance:Reputedly Duke of Buccleuch
£250-350
152 FD227/315PAIR OF FRENCH PORTRAITMINIATURESeach depicting a female andmounted in a blue glass frame,one signed ‘Guillard’, the othersigned ‘Juyob’, 6.5cm high;together with a MINIATURE ONIVORY, signed ‘H. Mattisé’; afurther MINIATURE ON IVORY;and an oval MINIATURE (5)£200-300
153 FD227/316PAIR OF STAFFORDSHIREFIGURES OF DALMATIANS19TH CENTURYeach of seated form, on anaturalistic style ground, 20cmhigh; together with a PAIR OFSTAFFORDSHIRE STYLEFIGURES OF DOGS, eachmodelled lying down with apuppy, on a blue enamelledground, 9cm wide (4)£200-300
154 FD227/317PAIR OF MAHOGANY ANDBRASS CANDLESTICKS19TH CENTURYeach with a fluted column andogee moulded foot below thebrass sconce and drip tray (2)36cm high£150-250
147 FD227/309COLLECTION OF CHINESEEXPORT PORCELAIN WAREScomprising: a dish painted withfigures feeding birds, afterPront, 24cm diam.; a furtherdish, decorated with flowers,23cm diam., a blue and whitesauce boat, with a lobed rim,18.5cm long; and a blue andwhite twin handled cup, 9cmhigh (4)£150-250
148 FD227/310COLLECTION OF IVORY PIECEScomprising: a Chinese carvedivory puzzle ball and stand,28cm high; a Chinese miniatureabacus, 4.5cm long; a letteropener, 38cm long; and acollection of miniature tools andcarved pieces, 9.5cm longapprox. (4)£300-500
149 FD227/311COLLECTION OF JAPANESECARVED IVORY FIGURESmodelled with various tools andbaskets, comprising of: twostanding figures, both signed;and a seated figure (A/F) (3)tallest 12.5cm high£150-250
150 FD227/312COLLECTION OF SMALL BOXEScomprising of: an 18th centurycopper and brass Dutch tobaccobox; a papier mache box andcover; a jade ground enamelbox and cover; two agate andgilt patch boxes; a coindecorated box and coverdepicting Charles James Fox,1806; a small enamel pill box; aheart shaped glass perfumebottle; and an unusual brassvesta case, modelled as a violincase, largest 16cm wide;together with a CARVEDCAMEO SHELL, depicting aclassical gentleman, 13cm wide(9)£300-500
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155 FD227/319AESTHETIC MOVEMENTEBONIZED MANTLE CLOCKthe blue and white enamelleddial with Arabic numerals abovea decorative panel depictingfruiting vines, all surmountedby a balustrade, with an eightday movement striking on agong34.5cm high£200-300
156 FD227/320SMALL BRONZE FIGURE OF AHOUNDwith a brown patina11cm long£150-250
157 FD227/321PAIR OF FRAMED CARVEDIMITATION BONE PANELSeach of rectangular form in aglazed frame, depicting a sceneof courting couples (2)29.5cm wide£100-200
Stairwell
158 FD227/324JAPANESE SATSUMA BOWLof lobed circular form, typicallydecorated with figures inpanels, marks to underside,15cm diam; together with aPAIR OF JAPANESEPORCELAIN BOTTLE VASES,each with a flared neck,decorated with a kingfisher andsea creatures, below decorativeborders, marks to underside,33cm high (3)£200-300
164§ FD227/338JOHN MACKIE(SCOTTISH CONTEMPORARY)FIGURES BY THE HARBOURSigned and dated ‘92, mixedmedia on board44cm x 59cm (17.25in x 23.25in)£300-500
165 FD227/339COLLECTION OF SMALL BOXEScomprising of: a Victorianmother-of-pearl and abaloneveneered example, with ageometric design, 10cm wide; ablack and gold lacquerbox,19.5cm wide; a mahoganyand stainwood inlaid example,with an obelisk finial, 13.5cmwide; and a decorative Frenchbox with inlaid metal detail,13.5cm wide (4)£250-400
161 FD227/330FRENCH WALNUT LOUIS XVSTYLE ARMOIRE19TH CENTURYthe moulded cornice withcarved crest above bevelledmirror doors, over a shapedapron, raised on carved cabriolelegs140cm wide, 261cm high, 47cm deep£500-800
162§ FD227/334JOHN MACKIE(SCOTTISH CONTEMPORARY)VENICESigned and dated ‘91, mixedmedia on paper37cm x 50cm (15in x 20in)£300-500
163 FD227/335JAPANESE CLOISONNE VASEof baluster form, decorated withbirds and flowers on aturquoise ground30.5cm high£300-500
159 FD227/325THREE TURNED OAK DAIRYBOWLSof various size, two with aribbed band to the exterior,44.5cm diam.; 37cm diam.; and28.5cm diam.; together with aTURNED MAHOGANY WOODENBOWL, raised on a circular foot,16.5cm high; and a TURNEDWOODEN GOBLET, 15.5cm high(5)£250-350
160 FD227/329MATCHED PAIR OF CHINESEBLUE AND WHITE VASESeach of baluster form with aflared neck, one depictingfigures with ruyi sceptres, theother showing a landscapescene, with four charactermarks but later, 20.5cm highapprox.; together with a PAIROF CHINESE BLUE AND WHITETRAY DISHES, of rectangularform, depicting buildingsamongst mountains, 17.5cmwide (4)£150-250
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171 FD227/348COLLECTION OF PORCELAINAND ENAMEL BOXES ANDCOVERSvariously marked, comprisingof: a rectangular box with acentral foliate panel on a greenground; an oval Sevres stylebox; a Mesissen style, shapedexample; and three othersmaller boxes (6)largest 9cm wide£200-300
172 FD227/349STAINED BEECH PATENTEDSTOOLthe seat in the form of a horseshoe, with relief letters ‘GoodLuck’ registration number18879342cm wide, 47cm high, 37cm deep£300-500
173 FD227/352CANTON FAMILLE ROSEPORCELAIN BASINof circular form with an evertedrim, typically decorated withbutterflies and birds amongstfoliage on a celadon ground41.5cm diam.£150-250
174 FD227/353CHINESE BLUE AND WHITEPORCELAIN BOWL19TH CENTURYof circular form, decorated withpanels depicting flowers andfigures amongst borders, fourcharacter mark to underside34.5cm diam.£150-250
166 FD227/340JAPANESE STYLE LACQUERBOX, BEARING STAMP FORLUCIEN GAILLARDLATE 19TH/ EARLY 20THCENTURYof rectangular form, decoratedwith brown and gilt acer leavesin low relief, the hinged lidopening to reveal three voidcompartments and a fold-outflap, stamped ‘L.Gaillard’20.5cm wideNote:Lucien Gaillard (French, 1861-1933)was primarily a designer of glass,perfume bottles and jewellery. Hiscareer, however, saw him explorevarious metallurgical proceduressuch as gold-plating, alloying andpatination. His work was ofteninspired by Japanese craftmanshipand the designs of Lalique.
£200-300
Sitting Room
167 FD227/341PAIR OF AMBER COLOUREDCARVED BIRD FIGURESeach modelled in the Chinesestyle, depicting an exotic birdwith foliage in its beak,converted to a lamp (2)40cm high (excluding fittings)£300-500
168 FD227/346PAIR OF REGENCY CUT GLASSGIRANDOLESeach with a cut glass stem andscalloped rim, supporting thesuspended prisms and lustres(2)20cm high£300-500
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169 FD227/344MINIATURE FLAMEMAHOGANY SERPENTINECHEST OF DRAWERSthe moulded top surface abovethree graduated drawers, allraised on a stepped base andfour bracket feet, 22cm high,25cm wide, 16.5cm deep;together with a MINIATUREINLAID MAHOGANYBREAKFAST TABLE, withcircular banded detail to thesurface and raised on a tripodbase, 19.5cm high, 27.5cmdiam. (2)£200-300
170 FD227/347NEAR PAIR OF BOHEMIANAMBER GLASS GOBLETS ANDCOVERSeach bell shaped bowl etchedwith stags in a landscape,below the conical cover and cutglass finial, raised on a koppedstem and lobbed foot (2)tallest 29.5cm high£300-500
175 FD227/354BURR WALNUT VENEEREDBOXof square form, the hinged lidinset with an oval miniaturedepicting a courting couple in apastoral setting, opening toreveal a void interior, 7.5cmhigh, 20cm wide, 20cm deep;together with aTUNBRIDGEWARE JEWELLERYBOX, of rectangular form,opening to reveal a padded lift-out shelf, 14.5cm high, 27.5cmwide, 20.5cm deep (2)£200-300
176 FD227/355FRENCH OAK AND GILT BRASSMANTLE CLOCKthe enamelled dial with Arabicnumerals, in a decorative casewith brass mounts, with anogee pediment and raised on astepped base and four paw feet,the eight day movement strikingon a gong and stamped‘D.C.Co.’34cm high£200-300
182 FD227/94MINIATURE ON IVORY,SIGNED N. RENNERof oval form, depicting a ladywith a blue skull cap, in ayellow metal glazed frame7.5cm long£100-200
183 FD227/95CHRISTMAS CARD SIGNED BYGEORGE VI1950with a printed photographdepicting the royal family, withinscription ‘With Best WishesFor Christmas and the NewYear, 1950’, and signed in ink byGeorge VI and Elizabeth R17.5cm wide£100-150
180 FD227/92TWO MINIATURES ON IVORYEARLY 20TH CENTURYone of rectangular form, theother of oval shape, eachdepicting a female figure (2)7 x 6cm; and 8cm long approx.£200-300
181 FD227/93LARGE MINIATURE ON IVORYof typical oval form, depicting abrown-eyed female in historicdress, in a glazed yellow metalframe, with glass to the reverse8.5cm long£140-180
177 FD227/35620TH CENTURY BRITISHSCHOOLPORTRAIT OF A GIRLGATHERING PRIMROSESIndistinctly signed withmonogram and dated 1884, oilon canvas67cm x 50cm (26.5in x 19.75in)£500-800
178 FD227/88MINIATURE ON IVORYEARLY 20TH CENTURYof typical oval form, depicting aprofile of a lady wearing a furcoat and a hat, in a yellowmetal frame8cm long£100-150
179 FD227/90MINIATURE ON IVORY, SIGNEDBARCLAY AND KRAUSSof typical oval form, depicting alady in Victorian dress (possiblyone of the Barclay sisters),signed ‘N. Barclay, R. Krauss’,in a gilt metal easel frame9cm long£120-180
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191 FD227/369CHINESE BLUE AND WHITEVASE AND COVERof baluster form with acylindrical neck, decorated withblossoming prunus branches,surmounted by a domed coverwith lion dog finial, with ahardwood stand47cm high£200-300
192 FD227/370MOTTLED GREEN HARDSTONEFIGURE OF A DOGmodelled seated, on arectangular base14.5cm high£150-250
193 FD227/372EDWARDIAN CROCODILE SKINJEWELLERY BOXof casket form with a whitemetal lock, the hinged lidopening to reveal a linedinterior with a lift-out shelf10cm high, 23cm wide, 15.5cm deep£150-250
194 FD227/373ANGLO INDIAN CARVEDWOODEN CARD CASEof typical form, carved to thebody and lid with exotic birdsamongst foliage, within an ivoryinlaid border, 11cm high;together with a VICTORIANTREEN AND BONE MOUNTEDSNUFF BOX, in the form of ahigh heeled shoe, 11.5cm wide(2)£100-200
Bedrooms
184 FD227/357CUT GLASS URN AND COVERthe ornate baluster shapedbowl below the domed coverand knop finial, all raised on asquare shaped foot, 31cm high;together with a SMALL CUTGLASS JAR AND COVER, withan ovoid body, domed cover andcircular foot, 16.5cm high (2)£150-250
185 FD227/361LATE VICTORIAN GILT BRASSTIME PIECE CARRIAGE CLOCKthe reeded handle surmountingthe white enamelled dial withRoman nurmerals, set in ablind fret work panel with ablue ground, with painted sidepanels, signed ‘W. Williams’16cm high (including handle)£300-500
186 FD227/362LARGE CHINESE CARVEDROOTWOOD FIGUREmodelled as a fisherman with arod, raised on a naturalisticstyle stand85cm high approx.£400-600
187 FD227/363EARLY VICTORIAN ROSEWOODWORKBOXof rectangular form, withmoulded detail to the lid andbox base, opening to reveal alift-out tray with fittedcompartments, the hingesstamped ‘Horne Patent’11cm high, 31.5cm wide,19.5cm deep£150-250
188 FD227/366FRAMED NEEDLEWORKSAMPLER, BY HANNAHBOWER, 1822of rectangular form, with verseinscription above a shepherdand his flock, with floral motifs40 x 33cm£200-300
189 FD227/367GROUP OF FIVE MOUNTEDMINIATURES ON IVORYeach in an oval frame with alabel to reverse, comprising of:a portrait of Robert Burns;Mary Queen of Scots; ElizabethScott; and two further females(5)8.5cm high£200-300
190 FD227/368EDWARDIAN PAINTED DOLLSHOUSEthe facade with glazed windowsand painted decorationsimulating brick work, withname plaque ‘May Villa’, thehinged back opening to revealtwo open floors86.5cm high£300-500
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195 FD227/374LARGE CHINESE HARDSTONEFIGURE OF GUANYINthe marbled yellow carvingraised on a dark hardstonebase, 35cm high; together witha smaller GREEN MARBLEDHARDSTONE FIGURE, also ofGuanyin, 17.5cm; and a PAIR OFGREEN HARDSTONE FIGURESOF HORSES, each on ahardwood stand, 10cm wide (4)£250-350
196 FD227/377CHINESE BRONZE JARDINIÈREthe lobed ovoid body cast withpanels depicting birds, amongstdecorative borders, with marksto underside22cm high£150-250
197 FD227/380ENGLISH ARTS & CRAFTSCOPPER CASKETCIRCA 1900of rectangular form, mountedwith green cabochons andraised on four brass legs20cm wide£200-300
204§ FD227/392TOMÁS MURUA (SPAIN, 1928-PRESENT), BRONZESCULPTUREBASQUE FISHERMENmodelled as two fishermen incaps with large oars, raised ona marble base with an inscribedmaker’s plaque42cm high overall£200-300
205 FD227/394SET OF FOUR GILT METALDOOR HANDLESeach moulded handle mountedon an oblong plaque, withrococo style decoration,inscribed ‘Beardmore...’ to thereverse (4)31cm long£150-250
206§ FD227/398JOHN MACKIE(SCOTTISH CONTEMPORARY)STILL LIFE WITH PLANT ANDCUPSigned and dated 1982 twice, oilon canvas90cm x 75cm (35.5in x 29.5in)£500-700
201 FD227/389PROPELLER CLOCK20TH CENTURYformed from a woodenpropeller, the brass clock with awhite metal dial and subsidiarysecond hand42cm wide, 145cm high£100-200
202 FD227/390BRASS AND WOOD MOUNTEDTRAVELLING TRUNKLATE 19TH EARLY 20THCENTURYof typical form with carryinghandles and an inscription tothe lid ‘Major A.B. Walker, B.E.,38, Bruce Street, Riccarton,Kilmarnock, Scotland’93cm wide, 37cm high, 54cm deep£100-200
203 FD227/391LARGE CARVED IVORY TUSKof natural curved form, carvedin high relief with a row ofgraduated elephants67cm long£150-250
198 FD227/382TORTOISESHELL MOUNTEDPOCKET KNIFELATE 19TH CENTURYthe multi-purpose knife with 21fold out instruments, includinga comb, a pair of scissors, amini screwdriver and variousknives8cm long (excluding fold outinstruments)£100-200
199 FD227/384SMALL CHINESE BRASSBOUND HARDWOOD CABINETof rectangular form, with brassfittings and twin handles, thefall-front opening to reveal twodrawers above a void interior34cm high£100-200
200 FD227/388VICTORIAN STYLE BRASSDOUBLE BEDthe serpentine top rails abovehorizontal supports with acrossed hockey sticks emblem,including rails and a sprungbase136cm wide, 119cm high,194cm deep£200-300
23
185 206 195
202197
24
James Paterson: The Old Stone Bridge
I was really drawn to this little painting by James Paterson,one of the leading members of the Glasgow Boy Group.Famous for his atmospheric watercolour studies, this work islikely to depict a scene near his favourite corner of Scotland,Moniaive in Dumfriesshire. Showing twilight falling on theriver, it exudes a quiet, restful quality. Though quite a smallpainting it has real wall power – the light is so beautifullyexecuted that it glows despite the muted palette. Its smallscale also makes it perfect for hanging anywhere around thehome.
This month we have teamed up with Edinburgh-based interior designer Siobhan Mooney for our‘Specialist’s Choice’. Siobhan’s passion for period property with a contemporary twist reveals howthe antique and the modern can work in total harmony, so it made perfect sense to let her loose inLyon & Turnbull to inspire us all! By clever placement of pieces in a refurbished Georgiantownhouse, Siobhan shows how items from our July sale can work in any home. Here are some ofher favourite pieces from our shoot.
Specialist’s Choicewith Siobhan Mooney, Interior Design
Rock Crystal Ball
The rock crystal ball worked well in the bedroom,as it would in most neutral spaces. It’s decorativeand interesting but in a rather modest way.Despite the fact it is relatively colourless itbecomes a source of fascination when viewed inthe light as its many reflective inclusions create arainbow effect. This, combined with its ratherpleasing spherical shape and smooth finish makesit really rather beautiful. It’s also incredibly heavyand relatively big, so it has multi-functional roles;as well as decorating a table top you could use itas a door stop … or to perfect your clairvoyanceskills, of course!
The ‘Calm Khaki Bedroom’ showing lots 142, 165, 218 and 292.
Lot 142
Lot 218
Based in Edinburgh, Siobhan Mooney Interior Design works with avariety of residential and commercial clients. Siobhan enjoys a closeworking relationship with her clientele and loves adding her own twistof 'classic contemporary' to each project: her particular passion is forperiod and listed properties.
Siobhan’s recent projects include: the refurbishment of a completeA-listed Georgian townhouse; a seaside getaway; and a contemporaryapartment.
To see Siobhan’s website and portfolio visit her at:www.siobhanmooney.co.uk
25
Tortoiseshell Tea Caddy
The tortoiseshell tea caddy is also something whichstood out when working on our photo shoot. It’s neatsize and bombe shaped body appeal to me, and itlooked handsome when placed next to other similarobjects. Its ability to be of age yet not aged is also ofnote: it truly is an antique piece that still looks smartand elegant when situated in a more modernsurrounding, for which it can be commended! This ispartially due to the rich colours of the veneer that arestill bright. In particular, the mustard-like tones in thetortoiseshell were picked up by the other objects in theroom, most notably the leather chair and the yellowhues in the painting.
Pair of OverpaintedOpen Armchairs
The chair shown in the bedroom shot was oneof the first pieces I was drawn to when viewingitems in the July Interiors sale, because it wasso well suited to the chosen interior. Thewhite upholstery and distressed creampaintwork certainly complement the taupewalls, light carpet and soft furnishings of theroom. It also seems perfect as a piece for abedroom due to its neat size and femininerefurbishment. Very popular at present aresimilar shabby chic styled items, which reworkolder pieces and farmhouse-like furniture forthe home. In this way the pair of chairs arevery on-trend and contemporary to thefashions and desires of the 21st century.
The second floor double drawing room, showing lots 16, 103, 126, 130, 193and 620.
