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Human Computer Interaction
Chapter 7 - Universal Design
HCI
UNIVERSAL DESIGN
Learning Outcomes
To understand the universal design concept
To understand how the chosen design may affect the user
To describe the components of universal design process
HCI
UNIVERSAL DESIGN
Introduction
What is Universal Design (UD)?
The process of designing products so that they can be used by as many people as possible in as many situations as possible.
E.g. designing interactive systems that are usable by anyone, with any range of abilities, using any technology platform.
HCI
UNIVERSAL DESIGN
Introduction
Definitions
“Universal design makes things more accessible, safer, and convenient for everyone. Also called “Design for All” or “Inclusive Design,” it is a philosophy that can be applied to policy, design and other practices to make products, environments and systems function better for a wider range of people. It developed in response to the diversity of human populations, their abilities and their needs.” - The Center for Inclusive Design and Environmental Access (IDeA Center)
“Universal Design is a framework for the design of places, things, information, communication and policy to be usable by the widest range of people operating in the widest range of situations without special or separate design. Most simply, Universal Design is human-centered design of everything with everyone in mind.” - The Institute for Human Centered Design
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UNIVERSAL DESIGN
IntroductionUniversal design has two major components:
1. Designing products to be flexible enough and can be directly used
2. Designing products to be compatible with the assistive technologies - those who cannot efficiently access and use the products directly.
example- plug and play device
HCI
UNIVERSAL DESIGN
Universal Design Principles
Is it possible to design anything so that anyone can use it? If possible, how practical would it be?
Seven UD Principles
1. equitable use
2. flexibility in use
3. simple and intuitive to use
4. perceptible information
5. tolerance for error
6. low physical effort
7. size and space for approach and use
Useful to people with a range of abilities and appealing to all
Allows for a range of ability and preference, through choice of methods of use and adaptivity to the user’s pace, precision and custom
Support user’s expectations and accommodate different language, literacy, academic skills
Presentation should be presented in effectively; represented in different forms/modes
Minimize the impact/damage caused by mistakes/unintended behavior
Comfortable to use, minimizing physical effort and fatique
Placement of system should be within reach & can be used by any user regardless of body size, posture or mobility
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UD -Multi-Sensory Systems
More than one sensory channel in interaction e.g. sounds, text, hypertext, animation, video,
gestures, vision
Used in a range of applications: particularly good for users with special needs, and
virtual reality
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UNIVERSAL DESIGN
UD using Usable SensesThe 5 senses (sight, sound, touch, taste and
smell) are used by us every day each is important on its own together, they provide a fuller interaction with the natural world
Computers rarely offer such a rich interaction
Can we use all the available senses? ideally, yes practically – no
We can use • sight • sound • touch) but we cannot (yet) use • taste • smell
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UNIVERSAL DESIGN
Multi-modal vs. Multi-media
Multi-modal systems use more than one sense (or mode ) of interaction
e.g. visual and aural senses: a text processor may speak the words as well as echoing them to the screen
Multi-media systems use a number of different media to communicate information
e.g. a computer-based teaching system: may use video, animation, text and still images: different media all using the visual mode of interaction; may also use sounds, both speech and non-speech: two more media, now using a different mode
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UNIVERSAL DESIGN
Sound in the Interface Sound is one of the IMPORTANT contributor to
usability
Research shown; With audio as confirmation modes, it reduces errors Allows users to pick up vital clues and information
from sound while concentrating their visual attention on different things
Allows to access in poorly lit or noisy environments Able to convey transient information and does not
take up screen space (useful for mobile applications)
Types of Sound can be divided into two; Speech Non-speech
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UNIVERSAL DESIGN
Speech Human beings have a great and natural mastery of speech – learnt
by listening to and mimicking the speech around us
Structure of Speech (ENGLISH)
1. phonemes Made up of 40 basic atomic elements of speech Each represents distinct sound (24 consonants & 16 vowel sounds) Prosody – alteration in tone, pitch, pauses, emphasis These resulted in..
2. allophones Represents all different sounds in the language between 120 and 130 of them these are formed into …
3. morphemes smallest unit of language that has meaning Basic building blocks of language (words, whole words, sentences)
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Speech (cont’d)Other terminology:
• syntax – structure of sentences
• semantics – meaning of sentences
*people are more aware and concentrating on extracting the meaning from the sentences, rather than focusing on the complex structure of speech
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Speech RecognitionProblems
1. Complexity of language
2. Different people speak differently: accent, intonation, stress, idiom, volume, etc. Pauses or using continuation noises (“ummm.....” and “errr.....”)
3. Background noises can interfere with input (masking/distorting the information)
Benefits Offers another mode of communication – supplement existing
methods/be the primary method. Eg., if user’s hand occupied, speech might be ideal as input medium
Doesn’t need keyboard, thus useful in mobile situations Alternative means of input for users (with visual, physical,
cognitive impairment)
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UNIVERSAL DESIGN
Speech Recognition: useful?
Single user or limited vocabulary systems e.g. computer dictation
Open use, limited vocabulary systems can work satisfactorily
e.g. some voice activated telephone systems
general user, wide vocabulary systems …… still a problem
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UNIVERSAL DESIGN
Non-Speech Sounds
boings, bangs, squeaks, clicks etc.
commonly used for warnings and alarms
Language/culture independent, unlike speech
Have to be learned
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UNIVERSAL DESIGN
Non-Speech Sounds: useful?
