Symposium: New Guinea Art since 1875Bibliography

This bibliography was created to encourage the further study of modern and contemporary art of New Guinea.  Locations are listed for California Libraries.

Compiled by Marion Cadora and Christina Hellmich with the generous assistance of the symposium participants. Special thanks to Pamela Rosi.

Bibliography Index1. In alphabetical order by author’s last name2. By artist name

Timothy AkisJakupa AkoMathias KauageAlbert Maori KikiLarry SantanaDaniel WaswasCecil Wungi

3. Papua New Guinea4. Pacific Arts5. Books6. Periodicals7. Dissertations8. Exhibit Catalogue9. Paper(s)10. Notes and Location of documents in California Libraries

1. In alphabetical order by author’s last name: (140 items) Akis. Akis. Boroko, Papua New Guinea: National Arts School, 1978. ---. Akis. Boroko, Papua New Guinea, 1977.

Akis, and Georgina Beier. Akis Drawings. Port Moresby: Centre for New Guinea Culture of the University of Papua and New Guinea, 1969. Allen, Christopher. “Bilas: Art from Papua New Guinea.” Art Monthly Australia. Dec. 1988: 9-12. Ashton, C. “A Warrior on the Hustings.” Sydney Morning Herald. June 20, 1980. Australian National University. Exhibition of contemporary Papua New Guinea Art. 1975.

1

 Baker, Catherine. The Innocent Artists; Student Art from Papua New Guinea. Poole [Eng.]: Blandford Press, 1980. Beier, Georgina. Modern Images from Niugini. Jacaranda: Milton, Q., 1974.

---. “Four Artists from Papua New Guinea.” Hemisphere. April, 1971.

---. “Kauage.” Kovave. Vol. 3, no. 2 (1972).

---. “Kauage.” Paradise Magazine. Airniugini,1978.

Beier, Ulli & Georgina. Mathias Kauage Catalogue for Haus der Kulturen der Welt, 1990.

---. Mathias Kauage Catalogue for Iwalewa, 1990.

Beier, Ulli. The Artist in Society: Three Lectures Given to the Foundation Course of the University of Papua New Guinea. Port Moresby: Institute of Papua New Guinea Studies, 1976.

---. “Aesthetic Concepts in the Trobriand Islands.” Gigibori: A Magazine of Papua New Guinea Cultures. Dec. 1974: 36-39.

---. Contemporary New Guinea Art. Los Angeles: Otis Art Institute, 1971.

---. Decolonizing the Mind: The Impact of the University on Culture and Identity in Papua New Guinea, 1971-1974. Canberra: Pandanus Books, 2005.

---. “Kabisawali: Impact of Self-help Movement on Cultural Life in the Trobriand Islands.” Gigibori. 1975:18-24.

---. The Mwali shell as art object and status symbol=Oral History. Vol. VI, No 3 (1978):7886.

---. Words of Paradise; Poetry of Papua New Guinea. Santa Barbara [Calif.] Unicorn Press, 1973.

Beier, Ulli (ed.). Black Writing from New Guinea. St. Lucia, Queensland: Univ. Of Queensland Press, 1973.

Beier, Ulli, and Albert Maori Kiki [joint author]. Hahao; The Uneasy Survival of an art form in the Papuan Gulf. [Melbourne, Thomas] Nelson (Australia), 1970.

Beran, Harry, and Radomir Joura. An exhibition of art of the Massim region of Papua New Guinea from private collections in New South Wales and Canberra. Wollongong,

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N.S.W.: Wollongong City Art Gallery, 1980.

Bowden, Ross. Yena: Art and Ceremony in a Sepik Society. Oxford: Pitt Rivers Museum, University of Oxford, 1983.

---. Creative spirits: Bark Paintings in the Washkuk Hill of North New Guinea. Melbourne: Oceania Art Australia ltd, 2006.

Brown, Bob. “From Small Beginnings: The Arts of the People.” The Post Courier. Sept. 1979.

Butler, Roger, and Brian Robinson. Islands in the sun: prints by indigenous artists of Australia and the Australasian region. Canberra: National Gallery of Australia, 2001.

Campbell, Shirley. An Analysis of Massim Material Culture from Collections in Australian Museums@ COMA: Bulletin of the Conference of Museum Anthropologists. July 1982: 23-28.

---. The Art of Kula. Ph.D. Thesis. Australian National University. Canberra, 1984.

---. The Art of Kula. Oxford; New York: Berg, 2002.

Chadwick, Neil J., and P.P. Courtenay; (Percy Philip). Punan Art and Artifacts: At The Perc Tucker Regional Gallery, Townsville, April, 1983. Townsville, Old., Australia: Centre for Southeast Asian Studies, James Cook University of North Queensland, 1983. 

Choulai, Wendi. “Art and Ritual Aina Asi A Mavaru.” Artlink 16.4 1996.

Choulai, Wendi and Jacquelyn A. Lewis-Harris. “Women and the Fiber Arts in Papua New Guinea.” Art and Performance in Oceania. Ed. Barry Craig, Bernie Kernot, and Christopher Anderson. Sydney: Crawford House Press, 1999: 211-217.

Cochrane, Susan. Becoming Art Some Relationships Between Pacific Art and Western Culture. Thesis (Ph. D.)—University of Wollongong, 1994.

---. Art and Life in Melanesia. Newcastle: Cambridge Scholars Publishing, 2007.

---. Old Colours from New Worlds: Contemporary Art from Oceania. Papua New Guinea, Vanuatu, New Caledonia, 1997.

---. “Pacificness.” Beyond the Future: The Third Asian-Pacific Triennial of Contemporary Art. Brisbane: Queensland Art Gallery, 2004.

Cochrane, Susan, and Michael Mel. Contemporary Art in Papua New Guinea. Sydney, NSW: Craftsman House; United States: G+B Arts, 1997.

3

Cochrane, Susan, and Hugh Stevenson. Luk, luk gen! = Look again! : Contemporary Art from Papua New Guinea. Townsville: Perc Regional Gallery, 1990.

Cook, Bruce. Understanding pictures in Papua New Guinea. Elgin, III., U.S.A: D.C. Cook Foundation, 1981.

---. Understanding pictures in Papua New Guinea, 1975: an experiment comparing style and content in sociological, epistemological, and cognitive context. Philadelphia: s.n., 1978.

Coote, Jeremy, and Anthony Shelton. Anthropology, art, and aesthetics. Oxford: Clarendon Press; New York: Oxford University Press, 1994.

Craig, Barry. Pieces of Paradise. Australian Museum Trust, 1988.

Craig, Tom. Jakupa. Boroko: Solander Gallery, Canberra and Creative Arts Centre, 1976.

---. Draft Proposal for Establishment of the Center for Creative Arts at Waigani. Unpublished manuscript. Port Moresby: Creative Arts Centre.

---. “New Art- With Deep Roots.” The Post Courier. Independence Anniversary, Sept. 1976: 89.

Creative Arts Centre (Papua New Guinea). Kehoa: Creative Arts Centre Opening Exhibition. Boroko: Creative Arts Centre, 1975.

---. “Omeri Wantok.” Poster Poem. Port Moresby: Creative Arts Centre, 1972.

D’Alleva, Anne. Arts of the Pacific Islands. New York: H.N. Abrams, 1998. 

Dark, Philip John Crosskey. Development of the Arts in the Pacific. Wellington, New Zealand: National Museum, 1984. Dark, Philip John Crosskey, and Roger G. Rose. Artistic Heritage in a Changing Pacific. Honolulu: University of Hawaii Press, 1993.

Davidson, Kate. “PNG at the ACP: Papua New Guinea in Sydney.” Art Monthly Australia. June 2005: 21-24.

Dissanayake, Ellen. “Coming of age in Papua New guinea.” Art in America. (vol.76) March 1988: 45, 47.

---. “Preview: Old Culture, New Parliament.” Paradise. 40: 15-17.

Dunar, Loujaya. “In Search of New PNG Design.” Art Times of PNG. March 3, 1988: 6.

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Eastburn, Melanie. Papua New Guinea Prints. Canberra: Publications Department of the National Gallery of Australia, 2006.

Fife, Wayne. “Models for Masculinity in Colonial and Postcolonial Papua New Guinea.” The Contemporary Pacific. 1995, 7:277-302.

Forge, Anthony. Papers 1960-1990. Wenner-Gren Foundation for Anthropological Research, 1960-1990.

Gell, Alfred. Metamorphosis of the Cassowaries: Umeda Society, Language and Ritual. London: Athlone Press; [Atlantic Highlands], N.J. : Humanities Press; Tiptree, Eng.: distributed by Tiptree Book Services, 1975.

Goodale, Jane and Koss, D. “The Cultural Context of Creativity among Tiwi.” Anthropology and Art. Garden City N.Y., for the American Museum of Natural History, 1971.

Hanlon, David L., and Geoffrey M. White. Voyaging through the Contemporary Pacific. Lanham, Md.: Rowmand & Littlefield Publishers, 2000.

Haughie, John. Papua New Guinea. Honolulu: The University Press of Hawaii, 1985.

Heerman, Ingrid. Ting Ting bilong mi. Stuttagart: Eine Ausstellug de Institutes fur Auslandsbeziehungen.

Helm, June. Essays on the Verbal and Visual Arts. Seattle: Distributed by the University of Washington Press, 1967.

Hereniko, Patricia. Pacific Artists. Suva, Fiji: University of the South Pacific, 1986.

Hossack, Rebecca. Mathias Kauage- A Retrospective. London: Rebecca Hossack Gallery, 2000. 

Institute of Papua New Guinea Cultures. Gigibori; A Magazine of Papua New Guinea Cultures. Boroko: Institute of Papua New Guinea Studies, 1974- August 1979.

Ison, Barry. Pukari: Voices of Papua New Guinea. San Diego: Expressive Arts Department, Sogeri Senior High School and Tofua Press, 1976.

Kauage. Kauage. Boroko, Papua New Guinea: National Arts School, 1977.

Kaeppler, Adrienne Lois, and Newton, Douglas. The Arts of the Pacific Islands. Washington: National Gallery of Art, 1979.

Keesing, R. “Creating the Past: custom and Identity in the Contemporary Pacific.” Contemporary Pacific. 1989: 1, 19-42.

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Kennedy, Jean. “Printmaking in New Guinea.” Artist’s Proof: the annual of prints and printmaking. Greenwhich: Centre in association with the New York Graphic Society, 1971.

Kiki, Albert Maori. Kiki; Ten Thousand Years in a Lifetime, a New Guinea Autobiography. New York: F.A. Praeger, 1968.

The Lions Club of Waigani, and National Arts School (Papua New Guinea). The Lions Club of Waigani Art Exhibition to Celebrate the Tenth Anniversary of Independence of Papua New Guinea. Port Moresby: The Exhibit, 1985.

M.H. De Young Memorial Museum Fine Arts Museums of San Francisco. New Guinea art: masterpieces from the Jolika Collection of Marcia and John Friede. San Francisco: Fine Arts Museums of San Francisco in association with 5 Continents Editions, Milan, 2005.

McRae, Carole. Introduction to Tempela Krismas National Arts School Exhibition Catalogue. 1985.

Mackenzie, Maureen Anne. Androgynous Objects: String Bags and Gender in Central New Guinea. Chur, Switzerland; Philadelphia: Hardwood Academic Publishers, 1991.

Macintyre, Michael. The New Pacific. London: Collins/British Broadcasting Corp., 1985.

Malcome, Kirk, and Andrew Strathern. Man as art: New Guinea. New York: Viking Press, 1981.

Mead, Margaret. “The Sepik as a Cultural Area: Comment.” Anthropological Quarterly. 1978, 51:69-75.

Mel, Michael. “Art/ Body: The Liminal Experiences of Indigeniety.” Artlink. Sept. 2000: 40-43.

---. Forward in Art and Life in Melanesia. (written by Susan Cochrane) Newcastle-upon-Tyne, UK: Cambridge Scholars Press Ltd., 2007.

---. “Body Decoration (bilas) in Papua New Guinea.” The Pacific Islands: An Encyclopedia. ed. Brij V Lal and Kate Fortune. Honolulu: University of Hawaii Press, 2000.

---. “Encountering Ples Namel (Our Place).” Art Monthly (Australia). July1999: 17-20.

---. “Heart and Mind- The liminality of the learner in relation to education in new Millennium.” Papua New Guinea Journal of Education. 37 (2001): 58-62.

6

---. “Noman/Mbu Noman/ Nuim: The need for Wisdom in our Curriculum.” Tree of Opportunity: Re-thinking Pacific Education. USP, Fiji: Institute of Education, 2003.

---. “Ples bilong mi: Interfacing Global and Indigenous Knowledge in Mapping out a Pacific Vision at Home and Abroad.” Pacific Arts: 25. Honolulu: University of Hawaii, 2002.

---. “Representing a Place/ Embodying a People.” Beyond the Future: The Third Asian-Pacific Triennial of Contemporary Art. Brisbane: Queensland Art Gallery, 2004.

---. “Shifting cultures: Mbu- a proposal for pluricultural perspective to culture in education in Papua New Guinea.” Education Ideas from Oceania. Suva, Fiji: Institute of Education, University of the South Pacific, 2003.

---. “Sing sing in Papua New Guinea.” The Pacific Islands: An Encyclopedia. ed. Brij V Lal and Kate Fortune. Honolulu: University of Hawaii Press, 2000.

---. “Tradition and Bilas as Metaphors of Identity.” Art AsiaPacific. 1996: 66-73.

Mel, Michael, Ed. The Noumea Biennale of Contemporary Art 2000- Symposium Proceedings. Noumea, New Caledonia: The South Pacific Community, 2002.

Munster, Judy and Peter Munster. Bilas Bilong Niugini. A display of artifacts from Papua New Guinea. Maryborough, 1978.

Narakobi, Bernard. “Transformation in Art and Society.” Luk, luk gen! = Look again! : Contemporary Art from Papua New Guinea. Townsville: Perc Regional Gallery, 1990.

---. The Melanesian Way. Boroko: Institute of Papua New Guinea Studies, 1980.

National Arts School (PNG). The arts applied: an exhibition of commissioned works undertaken by the National Arts School, 24th Aug –13th Sep 1984. Port Moresby: National Arts School, 1984.

---. Come and Join Us. Port Moresby: National Arts School, 1978.

National Cultural Council. Papua New Guinea in Transition. Boroko: Exhibition Commission for the Pacific Arts Festival, 1984. 

National Gallery of Victoria. Realms and islands: aspects of three oceanic cultures. Melbourne: National Gallery of Victoria, 1970.

National Library Service of Papua New Guinea. Selective Index to the Times of Papua New Guinea. Port Moresby: The Service, 1985-. 

Nicolas, Alain. Art papou : Austronésiens et Papous de Nouvelle-Guinée. Paris: Réunion

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des musées nationaux; Marseille: Musées de Marseille, 2000.

Newman, J. “A Splendid Edifice Risen in Waigani.” Pacific Islands Monthly. Sept. 1984.

O’Hanlon, Michael. Paradise: Portraying the New Guinea Highlands. London: British Museum Press for the Trustees of the British Museum, 1993.

---. Reading the skin: adorament, display, and society among the Wahgi. London: Trustees of the British Museum by British Museum Publications, 1989.

Powell, Ganga. Through Melanesian eyes: an anthology of Papua New Guinea writing. South Melbourne: Macmillan, 1987.

Raabe, Eva. “Collecting Contemporary art at the Museum fur Volkerkunds.” Pacific Arts. 1992: 14-18.

---. “Understanding Pacific development and individual creativity: two paintings from Papua New Guinea.” Australia Art Monthly. July 1999: 21-23.

Rosi, Pamela C. “About the Artist: Larry Santana.” The Contemporary Pacific . 2006: 18-2, ix.

---. Bung wantaim: The Role of the National Arts School in Creating national culture and identity in Papua New Guinea. Ph.D. Thesis. Bryn Mawr College, 1994.

---. Contemporary Art from Papua New Guinea. Bridgewater, MA.: Anderson Gallery, Bridgewater State College, 1988.

---. “Cultural Creator of New Bisnisman.” Modern Papua New Guinea. ed. Laura Zimmer-Tamakoshi. Kirksville: Thomas Jefferson University Press, 1998: 31-54.

