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This magazine is with compliments of EISENBERG DE SAUDE
Citation preview
T HI S
MA
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ZI N
E I S
WI T H
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SCAN QR CODE WITH A MOBILE DEVICE TO VIEW THE ONLINE EDITION
Meet the foreigners whose contributions are making a difference in the lives of South Africans
P6. | TRUTH COFFEENo sugar required
P8. | THE TEST KITCHENReinvention of the gastronomic spectrum
P9. | LIAM TOMLIN Creating a stir
Brew the perfect cupP7. | AEROPRESS HOW-TO
A vision beyond viticultureP11. | SOLMS-DELTA
Luvo Ntezo: Wine’s wunderkind
P10. | ONE&ONLY CAPE TOWN
T H EC U L I N A R Y
I S S U ES U M M E R
2 0 1 3 / 1 4
I S S U E 02
W I T H C O M P L I M E N T S
www.edslaw.co.za
2 | F R O N T I E R M A G A Z I N E
W W W . E D S L A W . C O . Z A
F R O M S H A N G H A I T O C A P E T O W N
PHO
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: GIO
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I A
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F R O N T I E R M A G A Z I N E | 3
It is with great pleasure that we welcome you to the second issue of FRONTIER.
The comments we have received about the Art & Architecture Issue were
encouraging and constructive. We are working towards making FRONTIER the centerpiece of discussion and hope that this issue will inspire, enrich and invigorate you.
My partner, Gary Eisenberg, and I are children of foreigners who immigrated to South Africa from
Belarus and Portugal respectively. The gastronomic impact of Jewish Litvak and Catholic Iberian cuisine in our homes has sustained us. We believe that food is the soul of every family.
We dedicate the Culinary Issue to all our foreign clients and expatriates everywhere, for whom food defi nes their heritage and the meaning of life.
We welcome your thoughts on gastronomy and the role food plays for immigrants. Please submit this along with any general feedback by e-mailing us at [email protected]
WELCOME
SOUTH AFRICAN IMMIGRATION AND CITIZENSHIPEisenberg de Saude advises on, prepares and
facilitates the fi ling of temporary and permanent
residence and citizenship applications locally or
at South African diplomatic missions abroad.
We ensure that our clients submit compliant
applications to the Department of Home Aff airs and
that their applications are treated with dignity and
are lawfully processed and adjudicated.
OBTAINING LITHUANIAN CITIZENSHIPEisenberg de Saude assists the descendants of
former Lithuanian citizens to obtain Lithuanian
citizenship. Lithuanian citizens have complete
freedom of movement within the European Union
and enjoy visa-free travel to many countries,
including the United States, Canada and Australia.
OUR KEY SERVICES INCLUDE:TEMPORARY RESIDENCE (Work, Corporate, Relative, Study, Retired, Medical)
PERMANENT RESIDENCE CITIZENSHIP (Regularising Status, Naturalisation)
LITIGATION (Deportation, Extradition,
Inspectorate Investigations)
OBTAINING LITHUANIAN CITIZENSHIP
EISENBERG DE SAUDE AT TORNEYS AT L AW TEL: +27 21 421 7003INFO@EDSL AW.CO.ZAWWW.EDSL AW.CO.ZA
FRONTIER MAGAZINE is designed and published by
PURE CREATIVE AGENCY for EISENBERG DE SAUDE.
www.purecreative.co.za - call (021) 424 6918
EDITORIAL & CREATIVE TEAMEDITOR-IN-CHIEF Gary Eisenberg
EDITORIAL DIRECTOR Stefanie de Saude
CREATIVE DIRECTOR Andrew Burke
EDITOR Michelle Marais
DEPUT Y ART DIRECTOR Dave Strauss
DESIGNER Tess Green
PRODUCTION MANAGER Marianne Burke
MARKETING MANAGER Dan Brotman
FRONTIER is distributed by Eisenberg de Saude
quarterly and is available on request (email
[email protected]) or online at www.edslaw.co.za
Our services
Gary Eisenberg and Stefanie de Saude of Eisenberg de Saude
Stefanie de SaudeS T E F A N I E D E S A U D E / P A R T N E R , E I S E N B E R G D E S A U D E
PRO
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4 | F R O N T I E R M A G A Z I N E
COFFEE ORIGIN WORDS: MICHELLE MARAIS
An unbroken chain of excellenceORIGIN
After falling in love with the café culture in France and discovering the artisan coffee-roasting movement in Seattle, Joel Singer moved to the Mother City to start an artisan revolution. Seven years in the making, Origin now boasts a successful barista school and has become the cornerstone of Cape Town’s coffee culture.
NAME: JOEL SINGER COUNTRY OF BIRTH:
MONTREAL, CANADARELATIONSHIP
WITH EISENBERG DE
SAUDE: GARY WAS INSTRUMENTAL IN ORGANISING MY IMMIGRATION STATUS TO ENSURE THAT I COULD START ORIGIN AND LIVE IN SOUTH AFRICA WITH MY THEN PARTNER AND MY TWO BEAUTIFUL CHILDREN WHO WERE BORN HERE.
With coffee culture in Cape Town booming over the past decade,
what sets Origin apart from other artisan roasters?
Our focus on quality and traceability. We source only top quality, speciality
grade coffees and Cup of Excellence coffees. We are quite relentless in exploring the optimal roast for each coffee we sell. Coffees are not all the same and it takes commitment to get the best out of the great coffee we roast. Origin has a very strong team. We consistently deliver high quality, freshly roasted coffee; we offer industry-leading barista training to our clients as well as ongoing quality and technical support. We do this for over 100 clients nationally and in Mauritius. We have a very wide range of coffees on offer – 10 at any time including our seasonal espresso blend, a seasonal chemical-free decaf, and eight other single origins. These rotate regularly, meaning the coffees are at their peak relative to the harvest.
