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Continuous M~l~ ~ ~ ~ ~~Bl d~~MIT
News Service 8 CB Cam~bridgeSince 1881 8. 8 iB BB q Massachusetts
Volurme 96, Numnbe~r 52 -8 k~~~" ~ sacb~~~~~-1 Friday, December 10, 1976
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Wnrining program alive and vveN
Arthur R. Von Hippel, Insti-tute Professor, emeritus, andprofessor of electrophysics,emeritus, has been honored bythe Materials Research Societyas the first recipient of anaward recognizing out-
standing contributions to theadvancement of interdisci-plinary materials research. Theaward has been named forProfessor Von Hippel, apioneer in such research.
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The MIT women's volleyballteam's bid to reach the finaldouble-elimination round ofthe National Championshipsin California was thwartedWednesday night by Lewisand Clark College of Idaho,who edged the Tech squad, 17-19, 16-14, 12-15. MIT, whichthen succumbed to top-seededTexas Lutheran 3-15, 7-15,faced Kearney State ofNebraska last night to com-plete the first-round pool com-petition. Complete details willappear in next Tuesday's issue.
By Mitchaell TrachtenbergThe Earthbound use of solar
power generated inl space has a"commercial potential in the tril-lions of dollars," asserted JohnDisher, NASA's Director of Ad-vanced Programs, at a seminar onnear-Earth space utilization heldhere Wednesday. I
Disher stated that "eventually,I am sure that we are going to beusing solar energy from spacehere on Earth." Projects aimed atexploiting the unlimited solarpower of space are still in thestudy stage, however.
The most definite short rangedevelopment of space potentialthat Disher predicts is a con-tinued enlargement of theco mmunicati ons satellite in-dustry. The industry is alreadyworth several hundred milliondollars per year, and Disher says"communications satellites aregoing to be a billion dollar a yearbusiness in not too long." He alsobelieves that the United 'States isgoing to maintain its current posi-tion in the industry, with half ofthe market.
Dwisher cited five "unique attri-butes" of space which he feelsmake it a good environment forindustrial development: the"overview" which it provides, al-lowing large areas of the planet'ssurface to be observed by onecamnera; a near zero gravity en-vironment; an "unlimited reser-voir for both waste heat andwaste products; the perpetual mo-tion characteristics of orbit; and,most important, unlimzited solarenergy.
According to Disher, the"overview" aspect of space,which made possible the greatsuccess of communications satel-lites, will allow us to monitorlarge sections of the globe forsuch varied purposes as pollutioncontrol, agricultural develop-ment, national defense, and even,to assist the shipping industry (byobserving which Arctic water-ways are clogged by ice at anyparticular time).
It is the near zero gravity ofspace that will enable us to collecthuge quantities oyf solar power,claims Disher. Thanks to the zerogravity, structures can be con-structed so lightly that conceptstoo huge to be feasible on Earthbecome practical in orbit. For ex-ample, the transmitting antennaalone, in one design under studyby NASAL for a solar power sta-tion, would be composed ofalmost 3000 20-meter cubes,i
By Kenat PitmanOvercrowding and improve-
ment of the MIT housing systemwere the chief topics of discus-sion at a New House forum Mon-day night.
The forum, moderated byUndergraduate Association Presi-_dent Phil Moore 77, was the firstin a series of meetings planned bythe UA with each of the dormi-tories on campus to review fourproposals which were outlined ata meeting of the UA. The follow-ing proposals have been made:@ In order to avoid drastic over-crowding, the class size should be
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held constant unless new livingfacilities are added to the hous-ing system.* Responsibility for determiningthe rules and arrangements forcoed and single-sex living groupsshould be shared officially by thestudents and the Office of theDean for Students Affairs.* Living groups should be givenmore complete control over theuses of internal facilities and theplacement of objects in or neareach living group.* The process of dormitory ratereview should be opened up togreater student input, and the
housing budget should be dis-closed to the public and subject tonegotiation and student inputwhere possible.
Coed SituationStudents attending the meeting
were dissatisfied with the distri-bution of women on campus, butthey felt that it was probably thebest arrangement which could bedevised while the female popu-lation in the undergraduate classremains at its current level. Thesolution, they agreed, would haveto come gradually as more femalestudents entered the Institute.
OvercrowdingOvercrowding exists because
there is a "budget crisis," saidMoore. "The chief issue iswhether you need overcrowdingto get away with the budget."
Moore added that in his opin-ion, the Institute would not haveto raise tuition costs in order tolessen overcrowding, but that "ifthey thought they didn't have to[hold down tuition], they'd raiseit anyway.... The question iswhether people are going to be
able to alfford to keep cominghere."
One resident commented thatstudents are probably reluctannt toseek off-car~pus residence be-cause they are afraid that th eymay not be able to return to theirprevious housing status if off-campus living does not work out.
Moore said that he would lookinto the possibility of guarantee-ing housing to a student who haslived off campus for one term anddecided that he does not wish tostay .
SculpturesThe placement of sculptures in
or around dormitories was alsodiscussed. Some students seemedencouraged by recent meetingswith the Comnmittee on VisualArts, but others indicated doubtthat theii opinions were beingconsidered seriously by the CVA.
The majority of those presentfavored the purchase of a greaterVariety of art fornms, rather thanthe current policy of obtainingonly modern sculptures.Paintings, tapestries, and muralswere among the alternativeswhich were mentioned.
Linda Ronstadt appeared in aspectacular concert at theM9usic Hall Mo1nday night,coinciding with the release ofher Greatest Hits album.
1·2The Hockey club continued itswinning ways Saturday withan easy 6-2 victory overGordon. Kevin Dopart '79and Rich Bryant '79 com-bined for four goals in fourminutes to ice the win.
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forming an array with a radius ofone kiloinleer.
Other long range plans de-scribed by Disher include elec-tronic mail transfer via spacesatellites, use of space as a reser-voir for Earth's waste products,and exploitation of high vacuumconditions for the creation ofsuperpure alloys.
Disher states that, surpris-ingly, zero gravity actually helpsworkers to perform intricatemanipulations, so that problemswith worker performance shouldnot occur.
Closer at hand, according toDisher, are plans for the develop-ment of a space "tug" (orbitingTransfer Vehicle in NASA-ese)and a six-man space station by1985; the development of a newlarge lift vehicle for the late1980's; and the operation of afull-fledged "space base" housing100 people by 1995.
NASA's hope is that with eachnew development, construction offurther projects will becomeeasier. The space shuttle, expectedto make its first flight very short-ly, will be the start of the upwardclimb.