---. “The Disputed Value of Contemporary Papua New Guinea Artists and Their Work.” Exploring World Art. ed. Eric Venbrux, Pamela Sheffield Rosi, Robert L. Welsch. Long Grove: Waveland Press, Inc., 2006.

---. “Larry Santana.” Discover Paradise. ed. Geoff McLaughlin. La Galamo Books: Lae, Morobe Province, (yr?): 23-27

---. “Michael Mel: Hearing Silenced Voices.” ArtAsiaPacific.No. 52. March/April 2007.

---. Nation-making and Cultural Tensions: Contemporary Art from Papua New Guinea. Pine Manor College, Chestnut Hill, 1998.

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---. “’National Treasures’ or ‘Rubbish Men’; the disputed value of contemporary Papua New Guinea (PNG) artists and their work.” Zeitschrift fur Ethnologie. 2002:127, 241-267.

---. “O Meri Wantok” (My Countrywoman). Paper presented at the Association of Social Anthropologists in Oceania Meetings. Kona, Hawaii, 1995.

---. “Picturing my Country Papua New Guinea: The Creative (contested) Vision of Larry Santana.” Paper delivered at Symposium, “The New Voyagers: Pacific Artists in the Global Art World.” Association of Social Anthropologists in Oceania Meetings. Kau’ai, Hawaii, 2005.

---. “Papua New Guinea’s New Parliament House: A Contested National Symbol.” The Contemporary Pacific. 1991: 3-2, 289-323.

Rosi, Pamela. Jacqueline Lewis-Harris, Fer Hoekstra. Mak Bilong Oi (Made by Us). Contemporary Art from Papua New Guinea. Nijmegen: Nijmeegs Volkenkundig Museum, 2002.

Rosi, Pamela, and Laura Zimmer-Tamakoshi. “Love and Marriage among the educated elite of Port Moresby.” The Business of Marriage: Transformations in Oceanic Marriage. ed. Rick Marksbury. Pittsburg: University of Pittsburg Press, 1993: 175-204.

Schwimmer, Eric. “Impersonation in the arts of Papua New Guinea.” Unpublished Paper, 3rd Unt’l Sym on Art of Oceania. MMA, New York, Sept. 1984. 

Silverman, Eric. “Cannibalizing, Commodifying, and Creating Culture: Power and Creativity in Sepik River Tourism.” Globalization and Culture Change in the Pacific Islands. ed. V. Lockwood. Upper Saddle River, NJ: Prentice-Hall, 2004: 339-357.

---. “Tourist Art as the Crafting of Identity in the Sepik River (Papua New Guinea).” Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds. ed. Ruth B. Phillips and Christopher B. Steiner. Berkeley: University of California Press, 1999: 51-66.

---. “Tourism in the Sepik River of Papua New Guinea: Favoring the Local over the Global.” Pacific Tourism Review. 2000, 4: 105-119.

Smith, T. “Whose Art? Awkward Questions for Newly Independent Societies.” Sydney Morning Herald. 30 Nov. 1991.

Soroi, Marepo Eoe, and Pamela Swadling. Museums and cultural centres in the Pacific. Port Moresby: Papua New Guinea National Museum, 1991.Stevenson, H. “Akis.” Times of Papua New Guinea. 19 May, 1981.

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Steinmetz, J. A. “New Guinea Carvers Bring Art to Campus.” San Jose Mercury News. June 6, 1994.

Stevenson, H. “Wungi’s exciting jigsaws.” Times of Papua New Guinea. 3 Sept., 1982.

---. “Waigani Art and Craft Show.” Times of Papua New Guinea. 8 Oct., 1982.

---. “Morububuna at the National Arts School.” Times of Papua New Guinea. 3 June, 1983.

---. “Larry Santana.” Times of Papua New Guinea. 8 July, 1983.

---. “Jakupa.” Times of Papua New Guinea. 20 Oct., 1983.

Stewart, Gloria. Introduction to Sepik Art of Papua New Guinea. Melbourne: Tripart Marketing, 1980.

Taylor, Lance. Taim Bipo: The Disappearing Traditions and Practices of Papua New Guinea as Seen Through the Eyes of a Young Sogeri Artists. San Diego, Calif.: Tofua Press, 1988.

Thompson, Liz. “The art of survival.” Pacific Islands Monthly. August 1992: 37-38.

Waiko, J. “Cultural Identity and the New Globalization: Challenges in Papua New Guinea.” Think Tanks and Governance in the Asia-Pacific Region. Canada: Institute for Research on Public Policy, 1990.

Waswas, Daniel. Contemporary printmaking in Papua New Guinea. Australian Print Symposium, 2004.

2. By artist Name

Timothy AkisAkis. Akis. Boroko, Papua New Guinea: National Arts School, 1978.

---. Akis. Boroko, Papua New Guinea, 1977.

Akis, and Beier, Georgina. Akis Drawings. Port Moresby: Centre for New Guinea Culture of the University of Papua and New Guinea, 1969.

Stevenson, H. “Akis.” Times of Papua New Guinea. 19 May, 1981.

Jakupa AkoCraig, Tom. Jakupa. Boroko: Solander Gallery, Canberra and Creative Arts Centre, 1976.

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Stevenson, H. “Jakupa.” Times of Papua New Guinea. 20 Oct., 1983.

Mathias KauageBeier, Georgina. “Kauage.” Kovave. Vol. 3, no. 2, 1972.

---. “Kauage.” Paradise Magazine. Airniugini, 1978.

Beier, Ulli & Georgina. Mathias Kauage Catalogue for Haus der Kulturen der Welt, 1990.

---. Mathias Kauage Catalogue for Iwalewa,1990.

---. Kauage. Boroko, Papua New Guinea: National Arts School, 1977.

Hossack, Rebecca. Mathias Kauage- A Retrospective. Rebecca Hossack Gallery: London, 2000.

Albert Maori KikiKiki, Albert Maori. Kiki; Ten Thousand Years in a Lifetime, a New Guinea Autobiography. New York, F.A. Praeger, 1968.

Larry SantanaRosi, Pamela. “About the Artist: Larry Santana: The Contemporary Pacific . 2006: 18-2, ix.

---. “Larry Santana.” Discover Paradise. ed. Geoff McLaughlin. La Galamo Books: Lae, Morobe Province, (yr?): 23-27.

Stevenson, H. “Larry Santana.” Times of Papua New Guinea. 8 July, 1983.

Daniel WaswasWaswas, Daniel. Contemporary Printmaking in Papua New Guinea. Paper presented at place made: the Fifth Australian Print Symposium, National Gallery of Australia, Canberra, 2-4 April 2004.

Cecil WungiStevenson, H. “Wungi’s exciting jigsaws.” Times of Papua New Guinea. 3 Sept., 1982.

3. Papua New Guinea

Allen, Christopher. “Bilas: Art from Papua New Guinea.” Art Monthly Australia. December 1988: 9-12.

Ashton, C. “A Warrior on the Hustings.” Sydney Morning Herald. June 20, 1980.

11

Australian National University. Exhibition of contemporary Papua New Guinea Art. 1975.

Baker, Catherine. The Innocent Artists; Student Art from Papua New Guinea. Poole [Eng.]: Blandford Press, 1980.

Beier, Ulli. “Aesthetic Concepts in the Trobriand Islands.” Gigibori: A Magazine of Papua New Guinea Cultures. Dec. 1974: 36-39.

---. The Artist in Society: Three Lectures Given to the Foundation Course of the University of Papua New Guinea. Port Moresby: Institute of Papua New Guinea Studies, 1976.

---. Contemporary New Guinea Art. Los Angeles: Otis Art Institute, 1971.

---. Decolonizing the Mind: The Impact of the University on Culture and Identity in Papua New Guinea, 1971-1974. Canberra: Pandanus Books, 2005.

---. "Kabisawali: Impact of Self-help Movement on Cultural Life in the Trobriand Islands." Gigibori. 1975:18-24.

---. Words of Paradise; Poetry of Papua New Guinea. Santa Barbara: Unicorn Press, 1973.

Beier, Ulli, ed. Black Writing from New Guinea. St. Lucia, Queensland: Univ. Of Queensland Press, 1973.

Beier, Ulli, and Kiki, Albert Maori [joint author]. Hahao; The Uneasy Survival of an art form in the Papuan Gulf. [Melbourne, Thomas] Nelson (Australia), 1970.

Beran, Harry, and Joura, Radomir. An exhibition of art of the Massim region of Papua New Guinea from private collections in New South Wales and Canberra. Wollongong, N.S.W.: Wollongong City Art Gallery, 1980.

Bowden, Ross. Yena: Art and Ceremony in a Sepik Society. Oxford: Pitt Rivers Museum, University of Oxford, 1983.

Chadwick, Neil J., and Courtenay, P.P; (Percy Philip). Punan Art and Artifacts: At The Perc Tucker Regional Gallery, Townsville, April, 1983.Townsville, Old., Australia: Centre for Southeast Asian Studies, James Cook University of North Queensland, 1983.

Choulai, Wendi. “Art and Ritual Aina Asi A Mavaru.” Artlink 16.4 1996.

Choulai, Wendi and Jacquelyn A. Lewis-Harris. “Women and the Fiber Arts in Papua New Guinea.” Art and Performance in Oceania. Ed. Barry Craig, Bernie Kernot, and

12

Christopher Anderson. Sydney: Crawford House Press, 1999: 211-217.

Cochrane, Susan. Old Colours from New Worlds: Contemporary Art from Oceania. Papua New Guinea, Vanuatatu, New Caledonia, 1997.

Cochrane, Susan, and Mel, Michael. Contemporary Art in Papua New Guinea. Sydney, NSW: Craftsman House; United States: G+B Arts, 1997.

Cochrane, Susan, and Stevenson, Hugh. Luk, luk gen! = Look again! : Contemporary Art from Papua New Guinea. Townsville : Perc Regional Gallery, 1990.

Cook, Bruce. Understanding pictures in Papua New Guinea, 1975 :an experiment comparing style and content in sociological, epistemological, and cognitive context. Philadelphia: s.n., 1978.

---. Understanding Pictures in Papua New Guinea. Elgin, III., U.S.A: D.C. Cook Foundation, 1981.

Creative Arts Centre (Papua New Guinea). Kehoa: Creative Arts Centre Opening Exhibition. Boroko: Creative Arts Centre, 1975.

Dissanayake, Ellen. “Coming of age in Papua New guinea.” Art in America. (vol.76) March 1988: 45, 47.

---. “Preview: Old Culture, New Parliament.” Paradise. 40: 15-17.

Dunar, Loujaya. “In Search of New PNG Design.” Art Times of PNG. March 3, 1988: 6.

Eastburn, Melanie. Papua New Guinea Prints. Canberra: Publications Department of the National Gallery of Australia, 2006.

Fife, Wayne. “Models for Masculinity in Colonial and Postcolonial Papua New Guinea.” The Contemporary Pacific. 1995, 7:277-302.

Gell, Alfred. Metamorphosis of the Cassowaries: Umeda Society, Language and Ritual. London: Athlone Press; [Atlantic Highlands], N.J. : Humanities Press; Tiptree, Eng.: distributed by Tiptree Book Services, 1975.

Haughie, John. Papua New Guinea. Honolulu: The University Press of Hawaii, 1985.

Institute of Papua New Guinea Cultures. Gigibori; A Magazine of Papua New Guinea Cultures. Boroko: Institute of Papua New Guinea Studies, 1974- August 1979.

Ison, Barry. Pukari: Voices of Papua New Guinea. San Diego: Expressive Arts Department, Sogeri Senior High School and Tofua Press, 1976.

13

Kennedy, Jean. “Printmaking in New Guinea.” Artist’s Proof: the annual of prints and printmaking. Greenwhich: Centre in association with the New York Graphic Society, 1971.

The Lions Club of Waigani, and National Arts School (Papua New Guinea). The Lions Club of Waigani Art Exhibition to Celebrate the Tenth Anniversary of Independence of Papua New Guinea. Port Moresby: The Exhibit, 1985.

Mackenzie, Maureen Anne. Androgynous Objects: String Bags and Gender in Central New Guinea. Chur, Switzerland; Philadelphia: Hardwood Academic Publishers, 1991.

Malcome, Kirk, and Andrew Strathern. Man as art: New Guinea. New York: Viking Press, 1981.

Mead, Margaret. “The Sepik as a Cultural Area: Comment.” Anthropological Quarterly. 1978, 51:69-75.

Mel, Michael. “Body Decoration (bilas) in Papua New Guinea.” The Pacific Islands: An Encyclopedia. ed. Brij V. Lal and Kate Fortune. Honolulu: University of Hawaii Press, 2000.

---. “Heart and Mind- The Liminality of the learner in relation to in the Millennium.” Papua New Guinea Journal of Education. 37 (2001): pp. 58-62.

---. “Representing a Place/ Embodying a People.” Beyond the Future: The Third Asian-Pacific Triennial of Contemporary Art. Queensland Art Gallery: Brisbane, 2004.

---. “Shifting Cultures: Mbu- a proposal for a pluricultural perspective to culture in education in Papua New Guinea.” Education Ideas from Oceania. ed. Thaman K. Suva. Fiji: Institution of Education, University of the South Pacific, 2003.

---. “Singsing in Papua New Guinea.” The Pacific Islands: An Encyclopedia. ed. Brij V. Lal and Kate Fortune. Honolulu: University of Hawaii Press, 2000.

Mel, Michael, ed. The Noumea Biennale of Contemporary Art 100- Symposium Proceedings. Noumea, New Caledonia: South Pacific Community, 2002.

Munster, Judy and Munster, Peter. Bilas Bilong Niugini. A display of artifacts from Papua New Guinea. Maryborough, 1978.

Narakobi, Bernard. “Transformation in Art and Society.” Luk, luk gen! = Look again! : Contemporary Art from Papua New Guinea. Townsville: Perc Regional Gallery, 1990.

National Library Service of Papua New Guinea. Selective Index to the Times of Papua New Guinea. Port Moresby: The Service, 1985-.

14

Newman, J. “A Splendid Edifice Risen in Waigani.” Pacific Islands Monthly. Sept. 1984.

National Arts School (PNG). The arts applied: an exhibition of commissioned works undertaken by the National Arts School, 24 th Aug –13 th Sep 1984 . Port Moresby: National Arts School, 1984.

---.Come and Join Us. Port Moresby: National Arts School, 1978.National Cultural Council. Papua New Guinea in transition. Boroko: Exhibition Commission for the Pacific Arts Festival, 1984.

M.H. De Young Memorial Museum Fine Arts Museums of San Francisco. New Guinea art: masterpieces from the Jolika Collection of Marcia and John Friede. San Francisco: Fine Arts Museums of San Francisco in association with 5 Continents Editions, Milan, 2005.

O’Hanlon, Michael. Paradise: Portraying the New Guinea Highlands. London: British Museum Press for the Trustees of the British Museum, 1993.

O’Hanlon, Michael. Reading the skin: adornment, display, and society among the Wahgi. London: Trustees of the British Museum by British Museum Publications, 1989.

Powell, Ganga. Through Melanesian eyes: an anthology of Papua New Guinea writing. South Melbourne: Macmillan, 1987.

Rosi, Pamela. “About the Artist: Larry Santana.” The Contemporary Pacific . 2006: 18-2, ix.

---. Bung wantaim: The Role of the National Arts School in Creating national culture and identity in Papua New Guinea. Ph.D. Thesis. Bryn Mawr College, 1994.

---. Contemporary Art from Papua New Guinea. Anderson Gallery, Bridgewater State College, Bridgewater, MA., 1988.

---. “Cultural Creator of New Bisnisman,” Modern Papua New Guinea. ed. Laura Zimmer-Tamakoshi. Kirksville: Thomas Jefferson University Press., 1998: 31-54.

---. “The Disputed Value of Contemporary Papua New Guinea Artists and Their Work” Exploring World Art. ed. Eric Venbrux, Pamela Sheffield Rosi, Robert L. Welsch. Long Grove: Waveland Press, Inc., 2006.

---. “Larry Santana.” Discover Paradise. ed. Geoff McLaughlin. La Galamo Books: Lae, Morobe Province, (yr?): 23-27.

---. Nation-making and Cultural Tensions: Contemporary Art from Papua New Guinea. Pine Manor College, Chestnut Hill, 1998.

