From the Ground Up, Fall 2016

This organization is funded in part by the Massachusetts Cultural Council, a state agency.

B O S T O N C O N S E R V A T O R Y A T B E R K L E E P R E S E N T SB O S T O N C O N S E R V A T O R Y A T B E R K L E E P R E S E N T S

FROM THE GROUND UP

FROM HATE AWAY SHE THREWChoreography by STEPHANIE MARTINEZ

Music by WILLIAM SHAKESPEARE, DAVID LANZ, SENKING, and ANDREW HEWITT

NESTChoreography by SIDRA BELL

Music by DENNIS BELL ©2016 MARK OF ARIES MUSIC (BMI)

PAS DE DEUX from DON QUIXOTE SUITEChoreography by MARIUS PETIPA

Music by LUDWIG MINKUS and ALEKSEI PAPKOV

THE MIRROR HOUSEConcept and Choreography by CLAUDIA LAVISTA and OMAR CARRUM

Music by TODD REYNOLDS, ALLISON SNIFIN, MONOLAKE & ROBERT HENKE, and

MARIA DA FE JEAN-LOUIS MARCHAND & CHRISTOPHE RIEGER

URBAN UNRESTChoreography by TOMMIE-WAHEED EVANS

Music by SIGNAL and NEW BETHEL

November 3–6, 20168:00 p.m., Thursday–Saturday2:00 p.m., Saturday–Sunday

Boston Conservatory Theater

2 • From the Ground Up

Welcome to From the Ground Up, the Dance Division’s annual celebration of innovation, creative process, and new, experimental dance works.

This fall’s program features premieres by five compelling contemporary choreographers, created for our students during artist residencies in September and October. In addition, we are thrilled to present an excerpt of a classical favorite, the Pas de Deux from the Don Quixote Suite, taught and coached by senior ballet faculty members (and former Boston Ballet luminaries) Adriana Suarez and Gianni Di Marco, and accompanied by the Boston Conservatory Orchestra, conducted by Lawrence Isaacson. The ballet highlights our ongoing commitment to the classical foundations of contemporary dance, as well as one of the greatest opportunities available to dance students at the Conservatory—the chance to collaborate with brilliant musicians in performance.

All of the artists featured as choreographers on this program—Stephanie Martinez (Chicago), Sidra Bell (New York), Omar Carrum and Claudia Lavista (Mexico), and Tommie-Waheed Evans (Philadelphia) are engaged in challenging traditional ideas and expectations about modern dance through their own work and aesthetics. Each artist has created a unique new work that celebrates and explores the particular strengths and attributes of the performers: Martinez and Evans working with our sophomore class, Carrum and Lavista with the juniors, and Bell with the senior class.

As always, I am indebted to our rehearsal directors, without whom we could not present these works. Each of our rehearsal directors has had an acclaimed career as a performer, and they bring all of the wisdom earned through those careers to their coaching of the dancers for performance. A lot can happen to a piece between the time the choreography is completed and the moment it premieres on stage; how the work is understood and performed by the dancers powerfully impacts not only the shape, but also the meaning of the work. I am very proud of the

DIRECTOR'S NOTE

Boston Conservatory at Berklee • 3

integrity and authenticity that our students bring to these performances, and this reflects the passion of our rehearsal directors, as well as their attention to detail, nuance, and inflection. Thank you to Tommy, Alissa, Joy, Leslie, Kurt, Gianni, and Adriana.

And of course, thanks to you, our audience, for sharing these exciting performances with us!

Enjoy!

Cathy YoungDean of Dance, Boston Conservatory at Berklee


PROGRAM

FROM HATE AWAY SHE THREW (WORLD PREMIERE)

Choreography by Stephanie MartinezMusic by David Lanz (Cristofori's Dream), Senking (Breathing Trouble),

and Andrew Hewitt (I Am a Ghost)Text by William Shakespeare (Sonnet 145)

Costume Design by Penney PinetteLighting Design by Linda O'Brien

Rehearsal Direction by Leslie KovalRehearsal Assistance by Cole Vernon and Diana Winfree

PERFORMED BY

(Thursday night, Friday matinee, Saturday night)

Female Soloist: Nicole SalernoFeatured Couple: Arthur Sicilia and Zoe Hawkins

Ensemble: Kevin Addison, Odessa Anderson, Nina Cabral, Searlait Carr, Justin Daniels, Kate Gow, Zoe Hawkins, Allyson Iovino, Kate Kline,

Madeline Miller, Nicole Salerno, Arthur Sicilia, Kayla Trutt, Jillian Welch

(Friday night, Saturday matinee, Sunday matinee)

Female Soloist: Celeste RobbinsFeatured Couple: Alexis Beffer and Margaret Falcone

Ensemble: Madison Araiza, Alexis Beffer, Nina Cabral, Searlait Carr, Margaret Falcone, Laila Franklin, Allyson Iovino, Kate Kline,

Madeline Miller, Deyana Popov, Celeste Robbins, Carolina Salomon Simon, Kayla Trutt, Jillian Welch


NEST(WORLD PREMIERE)

Directed and Choreographed by Sidra BellMusic composed and performed by

Dennis Bell © 2016 Mark of Aries Music (BMI)Video Projection Directed and Produced by

Tanner Myles Huseman, with assistance from Samantha FabrikantCostume Design by Penney Pinnette

Lighting Design by Linda O'BrienRehearsal Direction by Tommy Neblett

PERFORMED BY


Carolina Beachwood, Olivia Bowers, Devon Colton, Mitzi Eppley, Rachel Ferring, Marquis Floyd, Aquila Gibbons, Nicholas Heffelfinger,

Kirsten Jensen, Brenna Kennedy Nopenz, Amber LaBerge, Natalie Press, Lauren Worley, Sophie Zimmer


Natalie Cecchini, Victoria Daylor, Brittany Eldridge, Samantha Fabrikant, Angela Gauthier, Shelby Griswold, Camille Jackson, Gabriel Lawton,

Santiago MacLean, Tanner Myles Huseman, James Raney, Andrea Rodriguez, Mariana Zschoerper

– INTERMISSION –


PAS DE DEUX from DON QUIXOTE SUITEChoreography by Marius Petipa

Music by Ludwig Minkus and Aleksei PapkovMusic Edited by Lucas Ranieri, B.M. '18, and

Gregory Nahabedian, M.M. '18Music Performed by the Boston Conservatory Orchestra

Music Conducted by Lawrence IsaacsonCostume Design by Penney PinetteLighting Design by Linda O'Brien