The Origin headquarters has an impressive barista school.
What inspired you to establish the school and how has it impacted on Origin’s success?
One of the key missing components in SA coffee society was the lack of a
professional barista culture. No matter how good the coffee, if the barista does not pour the coffee well, nothing the farmer nor the roaster does matters. We do intensive training and ongoing mentoring of the baristas at all of our wholesale clients.
We have trained over 1 000 baristas since we started, including four SA barista champions in 2007, 2008, 2012 and 2013, and have probably invested over R1 million in barista training. We also run regular coffee appreciation and home barista courses for
the public to introduce them to the world of coffee and coffee making.
With farmers from India, Brazil, Rwanda and other countries
supplying beans, how do you ensure that Origin adheres to an ethical and sustainable sourcing model?
We source exclusive speciality grade coffees. These high grade coffees by
defi nition reward farmers with higher prices. Most of the world’s coffee production is sold indexed to the world commodity price for coffee, which is extremely volatile, and has often dropped below the farmers’ cost of production. Origin does not roast any commodity-grade coffees. We have an SA-exclusive partnership with Mercanta (UK). It has long-term relationships with many of the growers from whom they purchase. Stephen Hurst, the owner, was a pioneer in the relationship coffee model. These coffees are bought at a price that is fair to these farmers – consistently exceeding their costs of production, regardless of the fl uctuating world commodity price. Mercanta’s focus is fi nding these exceptional coffees, building relationships with the growers, and connecting them with top roasters in over 35 countries.
Looking to the future, what does the next decade entail for Origin? South African coffee culture will continue to grow and deepen. We will
carry on pushing to deepen our expertise. We are expanding our activities nationally with a roastery/café which will soon open in Maboneng in Johannesburg and our presence in Gauteng will increase dramatically over the next few years. I expect that our wholesale (supply to the hospitality trade) will increase substantially and our team along with it and that our current client base of 100+ clients will treble.
I think that SA consumers will consume more high-quality coffee at home, often using new brewing methods (Aeropress, Hario pour-over and Siphon). We hope to substantially increase direct sales to them from our roaster; and to found similar roasting businesses in our neighbouring countries and further afi eld.
Q&A
WITH
JOEL
F R O N T I E R M A G A Z I N E | 5
C O F F E EO R I G I N / H A U S B R A N DT
The art of roasting
Q&A WITH
JORGE ALBERTO
Growing up in Angola, have you always had a passion for
coffee and how would you say South African coffee culture differs from that in Angola?
Yes, I brought my passion with me but it has grown here. In South
Africa they’ve adopted the coffee culture and embrace the learning process that accompanies it. The idea of coffee culture is fairly new in this country and it has allowed for job creation and various levels of entrepreneurship. In Angola it’s seen as an occupation, a way of life. Angola greatly lacks infrastructure, but I hope that in rebuilding its coffee industry, it will re-emerge to the forefront.
Is it benefi cial for roasters to have a good relationship with their
growers and how does this relationship impact the product?
Yes, absolutely. The amount of information and understanding
of what goes on in the fi eld is crucial to producing an excellent cup of coffee. Unfortunately, few farmers get to experience the end product. Last month I had the opportunity to sit down with Hector Dos Santos, a farmer in Honduras, at Origin HQ. I roasted Los Cedros, a coffee from a region close to where he lives, and he was amazed. We offer growers this experience and we exchange information. This allows both parties to gain invaluable knowledge.
What skills do you need to possess in order to be a
successful roaster? Honestly, my personal opinion is that no amount of skills or product
knowledge can make you a successful roaster. You need to have a passion for coffee and a lot of patience when it comes to your craft. I have it in my blood, from the soil of my mountain village.
When it comes to roasting, Origin’s famous for its
experimentation. Could you explain the process of unlocking the full potential of the beans to us?
Well, Michael McDonald or “Professor” as I like to call him,
and I do not have a specifi c method. Traceability is very important to us – it is the understanding of all the natural elements contributing to the harvest. It enables us to study and discuss each coffee. When we feel confi dent about the product, we design different profi les. When I feel connected, I can spend days thinking about it. I will take the fi rst wild shoot, we’ll discuss it and then Professor will experiment with various approaches and its profi le. Sometimes it will take up to three roasts before we are satisfi ed.
What would you regard as your personal favourite roast/type
of coffee? Defi nitely a medium roast, with the exception of some light
to medium roasts.
Leaving war-torn Angola at the age of 18, head roaster Jorge Alberto has come a long way. Now a Capetonian, the head roaster has become synonymous with Origin and is a respected member of the artisan coffee community.
NAME: GERT TUPPINGER COUNTRY OF BIRTH: AUSTRIA, GERMANYRELATIONSHIP WITH EISENBERG DE SAUDE: IN 2007, WE OPENED A LITTLE COFFEE SHOP AND GELATERIA IN CAPE TOWN. EISENBERG DE SAUDE ASSISTED WITH OUR MANAGER’S SPECIAL SKILLS WORK PERMIT. TODAY, GARY HELPS US WITH ALL OUR IMMIGRATION AND VISA ISSUES. IT TOOK ME A WHILE TO CONVINCE HIM TO CHANGE HIS COFFEE AT THE OFFICE BUT I BELIEVE HE IS ADDICTED TO HAUSBRANDT COFFEE NOW. HE HAS BECOME A TRULY WONDERFUL BRAND AMBASSADOR.