Lot 292
Lot 126
211 FF401/5SEYMOUR HADEN(BRITISH 1818-1910)GROUP OF 5 ETCHINGS‘Egham’, signed in pencil tomargin; ‘Mytton Hall’, signed inpencil to margin; ‘On the Test’,unsigned; 2 x ‘KensingtonGardens’, one of which is signedin pencil to margin(all unframed)£1,000-1,500
212 FF401/6SAMUEL PALMER(BRITISH 1805-1881)GROUP OF 8 ETCHINGS‘The Lonely Tower’, signed inpencil to margin and inscribed‘Trial Proof’; ‘RestingShepherd’, signed in plate; ‘TheSkylark’, signed in plate; ‘TheRising Moon’, signed in plate;‘Opening the Fold’ or ‘EarlyMorning’, signed in pencil tomargin; ‘Sunset’, initialled inplate; ‘The Early Ploughman’,unsigned; ‘Morning of Life’, cutto margin (all unframed)£1,500-2,000
213 FF401/8MISCELLANEOUSGROUP OF 11 ETCHINGS,AQUATINTS & ENGRAVINGSH. Haig, ‘Grayhurst,Haslemere’, signed andinscribed in pencil to margin;J. H. Robinson, ‘RiverLandscape’, signed andinscribed in pencil to margin;Indistinctly signed, ‘George FoxRefusing the Oath’, Signed inpencil to margin; Ernest ArthurLumsden, ‘Benares no.1’,signed in pencil to margin;William Hogarth, ‘The ShrimpGirl’, engraving, ‘On Sleeping inChurch’, engraving, ‘WhoeverMakes a Design...’, engraving;John Taylor Arms, ‘Rio Dei SantiApostoli’, signed, inscribed anddated 1930 in pencil to margin,‘Sunlight on Stone’, signed,inscribed and dated 1921 inpencil to margin, ‘FromKnoedler’s Window MCMXXXV’,signed and dated 1936 in pencilto margin; Kerr Eby, ‘Day’s End,Driftwat’, signed and inscribedwith title in pencil to margin (allunframed)£700-900
207 FF401/1SCOTTISH INTERESTGROUP OF 9 SIGNEDETCHINGS AND EARLYPHOTOGRAPHSSir Muirhead Bone, ‘SmallLandscape: Houses, Peterfield’,‘The Old Justiciary Courthouse,Glasgow’, ‘Oxfordshire’;2 x early photographs of theScottish landscape, indistinctlysigned; Sir D. Y. Cameron, ‘Onthe Ourthe’, ‘Robins Court’,‘The Sound of Kettera’; JamesMcBey, ‘Zaandijk’ (allunframed)£700-900
208 FF401/2CHARLES FRANCOISDAUBIGNY(FRENCH 1817-1878)GROUP OF 6 ETCHINGS‘Le Satyre’, signed in plate;‘Lever du Soleil’, signed inplate; ‘Les Cerfs au bord deL’eau’, signed in plate; ‘LesBords du Cousin’, stamped;‘Cottages’, unsigned; ‘HaycartCrossing a River’, signed inplate and stamped (allunframed)£1,000-1,500
209 FF401/3FRANK WESTON BENSON(AMERICAN 1862-1951)GROUP OF 3 ETCHINGS‘Yellowlegs and Sunlight’,signed in pencil to margin; ‘ThePunter’, signed in pencil tomargin; ‘Blue Herons’, signed inpencil to margin (all unframed)£1,000-1,500
210 FF401/4WILLIAM BLAKE(BRITISH 1757-1827)GROUP OF 3 ETCHINGS ONINDIAN PAPER -ILLUSTRATIONS FROM THEBOOK OF JOB‘The Morning Stars SangTogether’, 1874 ed.; ‘I Am Young& Ye Are Very Old’, 1825 ed.;‘Then a Spirit Passed Before MyFace’, 1825 ed.; and a booklet ofBlake’s full illustrations of theBook of Job, published 1912 byGowans and Gray Ltd(all unframed)£1,500-2,500
26
208 (part) 209 (part)
211 (part)217 (part)
A Selection of Etchings from a Private Scottish Collector
214 FF401/7JAMES ABBOTT MCNEILLWHISTLER(AMERICAN 1834-1903)GROUP OF 2 ETCHINGS‘The Little Pool’, inscribed inplate; ‘The Pool’, signed anddated 1859 in plate (bothunframed)£800-1,200
215 FF401/9FRENCH INTERESTGROUP OF 8 ETCHINGSAlphonse Legros, ‘Le Lavoir’,signed in pencil to margin, ‘LePetit Hangar’, signed in pencilto margin, ‘Pres du Moulin’,signed in pencil to margin;Maxime Lalanne, ‘Aux Environsde Paris’, signed in plate,‘Bordeaux’, signed andinscribed in plate; A. Bernard,’Le Bi a Villerville’, 1884, Signedin pencil to margin; Felix Buhot,‘La Falaise - Baie de SaintMalo’, Signed and inscribed inplate, stamped; CharlesJacque, ‘L’Orage’, signed inplate (all unframed)£800-1,200
221 FG220/2DAVID WEST V.P.R.S.W.(SCOTTISH 1868-1936)LOSSIEMOUTH SANDSSigned, signed and inscribedwith title board verso,watercolour20cm x 25cm (8in x 9.75in)£500-700
222 FG220/1DAVID WEST V.P.R.S.W.(SCOTTISH 1868-1936)COVESEA VILLAGESigned, watercolour21cm x 25.5cm (8.25in x 10in)£500-700
223§ FG22/1JAN HENDRIK WILLEMWITTENBERG(DUTCH 1886-1963)STILL LIFE WITH LILIES IN AROUND BOWLSigned and dated 1930, oil oncanvas53cm x 41cm (21in x 16in)£800-1,200
218 FG265/3JAMES PATERSON R.S.W.,R.S.A., R.W.S.(SCOTTISH 1854-1932)THE OLD STONE BRIDGESigned and dated 1892,watercolour20.5cm x 23cm (8in x 9in)£500-700
219 FG265/2ROBERT DUDDINGSTONEHERDMAN A.R.S.A.(SCOTTISH 1863-1922)HARESTANE MILL, BALDOVIESigned with monogram anddated ‘84, signed and inscribedwith title verso, oil on board22cm x 32cm (8.75in x 12.5in)£500-700
220 FG265/1HENRY WRIGHT KERR R.S.A.,R.S.W. (SCOTTISH 1857-1936)THE RULING ELDERSigned, signed and inscribedback label verso, watercolour63cm x 49cm (24.25in x 19.25in)£600-800
216 FF401/10AUGUSTE LEPERE(FRENCH 1849-1919)GROUP OF 3 ETCHINGS‘La Chausniere a Rousseau’,signed and numbered 16/35 inpencil to margin; ‘La MaisonInondee’, signed in pencil tomargin; ‘Le Nid’, signed inpencil tommargin andnumbered 12/35 (all unframed)£800-1,200
217 FF401/11MISCELLANEOUSGROUP OF 3 ETCHINGSRonau Willem Woiceske,‘Afternoon Shadows’, signedand inscribed with title in pencilto margin, edition of 50; J. M.W. Turner, ‘Solway Moss’;Francisco de Goya, ‘LindaMaestra’, signed in plate (allunframed)£1,000-1,500
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210 (part) 212 (part) 207 (part)
222223
Other Properties
232 FF104/1PETER DE WINT(BRITISH 1784-1849)THE RIVER THAMES NEARETONWatercolour15cm x 23.5cm (6in x 9.25in)£300-500
233 FC969/17AFTER JAMES (THOMAS J.)NORTHCOTE(BRITISH 1746-1831)A TYGEREngraved by John Murphy,1790, mezzotint48cm x 61cm (19in x 24in)£800-1,200
234§ FE50/191JAMES MCINTOSH PATRICKR.S.A., R.E., R.O.I., R.G.I.(SCOTTISH 1907-1998)JEAN-BART, ALGERIA,EVENINGSigned and inscribed with title,watercolour15.5cm x 23cm (6in x 9in)£500-700
235 FE499/73THOMAS FENWICK(SCOTTISH fl. 1835-50)VIEW OF RATHOOil on canvas51cm x 84.5cm (20in x 33.25in)£800-1,200
236 FF102/319TH CENTURY SCOTTISHSCHOOLVIEW OF EDINBURGH CASTLEWatercolour and bodycolour31cm x 45cm (12.25in x 17.75in)£300-500
237§ FF102/2DAVID MACBETHSUTHERLAND R.S.A.(SCOTTISH 1883-1973)WOODLAND ROAD,ABERDEENSHIRE, 1951Signed, inscribed and datedR.S.A. label verso, pen and ink32cm x 48.5cm (12.5in x 19in)Exhibited:R.S.A, 1951
£300-500
224 FG16/2HERCULES BRABAZONBRABAZON (BRITISH 1821-1906)NEAR MENTONESigned with initials, pastel12cm x 19cm (4.75in x 7.5in)£400-600
225§ FG152/24JAMES WRIGHT(SCOTTISH d. 1947)STILL LIFE WITH FOXGLOVESSigned, oil on board49cm x 59cm (19.25in x 23.25in)£800-1,200
226 LT2013/38CHARLES ROWBOTHAM(BRITISH 1856-1921)ITALIAN COASTAL SCENESigned, watercolour andbodycolour22.5cm x 48cm (9in x 19in)£200-300
227§ FG152/15HERBERT PARSONS WEAVER(BRITISH 1862-1945)the OLD CLOSESigned, watercolour33cm x 23cm (13in x 9in)£300-500
228 FG152/14THOMAS MARJORIBANKS HAYR.S.W. (SCOTTISH 1862-1921)GLEN LEANOCK, COMRIESigned, watercolour23cm x 32cm (9in x 12.5in)£400-600
229 FG152/8ROBERT GIBB R.S.A.(SCOTTISH 1845-1932)the GARDENER’S DAUGHTER -STUDYSigned with initials, charcoaland pastel on paper38cm x 29cm (15in x 11.5in)£300-500
230 FF43/1JAMES HERBERT SNELL(BRITISH 1861-1935)PONT FLAVIEN, ST CHAMASSigned, inscribed with titleverso, oil on canvas54cm x 77cm (21.5in x 30.25in)£300-500
231§ FF111/2LOUIS JACQUES VIGON(FRENCH 1897-1985)LE PONT VIEUX, SOSPELSigned, oil on canvas37.5cm x 44.5cm (14.75in x 17.5in)£400-600
28
228 231
250246
238 FE774/1ROBERT HOPE R.S.A.(SCOTTISH 1869-1936)IN ETTRICKDALESigned, signed and inscribedwith title board verso, oil onboard26cm x 34cm (10.25in x 13.5in)£300-500
239§ FF111/3HANS HANSEN R.S.W(SCOTTISH 1853-1947)STREET SCENE, TANGIERSSigned, watercolour27.5cm x 18cm (10.75in x7in)£300-500
240§ FE678/7HANS HANSEN R.S.W(SCOTTISH 1853-1947)STREET IN TANGIERSTogether with FRUIT MARKET,ORAN; signed, inscribed verso,watercolour (2)35.5cm x 20cm (14in x 8in)£300-500
241 FE50/201AFTER VAN DYCKPORTRAIT OF A MAN WITH ABLACK HATOil on board81cm x 59.5cm (32in x 26in)£700-900
242 FE50/193KATE WYLIE(SCOTTISH 1877-1941)POLYANTHUSSigned, oil on canvasboard32cm x 30cm (12.5in x 11.75in)£500-700
253§ FG152/18JOHN MACKIE(SCOTTISH CONTEMPORARY)IN THE PARKSigned and dated 1994, penciland chalk on black paper57cm x 76cm (22.5in x 30in)£400-600
254§ FG152/17JOHN MACKIE(SCOTTISH CONTEMPORARY)THE WINDMILLSigned and dated 1995, pastelon paper56cm x 75cm (22in x 29.5in)£600-800
255§ FG152/16JOHN MACKIE(SCOTTISH CONTEMPORARY)IN THE PARKSigned and dated 1993,inscribed with title stretcherverso, oil on canvas57cm x 73cm (22.5in x 28.75in)£700-900
256 FG265/9DAVID WEST V.P.R.S.W.(SCOTTISH 1868-1936)THE SAILING BOATSigned, watercolour52cm x 40cm (20.5in x 15.75in)£800-1,200
257 FG265/8DAVID WEST V.P.R.S.W.(SCOTTISH 1868-1936)THE LIGHTHOUSESigned, watercolour32.5cm x 41.5cm (12.75in x 16.5in)£800-1,200
248§ FG265/12PERPETUA POPE(SCOTTISH b. 1916)CARLOPSSigned, watercolour24cm x 35cm (9.5in x 13.75in)£200-300
249§ FG288/1JAMES HAWKINS(SCOTTISH CONTEMPORARY)THICKETInscribed with title and dated1991 verso, mixed media onpaper22cm x 37cm (8.75in x 14.5in)£300-500
250§ FG288/2JAMES HAWKINS(SCOTTISH CONTEMPORARY)HIGHLAND LOCHSigned and dated ‘89,watercolour23.5cm x 33cm (9.25in x 13in)£400-600
251§ FG208/1SIR ROBIN PHILIPSON R.A.,P.R.S.A., R.S.W.(SCOTTISH 1916-1992)ITALIAN ICONSigned verso, oil on canvas69.5cm x 54cm (27.25in x 21.25in)£400-600
252§ FG152/19JOHN MACKIE(SCOTTISH CONTEMPORARY)PICKING DAFFODILSArtist’s proof, signed and dated1996, print45cm x 60cm (17.75in x 23.5in)£150-250
243 FB61/31RAYMOND GAUDET(20TH CENTURY FRENCH)THE VILLAGE DANCESigned, oil on paper laid onpanel17.5cm x 34cm (7in x 13.5in)£200-300
244 FB61/18RAYMOND GAUDET(20TH CENTURY FRENCH)RED-ROOFED COTTAGES INTHE WOODSSigned, indistinctly inscribedverso, oil on board13cm x 17cm (5in x 6.5in)£150-250
245§ FE50/192SIR WILLIAM MACTAGGARTP.R.S.A., R.S.W.(SCOTTISH 1903-1981)ROOFTOPSStudio no. 246, charcoal onpaper21cm x 35.5cm (8.25in x 14in)and another by the same hand(2)£500-700
246§ FG32/3JAMES SOMERVILLE(SCOTTISH b. 1936)EDENTOWN BY LADYBANK,FIFESigned, signed and inscribedstretcher verso, oil on canvas62cm x 75cm (24.5in x 29.5in)£300-500
247§ FG32/4JAMES SOMERVILLE(SCOTTISH b. 1936)EDINBURGH CASTLESigned, oil on canvas75cm x 62cm (29.5in x 24.5in)£300-500
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241 251 242
258 FE359/60NORTHWEST PERSIAN LONGRUGLATE 19TH/EARLY 20THCENTURYthe indigo field with alloverfoliate lattice pattern, withinivory geometric border betweenbands235cm x 130cm£150-250
259 FF110/1NORTHWEST PERSIANRUNNER20TH CENTURYthe polychrome field withallover lattice pattern, withinred S vine border betweenbands326cm x 82cm£150-250
260 FF56/4HAMADAN RUNNERNORTHWEST PERSIA, MODERNthe red field with allover heratipattern, within creamgeometric border betweenbands295cm x 110cm£300-400
261 FF56/3BAKHTIARI CARPETNORTHWEST PERSIA, MODERNthe field with alloverpolychrome foliate rectangularlattice pattern, within creamrosette and angular vine patternbetween bands310cm x 210cm£500-700
264 FF48/1KASHAN CARPETCENTRAL PERSIA, MODERNthe scarlet red field with alloverpalmette, rosette and foliatevine pattern, within indigopalmette and arabesque vineborder between bands450cm x 320cm£300-500
265 FF56/2KAZAK STYLE CARPETMODERNthe red field with three shapedindigo medallions, within redhooked square border betweenbands250cm x 186cm£350-450
262 FF156/9QASHQAI CARPETSOUTH PERSIA, MODERNthe red field with three joinedblack lozenge medallions,within ivory stylised vine borderbetween bands307cm x 218cm£250-350
263 FF35/1TURKISH KELIMANATOLIA, LATE 19TH/EARLY20TH CENTURYthe red field with stylised olivelinked chevron motif, withingrey/brown hooked motif borderbetween bands193cm x 103cm£150-250
265264
30
270 274
266 FF56/1MOROCCAN RUNNERMODERNthe indigo field with twocolumns of ten orange lozengemedallions340cm x 90cm£200-300
267 FD39/8SHAPLAND & PETTERMAHOGANY AND COPPERMOUNTED WALL CABINET,CIRCA 1910the projecting cornice abovetwo panelled doors inset withrepoussé plaques depictingstylised plants and withdecorative hinges51cm wide, 51cm high, 20cm deep£150-250
268 FE536/4TREVOR TOMS EBONISEDSIDEBOARD20TH CENTURYthe rectangular top above threedeep and four short drawers,raised on square tapering legsunited by an under tier190cm wide, 82cm high, 50cm deep£250-350
269 FE536/5TREVOR TOMS EBONISEDCABINET20TH CENTURYthe rectangular top above ahinged writing surface, raisedon square tapering legs, unitedby an under tier93cm wide, 81cm high, 36cm deep£150-250
277 FF60/1PAIR OF UPHOLSTERED ARTS& CRAFTS STYLE PINEBENCHESthe castellated cushioned backabove a cushioned seat, raisedon canted square legs united bystretchers (2)155cm wide, 93cm high, 45cm deep£300-500
278 FF68/6IRISH OVAL WALL MIRROR19TH CENTURYthe oval mirror plate within agilt and coloured glass mountedframe112cm wide, 137cm high£3,000-5,000
279 FF69/4GILT WOOD FRAMEDCHESTERFIELD SOFA19TH CENTURYthe shaped buttoned back andarms above a cushioned seatand moulded frieze, raised onmoulded turned legs and brasscasters, with green damaskstyle upholstery217cm wide, 65cm high, 59cm deep£2,500-3,000
273 FF131/24PAIR OF VICTORIANMAHOGANY ANDUPHOLSTERED ARMCHAIRS,BY HINDLE & SONSCIRCA 1850each covered in buttoned creamfabric and raised on turnedtapered legs terminating inbrass cappings and casters (2)72cm wide, 90cm high, 60cm deep£800-1,200
274 FF69/2PAINTED DUTCH DROP LEAFTABLE (FROM FRIESLAND)19TH CENTURYthe rounded rectangular topabove baluster turned legsunited by stretchers, raised onbun feet110cm wide, 72cm high, 78cm deep£650-850
275 FF157/9VICTORIAN MAHOGANY POLESCREENthe shield shaped beadworkpanel within a pierced frame,raised on a turned support andtripod base48cm wide, 145cm high£150-250
276No lot
270 FF69/3OAK AND IRON BOUND TRUNK19TH CENTURYof typical form with archedhinged top and carrying handles84cm wide, 60cm high, 54cm deep£600-800
271 FF157/7SET OF SIX CHIPPENDALESTYLE DINING CHAIRS20TH CENTURYthe moulded top rail above apierced vertical splat, over adrop in pad seat, raised onmoulded cabriole legs and balland claw feet (6)52cm wide, 100cm high, 42cm deep£400-600
272 FE396/8SMALL WALNUT SERPENTINEGENTLEMAN’S CHEST19TH CENTURYthe shaped crossbanded topabove a brush slide and fourgraduated drawers, raised onbracket feet69cm wide, 84cm high, 48cm deep£200-300
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278271 272
279
285 FE500/13WILLIAM IV MAHOGANY SOFAupholstered in Andy Warholinspired fabric with repeatingLiza Minnelli print, the carvedtop rail above a cushioned backand arms and a loosecushioned seat, raised onturned fluted legs and brasscaps and casters, 214cm high,90cm high, 58cm deep;together with a COLOUREDPLATE, depicting a similar sofadesign, signed ‘J. Taylor Del, 16Bedford Court Gardens’, framedand glazed, 13.5 x 20.5cm (2)Provenance:The Collection of the late TerryBrodie-Smith
£1,000-1,500
286 FE364/1EDWARDIAN MAHOGANYEXTENDING DINING TABLEthe moulded oval top above aplain frieze, raised on flutedsquare tapering legs andceramic casters, including twoleaf insertions239cm wide extended, 73cm high,119cm wide£400-600
287 FE361/1QUEEN ANNE STYLE WALNUTDINING ROOM SUITE, BYMAPLE & CO.20TH CENTURYcomprising: a table with oneleaf extension, 180cm wide,75cm high, 104cm deep; sixdining chairs, 52cm wide,101cm high, 44cm deep,including two open arm chairs;a sideboard, 151cm wide, 92cmhigh, 58cm deep; and a displaycabinet, 69cm wide, 199cmhigh, 34cm deep£2,000-3,000
288 FE562/12REGENCY MAHOGANY TWINPEDESTAL DINING TABLEthe rounded rectangular topabove moulded squaresupports, raised on quadriformbases210cm wide extended, 73cm high,112cm deep£500-800
280 FD688/34LOUIS XVI STYLE GILT METALMOUNTED ROSEWOOD ANDMARQUETRY CENTRE TABLE19TH CENTURYthe shaped oval top with brassbanded edge and floralmarquetry above a friezedrawer, raised on fluted taperedlegs joined by a curved x-formstretcher centred by a gilt metalurn, on turned toupie feet99cm wide, 75cm high, 60cm deepProvenance:Property from a Glasgow collection
£300-500
281 FD754/2DUTCH KINGWOOD QUARTERVENEERED BOMBE BUREAU18TH CENTURYthe slant front opening to aninterior fitted with a greenleather writing surface and anarrangement of pigeon holes,drawers, secret compartmentsand a recessed well, over threelong drawers and a foliatecarved apron, raised on clawand ball feet107cm wide, 106cm high, 50cm deep£400-600
282 FE309/1UPHOLSTERED TWO SEATERSOFA BED, RETAILED BY OKA20TH CENTURYthe cushioned back and armsabove loose cushions, raised onblock feet183cm wide, 86cm high, 104cm deep£400-600
283 FE311/1THREE HARDWOODCOLLECTORS SPECIMENCABINETSeach with twenty eight drawers,raised on a plinth base (3)116cm wide, 109cm high, 47cm deep£800-1,000
284 FE394/1FAUX MARBLE FIREPLACE,BY WILLIAM MCLAREN20TH CENTURYthe serpentine top abovemoulded uprights, surroundingpainted tile panels114cm wide, 105cm high, 31cm deep£300-400
