FINE & DECORATIVE ARTS - ahwilkens.comahwilkens.com/pdf/ahw-june2018-deco-web.pdf · GEORGE II ENGLISH SILVER TOT CUP ... thumb piece. Amsterdam, 1868. L. Cast shell terminal and

FINE & DECORATIVE ARTSFINE & DECORATIVE ARTSTORONTO | JUNE 27TH, 2018TORONTO | JUNE 27TH, 2018

Wednesday, June 27th 2017, 6:00pm

FINE & DECORATIVE ARTS AUCTION

Andrew WilkensPrincipal

Andrea ZeifmanPrincipal / Auctioneer

Ross MorrowAuctioneer, Specialist

Meaghan EldridgeDecorative Arts

Emma FrankFine Art

Shi QiuAsian Art

Bing Ru LiAsian Art Assistant

Matthew RichesManager

Margaret CliffAdministration Oakville

Livia MiliotisJewellery & Administration

Meg WhiteheadAdministration Toronto

Tapfuma GarabgaPorter

Mason AnthonyPorter

Ivona KonradConsultant

Jeffrey FergusonConsultant

Michael EllenzweigConsultant

PREVIEW TIMES:

Saturday, June 23rd from Noon to 5:00pm

Sunday, June 24th from Noon to 5:00pm

Monday, June 25th from Noon to 5:00pm

LOCATION:

299 Queen St East . Upper Gallery

Toronto . Ontario . M5A 1S7

二九九

ESTIMATES:

All estimates are in Canadian funds

ONLINE BIDDING THROUGH:

Liveauctioneers

VISIT OUR WEBSITE:

www.ahwilkens.com

FOR CONDITION REPORTS & AUCTION QUESTIONS:

[email protected]

CATALOGUE DESIGN:

Jason Gorber | BEARSHARK.COM

GEORGIAN SCOTTISH SILVER MOUNTED MINIATURE QUAICH

GEORGE II ENGLISH SILVER TOT CUP

GEORGE II ENGLISH SILVER CREAM PAIL

EDWARDIAN ENGLISH SILVER TABLE CIGAR LIGHTER

George III wooden barrel form quaich with silver rims, hallmarked Glasgow, Peter Aitken, circa 1820. Engraved with three presentation inscriptions. Notably: The wood of which this bicker is composed formed part of the roof of Alloway’s Auld Haunted Kirk.

Of traditional form baring period mono-grammed initials WC. London, 1731. George Jones.

Georgian Miniature form of a bucket with twist swing handle and etched body. London, 1752. Edward Aldridge I.

Urn form with classical swag decora-tion and double scrolling snake han-dles. London, 1911. Skinner & Co.

W. with handles: 9.5 cm (3 3/4 in.)

65g. H. 6 cm (2 3/8 in.) 64g. H: 9 cm (3 1/2 in.) 244g. H. 13.5 cm (5 1/4 in.)

$300-500

$300-500 $300-500$300-500

2000 2001 2002 2003

2000

2002 2003

2001

ANTIQUE SILVER

FINE & DECORATIVE ARTS AUCTION2 A.H. WILKENS

VICTORIAN ENGLISH SILVER NOVELTY CONDIMENT SUITE

GEORGIAN IRISH SILVER CREAM JUG

GEORGE II ENGLISH SILVER CASTER

PAIR OF GEORGE III ENGLISH SILVER TABLE SPOONS

In the form of a milk churn and pail with parcel gilt banding and matched shovel spoon. Stacked set to reveal a mustard pot, salt and pepper set. London, 1871. George Adams.

Typical Irish form raised on lion capped tripod feet, with period decoration. Dublin, circa 1740. Andrew Goodwin.

Georgian, baluster form with flame fini-al. London, 1755. Samuel Woods.

Coburg pattern. London, 1812. Paul Storr. 205g.

211g. H. 11 cm (4 1/4 in.)

