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Five Strategies to Make Your Paragraphs More Specific Mrs. Michael English Composition Chapter 6 – Writing the First Draft

Five Strategies to Make Your Paragraphs More Specific Mrs. Michael English Composition Chapter 6 – Writing the First Draft

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Page 1: Five Strategies to Make Your Paragraphs More Specific Mrs. Michael English Composition Chapter 6 – Writing the First Draft

Five Strategies to Make Your Paragraphs More SpecificMrs. MichaelEnglish Composition Chapter 6 – Writing the First Draft

Page 2: Five Strategies to Make Your Paragraphs More Specific Mrs. Michael English Composition Chapter 6 – Writing the First Draft

1. Answer Who, Which and What Provide more detail in your paragraphs to

answer reader’s questionsExample:Several companies outside Boston are adopting new policies to save the environment.

REVISED: Compugraphics and Consolidated Paper are adopting new policies to save the environment.

Page 3: Five Strategies to Make Your Paragraphs More Specific Mrs. Michael English Composition Chapter 6 – Writing the First Draft

2. Replace General Nouns with Precise OnesSharp adjectives and nouns are more interesting

Page 4: Five Strategies to Make Your Paragraphs More Specific Mrs. Michael English Composition Chapter 6 – Writing the First Draft

General More Specific Most Specific

A man had trouble lifting the box out of the old car.

A young man, out of shape, struggled to lift the heavy crate out of the beat-up sports car.

Joe, only 21 years old but more than 50 pounds overweight, struggled to lift the heavy wooden crate out of the rusty and dented Mustang.

Page 5: Five Strategies to Make Your Paragraphs More Specific Mrs. Michael English Composition Chapter 6 – Writing the First Draft

3. Replace Abstract Words with Concrete Words Abstract: The fall day had great

beauty, despite its dreariness.

Concrete: Red, yellow and orange leaves gleamed wetly through the grey mist.

Page 6: Five Strategies to Make Your Paragraphs More Specific Mrs. Michael English Composition Chapter 6 – Writing the First Draft

4. Use Sensory DetailsUse words that relate to sight, sound, touch, taste, and smell.

Without sensory language:The computer room is eerie.

With sensory detail:In the computer room, keys click and printers grate while row after row of students stare into screens that glow without shedding any light.

Page 7: Five Strategies to Make Your Paragraphs More Specific Mrs. Michael English Composition Chapter 6 – Writing the First Draft

5. Use Vigorous VerbReplace weak verbs with strong verbs

Weak Verb Strong Verb

The spectators seemed pleased and were enthusiastic when the runners went by.

The spectators cheered and whistled when the runners whizzed by.

Page 8: Five Strategies to Make Your Paragraphs More Specific Mrs. Michael English Composition Chapter 6 – Writing the First Draft

Revise this paragraph.Think about using sensory details, concrete nouns and strong adjectives.

Sponsored by a charitable organization, a group of children from a nearby town visited a theme park. The kids had a great time. They went on several rides and ate a variety of foods. Reporters and a TV crew shared the fun.

Page 9: Five Strategies to Make Your Paragraphs More Specific Mrs. Michael English Composition Chapter 6 – Writing the First Draft

How to Write a Strong Conclusion 1. Summarize the main idea and provide an overview of

your thesis.

2. Predict – Restate your topic and provide a prediction of what might occur.

3. Quotation – Provide background then use a quote that summarizes your point.

4. Statistic – Use a strong statistic to reiterate your point.

5. Call to Action - Ask your audience to join a cause and get involved.

Page 11: Five Strategies to Make Your Paragraphs More Specific Mrs. Michael English Composition Chapter 6 – Writing the First Draft

Revised VersionMy most valuable possession is an old, slightly warped blond guitar--the first instrument I taught myself how to play. It's nothing fancy, just a Madeira folk guitar, all scuffed and scratched and finger-printed. At the top is a bramble of copper-wound strings, each one hooked through the eye of a silver tuning key. The strings are stretched down a long, slim neck, its frets tarnished, the wood worn by years of fingers pressing chords and picking notes. The body of the Madeira is shaped like an enormous yellow pear, one that was slightly damaged in shipping. The blond wood has been chipped and gouged to gray, particularly where the pick guard fell off years ago. No, it's not a beautiful instrument, but it still lets me make music, and for that I will always treasure it.