Harrington’s Pie and Mash S hop 3 Selkirk Road ... - Sweeney Todd NYC · Puran, James Ragin, Greenwhich House; David Lever; Justin Levine; Erik Lochtefeld; Shidan Majidi; Jerry

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Barrow St Theatre Sweeney Todd Program V2_Layout 1 2/13/17 2:15 PM Page 24

2020

Harrington’s Pie and Mash Shop3 Selkirk Road Tooting, London.

Open for business since 1908.


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THE ACTORS AND STAGE MANAGERS EMPLOYED IN THIS PRODUCTION ARE MEMBERS OF ACTORS’ EQUITY ASSO-CIATION, THE UNION OF PROFESSION-AL ACTORS AND STAGE MANAGERS IN THE UNITED STATES.

White, Eddie Lopez, Tamain Trice, Ray Puran, James Ragin, Greenwhich House; David Lever; Justin Levine; Erik Lochtefeld; Shidan Majidi; Jerry Marshall ; Beverley Mason; Mark McKennon; Tony Meola; Matt Murphy; Justin Noel; NYTW; Joey Parnes; Sarah Phillips; Aaron Pierce; Eamon Roche; Maury Rubin, The City Bak-ery; Jane Stuart; Bob Tierney; James Triner; Donyale Werle; Hilary and Stuart Williams.

BARROW STREET THEATRE

27 Barrow Street, NYC 10014(212) 243-6262

Executive Director…TOM WIRTSHAFTERManaging Director…......SCOTT MORFEEGeneral Manager….......KATE MORROWTheatre Manager….........KARLY FISCHERLiterary Manager………KRISTINA OLSONFont of House Staff……MARK COATES, KAITLYN HOFFMAN, DANE JERABEK, DEAN LINNARD, MICHAEL MCLEN-DON, MEGAN NUSSLE, SARAH WEIN-FLASH, EMILY VERLA, JENNA ZHU

The musicians employed in this production are members of the Associated Musicians of Greater New York, Local 802 of the American Federa-tion of Musicians.

WARNINGThe photographing or sound recording of any performance or the possession of any device for such photographing or sound recording inside this theatre, with-out the written permission of the manage-ment, is prohibited by law. Violators may be punished by ejection and violations may render the offender liable for money damages.

FIRE NOTICE: The exit indicated by a red light and sign nearest to the seat you occupy is the shortest route to the street. In the event of ! re or other emergency please do not run – WALK TO THAT EXIT. Thoughtless persons annoy patrons and endanger the safety of others by lighting matches or smoking in prohibited areas during the performances and intermis-sions. This violates a city ordinance and is punishable by law.

FIRE COMMISSIONER

Greenwich House Music SchoolRenee Weiler Concert Hall

Concerts and recitals featuring an array of artistry from classical to cutting-edge.

greenwichhouse.org/music

Greenwich House Pottery

Jane Hartsook Gallery

Exhibitions of established ceramicists and a showcase

for underrepresented and emerging ceramic artists.

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Greenwich House Pottery

Jane Hartsook Gallery

16 Jones StreetBetween Bleecker and

West 4th Streets

212-242-4106

Greenwich House Music SchoolRenee Weiler Concert Hall

46 Barrow StreetBetween 7th Avenue South

and Bedford Street

212-242-4770

greenwichhouse.org

“A Customer!”My name is Rachel Edwards and I am the originating producer of Tooting Arts Club’s Sweeney Todd. On behalf of myself, and my producing partners Jenny Gersten, Greg Nobile, Jana Shea and Nate Koch, it is our pleasure to welcome you to Harrington’s Pie and Mash Shop!

In the spring of 1908, number 3 Selkirk Road Tooting, London, became the home of Harrington’s Pie and Mash shop when it was bought by Bertie Harrington and his wife Clara. Little has changed in this tiny Tooting eatery since it � rst opened for business some 109 years ago. � e Harrington fam-ily still run the shop, the original green tiles still adorn the walls and the menu remains unchanged since the days of Queen Victoria.

� e idea to stage Sweeney Todd in London’s oldest pie and mash shop was one which I lived with for several years before I dared to say it out loud. It felt too outrageous, too complicated, in essence – it felt impossible. A simple ‘yes’ from Beverley Mason – owner of Harrington’s, and great grand-daughter of Bertie and Clara – changed everything. Subsequently, an unforgettable collaboration was born that set in motion a chain of events that was nothing short of extraordinary. Nothing was ever a problem ‘Can we replace your fridge with a piano?’ Of course you can. ‘Stand on your counter?’ Go ahead. ‘Sorry about the blood!’ Don’t worry about it. � is generosity, coupled with the sheer skill and enthusiasm of the creative team, our pie-shop Sweeney began to take shape.

We stayed at Harrington’s for a wonderful six weeks in the winter of 2014 before setting up shop in London’s West End courtesy of Sir Cameron Mackintosh, where Harrington’s opened for business on Shaftesbury Avenue for thirteen weeks during the spring of 2015.

And now, to New York City, and Greenwich Village. Needless to say it is a tremendous honour for us to be bringing Sweeney Todd to the town of its birth and we are delighted to have found our new home at the Barrow Street � eatre within the walls of Greenwich House, and are very grateful for the hospitality and understanding shown to us as we set-about rebuilding Harrington’s tile by tile. What you see here today is what you would see if you were to visit Harrington’s in Tooting. � e menu, the benches, the tiles, the original Victorian stained glass, and the much-loved galleons that adorn the walls.

One thing that has changed - we have a new chef ! David Johnson, Harrington’s original pie-maker is needed back in Tooting, but we are delighted to have a new pie-maker-in-chief, no other than the ‘Crustmaster’ himself, Mr Bill Yosses. � anks to Bill, pre-show pie and mash will once again be the order of the day.

Finally, I would to take this opportunity to extend my sincere and heartfelt thanks to Stephen Sond-heim for the support he has shown this production from its early days in Tooting.

All that remains to be said is, bon appétit and enjoy the show!

With all good wishes,

Rachel Jenny Greg Jana Nate


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SPECIAL THANKS

F. Richard Pappas; John Barrett, John Bar-rett Salon; Maggie Boepple, David Lang-ford and Aaron Gar� nkel, The Perelman Center at the World Trade Center; Kath-leen and Henry Chalfant; Tony Cotton; Su-san Dunn; Judith Edwards; Steve Edwards; Oskar Eustis; Florence Fabricant; Jason Gold; Alison Hines; Alex Innocenti; David Johnson; Meredith Kane;Alexander Kuhn; Neil Laidlaw; Roy Leavitt, Tedd Havlicek, Robert Smith, Calvin Coleman, Juanita

CREDITS

Scenery provided by Daedalus Design & Production Inc. Lighting gear provided by 4 Wall Entertainment. Sound gear pro-vided by 5 OHM Productions.Select Props Provided by Jennifer Perez at Rose Brand and SMP Graphics. Props Transportation by T. Rangoo & Sons. Make up provided by MAC. Flame Protection by Turning Star.