207g. H. 11.5 cm (4 1/2 in.)182g. H. 16 cm (6 1/4 in.) L. 22 cm (8 3/4 in.)

$400-600

$400-600$250-350 $400-600

2004 2005 2006 2007

2004 2005

2006

2007

FINE & DECORATIVE ARTS AUCTION 3A.H. WILKENS

DUTCH SILVER & AGATE HANDLED ASPARAGUS SERVERS

18TH C DUTCH SILVER RAGOUT SPOON

EARLY 18TH C DUTCH SILVER TEA CADDY

FRENCH 19TH C SILVER URN-FORM CADDY

Engraved decoration with sprung thumb piece. Amsterdam, 1868. L.

Cast shell terminal and shell drop dec-oration to back of the bowl. Rotterdam, 1779. 205g.

The form used in the late 17th C to early 18th C. Bombe form with raised deco-ration. Haarlem, 1723.

Gilt silver, ribbed body with classical handles and finial. 1st standard marks. Post 1879 with English import marks.

28 cm (11 in.)L. 37.5 cm (14 3/4 in.) 87g. H. 11 cm (4 1/4 in.) 370g. H. 17.5 cm (6 3/4 in.)

$200-300$1000-1500 $600-800

$400-600

2008 2009 2010 2011

2008

2010 2011

2009


FRENCH SILVER MOUNTED CUT GLASS CLARET JUG

18TH C FRENCH SILVER COCOA POT

PAIR OF RUSSIAN DOUBLE FORM SALT CELLARS

ENGLISH SILVER FOOTED SUGAR BOX

Baroque form with dolphin handle. 1st standard mark. 1838-78 date mark. Armand Gross.

Baluster form with turned ebonized handle, engraved English crest to body. Pre-Revolutionary date marks. Paris, 1786.

With gilt washed interiors, St. Petersburg, A. Mitin assay master mark, 1857

After a circa 1680 English sugar box, oval form raised on four feet with snake form handle and acanthus leaf decora-tion. French inscription to the interior of the lid: En Souvenir du 30. Juin 1919. London, 1911. C S Harris & Sons Ltd.

H. 36 cm (14 1/8 in.)333g. tw. H. 17 cm (6 3/4 in.)

224g. H. 10 cm (4 in.)

716g. L. 19.7 cm (7 3/4 in.)

$700-900$400-600

$300-500

$500-700

2012 2013 2014 2015

2012 2013

2014

2015


2020

FIVE LARGE GEORGE IV IRISH SILVER SPOONS

Kings pattern, including four serving spoons & one basting spoon, each en-graved with rampant lion crest. Dublin, 1823. Jason Scott.1,093g. L. of basting: 33.5 cm (13 1/8 in.)L. of serving: 27.5 cm (10 7/8 in.)

$500-700

2016

GEORGIAN IRISH SILVER TEAPOT STAND

Oval raised on scroll feet, centre bright cut engraved with monogram in car-touche. Dublin,1798. Over-struck mak-er’s mark.

224g. L. 19.5 cm (7 3/4 in.)

$400-600

2017

GEORGE III IRISH SILVER BASTING SPOON

Bright cut star point decoration on a rat tail body. Dublin, 1816. Richard Whitford. Retailed by Matthew West.131g. L. 30 cm (11 3/4 in.)

$200-300

2018

GEORGIAN IRISH TWO HANDLED SILVER LOVING CUP

Trophy form with squared handles and gilt washed interior. Presentation inscription: Lieut’ Burnside from the Stratford on Slaney. Dublin, 1807.

Gustave Byrne. 602g. H. 21 cm (8 1/4 in.)

$600-800

2019

GEORGE III SCOTTISH SILVER THREE PIECE TEA SET

Regency form with floral handles and gilt washed interiors. Edinburgh, 1819. George McHattie.

1566g. L.teapot: 29 cm (11 1/2 in.)$2000-3000

WILLIAM IV SCOTTISH SILVER LADLE

Fiddle pattern, initialed L. Glasgow, 1830. G. Thomson.