15

---. “‘National Treasures’ or ‘Rubbish Men’; the disputed value of contemporary Papua New Guinea (PNG) artists and their work.” Zeitschrift fur Ethnologie. 2002:127, 241-267.

---. “Papua New Guinea’s New Parliament House: A Contested National Symbol”. The Contemporary Pacific. 1991: 3-2, 289-323.

---. “Picturing my Country Papua New Guinea: The Creative (contested) Vision of Larry Santana.” Paper delivered at Symposium, “The New Voyagers: Pacific Artists in the Global Art World.” Association of Social Anthropologists in Oceania Meetings. Kau’ai, Hawaii, 2005.

Rosi, Pamela. Jacqueline Lewis-Harris, Fer Hoekstra. Mak Bilong Oi (Made by Us). Contemporary Art from Papua New Guinea. Nijmegen: Nijmeegs Volkenkundig Museum, 2002.

Rosi, Pamela, and Zimmer-Tamakoshi, Laura. “Love and Marriage among the educated elite of Port Moresby.” The Business of Marriage: Transformations in Oceanic Marriage. ed. Rick Marksbury. University of Pittsburg Press, Pittsburg, 1993: 175-204.

Schwimmer, Eric. “Impersonation in the arts of Papua New Guinea.” Unpublished Paper, 3rd Unt’l Sym on Art of Oceania. MMA, New York, Sept. 1984.

Silverman, Eric. “Cannibalizing, Commodifying, and Creating Culture: Power and Creativity in Sepik River Tourism.” Globalization and Culture Change in the Pacific Islands. ed. V. Lockwood. Upper Saddle River, NJ: Prentice-Hall, 2004: 339-357.

---. “Tourism in the Sepik River of Papua New Guinea: Favoring the Local over the Global.” Pacific Tourism Review. 2000, 4: 105-119.

---. “Tourist Art as the Crafting of Identity in the Sepik River (Papua New Guinea).” Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds. ed. Ruth B. Phillips and Christopher B. Steiner. Berkeley: University of California Press, 1999: 51-66.

Stevenson, H. “Morububuna at the National Arts School.” Times of Papua New Guinea. 3 June, 1983.

---. “Waigani Art and Craft Show.” Times of Papua New Guinea. 8 Oct., 1982.

Stewart, Gloria. Introduction to Sepik Art of Papua New Guinea. Melbourne: Tripart Marketing, 1980.

Taylor, Lance. Taim Bipo: The Disappearing Traditions and Practices of Papua New Guinea as Seen Through the Eyes of a Young Sogeri Artists. San Diego, Calif.: Tofua Press, 1988.

16

Thompson, Liz. “The art of survival.” Pacific Islands Monthly. August 1992: 37-38.

Waiko, J. “Cultural Identity and the New Globalization: Challenges in Papua New Guinea.” Think Tanks and Governance in the Asia-Pacific Region. Canada: Institute for Research on Public Policy, 1990.

4. Pacific Contemporary Art

Butler, Roger, and Robinson, Brian. Islands in the sun: prints by indigenous artists of Australia and the Australasian region. Canberra: National Gallery of Australia, 2001.

Cochrane, Susan. Becoming Art Some Relationships Between Pacific Art and Western Culture. Thesis (Ph. D.)—University of Wollongong, 1994.

---. “Pacificness.” Beyond the Future: The Third Asian-Pacific Triennial of Contemporary Art. Queensland Art Gallery: Brisbane, 2004.

Coote, Jeremy, and Shelton, Anthony. Anthropology, art, and aesthetics. Oxford: Clarendon Press; New York: Oxford University Press, 1994.

D’Alleva, Anne. Arts of the Pacific Islands. New York: H.N. Abrams, 1998.

Dark, Philip John Crosskey. Development of the Arts in the Pacific. Private Bag, Wellington, New Zealand: National Museum, 1984.

Dark, Philip John Crosskey, and Rose, Roger G. Artistic Heritage in a Changing Pacific. Honolulu: University of Hawaii Press, 1993.

Hanlon, David L., and White, Geoffrey M. Voyaging through the Contemporary Pacific. Lanham, Md.: Rowmand & Littlefield Publishers, 2000.

Hereniko, Patricia. Pacific Artists. Suva, Fiji: University of the South Pacific, 1986.

Kaeppler, Adrienne Lois, and Douglas Newton. The Arts of the Pacific Islands. Washington: National Gallery of Art, 1979.

Keesing, R. “Creating the Past: Custom and Identity in the Contemporary Pacific.” Contemporary Pacific. 1989: 1, 19-42.

Macintyre, Michael. The New Pacific. London: Collins/British Broadcasting Corp., 1985.

Mel, Michael. Forward in Art and Life in Melanesia. (written by Susan Chochrane) Newcastle-upon-Tyne, UK: Cambridge Scholars Press Ltd., 2007.

17

Smith, T. “Whose Art? Awkward Questions for Newly Independent Societies.” Sydney Morning Herald. 30 Nov. 1991.

Soroi, Marepo Eoe, and Pamela Swadling. Museums and cultural centres in the Pacific. Port Moresby: Papua New Guinea National Museum, 1991.

5. Books:

Akis. Akis. Boroko, Papua New Guinea: National Arts School, 1978.

Akis, and Georgina Beier. Akis Drawings. Port Moresby: Centre for New Guinea Culture of the University of Papua and New Guinea, 1969.

Akis. Akis. Boroko, Papua New Guinea, 1977.

Baker, Catherine. The Innocent Artists; Student Art from Papua New Guinea. Poole [Eng.]: Blandford Press, 1980.

Beier, Georgina. Modern Images from Niugini. Milton, Q.: Jacaranda, 1974.

Beier, Georgina. “Kauage.” Kovave. Vol. 3, no. 2 (1972).

Beier, Ulli, ed. Black Writing from New Guinea. St. Lucia, Queensland: Univ. Of Queensland Press, 1973.

Beier, Ulli. The Mwali shell as art object and status symbol=Oral History. Vol. VI, No 3 (1978):7886.

Beier, Ulli. The Artist in Society: Three Lectures Given to the Foundation Course of the University of Papua New Guinea. Port Moresby: Institute of Papua New Guinea Studies, 1976.

Beier, Ulli. Decolonizing the Mind: The Impact of the University on Culture and Identity in Papua New Guinea, 1971-1974. Canberra: Pandanus Books, 2005.

Beier, Ulli. Words of Paradise; Poetry of Papua New Guinea. Santa Barbara [Calif.]: Unicorn Press, 1973.

Beier, Ulli, and Albert Maori Kiki [joint author]. Hahao; The Uneasy Survival of an art form in the Papuan Gulf. [Melbourne, Thomas] Nelson (Australia), 1970.

---. Creative spirits: Bark Paintings in the Washkuk Hill of North New Guinea. Melbourne: Oceania Art Australia ltd, 2006.

Bowden, Ross. Yena: Art and Ceremony in a Sepik Society. Oxford: Pitt Rivers Museum, University of Oxford, 1983.

18

Chadwick, Neil J., and Courtenay, P.P; (Percy Philip). Punan Art and Artifacts: At The Perc Tucker Regional Gallery, Townsville, April, 1983. Townsville, Old., Australia: Centre for Southeast Asian Studies, James Cook University of North Queensland, 1983.

Cochrane, Susan. Art and Life in Melanesia. Cambridge: Cambridge Scholars Publishing, 2007.

Cochrane, Susan, and Stevenson, Hugh. Luk, luk gen! = Look again! : Contemporary Art from Papua New Guinea. Townsville : Perc Regional Gallery, 1990.

Cochrane, Susan, and Mel, Michael. Contemporary Art in Papua New Guinea. Sydney, NSW: Craftsman House; United States: G+B Arts, 1997.

Cook, Bruce. Understanding Pictures in Papua New Guinea. Elgin, III., U.S.A: D.C. Cook Foundation, 1981.

Coote, Jeremy, and Shelton, Anthony. Anthropology, art, and aesthetics. Oxford: Clarendon Press; New York: Oxford University Press, 1994.

D’Alleva, Anne. Arts of the Pacific Islands. New York: H.N. Abrams, 1998.

Dark, Philip John Crosskey. Development of the Arts in the Pacific. Private Bag, Wellington, New Zealand: National Museum, 1984.

Dark, Philip John Crosskey, and Rose, Roger G. Artistic Heritage in a Changing Pacific. Honolulu: University of Hawaii Press, 1993.

Eastburn, Melanie. Papua New Guinea Prints. Canberra: Publications Department of the National Gallery of Australia, 2006.

Gell, Alfred. Metamorphosis of the Cassowaries: Umeda Society, Language and Ritual. London: Athlone Press; [Atlantic Highlands], N.J. : Humanities Press; Tiptree, Eng.: distributed by Tiptree Book Services, 1975.

Hanlon, David L., and White, Geoffrey M. Voyaging through the Contemporary Pacific. Lanham, Md.: Rowmand & Littlefield Publishers, 2000.

Haughie, John. Papua New Guinea. Honolulu: The University Press of Hawaii, 1985.

Hereniko, Patricia. Pacific Artists. Suva, Fiji: University of the South Pacific, 1986.

Ison, Barry. Pukari: Voices of Papua New Guinea. San Diego: Expressive Arts Department, Sogeri Senior High School and Tofua Press, 1976.

Kauage. Kauage. Boroko, Papua New Guinea: National Arts School, 1977.

19

Keesing, R. “Creating the Past: custom and Identity in the Contemporary Pacific.” Contemporary Pacific. 1989: 1, 19-42.

Kennedy, Jean. “Printmaking in New Guinea.” Artist’s Proof: the annual of prints and printmaking. Greenwhich: Centre in association with the New York Graphic Society, 1971.

Kiki, Albert Maori. Kiki; Ten Thousand Years in a Lifetime, a New Guinea Autobiography. New York: F.A. Praeger, 1968.

Macintyre, Michael. The New Pacific. London: Collins/British Broadcasting Corp., 1985.

Mackenzie, Maureen Anne. Androgynous Objects: String Bags and Gender in Central New Guinea. Chur, Switzerland; Philadelphia: Hardwood Academic Publishers, 1991.

Malcome, Kirk, and Andrew Strathern. Man as art: New Guinea. New York: Viking Press, 1981.

Mel, Michael. Introduction. Art and life in Melanesia. by Susan Cochrane. Newcastle: Cambridge Scholars Publishing, 2007.

Munster, Judy and Peter Munster. Bilas Bilong Niugini. A display of artifacts from Papua New Guinea. Maryborough, 1978.

Narakobi, Bernard. “Transformation in Art and Society.” Luk, luk gen! = Look again! : Contemporary Art from Papua New Guinea. Townsville: Perc Regional Gallery, 1990.

---. The Melanesian Way. Boroko: Institute of Papua New Guinea Studies, 1980.

National Arts School (PNG). The arts applied: an exhibition of commissioned works undertaken by the National Arts School, 24 th Aug –13 th Sep 1984 . Port Moresby: National Arts School, 1984.

---. Come and Join Us. Port Moresby: National Arts School, 1978.

O’Hanlon, Michael. Paradise: Portraying the New Guinea Highlands. London: British Museum Press for the Trustees of the British Museum, 1993.

O’Hanlon, Michael. Reading the skin: ornament, display, and society among the Wahgi. London: Trustees of the British Museum by British Museum Publications, 1989.

Powell, Ganga. Through Melanesian eyes: an anthology of Papua New Guinea writing. South Melbourne: Macmillan, 1987.

20

Rosi, Pamela Sheffield. Nation-making and Cultural Tensions: Contemporary Art from Papua New Guinea. Pine Manor College, Chestnut Hill, 1998.

Silverman, Eric. “Tourist Art as the Crafting of Identity in the Sepik River (Papua New Guinea).” Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds. ed. Ruth B. Phillips and Christopher B. Steiner. Berkeley: University of California Press, 1999: 51-66.

---. “Cannibalizing, Commodifying, and Creating Culture: Power and Creativity in Sepik River Tourism.” Globalization and Culture Change in the Pacific Islands. ed. V. Lockwood. Upper Saddle River, NJ: Prentice-Hall, 2004: 339-357.

Soroi, Marepo Eoe, and Pamela Swadling. Museums and cultural centres in the Pacific. Port Moresby: Papua New Guinea National Museum, 1991.

Stewart, Gloria. Introduction to Sepik Art of Papua New Guinea. Melbourne: Tripart Marketing, 1980.

Taylor, Lance. Taim Bipo: The Disappearing Traditions and Practices of Papua New Guinea as Seen Through the Eyes of a Young Sogeri Artists. San Diego, Calif.: Tofua Press, 1988.

6. Periodicals:

Allen, Christopher. “Bilas: Art from Papua New Guinea.” Art Monthly Australia. December 1988: 9-12.

Ashton, C. “A Warrior on the Hustings.” Sydney Morning Herald. June 20, 1980.

Beier, Georgina. “Kauage.” Paradise Magazine. Airniugini, 1978.

Beier, Ulli. “Aesthetic Concepts in the Trobriand Islands.” Gigibori: A Magazine of Papua New Guinea Cultures. Dec. 1974: 36-39.

Beier, Ulli. "Kabisawali: Impact of Self-help Movement on Cultural Life in the Trobriand Islands." Gigibori. 1975: 18-24.

Brown, Bob. “From Small Beginnings: The Arts of the People.” The Post Courier. Sep. 1979.

Choulai, Wendi. “Art and Ritual Aina Asi A Mavaru.” Artlink 16.4 1996.

Craig, Tom. “New Art- With Deep Roots.” The Post Courier.(Independence Anniversary) Sep. 1976: 89.

21

Dissanayake, Ellen. “Coming of age in Papua New guinea.” Art in America. (vol.76) March 1988: 45, 47.

---. “Preview: Old Culture, New Parliament,” Paradise. 40: 15-17.

Dunar, Loujaya. “In Search of New PNG Design.” Art Times of PNG. March 3, 1988: 6.

Fife, Wayne. “Models for Masculinity in Colonial and Postcolonial Papua New Guinea.” The Contemporary Pacific. 1995, 7:277-302.

Goodale, Jane and D. Koss. “The Cultural Context of Creativity among Tiwi.” Anthropology and Art. Garden City N.Y., for the American Museum of Natural History, 1971.

Institute of Papua New Guinea Cultures. Gigibori; A Magazine of Papua New Guinea Cultures. Boroko: Institute of Papua New Guinea Studies, 1974- August 1979.

Mead, Margaret. “The Sepik as a Cultural Area: Comment.” Anthropological Quarterly. 1978, 51:69-75.

Mel, Michael. “Art/ Body: The Liminal Experiences of Indigeniety.” Artlink. Sept. 2000: 40-43.

Mel, Michael. “Encountering Ples Namel (Our Place).” Art Monthly. (Australia). July1999: 17-20.

---. “Tradition and Bilas as Metaphors of Identity.” Art AsiaPacific. 1996: 66-73.

Newman, J. “A Splendid Edifice Risen in Waigani.” Pacific Islands Monthly. Sept. 1984.

Raabe, Eva. “Collecting Contemporary art at the Museum fur Volkerkunds.” Pacific Arts. 1992: 14-18.

---. “Understanding Pacific development and individual creativity: two paintings from Papua New Guinea.” Art MonthlyAustralia. July 1999: 21-23.

Rosi, Pamela. “About the Artist: Larry Santana.” The Contemporary Pacific . 2006: 8-2, ix.

---. “Michael Mel: Hearing Silenced Voices.” ArtAsiaPacific.No. 52. March/April 2007.

---. “Papua New Guinea’s New Parliament House: A Contested National Symbol.” The Contemporary Pacific. 1991: 3-2, 289-323.

22

Silverman, Eric. “Tourism in the Sepik River of Papua New Guinea: Favoring the Local over the Global.” Pacific Tourism Review. 2000, 4: 105-119.

Smith, T. “Whose Art? Awkward Questions for Newly Independent Societies.” Sydney Morning Herald. 30 Nov. 1991.

Steinmetz, J. A. “New Guinea Carvers Bring Art to Campus.” San Jose Mercury News. June 6, 1994.

Stevenson, H. “Akis.” Times of Papua New Guinea. 19 May, 1981.

---. “Jakupa.” Times of Papua New Guinea. 20 Oct., 1983.