PRESS REPRESENTATIVEBONEAU/BRYAN-BROWN

Adrian Bryan-Brown Heath Schwartz Melissa Cohen

ADVERTISINGAKA

Elizabeth Furze Scott Moore Jana Burgeson Crystal Chase Elizabeth Findlay Sean Fry

Marc Jablonski

SOCIAL MEDIAMARATHON LIVE ENTERTAINMENT

Mike Karns Melanie Parker Brianna Marosy

LEGAL COUNSELNEVIN LAW GROUP

Doug Nevin Alex Robbins

ORIGINAL ARTWORKDrew Hodges

ORIGINAL PRODUCTION CREDITS

Producer RACHEL EDWARDS Co-Producer HILARY WILLIAMS Associate Producer TRACEY CHILDS Director BILL BUCKHURST Designer SIMON KENNY Arrangement/Musical Direction/Piano BENJAMIN COX UK Choreographer GEORGINA LAMB Fight Direction KEVIN McCURDY Lighting Design AME MAE Sound Design JOSHUA RICHARDSON Assistant Designer JAY HIRST Costume Supervisor LORENA PATON Casting Director KATE PLANTIN Outreach and Education SUSAN DUNN Pie-Maker DAVID JOHNSON Original Cast: Sweeney Todd JEREMY SECOMB Mrs Nellie Lovett SIOBHÁN McCARTHY Judge Turpin DUNCAN SMITH Tobias Ragg JOSEPH TAYLOR Johanna Barker GRACE CHAPMAN/ZOE DOANO Anthony Hope NADIM NAAMAN/CRAIG MATHER, Beadle Bamford IAN MOWAT Adolfo Pirelli/Beggar Woman KIARA JAY Clarinet RA-CHEL RIDOUT Violin PETRU CORTARCEA Production Management ANDY READER Stage Manage-ment/Front of House SARAH PHILLIPS HELEN BARRATT JESSICA RICHARDSON HANNAH HALDEN MICHAEL FRASER Press CORNERSHOP PR Artwork MARTIN O’NEILL Production Photography BRONWEN SHARP ELLIE KURTTZ

By special arrangement BEVERLEY MASON (Tooting) SIR CAMERON MACKINTOSH (West End) Original Production support ARTS COUNCIL ENGLAND, Bi-JINGO.COM and various contributors via KICKSTARTER

RACHEL EDWARDS JENNY GERSTEN SEAVIEW PRODUCTIONSNATE KOCH, Executive Producer

FIONA RUDIN BARROW STREET THEATRE JEAN DOUMANIAN REBECCA GOLD

present

The Tooting Arts Club production of

A Musical Thriller

Music and Lyrics

STEPHEN SONDHEIMBook by

HUGH WHEELERFrom an adaptation by CHRISTOPHER BOND

with

DesignerSIMON KENNY

Lighting DesignerAMY MAE

Sound DesignerMATT STINE

Music DirectorMATT AUMENT

General ManagerKATE MORROW

Production Stage ManagerRICHARD A. HODGE

Production ManagementIRON BLOOM CREATIVE PRODUCTION

Fight DirectorBRYCE BERMINGHAM

Prop MasterRAY WETMORE

Chef & Pie MakerBILL YOSSES

Vocal and Dialect CoachBEN FUREY

Associate DirectorANDREW SCOVILLE

Associate ChoreographerYASMINE LEE

Press RepresentativeBONEAU/BRYAN-BROWN

AdvertisingAKA

Social MediaMARATHON LIVEENTERTAINMENT

CastingTELSEY + COMPANY

CESAR A. ROCHA, CSA

Music Supervisor & ArrangerBENJAMIN COX

ChoreographerGEORGINA LAMB

Directed by

BILL BUCKHURSTOriginally directed on Broadway by HAROLD PRINCE

Originally produced on Broadway by RICHARD BARR, CHARLES WOODWARD, ROBERT FRYER, MARY LEA JOHNSON, MARTIN RICHARDS in association with DEAN & JUDY MANOS

Barrow Street Theatre, 27 Barrow Street NYCTom Wirtshafter, Executive Director Scott Morfee, Managing Director

The Tooting Arts Club production of

JEREMY SECOMB SIOBHÁN McCARTHY

MATT DOYLE ALEX FINKE BETSY MORGAN BRAD OSCAR DUNCAN SMITH JOSEPH TAYLOR

COLIN ANDERSON MONET SABEL


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OPENING NIGHT: MARCH 1, 2017

STAFF FOR SWEENEY TODD: THE DEMON BARBER OF FLEET

STREET

GENERAL MANAGEMENTBARROW STREET THEATRE

Kate Morrow Karly Fischer

PRODUCTION MANAGEMENTIRON BLOOM CREATIVE

PRODUCTION, LLCGabriel Hainer Evansohn

and William Irons, PartnersAssociate: Lily Haje

CASTINGTELSEY + COMPANY

Bernard TelseyCesar A. Rocha Lauren Harris

Company Manager………………………………………………………… KARLY FISCHERAssociate Set Design………………………………IRON BLOOM CREATIVE PRODUCTIONAssociate Costume Design………………………………………………SYDNEY GALLASAssociate Lighting Design……………………………………………… JESSICA CREAGERAssistant Sound Design…………………………………………………………AJ SURASKYAssistant Stage Manager……………………………………JOSHUA MARK GUSTAFSONWardrobe Supervisor………………………………………………ANDREA DOCKHORNDeck Carpenter………………………………………………………BRIAN GUSTAVESONHair Consultant……………………………………………………………J. JARED JANASProgram Printing……………………………………………………LUMINAR SOLUTIONSProgram Design…………………………………………………………ALEX INNOCENTIStandby Music Director……………………………………………………ANDREW GERLE Assistant Pie Maker………………………………………………………ROBERTO WELCHFood Consultation………………………………………………………FLAVOR MEMORYArchitect…………………………………………………MITCHELL KURTZ ARCHITECT PCAccounting……………………………………WITHUMSMITH + BROWN, ROBERT FRIEDController…………………………………………………………………GALBRAITH & CO.Banking…………………………………………..CITY NATIONAL BANK/SHALIMAR ALIInsurance…………………………………AON ALBERT G. RUBEN/CLAUDIA KAUFMANProduction Photographer…………………………………………………JOAN MARCUSExpediter………………………………………………………………………DESIGN 2147Scenic Artist…………………………………INFINITE SCENIC (MEGAN WATTERS, LEAD)Production Electrician………………………………………………………THE SYNDICATEMaster Electrician/Programmer……………………………………………ROSS GRAHAMHead Sound/Sound Programmer………………………………….5 OHM PRODUCTIONSCostume Shopper…………………………………………………………….JASON LEWISCostume Interns……………MOLLY GOLDBERG, SOPHIA LONDON, ROCKY BOSTICKCostume Crafts…………………………………………………………… FAY KOPLOVITZCostume Makers…........……………………………………………..……ALEXAE VISEL, HARRY JOHNSON, DAVID DEJAC AT DC THEATRICKS, JEFFREY WALLACHCarpenters………………………………………AARON ARDISON, DEREK KASPER, MORGAN FOX, ROSS PEACOCK, SOPHIE MAHER, PAUL PASSRO, EAMON O’CONNOR, BEN GULLARD, CONNOR IMHOFF, KOBI DAVIS, BRYAN NOR-VELLE, DANNY FERNANDEZ, IZZY GREY, LU CORPORAN, TYLER HAMPTON

SWEENEY TODD PRODUCTION CREDITS

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CASTIn order of speaking

Sweeney Todd………………………………………………JEREMY SECOMBAnthony Hope………………………………………………… .MATT DOYLEMrs. Nellie Lovett………………………………… . . .SIOBHÁN McCARTHYBeggar Woman/Adolfo Pirelli…………………………… . . . BETSY MORGANJudge Turpin…………………………………………………DUNCAN SMITHJohanna Barker……………………………………………………ALEX FINKEBeadle Bamford…………………………………………………BRAD OSCARTobias Ragg…………………………………………………JOSEPH TAYLOR

Harrington’s Pie and Mash Shop

Shop Manager……………………………………………COLIN ANDERSONShop Manager………………………………………………… MONET SABEL

MUSICIANS

Music Director/Piano……………………………………… .MATT AUMENTViolin………………………………………………… .TOMOKO AKABOSHIClarinet…………………………………………………MICHAEL FAVREAU

STANDBYS

for Anthony Hope, Tobias Ragg & Beadle Bamford: COLIN ANDERSONfor Sweeney Todd & Judge Turpin: DAVID MICHAEL GARRY

for Mrs. Nellie Lovett: LIZ PEARCEfor Johanna Barker, Beggar Woman/Adolfo Pirelli: MONET SABEL

THERE WILL BE ONE 20-MINUTE INTERMISSION DURING WHICH THE PIE SHOP WILL BE CLOSED

" e use of any recording device, either audio or video, and the taking of photographs, either with or without # ash, is strictly prohibited

Jeremy Secomb, Siobhán McCarthy, Duncan Smith and Joseph Taylor are appearing with the permission of Actors’ Equity Association.


