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François Couperin 1668-1733
L’art de toucherle clavecin
Questions of ornamentation
Is the ornament diatonic, or does it require an accidental?
Does it precede the main note or fall on the beat?
Is it fast or slow?
If slow, what proportion of the main note does the ornament require?
Does the stress lie more on the ornament or the main note?
Antonio Vivaldi
Venetian composer
Holy Orders in his early twenties.
Antonio Vivaldi (1678-1741)
il prete rosso - “The Red Priest”
Girls’ orphanage in Venice
Composer in one of four of the most important music schools of Italy (and Europe)
Vivaldi’s Musical Style
Vivaldi is credited for helping to free instrumental style from vocal style.Each piece is used as a teaching tool to create virtuosity in the players of the orphanage and music school.Vivaldi boasted that he could write a concerto faster than the copyist could copy it!
Vivaldi’s Musical Style
Rapid scale patterns
Arpeggio: the outlining of a chord’s root, third, fifth and octave.
Change of register. High Low
Tessitura: range of an instrument
Creating contrasting timbres by blending different instruments together. (sonority)
The Four Seasons: Spring
La Primavera: The Spring
Programmatic Concerto:
Program Music: Music that is inspired by prose, poetry, painting, or a scene or event in the mind of the composer.
The Four Seasons: Spring
Program: the actual thought, poetry, or prose.
La Primavera describes with music a poem from The Contest Between Harmony and Inspiration… attributed to the composer.
Spring – Concerto in E Major
AllegroSpringtime is upon us. The birds celebrate her return with festive song, and murmuring
streams are softly caressed by the breezes.Thunderstorms, those heralds of Spring, roar, casting their dark
mantle over heaven,Then they die away to silence, and the birds take up their
charming songs once more.
LargoOn the flower-strewn meadow, with leafy branches rustling
overhead, the goat-herd sleeps, his faithful dog beside him.
AllegroLed by the festive sound of rustic bagpipes, nymphs and
shepherds lightly dance beneath the brilliant canopy of spring.
La Primavera: First movement
Joyful spring has arrived (the Spring theme: Ritornello)The birds greet it with their cheerful song.And the brooks in the gentle breezes.Flow with a sweet murmur.The sky is covered with a black mantle, and thunder and lightening announces a stormWhen they fall silent, the birds take up again their melodious song.
Ritornello form
R1 S1 R2 S2 R3 S3 R4 S4 R5 S5 R6
Songof
birds
Murmuringstreams
How is S2
NOT consistentw/ the form?
Thunder
lightning
Songof
birds
Vivaldi’s Concerto, Mvt 1
CompositionsOver 500 concertos
46 operas
sinfonias
73 sonatas
chamber music
sacred music
Jean-Philippe Rameau (1683-1764)
Foremost French musician of
18th century
Rameau: Music Theory
Treatise on Harmony (1722)
Coined the terms tonic, dominant and subdominant
harmonic progression through falling 5th (or rising 4th)
chords maintain their identity regardless of inversion (harmony is based on root progression, regardless of lowest note)
Rameau: Music Theory
the chord is the primal element in musica chord maintains its identity in all inversions basse fondamentale or root progressionTriadic relationships: tonic, dominant, etc.Hierarchial function of triadsPivot chord modulation
Rameau - theory II
3. Triadic relationships - tonic, domininant, etc.
4. Hierarchial function of triads
5. Pivot chord modulation
Hippolyte et Aricie (1733)
music almost programmatic (rough sea, high winds
“Ah! faut-il”
tragédie lyrique
monologue
Exposed to greatness
Alexandre-Jean-Joseph Le Riche de la Poupliniere (a rich tax collector) became Rameau’s patron
Poupliniere’s gatherings included Voltaire, Rousseau, and Casanova
Rameau and Voltaire
Lullistes versus Ramistes
Rameau: “subverter of the good old French opera tradition of Lully”
more expressive, dramatic (due to more chromatic harmonies)
innovative orchestration (more winds)
increase in homophonic sections (Classical period is right around the corner)