254g. L. 35.5 cm (14 in.)$200-300

2021

2016

2019

2017

2020

2018

2021


EARLY GEORGE II ENGLISH SILVER BASTING SPOON

EARLY GEORGE II ENGLISH SILVER BASTING SPOON

With turned wood handle and deep bowl. London, 1730. Probably John Clare.

With turned wood handle and double drop bowl. London, 1736. Jeremiah King.

L. 37 cm (14 1/2 in.) L. 47 cm (18 1/2 in.)$500-700 $600-800

2022 2023

GEORGE III ENGLISH SILVER TWO HANDLED LOVING CUP

Of typical form with ear handles, small initial in cartouche. London, 1808. Maker’s mark rubbed, probably Peter & William Bateman.

374g. H. 16 cm (6 1/4 in.)

$300-500

2024

GEORGE II ENGLISH SILVER SAUCE BOAT

Substantial form with gadrooned bor-der and foliate handle, engraved styled armorial to body. London, 1758. William Skeen.

466g. L. 22 cm (8 1/2 in.)

$600-800

2025

2022

2023

2025

PAIR OF GEORGE II ENGLISH SILVER CRESTED SALVERS

Raised on three paw feet with period flat chased decoration and unusual grape cluster cast borders, each en-graved with full armorials. London, 1748. John Robinson.526g. tw. Dia. 18 cm (7 in.)$800-1200

2026

2026

2024

GEORGE III ENGLISH SILVER GOBLET

With gilt washed interior. London, 1804. Thomas Johnson.

245g. H. 18 cm (7 1/8 in.)

$300-500

2027

2027


GEORGIAN SCOTTISH SILVER WINE FUNNEL

GEORGE III ENGLISH SILVER HOT WATER JUG

A LARGE GEORGE II SILVER PUNCH STRAINER

PAIR OF GEORGE II ENGLISH SILVER CANDLESTICKS

Of typical form with foliate border and shell thumb piece. Glasgow, 1831.

Neoclassical urn form with bright cut engraving, armorial style cartouche and turned wood handle. London,1792. Henry Chawner.

With gilt washed bowl and caste lion masked handles, engraved family cartouche of a standing lion. Interior of the bowl dated London, 1737. Maker’s marks stamped to exterior, Paul de Lamerie.

Cast shell form square bases with double knop neck. London, 1748. Hugh Mills.

D.C. Rait. 128g. L. 15 cm (6 in.)

788g. tw. H: 31 cm (12 in.)

237g. L. 26.7 cm (10 1/2 in.)

929g. H. 19 cm (7 1/2 in.)$300-500

$800-1200

$4000-6000

$2500-3500

2028 2029 2030 2031

2028

2030 2031

2029


GEORGE III SILVER OVAL GAME PLATTER

FOUR GEORGE III SILVER CANDLESTICKS

VICTORIAN FOUR PIECE SILVER TEA AND COFFEE SET

UNUSUAL ENGLISH SILVER COVERED CONTAINER

With heavy cast gadroon and shell bor-der. Engraved coat of arms. London, 1808. Paul Storr.

Squared neo-classical form with urn form tops. Crested. Sheffield, 1780. Fenton Creswick and Co.

Pear shape with scrolling floral decora-tion. Original fitted oak case and brass presentation plaque. London, 1854. William Hunter.

Britannia standard. London, 1712. Maker not traced.

765g. L. 30 cm (11 3/4 in.) H. 31 cm (12 1/4 in.)

2269g. H.coffee: 28 cm (11 in.)

519g. H. 13.5 cm (5 3/8 in.)

