ADILA FACHIRI ' JELLY d'ARANYI With Orchestra conducted by Stanley Chapple

Concerto in D minor. For Two Violins DacAt

1st Movt.: Vivace .

2nd Movt.: Largo, ma non tanto, Part I ; A-0252 12 5/6

A MONG the choicest musical memories of those whose recollections go back far enough are the performances of Bach's Double Concerto which used to be given every year by Dr. Joachim and

Lady Halle at the far-famed "Pops." It is the highest tribute which could be paid to the magnificent record which has bcen made of this work by Miss jelly d'Aranyi and Mme Adila Fachiri-grand-nieces, it

will be remembered, of Dr. Joachim-that it recalls so vividly those same performances, particularly the "bowing" which is similar to that used by the great Joachim himself. The Double Concerto itself stands alone among compositions of its type, the exquisite slow movement es- pecially, based on a melody of serenest beauty, being one of the loveliest things in all music ; and we count ourselves fortunate therefore in being

able to offer an interpretation of this immortal work of such superlative quality.

Instrumental & Orchestral

YORK BOWEN (Pianoforte)

Prelude in G minor, Op. 23 . . Rachmaninoff I Second Arabesque in G Debussy ) K-05214 12" 4,16

R ACHMANINOFF'S G minor Prelude stands second only in popularity and in the esteem of connoisseurs to the world-famous example in C sharp minor from the same hand, and of this most

attractive work Mr. York Bowen has supplied a characteristically brilliant and finished reading. Totally different in character but none the less engaging is the accompanying example of Debussy-a work presenting the great French master in an exceptionally melodious and light-hearted mood-and this also Mr. Bowen's nimble fingers have touched oä' in delicious style.

HOWARD BLISS ('Cello) Dolly Berceuse, Op. 56, No. I Faure ` X-9711 10" 31- Menuet

. Rameau, arr. Salmon )

Piano Accs. Stanley Chapple

TWO delightful French examples-one ancient, the other modern- here make a well-contrasted pair of'cello solos. Rameau's delicious Menuet is redolent of the ancient ri$ime in its classic grace and

charm, while Faure, most refined and elegant of modern French composers, stands happily for the music of a later day. And both have been played with perfect artistry and understanding.

MODERN CHAMBER ORCHESTRA Conducted by Stanley Chapple

Canto Popolare Elgar from Concert Overture "In the South," Op. 50g K-05215 12 4ý6 Two Interludes E1 ar from the Symphonic Study "Falstaff," Op. 68

IN Elgar's wonderful symphonic study "Falstaff" there are no happier pages then the two dainty Interludes depicting, first, the dream- like memory of the Fat Knight's youth when he was Page to the

Duke of Norfolk and, secondly, his stay in Gloucestershire, on returning from the war, as guest of justice Shallow. In their dainty scoring and delicate grace both are typically Elgarian and, being written for a small orchestra, both lend themselves admirably to reproducing purposes, as is amply demonstrated by the present records. The charming, Canto Papolare, in turn, is another excerpt from a longer work, coming from the splendid "In the South" overture, where it is introduced in the happiest style to suggest a popular Italian folk song ; and this too has been most successfully recorded.

M. MURRAY-DAVEY (Bass) Recitative and Invocation-Nonnes qui reposezýleyerbeer

"Robert le Diable" (Ye Slumbering Nuns) A-0254 12' 5/6 Si la Rigueur "La Juive" (If Just Decreed) Halevy

In French. With the Aeolian Orchestra

TO opera-goers of an older generation both Meyerbeer's "Robert le Diable" and Halevy's "La Juive" were names to conjure with and it was a happy thought on the part of Mr. Murray-Davey-himself

associated with so many triumphs at the Paris Grand Opera-to rescue from oblivion these two fine numbers from them. Of the dramatic Invocation from the former he has furnished a typically broad and virile rendering, while, in an entirely different style, the delightful Cavatina from "La Juive" fares no less happily at his hands.

KATHLEEN DESTOURNEL '& FRANK TITTERTON Lovely maiden in the moonlight Pucdni

"La Boheme" KATHLEEN DESTOURNEL & HARDY WILLIAMSON K-05213 12" 4/6

Dear love of mine "Nadeshda" Goring Thomas Duets. In English. With the Aeolian Or--h.