Staging and Supervision by Gianni Di Marco and Adriana Suarez

PERFORMED BY

(Thursday night)

Lead Couple: Natalie Cecchini and Marquis FloydSolo Women: Emily McGuire and Madeline Miller

Corps: Aquila Gibbons, Zoe Hawkins, Christina Morrison, Rachel Ferring, Jazz Bynum, Abigail Whatley

(Friday matinee)

Lead Couple: Ayami Ino, Nicholas HeffelfingerSolo Women: Zoe Hawkins, Christina Morrison

Corps: Aquila Gibbons, Emily McGuire, Madeline Miller, Natalie Cecchini, Rachel Ferring, Jazz Bynum, Abigail Whatley, Kiara Burns

(Friday night)

Lead Couple: Lauren Worley and Tanner Myles HusemanSolo Women: Jazz Bynum, Abigail Whatley

Corps: Aquila Gibbons, Emily McGuire, Christina Morrison, Zoe Hawkins, Madeline Miller, Natalie Cecchini, Ayami Ino, Rachel Ferring


(Saturday matinee)

Lead Couple: Rachel Ferring, Nicholas HeffelfingerSolo Women: Emily McGuire, Madeline Miller

Corps: Aquila Gibbons, Christina Morrison, Zoe Hawkins, Natalie Cecchini, Ayami Ino, Jazz Bynum, Abigail Whatley, Kiara Burns

(Saturday night)

Lead Couple: Mariana Zschoerper, Marquis FloydSolo Women: Jazz Bynum, Abigail Whatley

Corps: Aquila Gibbons, Emily McGuire, Christina Morrison, Zoe Hawkins, Madeline Miller, Natalie Cecchini, Ayami Ino, Rachel Ferring

(Sunday matinee)

Lead Couple: Kiara Burns, Da’Rius MaloneSolo Women: Zoe Hawkins, Christina Morrison

Corps: Aquila Gibbons, Emily McGuire, Natalie Cecchini, Madeline Miller, Ayami Ino, Rachel Ferring, Jazz Bynum, Abigail Whatley

– INTERMISSION –


THE MIRROR HOUSE(WORLD PREMIERE)

Leads nowhere, forever leading:a sudden mirror,

another you that doesn´t know meand you recognize,

fixed present that leaves to meet me.—Octavio Paz (excerpt from the poem Discor)

Concept and Choreography by Claudia Lavista and Omar Carrum* Interpreters and Cocreators: The dancers

Music by Todd Reynolds, Allison Snifin, Monolake & Robert Henke, and Maria Da Fe Jean-Louis Marchand & Christophe Rieger

Music Editing by Omar CarrumCostume Design by Penney Pinette

Lighting Design by Linda O´Brien and Omar CarrumRehearsal Direction by Alissa Cardone and Joy Davis

*Our special thanks to Cathy Young, Tommy Neblett, Diane Arvanites, Boston Conservatory at Berklee, the wonderful team of dancers,

and Marielena Arizpe for her generous support.

PERFORMED BY


Liana Attanasio, Carly Cherone, Caroline Daly, Gabrielle Danna, Nayra Frota, Alyx Henigman, Christopher Kinsey, Georgia Lipari,

Alyssa Markowitz, Callahan McGovern, Sophie Schreiber, Abigail Whatley


Annelise Bucher, Kiara Burns, Johanna Butterworth, Jazz Bynum, Margaret Costales, Ayami Ino, Da’Rius Malone, Emily McGuire,

Christina Morrison, Hannah Pregont, Jorge Ramos, Jordan Villanueva


URBAN UNREST(WORLD PREMIERE)

Directed by Tommie-Waheed EvansMusic by Signal (Wismut, Rawema, Datasette, Wismut (version)) and

New Bethel (Amazing Grace)Costume Design by Penney Pinnette

Lighting Design by Linda O'BrienRehearsal Direction by Kurt Douglas

PERFORMED BY


Duet: Yan Jun Chin and Douglas Kolakowski

Ensemble: Hannah Adams, Brittany Brown, Kendall Bush, Yan Jun Chin, Douglas Kolakowski, Katherine Kuntz, Samantha McLean, Andrea Muniz, Kelly O’Rourke, Grace Philipp, Kassady Small, Celia Torrey, Lilly Valore,

Alexandra Vito, Crislin Williams-Womack, Juliette Wooden, Seung-Yeon Yoo, Michelle Young


Duet: Lilly Valore and Samantha McLean

Ensemble: Hannah Adams, Brittany Brown, Kendall Bush, Yan Jun Chin, Douglas Kolakowski, Katherine Kuntz, Samantha McLean, Andrea Muniz, Kelly O’Rourke, Grace Philipp, Kassady Small, Celia Torrey, Lilly Valore,

Alexandra Vito, Crislin Williams-Womack, Juliette Wooden, Seung-Yeon Yoo, Michelle Young


Production Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Don CuriosoProduction Stage Manager . . . . . . . . . . . . . . . . . . . . . .Patsy Collins BandesStage Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Amanda OttenTechnical Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Andrew ChandlerAssistant Technical Director . . . . . . . . . . . . . . . . . . . . . . . Matthew WilliamsLead Technician / Zack Box Technical Director . . . . . . . . . . Audrey KimballLighting Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Tori SweetserAssistant Lighting Specialist . . . . . . . . . . . . . . . . . . . . . . . .Nathaniel JewettA1 / Sound Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kevin ThurberStage Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Michael JarvisCostume Shop Manager . . . . . . . . . . . . . . . . . . . . Rebecca Shannon ButlerAssistant Costume Shop Manager . . . . . . . . . . . . . . . . . . . . Amanda FeeleyStitchers / Drapers . . . . . . . . . . . . . . . . . . . . . . . . Sarah Karten, Sam Martin,

Natalie LaChallCostume Shop Intern . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jessica SoterAssistant to the Costume Designer . . . . . . . . . . . . . . . . . . . . . . . Kelly BakerWardrobe Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jill CostelloVideographer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Phil RobersonMarketing and Communications Director . . . . . . . . . . . . .Andrea Di CoccoTicket Operations and Patron Services Manager . . . . . . . . Nicole Kindred

STUDENT STAFF

Assistant Stage Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Chris ScottSound Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sara G. CookLighting Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Izaya TaylorProduction Staff . . . . . . . . . . . . . . . . . . . . . . Michael Hicks, Javier Cabrera,