What we need to do now, savsDisher, is "learn to crawl so thatwe will be ready to fly when thetime comes."
The General Assembly of theUndergraduate Associationfailed for the second time onMonday to obtain a quorumwhen only 27 delegates showedup for a meeting at which pro-pi:osed amendments to the UAconstitution were to be con-sidered. Thirty delegates areneeded for a quorum. The nextGA meeting will be some timein January.
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t:.- GThe Consumer Price Indexrose 0.4 per cent in Octoberbefore seasonal adjustment to173.3 (1967 =100), the Bureauof Labor Statistlcs of the USDepartment of Laborreported. The October CPIwas up 5.3 per cent from a yearago.
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By Thomas Je SpisakThe MIT Writing Program,
whose demise was feared by stu-dents and faculty last term, isflourishing today despite the lossof distribution credit for its majorintroductory course, "Writingand Experience."
After the most extensive evalu-ation of an academic program inrecent history, the Committee toEvaluate the Pilot Writing Pro-gram, chaired by ProfessorNathan Sivin, applauded the Pro-gram's methods and philosophyof teaching while recommendingonly minor administrativechanges to bring it more in linewith Institute practice.
The Committee found that aprogram "committed to the ex-ploration of individual con-sciousness and value, not merelyto the teaching of technicalmethods, can have a perceptibleimpact on undergraduate educa-tion at MIT." The Committeealso cheered the Writing Pro-
gram's emphasis on Institute-wide programs.
Members of the WritingProgram have published threevolurnes this month and a fourthis expected in early 1977. FreeWriting! a group approach, theProgram's "textbook," was re-leased this week by Hayden BookCo., for distribution to writingcourses at other schools.
Professor Patricia Cummingand Robin Becker have pub-lished individual works releasedthis month by Cambridge's AliceJames Books. Cumming's Lettersfroom an Outlying Province has metwith almost universal praise;Becker co-authored Personal Ef-fects with two other poets, HelenaMinton of Northeastern andMarilyn Zuckerman. Ken Skier,an instructor and originalmember of the Program, expectshis Writing Process Hanldbook tobe published by Prentice- Hall ear-ly next year.
Registration Material for thesecond term will be availablein Lobby 10 on Monday, Dec.13 and Tuesday, Dec. 14.
. I
UA housing 3pro4saIs rerievved
Future seenrs brigh
or so at ener~y use
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Mlay Join CossortiumThe Writing Program has been
invited to join a consortium ofwriting programs at the IvyLeague schools and Stanforddesigned to share informationand resou!rces about methods ofteaching college-level writing.
Members of the MIT programare also reported to be meetingwith colleagues from Harvardand Cornell to this week to dis-cuss the structure of a possiblemini-consortium to share re-sources among the three schools.
According to Ken Skier, thisweek's discussions are "still pre-liminary but indicate the interestwvith which our methods areviewed outside MIT.
"We hope that by working to-gether with Harvard and Cornellwe can test new methods ofteaching writing, explore fundingpossibilities, and disseminate theresults of our research to anational audience."
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Linda Ronstadt entertains an enthusiastic sell-out crowd Monday night at the MusicHall.
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For a free booklet on mixology write:GIROUX, P.O. Box 2186G, Astoria Station, New York, N.Y. 11102.Giroux is a product of A-W BRANDS, INC. a subsidiary of IROQUOIS BRANDS LTD.
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By Rebecca WaringIt is a rare thing when a popular vocalist
performs as well in concert as on an album.but Linda Ronstadt managed to outdoherself Monday evening at the Music Hall.
The first 45 minutes of the concertfeatured Andrew Gold and Ronstadt'sbackup band playing some solid, but un-spectacular folk-rock. Unlike many con-certs, though, the warm-up band playedlong enough to achieve its purpose,without making the audience impatient.What diid make the sell-out crowd squirmin their seats was the length of the inter-mission - nearly 25 minutes.
Ronstadt was worth waiting for; whenshe finally appeared she performed a mara-thon twenty numbers. Somne of the bestmoments came when she sang "Tracks ofMy Tears" from Prisoner In Disguise, and"When will I be Loved" and "You're NoGood" from Heart Like a Wheel.
The crowd gave Ronstadt two standingovations, and she performed three encores.Her final two numbers carried the audience
away. First she sang "Desperado," by theEagles, an extremely beautiful song towhich she added a tremendous emotion.Finally she gave a jubilant rendering of theRolling Stones' "Tumbling Dice." It isincredible what a difference a great voicecan make to already great music; the com-bination of "Desperado" and "TumblingDice" was almost sublime.
About ten of the twenty songs Ronstadtperformed are on her just-released GrearestHits album (oh Asylum), which has to beone of the best Christmas hit packagesaround. The album also includes a coupleof older cuts which she didn't perform inconcert, but of equal stature, especially.ADifferent Drum written by Mike Nesmith(remember the Monkees?).
Ronstadt was backed up by AndrewGold and Kenny Edwards on guitar andMichael Botts on drums. They haveteamed up with Ronstadt for many of heralbum cuts, and were outstanding. Overall,this was the best concert I have seen in along time.
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By Drew BlakemanHave you ever wondered what a Gorn is?
Do you know the name of Captain Kirk'snephew? Do you care what Spock's serialnumber is? Well, the Star Trek Concord-ance by l3jo Trimble car. answer these ques-tions and a myraid of others about every-body's favorite science fiction series, StarTrek.
Bjo (pronounced "bee-joe") Trimble hasbeen compiling this concordance since theseries was first aired in 1966, and it is prob-
COV,
ably the most complete collection of' StarTrek trivia in existence. It is certainly theonly one that can be purchased ($6.95 inBallantine paperbacks).
She not only spent ten years of researchgleaning every bit of information from theshow that she could, but she also painstak-ingly cross-indexed it extensively. Undereach heading there are as many as fiftyadditional references.
The Star Trek Concordance containstrivia from the original 78 Star Trekepisodes, as is to be expected, and it also in-cludes information from the short-livedanimated version. Many people thoughtthat the cartoon show was far inferior tothe original and completely discredited it,so that this is one of the few books whichdeals with the animated show at all.
"Trekkies" will find the Star Trek Con-cordance fascinating as a storehouse oftrivia in addition to the many illustrations,but it probably will not interest too manyothers. The concordance should whet peo-ple's appetites for Paramount's full lengthStar Trek movie, which begins productionin late March.
By Drew BlakemanTake the premise of television's Six Mil-
lion Dollar Man, carry the bionics a step ortwo farther, and you have Man Plus, thelatest novel by Frederik Pohl.