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JEAN DOUMANIAN (Co-Producer). ! eater: e E" ect, Chimerica (5 Ol-ivier Awards), e Mountaintop (Ol-ivier Award), e Book of Mormon (9 Tony Awards), Every Brilliant ing, Tribes (Drama Desk Award), Cym-beline, Mistakes Were Made, Our Town (Obie, Lortel Awards), Cock, e Tes-tament of Mary, Death of a Salesman, e Motherf**ker With the Hat, August: Osage County (Pulitzer Prize, 5 Tony Awards), When the Rain Stops Falling (5 Lortel Awards). Films: Una (dir. Bene-dict Andrews, screenplay by Olivier Award winner David Harrower, star-ring Rooney Mara, Ben Mendelsohn), August: Osage County, e Spanish Pris-oner, All the Real Girls and multiple Woody Allen " lms including Bullets Over Broadway. Upcoming Television: “Shrink” on Seeso.

REBECCA GOLD (Co-Producer) is thrilled to be part of the team produc-ing this exciting immersive show. She has received numerous awards and nominations on Broadway (Porgy and Bess, All the Way among them) and O# -Broadway (Sleep No More). Com-mitted to bringing both extraordinary new work (presently Signi# cant Other on Broadway) and revivals (Sunday in the Park with George) of the American canon to audiences, Rebecca is exten-sively involved with and supportive of not-for-pro" t theater, including the ART at Harvard, and Fisher Center at Bard.

GREENWICH HOUSE was founded in 1902 with a mission help New Yorkers lead more ful" lling lives through social and health services and cultural and education programs. An-

nually, nearly 12,000 people are served at our Senior Centers, Music School, Pottery, After-School and Summer Arts Camp, Nursery School and clinics addressing behavioral health for seniors, adults overcoming addiction and for children who are the victims of abuse. www.greenwichhouse.org

ACTORS’ EQUITY ASSOCIA-TION, founded in 1913, is the U.S. labor union that represents more than 50,000 actors and stage managers. Eq-uity seeks to foster the art of live theatre as an essential component of society and advances the careers of its mem-bers by negotiating wages, working conditions and providing a wide range of bene" ts, including health and pen-sion plans. Actors’ Equity is a member of the AFL-CIO and is a$ liated with FIA, an international organization of performing arts unions. #EquityWorks

PARTNERSCharcoalblue

Nigel & Lorraine BagleyMarc & Lisa Biales

Keith BoyntonChristian Chadd Taylor

Lauren EmbreyTimothy ForbesBarbara Freitag

Jack GindiHoward Ignal & Ellen Botwin

Rachel & Mike JudloweBrian Lee & Dayna BloomSir Cameron Mackintosh

Michael OstinEdward and Margie PikaartTulchin/Bartner Productions

Oliver Roth/OHenry ProductionsBlair Russell & Nicolo NisbettHugh Surratt & Ginnie Bond

Hilary & Stuart WilliamsStephanie Williams

WHO’S WHO

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MUSICAL NUMBERSACT ONE

THE BALLAD OF SWEENEY TODD……………………………CompanyNO PLACE LIKE LONDON………………Todd, Anthony, Beggar WomanWORST PIES IN LONDON………………………………………Mrs. LovettPOOR THING………………………………………………………Mrs. LovettMY FRIENDS……………………………………………Todd and Mrs. LovettGREEN FINCH AND LINNET BIRD………………………………JohannaAH, MISS………………………………………………………………AnthonyJOHANNA……………………………………………………………AnthonyPIRELLI’S MIRACLE ELIXIR……Tobias, Todd, Mrs. Lovett and CompanyTHE CONTEST…………………………………………………………PirelliJOHANNA…………………………………………………………Judge TurpinWAIT…………………………………………………………………Mrs. LovettKISS ME…………………………………………………Johanna and AnthonyLADIES IN THEIR SENSITIVITIES…………………………………BeadleKISS ME (Reprise)………………Beadle, Johanna, Anthony and Judge TurpinPRETTY WOMEN……………………………………Todd and Judge TurpinEPIPHANY……………………………………………………………ToddA LITTLE PRIEST…………………………………Sweeney and Mrs. Lovett

ACT TWO

GOD THAT’S GOOD………………Tobias, Mrs. Lovett, Todd and CompanyJOHANNA………………………Todd, Anthony, Johanna and Beggar WomanBY THE SEA………………………………………………………Mrs. LovettWIGMAKER SEQUENCE……………………Todd, Anthony and CompanyNOT WHILE I’M AROUND…………………………Tobias and Mrs. LovettPARLOUR SONGS………………………………………………………BeadlePRETTY WOMEN (Reprise)………………Todd, Judge Turpin and CompanyTHE BALLAD OF SWEENEY TODD……………………………Company


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ducer for Florian Café + Trattoria + Bar (2014); producer, Queen of the Night (2013-2014); GM, Ars Nova (2012-2013), management associate with Joey Parnes Productions (2010-2012); associate producer (development) for Sleep No More (2009-2010); producing director, the TEAM (2008-2011); de-sign producer for DKD (2007-2009). He serves on the boards of the TEAM (Treasurer) and FGPNYC. BFA, NYU/Tisch – PHTS. For Alison. en-veekay.com

TOOTING ARTS CLUB (Origi-nating Producer) Tooting Arts Club is a site-responsive theatre company without a permanent home based in the area of Tooting, south London. Tooting Arts Club believes that for any community to grow and prosper it needs a healthy arts provision. It was in response to this need that, in 2011, Tooting Arts Club was born, founded by Rachel Edwards and friend Susan Dunn. TAC has produced six criti-cally acclaimed productions; Invasion! ( January 2011) Tinderbox (September 2011) Barbarians (April 2012) A Mid-summer Night’s Dream (August 2013) Sweeney Todd at Harrington’s Pie and Mash Shop/West End (2014/15) and the recent revival of Barbarians at Cen-tral St Martins School of Art - West End. Tooting Arts Club are also a reg-istered Community Interest Company meaning that we are a non-for-pro" t organisation providing ‘work’ for and aimed at the local Tooting community.

FIONA RUDIN (Co-Producer), an obsessive-compulsive lover of the arts, discovered her special passion for the-ater through her service on the board

of directors at # e New 42nd Street and # e New Victory # eater. # ere, she has dedicated the last 12 years to bringing high-quality artistic works on stage to kids of all ages, reaching over 40,000 NYC public school children every year. # is production of Sweeney Todd marks Mrs. Rudin’s " rst time as a co-producer. She is honored to be in such esteemed and immensely talented company. She is also an executive pro-ducer on the forthcoming indie comedy Humor Me starring Jemaine Clement and Elliott Gould. Mrs. Rudin is mar-ried to Eric Rudin, and is the mother to their two sons, Sam and Nick, and their furry, four-legged daughter, Lucy.