---. “Larry Santana.” Times of Papua New Guinea. 8 July, 1983.

---. “Morububuna at the National Arts School.” Times of Papua New Guinea. 3 June, 1983.

---. “Waigani Art and Craft Show.” Times of Papua New Guinea. 8 Oct., 1982.

---. “Wungi’s exciting jigsaws.” Times of Papua New Guinea. 3 Sept., 1982.

Thompson, Liz. “The art of survival.” Pacific Islands Monthly. August 1992: 37-38.

Waiko, J. “Cultural Identity and the New Globalization: Challenges in Papua New Guinea.” Think Tanks and Governance in the Asia-Pacific Region. Canada: Institute for Research on Public Policy, 1990.

7. Dissertations:

Campbell, Shirley. The Art of Kula. Ph.D. Thesis. Australian National University. Canberra, 1984.

Cochrane, Susan. Becoming Art Some Relationships Between Pacific Art and Western Culture. Thesis (Ph. D.)—University of Wollongong, 1994.

Cook, Bruce. Understanding pictures in Papua New Guinea, 1975:An experiment comparing style and content in sociological, epistemological, and cognitive context. Philadelphia: s.n., 1978.

Rosi, Pamela. Bung wantaim: The Role of the National Arts School in Creating national culture and identity in Papua New Guinea. Ph.D. Thesis. Bryn Mawr College, 1994

8. Exhibit Catalogues:

23

Australian National University. Exhibition of contemporary Papua New Guinea Art. 1975.

Beier, Ulli & Georgina. Mathias Kauage Catalogue for Haus der Kulturen der Welt, 1990.

---. Mathias Kauage Catalogue for Iwalewa, 1990.

Beier, Ulli. Contemporary New Guinea Art. Los Angeles: Otis Art Institute, 1971.

Beran, Harry, and Radomir Joura. An exhibition of art of the Massim region of Papua New Guinea from private collections in New South Wales and Canberra. Wollongong, N.S.W.: Wollongong City Art Gallery, 1980.

Butler, Roger, and Robinson, Brian. Islands in the sun: prints by indigenous artists of Australia and the Australasian region. Canberra: National Gallery of Australia, 2001.

Cochrane, Susan. Old Colours from New Worlds: Contemporary Art from Oceania. Papua New Guinea, Vanuatu, New Caledonia, 1997.

Creative Arts Centre (Papua New Guinea). Kehoa: Creative Arts Centre Opening Exhibition. Boroko, 1975.

Craig, Barry. Pieces of Paradise. Australian Museum Trust, 1988.

Craig, Tom. Jakupa. Solander Gallery, Canberra and Creative Arts Centre: Boroko, 1976.

Heerman, Ingrid. Ting Ting bilong mi. Stuttagart: Eine Ausstellug de Institutes fur Auslandsbeziehungen.

Hossack, Rebecca. Mathias Kauage- A Retrospective. Rebecca Hossack Gallery: London, 2000.

Kaeppler, Adrienne Lois, and Douglas Newton. The Arts of the Pacific Islands. Washington: National Gallery of Art, 1979.

The Lions Club of Waigani, and National Arts School (Papua New Guinea). The Lions Club of Waigani Art Exhibition to Celebrate the Tenth Anniversary of Independence of Papua New Guinea. Port Moresby: The Exhibit, 1985.

M.H. De Young Memorial Museum Fine Arts Museums of San Francisco. New Guinea art: masterpieces from the Jolika Collection of Marcia and John Friede. San Francisco: Fine Arts Museums of San Francisco in association with 5 Continents Editions, Milan, 2005.

24

McRae, Carole. Introduction to Tempela Krismas National Arts School Exhibition Catalogue. 1985.

Mel, Michael. “Representing a Place/ Embodying a People.” Beyond the Future: The Third Asian-Pacific Triennial of Contemporary Art. Queensland Art Gallery: Brisbane, 2004.

National Arts School (PNG). The arts applied: an exhibition of commissioned works undertaken by the National Arts School, 24 th Aug –13 th Sep 1984 . Port Moresby: National Arts School, 1984.

National Cultural Council. Papua New Guinea in transition. Boroko: Exhibition Commission for the Pacific Arts Festival, 1984.

National Gallery of Victoria. Realms and islands: aspects of three oceanic cultures. Melbourne: National Gallery of Victoria, 1970.

Nicolas, Alain. Art papou : Austronésiens et Papous de Nouvelle-Guinée. Paris : Réunion des musées nationaux ; Marseille : Musées de Marseille, 2000.

9. Papers:

Forge, Anthony. Papers 1960-1990. Wenner-Gren Foundation for Anthropological Research, 1960-1990.

Rosi, Pamela. “O Meri Wantok” (My Countrywoman). Paper presented at the Association of Social Anthropologists in Oceania Meetings. Kona. Hawaii, 1995.

---. “Picturing my Country Papua New Guinea: The Creative (contested) Vision of Larry Santana.” Paper delivered at Symposium, “The New Voyagers: Pacific Artists in the Global Art World.” Association of Social Anthropologists in Oceania Meetings. Kau’ai, Hawaii, 2005.

Schwimmer, Eric. “Impersonation in the arts of Papua New Guinea.” Unpublished Paper, 3rd Unt’l Sym on Art of Oceania. MMA, New York, Sept. 1984.

Waswas, Daniel. Contemporary Printmaking in Papua New Guinea. Paper presented at place made: the Fifth Australian Print Symposium, National Gallery of Australia, Canberra, 2-4 April 2004.

10. Notes and locations of documents in California:

Akis. Akis. Boroko, Papua New Guinea: National Arts School, 1978.Notes:In Tok Pisin and English./ Includes biographical notes and list of artist's one man shows and group exhibitions.

25

California HoldingsFULLER THEOL SEMINARY, CFT  STANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, SAN DIEGO, CUS

Akis, and Georgina Beier. Akis Drawings. Port Moresby: Centre for New Guinea Culture of the University of Papua and New Guinea, 1969.Notes:Consists of 11 art reproductions. Includes biographical notes by Georgina Beier.California HoldingsOTIS COL OF ART & DESIGN, ODA  UNIV OF CALIFORNIA, SAN DIEGO, CSU

Akis. Akis. Boroko, Papua New Guinea, 1977.Notes:In Tok Pisin and English./ Consists of 40 art reproductions with descriptive captions./ Includes biographical notes, and list of artist's one-man shows and group exhibitions.California HoldingsUNIV OF CALIFORNIA, SAN DIEGO

Allen, Christopher. “Bilas: Art from Papua New Guinea.” Art Monthly Australia. Dec. 1988: 9-12.Notes:Review of the first comprehensive exhibition of contemporary Papua New Guinea art held in Australia.CALIFORNIA HOLDINGS NOT FOUND

Ashton, C. “A Warrior on the Hustings.” Sydney Morning Herald. June 20, 1980.California HoldingsSONOMA STATE UNIV, CSO  UNIV OF CALIFORNIA, BERKELEY, CUY  

Australian National University. Exhibition of contemporary Papua New Guinea Art. 1975.CALIFORNIA HOLDINGS NOT FOUND

Baker, Catherine. The Innocent Artists; Student Art from Papua New Guinea. Poole [Eng.]: Blandford Press, 1980.California HoldingsCALIFORNIA STATE UNIV, DOMINGUEZ HILLS, CDH  CALIFORNIA STATE UNIV, FRESNO, CFS  CALIFORNIA STATE UNIV, LOS ANGELES, CLA  SAN DIEGO STATE UNIV LIBR, CDS  SAN FRANCISCO STATE UNIV LIBR, CSF  UNIV OF CALIFORNIA, LOS ANGELES, CLU  

26

Beier, Georgina. Modern Images from Niugini. Milton, Q.: Jacaranda, 1974.California HoldingsCALIFORNIA STATE UNIV, FRESNO, CFS  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, SAN DIEGO, CUS

Beier, Georgina. “Four Artists from Papua New Guinea.” Hemisphere. April 1971. California HoldingsLOS ANGELES PUB LIBR, LPU  STANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, LOS ANGELES, CLU  

Beier, Georgina. “Kauage.” Kovave. Vol. 3, no. 2, 1972. Notes:"A journal of New Guinea literature."California HoldingsUNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  

Beier, Georgina. “Kauage.” Paradise Magazine. Airniugini, 1978.CALIFORNIA HOLDINGS NOT FOUND

Beier, Ulli & Georgina. Mathias Kauage Catalogue for Haus der Kulturen der Welt, 1990.CALIFORNIA HOLDINGS NOT FOUND

Beier, Ulli & Georgina. Mathias Kauage Catalogue for Iwalewa, 1990.CALIFORNIA HOLDINGS NOT FOUND

Beier, Ulli, ed. Black Writing from New Guinea. Univ. Of Queensland Press: St. Lucia, Queensland, 1973.California HoldingsCALIFORNIA STATE POLYTECHNIC UNIV, POMON, CPO  CALIFORNIA STATE UNIV, FRESNO, CFS  CALIFORNIA STATE UNIV, NORTHRIDGE, CNO  COUNTY OF LOS ANGELES PUB LIBR, JQW  LOS ANGELES PUB LIBR, LPU  SAN FRANCISCO STATE UNIV LIBR, CSF  SOLANO CNTY LIBR, JTD  UNIV OF CALIFORNIA, BERKELEY, CUY  UNIV OF CALIFORNIA, DAVIS, SHIELDS LIBR, CUV  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF CALIFORNIA, SANTA BARBARA, CUT  

27

Beier, Ulli. “Aesthetic Concepts in the Trobriand Islands.” Gigibori: A Magazine of Papua New Guinea Cultures. Dec. 1974: 36-39. California HoldingsSTANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  

Beier, Ulli. "Kabisawali: Impact of Self-help Movement on Cultural Life in the Trobriand Islands." Gigibori. 1975: 18-24. California HoldingsSTANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  

Beier, Ulli. The Mwali shell as art object and status symbol=Oral History. Vol. VI, No 3 (1978): 7886.CALIFORNIA HOLDINGS NOT FOUND

Beier, Ulli. The Artist in Society: Three Lectures Given to the Foundation Course of the University of Papua New Guinea. Port Moresby: Institute of Papua New Guinea Studies, 1976.NotesContents: 1. The position of the artist in traditional society -- 2. The position of the artist in a changing society -- 3. The artist's struggle for integration in contemporary society.California HoldingsUNIV OF CALIFORNIA, SAN DIEGO, CUS

Beier, Ulli. Decolonizing the Mind: The Impact of the University on Culture and Identity in Papua New Guinea, 1971-1974. Canberra: Pandanus Books, 2005.NotesCorp Authors: University of Papua New Guinea; Australian National University; Research School of Pacific and Asian Studies.California HoldingsUNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, SAN DIEGO, CUS

Beier, Ulli. Contemporary New Guinea Art. Los Angeles: Otis Art Institute, 1971.NotesCatalogue of an exhibition held Jan. 16-Feb. 28, 1971, with an introductory essay by U. Beier.. (Corp. Author Otis Art Institute).California HoldingsBEVERLY HILLS PUB LIBR, BHP  CALIFORNIA INST OF THE ARTS, CIA  CALIFORNIA STATE UNIV EAST BAY, CSH  CALIFORNIA STATE UNIV, CHICO, CCH  CALIFORNIA STATE UNIV, FRESNO, CFS  

28

CALIFORNIA STATE UNIV, NORTHRIDGE, CNO  CLAREMONT COL, THE, HDC  HUMBOLDT STATE UNIV, CHU  SAN FRANCISCO PUB LIBR, SFR  SONOMA STATE UNIV, CSO  STANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, IRVINE, CUI  UNIV OF SOUTHERN CALIFORNIA, CSL  

Beier, Ulli. Words of Paradise; Poetry of Papua New Guinea. Santa Barbara [Calif.] Unicorn Press, 1973.California HoldingsCALIFORNIA STATE POLYTECHNIC UNIV, POMON, CPO  CALIFORNIA STATE UNIV EAST BAY, CSH  CALIFORNIA STATE UNIV, FULLERTON, CFI  CALIFORNIA STATE UNIV, LOS ANGELES, CLA  CALIFORNIA STATE UNIV, SACRAMENTO, CSA  LOS ANGELES PUB LIBR, LPU  MARIN CNTY FREE LIBR, JRG  MONTEREY CNTY FREE LIBR, JRB  SAN FRANCISCO PUB LIBR, SFR  SAN FRANCISCO STATE UNIV LIBR, CSF  SAN JOSE STATE UNIV, CSJ  SOLANO CNTY LIBR, JTD  SONOMA CNTY LIBR, JTH  SONOMA STATE UNIV, CSO  STANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, BANCROFT LIBR, ARL, RQE  UNIV OF CALIFORNIA, BERKELEY, CUY  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF CALIFORNIA, SANTA BARBARA

Beier, Ulli, and Albert Maori Kiki [joint author]. Hahao; The Uneasy Survival of an art form in the Papuan Gulf. [Melbourne, Thomas] Nelson (Australia), 1970.California HoldingsCALIFORNIA STATE UNIV, FRESNO, CFS  UNIV OF CALIFORNIA, BERKELEY, CUY  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, SAN DIEGO, CUS

Beran, Harry, and Radomir Joura. An exhibition of art of the Massim region of Papua New Guinea from private collections in New South Wales and Canberra. Wollongong, N.S.W.: Wollongong City Art Gallery, 1980.NotesCover title: Massim tribal art, Papua New Guinea.Art galleries. New South Wales. Wollongong. Wollongong City Gallery. Exhibits:

29

Massim handicrafts. Exhibition held at Wollongong City Gallery, 16 October-6 November 1980.CALIFORNIA HOLDINGS NOT FOUND

Bowden, Ross. Yena: Art and Ceremony in a Sepik Society. Oxford: Pitt Rivers Museum, University of Oxford, 1983.California HoldingsCALIFORNIA STATE UNIV EAST BAY, CSH  CALIFORNIA STATE UNIV, DOMINGUEZ HILLS, CDH  CALIFORNIA STATE UNIV, LONG BEACH, CLO  FULLER THEOL SEMINARY, CFT  SAN DIEGO STATE UNIV LIBR, CDS  SANTA CLARA UNIV, STA  STANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, BERKELEY, CUY  UNIV OF CALIFORNIA, DAVIS, SHIELDS LIBR, CUV  UNIV OF CALIFORNIA, IRVINE, CUI  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, RIVERSIDE, CRU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF CALIFORNIA, SANTA BARBARA, CUT  UNIV OF CALIFORNIA, SANTA CRUZ, CUZ  

Bowden, Ross. Creative spirits: Bark Paintings in the Washkuk Hill of North New Guinea. Melbourne: Oceania Art Australia ltd, 2006.CALIFORNIA HOLDINGS NOT FOUND

Brown, Bob. “From Small Beginnings: The Arts of the People.” The Post Courier. Sept. 1979.CALIFORNIA HOLDINGS NOT FOUND

Butler, Roger, and Brian Robinson. Islands in the sun: prints by indigenous artists of Australia and the Australasian region. Canberra: National Gallery of Australia, 2001.Notes:"An exhibition organized by the National Gallery of Australia in collaboration with Cairns Regional Gallery"--T.p. verso. Curators, Roger Butler and Brian Robinson. Bibliography: p. 115.Exhibitions: Published to accompany an exhibition held at the National Gallery of Australia, 17th February - 27th May, 2001 and throughout Australia and Aotearoa New Zealand, 2001 - 2002.CALIFORNIA HOLDINGS NOT FOUND

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Campbell, Shirley. An Analysis of Massim Material Culture from Collections in Australian Museums@. COMA: Bulletin of the Conference of Museum Anthropologists. July: 23-28, 1982.CALIFORNIA HOLDINGS NOT FOUND

Campbell, Shirley. The Art of Kula. Ph.D. Thesis. Australian National University. Canberra, 1984.CALIFORNIA HOLDINGS NOT FOUND

Campbell, Shirley. The Art of Kula. Oxford; New York: Berg, 2002.California HoldingsCALIFORNIA STATE UNIV, FRESNO, CFS  CALIFORNIA STATE UNIV, LONG BEACH, CLO  CALIFORNIA STATE UNIV, SACRAMENTO, CSA  LOYOLA MARYMOUNT UNIV, LML  SAN DIEGO STATE UNIV LIBR, CDS  SOKA UNIV, ALISO VIEJO, SXQ  STANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, BERKELEY, CUY  UNIV OF CALIFORNIA, DAVIS, SHIELDS LIBR, CUV  UNIV OF CALIFORNIA, IRVINE, CUI  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, RIVERSIDE, CRU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF CALIFORNIA, SANTA BARBARA, CUT  UNIV OF CALIFORNIA, SANTA CRUZ, CUZ  UNIV OF SOUTHERN CALIFORNIA, CSL  

Chadwick, Neil J., and P.P Courtenay; (Percy Philip). Punan Art and Artifacts: At The Perc Tucker Regional Gallery, Townsville, April, 1983. Townsville, Old., Australia: Centre for Southeast Asian Studies, James Cook University of North Queensland, 1983.NotesCorp Author(s): Perc Tucker Regional Art Gallery. ; James Cook University of North Queensland.; Centre for Southeast Asian Studies.California HoldingsUNIV OF CALIFORNIA, BERKELEY, CUY  UNIV OF CALIFORNIA, SAN DIEGO, CUS

Choulai, Wendi. “Art and Ritual Aina Asi A Mavaru.” Artlink 16.4 1996.California HoldingsUNIV OF CALIFORNIA, LOS ANGELES, CLU  

Choulai, Wendi and Jacquelyn A. Lewis-Harris. “Women and the Fiber Arts in Papua New Guinea.” Art and Performance in Oceania. Ed. Barry Craig, Bernie Kernot, and Christopher Anderson. Sydney: Crawford House Press, 1999: 211-217.