The situation is interesting. AstronautRoger Torraway's body is completelyrebuilt, an agonizing step at a time, withartificial parts so that he can stay alive onMars without any external aids.
Unfortunately, Pohl leaves mlch of thePlot LIP in the air. Man Plus has the appear-ance of a book that was written on a week'svacation at the beach. More should be ex-pected from Pohl, who has been awardedthe Hugo (science fiction's most presti-gious award) four times.
Torraway's wife, who was greatly in-
volved with the project at the beginning,simply vanishes as the story progresses.There are holes in the plot big enough to flya starship through, which the reader canonly try to fill. There are also several con-Fusing interludes where a group of "intel-ligent" computers acts as a Greek Chorus,the pupose of which can only be guessed at.
Man Plus could probably be relegated tothe back shelf with relative ease-evengreat writers fall flat once in a while. Theonly reason to read this book would be tolook into the premise of such a "super-bionic" man, but there is already a gooddeal of literature on the market whichtreats this subject. Man Pltus is not one ofthe better examples.
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Featuring some
_MB PAGE 2 THE TECH FRIDAY, DECEMBER 10, 1976
Rons ad incredible
M an Plus not up to par
BRIDGESHIP \ STATIO:
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rUMME lNTEIRNSlEngineers
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C:omputer ScientistsThe U.S. Central intelligence Agency announces openings for SummerInterns. Ail candidates must be committed to graduate school in the fall of1977.
Interns will work in metropolitan Washington. D.C.. as junior members ofscientific and technical staffs.
Salary range: $925 to $1,120 per month depending upon training and ex-perience.
U.S. Citizenship is required. Send complete resume to Mr. Robert BellP.O. Box 9312, Rosslyn Station, Arlington, Virginia 22209.
61 An Equal Opportunity Employer ,
B THE TECH PAGE 3 il
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Telephone: (617) 267-0195
Wt'rites or ecalll f(or lFRiEE Catalo!q
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ENTERTANI-NG GIFTIDEAS FROM4
esbaribatsons
IAP periods who lack adequate
storage facilities for safeguarding
valuable personal property (ex-
cept bicycles) may leave such
items at the Campus Police Head-
quarters (W31-215) for safe-
keeping. Goods-should be boxed
or packaged wherever possible.
Deposit and pickup period is 9am
to 5pm Monday through Friday.
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I The Police Blotter is a report of the approach of the Officers by of age who was seen lurking in the
written by the Campus Patrol on the lookouts, the one working on area just prior to the theft.
crimes, incidents, and actions on the car raced across Vassar Street, C:ommunCity Noticethe MIT campus each week.) joined his partners, and the trio
Hitchhiker Robbed Ifledorailroad-tracks. for the upcoming holiday and
A young woman hitchhiking
alone on Mass. Ave. outside MIT
not long ago was robbed at knife
point after being picked up by a
man driving a light green car,
thought to be a Karman-Ghia.
After picking her up, the man
drove into the.Ashdown House
parking area, pulled a knife and
demanded her money. He then
searched her himself, and pulled a
necklace from her neck. Ordering
her out of the car, he then fled the
scene. The suspect is described as:28 to 30 years old, tall, slender.light brown hair, with amoustache.
Auto Theft FailsOfficers on patrol in the West-
gate area Saturday night broke upthe attempt to steal a green Pon-tiac parked there. The attemptwas carried out by three youths;while two stand in the shadows ofVassar Street buildings watchingfor the police, the third worksr onthe target vehicle itself. Warned
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Sublet Wanted: Dec. 26. 2 weeks to 9months. Family of 3, former Harvard stu-dent. 732-2913.
I've been Typing Masters and Ph.D'sfull time for 5 years (and still love it!) I'dbe happy to help you. IBM CorrectingSelectric. 894-3406 (Weston).
Free Tuition for fuily-accredited JuniorYear or Post Graduate study in Israel.Enrollment-minimurn 2 yrs. in advance;benefits valid for 12 yrs. Please contact:The Gift of Education, Dept. MIT-Suite514, 75 Rockefeller Plaza, NY 10019.(212) 541-7568 or 7530.
Low Cost Flightsto Europe 8 Israel. Also group and stu-dent fares! The Travel Company, 294Washington St., No. 450, Boston, MA02108. (617) 426-1944 1
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The Tech Classified Ads WorklI$ 3.00 per 35 words (or less) the firsttime. $ 2.25 each time after that, if or-dered at the same time. Just send yourad with payment to The Tech, W20-483,or PO Box 29-MIT Br., Camnbridge,,MA02139 by US Mail.
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Valuables StolenTwo men, age 16 to 18, one of
whom was wearing a tan coat,
were spotted by an alert West-
gate resident Sunday morning
around 7:30 ransacking autos
parked in the Westgate parking
lot. They fled the scene in a blue
sedan, heading westerly on
Memorial Drive. From one was
taken an 8mm movie projector
and a pair of ski boots; while
from another an AM/FM radio
was stolen. The totai loss value
exceeded $500.
A 35mm Nikon camera, valued
at some $700, was stolen from a
photography lab on the second
floor of an East Campus area
building when left unattended for
just a few moments on Wed-
nesday. Investigators are seeking
a slim young man around 19 years
You NearerLooked So Good
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ANFMN6
Julia A. Malakiea'77 - Chairperson
Glenn R. Brownstein'77 -Editor-in-Chief
Rebecca L. Waring '79 - Managing Editor
i b MJohn M. Sallay '77 -Business Manage.rI Hi \ IMark J. Munkaesy '78 -Exescutivre Editor
Volume 96. Number 52
Friday, December 10. 1976
NVEWSD EPARTMENTNews Editor: Gerald Radack'77; Associate News Editors: William
Lasser '78, Nivin Pei '79; Staff: James Eisen '77. Mitchell
Trachtenberg '78. Paul Yen '78, Henry Fiorentini '79. Eileen Mannix
'79, Daniel Nathan '79, Rich Newcome '79. Stephen Utkus '79.
Stephen Besen '80. Donna Bielinski '80. Drew Biakeman '80, Hillary
Lust'80, Kate Mulroney'80, Kent Pitman '80, Bob Wasserman '80.
PRODUCTION DEPARTMENTNight Editors: David Thompson '78. Kevin Wiggers '79; Production
Manager: Lynn Yamada '78; Associate Neight Editor: Pat Thompson'80; Sitaff: Steve Frann '8C0. Marlon Weiss '8().
