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Grounding and Grounding and Cabling for the Cabling for the Small Studio Small Studio David Etlinger David Etlinger 1/17/2006 1/17/2006

Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

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Page 1: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Grounding and Cabling Grounding and Cabling for the Small Studiofor the Small Studio

David EtlingerDavid Etlinger

1/17/20061/17/2006

Page 2: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Disclaimers

NEVER defeat the AC ground!! (round prong)

AC current can KILL – if in doubt, stop and get more info

I am not an electrician so don’t count on me to keep you safe

Page 3: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Objectives

How can we get rid of that annoying hum?!?

How can we reduce the noise floor through proper cabling?

How can we keep our equipment and ourselves safe while doing it?

Can we do this systematically, not haphazardly?

Page 4: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Basic Definitions

Voltage (Potential) – difference in charge between two points (V – Volts)

Current – the flow of electricity (positive to negative) (I – Amperes)

Resistance – a component’s opposition to current flow (R – Ohms)

V = I R

Page 5: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Part IPart I

GroundingGrounding

Page 6: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Grounding (Earthing)

• Ground (1) – Literally the Earth, effectively a point with 0 potential and infinite charge-holding capacity

• Ground (2) – The lowest potential point in a circuit, serving as a current return path

SignalGround

ChassisGround

EarthGround

Page 7: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Two-Prong Outlets

Hot – Black, Red or BlueNeutral - WhiteWhite

Page 8: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Three-Prong Outlets

Hot – Black, Red or BlueNeutral – WhiteWhiteGround – Green

Page 9: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Already a Problem

• Many, many home AC circuits are wired improperly

• This can cause noise and shock hazards

• Use a multimeter or $5 Radioshack tester to verify every AC outlet

Page 10: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Short Circuit with Proper Grounding

Page 11: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Short with Broken Ground

Mics and Electric Guitars with broken grounds are especially dangerous

Page 12: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006
Page 13: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Ground Noise

• All signals are referenced to ground

• Noise (voltage changes) on the ground line create noise in the signal

• Since AC oscillates at 60Hz, this often results in a 60Hz hum

Page 14: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Ground Loops

• “One point, two paths to ground”

• Current requires a closed loop to flow

• Two paths to ground makes a closed loop

• Ground noise is then possible

Page 15: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006
Page 16: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Chassis-to-Chassis

• Touching chassis can form an electrical connection

• Rackmount rails can also connect chassis

• This can be good or bad, depending on the situation

Page 17: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Noise Source: Two Circuits

Easiest solution: Put both devices on one AC circuit

Page 18: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Noise Source: Dirty Ground

• Remember V = I R : Low resistance means big current

• Solve with a power conditioner (Furman, etc.) or isolation transformer• Or put everything on one AC outlet, but watch the power draw

Page 19: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Induced Current

Page 20: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Induced Ground Current

Page 21: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Solution

Page 22: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Induced Current, Cont’d

• Usually, 6” separation is enough to eliminate induced current

• Wall-wart transformers have unpredictable fields; keep them as isolated as possible

• Induced currents cannot be totally eliminated

Page 23: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Other Sources of Ground Noise

• Internal Power Supply (Induction and Capacitance)– Upgrade or mod the equipment– use balanced cables

Page 24: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Fixing Ground Loops Put everything on one AC circuit

• Use a current meter like Kill-a-Watt or Power Angel to measure current draw

Separate Signal cables from AC cables (and esp. Wall-wart transformers)• Try to keep at least 6” between• Cross at 90° if necessary

Use Balanced Cables wherever possible

Page 25: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Part IIPart II

CablingCabling

Page 26: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Balanced Cabling: CMR

Page 27: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Balanced Advantages

• High rejection of ground noise

• Also rejects external EMF

• CMR not perfect; still wise to minimize ground noise

• Proper operation depends on proper ground wiring

Page 28: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

AC vs. Signal Ground

• AC Ground is designed for safety

• Signal Ground is an internal reference for circuit paths

• Signal Ground is usually tied to Chassis Ground at one point

• Balanced cables should ALWAYS use chassis ground

Page 29: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006
Page 30: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

WRONG: Signal Ground

Page 31: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

RIGHT: Chassis Ground

Page 32: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Problems

• Much old or cheap equipment uses signal ground

• Unfortunately, this can cause noise even with balanced connections

• The only choices are upgrading or modding

Page 33: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Finding Improper Grounding

• Visual Inspection

• Use a multimeter to test for voltage between shield and chassis

• Should be very low (ideally 0V)– But, could tie to both chassis and signal

ground

Page 34: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Fixing Improper Balanced I/O

• Best: Cut the trace to signal ground and bond to chassis ground

• Easier: Disconnect the cable shield at the end tied to signal ground– Breaks any ground loops– But shield is now an RF antenna– Can alleviate by bonding shield to chassis through a

0.01μF capacitor– But then why not just mod the equipment?!?