HAUSBRANDT
After a decade as CEO of a leading hotel operator in Germany, Gert Tuppinger convinced the company to bring their business to the southern tip of Africa. Following the successful launch, he was convinced that he would call Cape Town his home for some time to come.
Hailing from Austria, what challenges
did you face as the representative of
an Italian brand, rich in family history?
Austria and Italy have a long history
together so the challenges were
minimal and the process, seamless.
Available in more than 70 countries,
including Rome, Moscow, Tel Aviv
and New York, what inspired you to bring
Hausbrandt to Cape Town, South Africa?
That is easy: the quality of the product
and the aim to increase the passion for
coff ee. Hausbrandt is family owned and I
was immediately impressed with the way
in which Martino Zanetti, owner and
director, presents and operates his company.
The rich history and close family bond is
an inspiration and makes me proud to be a
Hausbrandt partner.
With a variety of local artisan
coff ee shops/roasteries owned
by immigrants, what impact has the
contribution of foreigners had on Cape
Town’s coff ee culture?
Coff ee culture is linked to Venice
in Italy and Vienna in Austria – again,
there is this link between the two
countries. The Italian coff ee roasters are
known worldwide for their high quality
coff ee-blending and roasting expertise.
Very important is consistency in quality,
which is Hausbrandt’s strength.
In your personal capacity, how do you
ensure the highest level of service is
off ered at Hausbrandt’s local outlet in order
to uphold the brand’s excellent
global reputation?
I fulfi ll, and often exceed, the
brand standards when it comes to
presentation and respecting the corporate
identity. In addition, we use only high-end
coff ee machines and grinders; and we
partner with individuals and corporates that
fi t the brand’s image to ensure consistency.
The mystery that accompanies the
ritual of drinking coff ee is what
makes it so appealing. Inspired by the latter,
Hausbrandt founded Accademia Veneziana
del Caff è, a training facility. How has its
establishment impacted the brand and its
customers?
It was very important to establish these
training facilities; all our international
partners have access to the off ered courses
and it contributes to the brand’s success.
We have showrooms and training facilities in
both Cape Town and Johannesburg and take
great pride in them.
Looking to the future, what does
the next decade entail for Hausbrandt
in South Africa?
Our philosophy remains quality before
quantity. But, of course, we are
constantly looking for new partners who
are willing to implement Hausbrandt by
respecting our high service quality requests.
We are always aiming to place our product
in companies in order to enhance the quality
of coff ee for clients, but most importantly
for employees. In 2013, we added
Ronnefeldt Tea to our product portfolio.
Like Hausbrandt, it is family owned.
The addition of this high-end brand will
allow us to off er our clients a full coff ee and
tea solution. In 2014, we will add the fi rst
of three Proseccos from Casa Bianche to
our product portfolio; this is a wine estate
situated on the hills of the Conegliano
Valdobbiadene DOCG and owned by the
Zanetti family.
A journey across continents
South Africa cannot afford to remain isolated if it wants to make a mark in the global market.
Looking to the future, what does the next decade entail for Truth?We cannot tell you yet… keep in touch. Seriously, we are most
interested in quality, focused cafés, restaurants and hotels throughout sub-Saharan Africa and believe we add value to these venues.
6 | F R O N T I E R M A G A Z I N E
The spectacular vintage Probat on which you roast has defi nitely set you apart
from your competitors. When was this machine purchased/built and how did you go about assembling it?
The machine was built in the 1940s and has a cast iron drum,
a habit that was ‘improved’ in the 60s. We found ours completely run down and spent a year refurbishing it and adding modern computerisation and measurement devices.
Your website makes a bold statement: “We believe that if it is worth doing
anything, it is worth being world-class, challenging the constant tide of mediocrity.” What would you consider as mediocrity among roasters and how does Truth go about challenging it?
Accepting the status quo or roasting by the numbers is not for us.
We believe we are constantly learning how to best roast any coffee, and engage in a continuous process of roasting, tasting, making notes and experimenting, and then repeating the loop, making minor
tweaks and improvements to our roast every day. Very few coffee roasters even talk about the taste of their coffee.
What impact has the technological revolution and the introduction of
e-commerce had on the coffee business?Artisanal coffee and the home barista owe their existence at least in part to
the availability of information and learning, and the sharing platform that the internet provides. As for e-commerce; although we dispatch daily, it is microscopic in terms of the total coffee we ship. South Africans are only just learning that e-commerce works and is trustworthy.
A variety of local artisan coffee shops/roasteries are owned by foreigners,
resulting in immigrants having a large impact on Cape Town’s coffee culture. What do you consider the signifi cant differences between local and international roasters?
There are passionate people who care about great coffee from all
walks of life. The pool of local coffee experts is microscopically small. We just haven’t had the skills and opportunities here for long enough. The speciality coffee industry began here around 2005 and was running in other countries for about two decades before. Sadly, in order to fi nd a greater pool of talent to uplift local talent, we need to make use of foreign skills and training. We are in desperate need of more skilled experts in the industry. Local people need more exposure to global skills.
Q&A
WITH
DAVID
NO SUGAR REQUIREDFrom chicken farmer to hotelier, David Donde’s road to roasting success at Truth has been an interesting one. Central to the rise of coffee connoisseurship in Cape Town, he provided us with insight into the culture of coffee.