31

California HoldingsBIOLA UNIV LIBR, CBC  BUTTE COL LIBR, BCZ  CALIFORNIA STATE UNIV, CHANNEL ISLANDSCALIFORNIA STATE UNIV, FRESNO, CFS  CALIFORNIA STATE UNIV, LOS ANGELES, CLA  DE ANZA COL, DAC  LOYOLA MARYMOUNT UNIV, LML  MILLS COL, MIQ  SAN DIEGO STATE UNIV LIBR, CDS  SANTA CLARA UNIV, STA  SOKA UNIV, ALISO VIEJO, SXQ  SONOMA STATE UNIV, CSO  STANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, BERKELEY, CUY  UNIV OF CALIFORNIA, DAVIS, SHIELDS LIBR, CUV  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, RIVERSIDE, CRU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF CALIFORNIA, SANTA BARBARA, CUT  UNIV OF CALIFORNIA, SANTA CRUZ, CUZ  UNIV OF SAN DIEGO, J S COPLEY LIBR, CDU  

Cochrane, Susan, and Hugh Stevenson. Luk, luk gen! = Look again! : Contemporary Art from Papua New Guinea. Townsville : Perc Regional Gallery, 1990.NotesCorp Author: Perc Tucker Regional Art Gallery."Exhibition venues, 1990, 20 September-14 October Perc Tucker Regional Gallery, Townsville ...”California HoldingsUNIV OF CALIFORNIA, SANTA CRUZ, CUZ

Cochrane, Susan. Becoming Art Some Relationships Between Pacific Art and Western Culture. Thesis (Ph. D.)—University of Wollongong, 1994.NotesOther Titles: Some relationships between Pacific art and Western culture.California HoldingsUNIV OF CALIFORNIA, SAN DIEGO, CUS

Cochrane, Susan. “Pacificness.” Beyond the Future: The Third Asian-Pacific Triennial of Contemporary Art. Queensland Art Gallery: Brisbane, 2004.California HoldingsSAN FRANCISCO PUB LIBR, SFR  

32

Cochrane, Susan. Old Colours from New Worlds: Contemporary Art from Oceania. Papua New Guinea, Vanuatatu, New Caledonia, 1997.CALIFORNIA HOLDINGS NOT FOUND

Cochrane, Susan, and Michael Mel. Contemporary Art in Papua New Guinea. Sydney, NSW: Craftsman House; United States: G+B Arts, 1997. California HoldingsBEVERLY HILLS PUB LIBR, BHP  BIOLA UNIV LIBR, CBC  CALIFORNIA COL OF ARTS, CC9  CALIFORNIA MARITIME ACAD, LIBR, CVM  CALIFORNIA STATE UNIV EAST BAY, CSH  CALIFORNIA STATE UNIV, MONTEREY BAY, MB@  CALIFORNIA STATE UNIV, NORTHRIDGE, CNO  HUMBOLDT STATE UNIV, CHU  LONG BEACH PUB LIBR, CLB  LOYOLA MARYMOUNT UNIV, LML  POINT LOMA NAZARENE UNIV LIBR, CPT  SAN DIEGO STATE UNIV LIBR, CDS  SAN JOSE STATE UNIV,CSJ  SANTA BARBARA CITY COL LIBR, SAB  STANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, DAVIS, SHIELDS LIBR, CUV  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, RIVERSIDE, CRU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF CALIFORNIA, SANTA BARBARA, CUT  UNIV OF SAN DIEGO, J S COPLEY LIBR, CDU  UNIV OF SOUTHERN CALIFORNIA, CSL  

Cochrane, Susan. Art and Life in Melanesia. New Castle: Cambridge Scholars Publishing, 2007.CALIFORNIA HOLDINGS NOT FOUND

Cook, Bruce. Understanding Pictures in Papua New Guinea. Elgin, III., U.S.A: D.C. Cook Foundation, 1981. California HoldingsAZUSA PACIFIC UNIV, CAP  BIOLA UNIV LIBR, CBC  CALIFORNIA STATE UNIV, FRESNO, CFS  CALIFORNIA STATE UNIV, FULLERTON, CFI  FULLER THEOL SEMINARY, CFT  GOLDEN GATE BAPTIST THEOL SEMINARY, GGB  LIFE PACIFIC COL, LFE  POINT LOMA NAZARENE UNIV LIBR, CPT  

33

STANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, SAN DIEGO, CUS UNIV OF CALIFORNIA, SANTA CRUZ, CUZ  WESTMINSTER SEMINARY CALIFORNIA, TGW  

Cook, Bruce. Understanding pictures in Papua New Guinea, 1975:an experiment comparing style and content in sociological, epistemological, and cognitive context. Philadelphia: s.n., 1978. NotesThesis, Ph. D, Temple UniversityCalifornia HoldingsFULLER THEOL SEMINARY, CFT

Coote, Jeremy, and Anthony Shelton. Anthropology, art, and aesthetics. Oxford: Clarendon Press; New York: Oxford University Press, 1994.NotesContents: Art and anthropology / Raymond Firth -- Technology of enchantment and the enchantment of technology / Alfred Gell -- Art, architecture, and collective representations in a New Guinea society / Ross Bowden -- Making skins : Malangan and the idiom of kinship in northern New Ireland / Susanne Küchler -- Representing the spirits : the masks of the Alaskan Inuit / Jarich Oosten -- Traditional and contemporary art of Aboriginal Australia : two case studies / Robert Layton -- Textile design in southern Lembata : tradition and change / Ruth Barnes -- From dull to brilliant : the aesthetics of spiritual power among the Yolngu / Howard Morphy -- Predicates of aesthetic judgement : ontology and value in Huichol material representations / Anthony Shelton -- 'Marvels of everyday vision' : the anthropology of aesthetics and the cattle-keeping nilotes / Jeremy Coote.California HoldingsART CTR COL OF DESIGN, JAMES L FOGG LIBR, ACD  CLAREMONT COL, THE, HDC  IRVINE VAL COL, SAI  SANTA MONICA COL LIBR, SMX  SOKA UNIV, ALISO VIEJO, SXQ  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, SANTA CRUZ

Craig, Barry. Pieces of Paradise. Australian Museum Trust, 1988.CALIFORNIA HOLDINGS NOT FOUND

Craig, Tom. Jakupa. Solander Gallery, Canberra and Creative Arts Centre: Boroko, 1976. CALIFORNIA HOLDINGS NOT FOUND

Craig, Tom. “New Art- With Deep Roots.” The Post Courier. Sep. 1976: 89. CALIFORNIA HOLDINGS NOT FOUND

34

Craig, Tom. Draft Proposal for Establishment of the Center for Creative Arts at Waigani. Unpublished manuscript. Port Moresby: Creative Arts Centre.CALIFORNIA HOLDINGS NOT FOUND

Creative Arts Centre (Papua New Guinea). Kehoa: Creative Arts Centre Opening Exhibition. Boroko, 1975. California HoldingsUNIV OF CALIFORNIA, SAN DIEGO, CUS  Creative Arts Centre (Papua New Guinea). “Omeri Wantok.” Poster Poem. Port Moresby: Creative Arts Centre, 1972.CALIFORNIA HOLDINGS NOT FOUND

D’Alleva, Anne. Arts of the Pacific Islands. New York: H.N. Abrams, 1998.California HoldingsANTELOPE VAL COL LIBR, AUV  ART CTR COL OF DESIGN, JAMES L FOGG LIBR, ACD  BEVERLY HILLS PUB LIBR, BHP  CALIFORNIA STATE UNIV EAST BAY, CSH  CALIFORNIA STATE UNIV, BAKERSFIELD, CBA  CALIFORNIA STATE UNIV, CHICO, CCH  CALIFORNIA STATE UNIV, DOMINGUEZ HILLS, CDH  CALIFORNIA STATE UNIV, FRESNO, CFS  CALIFORNIA STATE UNIV, LONG BEACH, CLO  CALIFORNIA STATE UNIV, LOS ANGELES, CLA  CALIFORNIA STATE UNIV, NORTHRIDGE, CNO  CERRITOS COL, CES  CLAREMONT COL, THE, HDC  COLUMBIA COL LIBR, CCY  FULLERTON PUB LIBR, FUP  HUMBOLDT STATE UNIV, CHU  IRVINE VAL COL, SAI  LA SIERRA UNIV, LMR  LONG BEACH PUB LIBR, CLB  LOS ANGELES PUB LIBR, LPU  LOYOLA MARYMOUNT UNIV, LML  MARIN CNTY FREE LIBR, JRG  NEWPORT BEACH PUB LIBR, CNB  PASADENA CITY COL, CPA  PEPPERDINE UNIV, CPE  POMONA PUB LIBR, PFO  SAN DIEGO CNTY LIBR, SDG  SAN DIEGO STATE UNIV LIBR, CDS  SAN JOSE STATE UNIV, CSJ  SANTA CLARA UNIV, STA  

35

SANTA MONICA PUB LIBR, SMP  SIERRA COL LIBR LRC, SZX  SOKA UNIV, ALISO VIEJO, SXQ  SONOMA STATE UNIV, CSO  TEHAMA CNTY LIBR, TEH  THACHER SCH LIBR, THO  UNIV OF CALIFORNIA, BERKELEY, CUY  UNIV OF CALIFORNIA, IRVINE, CUI  UNIV OF CALIFORNIA, RIVERSIDE, CRU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF CALIFORNIA, SANTA BARBARA, CUT  US AIR FORCE, EDWARDS AFB LIBR, CEB  VENTURA CNTY LIBR, JTO  WOODBURY UNIV LIBR, OMB  DE YOUNG COLLECTION (GN662D35A7)

Dark, Philip John Crosskey. Development of the Arts in the Pacific. Wellington, New Zealand: National Museum, 1984.NotesContents: Change and control in the arts of the Pacific / Sidney M. Mead -- The problem of oral tradition and the arts / Jean Guiart -- Processes of change in Samoan arts and crafts / Roger Neich -- Some observations on the arts today in the navel of the world / Joan T. Seaver -- Pokihi / Allan Thomas -- Developments in the arts of the Maori / Piri Sciascia -- Tabar Malagan, an outline of the Emic taxonomy / Michael Gunn -- Developments in the teaching of the arts of the Pacific / Philip J.C. Dark. Corp Author: Pacific Arts Association (1974-).California HoldingsSAN FRANCISCO STATE UNIV LIBR, CSF  UNIV OF CALIFORNIA, SANTA CRUZ, CUZ  

Dark, Philip John Crosskey, and Roger G. Rose. Artistic Heritage in a Changing Pacific. Honolulu: University of Hawaii Press, 1993.NotesContents: How much of the Lapita design system represents the human face? / Matthew Spriggs -- Lapita origins / M. Pietrusewsky -- Pacific prehistory as a work of art / John Terrell -- When the experts make mistakes / Jo Anne Van Tilburg -- "Traditional" Rapa Nui designs on statues of contemporary christian saints / J.T. Seaver -- Wood analysis and historical contexts of collecting Hawaiian wooden images / Adrienne L. Kaeppler, Paula Rudall, and Dorota Starzecka -- Traditional Kupee / R. Janthina Morris -- Re-viewing Marquesian art / Carol S. Ivory -- The museum as a research tool / Karen Stevenson -- The Pareu / Laura Jones -- Taumi gorgets from the Society Islands / Roger G. Rose -- Three images from Mangareva / Deborah Waite -- The Westernization of time and Samoan folk arts / John Enright -- An emic and etic role for Abelam art / Dirk Smidt and Noel Mc Guigan -- The art of the sacred and the art of art / Christopher Anderson -- "You read 'im this country" / Paul Falstich -- Black art and white society / M. Ruth Megaw and J.V.S. Megaw -- Strong Ai Bilong em / Susan Cochrane Simons -- Singing

36

history / Lamont Lindstrom and Geoffrey M.California HoldingsANTELOPE VAL COL LIBR, AUV  CALIFORNIA COL OF ARTS, CC9  CALIFORNIA POLYTECHNIC STATE UNIV, SLO, CPS  CALIFORNIA STATE UNIV EAST BAY, CSH  CALIFORNIA STATE UNIV, CHICO, CCH  CALIFORNIA STATE UNIV, FRESNO, CFS  CALIFORNIA STATE UNIV, FULLERTON, CFI  CLAREMONT COL, THE, HDC  HUMBOLDT STATE UNIV, CHU  LOS ANGELES CNTY MUS OF ART, CAM  SAN FRANCISCO STATE UNIV LIBR, CSF  STANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, BERKELEY, CUY  UNIV OF CALIFORNIA, DAVIS, SHIELDS LIBR, CUV  UNIV OF CALIFORNIA, IRVINE, CUI  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, RIVERSIDE, CRU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF CALIFORNIA, SANTA BARBARA, CUT  UNIV OF CALIFORNIA, SANTA CRUZ, CUZ  UNIV OF SOUTHERN CALIFORNIA, CSL  

Dissanayake, Ellen. “Coming of age in Papua New guinea.” Art in America. (vol.76) March 1988: 45, 47.NotesAbstract-Review of an exhibition of contemporary New Guinea art organized by Pamela Rossi for Monmouth College, New Jersey, USA, the fist exhibition of its type in America. The author comments on the 'deeply felt reactions to the difficulties and dissonances of clashing cultures and competing values'.California HoldingsPLEASE CHECK YOUR LOCAL LIBRARY

Dissanayake, Ellen. “Preview: Old Culture, New Parliament.” Paradise Magazine. 40: 15-17.CALIFORNIA HOLDINGS NOT FOUND

Dunar, Loujaya. “In Search of New PNG Design.” Art Times of PNG. March 3, 1988: 6.CALIFORNIA HOLDINGS NOT FOUND

Eastburn, Melanie. Papua New Guinea Prints. Canberra: Publications Department of the National Gallery of Australia, 2006.California HoldingsDE YOUNG COLLECTIONS

37

Fife, Wayne. “Models for Masculinity in Colonial and Postcolonial Papua New Guinea.” The Contemporary Pacific. 1995, 7:277-302.CALIFORNIA HOLDINGS NOT FOUND

Forge, Anthony. Papers 1960-1990. Wenner-Gren Foundation for Anthropological Research, 1960-1990.NotesAbstract: The collection contains journals and notes, photoprints, and original artwork from Forge's fieldwork with the Abelam of Papua New Guinea during the period 1958-1963, as well as correspondence with family and colleagues, Forge's scholarly writings, photographs, audiorecordings, and films documenting Forge's professional interests and activities. The collection also includes manuscripts of colleagues, including a holograph journal of Gregory Bateson's. Notably absent from the collection is documentation of Forge's research in London and Bali.California HoldingsUNIV OF CALIFORNIA, SAN DIEGO, CUS 

