8/22/2019 Format Choices - Advancements in Film Technologis Are Empowering Filmmakers With Choices, 4-Perf, 3-Perf, 2-Perf, Or s16mm (Kodak Weminar, 2011)

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8/22/2019 Format Choices - Advancements in Film Technologis Are Empowering Filmmakers With Choices, 4-Perf, 3-Perf, 2-Perf, Or s16mm (Kodak Weminar, 2011)

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Presenters

JohannaGravelle

WorldwideImage

Capture

Marketing

Director

KodakEntertainmentImaging

ProductManager,MotionPictureColorNegativeFilm

KodakEntertainmentImaging

DavidHeuring

Writer/Moderator

8/22/2019 Format Choices - Advancements in Film Technologis Are Empowering Filmmakers With Choices, 4-Perf, 3-Perf, 2-Perf, Or s16mm (Kodak Weminar, 2011)

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SpecialGuest

RobertorecentlyreteamedwithdirectorMarc

ForsteronthemuchanticipatedMachineGunRo ertoSc ae er,ASC.AIC

, .

Forsterhavepreviouslycollaboratedon

QuantumofSolace,TheKiteRunner,MonstersBall,Stay,FindingNeverland,andStrangerThan

, .

includeWaitingforGuffman,BestinShow,ForYourConsideration,andLeavesofGrass.SchaefersworkonFindingNeverlandearnedCinematography.Inadditiontofeaturefilms,

Schaeferhasshotnumerousdocumentariesand

hundredsofcommercialsandmusicvideos

.

Photo:DouglasKirkland

8/22/2019 Format Choices - Advancements in Film Technologis Are Empowering Filmmakers With Choices, 4-Perf, 3-Perf, 2-Perf, Or s16mm (Kodak Weminar, 2011)

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Whychoosefilm?

FilmLook filmseeslikethehumaneye

Accurate,

true

to

life

colors

Warm,realisticskintones

Highestimagecaptureresolutionpossible

8/22/2019 Format Choices - Advancements in Film Technologis Are Empowering Filmmakers With Choices, 4-Perf, 3-Perf, 2-Perf, Or s16mm (Kodak Weminar, 2011)

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Whychoosefilm?

Demonstratedarchivallifetimeof100+years

Costsavings

essexpens ve oarc ve m

Digitalrequiresongoingspending

Forwardand

backward

compatibility

Takeadvantageofnewtechnologies

andrepurposingopportunities

8/22/2019 Format Choices - Advancements in Film Technologis Are Empowering Filmmakers With Choices, 4-Perf, 3-Perf, 2-Perf, Or s16mm (Kodak Weminar, 2011)

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Whychoosefilm?

Super16mm- er - er

-

8/22/2019 Format Choices - Advancements in Film Technologis Are Empowering Filmmakers With Choices, 4-Perf, 3-Perf, 2-Perf, Or s16mm (Kodak Weminar, 2011)

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Whychoose4perf?

18.7mm

24.9mm

8/22/2019 Format Choices - Advancements in Film Technologis Are Empowering Filmmakers With Choices, 4-Perf, 3-Perf, 2-Perf, Or s16mm (Kodak Weminar, 2011)

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Whychoose4perf?

Cameragate

Exposed

area

Ca ture area

8/22/2019 Format Choices - Advancements in Film Technologis Are Empowering Filmmakers With Choices, 4-Perf, 3-Perf, 2-Perf, Or s16mm (Kodak Weminar, 2011)

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Whatis4perf?

.

(24.9mm

x

11.1mm)Widescreen

TheatricalProjection

1.85(24.9mmx13.9mm)

StandardTheatrical

Projection

1.33

1.78

(24.9mmx14.4mm)

HDTV

. mm

x

. mmSuper35

8/22/2019 Format Choices - Advancements in Film Technologis Are Empowering Filmmakers With Choices, 4-Perf, 3-Perf, 2-Perf, Or s16mm (Kodak Weminar, 2011)

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Whatis3perf?

13.9mm

.

8/22/2019 Format Choices - Advancements in Film Technologis Are Empowering Filmmakers With Choices, 4-Perf, 3-Perf, 2-Perf, Or s16mm (Kodak Weminar, 2011)

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Whatis3perf?

1.78 (24.0x13.5mm)HDTV

1.85 (24.0x13.0mm)Standard

Projection

2.35 (24.0x10.25mm)Widescreen

8/22/2019 Format Choices - Advancements in Film Technologis Are Empowering Filmmakers With Choices, 4-Perf, 3-Perf, 2-Perf, Or s16mm (Kodak Weminar, 2011)

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WhyChoose3perf?

Film Samefilmstock,Nospecialorders

Cameras Aaton Penelope,ARRI,Panavision,andothers

Onset Tightframelines

Clean ate

Inpost

Noneedforgrainmanagement

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Why

Choose

3

perf?