FEATURE TRUTH COFFEE WORDS: MICHELLE MARAIS
NAME: DAVID DONDECOUNTRY OF BIRTH: SOUTH AFRICARELATIONSHIP WITH EISENBERG DE SAUDE: GARY EISENBERG HAS BEEN A PASSIONATE SPECIALITY COFFEE DRINKER FROM AROUND THE SAME TIME I DISCOVERED THE POSSIBILITIES MYSELF. BESIDES HIS DEDICATION AS A DRINKER, HE HAS BEEN AN AMBASSADOR FOR THE VIRTUES OF EXQUISITE COFFEE BY HELPING FACILITATE COFFEE EXPERTS IN THEIR VISA AND CITIZENSHIP APPLICATIONS.
PHO
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: SH
AN
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F R O N T I E R M A G A Z I N E | 7
1. Remove the plunger and cap from chamber.
2. Wet fi lter paper, and insert the fi lter cap onto the tube.
3. Rest your Aeropress over a mug.
4. Add 18g/1 heaped spoon (provided) of fi lter ground coff ee.
5. Pour in 250ml of water at 80°C.
6. Stir using a north-south-east-west motion. Allow to brew for 90 seconds.
7. Insert plunger into chamber. Gently plunge (30 seconds from top to bottom).
Open to endless experimentation, the Aeropress has become one of this
year’s most popular coff ee tools. Follow these steps to brew the perfect cup.
AEROPRESS HOW-TO
01
04 05
02
06 07
03
Chamber
Filter cap
Plunger
Seal
Scoop
Stirrer
A quick reference for coff ee lovers
COFFEE GUIDE
C O F F E EA E R O P R E S S H O W-TO
FRONTIER’S dedication on this occasion to coffee and its culture is fortuitous.
Since being a student at the University of the Witwatersrand in 1983, and having my fi rst espresso ever at the Southern Sun hotel on O’Reilly Road in Berea, I have celebrated my life and its milestones with coffee, imbibing it black and rough.
My second cup of espresso was at the coffee shop in the lobby of the Carlton Hotel in central Johannesburg a few days later. Those are not memories. They are refl ections, like affairs, of the heart. Both experiences were imposed on me, the fi rst by a mad Dutch woman living at the same residential hotel as I was, and the second by the Mozambican telephone operator in my hotel who claimed that Portuguese colonists had invented the espresso shot. My habit of smoking a Monte Cristo No 4 cigar, with its full bodied mocha notes, together with an espresso lungo has stayed with me ever since, every morning, every mid-morning and at every lunchtime like my daily prayers.
In America in the 1980s, all I drank was “fi ltered” coffee, the commercial variety served in diners and cafeterias – the Italianate style of coffee preparation had not penetrated the American palette until much later. Artisanal roasting seemed to linger in Seattle and San Francisco, slowly
meandering eastward in the late 1980s. Even the coffee in New Orleans, while I studied law and caffeine was supposed to invigorate my tired brains, was brewed, sometimes boiled with milk as café au lait, and served with fi ne sugar dusted beignets, at Café Du Monde in the steamy French Quarter or at the small creole bakeries in the Garden District.
My introduction to the coffee of the American south swept me off my feet and launched me into life, pushed me
into becoming a lawyer and marrying the woman who had an unquenchable passion for hazelnut fl avoured robusta served in paper cups at Tulane University at PJ’s Coffee.
As a college student in Galesburg, Illinois, when I sold silver chains and rings to students to supplement my daily spend, I bought my stock from a Palestinian trader in Chicago, where our deals were discussed and consummated over small cups of thick coffee spiced with cardamom. I was sustained in Israel for my Honors dissertation in 1986 (during the fi rst Intifada) by the “café botz” (“mud” coffee), that my host made in a small brass fi njan over a gas burner every morning and after every lunch. And then, as an articled clerk in Cape Town dispatched to Madrid for an investment conference, I began to understand that coffee is the elixir of the King, drank as Café Solo sin leche. This is my empire of coffee refl ections, which has sustained me throughout.
“I HAVE CELEBRATED
MY LIFE AND ITS
MILESTONES WITH
COFFEE, IMBIBING IT
BLACK AND ROUGH”
COFFEE REFLECTIONS OF A STUDENT WORDS: GARY EISENBERG
8 | F R O N T I E R M A G A Z I N E
You opened The Test Kitchen at the Old Biscuit Mill in Woodstock, a
suburb known for its recent boom in creative spaces; how does hustle and bustle of the neighbourhood infl uence your innovation and creativity?
The Test Kitchen originally consisted of a single space. Two years down
the line, it became two. We didn’t have a bathroom, guests had to use the communal toilets in the courtyard. We had 24 seats in the restaurant, three chefs, three waiters and a barman. Now, we have more than 15 staff. The idea was to create a space where the kitchen is the heart of the restaurant. I wanted to break the mould of the traditional restaurant where the kitchen is separate from the dining. With regard to working in Woodstock, I believe creativity is infectious. If you surround yourself with people who are innovative and creative, it will rub off on you. Woodstock has many amazing resident artisans; when I look at the restaurant’s interior, the chairs, the fi ttings – most of it was sourced within this area.
In 2011, you won the title of Chef of the Year at the Eat Out DStv
Food Network Restaurant Awards and The Test Kitchen moved from number two in 2011 to win the Restaurant of the Year in 2012. And it took home the award again this year. What do you consider the most challenging aspect of opening a successful restaurant?
Before I opened The Test Kitchen people thought I was mad. Very few of
them had faith in Woodstock and that made me nervous. Money, or the lack thereof, was another challenge. When I opened, I was still consulting at another restaurant. The reason was that I still wanted to sustain my income; but the trade-off was that I was not allowed to bring any staff with me. I had to start afresh. When you open a new business by yourself, you want to keep it as small as possible and not over-extend because you have no idea if it is going to be successful. In the end, word got out and things seem to be working out.