32
287 294
296285
289 FE562/13SET OF SIX GEORGIANMAHOGANY DINING CHAIRSthe serpentine top rail above apierced vertical splat, over astuff over seat, raised onsquare tapering legs, united bystretchers (6)52cm wide, 97cm high, 39cm deep£300-500
290 FF156/4EMPIRE STYLE MAHOGANYFRAMED WINDOW SEAT20TH CENTURYthe cushioned seat flanked byscrolling arms, raised on outscrolling legs, united by turnedstretchers118cm wide, 63cm high, 42cm deep£250-350
291 FF68/8PAIR OF VENETIAN MIRRORSeach of rectangular form, withan arched bevelled mirror platewithin a cut glass mirroredframe (2)51cm wide, 95cm high£400-600
298 FE497/2GEORGIAN MAHOGANY INLAIDCORNER WASHSTANDthe shaped gallery above twotiers with a single drawer,united by stretchers61cm wide, 108cm high, 39cm deep£200-300
299 FE308/1GEORGIAN STYLE MAHOGANYDRUM TABLE20TH CENTURYthe tooled leather inset topabove four drawers and fourdummy drawers, over a turnedsupport, raised on an outsweptquadriform base and brasscaps and casters137cm wide, 76cm high£1,000-1,200
300 FE307/1GEORGE III MAHOGANY TWODOOR WARDROBEthe dentil moulded corniceabove panel doors with dummydrawers, enclosing hangingspace, raised on bracket feet145cm wide, 186cm high, 57cm deep£300-500
295 FE155/6BLACK JAPANNED CUPBOARD19TH CENTURYthe moulded cornice abovepanel doors, raised on turnedlegs the whole decorated withfigural scenes96cm wide, 138cm high, 24cm deep£300-500
296 FE348/20FRENCH OVER PAINTEDSETTEEthe shaped upholstered backand arms above a cushionedseat and shaped apron, raisedon moulded cabriole legs196cm wide, 87cm high, 82cm deep£600-800
297 FF68/1INDIAN PAINTED LOW TABLEthe octagonal top above amoulded frieze, raised on squatturned legs74cm wide, 19cm high£200-300
292 FF69/12PAIR OF EMPIRE STYLE OVERPAINTED OPEN ARMCHAIRS19TH CENTURYthe moulded cushioned backand arms above a cushionedseat, raised on baluster turnedlegs55cm wide, 88cm high, 49cm deep£1,000-1,500
293 FE684/8REGENCY PAINTEDEGYPTIANESQUE MIRRORthe shaped bevelled mirrorplate within an invertedbreakfront frame, flanked byfluted columns, surmounted bysphinxes76cm wide, 99cm high£600-800
294 FD671/14OAK BOARDROOM TABLE, BYJAKE PHIPPS, LONDONthe rectangular top with brassdouble line inlay, raised onrectangular supports with steelplinths, linked by stretchers330.5cm long, 78.5cm high,125cm wide£400-600
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304 FF61/6ROCOCO STYLE CARVEDWALNUT HALL BENCH19TH CENTURYthe acanthus carved back andarms above a solid seat, raisedon carved trestle legs129cm wide, 119cm high, 39cm deep£300-500
305 FE352/1PAIR OF CHESTERFIELDSOFAS20TH CENTURYthe buttoned back and armsabove a button seat, raised onturned legs and ceramiccasters (2)206cm wide, 71cm high, 64cm deep£300-500
306 FE349/1EDWARDIAN OAKWELLINGTON CHESTthe shaped rectangular topabove seven graduated drawers,raised on a plinth base62cm wide, 118cm high, 44cm deep£200-300
307 FF155/2VICTORIAN MAHOGANYEXTENDING DINING TABLEthe moulded rectangular topraised on moulded legs andbrass caps and ceramiccasters, including two leafextension264cm wide extended, 78cm high,114cm deep£500-700
308 FG266/1DISTRESSED PINE FRAMEDCHAISE LONGUE19TH CENTURYthe foliate carved arched backand down swept arms above ashaped cushioned seat, raisedon turned fluted legs157cm wide, 87cm high, 62cm deep£1,000-1,500
301 FE155/25SET OF EIGHT VICTORIANMAHOGANY DINING CHAIRSthe moulded top rail above acushioned back and seat, raisedon turned moulded legs (8)50cm wide, 91cm high, 46cm deep£250-350
302 FE501/1PAIR OF ART DECO STYLEARMOIRESLATE 20TH CENTURYeach cupboard with twin doorswith ostrich skin material, withhardwood handles andcorresponding stepped bases(2)120cm wide, 151cm high, 60cm deep£500-700
303 FE569/3CHIPPENDALE STYLE CHAIRBACK SETTEE SUITE20TH CENTURYthe moulded top rail abovepierced vertical splats, overoutswept arms and drop in padseat, raised on mouldedcabriole legs and ball and clawfeet, with two matching openarm chairs; together with aSIMILAR CHAIR BACK SETTEE;and a SET OF FOURCHIPPENDALE STYLE CHAIRS,the shaped top rail above apierced vertical splat, over adrop in pad seat, raised onmoulded cabriole legs and balland claw feet (8)settees 128cm wide, 100cm high,51cm deep; chairs 62cm wide,100cm high, 48cm deep£300-500
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309 FD73/2WOLLISCROFT RHEAD, G.HISTORY OF THE FANpublished in 1910, London,within a limited edition of 450copies, with black and whiteand colour illustrations, withinleather binding£150-250
310 FG287/9FRENCH HAND PAINTEDPAPER AND IVORY MOUNTEDFANCIRCA 1770the leaf depicting companionsin a landscape setting, thereverse showing a pastoralscene, with gilded ivory sticks26.5cm long£300-400
311 FG287/36FRENCH HAND PAINTEDPAPER AND IVORY MOUNTEDFANCIRCA 1780the leaf depicting Achilles andthe daughters of Lycomedes,with shaped and carved ivorysticks with tortoiseshell pivotdecoration25.5cm long£600-800
312 FG287/66HAND PAINTED VELLUM ANDBONE MOUNTED FANCIRCA 1810, ENGLISH ORFRENCHthe leaf depicting Harlequin andthe Americas, the pierced andshaped bone sticks withsilvered detail and a barrel pivot14cm long£200-250
313 FG287/7COLLECTION OF THREEFRENCH FANSCIRCA 1840-1850all hand painted lithographexamples, comprising of: a fandepicting figures in a gardensetting, with carved and gildedbone sticks, 26.5cm long; anexample showing a musicianand companions to one side,and a woman and child to thereverse, with gilded bone sticksand a mother of pearl pivot,23.5cm long; and a fandepicting figures buying cloth,with gilded tortoiseshell sticks,26.5cm long (3)£150-250
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A Selection of Fans from aPrivate Scottish CollectorFor millennia people have used fans not just to circulate the air, protectfrom the sun and hide blushes, but as status symbols and ceremonialtools. Excavations of the tomb of Tutankhamen in Egypt revealedstunning pieces of intricate gold work and ostrich feathers,eloquently expressing the power and influence of the holder.Prehistoric bamboo examples have also been discovered inChina, a society where the fan played a continually,significant role in the demonstration of societal rank overthe centuries.
The different materials, sizes, and forms - from palmleaves to the finest ivory and gold - have made the fan avery interesting and commodious object, one that wasbound to capture the gaze of the collector. The first fans wereof a fixed type, developing later in the 17th century into the foldingfans we know today. Initially introduced to the European aristocracy from the Asiancolonies, fans of the finest materials were an item of luxury. Moving into the 18th centuryfans were manufactured on a larger scale allowing for more affordable pieces to becomeavailable to an extensive audience. During the 19th century, Impressionist artists began toharness the potential of the fan hand-painting the leaves with landscape and allegoricalscenes.
This sale includes an impressive and varied selection of fans from the property of a Scottishcollector. This interesting assortment gathers Spanish, French, Dutch, Italian, English andScottish fans, variously hand painted on silk and paper, and mounted with bone, mother ofpearl and ivory.
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317 FG287/3COLLECTION OF THREEFRENCH FANSCIRCA 1850all hand coloured lithogaphs onpaper, comprising of: anexample depicting apersonification of poetry andrhetoric, with mother of pearlsticks, 27.5cm long; a fanshowing Spanish soldiers andattendants, with mother ofpearl sticks, 26.5cm long; andan example with figures inreserves and gilt highlights,with bone sticks, 26.5cm long;together with aFRANCO/SPANISH HANDPAINTED AND BONEMOUNTED FAN, circa 1850,with a paper leaf, 26.5cm long(4)£150-200
318 FG287/21TWO FRENCH HAND PAINTEDPAPER FANSCIRCA 1850-60the first, with a hand paintedleaf depicting figures in apastoral scene, with carvedmother of pearl sticks, 28.5cmlong; the second, showingApollo and the muses to thehand coloured lithograph, thereverse depicting figures, withgilded bone sticks, 26.5cm long(2)£200-300
319 FG287/31TWO FRENCH HANDCOLOURED PAPER FANSCIRCA 1850-60the first depicting womendancing to a piper, the reverseshowing a castle, with gildedmother of pearl sticks, 26.5cmlong; the second, depictingcompanions of leisure, withpainted and gilded bone stickswith mirror inserts to theguards; together with aFRANCO/SPANISH HANDCOLOURED PAPER AND BONEMOUNTED FAN, depictingladies making a chain of roses,and figures to the reverse,26.5cm long (3)£120-180
314 FG287/19TWO FRENCH HAND PAINTEDPAPER FANSCIRCA 1850the first depicting figuresreading, spinning and dancing,the reverse with women and achild, marked ‘No 9, ContourEditeur, Paris’, with gilded bonesticks, 26.5cm long; the second,showing figures in a garden,markled ‘I Francois’, with giltdecorated horn sticks, 26.5cmlong (2)£120-180
315 FG287/27COLLECTION OF THREEFRENCH HAND COLOUREDPAPER FANSCIRCA 1840-50comprising of: an exampledepicting a female withcompanions, marked ‘J.B.’, withbone sticks decorated withmother of pearl, 21.5cm long; afan depicting a suitorapproaching ladies, with bonesticks, 26.5cm long; and a thirdexample showing figures in aclassical setting, the reverseshowing a castle interior, withcarved and painted bone sticksand a cameo design to theguard, 28cm long (3)£120-180
316 FG287/63TWO FRENCH HANDCOLOURED PAPER FANSCIRCA 1850the first, depicting companionsconversating, the reverseshowing figures in Turkishcostume, with pierced bonesticks, 20.5cm long; the second,showing figures, the reverse apopulated landcsape scene,marked ‘R. Wellaeys, 221’, withbone sticks and guards appliedwith mother of pearl, 26.5cmlong (2)£80-120
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320 FG287/16FRENCH HAND PAINTEDVELLUM AND IVORY MOUNTEDFANCIRCA 1890, SIGNED‘E.DUBOIS’the leaf depicting a femalefigure and amoretti in a gardensetting, with ivory sticks and asilvered guard tip, lop and pivot30.5cm long£250-350
321 FG287/46COLLECTION OF FRENCHHAND PAINTED SILK FANSCIRCA 1910comprising of: two exampleswith gilded mother of pearlsticks, one signed ‘J. Surand’,21.5cm and 22cm long; and twowith gilt bone sticks, 24cm longeach; together with a SPANISHHAND PAINTED SILK ANDBONE MOUNTED FAN, circa1910, signed ‘Matali’, withdecorative bone sticks, 24cmlong (5)£150-200
327 FG287/60ENGLISH HAND PAINTEDPAPER AND IVORY MOUNTEDFANCIRCA 1760the leaf depicting figures in apastoral setting, with piercedcarved ivory sticks, 26.5cmlong; together with an ITALIANHAND PAINTED VELLUM ANDIVORY MOUNTED FAN, circa1720, the leaf showing Helenabducted by Paris, with shapedivory sticks and a bulbous pivot,27.5cm long (2)£150-200
328 FG287/54ENGLISH PRINTED SILK ANDBONE MOUNTED FANCIRCA 1770 AND LATERthe leaf with oval monochromereserves depicting figures, withspangle decoration and bonesticks, 29cm long; together witha FRENCH HAND COLOUREDPAPER AND LACQUER FAN,circa 1800, the leaf depicting ayoung woman and arevolutionary, with black andgilt lacquered sticks, 26.5cmlong (2)£100-150
324 FG287/45ENGLISH HAND PAINTEDVELLUM AND IVORY MOUNTEDFANCIRCA 1740the leaf depicting Diana andnymphs hunting, with carvedand pierced ivory sticks, withlater guards26.5cm long£200-300
325 FG287/34TWO ENGLISH FANSCIRCA 1740-80the first, hand painted withDiana and Callisto, with piercedcarved ivory sticks, 26.5cmlong; the second, with a handcoloured etching ofconversating figures in agarden, with wooden sticks anda painted guard, 27.5cm long (2)£120-180
326 FG287/35HAND COLOURED AND IVORYMOUNTED FANCIRCA 1746,ENGLISH/SCOTTISHthe etched leaf depicting ‘TheBattle of Stirling Castle’, withcarved and painted ivory sticksand a floret carved pivot head28cm long£250-300
322 FG287/51COLLECTION OF FOURFRENCH FANSCIRCA 1900-10comprising of: three handpainted silk examples, onesigned ‘Fr Imbert’, anothersigned ‘Candey’, two with bonesticks and one with mother ofpearl sticks, 19.5cm, 22cm, and27.5cm long; the fourth, a bonebrise fan, decorated to bothsides with figural scenes,16.5cm long (4)£180-220
323 FG287/17HAND COLOURED SILK ANDMOTHER OF PEARL MOUNTEDFANCIRCA 1890, FRENCH ORENGLISHthe leaf depicting a courtingcouple, with mother of pearlsticks, 35cm long; together witha FRENCH HAND PAINTEDGAUZE AND MOTHER OF PEALMOUNTED FAN, circa 1900, thereserves depicting figures setamongst Brussels bobbin lace,signed ‘Serona’, with carvedgilded mother of pearl sticks,25cm long (2)£180-220
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334 FG287/44ITALIAN HAND PAINTEDVELLUM AND IVORY MOUNTEDFANCIRCA 1720the leaf depicting Susanna andthe Elders, with carved ivorysticks and a bulbous pivot28cm long£500-700
335 FG287/64ITALIAN HAND PAINTEDVELLUM AND IVORY MOUNTEDFANCIRCA 1720the leaf depicting figuresreceiving fruit, with carved andpierced ivory sticks, the gorgewith a Royal Coat of Arms28cm long£600-800
336 FG287/40GRAND TOUR HAND PAINTEDPAPER AND IVORY MOUNTEDFANCIRCA 1750, POSSIBLY ITALIANthe leaf depicting two femalefigures in a coastal scene, thereverse showing flower sprigs,with ivory sticks and a paintedfigural gorge28cm long£500-700
337 FG287/1COLLECTION OF THREEFRANCO/SPANISH FANSCIRCA 1850-1860all hand coloured lithogaphs onpaper, comprising of: a bonestick example, depicting ascene of bull fighting to oneside, the reverse showingfigures; a further bone stickfan, showing Spanish dancersand musicians, the reverse withfigures; and an example withpierced wooden sticks, alsodepicting scenes of bulls to thefront and reverse (3)26.5cm long£150-250
338 FG287/13SPANISH HAND PAINTED SILKAND MOTHER OF PEARLMOUNTED FAN1898the leaf depicting the toilet ofVenus flanked by amoretti,signed ‘A. Jimenez ‘98’, withmother of pearl sticks, 32.5cmlong; together with a HANDPAINTED SILK AND BONEMOUNTED FAN, circa 1860,possibly English, the leafshowing a winged nymphplaying pipes, with pierced bonesticks, indistincly signed,28.5cm long (2)£150-250
329 FG287/38ENGLISH PAPER AND IVORYMOUNTED FANCIRCA 1780the leaf depicting an oval stippleengraving of Cornelia and hersons, with carved and piercedivory sticks28cm long£200-250
330 FG287/4HAND PAINTED VELLUM ANDMOTHER-OF-PEARL MOUNTEDFANCIRCA 1750, POSSIBLYENGLISHthe polychrome leaf depictingVenus and Mars, with gildedmother-of-pearl sticks29cm long approx.£150-200
331 FG287/10HAND PAINTED PAPER ANDMOTHER OF PEARL MOUNTEDFANCIRCA 1750, POSSIBLYENGLISHthe leaf depicting a religiousscene, with a chinoiseriesurround, the reverse depictinga couple, with carved gildedmother of pearl sticks26.5cm long£300-400
332 FG287/37GRAND TOUR HANDCOLOURED VELLUM ANDIVORY MOUNTED FANCIRCA 1780, ITALIAN ANDENGLISHthe leaf depicting variousscenes and architecture of theGrand Tour, including Agrippa’sPantheon, with carved andpierced ivory sticks28cm long£800-1,000
333 FG287/42ITALIAN HAND PAINTEDVELLUM AND IVORY MOUNTEDFANCIRCA 1720the leaf depicting Europa andthe bull, the carved ivory stickswith pique work and mother ofpearl applique, the pivot withtortoiseshell decoration28cm long£500-700
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339 FG287/18FRANCO/SPANISH HANDCOLOURED PAPER ANDMOTHER OF PEARL MOUNTEDFANCIRCA 1850the leaf depicting James I, thereverse showing the surrenderof the Moors, with mother ofpearl sticks, 28cm long;together with a FRENCH HANDCOLOURED PAPER AND BONEMOUNTED FAN, circa 1850, theleaf depicting an aristocraticfamily, and a King and Queen tothe reverse, with gilded bonesticks (2)£200-300
340 FG287/5DUTCH HAND PAINTED PAPERAND IVORY MOUNTED FANCIRCA 1770the leaf depicting a courtingcouple in a pastoral scene, withgilded ivory sticks, 27.5cm long;together with a HAND PAINTEDPAPER AND IVORY MOUNTEDFAN, circa 1770, possibly Dutch,the leaf depicting a family in apastoral scane, with carvedgilded ivory sticks, the centralgorge with two portraitminiatures, 25.5cm long (2)£300-400
341 FG287/11CONTINENTAL HAND PAINTEDPAPER AND IVORY MOUNTEDFANCIRCA 1770the leaf depicting a harvestscene, the reverse showing afemale, with carved gilded ivorysticks, 28cm long; together witha FRENCH HAND PAINTEDSILK AND IVORY MOUNTEDFAN, circa 1770, the leafdepicting lovers in a reserve,with gilt thread tambourdecoration, the reverse workedin ink, with silver decoratedivory sticks, 27.5cm long (2)£400-500
346 FD73/10CHINESE CANTON CARVEDIVORY AND PAINTED PAPERFANQING DYNASTY,19TH CENTURYthe outer guards carved in reliefwith figures and pavilions,opening to fourteen pierced andcarved ivory sticks and paperpanels painted on both sideswith scenes of courtiers andattendants; together with anassociated black lacquer boxstick 28cm long£400-600
