In 2011 we launched a new series in our new space, shining a light on great performers and performances from Australia and the world.

And 10 seasons on we have established the Great Performers series as a place where audiences and performers come together to share great music in the intimacy of this great hall.

There’s something very special about the relationship between audience and artist in this environment – many of our great performers come off stage in awe of the listening power of you all – the intensity of really listening and absorbing the notes and the words. It’s a relationship that we hope is as exhilarating for you as it is for the performers.

Our line-up for 2020 welcomes back old friends and introduces you to new voices. I find each and every one of them exciting as artists, as musicians, as storytellers, and hope that the variety of music, of styles, and of experience that we have programmed for you is a fitting way to celebrate the 10th season of this Great Performers series.

Marshall McGuire Director of Programming

06 ELISABETH LEONSKAJA PIANO Tuesday 24 March 7.30pm

08 LI-WEI QIN CELLO ALBERT TIU PIANO Tuesday 16 June 7.30pm

10 NICOLA BENEDETTI VIOLIN ALEXEI GRYNYUK PIANO Monday 20 July 7.30pm

12 THOMAS HAMPSON BARITONE WOLFRAM RIEGER PIANO Monday 14 September 7.30pm

14 JAMES EHNES VIOLIN ANDREW ARMSTRONG PIANO Monday 12 & Monday 19 October 7pm

16 INGRID FLITER PIANO Monday 2 November 7.30pm

18 CHRISTIAN TETZLAFF VIOLIN Monday 23 November 7.30pm

MELBOURNE RECITAL CENTRE PRESENTS

GREAT PERFORMERS

Series Partner

Legal Friends of Melbourne Recital Centre

Photo: Courtesy of Arup

Photo: Julia Wesely

ELISABETH LEONSKAJA

Elisabeth Leonskaja is a pianist of the great Russian school, that tradition of powerful musicians that includes Rachmaninoff and Rubenstein. Artists like Leonskaja provide all the technical dazzle you could want but they’re also virtuoso interpreters, finding a direct line between music and hearer, creating moments of revelation.

The crystalline simplicity of Mozart’s music that makes it so magical is also its challenge. Leonskaja’s lucid, less-is-more approach and scintillating technique makes these three rococo jewels sparkle. Aligned with Mozart’s by its translucency, Schoenberg and Webern’s piano music makes its quiet impact in elegant dabs and strokes of sound and silence. Leonskaja’s candour and command finds the connections between these different kinds of beauty.

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TUESDAY 24 MARCH, 7.30PM ELISABETH MURDOCH HALL

Elisabeth Leonskaja (Austria) piano

Mozart Piano Sonata No.6 in D, K.284 Schoenberg Six Little Piano Pieces, Op.19 Mozart Piano Sonata No.12 in F, K.332 Mozart Piano Sonata No.10 in C, K.330 Webern Variations for Piano, Op.27 Mozart Piano Sonata No.13 in B-flat, K.333

‘She dazzled in performances of Mozart with ACO in 2016, and I was transfixed by her calm, fine, exquisite musicality. Mentored by Sviatoslav Richter, this is a musician of mesmerising quality.’

MARSHALL MCGUIRE

Photo: BonBon

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TUESDAY 16 JUNE, 7.30PM ELISABETH MURDOCH HALL

Li-Wei Qin (Australia) cello Albert Tiu (Philippines) piano

Schubert Sonata for Arpeggione & Piano in A minor, D.821 Schumann Adagio & Allegro, Op.70 Mendelssohn Cello Sonata No.2 in D, Op.58 Paganini Introduction & Variations on ‘Dal tuo stellato soglio’ from Rossini’s Moses in Egypt, MS23, ‘Mose-Fantasia’

‘There’s something about Li-Wei’s playing that always feels so natural, as if this was the only way the repertoire could be played. His big sound and genial stage presence mark him as one of the leading cellists in the world today.’