In line with this, your various awards and accolades are surely a
sign of excellence. How do you go about pushing the culinary envelope and ensuring you prepare innovative dishes of the highest quality?
I am an ‘ideas’ guy. I constantly think of new ways to do things and it
comes naturally. That is what keeps me and everyone else going. I also believe that it is what makes the restaurant so successful.
Having travelled a great deal in Switzerland, England and Asia,
what would you consider one of the most signifi cant ingredients or dishes native to South Africa?
South African game is fantastic. There are also a lot of young,
new producers growing interesting ingredients. I’ve seen a lot of different, cutting-edge produce in the last couple of years. It is an emerging market. The cheese is also incredible.
You mention on your website: “My job now is about running a
great restaurant, cooking great food; but, as much, it’s about creating opportunity for a new generation of chefs.” Where do you see the culinary scene headed in Cape Town?
It is absolutely booming at the moment. There are already a lot of
good chefs but there is obviously a new generation coming up. I have fantastic guys working for me. If I am in the position to create opportunities for them now, and help them in whichever way I can, that is what I will do.
Looking to the future, where do you see yourself and The Test
Kitchen in a decade? I have no idea. At this stage, I am taking it one day at a time and
enjoying the experience.
The reinvention of the gastronomic spectrum
THE TEST KITCHEN
Twice crowned Restaurant of the Year at the Eat Out DStv Food Network Restaurant Awards, it is clear that The Test Kitchen is pushing the culinary envelope. We spoke to the head chef and owner, Luke Dale-Roberts, about his innovative approach to gastronomy and Cape Town’s foodie scene.
Q&A
WITH
LUKE
“I WANTED TO BREAK
THE MOULD OF
THE TRADITIONAL
RESTAURANT”
NAME: LUKE DALE-ROBERTS COUNTRY OF BIRTH: BRITAINRELATIONSHIP WITH EISENBERG DE SAUDE: I MET GARY ABOUT 7 YEARS AGO WHEN I ARRIVED IN SOUTH AFRICA WITH MY YOUNG FAMILY. AFTER AN INITIAL CHAT, GARY AND HIS TEAM WORKED QUICKLY AND PROFESSIONALLY IN ASSISTING US WITH ACQUIRING THE CORRECT PAPERWORK. SUBSEQUENTLY GARY HAS ASSISTED ME IN GETTING PERMITS AND VISAS FOR SOME OVERSEAS STAFF.
FOOD THE TEST KITCHEN WORDS: MICHELLE MARAIS
Restaurant of
the Year at the
Eat Out DStv
Food Network
Restaurant
Awards
PHO
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: MIC
HA
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F R O N T I E R M A G A Z I N E | 9
You have travelled extensively, working
in various countries, including Asia,
Australia and Europe. Do you think it’s
essential for a chef to be well travelled in
order to be excellent at what he does?
From my own experience, travel is the
best way to accumulate knowledge,
not only with regard to food, but also by
being able to understand the culture.
I have been very fortunate and have worked
or done promotions in over 20 countries
and still enjoy travelling whenever the
opportunity arises. I know it is not for every
young chef but I do recommend travelling
and working in a few diff erent countries
before settling down.
Chefs Warehouse & Cookery School is
a natural extension of your enthusiasm
towards fi ne cuisine. Do you think it is
important for senior chefs to invest in the
future of the culinary scene by training
young chefs?
I get great pleasure in seeing one of
my protégés doing well. Any good
chef will tell you they are only as good as the
team working with them, so it is essential to
spend time with them, setting standards and
teaching them as much as possible. It is then
up to the individual to take that experience
and, in time, put their own interpretation into
what they have learnt. As a chef, you can
never learn enough. I have always tried to
surround myself with young chefs who have
worked in kitchens that I haven’t, so that I
also learn from them.
The Cookery School’s classes are
often joined by celebrated local and
international chefs: Laurent Deslandes from
Bizerca in Cape Town, Neil Jewell from
springing up everywhere, which is great.
On the down side, I think a lot of young
chefs are getting into the industry thinking
they will become overnight celebrities.
The internet is a great source of knowledge
and I use it every day for work, but it
has allowed anyone to become a
food writer or a restaurant reviewer and
that can be extremely frustrating for
industry professionals.
You are currently working on your
fourth book. Any clues as to what we
can expect?
My third book Lessons with Liam was
published last year and is a step-by-
step guide of the basics of cookery. I am
currently working on my fourth, which will
have more of an Asian infl uence to it.
Looking to the future, where do you
see the Chefs Warehouse & Cookery
School in a decade?
We are very excited to be relocating
to Heritage Square in Bree Street in
January 2014. We will also be expanding the
business. During these fi rst four years,
a lot of our customers have encouraged us
to off er food, so we are going to have a small
delicatessen where guests can buy and take
away, or sit and have a simple meal with a
glass of wine. We are also planning on having
a separate space next door where we will
open an Asian street food take away.
We now have a better understanding of
what our customers want. The relocation
will provide us with the opportunity to
discontinue some ranges and expand
on others. We will stock a range of fresh
products such as poultry, cheese, cold cuts
and some fi sh. The whole team at Chefs
Warehouse is really excited about what
lies ahead.
Bread & Wine in Franschhoek, and Margot
Janse from The Tasting Room at Le Quartier
Français in Franschhoek. How do you go
about choosing these individuals and what
do they contribute to the classes?