1. To provide transitory information – indications of network/system changes or of errors
2. To provide status information on background processes
3. To provide second representation of actions and objects in the interface.
4. To be used as navigation round a system – esp. for visually impaired
Types of non-speech sounds1. Using sounds that occur naturally in the world (auditory
icons)2. Using abstract generated sounds (earcons)
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Auditory Icons
Use natural sounds to represent different types of object or action
Natural sounds have associated semantics which can be mapped onto similar meanings in the interaction
e.g. throwing something away~ the sound of smashing glass
Problem: not all things have associated meanings
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Example - SonicFinder for the Macintosh
items and actions on the desktop have associated sounds
folders have a papery noise
moving files – dragging sound
copying – a problem … sound of a liquid being poured into a
receptaclerising pitch indicates the progress of the copy
big files have louder sound than smaller ones
HCI
UNIVERSAL DESIGN
EarconsSynthetic sounds used to convey information
Structured combinations of notes (motives ) represent actions and objects
They vary according to rhythm, pitch, timbre, scale, volume
Two types of Earcons; compound earcons – combine different motives to build up a
specific action. E.g., combining the motives for ‘create’ and ‘file’ Family earcons – represent compound earcons of similar types.
E.g., OS errors and syntax errors would be in the ‘error’ family
It can be hierarchically structured to represent menus
Easily grouped
But, requires learning to associate with specific tasks in the interface
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UNIVERSAL DESIGN
TouchTouch is the only sense that can be used to send
and receive information
The use of touch in the interface is known as haptic interaction
Types of haptic interaction cutaneous perception
tactile sensation through the skin (e.g. vibration)
kinesthetics movement and position (e.g., resistance, texture, friction or force feedback)
information on shape, texture, resistance, temperature, comparative spatial factors
example technologies electronic braille displays force feedback devices e.g. PHANTOM range from SensAble Technologies
It provides 3-D force feedback allowing users to touch virtual objects by using an optical sensory –mouse
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UNIVERSAL DESIGN
Handwriting recognitionHandwriting is another communication mechanism
which we are used to in day-to-day life – a natural form of communication
TechnologyHandwriting consists of complex strokes and spacesCaptured by digitizing tablet
Free-flowing strokes (using a pen) transformed to sequence of coordinates
Depending on pressure and movements; Rapid movements – wide spaced dots/ Slow movements – narrowed dots
Information written onto tablets can be displayed, stored, or redisplayed
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Handwriting recognition Problems
Variation between handwritingco-articulation effects (letter formation)
Breakthroughs:stroke not just bitmapspecial ‘alphabet’ – Graffeti on PalmOS
Current state:usable – even without trainingbut many prefer keyboards!
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Gesture Recognition Control of movements by the hand
applications gestural input - e.g. “put that there” sign language
technology Computer vision data glove – special lycra glove position sensing devices
benefits natural form of interaction – pointing Easily interpreted by speech recognition system – using short, simple
verbal statements enhance communication between signing and non-signing users
problems user dependent – variation and co-articulation expensive
HCI
UNIVERSAL DESIGN
Designing for DiversityGenerally, it is understood that, human
capabilities are different. Users have different needs and limitations.
Normally interface is designed for ‘average’ users, excluding not-so average users.
People are diverse, thus it is important to consider many factors when we want to apply universal design
Factors to consider;1. Disability
2. Age
3. Culture
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Users with disabilities visual impairment
Nowadays, the standard interface is graphical. The use of this reduces the possibilities for them
How to help? Peripherals - screen readers, braille output Sound – speech, earcons, auditory icons Touch – tactile interaction, force feedback devices
hearing impairment Less impact on graphical interface compared to visual
impairment. Computers enhance communication opportunities for them
How to help? Email, instant messaging Gesture recognition Textual captions for multimedia presentations which
contains auditory narrative
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UNIVERSAL DESIGN
Users with disabilities physical impairment
vary in control and movement abilities. Difficulty in mouse control How to help?
Speech input and output Eyegaze system – tracks eye movements to control cursors Predictive systems (e.g. Reactive keyboard – anticipate the commands to
be typed and executed)
speech impairment How to help?
Synthetic speech, text-based communication, conferencing systems
Dyslexia difficulty with learning to read fluently
How to help? Severe - speech input & output Non-severe – spelling correction facilities Consistent navigation structure, clear signposting cues Color coding information, graphical information
Autism impaired social interaction and verbal and non-verbal communication
How to help? Communication – computer-mediated communication, virtual
environments, graphical information, graphical input Education – virtual environments, games for social situations and
appropriate responses
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UNIVERSAL DESIGN
… plus …age groups
older people e.g. disability aids, memory aids, communication tools to prevent social isolation
children e.g. appropriate input/output devices, involvement in design process
cultural differences influence of nationality, generation, gender, race, sexuality,
class, religion, political persuasion Be extra careful of;
Language – translations, layouts (reading patterns)cultural symbolsGestures – movement of bodiesuse of colors – red (life-India, happiness-China, royalty-
France); green (fertility-Eqypt, youth-China, safety-USA)
HCI
UNIVERSAL DESIGNSummary
UD A process of embedding choice for all type of users in the
things we design. Choice -flexibility, and multiple alternative People -age, ability, sex, economic status, etc. Things - spaces, products, information systems and any other
things that humans manipulate or create. A user-centered process Designers and users use their understanding, perspectives and
experience in a variety of environments The more we learn about people and the choices they may wish
as they interact with the environments, the better we become. Because of this, no one knows it all. We can all learn from each
other about how to better design things for all people