347 FD73/11CHINESE CANTON CARVEDIVORY AND PAINTED PAPERFANQING DYNASTY,19TH CENTURYthe guard sticks carved in deeprelief with figures in gardensand flowers, opening tofourteen pierced and carvedsticks depicting figures ingardens, the paper panelpainted on both sides with ascene of courtiers, dignitariesand attendants; in anassociated black lacquer case28cm long£400-600
344 FD73/6CHINESE CANTON CARVEDIVORY AND PAINTED PAPERFANQING DYNASTY,19TH CENTURYthe guard sticks carved in reliefwith figures in gardens, openingto fourteen pierced and carvedivory sticks depicting figures,pavilions and flowers, the paperpanel decorated on both sideswith a scene of courtiers,dignitaries and attendants, thefaces painted on ivory; togetherwith an associated blacklacquer box28cm long£300-500
345 FD73/7CHINESE CANTON CARVEDIVORY BRISE FANQING DYNASTY,19TH CENTURYthe guard sticks carved in reliefwith figures, gardens andpavillions, opening to nineteensticks pierced and carved withfurther figures and pavilions;together with a black lacquerbox26cm long£500-700
342 FG287/43CONTINENTAL HANDCOLOURED PAPER ANDMOTHER OF PEARL MOUNTEDFANCIRCA 1850the leaf depicting a classicalscene of a family fleeing aburning city, with carvedmother of pearl sticks, 26.5cmlong; together with a FRENCHHAND COLOURED PAPER ANDMOTHER OF PEARL MOUNTEDFAN, circa 1830, the leafdepicting figures hunting, withpierced and piqued mother ofpearl sticks, 19cm long (2)£150-200
343 FG287/12COLLECTION OF HANDPAINTED SILK AND GAUZEFANSCIRCA 1870-1890comprising: an English silkexample depicting song birds,with bone sticks, 26.5cm long(A/F); a further silk example,possibly English, showingsisters surrounded by flowers,with gilt decorated woodensticks, 37cm long; and a gauzefan, French or English, showinga female figure waving, withmother of pearl sticks, 34.5cmlong (3)£120-160
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356 FG144/1CARVED TREEN SNUFF BOXmodelled as a hand, the fingerstaking a ‘pinch of snuff’, with ahinged lid11.5cm long approx.£200-300
357 FG183/9PAIR OF GLASS CARBOYSeach bottle shaped body with aeverted rim, raised on a circularfoot (2)62cm high£400-600
358 FF157/4ACUT GLASS DESK SEALthe purple cut glass handle, in afitted box with 12 variouslycoloured, cut glass matriceswith mottosseal 6cm long, box 9.5cm wide£150-250
359 FF157/4BGROUP OF WOODEN MOUNTEDDESK SEALScomprising of nine examples,some carved and turned, andone painted, with variouslydecorated and inscribedmatrices, largest 9cm long;together with a CUT PURPLEGLASS SEAL, with a scoredmatrix, 6cm long (10)£150-250
360 FF157/4CGROUP OF IVORY AND BONEMOUNTED DESK SEALScomprising of: 11 variouslysized and carved examples,including seals with turnedhandles, largest 7cm long;together with a GROUP OFDECORATIVE SEALS, includingvarious agate and mineralmounted examples, amongstothers (25)£150-250
348 FF68/4TAXIDERMY LONG HAIREDGUN DOGpossibly a golden/blondeNewfoundland cross breed,within a glazed case, raised ona Chippendale style mahoganybase with blind fretworkedfrieze and square legs150cm wide, 182cm high, 61cm deep£2,000-3,000
349 FB72/49LARGE SUITCASE, BY LOUISVUITTONwith characteristic printedcanvas to exterior and brassmounts with ciphers, the lockinscribed ‘Louis Vuitton, Madein France’, the double hingedlids opening to reveal a fittedinterior with a hanging rack,with a paper label reading‘938276’54.5 x 85.5 x 23cm£800-1,200
350 FE396/21MINIATURE SERPENTINEMAHOGANY CHEST OFDRAWERSthe moulded top surface overfour graduated drawers and acurved apron, raised on foursplayed feet27cm high, 35cm wide, 21cm deep£150-250
351 FE499/1PAIR OF PETER COKE SHELLMOUNTED OBELISKS20TH CENTURYeach of typical tapering formand raised on a square steppedbase, mounted with cowrieshells on a naturalistic sandcovered ground (2)120cm high approx.£300-500
352 FE499/54LARGE PETER COKEOCTANGONAL SHELL DISPLAY20TH CENTURYthe symmetrically mountedshells and sea horsessurrounding an ornatelydecorated coral centre piece, ina green painted glazedcase/frame77.5cm high, 77.5cm wide£200-300
353 FE499/55TWO PETER COKE ‘SAILOR’SVALENTINE’ SHELL DISPLAYS20TH CENTURYeach in an octagonal glazedcase/frame, the first depictingtapering bands of yellowperiwinkles and tellin shells,37.5 x 37.5cm; the second, withgraduating circular bands oflimpet shells and pink tellinshells, decorated with miniaturesea urchins, 41.5 x 40.5cm (2)£200-300
354 FE499/56PETER COKE FLOWER SHELLDISPLAY20TH CENTURYmodelled as a flower vase withblossoming blooms and leaves,the vase and buds made from avariety of shells, in a mirrorbacked mahogany case43cm high (height of case)£200-300
355 FF69/13PAIR OF GILT IRON WALLSCONCESeach strap like support fixedwith shaped horizontal panelsflanking a single sconce abovetwo further sconces (2)66cm highProvenance:Chateau de Narbonne
£300-400
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361 FF157/4DBRASS WHEEL SEALwith eight sides, variouslyinscribed with mottos andmotifs, 2.5cm wide; togetherwith a BRASS FOB SEAL,matrix 2.5cm wide; and FOURWOODEN MOUNTED DESKSEALS, each with a brassmatrix inscribed with a Scottishcompany name, largest 11cmlong (6)£150-250
362 FF157/4EGROUP OF WOODEN MOUNTEDDESK SEALScomprising of 11 examples,including seals with turnedhandles, and a set of four withtapered handles; together witha CERAMIC MOUNTED DESKSEAL; a BRASS MOUNTEDDESK SEAL; and a FOB SEAL(14)largest 12cm long£150-250
366 FB57/6VICTORIAN OAK AND BRASSMOUNTED TANTALUSof square form, the hinged lidopening to reveal a mirrorbacked fitted interior and afold-out flap35cm high£150-250
367 FE232/1‘GREYFRIARS BOBBY’ PAINTEDPUB SIGNof rectangular form, painted toboth sides with the dogGreyfriars Bobby beforeGreyfriars Kirk, mounted in awooden and iron bound frame80cm high approx.£400-600
368 FE272/121ITALIAN RECONSTITUTEDMARBLE BUST, SIGNED A.FILLImodelled as the ‘Veiled Bride’,and raised on ebonised soclebase36cm high£200-300
364 FE291/2TWO WORCESTER BLUE ANDWHITE MOULDED CABBAGELEAF JUGS18TH CENTURYof various size, each with amask head spout and scrollhandle, decorated with the‘Bouquets’ pattern, with bluemarks to underside; togetherwith DRESDEN PORCELAINSTATIONERY RACK; FRENCHENAMEL SNUFF BOX (7)22cm high, 19cm high£300-400
365 FF157/2SMALL COLLECTION OF GLASSWALKING CANESall (A/F), comprising of: twoclear/green twisted examples,107cm and 73cm long; a canewith a red and white enameltwist, 41cm long; a furtherexample with a red and whiteenamel twist, 104cm long; anda clear/green cane of twistedmoulded form, 82cm long (5)£150-250
363 FB57/9HEREND PORCELAIN PARTTEA AND COFFEE SERVICE20TH CENTURYeach piece decorated withyellow ‘Apponyi flowers’ andfoliage, with gilt highlights andmaker’s marks, comprising of:a coffee pot; a teapot; a milkjug; a sugar bowl; two cups;two saucers; and two sideplates; together with TWOHEREND PORCELAIN SUGARBOWLS AND COVERS; eachdecorated with flowers andfruit, with flower bud finials,marks to underside, 10cm high(12)£200-300
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373 FE184/119COLLECTION OF LOUIS XVSTYLE GILT BRASS FIRE TOOLScomprising of: a pair of urnchenets, 34cm high; a piercedfender, 59cm long; a pair oftongs, 65.5cm long; a shovel,65.5cm long; and a stand,66.5cm high (6)£200-300
374 FE310/4SELECTION OF ANTIQUEJIGSAWS AND PUZZLESto include: ‘Zoological Loto’;Tuck’s ‘Zig-Zag’ jigsaw; ‘Farmin Motion’ jigsaw; ‘TheAcrobats’; ‘Nine InterestingScenes...’; 2 small ‘AnchorPuzzles’; ‘Picture Puzzledom’jigsaws; five boxes of cardgames/puzzles; a boxedGerman spinning top; a boxed‘The Econasign’ printing set;and two booklets relating topuzzles (qty)£150-250
375 FE359/51PAIR OF VICTORIAN BRASSTABLE LAMPSeach with a plain stemsupporting an adjustable scrollfitting, raised on a circular basewith a beaded edge, wired forelectricity (2)47.5cm high£150-250
376 FD754/11SET OF TEN OPAQUE TWISTDRINKING GLASSES18TH CENTURYeach with a fluted bowl abovethe decorative stem and conicalfoot (10)18cm high£200-300
377 FF78/6SAMSON FAMILLE VERTECHARGER19TH CENTURYof typical circular form,decorated with peonies in avase surrounded by butterflymotifs, with red marks toreverse33cm diam.£250-350
369 FD754/10COLLECTION OF GREENPRUNT DECORATED GLASSESeach with an ovoid bowl,decorative stem and ribbedconical foot, comprising of: anear set of four, largest 14.5cmhigh; another similar example,15.5cm high; a large glass,16cm high; and a smallerversion, 11.5cm high (7)£200-300
370 FF90/1GROUP OF GRISELDA HILLWEMYSS STYLE POTTERYeach with maker’s marks,comprising of: a bulldog,painted with red clover, 23.5cmhigh; two cats, variously posed,each with green glass eyes, onepainted with dogroses, theother with cabbage roses, 33cm and 24.5cm high; and asmall cat, painted with cabbageroses, 18cm high (4)£200-300
371 FE143/7ENGLISH PORCELAIN PARTFRUIT SERVICEeach piece decorated with ascrolling gilt and cream borderon a green ground, some piecesmarked with gilt number ‘202’,comprising off: two oval shapedlow comports; four circular lowcomports; and 12 plates;together with a PORCELAINPART BOTANICAL FRUITSERVICE, each piece depictingflowers within a green and giltborder, comprising of: a lowcomport; and two plates (21)£150-250
372 FB57/10VICTORIAN OAK ICE BUCKETthe tapered sides with fourplated bands and twin handles,marked, with a lead linedinterior27cm high£150-250
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378 FG88/3COLLECTION OF WEDGWOODGREEN JASPERWAREcomprising: a cheese dish andsquare domed cover (possiblyassociated), marked‘Wedgwood’ and ‘4’, 13cm high;a teapot and cover, marked‘Wedgwood, England’, 10.5cmhigh; and a jug, also marked‘Wedgwood, England’, 13.5cmhigh (3)£200-300
379 FB72/8GILT BRASS AND FOUR GLASSMANTEL CLOCK, BY TIFFANY &CO.20TH CENTURYthe white enamelled dial withRoman numerals and inscribed‘Tiffany & Co., France’, in aglazed case, with an eight daydrum movement striking on abell above the mercury filledpendulum27cm high£400-600
380 FD781/4AUSTRIAN COLD PAINTEDBRONZE FIGURE OF A CATpossibly Bergmann, modelledwith an empty barrel, theunderside of the body and sideof the tail indistinctly marked‘Geschutzt’6cm high, 9.5cm wide£150-180
381 FE125/5ENGLISH PEARLWARE FIGUREEMBLEMATIC OF WINTER18TH CENTURYmodelled as a bearded man in ablue cloak standing beside afire, on a square base22cm high£120-180
388 FC765/60ECOLLECTION OF LEICA LEITZLENS AND FILTERScomprising of: a boxed Apo-Telyt-R 1:3.4/180 lens, serialnumber ‘2867585’; a boxedElmarit-R 1:2.8/135 lens;Elmarit-R lens 1:2.8/28,no.’3016107’; a Vario-Elmar-RLens 1:3.5/35-70, no. ‘3284801’;a boxed Telyt f=20cm 1:45 lens,no ‘272623’, with two filters; aboxed Nooky Summar u.Hektor5cm lens holder; two Serie 7UVA filters, one boxed; a Serie 8‘13372’ filter; a boxed Macro-Elmar-R adapter 1:1; and afuther adapter (11)£500-600
389 FC765/60FCOLLECTION OF LEICA LEITZEQUIPMENTcomprising: a boxed MotorWinder R3 14 270; a boxedadapter, Motor Winder R3 14278; a boxed cable, Leica R 14274; a boxed remote control,Leica R 14 277; a boxed 14100tripod; togethr with a boxedMETZ MECCABLITZ 32 Z-2LIGHT; and a QUANTITY OFLEICA LEITZ BOXES; CAMERACASES; AND EQUIPMENT (qty)£250-350
385 FC765/60BLEICA Z2X JAGUAR CAMERAgreen body, serial number‘2513924’, with a leathertravelling case and warrantycard, with original cardboardboxes; together with a LEICAELMAR 1:3.5/35 MINI CAMERA,with associated cardboard box;and a MINOX CAMERA 35ML, inits original box, with theowner’s manual, a flash unitand a leather travelling case (3)£150-250
386 FC765/60CCASED LEICA III CAMERACIRCA 1930Sof typical form, with maker’smarks and serial number ‘No.326650’, with an associatedreceipt of purchase, in a brownleather case£200-300
387 FC765/60DCASED LEICA III CAMERACIRCA 1930Sof typical form, with maker’smarks and inscription‘Elizabeth Watt’, serial number‘No. 155926’, with a receipt ofpurchase, in a brown leathercase£200-300
382 FE497/3RENÉ LALIQUE (1860-1945)‘PIS EN LIT’ PATTERN CLEARAND FROSTED GLASS BOWL,CIRCA 1930moulded with dandelion leaves,moulded and etched maker’smarks R. LALIQUE/ FRANCE/NO. 321524cm diameter£200-300
383 FG182/3BWORCESTER BLUE AND WHITE‘ARGUMENT’ PATTERN SLOPBOWL18TH CENTURYof typical circular form, with ablue crescent mark, 19.5cmdiam.; together with aWORCESTER BLUE AND WHITE‘THREE FLOWER’ PATTERNSLOP BOWL, 18th century, oftypical circular form, with ablue crescent mark, 16cmdiam. (2)£200-300
384 FC765/60ABOXED LEICA M6 JAGUARXK50 CAMERALATE 1950Smounted with green Connollyleather and a 50mm ‘Elmar’lens, with maker’s marks, serialnumber ‘ 2463831’, and lensnumber ‘XK 23/50’, with acertificate, warranty card,instruction booklet andassociated receipt, in a fittedwooden box, with originalcardboard boxNote:The Leica M6 was commissioned byJaguar to celebrate the 50thanniversary of the introduction ofthe ‘XK’ engine. The ‘XK50’ M6 wasa special run of just 50 pieces.
£1,000-1,500
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394 FE396/65WORCESTER BLUE AND WHITE‘CANNONBALL’ PATTERNTEAPOT18TH CENTURYof typical form, with a domedcover and flower bud finial, ablue crescent mark to theunderside17.5cm high£150-250
395 FE412/5COLLECTION OF MONARTGLASSvariously coloured anddecorated, some withaventurine, comprising of: avase; two shallow bowls; asmall dish; and a flared bowl;together with FOUR VASARTGLASS VASES; and aSTRATHEARN GLASS BOWL(qty)£150-250
396 FE412/5ACOLLECTION OF VASARTGLASSvariously coloured anddecorated, comprising of: threebaskets; three bowls with wavyrims; a pair of vases, each witha maker’s sticker; and variousother vases and bowls (qty)£150-250
397 FF44/1MOORCROFT ‘ORCHIDS’BOTTLE VASEwith polychrome flowers on agreen ground, impressed andpainted maker’s marks20cm high£200-300
398 FE299/1CAST IRON LAWN ROLLER19TH CENTURYwith a green painted frame andhandle61cm wide, 118cm high, 45cm deep£150-250
390 FC765/60GCINÉ-KODAK SPECIALCAMERAwith plaque ‘Eastman KodakCo., Rochester, N.Y.’, and aspare magazine; together witha ZEISS IKON CAMERA, ‘SuperIkonta 532/16’, with a brownleather travelling case; a ZEISSIKON MICROFLEX CAMERA, ina black leather case withfixtures and fittings; and a SETIF LEICA UNIVERSALEFOCUSING BELLOWS, in afitted case (4)£250-350
391 FC765/60HFITTED CASE OF LEICA LEITZLENS AND CAMERAEQUIPMENTcomprising of a variety of items,including filters; together with aQUANTITY OF LEITZ CAMERAEQUIPMENT; and TWO BOXEDCASES OF SLIDES (qty)£150-250
392 FD754/12COLLECTION OF DRINKINGGLASSEScomprising of: a set of sevenliqueur glasses with twiststems, 14.5cm high; a set of 10amber hock glasses, 14.5cmhigh; a set of three amberglasses with knopped stems,14.5cm high; a set of threeetched liqueur glasses, 13.5cmhigh; and various other clearand green glasses (qty)£200-300
393 FE155/27COLLECTION OF MOTTO WAREthe pieces typically decoratedwith inscriptions, with variousmarks, comprising of cups,vases, jugs, dishes and furtheritems (qty)£250-350
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400399
399 FG128/1BROWN LEATHER CORDITEBUCKETof cylindrical form with a balehandle, decorated with aprinted coat-of-arms and themotto ‘Aimez Verite’40.5cm high£300-500
400 FE414/2INDIAN POLYCHROMED ANDGILT EMBOSSED LEATHERDHAL (SHIELD)CIRCA 1800with four bosses decorated withlions attacking deer48cm diam£120-180
403 FE141/2112 BORE FLINTLOCKOFFICER’S BELT PISTOL,SIGNED H.W. MORTIMERCIRCA 1790the feather engraved flat locksigned H.W. Mortimer, with asafety slide, roller frizzens,spurred, the trigger guard withengraved acorn finial, with aFrench cock, captive swivelramrod and octagonal barrel,the walnut full stock with achequered stock blank silverescutcheon36cm long£400-500
404 FE141/22PERCUSSION HOLSTERPISTOL, SIGNED BRANDERCIRCA 1780the flat lock (converted fromflintlock) signed Brander, withbrass furniture, spurredpommel and an octagonalbarrel, London view and proofmarks, the full walnut stockwith a replacement ramrod41cm long£400-500
402 FE141/20SHORT FLINTLOCK BELTPISTOLCIRCA 1830with a plain lock, iron furniture,and a belt hook; together with aPERCUSSION BOX LOCKPOCKET PISTOL, with a turn offoctagonal barrel brass lock,iron furniture, and ball but trap;a FLATTENED COW HORNPOWDER FLASK; and aCOPPER FLASK, embossedwith a game bird; and TWOHORN AND METAL MOUNTEDBUGLES (6)£250-350
401 FG257/1GURKA OFFICERS KUKRI FORTHE SEVENTH GURKA RIFLESof conventional form, with abuffalo horn grip and a brasspommel, above the decorativescabbard covered in chasedsilver plaques and a badge, on amaroon velvet ground, 24cmlong; together with aJAPANESE CARVED BONEMOUNTED SWORD, with asingle edge blade, the scabbardand hilt decorated with figuresin traditional costume, blade32.5cm long (2)£300-400
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This characterful portrait depicts James Nisbet, a member of thefamous Admiral Thomas Cochrane’s expedition to Chile in 1819.