We enjoy having guest chefs and really
appreciate when they take the time to
give classes, as they are all very busy running
their own kitchens and businesses. I know
our customers really enjoy experiencing
diff erent chefs, their diff erent styles and
their philosophies towards food. It is also
great for our young chefs to work alongside
them and get a break from listening to me.
In order to maintain a standard of
excellence, how do you go about
sourcing stock for the warehouse?
We aim for quality in all the retail
categories – knives and books to
food products and spices. We are always
on the lookout for new things for the store;
products that you would not necessarily
fi nd in our competitors’ stores or in the
supermarket. It is a real team eff ort.
Customers also direct us as to what they
would like to see. We love the challenge of
sourcing something out of the ordinary.
With an e-commerce store,
would you say the internet and the
introduction of various cooking shows have
changed the face of cuisine? Have these
tools contributed to establishment of the
foodie scene?
I think the internet and TV have their
respective pros and cons. There is
no question that there is a much bigger
interest in cooking due to the likes of Jamie
Oliver, Rick Stein, the various Masterchef
shows from around the world and, of course,
Gordon Ramsay. I think the public is a lot
more aware when it comes to food. We are
seeing great artisans and fresh food markets
CREATING A STIR Chefs Warehouse
& Cookery School
Liam Tomlin is no stranger to the world of cuisine. Beginning his career at the age of 14 in Dublin, he went on to work in Europe’s fi nest kitchens. Since then, this top chef has opened his own restaurant, published three books and raked in a number of awards. Chefs Warehouse & Cookery School, his latest project, is a fi rst for Cape Town and off ers a combination of retail and culinary education to the public.
Q&A
WITH
LIAM
“WE LOVE THE
CHALLENGE
OF SOURCING
SOMETHING OUT
OF THE ORDINARY”
NAME: LIAM TOMLINCOUNTRY OF BIRTH: DUBLIN, IRELANDRELATIONSHIP WITH EISENBERG DE SAUDE: I HAD THE PLEASURE OF MEETING GARY EISENBERG WHEN I FIRST ARRIVED IN SOUTH AFRICA AND I HAVE HUGE RESPECT FOR HIM. HE IS GENUINELY INTERESTED IN MY CAREER AND WHAT I DO, AND WILL OFTEN CALL TO SAY HE HAS READ AN ARTICLE I FEATURED IN OR HAD A DISH ON A FLIGHT I CREATED FOR BRITISH AIRWAYS. I HAVE MET HIS FAMILY AND HIS YOUNG DAUGHTER HAS WORKED WITH US AT CHEFS WAREHOUSE.
F O O DC H E F S WA R E H O U S E & C O O K E R Y S C H O O L
PHO
TOG
RA
PHER
: RU
SSEL
L SM
ITH
1 0 | F R O N T I E R M A G A Z I N E
RELATIONSHIP WITH
EISENBERG DE SAUDE: WE ARE VERY PROUDLY ASSOCIATED WITH GARY EISENBERG AS A BUSINESS PARTNER. HE IS UNQUESTIONABLY ONE OF OUR BIGGEST AMBASSADORS. GARY HAS ASSISTED THE HOTEL IN OBTAINING WORK PERMITS FOR VERY SPECIALISED SKILLS AND WE VALUE THE RELATIONSHIP WE HAVE WITH HIM AND EISENBERG DE SAUDE.
I select wines based not on prestige, but accessibility and
elegance. Not only is my focus based on the public’s favourites or ‘sweethearts’, but also wines not very well known in the market. I encourage them to come on board our extensive wine list and I personally enjoy sharing the stories of the wines with our guests while they dine.
In line with this, when selecting wine for pairings, do you prefer local or
international wines; and what would you
deem the most distinctive aspects of South African wines?
The focus at One&Only Cape Town is on South African wines
but we do bring in a decent amount of wines from across the globe to introduce the ‘locals’ to the world beyond our borders. South African wines are unique in the sense that we are situated on a yellow (slightly warmer) part of the southern hemisphere, on the Atlantic and Indian oceans, where their effects
play a large role in our climatology.This results in our wines having a fresh delectable fruity fl avour in their youth and, with age, they become classic and elegant.
Looking to the future, where do you see yourself in a decade?I would like to have completed my Master of Wine with WSET and
to still be as excited and enthusiastic about wine as I am today.
Having won the Red Carnation Group’s Sommelier of the Year award
in 2008, which skills should one possess in order to be a successful sommelier and why are these of utmost importance?
Academics are an essential part of a successful career. I always tell
aspiring sommeliers that experience is not an assurance to skill, academics are. With academics I got exposed to a global wine culture and the business aspects of things. My world became much smaller in the sense that what sommeliers across the globe knew was on par with what I knew.
You grew up during the apartheid era; how has this infl uenced your view of
job opportunities in South Africa? Would you say it’s inspired you to work harder?
My father raised us to look at the world beyond what others saw.
I grew up where apartheid laws were irrelevant to what my dreams were. I never have self-pity with my skin. My mother had a white father and a black mother, my sister is married to an Afrikaans man, and my nephew and cousin are mixed race so my background has never bowed down to apartheid.
One&Only Cape Town’s restaurant Reuben’s is famous for its delectable
dishes and superb service. How do you fi nd working with head chef Reuben Riffel?
Reuben is a South African chef whose concept is based on simplicity
and integration of local and international fl avours. He is a skilled, passionate and very accessible guy. In 2011, Reuben and I toured the US where we presented an array of South African dishes to the public and introduced them to South African gastronomy. It was a wonderful experience. Reuben and I work very closely together in order to get the food and wine pairings perfect.
One&Only Cape Town is renowned for its standards of excellence. How do
you go about maintaining these standards through your wine selection?
sommelier noun / a wine steward.