$800-1200 $2000-3000$2000-3000

$400-600

2032 2033 2034 2035

2032 2033

2034 2035


PAIR OF BRITANNIA SILVER TRENCHER SALTS

CONTEMPORARY ENGLISH SILVER NOVELTY SALTS

PAIR OF CONTEMPORARY SILVER & AGATE SALTS

PAIR OF ART DECO ENGLISH SILVER ENAMEL OPEN SALTS

FOUR VICTORIAN ENGLISH SILVER OPEN SALTS

GEORGIAN ENGLISH SILVER THREE PIECE CONDIMENT SET

With matching spoons. Of typical eight sided form. London, 1926. Heming and Co Ltd.

Garden basket form with fixed handles and gilt washed bowls, the spoons in the form of trowels. Sheffield, 2001.

Possibly continental with moss agate open bowls resting on a dotted silver foot, and exotic wood and silver spoons.

Quaich form with guilloche blue enamel interiors. Birmingham, 1924. Martin Paul & Co.

Elongated circular form on four shell feet, gilt washed interiors and crested bodies engraved with stag. London, 1854. Robert Hennell.

Including a pair of open salts and matching mustard pot with floral re-pousse decoration raised on three lion mask capped feet. Cobalt liners for salts. Sheffield, 1815. S.C. Younge & Co.

222g. L. 8 cm (3 1/8 in.) Carr. 112g. tw. Dia. 6 cm (2 3/8 in.)

137g. tw. L. 10.5 cm (4 in.)490g. Dia. 8 cm (3 1/8 in.)

577g. tw. Dia. 8.5 cm (3 3/8 in.)

$300-500 $200-300 $200-300

$200-300

$400-600$400-600

2036 2037 2038

2039 2040 2041

2036 2037

2038 2039

20402041


2046

GEORGE II ENGLISH SILVER TODDY LADLE

Turned wood handle and scalloped bowl with spout and period engraved initials. London, 1742. John Pollock.L. 32.5 cm (12 1/2 in.)

$300-500

2043

A LARGE GEORGE IV SCOTTISH SILVER TODDY LADLE

Baleen twist handle, floral decorated body of bowl and period initials. Fully hallmarked for Glasgow, 1824. George Innes.

L. 48 cm (19 in.)$250-350

2042

VICTORIAN ENGLISH SILVER CLARET JUG

Bulbous ribbed body and hinged lid. London, 1883. Edward Hutton.460g. H. 18 cm (7 in.)$400-600

2044

PAIR OF GEORGE III ENGLISH SILVER SALVERS

Simple circular form with cast ga-drooned border, initialed M. London, 1808. William Bennett.

964g. Dia. 20 cm (8 in.)

$600-800

2045

2046

GEORGE II ENGLISH SILVER COFFEE POT

Georgian baluster form chased with fo-liate decoration and Chinoiserie figural finial. London, 1746. Maker William and Robert Peaston.744g. H 24 cm (9 1/2 in.)$800-1200

PAIR OF VICTORIAN ENGLISH SILVER CANDLESTICKS

Column form with acanthus leaf bobe-ches and stepped base. London, 1884, Edward Hutton.H 27.5 cm (10 3/4 in.)$1000-1500

2047

2042

2045

2043

2044

2047


VICTORIAN ENGLISH SILVER TEA & COFFEE SERVICE

Four piece crested set includes teapot, coffee pot, creamer and sugar bowl all with repousse floral and foliate deco-ration. Crest to one side of each piece, eagle finials. Teapot and coffee pot with bird form finial. Creamer and sugar bowl with silver gilt interiors. Sheffield. Dates 1857 - 1859. Martin, Hall & Co.

2255g. tw. H. coffee: 31.1 cm (12 1/4 in.)

$2000-3000

2048

GEORGE II ENGLISH SILVER SALVERPie crust and shell border, raised on three shell feet. London, 1743. Robert Abercrombie.629g. Dia. 27 cm (10 1/2 in.)$600-800

2049

GEORGE III ENGLISH SILVER SALVER

GEORGE IV ENGLISH SILVER COFFEE POT

Pie crust and shell border raised on capped three. London, 1762. Richard Rugg I

Baluster form with turned wood handle, repousse floral and foliate decoration, and two empty cartouches. London, 1824. George King.