Makai Hernandez, Dean MarchantRun Crew . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Katie Engler, Paul Lutty,

Derek Hoyden, Eva Schuckman, Caroline Portner, Erin Schafheitle

Student Workers . . . . . . . . . . . . . . . . . .Christina Ciofani, Antonio Del Valle,Mitzi Eppley, Brianna Meese,

Madeline Miller, Yewande Odetoyinbo, Jacqueline Smook, Catherine Wilmot

PRODUCTION STAFF


PICCOLOKaegan Gregory,

B.M. '19

FLUTEYu-Jin Lee, B.M. '19

OBOE IAnna Bradford*

OBOE IIBridget Long, B.M. '19

CLARINET IAshley Oliveto,

M.M. '17

CLARINET IIEmily Liang, G.P.D. '17

BASSOON ILiam Cunningham,

B.M. '19

BASSOON IINathaniel Edison,

B.M. '20

HORN IZhanglong Wu,

M.M. '18

HORN IICristian Uraga,

M.M. '18

TRUMPET IRachelle Miller,

B.M. '19

TRUMPET IILaura Bibbs, B.M. '19

TROMBONE IKaeli Lange, B.M. '19

TIMPANISam Hardy, B.M. '20

PERCUSSION IBenjamin Pitt, M.M. '17

PERCUSSION IIRubén Eduardo

Bañuelos Preciado, B.M. '19

PERCUSSION IIIEvan Grover, M.M. '17

HARPGretchen Sheetz,

M.M. '17

VIOLIN IDorisiya Yosifova,

M.M. '17Fangye Sun, M.M. '17Siles Umana

Montserrat, B.M. '20HanHan Zhu, P.S.C. '17Shih-Lien Chang,

M.M. '17Charlotte Meaders,

B.M. '20

VIOLIN IINikole Stoica, B.M. '17Fu-Jung Yu, M.M. '17Kim Busic, M.M. '18Nian Men, B.M. '20

VIOLARebecca Miller,

B.M. '18Maureen Heflinger*Roselie Samter*Bryan Tyler*

CELLOJohnny Mok, M.M. '17Christian Kay, B.M. '19Gyosun Koo, B.M. '19

BASSAdam Rowton,

B.M. '20Evie Huang*

ORCHESTRA

* Guest artist


DANCE ENSEMBLE

Hannah Adams '19Kevin Addison '19Odessa Anderson '19Madison Araiza '19Liana Attanasio '18Carolina Beachwood '17Alexis Beffer '19Olivia Bowers '17Brittany Brown '19Annelise Bucher '18Kiara Burns '18Kendall Bush '19Johanna Butterworth '18Jazz Bynum '18Nina Cabral '18Searlait Carr '19Natalie Cecchini '17Carly Cherone '18Yan Jun Chin '19Devon Colton '17Margaret Costales '18Caroline Daly '18Justin Daniels '19Gabrielle Danna '18Victoria Daylor '17Brittany Eldridge '17Mitzi Eppley '17Samantha Fabrikant '17Margaret Falcone '19Rachel Ferring '17Marquis Floyd '17

Laila Franklin '19Nayra Frota '18Angela Gauthier '17Aquila Gibbons '17Katherine Gow '19Shelby Griswold '17Zoe Hawkins '19Nicholas Heffelfinger '17Alyx Henigman '18Tanner Huseman '17Ayami Ino '18Allyson Iovino '19Camille Jackson '17Kirsten Jensen '17Christopher Kinsey '18Katelyn Kline '19Douglas Kolakowski '18Katherine Kuntz '18Amber Laberge '17Gabriel Lawton '17Miguel Lilly '19Georgia Lipari '18Santiago MacLean '17Da'Rius Malone '18 Alyssa Markowitz '18Callahan McGovern '18Emily McGuire '18Madeline Miller '19Christina Morrison '18Andrea Muniz '19Brenna Nopenz '17

Kelly O'Rourke '19Tianzhi Pan '19Grace Philipp '19Deyana Popov '19Hannah Pregont '18Natalie Press '17Jorge Ramos '18James Raney '17Hannah Riter '19Celeste Robbins '19Andrea Rodriguez '17Alissa Salerno '19Carolina Salomon

Simon '19Sofie Schreiber '18Samuel Sicilia '19Kassady Small '19Celia Torrey '19Kayla Trutt '19Jordan Villanueva '18Alexandra Vito '19Jillian Welch '19Abigail Whatley '18Crislin Williams-

Womack '19Juliette Wooden '19Lauren Worley '17Michelle Young '19Sophie Zimmer '17Mariana Zschoerper '17

STUDENT ENSEMBLEAll students are B.F.A. candidates unless otherwise noted.


ORCHESTRA

Laura Bibbs, B.M. '19Anna Bradford*Kim Busic, M.M. '18Shih-Lien Chang,

M.M. '17Liam Cunningham,

B.M. '19Nathaniel Edison,

B.M. '20Kaegan Gregory,

B.M. '19Evan Grover, M.M. '17Sam Hardy, B.M. '20Maureen Heflinger*Evie Huang*Christian Kay, B.M. '19Gyosun Koo, B.M. '19Kaeli Lange, B.M. '19Yu-Jin Lee, B.M. '19Emily Liang, G.P.D. '17Bridget Long, B.M. '19Gabriella Mayer,

M.M. '18Charlotte Meaders,

B.M. '20Nian Men, B.M. '20

Rachelle Miller, B.M. '19Rebecca Miller, B.M. '18Johnny Mok, M.M. '17Siles Umana

Montserrat, B.M. '20Ashley Oliveto, M.M. '17Rubén Eduardo

Bañuelos Preciado, B.M. '19

Adam Rowton, B.M. '20

Roselie Samter*Gretchen Sheetz,

M.M. '17Nikole Stoica, B.M. '17Fangye Sun, M.M. '17Bryan Tyler*Cristian Uraga,

M.M. '18Zhanglong Wu,

M.M. '18Dorisiya Yosifova,

M.M. '17Fu-Jung Yu, M.M. '17HanHan Zhu, P.S.C. '17

PRODUCTION STAFF

Javier Cabrera '17Christina Ciofani '19Sara G. Cook '18Antonio Del Valle '20Katie Engler '20Mitzi Eppley '17Makai Hernandez '19Michael Hicks '18Derek Hoyden '20Paul Lutty '20Dean Marchant '18Brianna Meese,