ORIGIN early 19th cent.: French, literally ‘butler.’
A sommelier (French pronounciation: [somelje]),
or wine steward, is a trained and knowledgeable wine
professional. He specialises in all aspects of wine service as
well as wine and food pairing.
WINE’S WUNDERKINDFrom humble beginnings as a dishwasher, Luvo Ntezo’s passion for the world of wine has seen him crowned Red Carnation Hotels’ Sommelier of the Year in 2008. The combination of his unquenchable passion for the wine sector, paired with his well-developed palate, is a recipe for success and the reason why he is head sommelier at the celebrated One&Only Cape Town.
LUVO NTEZO
WINE ONE&ONLY CAPE TOWN WORDS: MICHELLE MARAIS
Q&A
WITH
LUVO
F R O N T I E R M A G A Z I N E | 1 1
Solms-Delta Wine Estate is renowned
for its acclaimed wines. In comparison
with international producers, how would
you say the wine and estate’s approach to
production compares?
We believe that the South African
terroir is deeply imbued with our
social history, which massively impacts
labour relations in both vineyards and
cellars, and thereby aff ects our wines.
Our social landscape and the need to
address imbalances of the past infl uences
all decisions made on Solms-Delta.
Fyndraai Restaurant’s executive chef,
Shaun Schoeman, recently returned
from a week in Calais, France as Chef in
Residence in France South Africa Seasons
2013 – a testament to the restaurant’s
excellent standard. What do you regard as
the restaurant’s philosophy when it comes
to cuisine?
Fyndraai Restaurant proudly
showcases our philosophy of
celebrating heritage, identity and all that
it is to be truly South African, through
serving a fusion of Afrikaner boerekos and
Cape Malay (slave) infl uences, blended with
ingredients used by the Khoisan thousands
of years ago which we grow in our Dik
Delta culinary gardens.
The Solms-Delta Museum van de
Caab is a wonderful celebration of
South African heritage. As a foreigner, how
important is celebrating your culture and
why does it play such a big role in shaping
the future?
The signifi cance of culture,
wrapped as it is in one’s identity,
is huge – especially in a country like
South Africa where we are looking
to transform socially. We all need to
understand and appreciate each other’s
history and culture fully before we can
successfully engage in crafting a socially
sustainable future together.
With its black empowerment
programme rooted in idealism yet
driven by pragmatism, Solms-Delta is
known as one of the country’s most
progressive wine estates. How has the
latter contributed to a shift in mindset
and has it generated any results?
An extensive part of our overhead
structure is applied to educational,
housing, health and social programmes
aimed at breaking the cycle of poverty
and dependency among historically
disdvantaged residents and workers.
The Wijn de Caab Trust, a one-third
shareholder in Solms-Delta, was
established specifi cally with this purpose
in mind. The Delta Trust was established
with a view to driving projects aimed at
promoting social cohesion in the broader
Cape Winelands. We have certainly seen a
change in the mindset of the many farmers
who visit us on their own, or in groups,
to learn more about the approach taken
by us and to exchange ideas in a mutually
benefi cial manner.
The Dik Delta, an unused portion of
farmland on Solms-Delta, has been
developed into an indigenous culinary
garden and fynbos/renosterveld park.
How has this take on sustainability
changed the overall approach to farming?
We have become a lot more focused
on fi nding environmentally friendly
solutions in all we do, drawing on lessons
from the past. Examples include the use
of fynbos crop cover in the vineyards and
indigenous grasses for our cattle kraal.
Looking to the future, what does the
next decade entail for Solms-Delta?
We are looking to increase
our infl uence as an agent of
transformation in the South African wine
industry with a particular emphasis on
broadening its impact on as many people as
possible – against the backdrop of projects
aimed at addressing imbalances of the past
and promoting social cohesion – and, of
course, making even better wines.
W I N ES O L M S - D E LTA W I N E E S TAT E
SOLM S-DELTA A VISION BEYOND VITICULTURE Much more than just a wine estate, Solms-Delta has earned the reputation as a pioneer in the Western Cape. We spoke to CEO Craig MacGillivray about the farm’s approach to integrating and empowering its workers.
Q&A
WITH
CRAIG
NAME: CRAIG MACGILLIVRAYCOUNTRY OF BIRTH: SOUTH AFRICARELATIONSHIP WITH EISENBERG DE SAUDE: I HAD THE PRIVILEGE OF MEETING GARY SHORTLY AFTER HE ESTABLISHED HIS PRACTICE WHILE I WAS A PARTNER AT MAZARS, AN INTERNATIONAL AUDIT AND ADVISORY FIRM. HIS VERY PERSONAL APPROACH AND HIGHLY EFFICIENT SERVICE HAS LED ME TO CONTINUE REFERRING CLIENTS AND COLLEAGUES TO HIM FOR ASSISTANCE WITH IMMIGRATION MATTERS; AND SOLMS-DELTA’S NEEDS IN THIS REGARD ARE WELL LOOKED AFTER. PH
OTO
GR
APH
S: C
OU
RTE
SY O
F SO
LMS-
DEL
TA W
INE
ESTA
TE
1 2 | F R O N T I E R M A G A Z I N E
I am in a relationship with a same-sex South
African partner. Can I stay in South Africa on
this basis? If you can prove that you live with
your South African partner, and the extent
to which you share fi nancial responsibilities,
you may apply for a temporary residence
permit (with or without work, business or
study authorisation) on this basis. The fact
that your South African partner is of the
same-sex is irrelevant.
I have been living in the country for the past
six years on study and work permits. Can I
apply for South African permanent residence?