BARROW STREET THEATRE(Co-Producer, " eatre) was founded in 2003 by Scott Morfee and Tom Wirt-shafter, and has produced numerous award-wining shows, including Every Brilliant " ing, " e E# ect, Swamp Juice, Tribes, Hit the Wall, Cymbeline, an oak tree, Mistakes Were Made, Our Town, Gone Missing, No Child…, Capsule 33, Orson’s Shadow, BUG, Eat the Taste, TJ & Dave, Nina Conti, and Stolen House. BST has also been home to Baby Wants Candy, Improvised Shake-speare, Mike Birbiglia, Colin Quinn, Des Bishop, Robert Townsend, Josie Long, Hip Nos, NY Neo-Futurists, Pigpen # eatre Company, One Year Lease, Lewis Black, Red Bull # eater, Mike Daisey, New Yiddish Rep, Red Light Winter, Buyer & Cellar, " e Flick. Many of these and other shows have been produced internationally by BST, and have toured across North Amer-ica, Ireland, Australia, and the UK. www.BarrowStreet# eatre.com

WHO’S WHO

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WHO’S WHOJEREMY SECOMB (Sweeney Todd). ! eatre: West End: Javert: Les Mis-erables, Sweeney Todd: Sweeney Todd, Piangi and standby ! e Phantom: ! e Phantom of the Opera, Lend Me a Tenor, Priscilla Queen of the Desert, Evita, ! e Woman in White, Jerry Springer – ! e Opera. Other ! eatre: Sweeney Todd: Sweeney Todd, Joseph and his Amazing Technicolor Dreamcoat (UK tour), A Grand Night for Singing (Australia), ! e Phantom of the Opera (Australia/New Zealand, UK tour). Workshops: Love Never Dies, Bumblescratch, Gulliver’s Travels. Concerts: Jesus Christ Superstar, 2014 and 2015 Playing Our Part char-ity concerts, Salvation Army Christmas at the Royal Albert Hall. Other: Voice of SAS soldier for PSP game Socomm. Recordings: Lend Me A Tenor, Jerry Springer - ! e Opera, 25th Anniversary ! e Phantom of the Opera at the Royal Albert Hall.

SIOBHÁN McCARTHY (Mrs Nellie Lovett). Irene Day in Frank McGuin-ness’s Donegal at the Abbey ! eatre in Dublin. West End: Mrs Lovett in Sweeney Todd Tooting and Shaftesbury Ave. Originated the part of Donna in Mamma Mia (Olivier Nomination) ! e Nurse in Medea (Broadway). Vel-ma Von Tussle in Hairspray. Mrs John-stone in Blood Brothers. Chrissie in Dancing at Lughnasa. Originated Svet-lana and played Florence in the origi-nal production of Chess. Fantine in Les Miserables. Frankie Frayne in On Your Toes. Mary Magdalene in Jesus Christ Superstar. Originated ! e Mistress then played Eva Peron in Evita. Other theatre: Queen Elizabeth, Richard III. Joanna, Company. Drowsy, ! e Drowsy Chaperone. Maria, Days of Hope. An-

gela, Wonderful Tennessee. Television: “Bad Girls”, “All or Nothing at All”, “! e Big Battalions”, “Horse Opera” by Stewart Copland.

MATT DOYLE (Anthony Hope). ! e Book of Mormon (Elder Price), War Horse (Billy Narracott), Spring Awak-ening (Hanschen), Bye Bye Birdie (Hugo Peabody). National Tour: Spring Awakening (Melchior). O" -Broadway: Brooklynite (Trey), Jasper in Deadland (Jasper). Regional: West Side Story at Paper Mill Playhouse (Tony), Jasper in Deadland at the 5th Avenue ! eater in Seattle ( Jasper), Giant at Dallas ! eater Center ( Jordy Jr). Film/TV: Recurring on “Gossip Girl” ( Jonathan),“Private Romeo” (Glenn). Recordings: Bare (Peter). Matt’s album, Uncontrolled, is available on iTunes.

ALEX FINKE (Johanna Barker). O" -Broadway debut! Alex was most recently seen on Broadway as Co-sette in the most recent revival of Les Misérables. Other credits include 1st National Tour: Anything Goes (Hope Harcourt). Regional; ! e Unsinkable Molly Brown (Kit) at ! e Denver Cen-ter, Footloose (Wendy Jo) at PCLO, and Music ! eatre Wichita. Graduate of the University of Michigan, BFA musical theatre. Love and thanks to the cast, crew, producing and creative team, Harden Curtis, Cesar and Telsey & Co, teachers, family, friends, and es-pecially Mom, Dad, Sarah, Chris, Jim-my, and Joe. Special thanks to Colin. @$ nkeboutit

BETSY MORGAN (Beggar Woman/ Adolfo Pirelli) most recently played Julie Jordan in Molly Smith’s critically ac-


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for ‘Producer of the Year’ at the 2016 UK Stage Awards. Rachel originally trained as an actress at ! e Guildhall School of Music and Drama and has worked extensively in ! eatre over the last ten years.

JENNY GERSTEN (Producer) is the Artistic Consultant for the forthcom-ing Perelman Center for the Perform-ing Arts at the World Trade Center, and the Producer of the Live Cinema series of workshops written and direct-ed by Francis Ford Coppola. Formerly she has been the Executive Director of Friends of the High Line, Artistic Director and Associate Producer at the Williamstown ! eatre Festival, Asso-ciate Producer at the Public ! eater, Artistic Director of Naked Angels, and Director of Marketing and Develop-ment for ! e 52nd Street Project. She serves on the boards of ! e Debate So-ciety and Ballet Tech, the NYC Public School for Dance, and is a Tony Nomi-nator. She loves all of this.

SEAVIEW PRODUCTIONS (Pro-ducer) led by Greg Nobile and Jana Shea, is a Tony and Olivier Award win-ning production company. Seaview’s producing credits include the Tony Award winning musical A Gentleman’s Guide to Love and Murder, Side Show and Hughie on Broadway, the Olivier Award winning revival of Gypsy and Show Boat on London’s West End, and Hundred Days, ! e Absolute Brightness of Leonard Pelkey, and Invisible ! read O" Broadway. Seaview’s investment portfolio includes Dear Evan Han-sen, ! e Front Page, On Your Feet!, ! e SpongeBob Musical, Funny Girl, Fun Home (Tony Award), Something Rotten,

It’s Only a Play, and Of Mice and Men. Seaview Productions produced the Peabody Award winning documentary India’s Daughter and Gypsy: Live from the Savoy ! eatre in collaboration with the BBC. Greg and Jana serve as the Managing Director and Vice President of the Board of Directors of the Legacy ! eatre in Branford, CT. ! e Seaview Productions sta" is supported by Colin Sheehan, David Manella and Ginny Robbins. www.SeaviewProds.com.

NATE KOCH (Executive Producer) is a Drama Desk-award winning produc-er (Queen of the Night, 2015) and execu-tive producer of theatrical productions, site-speci# c/immersive works, branded experiential activations, and hospital-ity projects. In 2016 he founded EN-VEEKAY, a boutique producing and management company uniquely po-sitioned to lead the creative, organi-zational, real estate/construction, and # nancial aspects of projects that defy general categorization and involve au-diences feeling transformed within ex-traordinary locations. Current projects include: Sweeney Todd at the Barrow Street ! eatre; business development for SPACE on Ryder Farm, an arts/food residency program on a 130-acre organic farm just outside NYC; an im-mersive # lm franchise adaptation with Punchdrunk/Smuggler; strategic ad-visement for DKD, the Kimmel Cen-ter, and Vertigo ! eater Company; and other projects in development. Recent clients/collaborations include: creative producer for Google’s 2016 I/O Con-ference in Mountainvew, CA (2016); creative development/business a" airs for music-festival producer Super% y (2015); design and construction pro-

WHO’S WHO

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WHO’S WHOclaimed production of Carousel at Are-na Stage. She has spent over a decade working with Michael John LaChiusa, originating the roles of Tricia Nixon and Susan Ford in First Daughter Suite (Public ! eater, OCR), Louisa in Rain (Old Globe), and Leslie in Giant (Sig-nature). Original Broadway companies include ! e King and I (2015 revival), Les Misérables (2014 revival), A Little Night Music (2009 revival, OCR), ! e Little Mermaid (OCR), and High Fi-delity (OCR). Original O" -Broadway companies include Found (Atlantic ! eater), ! e Fantasticks (2006 revival), and Bernarda Alba (Lincoln Center). Betsy recreated the role of Fantine in the 25th Anniversary Tour of Les Mi-sérables. She was seen on TV in “Flight of the Conchords”.