Costsavings

Uses25%lessfilmthan4perf

Re uires25%less rocessin

Longerruntimes

magequa y

Littletonodifferencewhencomparedto4perf

Latestfilmtechnologyadvancements

Samefilmstocks,nos ecialorders

TV

Littlecroppingtoachieve1.78:1aspectratio

8/22/2019 Format Choices - Advancements in Film Technologis Are Empowering Filmmakers With Choices, 4-Perf, 3-Perf, 2-Perf, Or s16mm (Kodak Weminar, 2011)

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Whatis2perf?

9.35mm

24.9mm

8/22/2019 Format Choices - Advancements in Film Technologis Are Empowering Filmmakers With Choices, 4-Perf, 3-Perf, 2-Perf, Or s16mm (Kodak Weminar, 2011)

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Whatis2perf?

2.35 (20.87x8.88mm)

Widescreen

1.85 (16.43x8.88mm)StandardProjection

1.78 (15.80x8.88mm)

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Whychoose2perf?

Widescreen

Use s herical lenses with 2 erf

Negativekeepswidescreenaspectratio

4perfAnamorphic

Camera

Negative

2perf Widescreen

Camera

Negative

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Whychoose2perf?

linearscan

Correction

ondigital

files

2:1squeeze

&blowup

throughDI

4perfAnamorphic

Internegative

2perf Widescreen

Camera

Negative

4perfAnamorphic

Print

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WhyChoose2perf?

Film Nospecialstocksrequired

Possiblespeedconsiderations

Cameras

Purposemanufactured

Aaton Penelope

,

Onset Framingduetotightframelines

Inpost

Clean

the

gate

o u o o

Needtoprepareforanamorphicprojection

Grainmanagement

may

be

desired

8/22/2019 Format Choices - Advancements in Film Technologis Are Empowering Filmmakers With Choices, 4-Perf, 3-Perf, 2-Perf, Or s16mm (Kodak Weminar, 2011)

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Why

Choose

2

perf?

ostsav ngs

Half

the

film

volume

50%

savings!

Longertakes/fewermag changes

Half the rocessin

2perf

runtime

4perf

runtime

400roll 8min34sec 4min26sec

1000roll 21min26sec 11min06sec

Imagequality

Samefilmstocks

Latestfilmtechnologyadvancements

Widescreenformat

Noneed

for

anamorphic

lenses

8/22/2019 Format Choices - Advancements in Film Technologis Are Empowering Filmmakers With Choices, 4-Perf, 3-Perf, 2-Perf, Or s16mm (Kodak Weminar, 2011)

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Su er

16mm

8/22/2019 Format Choices - Advancements in Film Technologis Are Empowering Filmmakers With Choices, 4-Perf, 3-Perf, 2-Perf, Or s16mm (Kodak Weminar, 2011)

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WhatisSuper16mm?

Standard16mm Super

16mm

7.49mm 7.44

mm

10.26mm 12.42mm

8/22/2019 Format Choices - Advancements in Film Technologis Are Empowering Filmmakers With Choices, 4-Perf, 3-Perf, 2-Perf, Or s16mm (Kodak Weminar, 2011)

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WhatisSuper16mm?

1.66(12.42x7.44mm)NativeAspectRatio

. . . HDTV

1.85 (12.42x6.70mm)Standard Pro ection

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WhyChooseSuper16mm?

Lowerspeed

stocks

are

recommended

as

the

grain

is

lessapparent

Cameras ARRI

416,

Aaton Xtera,

Aaton A

Minima,

others

Onset Framingdifferencesversus35mm

Inpost Needtosetupthetelecine orscannerforS16

Grainmanagementmaybedesired

8/22/2019 Format Choices - Advancements in Film Technologis Are Empowering Filmmakers With Choices, 4-Perf, 3-Perf, 2-Perf, Or s16mm (Kodak Weminar, 2011)

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WhyChooseSuper16mm

Imagequality

Same ualit filmstocks

Latestadvancesinfilmtechnology

Uniquelook

Distinctlookthatnootherformatoffers

Costsavings

S16mmfilmstocklessexpensivethan35mm

Lon ertakes fewerma chan es

Lessfilmvolumecomparedto35mm

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FilmFormatWorkflows

DI

Based

Workflow 2KDIBasedTheatricalRelease

4K DIBased Theatrical Release

Telecine /

HD

Based

Workflow

HDorSD TVDistribution

LowCostTheatricalRelease

8/22/2019 Format Choices - Advancements in Film Technologis Are Empowering Filmmakers With Choices, 4-Perf, 3-Perf, 2-Perf, Or s16mm (Kodak Weminar, 2011)

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Choices