Cochrane, the 10th Earl of Dundonald, 1st Marquess of Maranhão,(14 December 1775-31 October 1860), was a Scottish naval flagofficer of the Royal Navy and a radical politician. Though hissuccess during the Napoleonic Wars brought him fame, the Frenchnicknaming him Le Loup des Mers ('The Sea Wolf'), he wasdismissed from the Royal Navy in 1814 following a conviction forfraud. He then served in the rebel navies of Chile, Brazil andGreece during their respective wars of independence. He waseventually pardoned and upon his death was granted the title ofRear-Admiral of the United Kingdom. The adventurous Cochrane iswidely regarded as the inspiration behind C. S. Forester's HoratioHornblower and Patrick O'Brian's Jack Aubrey.
James Nisbet Charles is no less interesting a character. Hereceives mentions in the standard Cochrane biographies, mostfrequently in Brian Vale’s Cochrane in the Pacific. He commandedthe marines at Pisco, under overall command of the naval forceunder Captain Guise – one of Cochrane’s captains. He was buriedat Valparaiso and his death was noted by Cochrane in his South
405 FE518/319TH CENTURY BRITISH SCHOOLPORTRAIT OF JAMES NISBET CHARLES IN MILITARY REGALIAOil on panel30cm x 24.5cm (11.25in x 9.75in)Note:Inscribed contemporaneous label verso:James Nisbet Charles, son of Claudius Charles, assistant surgeon to HisMajesty’s General Hospital, New York, and Jane, only daughter of CaptainJohn Griffiths, entered the Army and became aide de camp to General SirRobert Wilson. He joined Lord Cochrane’s Expedition to Chili, and was killedat the capture of Pisco, on the 7th of November 1819, in the 29th year of hislife.Signed Jane Barwell Carter nee Johnston niece of the above
£800-1,200
American memoir. According to Vale, Charles was Woolwich-trained, had served with Wilson in Portugal and had been secondedfor a time to the Russian army. With Cochrane he was first of allinvolved in preparing (unsuccessful) rocket attacks.
Lyon & Turnbull are grateful to Stuart Allan of the National WarMuseum for his assistance in cataloguing this lot.
412§ FG265/5GEORGE HOUSTON R.S.A.,R.S.W., R.I.(SCOTTISH 1869-1947)DALRY LANDSCAPE IN WINTERSigned, oil on canvas45cm x 61cm (l7.75in x 24in)£1,200-1,800
413 FG265/4SAM REID R.S.W.(SCOTTISH 1854-1919)VIEW OF THE RIVER NEARABERDEENSigned, oil on canvas25cm x 40cm (9.75in x 15.75in)£500-700
414 FG208/2GEORGE RICHMOND(BRITISH 1809-1896)PORTRAIT OF SAMUEL EVANSESQ. OF DARLEY ABBEYc. 1850Inscribed verso, wax seal toback board, watercolour andbodycolour34cm x 25cm (13.5in x 9.75in)£500-700
415 FG102/1MCNEIL MACLEAY A.R.S.A.(SCOTTISH d. 1848)A HIGHLAND LOCHSigned and dated 18??, oil oncanvas53cm x 87cm (21in x 34.25in)£1,500-2,000
416 FG263/1ROBERT WATSON(SCOTTISH fl. 1890s)HIGHLAND CATTLE IN A MISTYLANDSCAPESigned and dated 1904, oil oncanvas39cm x 60.5cm (15.25in x 23.75in)£800-1,200
417§ FF435/1MARY HOLDEN BIRD(SCOTTISH d. 1978)WEST COAST LANDSCAPESigned, watercolour34cm x 50cm (13.5in x 19.75in)£200-300
406§ FG32/1ERNEST BURNETT HOOD(SCOTTISH 1932-1988)ARRANGING THE FLOWERSSigned, oil on canvas38cm x 48cm (15in x 19in)£500-700
407 FG265/7ERNEST PARTON R.O.I.(AMERICAN 1845-1933)AUTUMN BURNHAM BEACHESSigned and monogrammed, oilon canvasboard24cm x 34cm (9.5in x 13.25in)£600-800
408§ FG265/6LAURA LOUDON(SCOTTISH 1871-1945)PORTRAIT OF A BLONDELITTLE GIRLSigned, oil on canvas57cm x 54cm (22.5in x 21.25in )£300-500
409 FG36/1ROBERT ALEXANDER R.S.A.,R.S.W. (SCOTTISH 1840-1923)OUTDOOR STUDY WITH HORSESigned with monogram, oil onboard26cm x 31.5cm (10.25in x 12.5in)Exhibited:‘Robert Alexander MemorialExhibition’, The Scottish Gallery,May 1924
£400-600
410 FG32/2GEORGE F. BUCHANAN(SCOTTISH fl. 1840s-50s)DUMBARTON ROCKSigned, oil on canvas53cm x 89cm (21in x 35in)£600-800
411 FG265/11JOSEPH FARQUHARSON R.A.(SCOTTISH 1846-1935)JACOBS SHEEP GRAZING,EGYPTc. 1885, oil on canvas38cm x 55cm (15in x 21.5in)Provenance:Originally from the artist’s estateExhibited:Bourne Fine Art
£2,000-3,000
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416421
407
418§ FF411/1ERNEST BURNETT HOOD(SCOTTISH 1932-1988)ERSKINE BRIDGESigned, watercolour andbodycolour27cm x 39cm (10.5in x 15.25in)£400-600
419 FF160/5ROBERT MCGOWAN COVENTRYA.R.S.A., R.S.W.(SCOTTISH 1855-1914)AT THE QUAYSIDESigned, watercolour20cm x 24.5cm (8in x 9.5in)£300-500
420 FF148/3FOLLOWER OF JOSEPHCRAWHALLIN FULL CRYWatercolour31cm x 40cm (12.25in x 15.75in)£400-600
421 FF129/1JAMES DOCHERTY A.R.S.A.(SCOTTISH 1829-1878)PATH THROUGH THE BEECHWOODSigned, oil on board28cm x 44cm (11in x 17.25in)£500-700
422 FF128/2ROBERT CREE CRAWFORDR.S.W. (SCOTTISH 1842-1924)DISTANT MOUNTAINSOil on board35cm x 45cm (13.75in x 17.75in)Provenance:St Andrew’s Fine Art, 15th AnnualExhibition, April 1992
£400-600
430§ FG45/1SHERREE VALENTINE DAINES(BRITISH b. 1956)STROLLING ALONG THE PIERSigned and numbered 177/195,print with enhancements by theartist65cm x 47cm (25.5in x 18.5in)£200-300
431§ FG147/1ALAN M. HUNT(BRITISH b. 1947)GOLDEN EAGLE IN AHIGHLAND LANDSCAPESigned and dated 1974, acrylicon paper68cm x 52cm (26.75in x 20.5in)£800-1,200
432§ FG147/2ALAN M. HUNT(BRITISH b. 1947)HOOPOE AGAINST ASTONEWALLSigned, acrylic on paper41.5cm x 33cm (16.25in x 13in)£600-800
427 FB61/51JOSEPH IGNACE VAN HOEY(BELGIAN 1810-1892)THE WATER-MILLSigned and dated 1829, oil onpanel27cm x 21cm (10.5in x 8.25in)£400-600
428 FB61/53ATTRIBUTED TO ALEXANDERFRASER SNR A.R.S.A.(SCOTTISH 1786-1865)THREE GENERATIONSOil on canvas37cm x 30xm (14.5in x 11.75in)£250-350
429§ FF104/2CHARLES OPPENHEIMERR.S.A., R.S.W.(BRITISH 1875-1961)THE EIGERSigned, signed and inscribedwith title label verso,watercolour29cm x 22cm (11.5in x 8.75in)and another by the same hand(2)£400-600
423 FF111/4ROBERT NOBLE R.S.A.(SCOTTISH 1857-1917)NEAR THE MILL AT EASTLINTONSigned, inscribed with titleverso, oil on board27cm x 19cm (10.5in x 7.5in)£500-700
424 FF109/1ROBERT GEMMELLHUTCHISON R.S.A. R.S.W.(SCOTTISH 1855-1936)THE PET KITTENSigned, pastel52cm x 68cm (20.5in x 26.75in)£1,000-1,500
425§ FF40/5WILLIAM MILLER FRAZERP.S.S.A., R.S.A.(SCOTTISH 1864-1961)DUCK POND, EAST LOTHIANOil on canvas44cm x 59cm (17.25in x 23.25in)£700-900
426§ FE500/143EDWARD PIPER(BRITISH 1938-1990)SEATED WOMAN WITH TEACUPSigned and dated 8.VII.81, penand ink on orange paper31cm x 23cm (12.25in x 9in)£200-300
426A FE479/2MANNER OF PATRICKNASMYTH(SCOTTISH 1787-1831)COTTAGE BY THE LAKEOil on canvas39cm x 58.5cm (15.25in x 23in)£500-700
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443§ FG59/1FRANK MCKELVEY JNR.(IRISH 1895-1974)A COUNTRY LANESigned, watercolour37cm x 52cm (14.5in x 20.5in)£300-500
444 FE148/7AJAMES MCNEILL WHISTLER(AMERICAN 1834-1903)NURSEMAIDS: LES BONNESDU LUXEMBOURGMonogramed in plate,lithograph24cm x 18cm (9.5in x 7in)£250-350
445 FD781/1JOHN TERRIS R.S.W.(SCOTTISH 1965-1914)VIEW OF HADDINGTONSigned, watercolour29cm x 42cm (11.5in x 16.5in)£400-600
446 FE50/190KATE WYLIE(SCOTTISH 1877-1941)PINK AND WHITE ROSESSigned, oil on canvas34.5cm x 45cm (13.5in x 17.75in)£600-800
447 FD777/1KATE WYLIE(SCOTTISH 1877-1941)ANEMONESSigned, oil on canvasboard24.5cm x 19.5cm (9.75in x 7.75in)£400-600
448 FD753/3ROBERT MCGOWN COVENTRYA.R.S.A., R.S.W.(SCOTTISH 1855-1941)UNLOADING THE CATCHSigned, watercolour17cm x 25cm (6.75in x 9.75in)£200-300
449-452No lots
433§ FG137/1ROBERT SIMPSON(SCOTTISH CONTEMPORARY)FLEETING LIGHT, TORRIDONHILLSSigned, signed and inscribedwith title verso, acrylic on board30cm x 60cm (11.75in x 23.5in)£300-500
434 FG116/120TH CENTURY BRITISHSCHOOLSTILL LIFE - AN ASSEMBLAGEInscribed ‘JW9 Hune(?)’, oil oncanvas58.5cm x 74.5cm (23in x 29.25in)£300-500
435§ FG113/1JACK HOGGAN(SCOTTISH b. 1951)GIRL WITH RABBITSSigned, oil on canvas59cm x 43.5cm (23.5in x 17.25in)Note:Jack Hoggan is the name JackVettriano went by at the beginning ofhis career.
£800-1,200
436§ FG113/2JACK HOGGAN(SCOTTISH b. 1951)THE LADY BATHERSigned, acrylic on canvasboard39cm x 29cm (15.5in x 11.5in)Note:Jack Hoggan is the name JackVettriano went by at the beginning ofhis career.
£1,000-1,500
437§ FF90/7MARY ARMOUR R.S.A., R.S.W.(SCOTTISH 1902-2000)SUMMER FLOWERS WITHFUSHIASigned and dated 1979, pastel31cm x 48cm (12.25in x 19in)£500-700
438§ FF90/8MARY ARMOUR R.S.A., R.S.W.(SCOTTISH 1902-2000)SUMMER IN THE FIRTHSigned and indistinctly dated,oil on board26.5cm x 39cm (10.5in x 15.25in)Note:copy of original artist’s label versowhich reads ‘Mr first seascapesubject, painted at Sannox, Arranfrom the famous ‘Rocking Stone’.The distant hills are on the mainlandwith the tail end of Bute.’
£800-1,200
439 FD749/2ROBERT MCGOWN COVENTRYA.R.S.A., R.S.W.(SCOTTISH 1855-1914)DIEPPE HARBOURSigned and inscribed with title,watercolour17cm x 24cm (6.75in x 9.5in)£200-300
440 FD749/1ROBERT MCGOWN COVENTRYA.R.S.A., R.S.W.(SCOTTISH 1855-1914)BOATS IN THE HARBOURSigned, watercolour24cm x 35cm (9.5in x 13.75in)£300-500
441 FD728/1JAMES STUART PARK(SCOTTISH 1862-1933)PALE PINK ROSESSigned, oil on canvas29cm x 44.5cm (11.5in x 17.5in)£700-900
442 LT2012/8MANNER OF DOMINGOSANTONIO DE SEQUERIA(PORTUGESE 1763-1837)PORTRAIT OF CAPTIANWILLIAM FORDYCE BLAIRSigned and dated 1832, penciland wash56cm x 46cm (22in x 18in)£400-600
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All thatglittersis green
with emerald being announced as colour ofthe year for 2013, we’ve picked some of ourgreen themed pieces from our July sale toinspire you all!
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459 FG14/20DCASED TAXIDERMY LEUCISTICCHINESE RINGED PHEASANT(PHASIANUS COLCHICUS)raised on a thick woodenbranch above the naturalisticstyle groundcase 61cm high, 80cm wide,32cm deep£300-400
460 FG14/22CHINESE OCCASIONAL TABLEprofusely carved withsunflowers, the rectangular topraised on cabriole legs, unitedby an under tier87cm wide, 71cm high, 59cm deep£150-250
461 FG14/51FRENCH PROVINCIAL WALNUTARMOIREthe moulded cornice above acarved frieze and doors, over ashaped apron, raised on blockfeet147cm wide, 202cm high, 59cm deep£400-600
462 FG14/73CONTEMPORARY GREENPAINTED TABLEthe oval top raised on squaretapering legs, united by crossstretchers, including a conicalcandle holder162cm wide, 77cm high, 114cm deep£200-300
463 FG14/83PAIR OF TRIBAL HARDWOODDRUMSEARLY 20TH CENTURYin the form of stylised animals,raised on stands57cm wide, 78cm high, 120cm deep£300-400
453 FG14/717TH CENTURY DUTCHSCHOOLTHREE QUARTER LENGTHPORTRAIT OF A YOUNG MANInscribed and dated ‘Aetatis .23,1668’, oil on panel38cm x 30cm (15in x 11.75in)£300-500
454 FG14/817TH CENTURY ITALIANSCHOOLST GEORGE AND THE DRAGONOil on canvas61cm x 46cm (24in x 18in)£300-500
455 FG14/18G** H** DIECKMANN(20TH CENTURY)THE DUCK SHOOTSigned and dated ‘87, oil onboard43cm x 54cm (17in x 21.25in)£300-500
456 FG14/20AFULL MOUNT TAXIDERMYBADGER(MELES MELES)in standing position, raised on awooden platform base, 84cmlong; together with aTAXIDERMY WALL MOUNTEDJAY, 32cm high (2)£150-250
457 FG14/20BTAXIDERMY WILD BOAR HEAD(SUS SCROFA)on a wooden shield shapedmountshield 52cm high£250-350
458 FG14/20CCASED TAXIDERMY JAY(GARRULUS GLANDARIUS)in flight, on a naturalistic stylegroundcase 49cm high, 44.5cm wide,37.5cm deep£250-350
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Private Collection from Lorbottle Hall,Whittingham, Northumberland
464 FG14/23NUREMBERG STYLE BRASSCHARGERof circular shallow form, withtypical impressed decorationsurrounded by an inscription,41cm diam.; together with aBRASS CANDLE SCONCE, theimpressed wall panel decoratedwith scrolling leaves andflowers, above the threeoutscrolling candle sconces,49cm high approx. (2)£200-300
465§ FG14/29DAVID REMFRY M.B.E., R.A(BRITISH b. 1942)STILL LIFE OF DEAD GAMESigned, watercolour71cm x 51cm (28in x 20in)£300-500
466§ FG14/37DAVID REMFRY M.B.E., R.A.(BRITISH b. 1942)GIRL IN REDSigned and dated 1991,watercolour122cm x 88cm (48in x 34.5in)£400-600
473 FG14/97OAK ARMCHAIR17TH CENTURY STYLEthe panel back above scrollarms and a solid seat, raised onblock and turned legs, united bystretchers60cm wide, 109cm high, 40cm deep£200-300
474 FG14/99COLLECTION OF HANDPAINTED MAGIC LANTERNSLIDES19TH CENTURYcomprising of: five slides withmultiple pictures, each stamped‘Carpenter & Westley, 24Regent St, London’; variousrackwork slides with handles;slipper slides; lever slides; andother decorative examplesdepicting children, animals andlandscape scenes (27)£200-300
470 FG14/30LARGE VICTORIAN PAPIERMACHE TRAYof oval form, decorated with giltbirds amongst branches on ablack ground77cm wide£200-300
471 FG14/33PAIR OF INLAID ROSEWOODWALL BRACKETSeach with a shaped inlaid backplate, above a plain platform (2)31.5cm high£150-250
472 FG14/96MAHOGANY HALL STAND19TH CENTURYthe ring turned support withscrolling arms, raised on downswept legs48cm wide, 196cm high£200-300
467§ FG14/87DAVID REMFRY M.B.E., R.A.(BRITISH b. 1942)PORTRAIT OF JEAN MUIRSigned and dated 1980, pencil51cm x 53cm (20in x 21in)£400-600
468§ FG14/38BETTINA SHAW LAWRENCE(BRITISH b. 1921)PORTRAIT OF JEAN MUIRSigned and inscribed verso, oilon canvasboard51cm x 41cm (20in x 16in)£300-500
469 FG14/79NEO-GOTHIC PARQUETRY PINETRESTLE TABLELATE 19TH CENTURYthe moulded rectangular topraised on an X frame baseunited by a stretcher121cm wide, 81cm high, 63cm deep£300-400
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472 466467
481 FG14/111SMALL OAK FRAMED CHAISELONGUE19TH CENTURYthe scrolling back anddownswept arms above abuttoned back and seat, raisedon turned fluted legs110cm wide, 80cm high, 60cm deep£200-300
482 FG14/82PAINTED PLASTERMANNEQUINmodelled as a female in highhells, decorated with brightlypainted scenes of figures inlandscape settings, below withthe words ‘The Dave Roe Show’,raised on a shaped oval base(A/F)159cm high overall£200-300
483 FG14/6220TH CENTURY FRENCHSCHOOLBOUND FIGUREIndistinctly signed and dated1972, verso, mixed media104cm x 74cm (41in x 29in)£300-500
484 FG14/103G** M** SCHANTZSTUDY OF A ROOSTERSigned, oil on canvas84icm x 63.5cm (33in x 25in)£300-400
485§ FG14/54LARGE LIDDED STONEWAREJAR AND CHARGERLATE 20TH CENTURYeach painted with cross hatchedpanels and flowering tendrilson a buff ground, impressedseal marks, jar, 75cm high,charger, 52cm diam., togetherwith a (§)DAVID LEACH (1911-2005), STONEWARE JAR ANDCOVER, 1960s with inciseddecoration and treacle glaze,impressed seal mark, 14cmhigh; an ALAN CAIGER-SMITH(b. 1930) CIRCULAR BOWL, withcalligraphic designs, paintedmakes, 18cm diameter; andFIVE FURTHER STUDIOWARES, including twocolanders; two shallow bowlsand a dished tray (9)£200-300
475§ FG14/113BERYL COOK(BRITISH 1926-2008)BRYANT PARKArtist’s proof, signed, inscribedand numbered 7/6047cm x 59cm (18.5in x 23.25in)and another by the same hand(2)£300-500
476§ FG14/39GWEN HARDIE(SCOTTISH b. 1962)HEAD 1Watercolour29cm x 20cm (11.5in x 8in)£200-300
477§ FG14/40BRYAN ORGAN(BRITISH b. 1935)PORTRAIT STUDY OF GEORGIABROWNSigned and dated ‘May 1969’,mixed media68cm x 55cm (27in x 21.5in)£400-600
478 FG14/45ITALIAN STAINED WOOD TWODOOR CABINET BY GERVASONI20TH CENTURYthe rectangular top above paneldoors enclosing shelves, raisedon stile feet108cm wide, 140cm high, 55cm deep£200-300
479 FG14/109OAK GOTHIC TABLE19TH CENTURYthe galleried rectangular topabove two frieze drawers,raised on ring turned supportsand stile feet, united by astretcher122cm wide, 86cm high, 66cm deep£250-350
480 FG14/110MAHOGANY SHIP’S WASHSTANDthe hinged top opening to reveala faux marble ceramic basin,above a cupboard doorenclosing a waste bowl54cm wide, 80cm high, 50cm deep£200-300
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486 FG14/105CARVED MAHOGANY FRAMEDWALL MIRRORCIRCA 1860the decorative frame carved inhigh relief with a fishing net anda game bag flanking thecircular mirror plate, belowscrolling acanthus leaves and aboar’s head pediment73cm high£300-500
487 FG14/119VAN DYCK (AFTER)Unframed, oil on canvas91cm x 120cm (36in x 47.25in)£400-600
488 FG14/57INDIAN SCHOOL PAINTING ONSILK19TH CENTURYdepicting a figural court scene,144 x 90cm; together with anINDIAN SILKWORK AND METALTHREAD PANEL, worked inrelief with a peacock andserpent, 103 x 49cm (2)£150-250
489 FG14/120CONTEMPORARY WALLHANGINGthe cotton and velvet grounddepicting crucifixes aboveabstract figural embroideredmotifs, 225.5 x 144cm; togetherwith COLLECTION OF FRAMEDEMBROIDERY PANELS, BYROSIE FALK, in the chinoiserietaste painted with hummingbirds and rockwork, largest179 x 24cm (6)£200-300
496 FG14/11720TH CENTURY BRITISHSCHOOLBULLSEYEPrint121cm (47.5in) diameter£400-600
497 FG14/114JEAN MUIR POSTERadvertising ‘Jean Muir’ atBirmingham Museum and ArtGallery, September 11-November 9 1980, depictingJean Muir in profile,74.5 x 49cm; together with acopy of WOMEN & MEN’SDAUGHTERS: PORTRAITSTUDIES BY ZSUZSI ROBOZ,London, 1970, including anentry about/by Jean Muir; and aFRAMED PORTRAIT OF JEANMUIR (3)£200-300
498 FG14/107VENETIAN MIRROR19TH CENTURYthe rectangular bevelled mirrorplate within mirrored frame,surmounted by a foliatepediment67cm wide, 105cm high£300-500
494 FG14/104TWO DOULTON LAMBETHMANGANOUS CARBONFILTERSeach of cylindrical form with adomed lid, with inscription‘Doulton’s New PatentManganous Carbon Filter,Lambeth London’, marked ‘1’and ‘3’, the largest with a tap,50 and 40cm high; togetherwith TWO LARGEEARTHENWARE BOWLS, eachwith a glazed well, 49.5 and42cm diam.; and a LARGEGLASS DISH, of circular formwith a folded rim, 45cm diam.(5)£200-300
495 FG14/116ENAMEL THERMOMETER,BY GILLETTEEARLY 20TH CENTURYwith a thermometer gage and abarometer dial on a two-toneblue enamelled ground, withmaker’s inscription ‘Gillette,Made in England’63cm high£80-120