MARSHALL MCGUIRE

LI-WEI OIN & ALBERT TIU

The cello’s rich, soulful voice is ideally suited to the emotive and expansive music of the Romantics. The Shanghai-born, Australian-trained cellist Li-Wei Qin has made a brilliant career as a charismatic champion of their virtuoso repertoire.

Schubert composed his A-minor Sonata for the now-obsolete arpeggione, so cellists have adopted it. In the exquisitely sombre slow movement you can hear tragic echoes of Winterreise. The headlong rush that opens Mendelssohn’s thrilling Sonata in D sets hearts racing, but the Adagio at the centre is a ‘Baroque’ aria of rapt lyricism. Pianist Albert Tiu is a bravura partner in these intricate chamber masterpieces. Paganini’s flamboyant ‘Moses Fantasy’ allows Li-Wei to astonish us as he spins out variations, each more extravagant than the last.

Albert Tiu

Photo: Andy Gotts

Nicola Benedetti is not afraid to take musical risks, from her choice of repertoire to her no-holds-barred approach to playing it. Her compelling musicianship is matched by her commitment to sharing it with the next generation of musicians and audiences.

The open-hearted lyricism of Brahms’s Violin Sonata No.1 is clouded by melancholy, a compelling bittersweet quality that makes it one of the composer’s best loved works. Elgar’s ardently Romantic sonata is a volatile showcase for a virtuoso violinist like Benedetti. America’s premier jazz musician and composer Wynton Marsalis tailored his Baroque-meets-folk Fiddle Dance Suite exactly to Benedetti’s exuberant style.

MONDAY 20 JULY, 7.30PM ELISABETH MURDOCH HALL

Nicola Benedetti (U.K.) violin Alexei Grynyuk (Ukraine) piano

Brahms Violin Sonata No.1 in G, Op.78 Wynton Marsalis Fiddle Dance Suite (Australian premiere) Elgar Violin Sonata in E minor, Op.82

‘A superstar violinist who maintains a busy solo schedule as well as committing to working with children and teachers to ensure music is widely accessible through her Benedetti Foundation. She’s a big musical personality, matched here with two big musical essays.’

MARSHALL MCGUIRE

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NICOLA BENEDETTI & ALEXEI GRYNYUK

Alexei Grynyuk

Photo: Jiyang Chen

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Thomas Hampson is one of the world’s foremost storytellers. Whether on the operatic stage or in solo recital, the American baritone is a master raconteur. He’s also an advocate for his art-form and for exploring unusual and rewarding repertoire, especially the music of his homeland. A Hampson recital devoted to the rich songbooks of Samuel Barber and Hugo Wolf is an event to cherish.

Both composers write ecstatically for the voice and matched a profound understanding of text with unforgettable musical imagery. And both are firmly in Hampson’s heartland. Wolf’s luscious songs pick up where Schubert left off: songs of intense and volatile emotionality, but also humour. You can hear Barber’s American accent in his open-hearted Romanticism and gestures towards transcendent rapture.

MONDAY 14 SEPTEMBER, 7.30PM ELISABETH MURDOCH HALL

Thomas Hampson (U.S.A.) baritone Wolfram Rieger (Germany) piano

Songs by Samuel Barber and Hugo Wolf.

‘Hampson’s debut recital here in 2018 was stunning, and we immediately decided to invite him back so we could explore more of the artistry of this brilliant singer. A great master singer of our times.’

MARSHALL MCGUIRE

THOMAS HAMPSON & WOLFRAM RIEGER

Wolfram Rieger

Photo: Benjamin Ealovega

15

The 250th anniversary of Beethoven’s birth brings many chances to encounter his masterpieces, but few will be as compelling as James Ehnes’s journey through all of Beethoven’s violin sonatas. Ehnes has the magnetic personality, silken sound, the technique and the stamina to take us on this journey.