M.M. '17Madeline Miller '19Yewande Odetoyinbo,

M.F.A. '18Caroline Portner '20Erin Schafheitre '20Eva Schuckman '20Chris Scott '17Jackie Smook '19Izaya Taylor '19Cathy Wilmot,

M.F.A. '17

* Guest artist


BIOSCATHY YOUNG, artistic director, producer—received a B.A. in so-ciology and women’s studies from Harvard University and an M.F.A. in dance from the University of Illinois. Young is nationally recognized as a master teacher and has conducted residencies at more than 30 colleges around the country, as well as at the Bates Dance Festival, Florida Dance Festival, and the International Open Look Festival in St. Petersburg, Rus-sia. While she is best known as a teacher and choreographer of jazz dance, her 30 years of experience in the field of dance have been wide ranging and diverse. As a performer, Young has danced with a number of companies, including Zenon Dance Company and Danny Buraczeski’s JAZZ DANCE! She has also toured extensively throughout the U.S. and Europe and has performed in pres-tigious venues such as the Joyce Theater in New York and Jacob’s Pil-low Dance Festival. For the past 20 years, Young has focused on creat-ing her own works, a dynamic mix of styles and dance forms that inter-mingles jazz, modern, contact im-provisation, social dance, and gym-nastics. She creates choreography for her own company, Cathy Young Dance, and has also been commis-sioned by professional companies and presenters including the Walker Art Center, Minnesota Dance The-atre, Pennsylvania Dance Theatre, Zenon Dance Company, Minnesota Opera and internationally by Kan-

non Dance Company of St. Peters-burg, Russia. Her choreography has been recognized with awards and grants from the McKnight Founda-tion, the Jerome Foundation, Tar-get Foundation, and the Minnesota State Arts Board, among others. She was previously department chair and an associate professor of dance at Ursinus College and now proudly serves as Dean of Dance at Boston Conservatory at Berklee.

STEPHANIE MARTINEZ, chore-ographer—aims to create environ-ments which captivate, connect, and move her audiences along a journey guided by the kinetic momentum of her work. With original creations for Ballet Hispanico, Luna Negra Dance Theater, Sacramento Ballet, Ron De Jesus Dance, Chicago Dance Crash, and Visceral Dance Chicago, among others, she expands the boundaries of contemporary move-ment. A Chicago-based choreog-rapher and 3-Arts Award winner, Martinez's work has been featured in collegiate dance departments across the country, including Point Park University, Columbia College, Northwestern University, Jackson-ville University, and Virginia Com-monwealth University. In 2010, she assisted Broadway legend Ann Re-inking in setting the Fosse Trilogy, as well as Daniel Ezralow, choreog-rapher of Broadway’s Spiderman: Turn off the Dark, in remounting his celebrated work, Pulse, for Com-


pany C Contemporary Ballet in San Francisco. She has also created for National Choreographer’s Initiative and been awarded The Joffrey Bal-let’s "Winning Works: Choreogra-phers of Color.” Upcoming commis-sions include Eugene Ballet, The Big Muddy Dance Company, Charlotte Ballet, and Dance Kaleidoscope.

SIDRA BELL, choreographer—is a master lecturer at the University of the Arts, an adjunct professor at Ball State University, an artist in residence at Harvard, and was an adjunct professor at Barnard. She has a B.A. from Yale and an M.F.A. from Purchase College. Bell won first prize for choreography at the Solo Tanz Theater Festival in Stutt-gart, Germany, as well as a National Dance Project Production Award (New England Foundation for the Arts). Bell has received many com-missions internationally, notably for BODYTRAFFIC, Ailey II, Juilliard, River North Dance Chicago, NYU Tisch, Sacramento Ballet, Ballet Austin, LINES Ballet School, Visceral Dance Chicago, and Springboard Danse Montréal, to name a few. Bell was a cultural ambassador in Bulgaria, made possible by Move-ment Research and Trust for Mutual Understanding. She was commis-sioned as the choreographer for the feature film TEST, written and directed by Chris Mason Johnson. As a New York Times Critic's Pick, the film had screenings at festi-

vals worldwide, won two Outfest Awards and was nominated for an Independent Spirit Award. Bell is a sought-after master teacher at ma-jor institutions internationally. She is the creative director of MODULE, an immersive laboratory in NYC.

CLAUDIA LAVISTA, choreogra-pher—studied at the National Sys-tem for Professional Teaching of Dance in Mexico City. In 1992, she founded Delfos Danza Contem-poránea with Victor Manuel Ruiz, now a leading dance project in Latin America. She has received several awards for her artistic work, includ-ing the National Dance Award and the Dona et Cinema International Festival Award for Best Video Cre-ation. In 2001, critics selected her as “One of the 10 Best Mexican Dancers of the 20th Century." The National Endowment for the Arts has honored her with fellowships as a dancer and dance maker. Lavista is a member of the National System of Arts Creators, one of the most prestigious recognitions for artists in Mexico. She’s been a featured performer in more than 80 works and has created more than 45 cho-reographic works for several dance companies. Her work has been pre-sented in the U.S., Latin America, Asia, the Middle East, and Europe. She received a Mellon Residential Fellowship in 2011 from the Uni-versity of Chicago. In 1998, she created, along with Victor Manuel


Ruiz and Omar Carrum, La Escuela Profesional de Danza de Mazatlán (EPDM), which has emerged as one of the leading dance conservatories in Latin America.

OMAR CARRUM, choreogra-pher—joined Delfos Danza Con-temporánea in 1993, where he de-veloped his artistic career. He has been a featured performer in more than 60 works of dance, theater, and opera, working with an international roster of choreographers and per-forming in some of the world’s most prestigious theaters and festivals. As a choreographer, he has cre-ated more than 35 works for Delfos, EPDM, Camaleão in Brazil, and oth-er companies and schools in Mexi-co, Japan, and the U.S. In 2012, he developed CONTINUUM as an in-tegral system for training, with prin-ciples that challenged speed, mo-mentum, floor work, spacial planes and movement script. His short film, Fifth Wall, was selected by the Short Film Corner in Cannes 2013. He has received the National Dance Award as performer and choreographer, along with six grants by the Nation-al and State Funds for Culture and Arts in Mexico (FONCA). In 1998, Carrum cofounded La Escuela Profesional de Danza de Mazatlán (EPDM) with Claudia Lavista and Victor Ruiz, which has emerged as one of the leading dance conserva-tories in Mexico and Latin America. He became the academic direc-

tor in 2011 and created HABITAT, an annual project where he leads a team of artists to teach dance to more than 300 children in four poor neighborhoods in Mazatlán. Car-rum was the first Mexican choreog-rapher to receive the Guggenheim fellowship and, in 2014, he became a member of the National System of Arts Creators, a highly regarded or-ganization for artists in Mexico.