490§ FG14/121JIM PARTRIDGE (b. 1953)LARGE ELM BOWLof oval stepped form, stamped‘J. B. Partridge’ to theunderside66cm wideLiterature:Britton, Alison and Swift, Katherine‘Jim Partridge’, London, 2003, p. 16,figure 7, for similar examples
£300-400
491 FG14/76LEATHER OFFICE CHAIRLATE 19TH CENTURYthe shaped top rail anddownswept arms above acushioned back and serpentineseat, raised on a downsweptquadriform base, united bycross stretchers56cm wide, 86cm high, 46cm deep£200-300
492 FG14/122WILLIAM IV STYLE ELABORATECAST IRON STOVEthe moulded top abovecorinthian columns, over themoulded fire box, raised on lionpaw feet90cm wide, 125cm high, 55cm deep£300-500
493§ FG14/202CONTEMPORARY STUDIOPOTTERYDRAGON VESSEL AND STANDthe crescent form dragon withincised and applied decorationand an all over blue glaze,raised on a black painted plinth(A/F)74cm high overall approx.£200-300
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503 FE475/67CHINESE BLUE AND WHITEBOWLKANGXI, POSSIBLY OF THEPERIODof shallow circular form,decorated with scholars in alandscape setting, 23.5cmdiam; together with a CHINESEYELLOW GLAZED BOWL, offluted form incised withdragons and birds, marks tounderside, 14cm diam; a PAIROF CHINESE ANHUADECORATED BOWLS, alsofluted with similar decoration tothe celadon wells, 19cm diam.;and a similar CHINESECELADON GLAZED BOWL,depicting figures, 18.5cm diam.(5)£200-300
504 FE475/73PAIR OF ANHUA DECORATEDSTEM CUPSeach with a flared bowldecorated with dragons amongsymbols, raised on a fluted foot,with blue mark to underside,10cm high; together with anANHUA DECORATED VASE, thewhite glazed baluster bodydecorated with dragons in lowrelief, 19cm high (3)£150-250
505 FF88/2CHINESE PORCELAIN SANG DEBOUF VASEof ovoid form with a slenderneck and all-over red glaze,converted to a lamp and fixed toa hardwood baseoverall 41cm high (including fittings)£200-300
506 FG106/3CHINESE FAMILLE ROSEBALUSTER VASEMODERNfinely decorated with apheasant and peony blossoms,the neck with blue filigree, redeleven character seal mark20cm high£150-250
499 FE487/1CHINESE PORCELAIN JAR ANDCOVERof baluster form with a domedlid, decorated with celebratoryfigures holding a Chinesedragon23.5cm high£150-250
500 FB72/6PAIR OF CANTONESEPORCELAIN VASES20TH CENTURYeach of slender baluster formwith twin handles, decoratedwith figures in panels amongstfloral borders, with mark tounderside (2)42cm high£200-300
501 FE222/17TWO CHINESE BLUE ANDWHITE TEAPOTSeach of low squat form, onelobed and decorated withfoliage, the other showingfigural scenes, with maker’smarks to underside, 13cm and12cm wide; together with aMETAL SINO TIBETANBUDDHA, of bust form, with gilthighlights, 9.5cm high; and afurther CHINESE POTTERYFIGURE, 6cm high (4)£200-300
502 FE354/6CHINESE FAMILLE NOIR BOXAND COVERin the form of a large coco demer, decorated all over withpomegranates amongst borderson a black ground, with marksto underside35.5cm wide£200-300
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507 FE473/1CHINESE EXPORT FAMILLEROSE CACHE POT19TH CENTURYpainted in the typical palettewith panels of flowers against acafe au lait ground (coverlacking)16.5cm high£200-300
508 FE598/2TWO CHINESE BLUE ANDWHITE VASESeach of shaped baluster formwith a flared neck, the first,depicting a bird amongstpeonies and further foliage,with blue marks and a paperlabel to the underside, 39.5cmhigh; the second, depictingfoliage, with blue marks and apaper label the underside,37cm high (2)£200-300
515 FF161/93CHINESE CARVED IVORYFIGURE OF LAO SHOUXING19TH CENTURYtypically modelled holding apeach in one hand and a staff inthe other, raised on a woodenbase23.5cm high overall£120-180
516 FF161/94TWO CHINESE CARVED IVORYFIGURESeach modelled as a laughingBuddha, and raised on ahardwood stand one shown withprayer beads, 9cm and 6cmhigh overall (2)£120-180
517 FF161/95COLLECTION OF BURMESEAND CHINESE CARVED IVORYFIGUREScomprising: a robed figure,raised on a wooden stand; aBuddha; a figure of LaoShouxing; a further figure of animmortal; and a carved knightchess piece (5)tallest 11cm high overall£100-200
512 FG106/4THREE CHINESE JADE ANDHARDSTONE BI RINGSof typical form, two carved inrelief with creeping chilong, theother with archaic symbols,largest 9.2cm diam; togetherwith a JADE DOUBLEPENDANT, carved with birds,5.5cm wide; and an ARCHAICSTYLE JADE PIECE, modelledas a bat, 13.5cm wide (5)£200-300
513 FG186/3CHINESE LACQUER BOX ANDCOVERof circular form, in the cinnabarstyle, carved with scrollingpatterns to the body and cover,opening to reveal a void interior18.5cm diam.£100-200
514 FF161/92TWO CHINESE CARVED IVORYFIGURESeach modelled as a fishermanwith a staff or fishing rod, andraised on a wooden base, 26cmhigh and 17.5cm high overall (2)£150-250
509 FG43/3PAIR OF CHINESE BLUE ANDWHITE PORCELAIN TEACADDIESKANGXI MARKS BUT LATEReach of lobed form with acylindrical cover, decorated withfigures and buidlings amongst alandscape, with four charactermark to underside (2)overall 20cm high£150-250
510 FE184/80CHINESE CARVED BANDEDAGATE GROUPQING DYNASTY, 19THCENTURYformed as two baskets withbudding stems, with an oldattached wax seal and label5cm longProvenance:Property from an Edinburgh estate
£200-300
511 FE184/96CHINESE CARVED SMOKYQUARTZ FIGURE OF GUANYINmodelled with a child amongstscrolling drapes and foliage, ona hardwood stand22.5cm highProvenance:Property from an Edinburgh estate
£200-300
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507 504
518 FF161/97BURMESE CARVED IVORYPUZZLE BALLof typical form, raised a standcarved with elephants above adecorative foot, 16.5cm high;together with a smallerCARVED IVORY PUZZLE BALL,also raised on a carved stand,15cm high (2)£120-180
519 FF145/4CARVED IVORY PUZZLE BALLAND STANDthe ball of typical form, raisedon a stand carved withelephants above a decorativefoot20cm high£200-300
520 FF409/25COLLECTION OF CARVEDIVORIEScomprising of: a carvedelephant tusk, modelled with aconvoy of elephants in highrelief, raised on a hardwoodstand, tusk 37cm long; a carvedlength of ivory, also depictingan elephant, 14cm high; aChinese carved vesta box (coverlacking), 11.5cm high; andvarious other carved stands,counters and further items (qty)£150-250
521 FD434/15PAIR OF JAPANESECLOISONNE VASESeach of blauster form, depictingbirds amongst blossoming treeson a blue ground, converted tolamps (A/F) (2)25.5cm high (excluding fittings)£150-200
522 FG182/2JAPANESE BRONZED SPELTERFIGUREmodelled as a barefootedfisherman with a net, raised ona carved hardwood base28cm high overall£150-250
523 FG182/1COLLECTION OF CARVEDWOODEN THAI SHRINEFIGURESvariously modelled as a seatedBuddha and Buddhist monksdressed in robes, with red andgilt decoration (4)largest 36.5cm high£400-600
524 FE291/4JAPANESE BLUE AND WHITEPORCELAIN BOWLof circular form with achamfered rim decorated withstylised foliage, marked to theunderside, 19cm diam.;together with a COLLECTIONOF CHINESE WATERCOLOURSON RICE PAPER, comprising of16 unframed examples, eightdepicting birds and eightdepicting figures, boxed,9 x 6cm approx. (qty)£200-300
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525 FG158/2COLLECTION OF JAPANESEWOODBLOCK PRINTS19TH CENTURY AND LATERof various sizes, depictingpolychrome portraits, landscapescenes, foliage and animals,including a small book ofwoodblock designs (qty)£300-500
526 FE119/12TWO INDIAN MINIATUREMANUSCRIPT PAGES19TH CENTURYthe first depicting a noblemanat court with white borders withscript, the reverse with fullscript, framed, 17cm x 8cm; thesecond depicting a couple in abed with attendants, with giltborders with script, the reversewith two columns of script,framed, 17cm x 10cm (2)£150-250
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527 FE191/2ASTAFFORDSHIRE POTTERYBUST OF SHAKESPEARE19TH CENTURYwith polychrome decoration andindented name to reverse,raised on a canted square base,22.5cm high; together with aSTAFFORDSHIRE POTTERYBUST OF JOHN LOCKE, 19thcentury, also with polychromedecoration and raised on a fauxmarble socle base, 18.5cm high(2)£200-300
528 FF73/1EUROPEAN CERAMIC GARDENSEATthe pierced baluster shapedbody surmounted by a circularseat, with an allover greenglaze49.5cm high£250-350
534 FE396/76GILT BRONZE MANTEL CLOCK,BY LEMERLE-CHARPENTIER& CIE.LATE 19TH CENTURYthe clock with a white enameldial inscribed ‘Lemerle -Charpentier & Cie., Bronziers,Paris, 8 Rue Charlot’, in anornate glazed gilt bronze case,the eight day movementstamped and striking on a bell,38.5cm high; together with aPAIR OF GILT METAL ANDPORCELAIN CANDLEABRA, theovoid enamelled bodies belowfour sconces, 40.5 cm high (3)Note:Lemerle-Charpentier has its originsin the 16th century, and was knownfor its impressive gilt bronze clocksand garnitures. The originalcompany changed name in 1860before becoming Lemerle-Charpentier in 1870.
£400-600
535 FE396/80AHARDY PERFECT 4in. SALMONFLY REELCIRCA 1960with a nickel silver line guardand spare spoon, in original box£150-250
531 FE359/93SILVERED METAL HALL LAMPEARLY 20TH CENTURYwith a cylindrical glazed paneldecorated with metal flowerswags, surmounted by four castfinials48cm high£150-250
532 FE396/68BRONZE FIGURE OF ADEERHOUND, SIGNED ‘DEVA’modelled as a reclining dog, ona naturalistic ground, withsigniature to base ‘A’ or ‘M’‘Deva’14.5cm wide£120-180
533 FE396/74TWO PATINATED BRONZEPLAQUESeach modelled in relief withneo-classical females holdingurns, with gilt highlights, onewith a serial number to reverse(2)26 x 7.5cm£150-250
529 FD39/3WILLIAM ARTHUR SMITHBENSON (1854-1924)DISHED COPPER TRAY,CIRCA 1900of circular form, embossed withdivided panels, the lobed edgeenclosing repoussé decoratedband of flowering rosebranches, stamped maker’smark48cm acrossLiterature:Hammerton, Ian (edit.) ‘W.A.S.Benson’, Woodbridge 2005, page254, plate 28, for similar examples
£150-250
530 FD754/1BOXED SET OF RICHTER’S‘ANCHOR BLOCKS’the decorative lid opening toreveal four trays fitted withcoloured builiding blocks, withvarious instruction manualsand ‘Designs for ArchitecturalModels’box 32.5cm wide£150-250
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542 FE222/8WEDGWOOD BASALT THREEPIECE TEA SERVICEeach of cylindrical form andtypically decorated with cameofigures, with maker’s marks,comprising: a teapot and cover,11.5cm high; a sugar bowl andcover, 9cm high; and a milk jug,8cm high; together with THREEPIECES OF JASPERWARE, allwith maker’s marks,comprising: a small urn; a teabowl and saucer (6)£100-200
543 FE291/17FRENCH BRONZE FIGURE OF ASLEEPING CHILD19TH CENTURYmodelled reclining on a cushionand wrapped in a draped coverand wearing a wreath of rosesaround his head, on arectangular marble basefigure 9cm high, 16cm long£150-250
544 FE296/12ABOW FRONT CASED PLASTERCAST EELmounted on a naturalisticground and backdrop, bearing ahandwritten label reading‘Caught by S. Robertson, RiverOuse, 18th August 1936, 3lb9ozs’, in a glazed bow frontedebonised caseoverall 98cm wide£300-500
545 FE331/5MODERN WOOL ANDTAPESTRY DRAPES ANDPELMETLATE 20TH CENTURYin pale terracotta wool withwide tapestry borders ofacanthus wrapped columns, thepelmet with matching cordingand tassel edging, fully lined,made by Drysdales, EdinburghPelmet 370cm wide; each panel279cm drop£200-300
536 FE396/80BTHREE HARDY MARQUIS 8/9MULTIPLIER REELSeach with spare spools and inHardy zip pouches (6)£150-200
537 FE396/80CHARDY GOLDEN PRINCE 41⁄4in.SALMON FLY REEL11/12, with spare spool andHardy zip case£80-120
538 FE396/80DHARDY GOLDEN PRINCE 41⁄4in.SALMON FLY REEL11/12, with spare spool andHardy zip case£80-120
539 FE396/80EHARDY GOLDEN PRINCE 41⁄4in.SALMON FLY REEL11/12, with spare spool andHardy zip case£80-120
540 FE396/80FCARTER & CO SOUTH BOLTON41⁄2in. SALMON FLY REELin a Hardy leather round blockcase; together with a J.W.YOUNG REDDITCH 4in.SALMON FLY REEL (2)£120-180
541 FE222/3COLLECTION OFCONTINENTAL BLANC DECHINE FIGURESvariously marked, comprising:four allegorical figures ofcherubs; and a Rosenthal figureof a rabbit, tallest 15.5cm high;together with a COLLECTIONOF CONTINENTAL PORCELAINFIGURES, also variouslymarked, comprising of: a pair ofsellers; a female figure incised‘Galle’; a figure group depictingputti; and a female musician,tallest 18cm high (10)£200-300
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546 FF108/1PAIR OF ARTS & CRAFTSWOODEN WINE COOLERSeach in the form of a miniaturepeat bucket, bound with brassbands and raised on three pawfeet, with a tin liner (2)17.5cm high£250-350
547 FF161/86CHINESE BLACK AND GILTLACQUERED GAMES BOX19TH CENTURYwith serpentine sides decoratedwith figures in panels andraised on dragon carved feet,the interior fitted with boxesand trays (A/F)32cm wide£200-300
548 FF161/87VICTORIAN TORTOISESHELLAND PAINTED TEA CADDYof bombe form, painted withfigural scenes to the body andhinged lid, opening to revealtwo covered compartments17.5cm wide£300-400
555 FC190/21CARVED AND GESSOPOLYCHROME FIGURE OF‘AUTUMN’19TH CENTURYmodelled as a standing drapedmaiden with grapes in her hairand holding aloft a pinecone, ona square plinth base139cm high£300-500
556 FF157/14PAIR OF FRAMED ANDBEADED FACE SCREENSeach of circular form, decoratedwith beaded floral motifs on acrimson plush ground, withfringing and gilded handles (2)fans 42cm high£200-300
557 FF157/5GEORGIAN MAHOGANY KNIFEBOXof typical serpentine form withboxwood banding, the hinged lidopening to reveal a fittedinterior37cm high£150-250
558 FF86/1PEWTER TAPPIT HENpossibly Irish, of typical form,with incised bands, with touchmarks to the undersidedepicting a harp and the initials‘J.M’, 28.5cm high; togetherwith a PEWTER CHARGER, oftypical shallow form, with anindistinctive touch markdepicting a roundel and theinitials ‘B.M.’, 38.5cm diam (2)£300-500
551 FE386/5BRASS SURVEYING TRANSIT,BY H. MORIN, PARISof typical form, with themaker’s inscription ‘H. Morin, 3rue Boursault, Ateliers H. Morin& Gensse, a Paris’, lackingcompass, 38.5cm high; togetherwith THEDOLITE, BY E. R.WATTS, LONDON, of typicalform, with maker’s inscription‘E.R.Watts & Son Ltd., London,No. 46619’, 36cm high; aQUANTITY OF SURVEYINGEQUIPMENT ANDINSTRUMENTS (qty)£250-350
552 FD339/3MIRROR BACKED TOLEWAREWALL LIGHTthe inverted bell shaped glassshade supported by a greenpainted toleware back with ashaped mirror insert, with giltmetal mounts48cm high£200-300
553 FE363/5ROYAL WORCESTER FOOTEDBOWLDATE CODE FOR 1899the ovoid body depicting panelwith exotic birds on a blue andgilt ground, above the knoppedstem and circular foot, alldecorated with green and gilthighlights, maker’s marks18cm high£300-500
554 FE386/1ENGLISH POLYCHROME DELFTDISH18TH CENTURYof circular form, decorated inthe Chinese style, depicting afigure in a landscape amongstfloral borders (A/F)35cm diam.£200-300
549 FF408/1VIENNA MAHOGANY WALLCLOCKwith a beaded pediment overthe enamelled dial with Romannumerals, flanked by reededcolumns surrounding a carvedand glazed panel, with an eightday movement96cm high approx.£200-400
550 FF69/14PAIR OF GILT METALPINEAPPLE WALL SCONCESeach half pineapplesurmounted by a fan of metalleaves and supporting twooutscrolling sconces amongstfurther simulated leaves, wiredfor electricity (2)50cm high approx.£300-400
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564 FF96/1PAIR OF VENETIAN MIRRORS20TH CENTURYthe oval bevelled mirror platewithin an engraved mirroredframe (2)64cm wide, 80cm high£400-600
563 FB72/39EMPIRE STYLE GILT METAL SIXLIGHT CHANDELIERMODERNthe corona with gilt metalanthemion over a central cutglass orb hung from chains andissuing six scrolling candlearms with spherical cut glassshades63cm diam, 83cm high£700-900
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565 FG183/12ITALIAN SPECIMEN MARBLETOPPED TABLE19TH CENTURYthe circular top above turnedsupports, raised on reededdown swept legs and ceramiccasters57cm wide, 70cm high£1,800-2,200
566 FF156/6PAIR OF FRENCH STYLEMAHOGANY DEMI LUNE SIDECABINETSthe shaped top above a centraldrawer, flanked by dummy
drawers, above a paneldoor, raised on reededlegs92cm wide, 93cm high,46cm deep£500-700
567 FE569/5GEORGE III OAK
HOUSEKEEPER’SCUPBOARD18TH CENTURYthe Greek key cornice above apair of panelled doors enclosingadjustable shelves; the lowersection with three short andthree long graduated drawers,raised on bracket feet120cm wide, 234cm high, 58cm deep£400-600
568 FF68/9PAIR OF REGENCY STYLELAUREL CONVEX MIRRORSeach with a circular mirrorplate within a painted foliatemoulded frame (2)78cm wide£400-600
569No lot
559 FG133/3FRAMED SHIP DIORAMA19TH CENTURYdepicting a half model of amasted steam ship, in a paintedseascape49.5 x 80cm£300-500
560 FG133/4FRAMED SHIP DIORAMA19TH CENTURYdepicting a half model of amasted ship alongside twosmaller boats, in a paintedseascape53 x 94cm£300-500
561 FB72/30REGENCY STYLE SIXLIGHT CUT GLASSCHANDELIERMODERNthe tulip shaped two tiercorona over a balusterstem issuing six scrollingcandle arms with drip pans andhung with prisms swags andpendant drops, ending on afacetted ball drop finial73cm high, 64cm diam£600-800
562 FB72/38REGENCY STYLE SIX BRANCHCUT GLASS CHANDELIERMODERNthe two tier corona over abaluster column and hung withprism strands and drops,issuing six scrolled candle armswith drip pans and hung withfurther glass prisms and dropswith a facetted ball pendant68cm diam, 91cm high approx£500-700
568 576
570 FE357/2GEORGIAN AND LATERMAHOGANY BUREAUBOOKCASEthe moulded cornice aboveglazed doors enclosingadjustable shelves, over a fallflap enclosing a fitted interior,over two short and threegraduated long drawers, raisedon ogee bracket feet109cm wide, 211cm high, 57cm deep£300-500