BRAD OSCAR (Beadle Bamford). Broadway: Something Rotten! (Tony Award nomination), Big Fish, Nice Work If You Can Get It, ! e Producers, (Tony Award nomination),! e Addams Family, Spamalot, Jekyll & Hyde, Aspects of Love. National Tour: ! e Phantom of the Opera, Young Frankenstein, Je-kyll & Hyde. West End: ! e Producers. O" Broadway: Forbidden Broadway, ! e Body Beautiful, Encores! Annie Get Your Gun, Bells Are Ringing and Do Re Mi. Regional: Fiddler on the Roof (Bar-rington Stage), Barnum (Asolo Rep/Maltz Jupiter: Carbonell Award, Best Actor in a Musical), ! e Mystery of Irma Vep, Cabaret and Damn Yankees (Arena Stage), ! e First Wives Club (Old Globe). Film: Ghost Town, ! e Producers. Television: “Madam Secre-tary,” “Smash,” “! e Good Wife” and three “Law & Orders.”

DUNCAN SMITH (Judge Turpin). Born in Scotland, Duncan trained at the Royal Scottish Academy of Mu-sic and Drama. Recent theatre in-cludes: ! e Sound of Music (UK Tour); Sweeney Todd (Tooting Arts Club at Harrington’s Pie Shop, London); ! e Phantom of the Opera (Her Majesty’s ! eatre); La Cage Aux Folles (Playhouse ! eatre); Marguerite (! eatre Royal, Haymarket); Anything Goes (National ! eatre & ! eatre Royal, Drury Lane); Calamity Jane (Shaftesbury ! eatre); ! e Secret Garden (RSC & Aldwych ! eatre); and UK tours of Chitty Chitty Bang Bang and Kiss Me Kate. Addi-tional West End credits: Spend! Spend! Spend! (Piccadilly ! eatre); Doctor Do-little (Apollo, Hammersmith); Evita (Prince Edward ! eatre & UK Tour); Copacabana (Prince of Wales ! eatre); Chess (Prince Edward ! eatre); also Love’s Labour’s Lost, Lady in the Dark and ! e Inheritor (National ! eatre).

JOSEPH TAYLOR (Tobias Ragg) studied at the Liverpool Institute for Performing Arts (LIPA), graduating in 2011. Since graduating, Joseph has worked in TV, ! eatre and Film in-cluding the title role in Peter Pan: ! e Musical (Trinity ! eatre), Kidnap ( Joe, # lm), Lost Boy (Michael Darling, Fin-borough and Charing Cross), a musical adaptation of 5 Children & It (Robert, Tristan Bates) and the original Toot-ing Arts Club production of Sweeney Todd (Tobias), which transferred to Shaftesbury Avenue in 2015. He also competed in a nationwide talent search for BBC Radio One, winning the title role in Scott Mills: ! e Musical, which premiered at the Edinburgh Fringe Festival.


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ater’s Under the Radar Festival. De-sign credits include: Peerless (Yale Rep), Macbeth, Don Juan, and Deer and the Lovers (Yale School of Drama); ! e Orpheus Variations (Deconstructive ! eatre Project at ! e Public ! eater’s Under the Radar Festival); Bastianello and Lucrezia (Urban Arias). She has assisted notable costume designers in-cluding Gregg Barnes, Gabriel Berry, Marina Draghici, David Farley, Jane Greenwood, Susan Hilferty, and Ann Hould-Ward on Broadway and at re-spected institutions including ! e Public ! eater, New York City Op-era, Yale Repertory ! eatre, and the Williamstown ! eater Festival. She holds an M.F.A. in Costume De-sign from the Yale School of Drama. www.SydneyGallas.com

AJ SURASKY (Assistant Sound De-signer). Recent credits include: ! e Rise & Fall of Marcus Monroe (Ars Nova), Belleville (Brooklyn College), ! e Ir-resistible (Immersive Galleries), Bengal Tiger At ! e Baghdad Zoo (Brooklyn College). Recent Assistant credits in-clude: I Like It Like ! at (Pregones ! eater), Dead Poet’s Society (Classic Stage Company), and ! e Liar (Clas-sic Stage Company). AJ is a graduate of Carnegie Mellon University.

AKA (Advertising) is a full-service, award-winning advertising agency with o" ces in the US, UK, and Aus-tralia. Led by Elizabeth Furze & Scott Moore, AKA NYC delivers innova-tive solutions across media, market-ing, partnerships, interactive, creative, content, insights, and campaign man-agement, with a proven record for pro-ducing sales-driven campaigns for pre-

mium must-see productions, venues, exhibitions and events.

MARATHON LIVE ENTER-TAINMENT (Social Media) is a social media o" ce representing celebrities and brands on Broadway and beyond. After helping to relaunch the career of actor and icon George Takei, Mike Karns formed Marathon in 2013. Some of Marathon’s current clients include Hamilton, ! e Great Comet, Miss Saigon, and Sweeney Todd, along with in# uencers like Tony Award win-ner Cynthia Erivo and BroadwayCon. Learn more: www.MLE.nyc

RACHEL EDWARDS (Producer) is the founder and producer of Toot-ing Arts Club, a site-responsive theatre company based in the area of Toot-ing, south London, the neighbour-hood in which she grew-up. Rachel has produced all six of their critically acclaimed shows; Invasion! ( January 2011) Tinderbox (September 2011) Barbarians (April 2012) A Midsummer Night’s Dream (August 2013) Sweeney Todd at Harrington’s Pie and Mash Shop/West End (2014/15) and the recent revival of Barbarians at Central St Martins School of Art West End. Rachel has also run many Tooting Arts Club community events such as music nights, comedy nights and a number of popular pop-up cinemas in the Tooting neighbourhood. In 2015 Sweeney Todd won Best Musical at the O$ West-End Awards and Rachel won Best Producer. Rachel also won in the performance category of the Hospital Club’s ‘Top 100’ Awards recognising the top 100 people the creative industries in the UK in 2016 and was also nominated

WHO’S WHO

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COLIN ANDERSON (Shop Man-ager, Standby for Anthony Hope, Tobias Ragg & Beadle Bamford) O! -Broad-way Debut! New York: Sweeney Todd Live at Lincoln Center (New York Phil-harmonic), ICON (NYMF). National Tour: ! e Book of Mormon 2nd National Tour. Regional: ! e Rocky Horror Pic-ture Show (Lyric # eatre of Oklaho-ma), Most Happy Fella (Tulsa Opera), Spring Awakening, Next to Normal, Hairspray (Crown Uptown # eatre). Many thanks and Love to my family, friends, teachers, Florence Birdwell, the entire Sweeney & Barrow St. # e-atre team, Telsey + Co, DD & Leading Artists. BLACK LIVES MATTER. Instagram: @colinanderson

DAVID MICHAEL GARRY (Standby for Sweeney Todd & Judge Tur-pin) is honored to be making the trip back to Fleet Street with this won-derful production and brilliant cast. Broadway/National Tour: A Bronx Tale, ! e Last Ship, Phantom of the Op-era, Company, Sweeney Todd. Regional credits include: ! e Last Ship (world premiere), A Bronx Tale (Paper Mill Playhouse, World premiere), ! e Heart of Robin Hood at A.R.T, Ragtime at the Kennedy Center, Merrily We Roll Along at Cincinnati Playhouse in the Park, Carnival! at Paper Mill Playhouse and Camelot and My Fair Lady at # e Engeman # eater. TV/Film credits in-clude: “Person of Interest”, “Unforget-table”, “Elementary”, “Flesh and Bone” and “Carry Me Home” with Cuba Gooding, Jr. # ank you to Telsey and Co. and Everyone at About Artists for always believing in me.