P UCCINI'S "La Boheme" contains no number better known or more universally admired than the exquisite love duet from the first act of which such a notably effective interpretation (in English) has here

been furnished by two of the most accomplished of our native operatic artists. Less familiar is the duet from Goring Thomas's "Nadeshda," though well worthy of being better known for its tender grace end refined unforced expressiveness.

VLADIMIR ROSING (Tenor)

' (a) Everybody says "You're a fool" (b) I'm a plucky chap ßalakirew

ý B-3122 10" 41-

Gathering Mushrooms X oussorgsky In Russian. With Piano Accompaniments

'Originally issued Single-Sided

A supreme master in the interpretation of the fascinating folk-music of his native Russia is Vladimir Rosing and in the three examples here presented his unique vocal and histrionic genius has once again

found convincing expression. More need hardly be said concerning an artiste so well-known but it may be pointed out how strikingly he has adapted his methods to the special requirements of each song and also that all three are now obtainable at just one third of their original price.

`71y11

WATCYN WATCYNS (Bass-Baritone)

Songs of the Sea C. V. Stanford No. 1. Drake's Drum

. No. 2. Outward Bound and No. 3. Devon, 0 Devon

} K-05211 IT 416

No. 4. Homeward Bound 1 No. 5. The Old Superb K-05212 12" 4J6

With the Aeolian Orchestra

IF a good deal of the late Sir Charles Stanford's music has suffered neglect this certainly does not apply to his superb " Songs of the Sea" which have enjoyed from the first unlimited popularity. And

with good reason, for among all his many fine songs he never did any- thing better than these picturesque and stirring nautical ditties. Nor could one wish for a finer interpretation of them than that which Mr. Watcyn Watcyns has provided.

PHYLLIS ARCHIBALD (Contralto)

Trees . Oscar 7Zasbacb%'9709

10' 31- My Ships Barratt Piano Accs. Stanley Chapple

D ISTANCE may or may not lend enchantment to the view but so far as voice and ear are concerned in these astonishing days it may be said to make curiously little difference. Thus though

Miss Phyllis Archibald is at present on the other side of the Atlantic delighting American audiences she can still be heard here also through the medium of her 'Vocalion' records, which continue to deputize for her with never-failing efficiency! Of the two numbers above named "Trees" is an American song of the better type which shows off Miss Archibald's fine contralto voice to the best advantage.

MALCOLM McEACHERN (Bass)Pagan

. . Hermann Löhr3/-

Christ in Flanders Ward-Stephens X"9708 10 3(-

Piano Accs. Stanley Chapple

THE titles of these two songs suggest sentiments Poles asunder. Yet in fact they have much in common in this respect, as also in their entirely straightforward and unpretending musical character,

whereby however they will commend themselves none the less surely to unlearned hearers-especially when rendered through the medium of those glorious bass tones which Mr. McEachern has at his command.

VICTOR CARNE (Tenor)

Drink to me only with thine eyes arr. Roger Quilter X-9710 10" 31- For ever and ever Tosil Piano Accs. Stanley Chapple

M R. VICTOR CARNE who here makes his debut as a 'Vocalion artiste is the happy possessor of a charming light tenor voice, of the true lyric type, which should carry him a long way,

especially as he knows how to use it so effectually. In proof whereof one need go no farther than the charming rendering which he has furnished of the two well-known and ever-popular songs which constitute his initial contribution to our lists. 'Vocalionists' will certainly extend a hearty welcome to such an eminently acceptable recruit.

JOHN MATHEWSON (Baritone)

My Nannie 0' . arr. G. Short X-9687 10' 31- The Road to the Isles . Kennedy-Fraser

"Songs of the Hebrides" Piano Accs. George Skort

M USICIANS will ever be indebted to Mrs. Kennedy-Fraser for her efforts in retrieving from Time's devouring maw the "Songs of the Hebrides" which have long since taken their place among

the finest things of their kind brought to light during recent years. A typical example. full of colour and romantic feeling, is " The Road to the Isles," which has found such a sympathetic interpreter in Mr. John Mathewson, himself a loyal Scot and able therefore, as one "to the manner born," to do full justice to such things.