PHOTOGRAPHY DEPARTMENTPhoto Editors: Tom Klimowicz '77, David Schaller '71§; AssociatePhoto Editors: Mark James '78. Richard Reihl '78, Staff: MikeGarcia '78. Rob Mitchell '78. Corey Chaplin '79, Randy Fahey '79.Gordon Haff '79. John Hopper '79, Mike Kowtko '79. Lee Lindquist'79 .GCary Zakon '79. John Bradstreet '80:.
SPORTS DEPARTMENTStaff: Leo Bonnell '77. Dave Dobus '77, Chris Donnelly '77. CharlesCox '79, Tomr Curtis '80. Ghary Engleson '80, John Hlengeveld '80.
ARTS DEPARTMENTAssociate Arts Editors: Peter Coffee '79. Katy Gropp '80: Staff:Kathy Hardis '78, Claude Perry '80. Thomas Spisak.
BUSINESS DEPARTMENT
Associate Business Managers: Steve Kirsch '78. Margot Tsakonas'79; Accounts Receivable: Marcia Grabow '79, Brenda Hamableton'79; Accounts Payable: Jeff Singer '77; Advertising Staff: ThomasAthanasas '77. Marty Weinstock '78. Wll~iam Harper '79, Barry Star'80; Circulation Mlanager: Ron Parton '79; C irculationt Staff:Charles Funk '78. Jim Large '8C), John Love '80;
CONTRIBUTING EDITORSJohn Hanzel '76. Thomas Mayer, Paul Schindler '74. Leonard H.Tower Jr.
Third Class postage paid at Boston, M~A. The Tech is published twice a weekduring the academic year (except during MIT vacations) and once duringthe last week of July. Please send all correspondence to: P.O:. Box 29,MIT Branch, (Cambridge, MA 02139. Offices at Room W20-483,84 Massachusetts Avenue, Camnbridge, MA. Telephone: (617) 253-1541.Advertising and subscription rates available on request
No0 Folk Dance inpUt
The Tech always welcomes
Letters to the Editor. Prefer-
ence for publication is given to
triple-spaced, typed letters.
Submissions should be made
to: Letters to the Editor, The
Tech, W20-4583--L
THE TECH FRIDAY, DECEMBER 10, 1976..1"e
r ..
gested to formalize the surveying
process to eliminate its arbitrari-
ness, but this has been ignored as
well as requests for represen-
tation in club policy and club
decisions.The problem of administra-
tion's responsiveness and the
club's policies is manifested in
this issue. Since remedy would
not come from within (it has been
tried), the only solution is to have
an outside body investigate, un-less the administration bows to
general public sentiment. The
proposed solution is to have the
ASA investigate: club policy (interms of discrimination to MIT
students e.g. scheduling events
when MIT students are away;
level of difficulty of dances dis-
couraging potential MIT begin-
ners); constitutionality of club's
actions (how decisions are made,
representation); elections (ASA
should supervise the upcoming
election). The poor decisions of
the past would then be prevented
by a representative admini-
stration.
Name withheld by request
November 17, 1976
To the Editor:
On Sunday November 7, the
M IT Folk Dance Club collected
money for the United Way via
general contributions and by auc-
tioning off dances. The legit-
imacy of the selling of dances and
the decision process has aroused
controversy among the members.
This incident is just a symptom of
a more serious problem.
Dances are normally requested
on a blackboard and selected by
the programmer or night director.
The auctioning process was criti-
cized because of the subjugation
of people's desires to those with
money. The general donations
were not criticized because they
were free will. The price structure
was arbitrary ($I, 1.50, 2)
depending upon the subjective
assessment of the dance's
"commonness" by the pro-
grammer.The decision to sell dances was
the result of an indecisive if not
negative straw poll and "survey."
The survey was typical of past
administration's surveys - a
casual asking of their friends and
acquaintances. It has been sug-
A
ow9, 0
By Roger KolbWhat with all this talk about
avant-garde art, it's about time
somebody kicked over a rock and
pointed a flashlight at its devotes.
Who are today's avant-gardists
and what does each of them get-
bargain with a dealer and give his
first exhibition. The glorious day
arrives. Critics show up. If
pleased, they may praise the new-comer's works for their "shards
of interpenetrated sensibility,"
"thick fuliginous paint," and
"mannerist juxtapositions of the
oneiric and cryptic personage"
(these are authentic quotes). The
artist's prices are jacked up. An
impressive exhibit catalog is is-
sued by the dealer.
B. College Professors
Some critics, e.g. the Univer-
sity of Chicago's Harold Rosen-
berg, are also college professors.
'As such, they can be extremely
influential. Generally speaking,
however, academicians are littlemore than conduits for views
handed down by the oracular
New York critics.
In that respect, art history pro-
fessors differ significantly from
their counterparts in music.
Reputations in that art form are
today established by in-fighting in
academic journals and textbooks.
C. Patrons
Nowadays the vast ma.ority of
modern art works are purchased
by mercenary art investors out to
make a killing. These specu-
lators, often totally ignorant
about art, will buy a painting or
sculpture without so much as first
looking at it. The name of the ar-
tist is the only thing that matters
to them. Recent years have wit-nessed the formation of art invest-
ment corporations. One of these,
Modarco (Modern Art Corpor-
ation), purchases avant-garde art
and stores it in underground
vaults in Switzerland. A lump(Please turn to page 5)
Another earthly reward
devolves upon the less ethically-
inclined critic: money. A critic
will go into ecstasies over an ar-
tist. The latter's prices, as a result,
go up. His paintings (sculptures)
start to sell. Grateful, the artist
To the Editor:I am writing to briefly lambast
a group of inconsiderate people
here at the Institute. I am refer-
ring to those people who take
aisle seats in lecture halls before
the row is filled. I have seen nerds
come to a lecture five minutes ear-
ly, grab -seats on the edge of
empty rows, and then grumble as
people climb over them to get to
the empty seats. Everything
would be made much easier if
these people would open their
eyes to the inconveniences they
are perpetrating on the general
Tech population and try to sit
towards the middle of a row when
possible. Chances are the view is
no worse than, and possibly even
better than that from the edge. All
I ask for is a little consideration.
Scott Holmes '79
November 18, 1976
rewards the critic with one of his
works. The critic then turns
around and peddles the item at
the inflated price. It is a fairly
common practice.
The dealer, unlike the critic, is
just in it for the money. Many of
today's gallery operators are art
ignoramuses who gave up busi-
nesses as used-car salesmen, tie
manufacturers, etc. after being
lured away by the prospect of
huge profits. One of the most
influential of them, Marl-
borough's Frank Lloyd, is quoted
as saying: "There's only one
measure of success in running a
gallery: making money. Any
dealer who says it's not is a hypo-
crite or will soon be closing his
doors."