Gell, Alfred. Metamorphosis of the Cassowaries: Umeda Society, Language and Ritual. London: Athlone Press; [Atlantic Highlands], N.J. : Humanities Press; Tiptree, Eng.: distributed by Tiptree Book Services, 1975.California HoldingsCALIFORNIA STATE UNIV EAST BAY, CSH  CALIFORNIA STATE UNIV, DOMINGUEZ HILLS, CDH  CALIFORNIA STATE UNIV, FRESNO, CFS  CALIFORNIA STATE UNIV, FULLERTON, CFI  CALIFORNIA STATE UNIV, LONG BEACH, CLO  CALIFORNIA STATE UNIV, LOS ANGELES, CLA  CALIFORNIA STATE UNIV, SACRAMENTO, CSA  CALIFORNIA STATE UNIV, SAN BERNARDINO, CSB  CALIFORNIA STATE UNIV, STANISLAUS, CTU  CLAREMONT COL, THE, HDC  FULLER THEOL SEMINARY, CFT  HUMBOLDT STATE UNIV, CHU  SAN FRANCISCO PUB LIBR, SFR  SAN FRANCISCO STATE UNIV LIBR, CSF  SONOMA STATE UNIV, CSO  STANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, BERKELEY, CUY  UNIV OF CALIFORNIA, DAVIS, SHIELDS LIBR, CUV UNIV OF CALIFORNIA, IRVINE, CUI  UNIV OF CALIFORNIA, LOS ANGELES, CLU UNIV OF CALIFORNIA, SAN DIEGO, CUS UNIV OF CALIFORNIA, SANTA BARBARA, CUT  UNIV OF SOUTHERN CALIFORNIA, CSL  

38

Goodale, Jane and D. Koss. “The Cultural Context of Creativity among Tiwi.” Anthropology and Art. Garden City N.Y., for the American Museum of Natural History, 1971.California HoldingsACADEMY OF ART COL, AA@  AMERICAN INTERCONTINENTAL UNIV, LCA  ART CTR COL OF DESIGN, JAMES L FOGG LIBR, ACD  BIOLA UNIV LIBR, CBC  BURBANK PUB LIBR, BUR  BUTTE COL LIBR, BCZ  CABRILLO COL LIBR, CC8  CALIFORNIA COL OF ARTS, CC9  CALIFORNIA INST OF INTEGRAL STUDIES, CIJ  CALIFORNIA INST OF TECH, CIT  CALIFORNIA INST OF THE ARTS, CIA  CALIFORNIA LUTHERAN UNIV, CCT  CALIFORNIA POLYTECHNIC STATE UNIV, SLO, CPS  CALIFORNIA STATE POLYTECHNIC UNIV, POMON, CPO  CALIFORNIA STATE UNIV EAST BAY, CSH  CALIFORNIA STATE UNIV, CHICO, CCH  CALIFORNIA STATE UNIV, DOMINGUEZ HILLS, CDH  CALIFORNIA STATE UNIV, FRESNO, CFS  CALIFORNIA STATE UNIV, LONG BEACH, CLO  CALIFORNIA STATE UNIV, LOS ANGELES, CLA  CALIFORNIA STATE UNIV, NORTHRIDGE, CNO  CALIFORNIA STATE UNIV, SACRAMENTO, CSA  CALIFORNIA STATE UNIV, SAN BERNARDINO, CSB  CALIFORNIA STATE UNIV, SAN MARCOS, CS1  CALIFORNIA STATE UNIV, STANISLAUS, CTU  CERRO COSO COMMUN COL LRNG RES CTR, ZFC  CHAPMAN UNIV, LEATHERBY LIBR, CCX  COAST COMMUN COL DIST, ORANGE COAST COL, CRG  COLLEGE OF MARIN LIBR, CMK  COLLEGE OF THE REDWOODS LIBR, CJL  COLUMBIA COL LIBR, CCY  CYPRESS COL LIBR, CCJ  DE ANZA COL, DAC  FULLER THEOL SEMINARY, CFT  FULLERTON COL LIBR, CFU FULLERTON PUB LIBR, FUP  GOLDEN GATE UNIV, GEN LIBR, GGY  GOLDEN W COL LIBR, CGW  HUMBOLDT STATE UNIV, CHU  IMPERIAL VAL COL, IVX  LOS ANGELES CNTY MUS OF ART, CAM  LOYOLA MARYMOUNT UNIV, LML  

39

MILLS COL, MIQ  MIRA COSTA COL, MIR  MODESTO JR COL LIBR, CCM MONTEREY INST OF INT STUDIES, MIO  MONTEREY PENINSULA COL LIBR, MTJ  NEWPORT BEACH PUB LIBR, CNB  PASADENA CITY COL, CPA  PEPPERDINE UNIV, CPE  POINT LOMA NAZARENE UNIV LIBR, CPT  SACRAMENTO CITY COL LIBR, CSG  SACRAMENTO PUB LIBR, JRS  SADDLEBACK COL LIBR, SAD  SAN ANSELMO PUB LIBR, JTG  SAN DIEGO CHRISTIAN COL, CHC  SAN DIEGO MUS OF ART LIBR, CDR  SAN DIEGO STATE UNIV LIBR, CDS  SAN FRANCISCO STATE UNIV LIBR, CSF  SAN JOSE STATE UNIV, CSJ  SAN RAFAEL PUB LIBR, SNR  SANTA CLARA UNIV, STA  SANTA ROSA JR COL, SAR  SHASTA COL LIBR, STQ  SIERRA COL LIBR LRC, SZX  SOLANO COMMUN COL LIBR, SC8  SONOMA STATE UNIV, CSO  SOUTHWEST MUS, BRAUN RES LIBR, SWN  STANFORD UNIV LIBR, STF  STANISLAUS CNTY FREE LIBR, CFL  THACHER SCH LIBR, THO  UNIV OF CALIFORNIA, BERKELEY, CUY  UNIV OF CALIFORNIA, IRVINE, CUI  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF REDLANDS, CUR  UNIV OF SAN FRANCISCO, GLEESON LIBR, CUF  UNIV OF SOUTHERN CALIFORNIA, CSL  UNIV OF THE PACIFIC, UOP  UNIV OF THE WEST, HLQ  VANGUARD UNIV, CSM  WOODBURY UNIV LIBR, OMB  YUBA COL LIBR, SZU  

Hanlon, David L., and Geoffrey M. White. Voyaging through the Contemporary Pacific. Lanham, Md.: Rowmand & Littlefield Publishers, 2000.NotesContents: Introduction / David Hanlon, Geoffrey M. White -- PART I: RE-IMAGINING

40

THE PACIFIC -- Framing the islands: knowledge and power in changing Australian images of the "South Pacific" / Grey Fry -- Indigenous knowledge and empowerment: rural development examined from within / David W. Gegeo -- bikinis and other s/pacific n/oceans / Teresia K. Teaiwa -- The ocean in us / Epeli Hau'ofa -- PART II: THE POLITICS AND POETICS OF HISTORY -- History "in" the Pacific / Greg Dening -- Simply Chamorro: telling tales of demise and survival in Guam / Vincente M. Diaz -- "In order to win their friendship": renegotiating first contact / Klaus Neumann -- Active agents versus passive victims: decolonized historiography of problematic paradigm? / David A. Chappell -- PART III: CULTURAL POLITICS -- Creating the past: custom and identity in the contemporary Pacific / Roger M. Keesing -- Natives and anthropologists: the colonial struggle / Haunani-Kay Trask -- Reply to trask / Roger M. Keesing -- Text bites and the R-Word: the politics of representing scholarship / Jocelyn Linnekin -- Specters of inauthenticity / Margaret Jolly -- The sin at Awarua / Ben Finney -- PART IV: CULTURAL MEDIA(TIONS) -- In whose face? An essay on the work of Alan Duff / Christina A. Thompson -- Romanticizing colonialism: power and pleasure in Jane Campions's The piano / Reshela DuPuis -- Radio and the redefinition of Kastom in Vanuatu / Lissant Bolton -- Pacific-based virtual communities: Rotuma on the World Wide Web / Alan Howard.California HoldingsHUMBOLDT STATE UNIV, CHU  MT. SAN ANTONIO COL LIBR, SAA  SOKA UNIV, ALISO VIEJO, SXQ  STANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, IRVINE, CUI  UNIV OF CALIFORNIA, RIVERSIDE, CRU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF CALIFORNIA, SANTA CRUZ, CUZ 

Haughie, John. Papua New Guinea. Honolulu: The University Press of Hawaii, 1985.CALIFORNIA HOLDINGS NOT FOUND Helm, June. Essays on the Verbal and Visual Arts. Seattle: Distributed by the University of Washington Press, 1967. NotesCorp. author: American Ethnological Society.California HoldingsBIOLA UNIV LIBR, CBC  CALIFORNIA INST OF THE ARTS, CIA  CALIFORNIA STATE POLYTECHNIC UNIV, POMON, CPO  CALIFORNIA STATE UNIV EAST BAY, CSH  CALIFORNIA STATE UNIV, BAKERSFIELD, CBA CALIFORNIA STATE UNIV, FULLERTON, CFI  CALIFORNIA STATE UNIV, LONG BEACH, CLO  CALIFORNIA STATE UNIV, NORTHRIDGE, CNO  CALIFORNIA STATE UNIV, SACRAMENTO, CSA  

41

CALIFORNIA STATE UNIV, SAN BERNARDINO, CSB  CALIFORNIA STATE UNIV, SAN MARCOS, CS1  CALIFORNIA STATE UNIV, STANISLAUS, CTU  FULLER THEOL SEMINARY, CFT  HUMBOLDT STATE UNIV, CHU  INDIAN VAL COL LIBR, CIV  LOYOLA MARYMOUNT UNIV, LML  MOUNT ST MARYS COL, CMM  SAN DIEGO STATE UNIV LIBR, CDS  SAN FRANCISCO STATE UNIV LIBR, CSF  SAN JOSE STATE UNIV, CSJ  SANTA BARBARA MUS OF NATURAL HIST, SBN  SONOMA STATE UNIV, CSO  STANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, BERKELEY, CUY  UNIV OF CALIFORNIA, DAVIS, SHIELDS LIBR, CUV  UNIV OF CALIFORNIA, IRVINE, CUI  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF REDLANDS, CUR  UNIV OF SAN DIEGO, J S COPLEY LIBR, CDU  UNIV OF SOUTHERN CALIFORNIA, CSL  UNIV OF THE PACIFIC, UOP  WILLIAM CAREY INT UNIV, WC1  

Heerman, Ingrid. Ting Ting bilong mi. Stuttagart: Eine Ausstellug de Institutes fur Auslandsbeziehungen.

NotesExhibition Catalogue in German.CALIFORNIA HOLDINGS NOT FOUND

Hereniko, Patricia. Pacific Artists. Suva, Fiji: University of the South Pacific, 1986.California HoldingsUNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF CALIFORNIA, SANTA CRUZ, CUZ  

Hossack, Rebecca. Mathias Kauage- A Retrospective. Rebecca Hossack Gallery: London, 2000.California HoldingsDE YOUNG COLLECTION

Institute of Papua New Guinea Cultures. Gigibori; A Magazine of Papua New Guinea Cultures. Boroko: Institute of Papua New Guinea Studies, 1974- August 1979. California HoldingsSTANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, LOS ANGELES, CLU  

42

UNIV OF CALIFORNIA, SAN DIEGO, CUS  

Ison, Barry. Pukari: Voices of Papua New Guinea. San Diego: Expressive Arts Department, Sogeri Senior High School and Tofua Press, 1976. California HoldingsCALIFORNIA STATE UNIV EAST BAY, CSH  CALIFORNIA STATE UNIV, SAN MARCOS, CS1  ESCONDIDO PUB LIBR, JQQ  SAN LUIS OBISPO CITY/CNTY LIBR, SLO  SANTA CRUZ PUB LIBR, THE, JTA  SONOMA STATE UNIV, CSO  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, RIVERSIDE, CRU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF REDLANDS, CUR  UNIV OF THE PACIFIC, UOP  

Kauage. Kauage. Boroko, Papua New Guinea: National Arts School, 1977.NotesIn Tok Pisin and English./ Consists of 32 art reproductions with descriptive captions./ Includes biographical notes, and list of artist's exhibitions.California HoldingsFULLER THEOL SEMINARY, CFT  UNIV OF CALIFORNIA, SAN DIEGO, CUS

Kaeppler, Adrienne Lois, and Douglas Newton. The Arts of the Pacific Islands. Washington: National Gallery of Art, 1979. NotesCatalogue of an exhibition held at the National Gallery of Art, July 1-October 14, 1979.California HoldingsBEVERLY HILLS PUB LIBR, BHP  CALIFORNIA ACAD OF SCI, CAW  CALIFORNIA POLYTECHNIC STATE UNIV, SLO, CPS  CALIFORNIA STATE POLYTECHNIC UNIV, POMON, CPO  CALIFORNIA STATE UNIV EAST BAY, CSH  CALIFORNIA STATE UNIV, FRESNO, CFS  CALIFORNIA STATE UNIV, FULLERTON, CFI  CALIFORNIA STATE UNIV, LONG BEACH, CLO  CALIFORNIA STATE UNIV, LOS ANGELES, CLA  CALIFORNIA STATE UNIV, SACRAMENTO, CSA  CALIFORNIA STATE UNIV, SAN BERNARDINO, CSB  CALIFORNIA STATE UNIV, SAN MARCOS, CS1  CLAREMONT COL, THE, HDC  COUNTY OF LOS ANGELES PUB LIBR, JQW  HUMBOLDT STATE UNIV, CHU  LOS ANGELES CNTY MUS OF ART, CAM  

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LOS ANGELES PUB LIBR, LPU  NATURAL HIST MUS FOUND, LA CNTY, CNH  OAKLAND PUB LIBR, JRK  PEPPERDINE UNIV, CPE  SACRAMENTO PUB LIBR, JRS  SADDLEBACK COL LIBR, SAD  SAN DIEGO STATE UNIV LIBR, CDS  SAN FRANCISCO PUB LIBR, SFR  SAN FRANCISCO STATE UNIV LIBR, CSF  SAN JOSE STATE UNIV, CSJ  SANTA BARBARA CITY COL LIBR, SAB  SANTA CLARA UNIV, STA  SONOMA STATE UNIV, CSO  STANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, BERKELEY, CUY  UNIV OF CALIFORNIA, DAVIS, SHIELDS LIBR, CUV  UNIV OF CALIFORNIA, IRVINE, CUI  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, RIVERSIDE, CRU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF REDLANDS, CUR  UNIV OF SAN DIEGO, J S COPLEY LIBR, CDU  UNIV OF THE PACIFIC, UOP  

Keesing, R. “Creating the Past: Custom and Identity in the Contemporary Pacific.” Contemporary Pacific. 1989: 1, 19-42.NotesSemiannual Serial. Also issued online. California HoldingsCALIFORNIA STATE UNIV EAST BAY, CSH  CALIFORNIA STATE UNIV, SACRAMENTO, CSA  LOS ANGELES PUB LIBR, LPU  SANTA CLARA UNIV, STA  STANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, BERKELEY, CUY  UNIV OF CALIFORNIA, DAVIS, SHIELDS LIBR, CUV  UNIV OF CALIFORNIA, IRVINE, CUI  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF CALIFORNIA, SANTA BARBARA, CUT  UNIV OF CALIFORNIA, SANTA CRUZ, CUZ  UNIV OF SAN DIEGO, J S COPLEY LIBR, CDU  UNIV OF SOUTHERN CALIFORNIA, CSL WESTMONT COL, CWS  

Kennedy, Jean. “Printmaking in New Guinea.” Artist’s Proof: the annual of prints

44

and printmaking. Greenwhich: Centre in association with the New York Graphic Society, 1971. California HoldingsAMERICAN INTERCONTINENTAL UNIV, LCA  CHABOT COL LIBR, CAB  MOORPARK COL LIBR, P@K  OAKLAND PUB LIBR, JRK  SIERRA COL LIBR LRC, SZX  SOLANO CNTY LIBR, JTD 