TOMMIE-WAHEED EVANS, cho-reographer—began his formal training with Michelle Blossom at the Dance Connection and Andrea Calomee at Hamilton High School in Los Angeles, CA. Under the guid-ance of Karen McDonald, Evans went on to receive a fellowship to study at The Ailey School. Evans has worked and performed for Matthew Rushing, Benoit-Swan Pouffer, Karol Armitage, and Debbie Allen, and he was an assistant to Troy Powell, current artistic director of Ailey II. Evans' professional appearances include the popular sitcom "The Parkers," the Emmy Awards, Hope-BoykinDance, the Radio City Christ-mas Spectacular, Lula Washington Dance Theater, the Philadelphia Dance Company (Philadanco), and Complexions Contemporary Bal-let. In 2006, he founded Waheed-Works and went on to set his work on The Garden State Dance Festi-val, the Philadelphia Dance Boom Festival, Grace Dance Theater, Verb Ballet, and Eleone Dance Theatre,


among others. He is currently a faculty member at the University of the Arts and recently received his M.F.A. in choreography from Jack-sonville University.

KURT DOUGLAS, rehearsal di-rector—is originally from Guy-ana, South America. He earned an M.F.A. in dance from Hollins Univer-sity (in association with The Ameri-can Dance Festival, Frankfurt Con-servatory of Performing Arts and the Forsythe Company in Frankfurt, Germany) and a B.F.A. in dance from Boston Conservatory. There, he was the recipient of the Ruth Sand-holm Ambrose Scholarship Award and the Jan Veen Dance Award. In 2001, he joined Limón Dance Com-pany. In 2002, he received a Prin-cess Grace Award and was invited to perform for His Serene Highness Crown Prince Albert of Monaco and the royal family. Douglas was named one of Dance Magazine’s “Top 25 to Watch” in 2006, and, in 2007, he became the first Afri-can-American in Limón’s history to portray Iago in The Moor’s Pavane, José Limón’s most influential work. Douglas has danced with the Radio City Rockettes, Lar Lubovitch Dance Company, and Thang Dao Dance Company, among others. Kurt toured with the Tony award-winning musical A Chorus Line. Douglas has conducted Limón workshops all over the world, at institutions such as Harvard University and The Juil-

liard School. Now a reconstructor of Limon’s work, Douglas is an am-bassador with the Limón for Kids program and guest teaches at the Limón Institute in New York City.

TOMMY NEBLETT, rehearsal di-rector—has been in the dance pro-fession for more than 30 years—first as a performer, then as a choreog-rapher, educator, and administrator. He is currently the assistant direc-tor of the dance division at Boston Conservatory and co-artistic direc-tor (with Diane Arvanites) of Pro-metheus Dance Company and The Elders Ensemble (a group of post-professional dancers ages 60–92). As a performer, Neblett danced with Dan Wagoner and Dancers, Laura Dean Dancers and Musi-cians, Concert Dance Company of Boston, Maryland Dance Theater, and Prometheus Dance, which has been named four times “One of the Years’ Ten Best in Dance” by The Boston Globe and The Boston Her-ald. He has also performed in films, fashion shows, nightclubs, and op-era and musical theater produc-tions. As a choreographer, Neblett (along with Arvanites) has received a Creativity Grant from the National Endowment for the Arts (NEA), six Artist Grants in Choreography from the Massachusetts Cultural Coun-cil, and a Citation for Outstanding Artistic Achievement from Gover-nor Deval Patrick. His dances have been performed at The Kennedy


Center, Lincoln Center, Jacob’s Pil-low, Bates Dance Festival, the Joyce SoHo, the Emerson Majestic, and throughout New England, as well as Spain, France, Denmark, Venezu-ela, and Ecuador. As an educator, Neblett teaches at Boston Conser-vatory and at The Dance Complex in Cambridge, where Prometheus Dance is in residence. He has pre-viously been on the dance facul-ties of Harvard University, Emerson College, Walnut Hill School for the Arts, and the Oure Idraetshojskole in Denmark. Neblett earned a B.A. from James Madison University. Read Neblett’s complete bio at: prometheusdance.org.

JOY DAVIS, rehearsal director—joined the Conservatory in January 2016 as an instructor of contempo-rary dance, experiential anatomy, and European dance theater trends. Originally from Nashville, her solo work has been presented by San Diego Dance Theatre, H-O-T Series at Mascher Space in Philadelphia, Mountain Empire in Northampton and Philadelphia, Company Rose in Nashville, and the Seattle Festi-val of Dance Improvisation. Davis has performed works by Chris Ai-ken (Massachusetts), Delfos Danza (Mexico), Kathleen Hermesdorf (San Francisco), Katie Martin (Massachu-setts), and Erica Mott (Chicago), among others. She recently joined Jen Polins in programming cura-tion for the School for Contempo-

rary Dance and Thought (SCDT) in Northampton, MA. Together, they co-moderated talks with panelists such as Nancy Stark Smith, Wendy Perron, Andrea Olsen, Steve Pax-ton, and Lisa Nelson. Davis recently created new works for Lindenwood University in St. Louis and New Dia-lect in Nashville, and she continues collaborations with Shaina Cantino (Massachusetts). In 2012, Davis was one of four Americans to be certi-fied as a Countertechnique teacher, and she has since taught curricu-lum, master classes, and workshops all over the U.S. and beyond. She has taught at Velocity Dance Cen-ter in Seattle, Moving Target in Boston, Conduit and BodyVox in Portland, New Dialect in Nashville, and Mocean Dance in Halifax, Nova Scotia. She received an M.F.A. in choreography and performance from Smith College in Northamp-ton, MA, in 2015 and a B.A. in per-forming arts through the College Scholars Program at the University of Tennessee, Knoxville, in 2006.