The artist, to make a name for
himself nowadays, must give aone-man or -woman show in New
York City. The dealer, to turn his
gallery over to a newcomer, must
first have proof that the latter has
been praised by an established ar-
tist or critic. (There is today said
to be a scramble on among art
hopefuls for units in apartment
buildings housing successful
-figures in their field.) Having been
praised, the artist is ready to
out of being-ahead of the times?
A. The Tastemakers - Critics
And Dealers
Almost all of the famous
painters and sculptors to come
along since World War 1I were
put over by a small band of New
York critics and dealers. This
august body Of outspoken taste-
makers may not number as many
as forty people. Each campaign
on behalf of a particular artist
usually nessed a critic or critics
declaiming with such vehement-
certitude, such unshakable
authority, as to make the exis-
tence of equally valid conflicting
viewpoints seem impossible. An
intolerant tone is'essential if the
critic is to achieve oracular status
among those anxious to be told
what's what. 4
For certain critics, then, the
avant-garde scene offers each the
thrill of claiming to be the first
person sensitive, intelligent and
far-sighted enough to discover the
singular talents of Genius So-and-
So. It also confers the despotic joy
of seeing thousands of culture-
hungry intellectuals walking
around dutifully repeating his
opinions.
To the Editor:
I resent the statement in the ar-
ticle concerning eating at MIT
(The Tech, Nov. 12) that Mc-Donald's is a restaurant of
"dubious quality." McDonald's
quality control measures are the
most stringent in the industry!
The content of the food is
unquestionable. The meat is 100
per cent beef. The buns have to
meet rigid standards for size and
for flour content. The p~tatoes
used for the french fries have to
pass specific gravity and carbo-
hydrate tests. McDonald's has tohave the best quality; it wouldn't
be the largest fast-food chain inthe world if it didn't.
Granted, McIonaid's- might
not offer the finest fare, but it is
not designed to. McDonald's pur-
pose is to offer good food at a
reasonable price in a clean and
pleasant atmosphere - and itachieves this.
I worked for two years at Mc-
Donald's restaurants both in
Colorado and in Massachulsetts,
one semester at Lobdell, and one
semester at Twenty Chimfneys.
Believe me, two of these threeestablishments are of dubious
quality, and McDonald's is notone of them.
Martin Friedle'79
Member, 1976 McDonalds All-A merican Team
_taE~p111 PAGE 4
-dkl&~b
�e�u�w�q"rR�
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Commentary
Avan~~T:= gard tal VPe
Lecture aisle seat takersncosnsiderate of others
The real dubious quali 'IT
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MAEbmarials Sexhibition enhanced bought for egoistical reasons.-ie artist's prices will They are sold to the wealthy busi-�ch more. That, in nessman who feels that he has iicrease the market something to prove to s ociety. Hedarco's holdings in is seeking to show that the pop- i
ular image of the businessman asiess Peggy Guggen- a coarse, avaricious Robberserved that no one Baron indifferent to humanistics and sculptures new values does not apply to him. Henore for the love of views purchasing art as a pos-,rns that are not pur- sible means of summoning publiciestments, many are good will towards himself for its
demonstration of beauty worship.
()Ca,The most desirable merchandiseof all is avant-grade art. Buyingmodern is the tycoon's way ofcombating his conservativeimage. It is his way of saying,,"Look! 1, too, am a radical; 1,too, am sympathetic to change."It is his way of donning the Cati-linarian robes of a tribune of thepeople.
This must be borne in mind bvthe reader the next time he startswondering why MIT doesn't
review its sculpture program inlight of all of the opposition it hasaroused. 'The MIT arts programgathered stearn during the War inVietnam. It was then, it will berecalled, that corporate heads anddefense-oriented -research scien-tists were now said to be unfeel-ing, inhuman monsters ofdepravity, - merchants of death,fascist pigs, etc.
A coincidence, you say'?.(Please tuni to page 6)
in this way, thrise that mu(turn, will in(value of Mocthat artist.)
Art patrontheirn has obsbuys paintingsand old anymart. Of the iteichased as invi
I cIsum is occasionally doled out to arising young artist to produceworks that are immediatelywhisked away to the vaults. Moreart is believed to be hidden awayin Switzerland than in all themuseums in France.
(Modarco has a big heart. If adealer wants to secure a canvasfor his exhibition of an artist'swork, the corporation will buy it
AM & E E 0
Pkr m. reTU in naive 8 ieversTo the Editor: Never has. Never will. The reason Nonsense! Some 4
Steven Shladover's feeble at- why it doesn't, hasn't and won't is informative art c�tack (The Tech, Dec. 3) on those because a work of art isn't good revered works has beof us who think critically about or bad as a matter of scientific by writers who- disMIT's sculpture program is just fact. Good and bad in art is large- Conversely, some cthe sort'of thing to be expected ly a matter of taste. Truth and vacuous has been thfrom the naive true believer, the taste are two different things. It is partisan sentiment. Cgushy gaga incense burner at the through the free and sincere all there is to knowholy shrine o f modern art. expression of opinion that society work - study its styliAmong other things, he says that gains some sense of the overall its creator, analyze tl�we who are not spiritually intoxi- social value of an art work. Not and still hate it.cated by the Nevelson and Moore through deference to a presumed Just as it is wron�peices should hold our tongues Verdict, Of History. Not by snivel- the conclusion thatmindful of a time gap for the ling submission to The-Experts. art work does not coappreciation of the new. To exem- As for Mr. Shladover's assess- it is similarly unwisplify the magical transmutations ment of criticism sustained by that its supporterswrought by time, he cites the case past art works, it should be understand it. Forof the Great Sail, which, though observed that 99% of it was there dodsn't seemwidely booed when installed in directed at items that, at the risk reason to conclude tl�the mid '60's, is today regarded as of understatement, are not hailed applaud an itema "classic" (the word is his). as masterpiece* today. Further, it Many people, inclucScorn for Transparent Horizons should be pointed out that for uals, are - let'sand Reclining Figure is to be attri- every artist that is commonly creatures of fashion.buted to close-minded philistines believed to have been under- Mr. Shladover bwho predictably vilify the new praised in his nine, there were those who blast Tranwhenever it is "beyond their probably a hundred that were zons and Recliningcomprehension". By so doing overpraised. Henry Moore and understand them, itthey join the ranks of history's Louise Nevelson, in this writer's tain that he feels th"Prosaic rninds" who, to their opinion, are two of them. like them under,eternal disgrace disparaged the Never should an individual feel Because ignorance,"classics," the "masterpieces of guilty about his opinion of a work that adage involvtheir own times." of art. One's level of artistic always deplorable, t
sophistication is determined not conclude with a prolThese observations contain so by the art works he likes and dis- gests that our indij
many appalling blunders on hard- likes, but by the wisdom or nist educate the berly knows where to begin recti- poverty of his opinions about tude. He proposes -fying them. Most obvious is the them. adover use this pagepicture of students (and every- This brings us to Mr. Shlad- us ignoramuses exacone, for that matterj sheepishly over's point that Tech Sculpture TH or RF should 1walking around holding their naysayers go thumbs down an outstanding worltongues fearful of seeing their because Transparent Horizons et is it that we scuirsincere opinions stultified by The al are "beyond their compre- don't understand �Verdict Of History. (Should fans hension." The message here is Shladover, comof the new sculptures fall silent in that the enjoyment of art works Enlighten us ignobthe knowledge that those items signifies that one has understood disperse the clouds �may one day be adjudged bad? them. Not to enjoy them means from making fcMr. Shladover doesn't say.) that one has not understood ourselves in the eyThere's no such thing as The Ver- them. So says MIT graduate stu- nity.dirt Of Hi-,tnrv It Fit exist. dent Steven E. Shladover.