It’s also the violin’s journey – over the 15-year span that Beethoven composed his sonatas, the instrument found the powerfully expressive voice we hear in the ‘Kreutzer’ Sonata and the sublime Op.96. Each of these sonatas contains something memorable: the madcap humour of Sonata No.1, the pastoral yearning of the ‘Spring’ sonata, but above all the ingenious interplay of violin and piano. Ehnes and his regular collaborator Andrew Armstrong have an almost telepathic connection, and the full measure of Beethoven’s passionate, funny, angry and profound sonatas.

MONDAY 12 & MONDAY 19 OCTOBER, 7PM ELISABETH MURDOCH HALL

James Ehnes (Canada) violin Andrew Armstrong (U.S.A.) piano

The Complete Beethoven Sonatas: 1-5 (12 Oct) The Complete Beethoven Sonatas: 6-10 (19 Oct)

‘James Ehnes has a special quality about his playing, it’s intimate in detail but epic in imagination. He’s both poetic and heroic. An evening – or two – with James Ehnes is a transformative experience especially when he’s performing all of Beethoven’s sonatas for violin and piano.’

MARSHALL MCGUIRE

JAMES EHNES & ANDREW ARMSTRONG

Andrew Armstrong

Photo: Sussie Ahlburg / Gary Houlder

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Few pianists channel the poetry of Chopin’s music as effortlessly as Argentine virtuoso Ingrid Fliter. Her way at finessing the melody out of Chopin’s filigree and illuminating a limpid sonority have made for endlessly fascinating recordings and recitals. The turbulent Sonata No.3 is one of Chopin’s most daunting works, epic in scope and kaleidoscopic in mood, from stormy anger to nocturnal introversion and finally jubilation. Fliter is the master of this late masterpiece. Schumann’s Symphonic Etudes also encompass multitudes, expanding the sonority of the piano to orchestral magnitude, alive with Schumann’s melancholy, heroism and whimsy. Fliter brings the elusive magic of these characterful studies to vivid life.

MONDAY 2 NOVEMBER, 7.30PM ELISABETH MURDOCH HALL

Ingrid Fliter (Argentina) piano

Schumann Symphonic Etudes, Op.13 (including posthumous variations) Chopin Nocturne, Op.9, No.3 Chopin Piano Sonata No.3 in B minor, Op.58

INGRID FLITER

‘Ingrid Fliter is renowned for her Chopin performances, her recordings receiving the highest praise. Her mastery of the Romantic repertoire is second to none, and she manages to combine a fierce technique with an ability to give voice to the composers.’

MARSHALL MCGUIRE

Photo: Giorgia Bertazzi

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Christian Tetzlaff is constantly reinventing himself. Whether battling an orchestra in a concerto, or standing alone on stage, he is always searching for new ways to express the essence of the music he performs. It doesn’t get much more essential than Tetzlaff performing Bach’s solos, in this case the magisterial D-minor Partita, culminating in its overpowering Chaconne, and the C-major Sonata, a study in counterpoint and dance. Bartók’s sinewy and mysterious solo violin sonata was inspired by Bach, viewed through the prism of modernism – a fitting end to a concert of the era-spanning brilliance of Christian Tetzlaff’s art.

MONDAY 23 NOVEMBER, 7.30PM ELISABETH MURDOCH HALL

Christian Tetzlaff (Germany) violin

Bach Partita for violin No.2 in D minor, BWV 1004 Bach Sonata for violin, No.3 in C, BWV 1005 Bartók Sonata for Solo Violin Sz.117, BB 124

‘Christian Tetzlaff’s recital here in 2015 is still talked about by those who were there as one of the outstanding musical moments in the Centre’s history. And we now have the opportunity to hear him again, alone on stage, as he plays Bach and Bartók like no-one else.’

MARSHALL MCGUIRE

CHRISTIAN TETZLAFF

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Born in Germany 1770, Ludwig van Beethoven redefined music as we know it. His legacy contains some of the most expressive music ever written, bounding between heights of passion and joy and moments of complete and sober reflection. 2020 marks the composer’s 250th birthday year.

What better way to celebrate the magnitude of his glorious music than with a survey of his piano concertos, performed by artists who have formed their own special relationships with Beethoven across a lifetime of listening and playing.