BAND OF H.M. LIFE GUARDS Under the direction of Lieut. H. Eldridge

Prince Igor `J3orodin K-05210 12 4 6 Ballet Music. Parts I & 2

IN the famous Polovtsienne Dances constituting the ballet music of Borodin's "Prince Igor"-so often heard in London during recent years in connection with the performances of the Russian Ballet-

Lieutenant Eldridge and the Life Guards Band have once again found splendid opportunities for the display of their unrivalled powers. Nor have they failed to turn those opportunities to the best possible account. One is tempted to say indeed that even they have never made a finer record. Certainly it is hard to believe that Borodin's fierce barbaric strains can ever have been more brilliantly interpreted.

LIGHT INSTRUMENTAL AND VOCAL

PALALA'S HAWAIIANS

Golden Dream Girl If I can't have You

. xrotse Lucas-Slept X-9722 10 3j-

B OTH these alluring little melodies are redolent of the seductive atmosphere of the Pacific and lend themselves perfectly to the native instruments of which Palala's Hawaiians are such admirable

exponents.

DORRIE DENE (Comedienne)

Barn Barn Bamy Shores Ray Henderson X-9714 10" 31- would like to know WHY I . Sissle-Olake

With Dance Band Accs.

D ORRIE DENE, whose almost "baritone" voice was heard last month in two of her funn,eat and most popular music hall successes now essays two new and ltltinR "fox-trot" tunes which she sings

in her own inimitable way. Miss Dene possesses the rare faculty of "letting herself go" when reccrding, and thus $ets the whole of her humorous and forceful personality into both sides of this attractive disc.

EARL COLLINS WITH HIS UKULELE (Vocal)

That's why I love the Moon Newton-Vincent-Herbert You were a Wild Rose Melcliffe-Vincent

} X-9713 10 3l-

TWO characteristic records by Earl Collins, another clever variety artist, who, by musical methods entirely unconventional, and with the aid of an instrument of the humblest type-one of the "poor

relations" so to speak of the instrumental family-gets results of a kind which many a more "serious" performer would give his soul to achievel

MOSCHETTO AND HIS ORCHESTRA At the Savoy Hotel, London

Une heure d'Amour . W. J. Alexander Ay-Ay-Ay (Serenata Criolla) 0. rP. Friere

} X-9712 10" 31-

IT is not the least of the factors going to account for the extraordinary popularity of the records for which Signor Moschetto is responsible that he invariably exercises such happy judgment in his choice of

items. Those here announced afford yet another instance, both being melodious and attractive in the extreme. That they have also been most artistically played hardly needs adding when a Moschetto record is in question.

BLUE LABEL SECTION

10° DOUBLE-SIDED 3/-

DON PARKER AND HIS BAND At the Kit-Cat Club and the Piccadilly Hotel, London.

Cutte. "The Blue Kitten" Frlml Fox-trot (vocal retrain)

Ida-I do. Fox-trot Kahn-Jones

Don't wait too long. Fox-trot (vocal refrain) Irving Berlin Whose who are You? Fox-trot Greer

MARIO de PIETRO AND HIS TANGO BAND

L'Appassionata. French Tango Mario de Pietro Reina del Pago. French Tango Aschieri-S met

Mal de Amor. French Tango .

Jose Sentis Jallan. French Tango Donato

BEN BERNIE AND HIS HOTEL ROOSEVELT ORCHESTRA

1! 1 had a girl like you. Fox-trot Henderson-`Dixon-Rose

THE NIGHT CLUB ORCHESTRA X-9720 Some day we'll meet again. Fox-trot Hoch-can Loan

THE NIGHT CLUB ORCHES7 RA I want you all for me. Fox-trot Fisher-Miller-Cohn

BEN SELVIN AND HIS ORCHESTRA X-9721

Yal Yal Alma! Fox-trot (vocal refrain) Fisher-Miller

T HIS month we are introducing a new Tango Band under the leadershi" of Mario de Pietro. the world-famed mandolinist, who employs this instrument with great effect in conjunction with

guitars, accordions and fiddles. Among the fox-trots Don Parker, of the Piccadilly Hotel, makes a

tremendous hit with several of the very latest things in this line, including "Whose who are You?" and "Ida-I do"-in which connection many people will doubtless remember having enjoyed dancing to this band in their own homes on the evening of Christmas Day, when their performances were broadcast from the Piccadilly Hotel.

As to the American numbers these are racy and effective as ever.