CR Iof the most,riticism ofeen produced�sliked them.of the mosthe vehicle ofDne can learnabout an artle, read about'he piece itself
Ig to jump tothe foe of anDrnprehend it,�se to assume's necessarilythat matter,
i to be anyhat those whoare sincere.
ding intellect-�vhisper it -
believing thatapparent Hori-Figure do not. is almost cer-hat those \Rho-stand them.�, contrary toving bliss, isthis writer will)posal. He sug-ignant moder-�nighted multi-that Mr. Shl-
;e to explain toctly why eitherbe considered-k of art. Whatpture skepticsabout it'? Mr.ae forward.ble philistines,and save us all.001S out ofyes of all eter-
Roger Kolb
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tor wished to convey a feeling offreedom, he should have made adurable kite and floated it overMIT - not landed a kind ofmeteor in the middle of it. And soan. Discussion may now con-tinue: the deadlock has beenbroken. (I myself like the thing.)
The stumbling block to theappreciation of much modernsculpture lies in this: that it hastaken its standard of beauty notfrom natural objects or the physi-que of man, but rather has triedto assert and convey the peculiarbeauty of the machine. Thisbeauty lies essentially in sleek-ness - in the careful tailoring ofform to fit function, as in a sail.The problem is that such abeauty, though at times power-ful, is strange to us, and not veryaccessible to ordinary human-emotions. Very few of the sculp-tures based in this way are pretty,though some may be said to bebeautiful. So one may rightfullydoubt the argument of those whosay tha't the skepticism of thosewho don't like the sculptures isjust a product of a lack of open-mindedness, and that in fiftyyears it will all be accepted.Rather, the harsh standard ofbeauty of many of these sculp-tures mav never find a largeaudience - iust as the middle andlate works of Schoenberg havenever found such an audienceafter ther passage of many years,though the Romantics (and jazz)are popular with all. Accord-ingly, one need not be against thesculptures to say that perhaps themore unpopular of themshouldn't be erected in placeswhere they must be continuallyviewed by what is essentially acaptive audience. (This is not tomention the enjoyable and cynicalsuspicion, field by probably halfthe N41T community, that Trans-parent Horizons is not "inaccess-ible" at all, but just an outrightfraud perpetrated for the, love. ofmoney, and better looking withthe paint left on it than without
To the Editor:To those of us who habitually
sit in the back of classrooms anddoodle, the war rasing in the let-ter columns of The Tech over thecampus works of art is both fruit-less and humorous: the morefruitless and heated the argu-ment, the more amusing itbecomes. For the entire discus-sion has taken place in what isessentially a factual vacuum,without any mention of the worksthemselves.
Student x will write in to saythat he doesn't like them, they arehunks- of metal, and ugly at that.Student y indignantly replies,"They are not ugly. Just look atthem. Besides, they are done bythe famous modern sculptors, p,q, and r." Each side is guilty here,Student y perhaps more so, forsuch an issue is not to be decidedby the wave and flourish of aname.
The only way to break thedeadlock is by specific discus-Sion. Thus a better, though stillnot ideal, reaction from Student xmight be this: "I don't like Trans-parent Horizons. It reminds me ofa turd I saw on my UncleHubert's lawn at age 5." Such anobservation brings us immedi-ately intb the realm of-real exper-ience. It is discussable. Student ymay now bring specific obser-vations about the sculpture,about its formation and theaesthetic relation of the parts, tobear. He may, using his knowl-edge of the work, show that Stu-dent x's association is purely ran-dom and not warranted by thephysical structure of the workitself. He may brin' his own asso-ciations forward, and show howthe work tends to excite just such.associations. He may say, for ex-ample, that he likes the Great Sailbecause its curves give him a feel-ing of freedom and movement,and then point to the particularlines that he thinks graceful. Towhich Student x may reply thathe'll take his sails on boats, thankyou, and not in metal: if the sculp-
UICL %Jl FlIbLUly. It UVK;;Wl L I--Al3t.
it.)David Lebeaux
FRIDAY, DECEMBER 10, 1976 THE TECH PAGE 5 �SI .
ic) are le(Conlinued froth page 4) for him. The
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Lay- avrantgardist ;(Continued frote page 5) beset to an unusual-degree with bette
Perhaps so. an emotion that all of us feel from thattime to time: the desire to disso- orar)
Do Laymen ciate oneself from, and act AimAvant-garde art fans are mostly superior to, the majority culture visua
bright, reasonably well-educated - the culture that is symbolized preciyoung adults from the upper- and in everyday conversation now- snobmiddle-classes. Many are Sunday adays by Lawrence Welk, itselfpainters themselves. The over- Reader's Digest, Billy Graham, A]riding emotion behind their at- People magazine, TV dinners, and whattraction to avant-garde art, they Sunday afternoon football comeclaim, is aesthetic interest. That's watching with beer can in hand. aimstwhat they claim. And, in some Here it should be pointed out variecases, undoubtedly, it is. that modern art became the ob- innoHowever, in the majority of in- ject of snobbism at the point in adaystances, this writer will guess, the history when people started to artistdominant feeling is a strong desire believe that a particular art work tionato elevate oneself above the com- was better than another by virtue tendsmon run of mankind by identi- of its (the former's) later date. If scenefying with a symbol of High citizen A liked new art better than thoulCulture. Snobbism, in other old, while B preferred the old to gardewords. The avant-garde art fan is the new, it followed that A had boun
lectuthemenceart. Ibe tsoun(trulyare aopinipressthat c
er taste than B. As strange assituation was, the contemp-
-y situation is stranger still.iost everyone believes theal arts and music to be in aipitous state of decline. Yet,bbism continues to attachf to the moderne.rt snobbism, as a result, isn'tt it used to be. A distinctbination of pointlessness andlessness pervades the modern:ty of which earlier types werecent. Avent-gardists now-is delight not so much in thist or that, but with the tradi-al prestige, the cachet, that at-s to belonging to the moderne. Almost all of them act asgh people who dislike avant-we art are automatically hide-id, conservative and intel-ally inferior. Almost all of
have no personal prefer-as to the future direction of
Most are perfectly content totold by the auth-oritative-ding taste arbiters who theimportant-artists are. Many
afraid that whatever sincereions they might wish to ex-, will be rendered foolish bycultural bogey man, The Test
Of Time. Many are attracted tothe notion that by simply actingacquiescent towards modern artthey are proven to be broad-minded and in touch with thetimes.