881g. Dia. 32.5 cm (12 3/4 in.)961g. tw. H. 25.4 cm (10 in.)

$800-1200 $800-1200

2050 2051

2048

2050

2051

2049


GEORGE III ENGLISH SILVER TEA SET

Low ribbed form with floral finial and cast shell detail. Assembled, London, 1818 and 1825. The tea pot George Burrows, the cream and open sugar by George & Alice Burrows.1409g. L. teapot: 28 cm (11 in.).$700-900

2052

19TH C DUTCH SILVER KETTLE ON STANDBulbous body with engraved floral decoration and elaborate floral finial, raised on shell footed burner stand. Makers mark VK, 1859.1838g. H. 37 cm (14 1/2 in.)English Garrard silver spirit burner. London, 1859.$1000-1500

2053

FRENCH 19TH C SILVER SOUFFLE DISH

Two leaf-form handled dish with bead-ed borders and pinecone finial. Paris, mid 19th C. C. Tirbour. With a silverplat-ed underplate.1370g. W. 29 cm (11 1/4 in.)$1000-1500

2054

FRENCH 19TH C SILVER MEAT PLATTER

Reeded border with cross hatch and leaf accent. Paris, mid 19th C. Odiot.1478g. W. 48.5 cm (19 in.)$1000-1500

2055

2052

2053

2054

2055


FRENCH 19TH C FOOTED SILVER COMPORT

FRENCH 19TH C SILVER TEAPOT FRENCH 19TH C SILVER COFFEE POT

CONTINENTAL SILVER VASE

Applied double ribbon and shell border, engraved with initials AJ. Paris.

With applied cartouche decoration and acanthus chased spout. Paris. Flamant et Fils.

Ottoman form with engine turned dec-oration, double initials within engraved cartouches. Tetard, Paris.

Baluster form with spreading foot and rim, overall swag decoration with cast highlights, stamped .800. Possibly Italian.

644g. Dia. 24.5 cm (9 1/2 in.)672g. W. 25.5 cm (10 in.)

619g. H. 27 cm (10 1/2 in.) 899g. H. 25.5 cm (10 in.)$400-600

$400-600

$400-600$400-600

2056 2057 2058 2059

2056

2058 2059

2057


LATE 19TH C INDIAN MADRAS SILVER COFFEE POT

LATE 19TH C FOUR PIECE INDIAN TEA SET

A KANDSHAR DAGGER ARTS AND CRAFTS STYLE SILVER WATER PITCHER

FOUR PIECE BIRKS SILVER TEA & COFFEE SET

BIRKS SILVER TEA TRAY

With floral and scrolling acanthus leaf decoration, flower form knop. Body decorated with figures in procession with accompanying celestial angels. Unmarked.

Teapot, creamer, covered sugar bowl and milk jug all highly chased pieces with an elephant form finial, depicting various scenes of animals including a tiger attack. Kutch, circa 1890.

Indian Mughal style Damascus blade and rock crystal handle, both the knife and the metal sheath are decorated with gold inlay.

A large water jug with hammered fin-ished and monogrammed cartouche, raised on four ball feet. Toronto. Circa 1905. P.W. Ellis & Company.

Teapot, coffee pot, creamer and sug-ar bowl all with floral delineated side panels on a round stepped foot with additional chased decoration.

Large two handled tea tray with cast gadrooned and shell border.

671g. H. 16.5 cm (6 1/2 in.) 1311g. tw. H.teapot: (6 7/8 in.)

L. w/sheath: 26 cm (10 1/4 in.)942g. H: (8 7/8 in.) 2995g. tw. Mid. 20th C. H.coffee: (10 in.)

5600g. L. with handles: 77 cm (30 1/2 in.)