ALISSA CARDONE, rehearsal director—is a full-time faculty member at Boston Conservatory at Berklee, as well as a performer, choreographer, curator, and edu-cator who specializes in collabora-tions that create dialogue between dance and other technologies. Cardone’s intermedia performance group, Kinodance, was named one of Dance Magazine’s “25-to-watch”


and has been presented nationally and abroad. Cardone has danced with Xavier Le Roy, Ann Carlson, Nora Chipaumire, Victoria Marks, Anna Myer, and Elaine Summers, and she was company member of Paula Josa-Jones/Performance Works (1998–2005). In Japan, Alis-sa trained with Min Tanaka (Body Weather Farm), performed with “Nijinski of Butoh” Akira Kasai, and collaborated with Yoshito Ohno. She has won numerous grants and awards from Baryshnikov Arts Cen-ter, Summer Stages Dance, Trust for Mutual Understanding, Asian Cul-tural Council, LEF Foundation, Mas-sachusetts Cultural Council (Fel-lowship in Choreography), NEFA and NDP. She holds an M.A. in performance studies from NYU and an M.F.A. from the Department of World Arts & Culture at UCLA.

LESLIE KOVAL, rehearsal direc-tor—was born in New York City. She received a B.A. from the Uni-versity of Rochester and, as a stu-dent of Bessie Schonberg, earned an M.F.A. from Sarah Lawrence College. She trained under Irmgard Bartenieff to become a certified La-ban movement analyst. As a mem-ber of Concert Dance Company of Boston for 11 years, Koval per-formed in over 30 works by major choreographers, including Merce Cunningham, Murray Louis, Bill Ev-ans, Mark Morris, Laura Dean, Dan Wagoner, Kathy Posin, and Bebe

Miller. She danced in New York with the companies of Rudy Perez, Eliza-beth Keen, and Harry Streep, and in Boston with Dance Collective, Ruth Birnberg, Amy Ellsworth, and Brian Crabtree. Prior to joining the dance faculty of Boston Conservatory in 1991, Koval taught at Rhode Island College, Radcliffe College, and Walnut Hill School for the Perform-ing Arts, and she has given master classes, creative movement classes, and teacher training workshops around the country.

GIANNI DI MARCO, rehearsal di-rector—began his dance training in 1981 in the professional division of the Royal Winnipeg Ballet School in Canada. He has also studied with The National Ballet of Canada and the Ballet Nacional de Cuba. Di Marco joined Royal Winnipeg Bal-let in 1988, where he was promoted to second soloist in 1990 and then first soloist the following year. He joined Boston Ballet in 1995, retiring in 2005. Di Marco has also danced with Les Grands Ballets Canadiens and Germany’s Opera Leipzig Bal-let. Audiences have been delighted by his guest appearances with Fes-tival Ballet Providence, including Gamache in Don Quixote and the King in The Princess and the Pea. Di Marco’s short works—Killing Time, Amphibious Love and Gracias a La Vida—have been performed for Festival Ballet Providence’s “Up CLOSE, on HOPE” series. His previ-


ous commissions by Festival Ballet Providence include Schéhérazade (2005), Azucar (2006) and El Amor Brujo (2007). In 2005, Di Marco was named principal of City Dance, Boston Ballet’s outreach program, which involves more than 3,000 Boston public school children a year. He teaches Boston Ballet’s Adaptive Dance Program, created for children with Down syndrome, and he has recently started a new program for children with autism.

ADRIANA SUAREZ, rehearsal di-rector—was born into a family of dancers in Caracas, Venezuela and began her training at the age of 10. Her first teacher was her mother, Ce-lia Inés Marino, who directs the bal-let department at The Ailey School. Suárez continued her studies at the School of American Ballet and, in 1989, became a member of Boston Ballet. In 1994, she became a prin-cipal dancer and in productions of The Sleeping Beauty, Le Corsair, Giselle, Onegin, Romeo and Juliet and The Taming of the Shrew, as well as works by Balanchine, Nacho Dua-to, Mark Morris, Christopher Wheel-don, Rudi van Dantzig and Stanton Welch. In addition to her dance career, Suárez is married to dancer Gianni Di Marco and is mother to their two children, Gianna and Adria-no. She is also certified in gyrotonics.

MARIUS PETIPA, choreogra-pher—is a director and choreographer whose work can be seen in

theater, opera, ballet and television. Last season, he directed and/or choreographed at the Metropoli-tan Opera, Teatro alla Scala, Hous-ton Grand Opera, Glimmerglass Festival, Lyric Opera of Chicago, Shakespeare Theatre, Pioneer The-atre, and McCarter Theatre. Petipa's Boston credits include: directing Don Giovanni and La Clemenza di Tito at Boston University Opera Institute; five years as resident cho-reographer at Boston Ballet; and choreographing Candide, Private Lives, Company, The Mikado, HMS Pinafore, Iolanthe and A Christmas Carol at the Huntington Theatre-Company. On Broadway, his work includes Tony-nominated original productions of 33 Variations star-ring Jane Fonda, and A Year With Frog and Toad. His off-Broadway credits include productions at the New York Theatre Workshop, Man-hattan Theatre Club, City Center Encores! and Roundabout Theatre Company. He has directed at San-ta Fe Opera, Fort Worth Opera, and Kentucky Opera, and choreo-graphed numerous times at the Seattle and Los Angeles Operas. He earned his degree in cellular biology from Columbia University. Read Pelzig’s complete bio at: dannypelzig.com.

LAWRENCE ISAACSON, conduc-tor—is currently the Music Director and Conductor of Symphony Nova, based here in Boston. He performs as a regular guest conductor at the


Aspen Music Festival (CO) and has also conducted the Oregon Sym-phony, Longwood Symphony (MA), Round Top and Eastern Music Fes-tivals, as well as Usdan’s Center for the Creative and Performing Arts (NY) and the Performing Arts Insti-tute (PA). Born with two left feet, he is pleased to be conducting his third dance production here at Boston Conservatory. His first two were Pas de Deux Diane et Acteon by Marius Petipa (From the Ground Up, Fall 2015), and Winds of Now by Darrell Moultrie (Limitless, Spring 2015). Isaacson is in his 32nd year at Boston Conservatory, where he is the Asso-ciate Director of the Music Division and Chair of the Brass Department. He holds a B.M. from Northwestern University in Chicago.

PENNEY PINETTE, costume de-signer—teaches costume construc-tion and technology for Boston Uni-versity and Tufts University. She has worked as a draper for American Repertory Theatre and Huntington Theatre Company, as well as de-signing for film, theater and dance throughout Boston.