571 FE307/2GEORGIAN MAHOGANY ANDBOXWOOD STRUNGBOWFRONT CHESTthe cross banded shaped topabove two short and two longdrawers, raised on outsweptbracket feet105cm wide, 90cm high, 53cm deep£250-350
578 FE684/7EARLY GEORGIAN PARCELGILT MIRRORthe oval mirror plate within aheavely carved foliate frame61cm wide, 82cm high£400-600
579 FE94A/4GEORGE I WALNUT ANDCROSSBANDED BUREAU18TH CENTURYthe slant front opening to aninterior fitted with pigeon holesand drawers, over three longserpentine drawers and raisedon shaped bracket feet122cn wide, 110cm high, 58cm deepProvenance:Ardhuncart House, Aberdeenshire
£600-800
580 FE497/1VICO MAGISTRETTI FORCASSINI, ITALYCARIMATE CHAIR 892,DESIGNED 1959with red painted frames andrush woven seats, comprisingof one carver, and three sidechairs (4)51cm wide, 74cm high, 42cm deep£120-180
575 FF61/8WALNUT SECRETAIRECABINET18TH CENTURYthe moulded cornice above aconcealed drawer and drop flap,enclosing a fitted interior withfurther hidden drawers, overtwo short and two graduatedlong drawers, raised on bunfeet91cm wide, 158cm high, 45cm deep£1,000-1,500
576 FF68/7GEORGE I STYLE MARBLE TOPHALL TABLEthe rectangular top above ashaped frieze, raised on shapedsquare legs122cm wide, 83cm high, 61cm deep£300-400
577 FF69/10OAK OPEN BOOKCASE20TH CENTURY AND EARLIERthe carved top above sixshelves, flanked by heavelycarved uprights, raised on aplinth base121cm wide, 242cm high, 39cm deep£400-600
572 FE312/1GEORGE III MAHOGANY ANDBOXWOOD STRUNGBREAKFRONT SIDEBOARDthe shaped top above a longdrawer, flanked by deepdrawers, raised on squaretapering legs207cm wide, 86cm high, 72cm deep£300-500
573 FF159/2EDWARDIAN MAHOGANYBREAKFRONT SIDEBOARDthe shaped moulded top abovea central drawer, flanked byshort drawers, over cupboarddoors, raised on mouldedsquare tapering legs182cm wide, 100cm high, 65cm deep£250-350
574 FG265/10VICTORIAN WALNUTOCCASIONAL TABLE BEARINGMAKER’S LABEL WILLIAMTURNER AND SONSLIVERPOOLthe moulded oval top aboveturned supports, raised onfluted scrolling legs, united bystretchers109cm wide, 68cm high, 65cm deep£200-300
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586 FE359/30GEORGE III STYLE MAHOGANYCELLARET19TH CENTURYCove moulded rectangularhinged top opening to reveal amahogany lined interior, raisedon acanthus moulded cabriolelegs and ball and claw feet.58cm wide, 68cm high, 37cm deep£300-500
587 FG183/11GEORGIAN STYLE MAHOGANYFRAMED OTTOMAN20TH CENTURYthe buttoned faux leather topabove a moulded frieze, raisedon turned fluted legs with brasscaps and ceramic casters105cm wide, 40cm high£800-1,200
588 FG187/2OAK AND PINE CHEST17TH CENTURY STYLEthe moulded rectangular topabove three long drawers,raised on square legs, united bystretchers99cm wide, 86cm high, 58cm deep£200-300
589 FG186/1FRENCH STYLE MARBLETOPPED AND BRASSMOUNTED OCCASIONAL TABLE20TH CENTURYthe rounded rectangular brassgalleried top above a friezedrawer, raised on mouldedbrass legs, 66cm wide, 50cmhigh, 42cm deep; together witha CARVED GILTWOODGIRANDOLE, of shield shape,with scrolling acanthus leavesand rococo style decoration,above the later twin sconces,with a paper label to reverse‘Alfred Esdaile, 328’, 77cm high(2)Note:Purchased from ‘The Estate of thelate Alfred Esdaile’ sale, Lyon &Turnbull, lot 325, 10th June 2002.
£150-250
590 FF158/1GEORGE IV MAHOGANY ANDEBONY TWO DOOR WARDROBEthe moulded cornice abovepanel doors enclosing fixedshelves and hanging space,raised on a plinth base173cm wide, 213cm high, 48cm deep£400-600
581 FE385/2GEORGIAN MAHOGANY TWINPEDESTAL DINING TABLEthe reeded oval top aboveturned supports, raised onmoulded sabre legs and brasscaps and casters, including oneleaf insertion219cm wide, 72cm high, 112cm deep£300-500
582 FF156/2GEORGIAN STYLE FAUXLEATHER FOOTSTOOLMODERNthe square buttoned top, raisedon squat fluted legs and brasscaps and ceramic casters104cm wide, 40cm high£350-450
583 FF61/1SET OF EIGHT OAK SIDECHAIRS20TH CENTURYthe high arched back above asolid seat, raised on block andturned legs, united bystretchers49cm wide, 118cm high, 44cm deep£800-1,200
584 FF61/2TWO GEORGE III MAHOGANYSHIELD BACK OPEN ARMCHAIRSthe shaped back and piercedvertical splat above outsweptarms, over a serpentine drop inpad seat, raised on mouldedsquare tapering legs, united bystretchers, and another similar(2)49cm wide, 94cm high, 45cm deep£300-500
585 FE348/3EDWARDIAN INLAIDMAHOGANY SERPENTINEDISPLAY CABINETthe pierced brass gallery abovea glazed door enclosingshelves, raised on outsweptsquare tapering legs44cm wide, 118cm high, 37cm deep£300-400
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591 FE396/19VICTORIAN MAHOGANYFRAMED CHAISE LONGUEthe arched buttoned back andarm over a cushionedserpentine seat, raised onmoulded cabriole legs163cm wide, 82cm high, 60cm deep£250-400
592 FE396/31WALNUT CHEST ON CHEST20TH CENTURYthe oyster veneered mouldedrectangular hinged top, openingto reveal a storage space, overthree graduated long drawers,raised on bracket feet,incorporating earlier elements94cm wide, 100cm high, 66cm deep£250-400
593 FE396/14OVERPAINTED LOUIS XV STYLEFAUTEUILthe cushioned oval back aboveoutswept arms and aserpentine cushioned seat,raised on moulded cabriole legs58cm wide, 90cm high, 48cm deep£250-400
600 FF155/1SET OF EIGHT MAHOGANYDINING CHAIRS BASED ONTHE CHIPPENDALE PLATEDIRECTORY20TH CENTURYthe shaped carved top railabove a pierced vertical splat,over a celtic tooled leather dropin pad seat, raised on carvedcabriole legs and ball and clawfeet62cm wide, 103cm high, 43cm deep£1,000-1,500
601 FF409/2CARVED OAK WALL BRACKETof typical shape, carved toresemble scallop shells, with ascrolling bottom pediment23.5cm high£200-300
602 FF69/8MODERN DRIFTWOOD CONVEXMIRRORthe circular mirror plate withina pine and drift wood framedecorated with sea shells85cm wide£300-400
597 FE396/81PAINTED DOUBLE BED20TH CENTURYthe shaped head and footboards with floral detailing,including irons and heals baseand mattress152cm wide, 160cm high,194cm deep£200-300
598 FE396/23GEORGE II WALNUT PRESSCUPBOARD18TH CENTURYthe plain moulded cornice overa pair of cross banded cupboarddoors opening to shelves; thelower part with a long drawerover a pair of cupboard doors,raised on later bun feet110cm wide, 226cm high, 56cm deep£300-500
599 FF131/23VICTORIAN DOUBLE SIDEDMAHOGANY AND SCRAP WORKSCREENCIRCA 1860the four folds surmounted byopen scroll work crestings, withcrystal handles232cm wide, 182cm high£400-600
594 FF61/5GEORGE III MAHOGANYFOLDOVER TEA TABLEthe shaped rectangular reededtop above a frieze drawer,raised on square tapering legsand spade feet with brass capsand castors97cm wide, 76cm high, 47cm deep£200-300
595 FF156/10LARGE PARCEL GILTOVERMANTLE MIRROR19TH CENTURYthe shaped mirror platesurmounted by a foliatepediment, flanked by flutedcolumns190cm wide, 218cm high£500-800
596 FE451/1ANGLO-INDIAN CHILD’S TEAKPLANTATION CHAIR19TH CENTURYof diminutive size in the typicalform with extended armrestsand caned seat and back, onturned legs51cm wide, 67cm high, 110cm deep£200-300
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600 595 590
585 586593
607 FC186/10HOPTON WOOD FOSSILISEDLIMESTONE CHARGERof octagonal form40cm wide£500-800
608 FG4/3PAIR OF BRONZE FIGURES OFA RECUMBENT STAG ANDHIND19TH CENTURYeach with dark brown patina,and raised on a rectangularbase, unsigned, 14.5cm wide;together with a WHITE METALFIGURE OF A STANDING STAG,12cm wide; and a GILT BRONZEFIGURE OF A CHARGING RAM,SIGNED MENE, on anaturalistic bronze base,13.5cm wide (4)£250-350
609 FG4/14BRONZE FIGURALCANDLESTICKmodelled as a swan withpierced decoration and asconce on its back, dark brownpatina, unsigned, 21cm wide;together with a BRONZEFIGURE OF A WINGED LION,modelled with a book, darkpatina, raised on a squaremarble base, unsigned, 8.5cmhigh; and a BRONZE CARMASCOT FIGURE OF ANEAGLE, golden patina, raised ona marble scocle foot, signed‘Desmo’, 13cm high (3)£150-250
610 FG183/13CHROME PLATED ANGLEPOISE LAMPMODERNthe square shaped shade onfixed on an angle poise columnand raised on an ogee squarebase55cm high (at tallest)£100-200
603 FE396/67ENAMELLED GLASS JAR ANDCOVERof ovoid form with a domedcover and knopped finial,decorated with polychromeflowers amongst white and giltreserves, 19cm high; togetherwith a PAIR OF GLASS PRUNTDECORATED JUGS, each with asquare shaped mouth andribbed handle, 21.5cm high (3)£120-180
604 FE396/72COLLECTION OF CHINESEEXPORT PORCELAIN WARES18TH CENTURYcomprising of: a polychromepainted dish depicting flowers,23cm diam.; two blue and whitedishes, each decorated withbuildings within a landscape,22.5 and 23cm diam.; and a redand blue tea caddy with a whitemetal mount and cover, 11cmhigh (4)£120-180
605 FE453/1NEAR SET OF ETCHEDDRINKING GLASSES18TH CENTURY AND LATEReach ogee shaped bowldecorated with a hoho birdamongst blossoming foliage,above the faceted stem andslightly conical foot (3)tallest 15cm high£400-600
606 LT2013/31PAIR OF PAINTED POST BOXESinscribed ‘POST OFFICELETTER BOX VR,’ thedetachable cover inscribed‘ANSWERED’ and‘UNANSWERED, raised onmoulded plinth bases, thepainted surface refreshed (2)37cm high£1,200-1,800
64
603 607
611608
611 FE354/15ARTS & CRAFTSLARGE COPPER SERVINGTRAY, CIRCA 1900rectangular with roundedangles, the canted gallery withfaux rivet decoration, the trayset to the angles with fourgreen glazed heart cabochons71cm wide£350-400
612 FE354/30ART DECOCHROMED ‘YACHT’ TABLELAMP, 1930Sthe lamp manufactured in theform of a yacht, having chromedeck and sails with pennant,the mast a candle-shapedopaque white bulb, 51cm high;also a TABLE LIGHTER, in theform of a footballer, 13cmacross (2)£200-300
618 FF161/99NAPOLEONIC PRISONER OFWAR BONE DOMINO SETEARLY 19TH CENTURYthe carved sliding cover paintedwith a gentleman and a lady,opening to reveal carveddominoes16cm long£120-180
619 FG149/5OVERPAINTED PLASTER BUSTmodelled in the neoclassicalstyle as a young man, possiblyJulius Caesar, with two paperlabels to the reverse ‘Christie’s70’44.5cm high approx.£150-250
616 FE466/1JAEGER LE COULTRE ‘ATMOS’CLOCK, WITH ORIGINAL BOX20TH CENTURYthe brass and glazed case ofrectangular form, with a whiteenamelled dial displayingArabic numerals, with an openmovement and maker’s marks,in the original box with ‘RepairNotes’ and two Le Coutre ‘OrderCards’22cm high£400-600
617 FE480/3INDIAN GILT BRONZE NEST OFWEIGHTSwith seven cups, the mastercup with incised decoration andmarks to the cover interior,11cm high; together with TWOBRASS MORTARS ANDPESTLES, each flared mortarwith ribbed bands, one withtwin handles, 9cm and 8cmhigh, pestles, 17cm and 18cmlong (5)£120-180
613 FE396/75SPELTER FIGURE, AFTERAUGUSTE MOREAU‘LA PRAIRIE’modelled as a semi-clad childcarrying an urn and a handfulof flowers, signed and stamped,with a plaque inscribed ‘LaPrairie, Par Aug. Moreau’,raised on a marble base56.5cm high overall£120-180
614 FF420/1GOUDA, ZUID-HOLLANDLARGE EARTHENWARE VASE,EARLY 20TH CENTURYof shouldered tapering form,decorated in bright colours withflowering foliage, paintedmaker’s marks42cm high£150-250
615 FF157/3COLLECTION OF GLASSROLLING PINScomprising of: various sizedand coloured examples,including milk, blue and purpleglass, some decorated withenamels and ribbons (22)largest 43cm long£150-250
65
605 606 610
615616
624 FG133/5ARTS & CRAFTS BRASS ANDCOPPER HALL LANTERNCIRCA 1900the overhanging hood abovetapering glazed sides withprotective grilles35.5cm high£200-300
625 FE499/53‘KEYSTONE’ TOBYWINTERINGHAM MIRROR20TH CENTURYof circular form, veneered withfour ebonised keystone reservesbetween birch panels, withplaque to reverse inscribed‘Toby Winteringham, 426’87cm diam.£200-300
626 FE480/4VICTORIAN OAK TANTALUSof typical form, with white metalmounts, the three cut crystaldecanters behind a doublehinged compartment and asecret drawer31cm high, 35cm wide£150-250
627 FG133/1COLLECTION OF SHELLScomprising of a variety ofspecies, shapes and sizes,including cone shells, cowrieshells, and an abalone shell(qty)£150-250
628 FG2/3ART DECOPATINATED SPELTER TABLELAMP, CIRCA 1930cast as a girl leaning on a table,with reeded column supportand green glass shade, thewhole raised on steppedalabaster base40cm high£200-300
629 FG191/1LATE VICTORIAN HEXAGONALGLASS LANTERNthe glazed panels with colouredglass borders, within a metalframe surmounted by an openscrolling fixture for hanging69cm high£300-500
620 FE396/70SMALL BRONZE BUSTmodelled as a man in classicaldress, mounted on a cylindricalmarble base, 25cm high;together with two SMALLBRONZE FIGURES, onemodelled with a discus, theother pulling thorns from hisfeet, tallest 13.5cm; and aHARDSTONE FIGURE OF AHOG, the green carved fogureon a rectangular base, 17cmwide (4)£200-300
621 FE442/1DAVID KLEIN (1918-2005) FORTWA‘CHICAGO’ TRAVEL POSTER,1960s102cm x 62cm; together with a‘BOSTON’ TRAVEL POSTER,102cm x 62cm; and a ‘HONGKONG’ TRAVEL POSTER, 102cmx 62cm (3)£300-500
622 FF184/1ANGLO-INDIAN IVORY ANDSANDALWOOD WORK BOXof rectangular form, depicting ageometric design, the steppedlid opening to reveal a fittedinterior with a mirror andvarious covered compartments9cm high, 25cm wide, 17cm deep£150-250
623 FG133/2GOOD COLLECTION OFMINERAL, GLASS AND METALEGGScomprising of variousdecorative examples, includingpolished specimen mineraleggs; enamelled glassexamples; mother-of-pearlinlaid pieces; painted examples;and various metal eggs (85)£150-250
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637
623622
630 FF107/1OAK CASED BAROGRAPH, BYNEGRETTI AND ZAMBRA,LONDONof typical form, with a bevelglazed lift-off case, brassmechanism, maker’s label anda chart draweroverall 21cm high, 36cm wide,22cm deep£200-300
631 FF161/114NEEDLEWORK SAMPLER, BYMARTHA A. GREEN, JUNE 1864of square form, depicting achurch between an alaphabetand verse inscription, in aglazed frame42.5 x 43cm (excluding frame)£150-250
632 FF194/2VICTORIAN WOODEN EASELthe top carved with scrollingfoliage, above the open frame168cm high£120-180
639 FC143/33FIRST DAY COVERSLATE 20TH CENTURYa large collection, mainly still inoriginal delivery envelopes andloose (qty)£100-200
640 FC143/34FIRST DAY COVERS1930 ONWARDSin cased albums briefly toinclude; 1937 coronation Malta,accumulation of Royal FDCs,military, naval history, politics,Mountbatten series, MargaretThatcher ten years as PM, withcabinet autographs, 50 yearsRoyal flight, Piece of BerlinWall, etc. (qty)£150-250
END OF SALE
636 FB57/5STAINED WOOD AND BRASSBOUND COAL BUCKETof tapering form, with threebrass bands (A/F)38cm high£300-500
637 FG247/1SHELLEY ‘VOGUE’ PART TEASERVICE‘CHEVRONS’ PATTERN,No. 11775each piece decorated withtriangular motifs andmonocrome borders, with ayellow rim, with printed maker’smarks, painted serial no. 11775,comprising of: six cups; tensaucers; ten side plates; asugar bowl; a milk jug; and acake plate (29)£1,000-1,500
638 FC143/32FIRST DAY COVERSLATE 20TH CENTURYa large collection still in originaldelivery envelopes and loose(qty)£100-200
633* FF139/17AMERICAN ARTS & CRAFTSPAIR OF CHENILLE HANGINGS,CIRCA 1910each with buff ground andbands of decoration depictingfruiting trees, fringed to theedges (2)each 248cm x 154cm£150-250
634 FE462/2BRASS QUARTER REPEATERCARRIAGE CLOCK, BYBRYSONS, PARISof typical form with glazedpanels, the white enamelleddial with Roman numerals andinscribed ‘Brysons, Paris’, thequarter repeater movementstriking on a bell13cm high£200-300
635 FG186/6ELGIN HORSE HEAD ‘SELENE’a plaster cast of the 5th centuryBC work by Phidias87cm wide, 62cm high, 28cm deep£400-600
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629 621 628
635 627
68
Board of Directors
ChairmanSir Angus Grossart
Vice ChairmanPaul Roberts
Managing DirectorNick Curnow
DirectorsCampbell ArmourRachel DoerrTrevor KyleJohn MackieGavin Strang
Associate DirectorsLee YoungMhairi McFadden
Specialist Departments
Pictures, Watercolours& PrintsNick CurnowCharlotte RiordanEmily Johnston (London)
Furniture, Clocks &Works of ArtDouglas GirtonLee YoungLydia Stoker
Asian Works of ArtLee YoungLydia Stoker
Jewellery, Silver,Coins & MedalsTrevor KyleColin FraserRuth Davis
Rugs & CarpetsGavin Strang
Decorative Arts &DesignJohn Mackie
European & AsianCeramicsDouglas GirtonCampbell Armour
Rare Books, Maps &ManuscriptsSimon VickersCathy Marsden
Arms & ArmourJohn Batty (consultant)
InteriorsTheo BurrellCharlotte RiordanDavid Fiddes
Operations ManagerAlex Dove
Finance ManagerMhairi McFadden
AccountsFlo MarshallEileen Welsh
AdministrationEdinburghKim AitchisonEleanor Welsh
GlasgowLinda RobinsonJames McNaught
Saleroom StaffSydney DrewDavid RobertsonScott MitchellDavid FiddesValerie Kyle
Press & Public RelationsPhilip Gregory
MarketingMatt McKenzie
PhotographerAndrew McGregor
Administration
London and Southern England
Rachel DoerrMobile: +44 (0)7876 [email protected]
Ian Peter MacDonaldTel: +44 (0)20 7930 [email protected]
Lee YoungMobile: +44 (0)7825 [email protected]
Catriona MacphersonTel: +44 (0)20 7930 [email protected]
Emily JohnstonMobile: +44 (0)7741 [email protected] Business
Development
Lady MiddletonJohn SibbaldJohn ThomsonTessa ThomsonLindsey Michie
www.lyonandturnbull.com
33 Broughton Place, Edinburgh
EH1 3RR
Tel +44 (0)131 557 8844
Fax +44 (0)131 557 8668
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69
Index to Artists
Glossary of cataloguing termsThe following expressions withtheir accompanying explana-tions are used by Lyon & Turn-bull as standard cataloguingpractice. Our use of these ex-pressions does not take accountof the condition of the lot or theextent of any restoration.