The five piano concertos were composed between 1795 and 1809 and have been treasured for more than 200 years. Melbourne Recital Centre’s Signature Event welcomes Kristian Bezuidenhout and Freiburg Baroque Orchestra to perform all five over two outstanding evenings. Kristian Bezuidenhout is one of today’s most notable and exciting keyboard artists, equally at home on the fortepiano, harpsichord and modern piano. His partnership with Freiburg Baroque Orchestra as artistic director has attracted high praise, in particular for their recordings of Mozart.

These concerts are part of Melbourne Recital Centre’s Beethoven 250 Celebrations.

THE COMPLETE BEETHOVEN PIANO CONCERTOS FREIBURG BAROOUE ORCHESTRA & KRISTIAN BEZUIDENHOUT

A MELBOURNE RECITAL CENTRE SIGNATURE EVENT

Photo: Foppe Schut

EXCLUSIVE OPPORTUNITY

For a limited time, Great Performers Season Ticket buyers can save 10% on selected Freiburg Baroque Orchestra and Kristian Bezuidenhout tickets, and enjoy a priority booking period on the best seats.

Premium $197.10 A Reserve $179.10

TWO CONCERT PACKAGEPremium $350.40 A Reserve $318.40

The Complete Beethoven Piano Concertos Kristian Bezuidenhout fortepiano Freiburg Baroque Orchestra

TUESDAY 10 MARCH, 7.30PM ELISABETH MURDOCH HALL

Beethoven Piano Concerto No.1, 2 & 3

WEDNESDAY 11 MARCH, 7.30PM ELISABETH MURDOCH HALL

Beethoven Creatures of Prometheus: Overture, Op.43 Beethoven Coriolan Overture, Op.62 Beethoven Piano Concerto No.4 & 5

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Hear the concertos as Beethoven imagined them, with the Orchestra’s standing-setting musicianship set off by Bezuidenhout’s

‘irrepressible imagination and vitality’

THE GUARDIAN, U.K.

Supported by Yvonne von Hartel AM, Robert Peck AM, Rachel Peck & Marten Peck of peckvonhartel architects

Kristian Bezuidenhout

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AT MELBOURNE RECITAL CENTRE

SUPPORTING GREAT PERFORMANCEMelbourne Recital Centre’s Great Performers series offers local audiences the opportunity to experience the transcendental music-making of some of the world’s greatest musicians. The associated Master Class series creates unique opportunities for emerging young artists to hone their craft under the guidance of these elite musicians.

These inspiring series are only possible thanks to the philanthropic support of music loving individuals in our community. We thank each and every one of them for their commitment and generosity.

To find out more about how your support could make a real impact on Melbourne’s musical future, please contact Alistaire Bowler, Philanthropy Manager 03 9207 2653 or alistaire.bowler@melbournerecital.com.au

Legal Friends of Melbourne Recital Centre – Series Partner of Great Performers Legal Friends of Melbourne Recital Centre brings together music lovers from the legal profession to share in their passion for music, whilst providing crucial financial support for the Centre’s Great Performers Series.

Legal Friends Inaugural Patrons The Hon Justice Michelle Gordon AC & The Hon Kenneth M Hayne AC QC

$10,000+ The Hon Justice Michelle Gordon & Hon Kenneth M Hayne

$4000+ Naomi Golvan & George Golvan QC Peter B Murdoch QC & Helen Murdoch Maya Rozner & Alex King

$2500+ Anonymous Colin Golvan AM QC & Dr Deborah Golvan Peter J Stirling & Kimberley Kane

$1000+ John & Marcia Arthur James Barber Annette Blonski & Martin Bartfeld QC Peter Bartlett The Hon Alex Chernov AC QC & Mrs Elizabeth Chernov Christine Clough The Hon Justice Julie Dodds-Streeton Timothy Goodwin Robert Heathcote & Meredith King The Hon Peter Heerey AM QC & Sally Heerey Judge Sara Hinchey & Tom Pikusa John Howie AM & Dr Linsey Howie Pandora Kay & John Larkins Anthony J & Philippa M Kelly Maryanne B Loughnan QC Banjo McLachlan & Paul Mahony Elizabeth O’Keeffe In Memory of Kevin Pose Ralph & Ruth Renard Meredith Schilling Michael Shand AM QC Tom Smyth