LINDA O’BRIEN, lighting design-er—is resident lighting designer for Boston Conservatory at Berklee and served as lighting director at the Boston Ballet until 2003. O’Brien’s credits at the Boston Ballet include: Christopher Wheeldon’s Firebird and Crybantic Ecstasies; Mark God-den’s Another Year; Daniel Pelzig’s

Passage; Bachianas and Laszlo Ber-do’s Four Hands and Below Down Under; and George Balanchine’s Who Cares? and Agnes de Mille’s Rodeo, which were featured on the PBS program, Evening at Pops. O’Brien has designed for many lo-cal and regional choreographers, including Seán Curran, Diane Ar-vanites, Tommy Neblett, Julie Ince Thompson and Emiko Tokunaga. She also designed the lighting for Sanford Sylvan’s opera production of A Midsummer Night’s Dream at Boston Conservatory.

DON CURIOSO, production man-ager—has served Boston Conser-vatory for 15 years. Curioso served as production manager for Civic Light Opera in Seattle, WA and was production manager/technical director for Suffolk University. Pro-fessional credits include American Musical Theater, Long Wharf The-ater, The Garde Arts Center, and Yale Repertory Theater. Early career highlights include Babes In Arms, directed by Ginger Rogers; the pre-Broadway production of Late Nite Comic, starring Robert Lupone; the inaugural season of Connecticut Repertory Theater; and The Gifts of The Magi and Children Of Eden, featuring then-unknown Cheyenne Jackson. Recent Conservatory high-lights include Opening Note!; pro-ductions with the late Dana Bray-ton; numerous collaborations with theater, dance, music, and opera; serving as the liaison at Midway Stu-


dios during the Conservatory's 2009 off-campus season; and hosting the Production Managers Forum in Bos-ton. Curioso received an M.F.A. in technical direction and production management from the University of Connecticut. His teaching credits in-clude Wagner College, Suffolk Uni-versity, and Boston Conservatory.

PATSY COLLINS BANDES, pro-duction stage manager—is cur-rently in her 13th year at Boston Conservatory, where she has been the production stage manager for more than 100 productions. She also directed Urinetown, Waiting for Godot, Cloud 9, and Rosencrantz and Guildenstern Are Dead and codirected Assassins, A Vision, and The Wild Party for Boston Conser-vatory. Other companies for which she has stage managed include North Shore Music Theatre, Pro-metheus Dance, Boston Children’s Chorus, Intermezzo Chamber Op-era and the Denver Center Theatre Company (1998 Tony Award), where she worked on the world premieres of The Laramie Project and Give ‘em a Bit of Mystery: Shakespeare and the Old Tradition. Collins Bandes is a member of Boston Conservatory's Theater Division and Dance Division faculties, teaching freshmen pro-duction and stagecraft. She holds a B.A. in theater with an emphasis in directing from the University of Northern Colorado and is pursuing an A.L.M. in dramatic arts at Har-vard University.

AMANDA M. OTTEN, stage manager—is in her fourth season as stage manager for Boston Con-servatory. She has also worked as the production stage manager for Odyssey Opera’s Un giorno di reg-no, Boston Opera Collaborative’s Albert Herring and the world pre-miere production of Let’s Make a Sandwich with Boston Conservatory ensemble in residence Guerilla Op-era. Before moving to Boston, Otten worked in Chicago for several years as production stage manager for the opera program at Northwest-ern University. Some of her credits include L’incoronazione di Poppea, Albert Herring, Die Fledermaus and Street Scene. She has also worked with Ash Lawn Opera, Triad Stage, and Lookingglass Theater Compa-ny, where she worked on the world premiere of Trust by David Schwim-mer. Otten holds a B.F.A. in techni-cal production from the University of North Carolina, Greensboro.

ANDREW CHANDLER, technical director—is originally from Ala-bama and has served as the produc-tion manager and/or technical direc-tor of the New York Musical Theatre Festival, Forestburgh Playhouse and Theatre West Virginia. He currently serves as the technical director for Odyssey Opera in Boston and is thrilled to be a part of Boston Con-servatory's production department. Chandler holds a B.A. in technical theatre from Florida State University.


MATTHEW WILLIAMS, assistant technical director—is a graduate of Emerson College, where he stud-ied theatrical design and technol-ogy. His most recent credits include The Ouroboros Trilogy with Beth Morison Productions (Rail Chief and Deck Crew), Il Campanello and L'Amico Fritz with Boston Midsum-mer Opera (Technical Director) and Guys and Dolls with Emerson Stage (Technical Director).

TORI SWEETSER, lighting super-visor—has worked with Boston Lyric Opera, Odyssey Opera, Christmas Revels, New England Conservatory, and the Castleton Opera Festival. She has also toured internationally, most recently with the Philip Glass opera Einstein on the Beach.

KEVIN THURBER, sound supervi-sor—has been involved in numerous productions in and around Boston, including corporate, concert, and theater. He served as A1 for Carrie, Far From Heaven (Speakeasy Stage Company), and Shrek (The Hanover Theatre); sound designer for Caps for Sale (Boston Children's Theater) and Alice in Wonderland (Apple Tree Arts); A2 for A Christmas Carol (The Hanover Theatre) and The Pi-rate Princess (A.R.T.); and more.

REBECCA SHANNON BUTLER, costume shop manager—holds a B.F.A. from the Massachusetts College of Art and Design. She has been with Boston Conservatory

since starting as an intern in 2004, where favorite productions have included Urinetown, The Mikado, and The Wild Party. Freelance cos-tume design credits include the Boston Conservatory (Hair, Reflec-tions, Coolsville, Urinetown), Actors’ Shakespeare Project (Cymbeline, The Merry Wives of Windsor) Bos-ton Gay Men’s Chorus (Ho, Ho, Ho), and Intermezzo Chamber Opera Series. Butler was a founding mem-ber of the designers’ studio The Industrial Stitchers Guild, and she has created costumes and textile art for organizations in Boston and beyond.

AMANDA FEELEY, assistant cos-tume shop manager—holds a B.F.A. in fashion design from Massa-chusetts College of Art and Design. She has worked as a costume tech-nician across the country, including The Santa Fe Opera, Walt Disney World, and locally at the Boston Bal-let and Costume Works. She previ-ously designed the costumes for Boston Conservatory’s production of Assassins. She received an EMACT DASH award for her work on The-ater at the Mount’s The Fox On The Fairway and has designed numer-ous shows for them including some favorites: Shout! The Mod Musical, Xanadu, Legally Blonde, and The Drowsy Chaperone. Feeley’s fashion design wor k has been shown in Bos-ton Fashion Week and other New England fashion shows.