And so. when critics writeabout those "shards ofimpenetrated sensibility," theavant-gardist sees them. He seesthose shards. And when SirOracle tells him about those"mannerist juxtapositions of theoneiric personage," he sees themtoo. He is a latter-day Poloniuswho sees "shards" in a mannerreminiscent of Ophelia's percep-tion of Hamlet's whale.
(This is the third article in aseries. Next: Artists caught in theavant-garde vortex.)
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To the Editor:In the 12 Nov 76 issue of The
Tech, David Koretz, in his articleon Dr. Asimov's recent'lecture atMIT, summed up the lecture in aquite erroneous manner, statingthat "Asimov . . . attempted todemonstrate the ability of thiscentury's science fiction writers topredict the future." He then wenton to list the examples given byAsimov to defend his position.
What Mr. Koretz overlooked,however, was that Dr. Asimovgave these examples not to showthat science fiction predictsreality, but rather to scoff at thosewho objected to science fiction onthe grounds that it was "escapeliterature." He maintained thatprediction was only a side effectof science fiction. To quote himfrom his book Todays and Tomor-row and. . ., "It is not really thebusiness of science fiction writersto predict the future .... The factis that the science fiction writer'sfirst aim is to tell an interestingand exciting story that will amusethe reader. His own particulartype of story involves events and
attitudes that are not common,and perhaps are not even poss-ible, in his own society, and there-fore his tale has the value ofnovelty. If he is a conscientiousscience fiction writer, he will tryto build up his unusual events andattitudes in a way that will makethem seem plausible to thereader ....
Later in the same book he says,"Some predictions are forced bythe exigencies of plotting and noone is more surprised than thescience fiction writer when itturns out that he has hold ofsomething.... And when ourideas will only work if we makeuse of the scientifically impos-sible that, as far as we know, cannever come true - such as timetravel and anti-gravity - why,believe me, we do that, too, andwithout the tiniest compunctionor remorse, provided only that wemake it sound plausible."
Allen K. Wells '80November 13, 1976.
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art snobs%
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not service c argesGwdo~ servNice isn't somaething X ou srhoulld havee toe pay for.
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ATI wie'll only sell yu O; what VOL l need.
V~ TX Phclan i&aCo,IV' V T14 at·~· ~i.. I-ll tilltt' n c S lle'V nollt'
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_ _ _ _ _ FR I DAY~a~8arrm~ap~ FRIDAY, DECEMBER 10, 1976 THE TECH PAGE 7 _
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W lenn vers edge BarucihBy Jeannette Wing quality of the fencing improved turn they had during
(Jeannette Wing is a member of from the night before, the aggres- 10-3 season.the Women's F~encing Team.) siveness of their opponents shook
On December 3, the MIT MIT into dropping the meet with Youla NeWomen's Fencing Team (2-3) a final bout score of 7-9.beat Baruch College on indi- However, Austin fenced well, USE YOUR H
cators, winning by 10 touches. winning all four of her bouts. WHEN YOU BUY
Unaccustomed to the quick Boice, Wing, and Prettyman each iWB@ 1New York tempo, MIT fell contributed one victory.behind to Baruch and by the tenth Earlier in the season, the MIT E 1 Tbout MIT. was down 3-7. Un- women beat Rhode Island Col- l^ % I daunted, the women started fen- - lege 7-2, and lost to both Univer- A _cing more aggresively to win the sity of Maine (Orono) 6-10, andlast five out of the 6 remaining Radcliffe 6-10. Hopefully, when RIDING APPAR
bouts to even the score at 8-8. theseasonresumes inJanuary the T2s2elep9hone:(GI72st
With the score tied, the meet was women will regain the momen-Irit oa 1:R:decided using the total numbers. of touches received by each tea l_
Co-captain Judy Austin '77 led |I the team with three solid vic-lidstories. Co-captain Meredith Boice AMis i011'78 beat two of her opponents;:l . 1 X _Jeannette Wing'78, onle. Michelle |L
wins, the second of which was the ,|r M key victory of the meet. 1
The next afternoon on l fenced a tougher tea m a~tBrooklyn College. Although the |1 .L o f
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SCIENC:E NEWS Iflash!!i #9
PHYSIlCS TODAY |.3nd the future advancement of the scientificAmerican depends on a sharp delineationbetween math and science. In order to userelativistic math the student must learn apostulate that does not agree with the facts.Even worse this postulate involves a basicphysical constant (c) for the velocity of light. Itgets even worse, c is also used for the speedthat all forces at a distance travel which in-dude magnetic, electromagnetic. gravitationaland electrostatic forces, not just light.
Einstein, did not claim the mass of Mercuryincreases at perihelion. He said it appears tojust as with time and size changes. Mercury'sperihelion advances because even thoughMercury is closest to the sun at perihelion ittravels fastest in it's elliptical orbit and there is.simply less time for this greater force to act ordo the job we expect.
Physics is supposed to be intimately con-cerned with motion but unfortunately Galileohad to roll steel balls down inclined planesbecause of the time pieces of his day.Therefore, we still do not simply account for abasic motion of nature which I call spix or therotation or precession of an object's spin axis.This motion is most noticeable with a badlythrown football. The Earth has too little wobbleat the N pole for us to bother with accountingfor spix. A ball on an incline gets very littlespix.