Kiki, Albert Maori. Kiki; Ten Thousand Years in a Lifetime, a New Guinea Autobiography. New York, F.A. Praeger, 1968. California HoldingsBLANCHARD COMMUN LIBR, JTI  CALIFORNIA INST OF TECH, CIT  CALIFORNIA STATE POLYTECHNIC UNIV, POMON, CPO  CALIFORNIA STATE UNIV EAST BAY, CSH  CALIFORNIA STATE UNIV, CHICO, CCH  CALIFORNIA STATE UNIV, DOMINGUEZ HILLS, CDH  CALIFORNIA STATE UNIV, FRESNO, CFS  CALIFORNIA STATE UNIV, FULLERTON, CFI  CALIFORNIA STATE UNIV, LONG BEACH, CLO  CALIFORNIA STATE UNIV, LOS ANGELES, CLA  CALIFORNIA STATE UNIV, NORTHRIDGE, CNO  CALIFORNIA STATE UNIV, SACRAMENTO, CSA  CALIFORNIA STATE UNIV, SAN MARCOS, CS1  CALIFORNIA STATE UNIV, STANISLAUS, CTU  COSUMNES RIVER COL, CCR  FULLERTON COL LIBR, CFU  HUMBOLDT STATE UNIV, CHU  KINGS CNTY LIBR, CKC  LONG BEACH PUB LIBR, CLB  MIRA COSTA COL, MIR  MODESTO JR COL LIBR, CCM  MONTEREY CNTY FREE LIBR, JRB  NAPA CITY CNTY LIBR, JRI  OXNARD PUB LIBR, JRN  PASADENA PUB LIBR, CPP  POMONA PUB LIBR, PFO  SADDLEBACK COL LIBR, SAD  SALINAS PUB LIBR, SPU  SAN DIEGO STATE UNIV LIBR, CDS  SAN FRANCISCO PUB LIBR, SFR  SAN FRANCISCO STATE UNIV LIBR, CSF  SAN JOSE STATE UNIV, CSJ  SANTA CLARA CNTY FREE LIBR, JRY  

45

SONOMA STATE UNIV, CSO  STANFORD UNIV LIBR, STF  STOCKTON-SAN JOAQUIN CNTY PUB LIBR, CSP  SUTTER CNTY LIBR, SUT  THACHER SCH LIBR, THO  TRAVIS AFB LIBR, TVZ  UNIV OF CALIFORNIA, BERKELEY, CUY  UNIV OF CALIFORNIA, IRVINE, CUI  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF CALIFORNIA, SANTA BARBARA, CUT  UNIV OF SAN FRANCISCO, GLEESON LIBR, CUF  VENTURA CNTY LIBR, JTO  YOLO CNTY LIBR, YOL  YUBA CNTY LIBR, JTS  

The Lions Club of Waigani, and National Arts School (Papua New Guinea). The Lions Club of Waigani Art Exhibition to Celebrate the Tenth Anniversary of Independence of Papua New Guinea. Port Moresby: The Exhibit, 1985.California HoldingsSTANFORD UNIV LIBR, STF  

M.H. De Young Memorial Museum Fine Arts Museums of San Francisco. New Guinea art: masterpieces from the Jolika Collection of Marcia and John Friede. San Francisco: Fine Arts Museums of San Francisco in association with 5 Continents Editions, Milan, 2005.California HoldingsCALIFORNIA COL OF ARTS, CC9  MARIN CNTY FREE LIBR, JRG  SAN FRANCISCO PUB LIBR, SFR  SAN JOSE STATE UNIV, CSJ  UNIV OF CALIFORNIA, BERKELEY, CUY  UNIV OF CALIFORNIA, IRVINE, CUI  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF SOUTHERN CALIFORNIA, CSL  

McRae, Carole. Introduction to Tempela Krismas National Arts School Exhibition Catalogue. 1985.CALIFORNIA HOLDINGS NOT FOUND

Macintyre, Michael. The New Pacific. London: Collins/British Broadcasting Corp., 1985.CALIFORNIA HOLDINGS NOT FOUND

Mackenzie, Maureen Anne. Androgynous Objects: String Bags and Gender in Central New Guinea. Chur, Switzerland; Philadelphia: Hardwood Academic

46

Publishers, 1991.California HoldingsCALIFORNIA STATE UNIV, FRESNO, CFS  SAN DIEGO STATE UNIV LIBR, CDS  STANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, BERKELEY, CUY  UNIV OF CALIFORNIA, DAVIS, SHIELDS LIBR, CUV  UNIV OF CALIFORNIA, IRVINE, CUI  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, RIVERSIDE, CRU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF CALIFORNIA, SANTA BARBARA, CUT  UNIV OF CALIFORNIA, SANTA CRUZ, CUZ  UNIV OF SOUTHERN CALIFORNIA, CSLDE YOUNG COLLECTION (GN671N5M231991)

Malcome, Kirk, and Andrew Strathern. Man as art: New Guinea. New York: Viking Press, 1981.California HoldingsART CTR COL OF DESIGN, JAMES L FOGG LIBR, ACD  BERKELEY PUB LIBR, JQF  CALIFORNIA ACAD OF SCI, CAW  CALIFORNIA STATE UNIV, BAKERSFIELD, CBA  CALIFORNIA STATE UNIV, FULLERTON, CFI  CALIFORNIA STATE UNIV, NORTHRIDGE, CNO  CALIFORNIA STATE UNIV, SACRAMENTO, CSA  CALIFORNIA STATE UNIV, SAN BERNARDINO, CSB  CALIFORNIA STATE UNIV, SAN MARCOS, CS1  CALIFORNIA STATE UNIV, STANISLAUS, CTU  CARLSBAD CITY LIBR, CCP  COUNTY OF LOS ANGELES PUB LIBR, JQW  CRAFT & FOLK ART MUS, RES LIBR, CFJ  FRESNO CNTY FREE LIBR, JQR  FULLERTON PUB LIBR, FUP  GLENDORA LIBR & CULTURAL CTR, CGF  HUMBOLDT STATE UNIV, CHU  HUNTINGTON BEACH LIBR, HBL  NAPA CITY CNTY LIBR, JRI  OHLONE COL LIBR, OLT  OXNARD PUB LIBR, JRN  PALO ALTO CITY LIBR, PAP  PALOMAR COMMUN COL, CPD  PALOS VERDES LIBR DIST, PVL  SACRAMENTO PUB LIBR, JRS  SAINT MARY'S COL LIBR, GH0  SAN DIEGO STATE UNIV LIBR, CDS  

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SAN FRANCISCO PUB LIBR, SFR  SAN FRANCISCO STATE UNIV LIBR, CSF  SAN JOSE STATE UNIV, CSJ  SANTA BARBARA CITY COL LIBR, SAB  SANTA CLARA CNTY FREE LIBR, JRY  SANTA ROSA JR COL, SAR  STANFORD UNIV LIBR, STF  STANISLAUS CNTY FREE LIBR, CFL  TORRANCE PUB LIBR, CGI  UNIV OF CALIFORNIA, BERKELEY, CUY  UNIV OF CALIFORNIA, DAVIS, SHIELDS LIBR, CUV  UNIV OF CALIFORNIA, RIVERSIDE, CRU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF CALIFORNIA, SANTA BARBARA, CUT  UNIV OF REDLANDS, CUR  US AIR FORCE, EDWARDS AFB LIBR, CEB  

Mead, Margaret. “The Sepik as a Cultural Area: Comment.” Anthropological Quarterly. 1978, 51:69-75. California HoldingCALIFORNIA INST OF TECH, CIT  CALIFORNIA STATE POLYTECHNIC UNIV, POMON, CPO  CALIFORNIA STATE UNIV, BAKERSFIELD, CBA  CALIFORNIA STATE UNIV, CHICO, CCH  CALIFORNIA STATE UNIV, DOMINGUEZ HILLS, CDH  CALIFORNIA STATE UNIV, FRESNO, CFS  CALIFORNIA STATE UNIV, FULLERTON, CFI  CALIFORNIA STATE UNIV, LOS ANGELES, CLA  CALIFORNIA STATE UNIV, MONTEREY BAY, MB@  CALIFORNIA STATE UNIV, NORTHRIDGE, CNO  CALIFORNIA STATE UNIV, SACRAMENTO, CSA  CALIFORNIA STATE UNIV, STANISLAUS, CTU  CLAREMONT COL, THE, HDC  FRESNO PACIFIC UNIV, FPD  FULLER THEOL SEMINARY, CFT  GRADUATE THEOL UNION LIBR, GTX  HOPE INT UNIV, CPC  IRVINE VAL COL, SAI  LOMA LINDA UNIV, LLU  LOYOLA MARYMOUNT UNIV, LML  NATIONAL UNIV LIBR, CNU  NATURAL HIST MUS FOUND, LA CNTY, CNH  PALOMAR COMMUN COL, CPD  PENINSULA LIBR SYST, CZP  SAINT MARY'S COL LIBR, GH0  SAN FRANCISCO PUB LIBR, SFR  

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SAN FRANCISCO STATE UNIV LIBR, CSF SONOMA STATE UNIV, CSO  STANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, BERKELEY, CUY  UNIV OF CALIFORNIA, DAVIS, SHIELDS LIBR, CUV  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF LA VERNE, CLV  UNIV OF SAN DIEGO, J S COPLEY LIBR, CDU  UNIV OF SAN FRANCISCO, GLEESON LIBR, CUF  UNIV OF SOUTHERN CALIFORNIA, CSL  WESTMONT COL, CWS  

Mel, Michael A. “Representing a Place/ Embodying a People.” Beyond the Future: The Third Asian-Pacific Triennial of Contemporary Art. Queensland Art Gallery: Brisbane, 2004.California HoldingsSAN FRANCISCO PUB LIBR, SFR  

Mel, Michael. Forward in Art and Life in Melanesia. (written by Susan Chochrane) Newcastle-upon-Tyne, UK: Cambridge Scholars Press Ltd., 2007.CALIFORNIA HOLDINGS NOT FOUND

Mel, Michael. “Shifting cultures: Mbu- a proposal for pluricultural perspective to culture in education in Papua New Guinea.” Education Ideas from Oceania. Suva, Fiji: Institute of Education, University of the South Pacific, 2003.CALIFORNIA HOLDINGS NOT FOUND

Mel, Michael. “Ples bilong mi: Interfacing Global and Indigenous Knowledge in Mapping out a Pacific Vision at Home and Abroad.” Pacific Arts: 25. Honolulu: University of Hawaii, 2002.CALIFORNIA HOLDINGS NOT FOUND

Mel, Michael. “Noman/Mbu Noman/ Nuim: The need for Wisdom in our Curriculum.” Tree of Opportunity: Re-thinking Pacific Education. USP, Fiji: Institute of Education, 2003.CALIFORNIA HOLDINGS NOT FOUND

Mel, Michael. “Heart and Mind- The liminality of the learner in relation to education in new Millennium.” Papua New Guinea Journal of Education. 37 (2001): 58-62.CALIFORNIA HOLDINGS NOT FOUND

Mel, Michael. “Body Decoration (bilas) in Papua New Guinea.” The Pacific Islands: An Encyclopedia. ed. Brij V Lal and Kate Fortune. Honolulu: University of Hawaii Press, 2000.

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CALIFORNIA HOLDINGS NOT FOUND

Mel, Michael. “Singsing in Papua New Guinea.” The Pacific Islands: An Encyclopedia. ed. Brij V Lal and Kate Fortune. Honolulu: University of Hawaii Press, 2000.CALIFORNIA HOLDINGS NOT FOUND

Mel, Michael, ed. The Noumea Biennale of Contemporary Art 2000- Symposium Proceedings. Noumea, New Caledonia: The South Pacific Community, 2002.CALIFORNIA HOLDINGS NOT FOUND

Mel, Michael. “Art/ Body: The Liminal Experiences of Indigeniety.” Artlink. Sept. 2000: 40-43. California HoldingsUNIV OF CALIFORNIA, LOS ANGELES, CLU  

Mel, Michael. “Encountering Ples Namel (Our Place).” Art Monthly (Australia). July1999: 17-20. CALIFORNIA HOLDINGS NOT FOUND

Mel, Michael. “Tradition and Bilas as Metaphors of Identity.” Art AsiaPacific. 1996: 66-73.California HoldingsART CTR COL OF DESIGN, JAMES L FOGG LIBR, ACD  CALIFORNIA COL OF ARTS, CC9  CALIFORNIA INST OF THE ARTS, CIA CLAREMONT COL, THE, HDC  LOS ANGELES CNTY MUS OF ART, CAM  MILLS COL, MIQ  SAN FRANCISCO PUB LIBR, SFR  SONOMA STATE UNIV, CSO  SOUTH PASADENA PUB LIBR, SPA  STANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, IRVINE, CUI  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF CALIFORNIA, SANTA BARBARA, CUT UNIV OF CALIFORNIA, SANTA CRUZ, CUZ  

Mel, Michael. Introduction. Art and life in Melanesia. by Susan Cochrane. Newcastle: Cambridge Scholars Publishing, 2007. CALIFORNIA HOLDINGS NOT FOUND

Munster, Judy and Peter Munster. Bilas Bilong Niugini. A display of artifacts from Papua New Guinea. Maryborough, 1978.CALIFORNIA HOLDINGS NOT FOUND

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Narakobi, Bernard. “Transformation in Art and Society.” Luk, luk gen! = Look again! : Contemporary Art from Papua New Guinea. Townsville: Perc Regional Gallery, 1990.California HoldingsUNIV OF CALIFORNIA, SANTA CRUZ, CUZ

Narakobi, Bernard. The Melanesian Way. Boroko: Institute of Papua New Guinea Studies, 1980.California HoldingsFULLER THEOL SEMINARY, CFT  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF CALIFORNIA, SANTA CRUZ, CUZ  UNIV OF SOUTHERN CALIFORNIA, CSL  

National Arts School (PNG). The arts applied: an exhibition of commissioned works undertaken by the National Arts School, 24 th Aug –13 th Sep 1984 . Port Moresby: National Arts School, 1984.California HoldingsSTANFORD UNIV LIBR, STF  

---.Come and Join Us. Port Moresby: National Arts School, 1978.CALIFORNIA HOLDINGS NOT FOUND

National Cultural Council. Papua New Guinea in transition. Boroko: Exhibition Commission for the Pacific Arts Festival, 1984.CALIFORNIA HOLDINGS NOT FOUND

National Gallery of Victoria. Realms and islands: aspects of three oceanic cultures. Melbourne: National Gallery of Victoria, 1970.California HoldingsNATURAL HIST MUS FOUND, LA CNTY, CNH  

National Library Service of Papua New Guinea. Selective Index to the Times of Papua New Guinea. Port Moresby: The Service, 1985-. California HoldingsUNIV OF CALIFORNIA, SAN DIEGO, CUS

Newman, J. “A Splendid Edifice Risen in Waigani.” Pacific Islands Monthly. Sept. 1984. California HoldingsCALIFORNIA STATE UNIV, CHICO, CCH  CALIFORNIA STATE UNIV, DOMINGUEZ HILLS, CDH  CALIFORNIA STATE UNIV, NORTHRIDGE, CNO  COUNTY OF LOS ANGELES PUB LIBR, JQW  

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HOOVER INST ON WAR, REVOLUTION & PEACE, HIN  LOS ANGELES PUB LIBR, LPU  PENINSULA LIBR SYST, CZP  SAN JOSE STATE UNIV, CSJ  STANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, DAVIS, SHIELDS LIBR, CUV  UNIV OF CALIFORNIA, IRVINE, CUI  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF CALIFORNIA, SANTA BARBARA, CUT  UNIV OF SOUTHERN CALIFORNIA, CSL  

O’Hanlon, Michael. Paradise: Portraying the New Guinea Highlands. London: British Museum Press for the Trustees of the British Museum, 1993.NotesCorp. Author: Museum of Mankind."Written to accompany Paradise, an exhibition at the Museum of Mankind.”California HoldingsSONOMA STATE UNIV, CSO  STANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, DAVIS, SHIELDS LIBR, CUV  UNIV OF CALIFORNIA, IRVINE, CUI  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, RIVERSIDE, CRU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF CALIFORNIA, SANTA BARBARA, CUT  UNIV OF CALIFORNIA, SANTA CRUZ, CUZ  UNIV OF SOUTHERN CALIFORNIA, CSLDE YOUNG COLLECTION (GN671N50341993)