Alphabetical List of Titles

Reprint of Titles published in December & JanuaryTitle

Amer ti Vista di non amar "Fedora " In Italian and Sieiliana "Cavalleria Rusticani' In Italian

Bachelor Reflections and The London Guide

Ballade In A flat, Op. 47 (Chopin) Parts I & 2

Beloved it Is morn and

Love, the Pedlar

Berceuse, Op. 113, No. 4 (Goltermann) and Madrigal, No. 4 (Gillet)

But who may abide "The Messiah" and Thy Glorious Deeds "Samson"

Carolina Sweetheart Waltz and My Mother's Humming Lullaby Waltz

Colonel Bogey March and Festival March

Come to the Cook-house Door and One of the Guards

Cries of London (Vincent Thomas) Parts I & 2

Cries of London (Vincent Thomas) Parts 3 & 4

Cuckoo, The (from "More Daisies") and Ma curly-beaded babby

DANCE RECORDS

Armand Tokatyan (Tenor) B-3121 I0' M-

Nelson Keys & Irene Russell X-9670 10" 31- Nelson Keys York Bowen, Pianist X-9666 10" 31-

Kathleen Destournel (Soprano) K-05207 12' 416

Howard Bliss (Cellist) X-%95 10" 31-

Watcyn Watcyns, Bass- K-05202 17' 416 Baritone

Palala's Hawaiians X-9698 10" ;(- (Instrumental)

Band of H.M. Life Guards K-05201 12" 416

Malcolm McEachern (Bass) K-05208 12" 416

Nancy Royle, Soprano and X-9662 10" ;/- Michael Head, Baritone

Nancy Royle. Soprano and X-9663 10" 31- Michael Head, Baritone

Kathleen Destournel, X-9664 10" /- Soprano

FOX-TROTS Bam Bam Bamy Shores (with vocal Don Parker & his Band X-9702

refrain) and You're just a flower from an old Bouquet

Brown Eyes - Why are you Bluef Ben Selvin & his Orch. X-9706

vocal retrain) [''I Colletiate (with vocal refrain) Bernie & his Roosevelt Orch. X-9674 10" 31-

and Yes Sirl That's my baby Footloose The Tuxedo Orchestra X-9705 10"

and She was lust a Sailors The AmbassadorsDweýteeart iwttp vocal retrain)

Hong Kong Dream Girl Don Parker & his Band X-9701 10" 3!- and She showed him this (with vocal refrain)

I Miss my Swiss (with vocal refrain) The Tuxedo Orchestra X-9677 10" 3)- and Golden Memories of Hawaii The Miami Marimba Band Waltz

In the Purple Twilight The Ambassadors X-9676 10" st- and My Hawaiian Evenin' Star The Miami Marimba Band Waltz

Kinky Kids' Parade (with vocal Ben Selvin & his Orch. X-9706 10" 3i- refrain) and Brown Eyes-Why are you Blue?

Mami. Ben Selvin & his Orchestra X-9678 10" gl- and Sonya (with vocal repaid

Manhattan The Night Club Orchestra X-9675 10" 31 and Funny. Waltz The Tuxedo Orchestra

Moonlight and Roses Newman & his Dance Band X-9703 10" St- and Panama

My Sugar The Night Club Orchestra X-9707 10" 3 - .ad Campanitas de Plata. Waltz The Castillians

_-

Alphabetical List of Titles

Reprint of Titles published in December & JanuaryTitle Artist No. Price

FOXTROTS (continued)Panama Newman & his Dance Band X-9703 10" 31-

and Moonlight and Roses She showed him this (with vocal Don Parker & his Band X-9701 10" 3)-

refrain) and Hong Kong Dream Girl

She was just a Sailor's Sweetheart The Ambassadors X-9705 10" 31- (with vocalrefrain) and Footloose The Tuxedo Orchestra

Sonya (with vocal refrain) Ben Selvin & his Orchestra X-9678 10" 31- and !Mamie

Yes Sir! That's my baby Bernie & his Roosevelt Orch. X-9674 10" 31- and Collegiate with vocal refrain)

You're just a flower from an old Don Parker & his Band X-9702 10" 31- bouquet and Bam Bam Bamy Shores (with vocal refrain)