The speed, spin and spix of a charge haveno effect on a charge's electrostatic force. Ifwe increase a particle's spin or speed ordecrease spix the particle's magnetic force isincreased. Like charges with opposite spin andvery little spix magnetically attract overcomingsome or all of their mutual electrostatic repul-sion. The acceleration of a charge in a gravityfield decreases spix and increases magneticforce for a unified field theory. It is easier tochange the spix of an electron than it's spin.Wdith an isolated particle all we must change isinertia but in an atom we must also overcomneelectric and magnetic forces so only portionsof a sine wave (quanta) affects captured parti-cles. An isolated charge always spins.
Today we can't find names fast enough fornewly discovered particles. This is because toomany have accepted relativistic math asscience. Beware. c is not a limnit but is only aconstant to the source,
For further details see flash! 1! #7 in the 30Nov. '76 The Tech. This ad was perfect, it hadgood layout, very accurate typesetting. etc.What a pleasure to get such speed and ac-curacy from The Tech staff. -by JW Ecklin
See page 2.
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Sportincnnn
The women's Varsity Swimteam needs a manager. Under-graduate women interested inhelping the team during somepractices and meets (keepingtimes, getting refreshments, etc.)please see Coach John Benedict atthe pool weekdays from 3-7pm orcall Wendy Irving at 492-0951.
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defeat, sent "shock troops" in gtduring the third period. This resulted in two major penalties against Gordon as sticks went aihigh and two Beaver playersreceived facial cuts. Gordon was gBs~ii~siiiiliIlllbunable to recover, skating half ofthe third period a man down. The two Gordon players wereallowed ,to control the slot. Beaver goalie e .Dan Costa '78 maintained higrespectable average of letting up s1(8 sssl~~only two goals even while being ~laRaall8s$~gj~~~~i~lulled into inactivity in the coldevening air as his teammates tpummeled his Gordon 7tun-terpart.
Coach Wayne Pecknold is ~I8enthusiastically looking ahead togaRoes against Bunker uill andMassachusetts College of Phar-macy leading into the Christmasbreak. Pecknzold has molded avery respectable team relying onhustle and muscle, trying to grindopponents down rather than Captain David Lu '77 works on a 5.9 on the parallel bars for a seconc
finesse he puck:by themfinish, leading MIT to victory in that event.
Roundup
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By Tom StaglianaoSophomore forwards Kevin
Dopart and Rich Bryant talliedfour goals in four minutes toclinch a 6-2 hockey victory overGordon last Saturday at the MITrink. This scoring outburst cameduring the last eight minutes ofthe second period after Gordon'sfreshman goaltender had gloved,kicked out and smothered twenty-five Beaver scoring drives.
The Beaver skaters totallydominated the game, outskatingand outmuscling the Gordonplayers. MIT poured 46 shots onthe Gordon net with single goals
tallied by Ken Mortensen '78 andJim Alward G. Sophomore centerDave Tohir dominated the MIToffensive zone, moving the puckwell and setting up two scoringdrives. Lone assists were creditedto Mortensen, Greg Coutts '77,Al Strong '80, Wally Corwin '78,Captain Evan Schwartz G, andSteve Michel '80. The Beaver,scoring punch is led by the Tohir-Dopart-Mortensen line which hasaccumulated nine points in twogames, and the Strong-Couttsdefense which has tallied sixpoints.
The Gordon team, sensing
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By Brian Wibecan(Briant Wibecan is a member of
the J V Fencing team. )The men's Varsity Fencing
team (0-1) dropped its first meetto Harvard, losing a close contestby a score of 15-12, despite adetermined effort by all.
Although the foil squad isusually a large contributing fac-tor, top foilsman Rich Reimer'77won the single MIT foil victory,with the other eight bouts goingto Harvard. The fencers won theother two weapons, but did notdo well enough to overcome thelarge deficit in foil.
In sabre, Bob Shin '77 swept histhree bouts. Mark Smith '78, lastyear's top foilsman, made animpressive debut in sabre by win-ning two bouts, one against Har-vard's number one sabreman tohelp the sabre squad win 5-4.
In epe6,_captain Arlie Sterling'77 also won three bouts, andfreshman Bill Darling made anexcellent showing, winning two.Steve Thornquist '79 contributedone victory to the team by beatingHslrvard's top epeeist.
Coach Eric Sollee was not toodisappointed, saying that he hadthought the best the team coulddo was a 14-13 loss, and this wasbased on certain key fencers beingable to fence, which was not thecase.
The coach was surprised, aswas almost everyone else, at theJunior Varsity's 14-13 upset vic-tory over Harvard's JV. Sabre-men Dave Karp'78 and Bill Zajac'79 each won three bouts for theJV en roaute to a 7-2 sabre victory,
with Eric Palson '78 getting thesevellth point. The foil squad wonthree bouts, each man defeatingHarvard's number three foils-man. The JV epeeists won fourbouts, two each by JohnRodrigues '80 and Brian Wibecan'79. Wibecan's second Victory wasthe last bout of the meet, with thescore tied 13 all. The bout itselfwas tied at 4-4 before Wibecanscored the fifth and winningtouch.
Coach Sollee was pleased with
the JV and not very disappointedin the varsity, but he added thatthe foil squad "has a long way togo.,
Thie team travels to New Yorkon December 3 for two meets inan attempt to improve theirrecord.
ai place
By Tom CurtisAlthough they won half the
events, the Varsity Gymnasticsteam lost 134.9-127.45 to the Uni-versity of Pennsylvania in its sec-ond rneet of the season Sunday.
As a team, the Engineers cap-tured rings, vaulting, and parallelbars. The only individual winner-for the Engineers was Kin MingLam '78 in vaulting.
U of P's victory was paced byM ike Schira who took firsts inrings and parallel bars. Excellentperformances in floor exercise,
pommel horse, and horizontal barwere the keys to the Quaker vic-tory.
Monday the women's VarsityBasketball team dropped its thirdstraight game of the season, a 53-47 decision to Tufts.
Twenty-six points by DianeOzelius '79 could not make up forthe absence of captain LisaJablonski '77 who is in Cali-fornia with the women's Voliey-ball team.
MIT did play well in the first
half, building a seYen-point leadat one stage. However, Tufts thenbegan to execute its fast break. Byhalftime, Tufts held a two-pointlead.
-In the second half, Tufts' fastbreaks along with superiorrebounding and strong pressureon defense produced a nine-pointlead with a little less than thir-teen minutes remaining. TheEngineers never recovered,although they did score the lastfive points.
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,PAG;E 8 THE TECH- -FRIDAY, DECEMBE3R 10; . 1976
sp~orgt
Beavers skate cy Gordon
Men's ncers tookfor vvinning toucl
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