O’Hanlon, Michael. Reading the skin: adorament, display, and society among the Wahgi. London: Trustees of the British Museum by British Museum Publications, 1989.California HoldingsCALIFORNIA STATE UNIV, FRESNO, CFS  CALIFORNIA STATE UNIV, LONG BEACH, CLO  CALIFORNIA STATE UNIV, NORTHRIDGE, CNO  CRAFT & FOLK ART MUS, RES LIBR, CFJ  SAN DIEGO STATE UNIV LIBR, CDS  SAN FRANCISCO STATE UNIV LIBR, CSF  SAN JOSE STATE UNIV, CSJ  SANTA CLARA UNIV, STA  STANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, BERKELEY, CUY  UNIV OF CALIFORNIA, DAVIS, SHIELDS LIBR, CUV  UNIV OF CALIFORNIA, IRVINE, CUI  

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UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, RIVERSIDE, CRU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF CALIFORNIA, SANTA CRUZ, CUZ  

Powell, Ganga. Through Melanesian eyes: an anthology of Papua New Guinea writing. South Melbourne: Macmillan, 1987.California HoldingsUNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  

Raabe, Eva. “Collecting Contemporary art at the Museum fur Volkerkunds.” Pacific Arts. 1992: 14-18.CALIFORNIA HOLDINGS NOT FOUND

Raabe, Eva. “Understanding Pacific development and individual creativity: two paintings from Papua New Guinea.” Art MonthlyAustralia. July 1999: 21-23.CALIFORNIA HOLDINGS NOT FOUND

Rosi, Pamela C. “Michael Mel: Hearing Silenced Voices”. ArtAsiaPacific.(No. 52) March/April 2007.California HoldingsART CTR COL OF DESIGN, JAMES L FOGG LIBR, ACD  CALIFORNIA COL OF ARTS, CC9  CALIFORNIA INST OF THE ARTS, CIA CLAREMONT COL, THE, HDC  LOS ANGELES CNTY MUS OF ART, CAM  MILLS COL, MIQ  SAN FRANCISCO PUB LIBR, SFR  SONOMA STATE UNIV, CSO  SOUTH PASADENA PUB LIBR, SPA  STANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, IRVINE, CUI  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF CALIFORNIA, SANTA BARBARA, CUT UNIV OF CALIFORNIA, SANTA CRUZ, CUZ  

Rosi, Pamela. “About the Artist: Larry Santana.” The Contemporary Pacific . 2006: 18-2, ix.CALIFORNIA HOLDINGS NOT FOUND

Rosi, Pamela. “The Disputed Value of Contemporary Papua New Guinea Artists and Their Work.” Exploring World Art. Eric Venbrux, Pamela Sheffield Rosi, Robert L. Welsch, eds. Long Grove: Waveland Press, Inc., 2006.

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California HoldingsBUTTE COL LIBR, BCZ  LOYOLA MARYMOUNT UNIV, LML  SAN DIEGO STATE UNIV LIBR, CDS  SAN FRANCISCO STATE UNIV LIBR, CSF  UNIV OF CALIFORNIA, DAVIS, SHIELDS LIBR, CUV  UNIV OF CALIFORNIA, IRVINE, CUI  UNIV OF CALIFORNIA, SAN DIEGO, CUS  

Rosi, Pamela. “Picturing my Country Papua New Guinea: The Creative (contested) Vision of Larry Santana.” Paper delivered at Symposium, “The New Voyagers: Pacific Artists in the Global Art World.” Association of Social Anthropologists in Oceania Meetings. Kau’ai, Hawaii, 2005.CALIFORNIA HOLDINGS NOT FOUND

Rosi, Pamela. “National Treasures” or “Rubbish Men”; the disputed value of contemporary Papua New Guinea (PNG) artists and their work. Zeitschrift fur Ethnologie. 2002: 127, 241-267.California HoldingsCALIFORNIA INST OF THE ARTS, CIA  NATURAL HIST MUS FOUND, LA CNTY, CNH  STANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, BERKELEY, CUY  UNIV OF CALIFORNIA, DAVIS, SHIELDS LIBR, CUV UNIV OF CALIFORNIA, IRVINE, CUI  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, RIVERSIDE, CRU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF CALIFORNIA, SANTA BARBARA, CUT  

Rosi, Pamela Sheffield. Nation-making and Cultural Tensions: Contemporary Art from Papua New Guinea. Pine Manor College, Chestnut Hill, 1998.CALIFORNIA HOLDINGS NOT FOUND

Rosi, Pamela. “Cultural Creator of New Bisnisman.” Modern Papua New Guinea. ed. Laura Zimmer-Tamakoshi. Kirksville: Thomas Jefferson University Press, 1998: 31-54.California HoldingsBIOLA UNIV LIBR, CBC  CALIFORNIA STATE UNIV EAST BAY, CSH  CERRITOS LIBR, CER  CHULA VISTA PUB LIBR, CVL  SOKA UNIV, ALISO VIEJO, SXQ  UNIV OF CALIFORNIA, BERKELEY, CUY  UNIV OF CALIFORNIA, IRVINE, CUI  UNIV OF CALIFORNIA, LOS ANGELES, CLU  

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UNIV OF CALIFORNIA, RIVERSIDE, CRU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF CALIFORNIA, SANTA CRUZ, CUZ  UNIV OF SOUTHERN CALIFORNIA, CSL  

Rosi, Pamela. “O Meri Wantok” (My Countrywoman). Paper presented at the Association of Social Anthropologists in Oceania Meetings. Kona. Hawaii, 1995.CALIFORNIA HOLDINGS NOT FOUND

Rosi, Pamela. Bung wantaim: The Role of the National Arts School in Creating national culture and identity in Papua New Guinea. Ph.D. Thesis. Bryn Mawr College, 1994.California HoldingsUNIV OF CALIFORNIA, SAN DIEGO, CUS  

Rosi, Pamela. “Papua New Guinea’s New Parliament House: A Contested National Symbol”. The Contemporary Pacific. 1991: 3-2, 289-323.CALIFORNIA HOLDINGS NOT FOUND

Rosi, Pamela. “Larry Santana.” Discover Paradise. ed. Geoff McLaughlin. Lae, Morobe Province: La Galamo Books, (yr?): 23-27.CALIFORNIA HOLDINGS NOT FOUND

Rosi, Pamela. Contemporary Art from Papua New Guinea. Bridgewater, MA: Anderson Gallery, Bridgewater State College, 1988.CALIFORNIA HOLDINGS NOT FOUND

Rosi, Pamela. Jacqueline Lewis-Harris, Fer Hoekstra. Mak Bilong Oi (Made by Us). Contemporary Art from Papua New Guinea. Nijmeegs Volkenkundig Museum, Nijmegen, 2002.CALIFORNIA HOLDINGS NOT FOUND

Rosi, Pamela, and Laura Zimmer-Tamakoshi. “Love and Marriage among the educated elite of Port Moresby.” The Business of Marriage: Transformations in Oceanic Marriage. ed. Rick Marksbury. Pittsburg: University of Pittsburg Press, 1993.CALIFORNIA HOLDINGS NOT FOUND

Schwimmer, Eric. “Impersonation in the arts of Papua New Guinea.” Unpublished Paper, 3rd Unt’l Sym on Art of Oceania. MMA, New York, Sep 1984.NotesRe-analysis of a number of studies on the arts of several Papua New Guinea cultures. Tries to determine distinctive qualities of aesthetic processes, in particular those of mimesis, identification and impersonation, in artistic production and contemplation in some PNG cultures. CALIFORNIA HOLDINGS NOT FOUND

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Silverman, Eric. “Tourist Art as the Crafting of Identity in the Sepik River (Papua New Guinea).” Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds. Ed. Ruth B. Phillips and Christopher B. Steiner. Berkeley: University of California Press, 1999: 51-66.California HoldingsART CTR COL OF DESIGN, JAMES L FOGG LIBR, ACD  CALIFORNIA BAPTIST UNIV LIBR, CBF  CALIFORNIA COL OF ARTS, CC9  CALIFORNIA POLYTECHNIC STATE UNIV, SLO, CPS  CALIFORNIA STATE UNIV EAST BAY, CSH  CALIFORNIA STATE UNIV, CHICO, CCH  CALIFORNIA STATE UNIV, DOMINGUEZ HILLS, CDH  CALIFORNIA STATE UNIV, FRESNO, CFS  CALIFORNIA STATE UNIV, FULLERTON, CFI  CALIFORNIA STATE UNIV, LONG BEACH, CLO  CALIFORNIA STATE UNIV, MONTEREY BAY, MB@  CALIFORNIA STATE UNIV, SAN BERNARDINO, CSB  CALIFORNIA STATE UNIV, SAN MARCOS, CS1  CLAREMONT COL, THE, HDC  HUMBOLDT STATE UNIV, CHU  LOS ANGELES PUB LIBR, LPU  LOYOLA MARYMOUNT UNIV, LML  SAN DIEGO STATE UNIV LIBR, CDS  SAN FRANCISCO STATE UNIV LIBR, CSF  SAN JOSE STATE UNIV, CSJ  SANTA MONICA PUB LIBR, SMP  SANTA ROSA JR COL, SAR  SOKA UNIV, ALISO VIEJO, SXQ  STANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, BERKELEY, CUY  UNIV OF CALIFORNIA, DAVIS, SHIELDS LIBR, CUV  UNIV OF CALIFORNIA, IRVINE, CUI  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, RIVERSIDE, CRU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF CALIFORNIA, SANTA BARBARA, CUT  UNIV OF CALIFORNIA, SANTA CRUZ, CUZ  UNIV OF SAN DIEGO, J S COPLEY LIBR, CDU  UNIV OF SOUTHERN CALIFORNIA, CSL  WHITTIER COL, CWC  WILLIAM CAREY INT UNIV, WC1  

Silverman, Eric. “Tourism in the Sepik River of Papua New Guinea: Favoring the Local over the Global.” Pacific Tourism Review. 2000, 4: 105-119.

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California HoldingsUNIV OF CALIFORNIA, SAN DIEGO, CUS 

Silverman, Eric. “Cannibalizing, Commodifying, and Creating Culture: Power and Creativity in Sepik River Tourism.” Globalization and Culture Change in the Pacific Islands. ed. V. Lockwood. Upper Saddle River, NJ: Prentice-Hall, 2004: 339-357.California HoldingsBIOLA UNIV LIBR, CBC  CALIFORNIA STATE UNIV EAST BAY, CSH  CALIFORNIA STATE UNIV, CHICO, CCH  CALIFORNIA STATE UNIV, FULLERTON, CFI  CLAREMONT COL, THE, HDC  COSUMNES RIVER COL, CCR  SACRAMENTO CITY COL LIBR, CSG  SAN DIEGO STATE UNIV LIBR, CDS  UNIV OF CALIFORNIA, BERKELEY, CUY  UNIV OF CALIFORNIA, DAVIS, SHIELDS LIBR, CUV  UNIV OF CALIFORNIA, IRVINE, CUI  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, RIVERSIDE, CRU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF CALIFORNIA, SANTA BARBARA, CUT  UNIV OF CALIFORNIA, SANTA CRUZ, CUZ  UNIV OF SOUTHERN CALIFORNIA, CSL  

Soroi, Marepo Eoe, and Pamela Swadling. Museums and cultural centres in the Pacific. Port Moresby: Papua New Guinea National Museum, 1991.NotesPapers presented at a workshop held June 12-17, 1989, New Guinea National Museum and Art Gallery, Port Moresby, Papua New Guinea. California Holdings UNIV OF CALIFORNIA, SAN DIEGO, CUS  

Smith, T. “Whose Art? Awkward Questions for Newly Independent Societies.” Sydney Morning Herald. 30 Nov. 1991.California Holdings SONOMA STATE UNIV, CSO  UNIV OF CALIFORNIA, BERKELEY, CUY  

Steinmetz, J. A. “New Guinea Carvers Bring Art to Campus.” San Jose Mercury News. June 6, 1994.California HoldingsBIOLA UNIV LIBR, CBC  CALIFORNIA BAPTIST UNIV LIBR, CBF  CALIFORNIA STATE UNIV, CHANNEL ISLANDS, U$C  

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CALIFORNIA STATE UNIV, LONG BEACH, CLO  CHAPMAN UNIV, LEATHERBY LIBR, CCX  LAKE TAHOE COMMUN COL LIBR, LT$  MASTER'S COL, THE, MXL  MONTEREY INST OF INT STUDIES, MIO  PEPPERDINE UNIV, CPE  SAN DIEGO STATE UNIV LIBR, CDS  SAN JOSE STATE UNIV, CSJ  SHASTA COL LIBR, STQ  SONOMA STATE UNIV, CSO  UNIV OF SOUTHERN CALIFORNIA, CSL  

Stevenson, H. “Akis.” Times of Papua New Guinea. 19 May, 1981.California HoldingsUNIV OF CALIFORNIA, SAN DIEGO, CUS  

Stevenson, H. “Wungi’s exciting jigsaws.” Times of Papua New Guinea. 3 Sept., 1982.California HoldingsUNIV OF CALIFORNIA, SAN DIEGO, CUS  

Stevenson, H. “Waigani Art and Craft Show.” Times of Papua New Guinea. 8 Oct., 1982.California HoldingsUNIV OF CALIFORNIA, SAN DIEGO, CUS  

Stevenson, H. “Morububuna at the National Arts School.” Times of Papua New Guinea. 3 June, 1983.California HoldingsUNIV OF CALIFORNIA, SAN DIEGO, CUS  

Stevenson, H. “Larry Santana.” Times of Papua New Guinea. 8 July, 1983.California HoldingsUNIV OF CALIFORNIA, SAN DIEGO, CUS  

Stevenson, H. “Jakupa.” Times of Papua New Guinea. 20 Oct., 1983.California HoldingsUNIV OF CALIFORNIA, SAN DIEGO, CUS  

Stewart, Gloria. Introduction to Sepik Art of Papua New Guinea. Melbourne: Tripart Marketing, 1980.California HoldingsCALIFORNIA STATE POLYTECHNIC UNIV, POMON, CPO  CALIFORNIA STATE UNIV, BAKERSFIELD, CBA  UNIV OF CALIFORNIA, BERKELEY, CUY  UNIV OF CALIFORNIA, DAVIS, SHIELDS LIBR, CUV  

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UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, SANTA BARBARA, CUT  UNIV OF CALIFORNIA, SANTA CRUZ, CUZ  

Taylor, Lance. Taim Bipo: The Disappearing Traditions and Practices of Papua New Guinea as Seen Through the Eyes of a Young Sogeri Artists. San Diego, Calif.: Tofua Press, 1988. NotesCorp. Authors: Sogeri National High School.; Expressive Arts Dept.California HoldingsCALIFORNIA STATE UNIV, SAN MARCOS, CS1

Thompson, Liz. “The art of survival.” Pacific Islands Monthly. August 1992: 37-38.California HoldingsCALIFORNIA STATE UNIV, CHICO, CCH  CALIFORNIA STATE UNIV, DOMINGUEZ HILLS, CDH  CALIFORNIA STATE UNIV, NORTHRIDGE, CNO  COUNTY OF LOS ANGELES PUB LIBR, JQW  HOOVER INST ON WAR, REVOLUTION & PEACE, HIN  LOS ANGELES PUB LIBR, LPU  PENINSULA LIBR SYST, CZP  SAN MATEO PUB LIBR, JTE  STANFORD UNIV LIBR, STF  UNIV OF CALIFORNIA, DAVIS, SHIELDS LIBR, CUV  UNIV OF CALIFORNIA, IRVINE, CUI  UNIV OF CALIFORNIA, LOS ANGELES, CLU  UNIV OF CALIFORNIA, SAN DIEGO, CUS  UNIV OF CALIFORNIA, SANTA BARBARA, CUT  UNIV OF SOUTHERN CALIFORNIA, CSL  

Waiko, J. “Cultural Identity and the New Globalization: Challenges in Papua New Guinea.” Think Tanks and Governance in the Asia-Pacific Region. Canada: Institute fir Research on Public Policy, 1990.California HoldingsUNIV OF CALIFORNIA, IRVINE, CUI  

Waswas, Daniel. Contemporary Printmaking in Papua New Guinea. Paper presented at place made: the Fifth Australian Print Symposium, National Gallery of Australia, Canberra, 2-4 April 2004.NotesAvailable online at AustralianPrints.gov.au

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