LIZ PEARCE (Standby for Mrs. Nellie Lovett) Broadway: Original company Billy Elliot (understudy Mrs. Wilkin-son/Dead Mum). London’s West End: Original company Metropolis (Tan). National Tours: Little Shop of Horrors(Audrey), Jesus Christ Superstar, Seussi-cal, Scooby-Doo! Regional # eatre: Mary Poppins (Mrs. Banks) J.Engeman # e-atre, Cabaret (Sally Bowles) St Louis Rep/Cincinnati Playhouse, Sense and Sensibility (Fanny Dashwood) Denver Center, Something’s Afoot (Lettie), City of Angels (Alaura/Carla), Seven Brides . . .(Ruth), George M! ( Josie Cohan) Good-speed, Peter Pan (Peter Pan) Alabama Shakespeare, Jekyll and Hyde (Emma) Sacramento Music Circus, ! e Who’s Tommy (Mrs. Walker) Bay Street # e-atre, Smokey Joe’s Café (Delee) Pioneer # eatre, My One and Only (Edythe)# eatre by the Sea, George M! (Ag-nes Nolan) Ogunquit Playhouse and Christmas Carol (Belle) North Shore. CCM BFA. Many thanks DGRW. www.lizpearce.info

MONET SABEL (Shop Manager, Standby for Johanna Barker & Beggar Woman/ Aldofo Pirelli) is making her O! -Broadway debut! Graduate of NYU Tisch’s New Studio on Broad-way. Readings/Workshops: Wendy’s Shadow (NYMF), Stalker (Fringe), Hit List (54 Below), Smile (reunion con-cert). Solo cabaret debut at Don’t Tell Mama, and her $ rst EP is available on iTunes. Extreme love and gratitude to: Michal Zecher, the Harden-Curtis team, Telsey & Co, all my teachers, the friends, and most importantly: Mom and Dad. @monetsabel

WHO’S WHO


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Arts, Gaiety School of Acting (Dub-lin). www.benfurey.com

RAY WETMORE (Prop Master). Currently, on Broadway with Cirque du Soleil ’s Paramour. Other Cirque du Soleil: Michael Jackson ONE (Las Ve-gas) and Zarkana (New York/Moscow/Madrid). Broadway National Tours: Movin’ Out, Gypsy, Grease, ! e 101 Dalmatians Musical, and Legally Blonde. Ray is the co-writer of the Unauthor-ized Musical Parodies of Home Alone, Troop Beverly Hills, Devil Wears Pra-da, and ! e Big Lebowski at Rockwell in Los Angeles. For Evan and Winnie. instagram: @raywet

BILL YOSSES (Chef & Pie Maker). William (Bill) Yosses, is the chef/owner of PERFECT PIE, an artisanal pie making bakery in New York City. ! e pies have been featured in the New York Times and New York Magazine and listed in the top ten pies of New York City. He is the o" cial pie maker for the Barrow Street ! eater produc-tion of Sweeney Todd. He previously held the title of White House Execu-tive Pastry Chef for 7 years. As pastry chef of the White House he planned desserts for the First Family. He worked closely with Michelle Obama’s Let’s Move initiative to improve health outcomes related to food issues and was instrumental in developing the South Lawn Kitchen garden.

ANDREW SCOVILLE (Associate Director). Broadway: Bloody Bloody An-drew Jackson (Assistant Director). O# -Broadway: Here Lies Love (Associate Director, ! e Public ! eater, National ! eater in London), Love’s Labour’s

Lost (Associate Director, Shakespeare in the Park, ! e Public ! eater). Di-recting Credits: People Doing Math LIVE! (Under the Radar, ! e Public ! eater, National Museum of Math, Ars Nova), Piano Tales (La MaMa), Camp Over ! ere (Lead Director, Bonnaroo Music & Arts Festival), Kitchen Sink Experiment(s) (Crashbox), Love Machine (Ars Nova, Incubator Arts Project), All the Rats & Rags (3LD, Joe’s Pub). Co-Founder and Co-Di-rector of Fresh Ground Pepper NYC. www.andrewjscoville.com

YASMINE LEE (Associate Choreogra-pher) began her career on the concert dance stage. Trained under full scholar-ship at Feld Ballet & Alvin Ailey she has gone on to work as performer, cho-reographer, and movement director in over 25 countries and in every state of the Union in theater, dance, $ lm, tele-vision, ceremonies and music video. Se-lect credits include: ! e Crucible (2016 Broadway revival), ! e Curious Incident of the Dog in the Night-Time (Broad-way, 1st National Tour), Once Musi-cal (A.R.T., NYTW, Broadway, West End), RENT (Broadway, National Tour), PEARL (Lincoln Center, Polly Center Nanjing), Opening Ceremonies XXII Winter Olympic Games (Sochi), Tender Napalm (U.S. premiere), Across ! e Universe (Sony Pictures), Dunham Technique Video (U.S. Library of Con-gress), Margie Gilles’ Legacy Project, MOMIX

SYDNEY GALLAS (Associate Cos-tume Designer) is a New York based Costume Designer who most recently designed costumes for Hundred Days by ! e Bengsons at ! e Public ! e-

WHO’S WHO

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TOMOKO AKABOSHI (Violin) is a violinist and music coordinator based in New York City. She has performed with and interpreted for Alan Silvestri, Andrea Bocelli, Alicia Keys, Coldplay, and more. She was the concert master for Broadway musicals Amazing Grace (NY), Spring Awakening (Tokyo) and a violinist for West Side Story (Tokyo), and her performing experience also ex-tends to studio and soundtrack record-ings as well as jazz at the White House, and orchestral concerts at Carnegie Hall. Tomoko has coordinated and interpreted for musical productions in the United States, Japan, Germany, Australia, Slovakia, Bulgaria, and the Czech Republic, with world renowned orchestras performing in a wide variety of styles. In recent years, she has coor-dinated composers and full orchestra recordings for video game soundtracks, including “Street Fighter V” and “Resi-dent Evil 6.”