FACULTY

Diane ArvanitesChelsea Beatty LewisOlivier BessonAlissa CardoneRussell ClarkePatsy CollinsDanielle DavidsonJoy DavisGianni Di MarcoKurt Douglas

Maggy GorrillDuane Lee Holland, Jr.Aaron JensenTai JimenezShannon Lee JonesSusan KinneyLeslie KovalDaniel McCuskerTommy NeblettPenney Pinette

Denise PonsMarcus SchulkindAdriana SuarezMila ThigpenJim VieraDean VollickGemma WilliamsMary WolffCathy Young

DANCE FACULTY/STAFFCathy Young, Dean of DanceTommy Neblett, Associate Director of the Dance DivisionMegan Bisceglia, Administrative Coordinator of the Dance Division




season sponsorofficial sponsor of kids matinees

official hotel official chauffeured transportationofficial airline

The Boston Pops OrchestraThe Boston Pops Esplanade OrchestraKeith Lockhart conductorTanglewood Festival Chorus SANTA appears during all pre-Christmas concerts.

Kids MatineesThese special family concerts include a children’s sing-along and post-concert photos with Santa. For those seated at the fl oor tables, there are special kid-friendly menu options along with holiday treats. Children younger than 2 are admitted free. $39–$143

Back to the Future Dec 30 & 31Power up your DeLorean…recharge your fl ux capacitor…and get ready to relive this unforgettable movie classic! Experience the thrill of

Back to the Future like never before—shown in high defi nition in Symphony Hall with Keith Lockhart and the Boston Pops performing Alan Silvestri’s dazzling musical score live! $46–$130

™ & © Universal Studios and U-Drive Joint Venture.

New Year’s EveRing in the New Year with the Boston Pops on December 31 at 10pm. Dance the night away with the Boston Pops Swing Orchestra

and legendary bandleader extraordinaire Bo Winiker! There will be a cash bar and several dining options. $51–$140Holiday Pops Ticket PolicyAll patrons, regardless of age, must have a ticket. In consideration of all patrons, please note that children under the age of four are not permitted at evening Holiday Pops performances. 617-266-1200 • bostonpops.org#holidaypops

preferred card of the boston pops

nov 30 wed 8pm

dec 1 thu 8pm**SPONSORED BY FAIRMONT COPLEY PLAZA

dec 2 fri 4pm 8pm

dec 3 sat 11amkids

3pm 7:30pm

dec 4 sun 11amkids

3pm 7:30pm

dec 6 tue 8pm

dec 8 thu 4pm 8pm**SPONSORED BY AMERICAN AIRLINES

dec 9 fri 4pm 8pm**SPONSORED BY COMMONWEALTH WORLDWIDE CHAUFFERED

TRANSPORTATION

dec 10 sat 11amkids

3pm 7:30pm

dec 11 sun 11amkids

3pm 7:30pm

dec 12 mon 8pm

dec 13 tue 8pm

dec 14 wed 4pm 8pm

dec 15 thu 8pm

dec 16 fri 4pm 8pm

dec 17 sat 11amkids

3pm 7:30pm

dec 18 sun 11amkids

3pm 7:30pm

dec 20 tue 8pm

dec 21 wed 8pm

dec 22 thu 4pm 8pm

dec 23 fri 4pm 8pm

dec 24 sat 11amkids

3pm

dec 30 fri Back to the Future

12pm 7pm

dec 31 sat Back to the Future & New Year’s

12pm 10pm


BOARD OF TRUSTEES

Berklee and Boston ConservatoryJeff Shames,

Board ChairSusan Whitehead,

Vice ChairRoger H. Brown,

President, BerkleeRichard Ortner,

President, Boston Conservatory at Berklee

David AbramsLuis AlvarezG. Leonard Baker, Jr.Michael A. Brown John ConnaughtonCynthia K. CurmeMichael R. EisensonEmilio EstefanGloria EstefanMonica GiraldoDean F. GoodermoteDavid Gross-LohJoshua GrussChristopher GuestNils GumsDan HarpleKristine Moyer HigginsCharles HirschhornSteven HoltzmanBill KaiserJoel KatzB. J. KrintzmanLaura D. KunkemuellerSara Lawrence-LightfootMiky (Mie Kyung) LeeMartin J. MannionDemond MartinMarc MayerJane L. MendilloFrederick T. MillerPeter Muller

Anthony PangaroAlexander RigopulosDarius SidebothamDavid Scott SloanSusan SolomontJeffrey C. WalkerAnn Marie WilkinsMarillyn ZacharisBarry Zubrow

Leadership Council Teresa Koster, ChairLaura Kunkemueller,

Conservatory LiaisonBetsy BoverouxGreg BulgerDavi-Ellen ChabnerCaroline CollingsDiana Dohrmann '71Kitty FlatherMimi HewlettKelly McKernanLyle J. Micheli, M.D.Pamela A. MurrayCharlotte Prescott NewtonMegan O'BlockChristopher D. PerrySantosh PerumbadiWanda ReindorfGerry RicciJan Steenbrugge '99Peter J. WenderEd WertheimTania Zouikin

Board of Overseers Ivy C. Scricco, ChairAnne N. Cuervo,

Vice ChairSteven E. Eisenberg P'17,

Vice ChairStacy Parkinson P'14, P'16,

AmbassadorHoward H. Bengele, Ph.D.

Joan M. BroderickDoreen Donovan CorkinWarren R. CutlerRonald F. Duska P'17Miles A. Fish, III '63Edward C. FleckJill A. Fopiano, C.F.A.Jennifer A. FraserJohn S. FosterRemmi Franklin Christina P. GlenPreston B. GrandinAlice JacobsKate KushTom KushMarilyn LevittRicardo Lewitus, M.D.Michele ManganaroPaul F. MollicaMichael G. MoyerBrendan MurphySean M. Murphy '94 '96Barbara G. PapeschH. Calvin PlaceSuzanne H. RollertWarren A. SeamansRobb SilvaAnne C. TolkoffRosamond VauleJason S. WeissmanAmy K. WertheimGeorge C. White

CE

L EB R AT I N G 1 5 0 Y E

AR

S

18 6 7 – 2 0 1 7

BOSTON CONSERVATORYAT BERKLEE

Documents

From the Ground Up, Fall 2016