Buyers are recommended to in-spect the property themselves.Written condition reports areusually available on request.
Name(s) or Recognised Des-ignation of an Artist with-out any QualificationIn our opinion a work by theartist
Attributed to...In our opinion probably a workby the artist in whole or in part.
Studio of .../Workshop of ...In our opinion a work executedin the studio or workshop of theartist, possible under his super-vision
Circle of ...In our opinion a work of the pe-riod of the artist and showinghis influence.
Follower of ...In our opinion a work executedin the artist’s style but not nec-essarily by a pupil.
Manner of ...In our opinion a work executedin the artist’s style but of a laterdate
After ...In our opinion a copy (of anydate) of a work of the artist.
Signed ... /Dated ... /Inscribed ... /In our opinion the work hasbeen signed/dated/inscribed bythe artist.
BearsSignature ... /Date ... /Inscription ... /In our opinion thesignature/date/inscription ap-pears to be by a hand other thanthat of the artist.
Dimensions are given height be-fore width.
Alexander, R., 409Armfield, School of, 85Armour, M., 55, 437, 438
Becker, H., 61Bell, S.H., 98Bellany, J., 73, 74Benson, F.W., 209Bird, M.H., 417Blake, W., 210Brabazon, H.B., 224British School, 97, 177, 405, 434,496
Buchanan, G.F., 410
Cameron, D., 80Conroy, S., 77Cook, B., 475Coventry, R.M., 419, 439, 440,448
Crawford, R.C., 422Crawhall, J., follower of, 420Crome, W.H., 90
Daines, S.V., 430Daubigny, C.F., 208de Paredes, V.G., 72de Sequeria, D.A., manner of,442
de Wint, P., 232Dieckmann, G.H., 455Docherty, J., 421Drummond, J., 87Dutch School, 453
Philipson, Sir R., 62, 251Piper, E., 426Pope, P., 248
Reid, G.O., 81Reid, S., 413Remfrey, D., 465, 466, 467Rennie, G.M., 92Richmond, G., 414Rowbotham, C., 226
Schantz, G.M., 484Scottish School, 82, 100, 236Simpson, C., 57, 58Simpson, R., 433Smith, G., 94Snell, J.H., 230Somerville, J., 246, 247
Taylor, E.A., 93Terris, J., 445
van Dyck, after, 241, 487van Hoey, J.I., 427Veutier, G., 84Vigon, L.J., 231
Watson, R., 416Weaver, H.P., 227West, D., 221, 222, 256, 257Whistler, J.M., 214, 444Wittenberg, J.H.W., 223Wright, J., 225Wylie, K., 242, 446, 447
Kerr, H.W., 220Knox, J., follower of, 79
Lamotte, B., 86Landseer, Sir E., after, 120Lawrence, B.S., 468Lepere, A., 216Loudon, L., 408Low, B., 51, 52
Macbeth, D., 237Macdonald, H., 101Mackie, J., 162, 164, 206, 252-255
Macleay, M., 415Mactaggart, Sir W., 245McCall, C.J., 75McGhie, J., 91McGregor, R., 78McKelvey, F. Jnr., 443Mitchell, G., 68
Nasmyth, P., manner of, 426ANoble, R., 423Northcote, J.(T.J.), after, 234
Oppenheimer, C., 429Organ, B., 477
Palmer, S., 212Park, J.S., 441Parton, E., 407Partridge, J., 490Paterson, J., 218Patrick, J.M., 66
Eadie, R., 69Edmunston, S., 99
Farquharson, J., 411Fenwick, T., 235Fergusson, J.D., 76Fraser, A. Snr., 428Frazer, W.M., 425French School, 483
Gaudet, R., 243, 244Gibb, R., 229
Haden, S., 211Haig, E., 63, 64, 65Hanna, N., 56Hansen, H., 239, 240Hardie, G., 476Harrigan, J., 60Hawkins, J., 249, 250Hay, T.M., 95, 228Herald, J.W., 96Herdmann, R.D., 219Hogan, J., 435, 436Hood, E.B., 406, 418Hope, R., 238Houston, G., 412Houston, G., 83Howson, P.53, 54Hunt, A.M., 431, 432Hutchison, R.G., 89, 424
Italian School, 454
Katz, E.M., 59
70
How to find Lyon & Turnbull
PP
S
QUEEN ST
PRINCES ST
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GHTON
ST
LEIT
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ALK
LEIT
HST
Waverley Station
ParkingMulti-storey car parking isavailable at Greenside Placeand in the St. James Centre;five minutes walk from thesaleroom
St Andrew Square(bus station)
Collecting your purchasesHow to arrange collection and transport, plus everything else you might want to arrrange to make your newpossessions fit your home perfectly.
Transport & CouriersAlthough we cannot pack or ship items, the following suggested carriers will be able to arrange packing andshipping; please contact them directly to receive a quote. You may wish to contact an alternative courier.
Lyon & Turnbull saleroom
Storage of sold lots
All bought items will be held free of charge at Lyon & Turn-bull until the Friday following the sale.
Thereafter lots will be removed to store in Edinburgh and acharge incurred.
Administration fee:£20 + VAT
Storage charges per lot per day are:
Large Items£5 inc. insurance + VAT
Small Items£2.50 inc. insurance + VAT
Restoration
To get your purchases home in perfect condition you maywish to employ the services of a restorer.
Restoration may not be as expensive as you think and Lyon& Turnbull are able to recommend restorers of Pictures,Frames, Ceramics, Furniture and Metalwork; Upholsterersand Framers.
Please call Theo Burrell for details on 0131 557 8844
Local Deliveries
A&S Pert RemovalsTelephone 07876 343520
Thistle RemovalsTel: +44 (0)7836 774712Email: [email protected]
Furniture and Larger Items
ConstantineTel: +44(0)1236 750055Fax: +44(0)1236 750077E-mail: [email protected]
A Van Man TransportTel: +44 (0)1202 600 012Fax: +44 (0)1202 600 206Email: [email protected]
Further Afield
For Smaller Items and Paintings
Mailboxes Etc.Tel: +44 (0)131 556 6226Fax: +44 (0)131 652 3673Email: [email protected]
Pictures
Fine Art Carriers Gallery Support GroupTel: +44 (0)20 7729 6692Email: [email protected]
71
9. THIRD PARTY LIABILITY
All members of the public on ourpremises are there at their own riskand must note the lay-out of theaccommodation and securityarrangements. Accordingly neitherthe auctioneer nor our employees oragents shall incur liability for death orpersonal injury (except as required bylaw by reason of our negligence) orsimilarly for the safety of the propertyof persons visiting prior to or at a sale.
10. COMMISSION BIDS
While prospective buyers are stronglyadvised to attend the auction and arealways responsible for any decision tobid for a particular lot and shall beassumed to have carefully inspectedand satisfied themselves as to itscondition we shall if so instructedclearly and in writing execute bids ontheir behalf. Neither the auctioneer orour employees or agents shall beresponsible for any failure to do so.Where two or more commission bids atthe same level are recorded we reservethe right in our absolute discretion toprefer the first bid so made.
11. WARRANTY OF TITLE ANDAVAILABILITY
The seller warrants to the auctioneerand to you that the seller is the trueowner of the property consigned or isproperly authorised by the true ownerto consign it for sale and is able totransfer good and marketable title tothe property free from any third partyclaims.
12. AGENCY
The auctioneer normally acts as agentonly and disclaims any responsibilityfor default by sellers or buyers.
13. TERMS OF SALE
The seller acknowledges that lots aresold subject to the stipulations of theseConditions in their entirety and on theTerms of Consignment as notified tothe consignor at the time of the entryof the lot.
14. STANDARD VENDOR FEESAND CHARGES(Subject to VAT)
(1) Commission: 15% of the first £3000and 10% thereafter is charged on theselling price of each lot (subject to aminimum charge of £30). Loss anddamage warranty: 1.5% on value of lotssold. Photography: max £40 mono perlot, max £250 colour. InternetMarketing Service: £10 per lot.
(2) If a vendor wishes to withdraw a lotorganized for sale, a withdrawal fee willapply;
(a) If withdrawn over 28 working daysprior to the sale, this will be charged at10% of the mid estimate along with anyancilliary incurred (such asphotography), all subject to VAT at thecurrent rate.
(b) If withdrawn within 28 working daysof the sale, this will be charged at 20%of the mid estimate along with anyancilliary incurred (such asphotography), all subject to VAT at thecurrent rate.
15. DESCRIPTIONS ANDCONDITION
(1) While we seek to describe lotsaccurately, it may be impractical for usto carry out exhaustive due diligence oneach lot. Prospective buyers are givenample opportunities to view andinspect before any sale and they (andany independent experts on theirbehalf) must satisfy themselves as tothe accuracy of any description appliedto a lot. Prospective buyers also bid onthe understanding that, inevitably,representations or statements by us asto authorship, genuineness, origin,date, age, provenance, condition or
estimated selling price involve mattersof opinion. We undertake that any suchopinion shall be honestly andreasonably held and accept liability foropinions given negligently orfraudulently. Subject to the foregoingneither we the auctioneer or ouremployees or agents or the selleraccept liability for the correctness ofsuch opinions and all conditions andwarranties, whether relating todescription, condition or quality of lots,express, implied or statutory, arehereby excluded. This Condition issubject to the next following Conditionconcerning deliberate forgeries andapplies save as provided for inparagraph 6 “information to buyers”.
(2) Private treaty sales made underthese Conditions are deemed to besales by auction for purposes ofconsumer legislation.
16. FORGERIES
Notwithstanding the precedingCondition, any Lot which proves to be adeliberate forgery (as defined) may bereturned to us by you within 21 days ofthe auction provided it is in the samecondition as when bought, and isaccompanied by particulars identifyingit from the relevant cataloguedescription and a written statement ofdefects. If we are satisfied from theevidence presented that the lot is adeliberate forgery we shall refund themoney paid by you for the lot includingany buyer’s premium provided that (1) ifthe catalogue description reflected theaccepted view of scholars and expertsas at the date of sale or (2) youpersonally are not able to transfer agood and marketable title to us, youshall have no rights under thiscondition.
The right of return provided by thisCondition is additional to any right orremedy provided by law or by theseConditions of Sale.
GENERAL
17. We shall have the right at ourdiscretion, to refuse admission to ourpremises or attendance at our auctionsby any person.
18 (1) Any right to compensation forlosses liabilities and expenses incurredin respect of and as a result of anybreach of these Conditions and anyexclusions provided by them shall beavailable to the seller and/or theauctioneer as appropriate.
(2). Such rights and exclusions shallextend to and be deemed to be for thebenefit of employees and agents of theseller and/or the auctioneer who maythemselves enforce them.
19. Any notice to any buyer, seller,bidder or viewer may be given by firstclass mail in which case it shall bedeemed to have been received by theaddressee 48 hours after posting.
20. Special terms may be used incatalogue descriptions of particularclasses of items (Books, Jewellery,paintings, guns, firearms etc) in whichcase the descriptions must beinterpreted in accordance with anyglossary or guidance notes appearingin the catalogue. These notices andterms will also form part of our termsand conditions of sales.
21. Any indulgence extended to biddersbuyers or sellers by us notwithstandingthe strict terms of these Conditions orof the Terms of Consignment shallaffect the position at the relevant timeonly and in respect of that particularconcession only; in all other respectsthese Conditions shall be construed ashaving full force and effect.
22. Scottish law applies to theinterpretation of these Conditions.
Lyon & Turnbull carries on businesswith bidders, buyers and all thosepresent in the auction room prior to, orin connection, with a sale on thefollowing General Conditions and onsuch other terms, conditions andnotices as may be referred to herein.
1. DEFINITIONS
In these Conditions:
(a) “Auctioneer” means the firm ofLyon & Turnbull or its authorisedauctioneer, as appropriate;
(b) “deliberate forgery” means animitation made with the intention ofdeceiving as to authorship, origin, date,age, period, culture or source butwhich is unequivocally described in thecatalogue as being the work of aparticular creator and which, at thedate of the sale, had a value materiallyless than it would have had if it hadbeen in accordance with thedescription;
(c) “hammer price” means the level ofbidding reached (at or above anyreserve) when the auctioneer bringsdown the hammer;
(d) “terms of consignment” means thestipulated terms and rates ofcommission on which Lyon & Turnbullaccepts instructions from sellers ortheir agents;
(e) “total amount due” means thehammer price in respect of the lot soldtogether with any premium, ValueAdded Tax chargeable and anyadditional charges payable by adefaulting buyer under theseConditions;
(f) “sale proceeds” means the netamount due to the seller, being thehammer price of the lot sold lesscommission at the stated rate, ValueAdded Tax chargeable and any otheramounts due to us by the seller inwhatever capacity and however arising;
(g) “You”, “Your”, etc. refer to the buyeras identified in Condition 2.
(h) The singular includes the pluraland vice versa as appropriate.
2. BIDDING PROCEDURES ANDTHE BUYER
(a) Bidders are required to registertheir particulars before bidding and tosatisfy any security arrangementsbefore entering the auction room toview or bid;
(b) the maker of the highest bidaccepted by the auctioneer conductingthe sale shall be the buyer at thehammer price and any dispute about abid, which must be raised before thenext lot is offered, shall be settled atthe auctioneer’s absolute discretion.
(c) Bidders shall be deemed to act asprincipals.
(d) Once made, no bid may bewithdrawn.
(e) Our right to bid on behalf of theseller is expressly reserved up to theamount of any reserve and the right torefuse any bid is also reserved.
3. INCREMENTS
Bidding increments shall be at theauctioneer’s sole discretion.
4. THE PURCHASE PRICE
The buyer shall pay the hammer pricetogether with a premium thereon.
25% up to £25,000 / 20% thereafter.
VAT will be charged on the premium atthe rate imposed by law.
5. VALUE ADDED TAX
Value Added Tax on the hammer priceis imposed by law on all items affixedwith an asterisk (*) or dagger (†).Value Added Tax is charged at theappropriate rate prevailing by law atthe date of sale and is payable bybuyers of relevant lots.
6. PAYMENT
(1) Immediately a lot is sold you will:
(a) pay to us the total amount due incash or in such other way as is agreedby us. We accept cash, bank transfer(details on request), Switch or DebitCards and Visa or MasterCard (pleasenote there is a surcharge of 2% (VATincluded) when using credit cards). Wedo not accept American Express.
(2) any payments by you to us may beapplied by us towards any sums owingfrom you to us on any accountwhatever without regard to anydirections of you or your agent,whether express or implied.
7. TITLE AND COLLECTION OFPURCHASES
(1) The ownership of any lotspurchased shall not pass to you untilyou have made payment in full to us ofthe total amount due.
(2) You shall at your own risk andexpense take away any lots that youhave purchased and paid for not laterthan four working days following theday of the auction or upon theclearance of any cheque used forpayment after which you shall beresponsible for any removal, storageand other associated charges.
(3) No purchase can be claimed orremoved until it has been paid for.
(4) It is the buyer’s responsibility toascertain collection procedures,particularly if the sale is not being heldat our main saleroom and the potentialstorage charges for lots not collectedby the appropriate time.
8. REMEDIES FOR NON-PAYMENT OR FAILURE TOCOLLECT PURCHASES
(1) If any lot is not paid for in full andtaken away in accordance with theseConditions or if there is any otherbreach of these Conditions, we, asagent for the seller and on their behalf,shall at our absolute discretion andwithout prejudice to any other rights wemay have, be entitled to exercise one ormore of the following rights andremedies:
(a) to proceed against you for damagesfor breach of contract;
(b) to rescind the sale of that lotand/or any other lots sold by us to you;
(c) to resell the lot (by auction orprivate treaty) in which case you shallbe responsible for any resultingdeficiency in the total amount due(after crediting any part payment andadding any resale costs). Any surplusso arising shall belong to the seller;
(d) to remove, store and insure the lotat your expense and, in the case ofstorage, either at our premises orelsewhere;
(e) to charge interest at a rate of 1.5%per month above the current base rateon the total amount due, to the extent itremains unpaid for more than fourworking days after the sale;
(f) to retain that or any other lot sold toyou until you pay the total amount due;
(g) to reject or ignore bids from you oryour agent at future auctions or toimpose conditions before any such bidsshall be accepted;
(h) to apply any proceeds of sale ofother lots due or in future becomingdue to you towards the settlement ofthe total amount due and to exercise alien (that is a right to retain possessionof) any of your property in ourpossession for any purpose until thedebt due is satisfied.
(2) We shall, as agent for the sellerand on their behalf pursue these rightsand remedies only as far as isreasonable to make appropriaterecovery in respect of breach of theseConditions
Standard Terms & Conditions of Sale
33 Broughton Place, EdinburghEH1 3RRTel +44 (0)131 557 8844Fax +44 (0)131 557 8668
email. [email protected]
182 Bath Street, GlasgowG2 4HGTel +44 (0)141 333 1992Fax +44 (0)141 332 8240
78 Pall Mall, LondonSW1Y 5ESTel +44 (0)20 7930 9115Fax +44 (0)20 7930 7274