MICHAEL FAVREAU (Clarinets). O! -Broadway: Once upon a Mat-tress (Transport Group), Stars of Da-vid (92nd St. Y). Pre-Broadway: War Paint (Goodman " eatre). TV: “First You Dream - ! e Music of Kan-der & Ebb” (PBS). Regional - Chi-cago: Broadway in Chicago, Good-man " eatre, Chicago Shakespeare " eater, Chicago " eatre, Drury Lane Oakbrook, Writers " eatre, Marriott Lincolnshire. Education: B.M. Ithaca College, M.M. University of Illinois (Urbana-Champaign). Many thanks to Matt, Ben and Nate for the opportuni-ty. Love to wife Amy and meow Mija. www.michaelfavreau.com

STEPHEN SONDHEIM (Music & Lyrics) wrote the music and lyrics for Saturday Night (1954), A Funny ! ing Happened On ! e Way To ! e Forum(1962), Anyone Can Whistle (1964), Company (1970), Follies (1971), A Little Night Music (1973), ! e Frogs (1974), Paci" c Overtures (1976), Merrily We Roll Along (1981), Sunday In ! e Park With George (1984), Into ! e Woods (1987), Assassins (1991), Passion (1994) and Road Show (2008), as well as lyr-ics for West Side Story (1957), Gypsy(1959), Do I Hear A Waltz? (1965) and additional lyrics for Candide (1973). Side By Side By Sondheim (1976), Marry Me A Little (1981), You’re Gonna Love Tomorrow (1983), Putting It Together (1993/99), Moving On (2001) and Sondheim On Sondheim (2010) are an-thologies of his work as composer and lyricist. For # lms, he composed the score of “Stavisky” (1974), co-com-posed the score for “Reds” (1981) and wrote songs for “Dick Tracy” (1990). He wrote songs for the television pro-duction “Evening Primrose” (1966), co-authored the # lm “" e Last of Sheila” (1973) and the play Getting Away With Murder (1996) and provided incidental music for the plays ! e Girls Of Summer (1956), Invitation To A March (1961), Twigs (1971) and ! e Enclave (1973). His collected lyrics with attendant es-says have been published in two vol-umes: “Finishing the Hat” (2010) and “Look, I Made A Hat” (2011). In 2010 the Broadway theater formerly known as Henry Miller’s " eatre was renamed in his honor.

HUGH WHEELER (Book) won three Tony Awards for Candide, A Lit-tle Night Music and for Sweeney Todd.

WHO’S WHO


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Away, Paramour, Waitress, On Your Feet!, Hamilton, Kinky Boots, Wicked, Something Rotten!, " e King and I, An American in Paris, " e Sound of Music. O! -Broadway: Atlantic, Classic Stage, MCC, Second Stage, Signature. Re-gional: A.R.T., Center " eatre Group, La Jolla, McCarter, New York Stage and Film, Paper Mill, Williamstown. Film: Miss Sloane, Into the Woods, Mar-gin Call, Rachel Getting Married, Across the Universe, Camp, Pieces of April. TV: “One Day at a Time,” “Time After Time,” “Hairspray Live!,” “Conviction,” “" is Is Us,” “Grease Live!,” “Masters of Sex,” “Smash,” “" e Big C,” com-mercials. www.telseyandco.com

KATE PLANTIN (UK Casting). " e-atre Credits include: Dracula (Singapore & Bangkok)); The Trial of Jane Fonda (Park " eatre); All or Nothing (" e Vaults and Tour); Pig Farm (St James); Roaring Trade (Park " eatre); McQueen (St James & Haymarket) Sweeney Todd (Tooting Arts Club London); Harvey (Tour & Haymarket); Kindertransport (Tour); Storm In A Flower Vase (Arts " eatre); " e Dead Wait (Park " eatre); " e Handyman (Tour); " e Father (Bel-grade, Coventry); Lone Star and Private Wars (Kings Head); Marilyn And Ella (Edinburgh & London); Joan Riv-ers – A Work In Progress (Edinburgh & London); Telstar which Kate also co-produced in the West End; Road To Nirvana (Kings Head); " e Trestle At Pope Lick Creek (Southwark & Man-chester Royal Exchange); On Your Toes and Follies (Royal Festival Hall). Website: www.kateplantin.com

BRYCE BERMINGHAM (Fight Director) has a BFA and MFA in musi-

cal theatre as well as being a certi$ ed Fight Director with Fight Directors, Canada and " e Art of Combat, Inc. He has choreographed the violence for a national tour of " e Scarlet Pimpernel, 6 productions of Beauty and the Beast and George Stiles’ " e " ree Musketeersas well as dozens of Shakespeare and modern theatre works. Additionally, Bryce stunt coordinates many small and medium size $ lms in NYC, enjoy-ing the creative liberties and ingenuity that comes with them. Film highlights include " e House that Jack Built which has won multiple awards and can be seen on Net% ix, Scarefest and Taste. He is also the cover model for a series of 6 books, " e Shadowdance Series. www.ludio.com

BEN FUREY (Vocal and Dialect Coach). Broadway includes: " e En-counter, " e Curious Incident of the Dog in " e Night-Time, King Charles III, Matilda, " e Last Ship, Billy Elliot, Mamma Mia, Spamalot. O! -Broadway includes: Linda, By " e Water, " e Ex-plorers Club (MTC), Cloud 9, Our New Girl, Gabriel (ATC), The Language Ar-chive, If " ere Is I Haven’t Found It Yet (Roundabout), Oslo (LCT), Appropri-ate (Signature). National tours include: Curious Incident…, A Gentlemen’s Guide to Love and Murder, Mamma Mia, Billy Elliot, Spamalot.Regional/International includes Hartford Stage, Guthrie, Two River, Canon (Toronto), Palm Beach DramaWorks, Cincinnati Playhouse, Gate (Dublin), Dallas " eater Center, Colorado Shakespeare Festival. Film and TV includes: Lost City of Z, Eye-borgs, Elementary, Vine Talk. Teaching includes: Juilliard, UNC School of the

WHO’S WHO

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He also wrote the libretto for the reviv-al of Irene and is the author of the plays, Big Fish, Little Fish; Look: We’ve Come ! rough; We Have Always Lived in the Castle; and additional material for the musical Paci" c Overtures. For ! lms he wrote the screenplays for Travels With My Aunt, Something for Everyone, A Little Night Music and Nijinsky. For 20-odd years he wrote mysteries un-der the pseudonyms Patrick Quentin and Q.Patrick, including Puzzle for Fools, Puzzle for Players, Puzzle for Pup-pets, Puzzle for Wantons and Puzzle for Fiends. Four of his novels have been transformed into ! lms: Black Widow, Man in the Net, ! e Green-Eyed Mon-ster and ! e Man With Two Wives. Mr Wheeler also wrote the adaptation of the Kurt Weill opera Silverlake, which was directed by Hal Prince at the New York City Opera.

BILL BUCKHURST (Director) is Associate Director of Tooting Arts Club where credits include: Sweeney Todd (West End/Harrington’s Pie and Mash shop, Best Musical O" -West End Awards), Barbarians, A Midsum-mer Night’s Dream, Tinderbox. Direct-ing credits for Shakespeare’s Globe include: Omeros, Hamlet (and Inter-national Tour), King Lear (and Inter-national Tour), Twelfth Night, Othello, ! e Merchant of Venice, Romeo & Juliet, A Midsummer Night’s Dream, Mac-beth. Other directing includes: Sleep-ing Beauty (# e Watermill); Hamlet, Much Ado About Nothing, A Midsummer Night’s Dream (Sta" ord Festival Shake-speare); Ri# Ra# (Arcola); ! e Vegemite Tales (West End/Riverside Studios); Normal (# e Union); Penetrator (# e-atre503). Short ! lms include: “King

Lear”, “Richard II”, “# e Comedy of Errors” (Shakespeare’s Globe “Com-plete Walk”).

SIMON KENNY (Designer) is a Lon-don-based set and costume designer, working internationally in theatre, musical theatre, opera and live perfor-mance. Designs include Sweeney Toddin a pop-up pie shop and Barbarians in the abandoned St Martin’s School of Art building (West End, Tooting Arts Club); Twelfth Night, ! e Merchant of Venice (Shakespeare’s Globe); Kander and Ebb’s ! e World Goes Round (SJT); Sleeping Beauty, Sleuth (Watermill); ! e Picture of Dorian Gray, Venus In Fur (English # eatre Frankfurt); Fallen Angels (Salisbury Playhouse); Satur-day Night Fever (# eatre Royal Bath, UK tour); Island (National # eatre); Vivienne (Linbury Studio, Royal Op-era House); Ghosts (# eatr Clwyd); BORDER FORCE, an installation/performance/club event for Duckie; In ! e Next Room or the vibrator play (St James); 4000 Miles (Ustinov); ! e Cun-ning Little Vixen, Háry János (Ryedale Festival). simonkenny.co.uk

BENJAMIN COX (Music Supervisor & Arranger) studied music as an Or-gan Scholar at Cambridge University. He has taught and accompanied stu-dents at # e Royal Academy of Music, Guildhall School of Music and Drama, Oxford School of Drama, Birmingham School of Acting, Millennium School of Performing Arts, West End Central Academy and LAMDA. As MD of theatre group # e Ruby Dolls, he has composed shows for major festivals around the UK and performed on BBC Radio. Previous credits include: Les

WHO’S WHO


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Remix Collection From Here Lies Love (Todomundo!)