TANGOS (All new French Tangos). Adelai G. Goodhart & his Orch. X-9704 I0" 3!-

and Alba de Amor Alba de Amor G. Goodhart & his Orch. X-9704 10" 31-

and Adelai Lys Noir, Le G. Goodhart and his Orch. X-9682 10" 31-

and Spain Mantilla, La G. Goodhart and his Orch. X-9683 10" 31-

and Per Ti Por Ti G. Goodhart and his Orch. X-9683 10" 31-

and La Mantilla Rosita and La Villa Splendide X-9681 I0' 31-

Viva el Principe (Long live the Prince) Tango Band Spain G. Goodhart and h,s Orch. X-9682 10" 31-

and Le Lys Noir Viva el Principe (Long live the Prince) La Villa Splendide X-9681 10" 31-

and Rosita Tango Band

WALTZESCampaniles de Plata The Castillians X-9707 ID" 5/-

and My Sugar. Fox-trot The Night Club Orchestra Funny The rox-d" Orchestra X-9675 10" 31-

and Manhattan. Fox-trot The Night Club Oichestra Golden Memories of Hawaii The Miami Marimba Band X-9677 10" 31-

and I M ss my Swiss. Fnx-trot The Tuxedo Orchestra My Hawaiian Evenin' Star The Miami Marimba Band X-9676 10" 31-

and In the Purple Twd,aht. Fox-trot. The Ambassadors bell's awn' wi' the Exciseman, The (a) Roy Henderson (Baritone) X-9665 10" 3!-

O Willie brewed a peck o' maul ib) and The Land a the Leal

Falstaff, Act 2. Scmc I. Parts I & 2 Roy Henderson (Baritone) K-05205 12" 4/6 Falstaff. Act 2. Scene I. Parts 3 & 4 Roy Henderson (Baritone) K-05206 12" 416 Festival Marsh Band of H.M. Life Guards K-05201 I2" 416

and Colonel Bogey March From the Rialto tEEasthope Martin) Phyllis Allan (Violinist) K-05209 12" 416

and Mor.,ing Sens (Easthope Martin) Suarany Selection (Gomez) A. Palet Gallarini X-9679 10" 3!-

and Marche Ind,enae (Jdleeiek) (Acrsdion) He called me "Baby' Dorne Dene (Comedienne) X-9699 10" 31-

and I want 'o be en Mammy's Knee 1 want to be on Mammy's Knee Dorne Dene (Comedienne) X-9699 10" 5!-

and He e.llyd me "Baby' IB the Heart of Hawaii Ferrera & Palaluhi X-9673 10" 31-

and Just Lonesome (Hawaiian Players)

Alphabetical List of Titles

Reprint of Titles published in December & JanuaryTitle Artist No. Price

Je Veux Vivre (Waltz Song) "Romeo Luella Paikin (Soprano) A-0251 12" 5/6et Juaette to rrencb and Nan so pin cola son, cola facer "Le Nozze di Figaro' In Italia.

Just Lonesome Ferrera & Palaluhi X-9673 I0' 5/- and In the Heart of Hawaii (Hawaiian Players)

Keys of Heaven, The Duet. E. Hook & A. Argent K-05184 12' 416 and 0 I ovely Night Ethel Hook

Knight of Bethlehem. The John Coates (Tenor) B-3117 10' 4/- and Voici Noel (Sweet Christmas Time)

Land o' the Leal, The and Roy Henderson (Baritone) X-9665 10" 3/- TheDeil'sawa with the Exciseman (a) O Willie brewed a peck o' maut (b)

Largo and Allegro Giocoso (Galuppi- Jelly (rAranyi (Violinist) K-05203 12" 419 Craxton) and Pasaepied (Destouches-Dandelot)

London Guide The Nelson Keys X-9670 10" 5/- and Bachelor Reflections Nelson Keys& Irene Russell

Love, the Pedlar Kathleen Destournel (Soprano) K-05207 12" 415 and Beloved. it is morn

Me curly-headed bobby Kathleen Destournel X-9664 10' St- and The Cuckoo "More Daisies" Soprano

Madrigal, No. 4 (Gillet) Howard Bliss ('Cellist) X-9695 10" 3/- and Berceuse, Op. 113, No. 4 (Goltermann)

Marche Indienne tSellenick) A. Palet Gallarini X-9679 10' 6/- and Guarany Selection (Gomez) (Accordion)

Mercenary Mary Selection. Paw I & II. Moschetto & his Orth. X-9672 10" 3/- Minstrel Boy, The Enid Cruickshank (Contralto) X-9694 10" 31-

and On wings of song Mirella Overture (Gounod) Parts I & 11. Band of H.M. Life Guards X-9667 I0" 31- MornfngSong (EasthopeMartin) Phyllis Allan (Violinist) K-05209 IT 416

and From the Rialto Easthope Martin) My love she's but a lassie yet John Mathewson (Baritone) X-9686 10' $1-

and My Nannie's Awa My Mother's Humming Lullaby Palala's Hawaiians X-9698 10' 31-

Waltz (instrumental) and Carolina Sweetheart Walt.