If you have been the holder of a work permit
for fi ve successive years and have secured
permanent employment, you are eligible
to apply for permanent residence on this
basis. Study permits do not count towards
permanent residence.
I have been a South African permanent
resident for the past three years, and
have been married to a South African for
the past fi ve years. Am I eligible to apply
for South African citizenship? In terms of
the Citizenship Amendment Act, which
commenced in December 2010, you do
not qualify on this basis. In terms of this
amended Act, you must have been ordinarily
resident in South Africa for a period of 10
years immediately preceding the date of
your application and you must not have been
absent from the Republic for a period of
more than 90 days in any year during the fi ve-
year period of ordinary residence immediately
preceding the date of the application.
I am a 30-year-old South African citizen and
have been living in the US for the past 10
years. I want to naturalise as an American
citizen. Will this aff ect my South African
citizenship status? Before applying for any
foreign citizenship status, you must fi rst
obtain the written consent of the Minister of
Home Aff airs by fi ling a retention of South
African citizenship status application at the
Department of Home Aff airs. Without this
prior written consent, you will lose your
citizenship status, but will retain the right to
permanent residency. This does not apply if
you are under the age of 18.
My husband and I currently have work permits
until 2015, and our child was born in South
Africa seven years ago. The school won’t
accept our child without a valid study permit,
despite the fact that he has a South African
birth certifi cate. What do we do?
Being born in South Africa to two foreign
parents on temporary residence permits
does not automatically entitle your child to
become a permanent resident or citizen.
You must thus apply for a study permit for
your child.
I am a British citizen and entered South
Africa as a tourist; I accidently overstayed my
90-day permit. I don’t want to get in trouble
with the authorities when I return home next
week. What do I do? Because you intend to
leave the country next week, you do not
need to do anything other than depart.
Upon your departure, you will be issued
with a fi ne notice, which you will be required
to pay either upon your next return to South
Africa or at a South African diplomatic
mission. If the period you overstayed is less
than 90 days, the fi ne will be under R3 000.
I am a South African permanent resident.
My mother in France is getting old, and I want
her to move into my house so I can care for
her. How can she relocate to South Africa?
In terms of the current rules, your mother
may enter South Africa as a tourist and, once
she has arrived in South Africa, she may fi le
an application for a relative permit valid for
two years, together with an application for
permanent residence on the same basis.
I fi led my work permit application eight
months ago. Whenever I go to the
Department of Home Aff airs, I am told that
my application is still pending. Is this normal?
Since May 2010, the minister has centralised
the adjudication process to a hub in Pretoria.
Therefore, there has since been a collapse
between the time which it takes applications
to be fi nalised and the quality of decisions
made. The processing of temporary residence
permits (including work permits) currently
take an average of between two to four
months. If your application has been pending
for the past eight months, it has probably
been lost or mislaid. We suggest that you
resubmit your application.
My grandmother was born in Vilnius in 1920
and immigrated to South Africa in 1925.
I do not have any of her original Lithuanian
documentation, other than a South African
naturalisation certifi cate confi rming that
she was born in Lithuania and acquired
South African citizenship. Is it still possible
for me to apply for reinstatement of
Lithuanian citizenship? On the basis of the
little information you have given us, it would
appear that you would be eligible to apply
for reinstatement of Lithuanian citizenship.
However, you would have to prove that your
grandmother was a Lithuanian citizen.
This can be done by conducting extensive
archival searches in Lithuania.
If I obtain Lithuanian citizenship, do I have to
give up my South African citizenship status?
If you obtain your Lithuanian citizenship based
on reinstatement (in terms of Article 9 of the
Republic of Lithuania Citizenship Law), you do
not have to renounce, and/or you will not lose
your South African citizenship status.
Foreign nationals with exceptional skills/qualifi cations are eligible to apply for an exceptional skills work permit, which is issued for a maximum period of three years and is renewable. The Immigration Act of 2002 does not defi ne the term ‘exceptional skills’, and therefore leaves room for interpretation. It enables the permit holder to work freely within the ambit of the skills as defi ned in their application. This is particularly benefi cial to those in the creative fi elds, as it enables them to do freelance work, consult and take up contract employment with one or more individuals/companies.
REQUIREMENTS FOR
EXCEPTIONAL SKILLS
WORK PERMIT:
Letter(s) from a South African or foreign organ of state, or an
established South African academic, confi rming the exceptional skills/qualifi cations of the foreigner. The letter must also state that such skills/qualifi cations will be of notable benefi t to the environment in which the foreigner intends to operate.
Letter(s) from business/cultural bodies and testimonials
from past employers confi rming the foreigner’s skills/qualifi cations
Any other proof, such as publications, which substantiate
the foreigner’s skills/qualifi cations in their fi eld.
You can apply for an exceptional skills
work permit at the Department of
Home Aff airs in South Africa or at a
South African embassy or consulate
in the foreign national’s country of
origin or place of residence.
ASK THE EXPERT
We asked Stefanie de Saude, exceptional skills specialist and partner in the fi rm Eisenberg de
Saude Attorneys, to provide answers to some frequently asked questions.
EXC
LU
S IV E F E AT URE • EXC
LUSIVE FEATURE •
FROM THE DESK PHOTOGRAPHY / GRAEME ROBINSON
E I S E N B E R G D E S A U D E
AT TO R N E Y S AT L AW
TEL: +27 21 421 7003
INFO@EDSL AW.CO.ZA
WWW.EDSL AW.CO.ZA
OBTAINING AN
EXCEPTIONAL
SKILLS WORK
PERMIT
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