$500+ Elizabeth Boros Hon Justice David Byrne QC Leslie G Clements The Hon Hartley Hansen QC & Rosalind Hansen The Hon David L Harper AM

MUSIC CIRCLE Music Circle donors support the depth and vibrancy of the Centre’s musical program and play a crucial role in ensuring that we can continue to present a rich diversity of the greatest musicians and ensembles from Australia and around the globe.

$30,000+ Yvonne von Hartel AM, Robert Peck AM, Rachel Peck & Marten Peck of peckvonhartel architects (Signature Events Benefactors)

$20,000+ Melbourne Recital Centre Board of Directors Prof Andrea Hull AO Peter & Cally Bartlett Stephen Carpenter & Leigh Ellwood Joseph & Nicole Corponi The Hon Mary Delahunty Paul Donnelly & Brigitte Treutenaere Assoc Prof Jody Evans Margaret Farren-Price & Prof Ronald Farren-Price AM Eda Ritchie AM Audrey Zibelman

$10,000+ John & Lorraine Bates Warwick & Paulette Bisley (Great Performers Leadership Supporters) John Simpson & Cathy Simpson Maria Sola (Local Heroes & Great Performers Leadership Supporter) Dr Michael Troy

$7500+ Esther & Brian Benjamin (Great Performers Leadership Supporters) Message Consultants Australia

$4000+ Anonymous Danielle Davis & Joyce Marks Jenny & Peter Hordern Diana Lempriere Cathy Lowy Geoff & Jan Phillips (Great Performers Leadership Supporters) Mary Vallentine AO Dr Victor Wayne & Dr Karen Wayne OAM

$2500+ Anonymous Ballandry (Peter Griffin Family) Fund Liz & Charles Baré Alastair Campbell & Sue Campbell Kathy & George Deutsch OAM Ann Lahore Shelley & Euan Murdoch Dr Paul Nisselle AM Greg Noonan Ian Nowak & Kathleen Nowak James Ostroburski & Leo Ostroburski Jacqueline Schwarz Sirius Foundation

$1000+ Anonymous Adrienne Basser Helen Brack Bill Burdett AM & Sandra Burdett Maggie Cash John Castles AM & Thelma Castles OAM

Laurie Cox AO & Julie Ann Cox AM Mary Draper Lord Francis Ebury & The Late Lady Suzanne Ebury Maggie Edmond Susan Fallaw The Leo & Mina Fink Fund Angela Glover Ann Gordon Jan Grant Nance Grant AM MBE & Ian Harris Henkell Family Fund In memory of Beryl Hooley Penelope Hughes Stuart Jennings Dr Garry Joslin & Prof Dimity Reed AM George & Grace Kass

Maria Mercurio Baillieu Myer AC & Sarah Myer Rupert Myer AO & Annabel Myer Stephen Newton AO Elizabeth O’Keeffe Helen Perlen Kerryn Pratchett Sandra Robertson & Philip Cachia Dr Peter Rogers & Cathy Rogers Peter Rose & Christopher Menz In Memory of Pauline Speedy Barbara & Duncan Sutherland Pamela Swansson Pearl Tang (including matching from Pricewaterhouse Coopers)

Ensemble Giovane - Leadership Donors in support of master classes & young artist development.$10,000+ Jim Cousins AO & Libby Cousins YMF Australia

$7500+ George & Laila Embelton

$5000+ The Hon Susan Crennan AC QC & Dr Michael Crennan QC Jo Fisher Lyndsey & Peter Hawkins Igor & Jenny Zambelli

$3000+ Christine Sather Dr Cherilyn Tillman & Tam Vu

$1000+ Peter J Armstrong Bailey-Lord Family Mary Beth Bauer Fiona Bennett Zoe Brinsden Kathryn Fagg AO Dr Jane Gilmour OAM & Terry Brain Prof Andrea Hull AO Liane Kemp Simon Le Plastrier Norene Leslie McCormac Rosemary O’Connor Laura Thomas

SUPPORTING GREAT PERFORMANCE

Naming a seat at Melbourne Recital Centre is a unique way to honour a special person, commemorate a significant event or simply celebrate your love of music.