My Nannie's Awa' John Mathewson (Baritone) X-9686 I O" 11- and My love she's but a lassie yet

Non so piu coca son, cosy faccio Luella Paikin (Soprano) A-0251 12" 615 Le Nozze di Figaro In Italian

and Je Veux Vivre (Waltz S)ngl Romeo et Juliette" In French

0 Lovely Night and Ethel Hook K-05184 12" 4;8 The Keys of Heaven Duet. E. Hook & A. Argent

0 Willie brewed a peck o' maul (b) Roy Henderson (Baritone) X-9665 IO" 31- The Deil's awa' wi the Exciseman (a) and The Land o' the Leal

Old King Cole R. Vaughan Williams) The Aeolian Orchestra A-0247 12' 518 Ballet Suite, Parts I & 11.

Old King Cole (R. Vaughan Williams) The Aeolian Orchestra A-0248 I2" 5/8 Ballet Suite. Parts III & IV.

On wings of song Enid Cruickshank (Contralto) X-9694 101' 31- and The Minstrel Boy

One of the Guards Malcolm McEachern (Bass) K-05208 17' 415 and Come to the Cook-house Door

Passepied (Destouches-Dandelot) Jelly d'Aranyi (Violinist) K-05203 12" 416 and Largo and Allegro Giocoso

Never, Les (Dreams) (Rebikow) Lionel Tertia (Violist) X-9696 10" 3/- and Sunset (Tertis)

Noads'de Fire The "Songs of Travel" Horace Stevens X-9693 10" 3r and The Vagabond "Songs of Travel" (Bass-Baritone)

Second Serenade (Toselli) Moschetto & his Orchestra X-9697 IS" I and Sometime Waltz

Alphabetical List of Titles

Reprint of Titles published in December & January

Siciliana "Cava16ria Rutticana In Italian andAmor ti vieta di non amar "Fedora' In Italian

Sometime Waltz Moschetto &his Orchestra

and Second serenade (Toselli) Spanish Affair, A (Humorous Duet) N. Keys & 1. Russell

and The Tipster (Humorous Monologue) Nelson Keys Sunset (Tcrtis) Lionel Tertis (Violist)

and Les Reves (Dreams) (Rebikow) Tell me More Selection Parts I & Ii. The Revue Orchestra Tipster, The (Humorous Monologue) Nelson Keys

and A Spanish Alfavr (Humorous Duet) N. Kevs & I. Russell Thy Glorious Deeds "Samson ' Watcyn Watcyns. Bass-

and But who m iy abide' The Messiah" Baritone Vagabond, The 'Songs of Travel' Horace Stevens

and The Roadside Fire "Songsof Travel" (Bass-Baritone) Veronique Selec ion. Parts I & II. Band of H.M. Life Guards Voici Noel (Sweet Christmas Time) John Coates (Tenor)

In French and The Knight of Bethlehem

waltz Song l"Je Veux Vwre'1 "Romeo et Juliette" In Frenchand Non so piu casa son. coca faccio"Le Nozze di Figaro" In Italian

Wasps Overture, The (R. Vaughan- Williams) Fars I and 2

When I hear that song at twilight and Wondering

Wondering and When I hear that song at twilight Zoo-Keeper, The Parts I & II.

Luella Paikin (Soprano)

The Aeolian Orchestra

Earl Collins wi It his ukulele Vocal)

Earl Collins with his Ukulele (Vocal)

Gene Gerry d. Assisted by J.ck Livesey

No. Price B-3121 10' 4/-

X-9697 10" 31-

X-9700 10" 3 - X-9696 10" 31-

X-Q671 10" 31- X-9700 10" 31-

K-05202 IT' 46

X-9693 10" 31-

K-05204 12" 4!6 B-3117 1 d' 4/-

A-0249 12" 5 6

X-9668 10" 3/-

X-9668 10" 31-

X-%69 10" 31-