Page 35: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Worst Case

• Both input and output tied to signal ground

• No standard solution, but most people connect one end of the shield

• Which end is unimportant, but you must make the same choice each time– Might be a very slight benefit to lifting at the

input side

Page 36: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

One More Problem

• Units with a wall-wart transformer are not connected to AC ground

• These units can have balanced I/O

• Solve this by bonding the ungrounded chassis to a known grounded chassis

Page 37: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Sidebar: Cable Quality

Cable quality varies substantially

Foil shields: best protection but easily damagedUse in fixed installations

Braided shields: look for maximum coverage

Page 38: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Some Brands

Pro Quality: Canare, Mogami Also good: Belden, Gepco, Rapco,

Whirlwind

AVOID: HOSA Monster: Good but way overpriced

Or make your own: pro quality at a budget price

Connectors: Neutrik, Switchcraft

Page 39: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Unbalanced Cabling

• Two conductors: Hot and Neutral

• No CMR; no magnetic field rejection

• Often found on semi-pro or consumer gear

• ¼” TS (mono); RCA

• Always keep unbalanced runs as short as possible

Page 40: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Shield goes to Signal Ground!

• Shield acts as current return path• Necessary to form a complete circuit• Not a “true” shield but does offer some

protection

Page 41: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Best Solution: Convert to Balanced

Page 42: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Next Best Solution: Transformers

Audio Isolation Transformers; DI Boxes; Many Preamps; etc.

www.whirlwindusa.com

Page 43: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006
Page 44: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Last Resort: Cut the Shield

• N.B.: Cutting the shield on a single-wire cable will ruin the cable!!

• We are going to cut the shield on a two-wire (“balanced”) cable

• This modified cable can then be used to connect unbalanced <-> balanced

Page 45: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Most Common: Unbalanced Balanced

• Simply disconnect the shield at one end• TRS: sleeve; XLR: pin 1

Page 46: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Balanced Unbalanced

Page 47: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Balanced Unbalanced

Page 48: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Balanced Unbalanced

Page 49: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Hierarchy of Preference

Balanced --> Balanced• Unbalanced --> Balanced

• Balanced --> Unbalanced

• Unbalanced --> Unbalanced

Chassis-shielded at both ends• Chassis-shielded at one end, other end lifted

• Signal-shielded at one end, other end lifted

Page 50: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

More Info

• If the choice of which end to cut is arbitrary, make the same choice each time

• Many possible scenarios

• See the two Rane references for excellent charts

• Also see Jensen whitepapers for a more technical discussion

Page 51: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Summary of Best Practices

Connect all devices to one AC circuit Use balanced I/O whenever possible Transformer-Isolate unbalanced lines

when possible• Cut shielding at one end if necessary

Keep signal lines away from AC (esp. wall-warts)• Cross signal and AC lines at 90° if necessary

Page 52: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Noise Isolation Procedure

1. Disconnect everything

2. Connect monitors to main I/O; verify good grounding and no noise

3. Connect balanced gear one by one; verify no noise

4. Connect unbalanced gear one by one; modify until noise is acceptable

Page 53: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Sidebar: Advanced Studio Grounding Pros:

Can reduce noise floor to commercial-studio levels

Cons: Complex Expensive Often a workaround for improper cabling or

equipment design

Page 54: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Primary Techniques

Isolated Ground: drive a dedicated ground bar, completely separate from the main AC grid

Star Grounding: Use heavy copper wiring to ground every device to one central point

Page 55: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Balanced Power

Common-Mode Rejection CancelsGround Noise (just like balanced audio!)

Page 56: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Balanced Power Pros and Cons

ProsEliminates noise from reactive current

(i.e., bad internal design)Isolates from building power

ConsWon’t solve all ground loop problemsPricey!! ($1000 and up)

Page 57: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Digital Audio Cables

• Digital signals themselves should be immune to ground noise

• But, the cabling can create ground loops that affect other signals

• AES/EBU: Isolation transformers prevent loops• Optical S/PDIF (TOSLink): No electrical

connection so no loops• Coaxial S/PDIF: Supposedly isolated but some

cheap equipment isn’t– Can build an isolator; usually easier solutions

Page 58: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Interfacing with the Computer

• Tricky!!!

• High power load might require a separate AC circuit

• Many different I/O paths

Page 59: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Common I/O schemes

• “Soundblaster”-type cards– Almost always unbalanced– Treat like any other unbalanced I/O

• Firewire Interfaces (MOTU 828, etc.)– Firewire grounds to the computer– Must then consider the computer part of the

grounding topology

Page 60: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Computer I/O Cont’d

• Cable Modem– Ethernet interfaces usually won’t link grounds– USB interfaces can link computer to cable

ground– Use a Cable Isolator to break the coax ground

• Many other I/Os possible

• You’ll need to experiment

Page 61: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Final Sidebar: Impedance

Too complex to cover here Basically, impedance is like a

frequency-dependent resistance Really good CMR requires I/O circuits

with good impedance design

If you want really really low noise, read up on impedance

Page 62: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Grounding References

http://www.epanorama.net/documents/groundloop/

http://www.equitech.com/articles/articles.html http://www.rane.com/note151.html http://

www.dself.dsl.pipex.com/ampins/groundloops/grndloop.htm

Page 63: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

Cabling References

http://www.jensen-transformers.com/apps_wp.html

http://www.rane.com/note110.html

Page 64: Grounding and Cabling for the Small Studio David Etlinger 1/17/2006

http://www.davidetlinger.comhttp://www.davidetlinger.com

Good luck!!Good luck!!