MATT AUMENT (Music Director/ Piano). Broadway: Gigi (arrangements/conductor). New York: Twelfth Night (Public " eater), Tamar of the River (Prospect " eater). Regional orchestra-tions: Bells Are Ringing (Berkshire " e-ater Group), Medea/Macbeth/Cinderella (Oregon Shakespeare), Yank! (Hope Mill " eater, Manchester), Camelot (Drury Lane, Chicago), We Are the Ti-gers (Hudson " eater, LA). Selected accompanying/arrangements: Brian Stokes Mitchell, Kristen Chenoweth, Nathan Lee Graham, Molly Pope, Seth Sikes, Martha Graham Cracker. www.mattaument.com

RICHARD A. HODGE (Production Stage Manager). O# -Broadway: " e E# ect, Every Brilliant " ing, TRIBES, Our Town, Adding Machine: A Musi-cal, BUG, Mistakes Were Made, Orson’s Shadow, Red Light Winter (Barrow Street " eatre). " e Band’s Visit, Women or Nothing (" e Atlantic " eater Co.) iow@, Kindness (Playwrights Hori-zons). Nikolia and the Others, When " e Rain Stops Falling (Lincoln Cen-ter Mitzi Newhouse). " e Valley of " e Astonishment (" eatre for a New Audience). " e Heir Apparent (Classic Stage Company) Killer Joe, Underneath " e Lintel (Soho Playhouse). Other New York: Stop " e Virgens (St. Ann’s Warehouse) Los Angeles: TRIBES (Mark Taper), Our Town (" e Broad). International: Stop " e Virgens (Sydney Opera House). Girl Blog From Iraq: Baghdad Burning (Pleasance Court-yard: Edinburgh) TYKAC.

JOSHUA GUSTAFSON (Assistant Stage Manager). O# -Broadway: " e Band’s Visit Atlantic " eater Company. Regional " eatre: World Premieres of Irving Berlin’s Holiday Inn, " e " eory of Relativity, My Paris, Indian Joe and Chasing Rainbows with Goodspeed Musicals, and The Grown-Up, I Will Be Gone and Wellesley Girl with Actors " eatre of Louisville. Additional Cred-its: B.F.A. in the Performing Arts from Western Kentucky University.

KATE MORROW (General Man-ager). " e E# ect, " e Flick, Swamp Juice, Every Brilliant " ing, Our Town, Basic Training, How " eatre Failed America, Gone Missing (Barrow Street " eatre), " e Flying Karamazov Brothers: 4 Play, Garden of Earthly Delights, Adding Ma-chine: a musical (Minetta Lane " eater), " e Irish Curse (SoHo Playhouse), " e Black Monk, Loaded, Sophistry, Dance of the Seven Headed Mouse (" eatre Row)

IRON BLOOM CREATIVE PRODUCTION (Production Man-agement and Associate Set Design) is a newly minted design & production $ rm founded in 2016 by Gabriel Hain-er Evansohn & William Irons. " ey specialize in holistic world-building and the creation of immersive physical landscapes ripe for audience interaction and exploration. " e company special-izes in all aspects of interactive live experience: consultation, ideation, de-sign, management & implementation. www.ironbloomny.com.

TELSEY + COMPANY (Casting). Broadway/Tours: Anastasia, Charlie and the Chocolate Factory, Hello, Dolly!, War Paint, Present Laughter, Come from

WHO’S WHO

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Miserables, West End, Showboat, West End, I Am ! omas, Told By An Idiot (UK tour) Don Giovanni, ! e Marriage of Figaro, Tosca, La Bohéme, Madame Butter# y, ! e Barber of Seville, Heritage Opera (UK tours), Assassins, ! e Cres-cent ! eatre Birmingham, Merrie Eng-land, ! e Finborough ! eatre London, ! e Brides of Bluebeard, ! e Other Pal-ace London.

GEORGINA LAMB (Choreographer) Georgina’s work has been seen in Lon-don’s West End ! eatre’s, ! e Royal Shakespeare Company, Broadway and internationally. She has worked at the world renowned Shakespeare’s Globe ! eatre for the last 7 years Choreo-graphing and creating the movement on many shows there including ! e Comedy of Errors, Othello, King Lear, Doctor Faustus, As You Like It and A Midsummer Night’s Dream. Her work for " lm and television has been twice BAFTA nominated: “True Stories” (BBC\Lambent Films) and “Hansel and Gretel” (BBC/Lambent " lms). Georgina created the original chore-ography for Sweeney Todd for Tooting Arts Club and its West End transfer. Other recent theatre credits include Wit (Royal Exchange ! eatre Man-chester), Chimerica (Almeida ! eatre, West End), Running Wild (Regent’s Park Open Air ! eatre), Macbeth (Chichester Festival ! eatre/West End/BAM and Broadway), Gambling (Soho ! eatre and ! e Royal Court ! eatre).

AMY MAE (Lighting Designer) trained at RADA on the postgraduate Stage Electrics and Lighting Design course and has a degree in Stage Man-

agement and Performing Arts from the University of Winchester. She won the Knight of Illumination Award in 2015 in the musicals category for Sweeney Todd. She works across ! eatre, Dance, Site Speci" c and Devised performance. Recent credits include; Living With ! e Lights On (! e Young Vic ! e-atre), Macbeth (Mountview Academy of ! eatre Arts), Bits Of Me Are Fall-ing Apart (Soho ! eatre), ! e LoungeUK tour (China Plate and Inspector Sands), Paradise Of ! e Assassins (Tara ! eatre), Knife Edge (Pond Restau-rant), Prize Fights (Royal Academy of Dramatic Art), Orphans (Southwark Playhouse), Macbeth (Italia Conti), I’m Not Here Right Now (Paines Plough’s Roundabout and Soho ! eatre). www.amymaelighting.com

MATT STINE (Sound Designer). Broadway and O# -Broadway cred-its include: ! e Liar (Classic Stage Company), A Christmas Carol (Music Producer, McCarter ! eater), Dead Poets Society (Classic Stage Company), ! e Clearing (59E59), ! e Black Crook(Abrons Art Center), Nathan ! e Wise(Classic Stage Company), Misery(Music Producer, Broadway), Mother Courage And Her Children (Classic Stage Company), ! e Tempest (Music Producer, Delacorte ! eater), Love’s Labour’s Lost (Music Supervisor, Dela-corte ! eater), Here Lies Love (Music Editor, ! e Public ! eater/Royal Na-tional ! eatre). Composer credits: ! e Weight Of Smoke (Paul Taylor Dance Company), Mo(or)town/Redux and Hapless Bizarre (doug elkins choreog-raphy, etc.) Album Production cred-its: Love’s Labour’s Lost (Original Cast Recording, Sh-K-Boom Records), ! e

WHO’S WHO


Documents

Harrington’s Pie and Mash S hop 3 Selkirk Road ... - Sweeney Todd NYC · Puran, James Ragin, Greenwhich House; David Lever; Justin Levine; Erik Lochtefeld; Shidan Majidi; Jerry