For more information contact Leonie Thompson 03 9207 2648 | leonie.thompson@melbournerecital.com.au

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Be at the heart of the music

Melbourne Recital CentreElisabeth Murdoch Hall

Name a Seat

Example seat dedication

IN MEMORY OF JOHN SMITH

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GREAT BENEFITS

1. Redeemable for a Great Performers 2020 concert, tickets are best available & subject to availability 2. Only valid for four and six-packs. 3. Free Melbourne Recital Centre Music Lover Annual Membership valid until 28 November 2020. Limit of one Music Lover Annual Membership per household. Your Membership pack will be fulfilled separately to your Season Tickets. Membership is not exchangeable, transferable or redeemable for cash. If you are already a Member, an additional year will be added to your existing membership. 4. Means-tested concession card holders only.

In 2020, you can save on tickets and have the flexibility of a choose-your-own Season Ticket Package.

Purchase all eight concerts to enjoy the greatest saving and additional benefits or purchase a Flexible Package to personalise your experience.

Book before 28 November 2019 for extra benefits.

Season Ticket holders save up to 30%

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Full-pack season-ticket holders receive one complimentary ticket per year to introduce a friend to the series 1

Full-pack season-ticket holders can retain their same seats year after year

Save 10% on additional tickets for Great Performers concerts

Waived exchange fees if your plans change and you exchange tickets for another recital 2

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Book by 28 November 2019 and receive a free Melbourne Recital Centre Music Lover Annual Membership (valued at $50) to unlock further benefits and discounts 3

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ms

and

art

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su

bje

ct t

o ch

ange

wit

ho

ut

no

tice

. All

det

ails

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rrec

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tim

e o

f p

rin

tin

g. L

imit

of

on

e co

mp

limen

tary

tic

ket

vou

cher

per

fu

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eem

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fo

r a

Gre

at P

erfo

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02

0 c

on

cert

, su

bje

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o a

vaila

bili

ty. N

ot

exch

ange

able

or

red

eem

able

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r ca

sh. W

e ap

olo

gis

e if

yo

ur

firs

t ch

oic

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f co

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t av

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. Co

nce

ssio

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ts a

re a

vaila

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s-te

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co

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o f

urt

her

dis

cou

nts

. Sea

tin

g is

bes

t av

aila

ble

. Pro

of

of

elig

ibili

ty: P

ho

to ID

or

valid

mea

ns-

test

ed c

on

cess

ion

car

d.

All

tick

et p

rice

s va

lid u

nti

l 31

Dec

emb

er 2

019

. Mel

bo

urn

e R

ecit

al C

entr

e A

BN

46

118

617

619

.

I wou

ld li

ke to

mak

e a

tax

dedu

ctab

le d

onat

ion

to s

uppo

rt t

he C

entr

e.$

GR

AN

D T

OTA

L (S

ubto

tal 1

+ S

ubto

tal 2

+ S

ubto

tal 3

+ d

onat

ion)

$

Do

you

requ

ire

acce

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eati

ng?

Yes

No

Ren

ew /

Boo

k on

line

at m

elbo

urne

reci

tal.c

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u/gr

eatp

erfo

rmer

s20

20 o

r co

mpl

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this

form

Sea

ting

is a

lloca

ted

from

Bes

t Ava

ilabl

e at

the

tim

e of

pro

cess

ing

TICK

ET S

ELEC

TION

4. P

URCH

ASE

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ZUID

ENHO

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