$300-500 $1000-1500

$250-350$400-600 $2000-3000

$3000-4000

2060 2061

2062 2063 2064 2065

2060

2063

2061

2064

2062

2065


SHEFFIELD PLATE INKSTAND SHEFFIELD PLATE GLOBE FORM INKSTAND

SHEFFIELD PLATE NEOCLASSICAL INKSTAND

SET OF SIX SHEFFIELD PLATE AND GLASS OPEN SALTS

English silver plated inkstand in the form of a very early steam locomotive train with railway interest.

Silver plated inkstand raised on a typi-cal globe stand with tapered foot.

Silver plated inkstand with stepped base with two fitted drawers. Comprised of a rotating Classical urn that reveals the inkpot, and a remov-able lid that reveals the taper stick holder. The lid accented with four quill holes. Probably 18th C.

The stands with silver plated under-sides and gold washed tops, foliate cast borders, fitted with an Anglo Irish diamond cut salt bowl.L. 20 cm (7 7/8 in.) H. 22 cm (8 5/8 in.)

H. 19 cm (7 1/2 in.)

Dia. of stand: 2 cm (4 3/4 in.)$400-600 $200-300

$400-600

$400-600

2066 2067 2068 2069

2066

2068 20692067

PRIVATE COLLECTION OF FINE SHEFFIELD PLATE


PAIR OF SHEFFIELD PLATE SHELL FORM BUTTER DISHES

SET OF SIX NESTING SHEFFIELD PLATE TUMBLERS

Heavily gold washed bowls with silver plated undersides, raised on three dolphin feet. Together with six silver gilt and crested dessert spoons.

Silver plate exteriors and gold washed bowls. The graduated stacking cups.

L. of butter dish: 14cm (5 1/2 in.); L spoons: 17.7 cm (7 in.)

H. of largest: 7.5 cm (3 in.)

$300-500

$200-300

2070 2071

SHEFFIELD PLATE BARREL FORM DOUBLE BEAKER

FINE PAIR OF SHEFFIELD PLATE ALE PITCHERS

Two silver plated beakers that join to form a barrel form, with ribbed accents, each lid engraved with initials. Opens to two tumblers with gold washed interi-ors. Circa 1780.

English silver plated Georgian form beer or water jugs with ribbed lower body and acanthus leaf accented handles, each with matching engraved armorial crests.

H. 17 cm (6 3/4 in.) H. 42 cm (16 1/2 in.)

$200-300 $600-800

2072 2073

2070 2071

2072 2073


PAIR OF SHEFFIELD PLATE SAUCE BOATS

SHEFFIELD PLATE WIREWORK EPERGNE

SHEFFIELD PLATE SPICE HOLDER

Silver plated sauce boats with plain bodies and applied borders. Wright Turk’s Head Strand marked to base

English silver plated lyre form stand raised on four bun feet, terminating in a large boat form basket with four smaller baskets beneath. All baskets are removable. 18th C

The silver plated circular storage box holds six containers, each engraved with the name of a different spice.

L. 22 cm (8 5/8 in.)

H. 35.7 cm (14 3/4 in.)Dia. of holder: 31 cm (12 1/4 in.)Nutmegs, cloves, mace, all spice, peppercorns and cinnamon.

$200-300

$400-600

$400-600

2074

2076

2077

PAIR OF SHEFFIELD PLATE SAUCE TUREENSSilver plated sauce tureens in an ovoid shape with bead edge border. Complete with underplates. Body with full armorial.L. 22.5 cm (8 7/8 in.)$400-600

2075

2074

2076

2077

2075


SHEFFIELD PLATE PERCOLATOR SHEFFIELD PLATE CRUET BOTTLE STAND

SHEFFIELD PLATE AND CUT GLASS SWEET MEAT EPERGNE

PAIR OF SHEFFIELD PLATE CHESTNUT URNSSilver plated percolator with plain

body, mounted with rattan handles. Complete with burner and spigot.

Silver plated stand with gadrooned body and shell capped central handle, holding four Anglo Irish cut glass bot-tles.

Circular silver plated revolving Lazy Susan stand with a central basket form Anglo Irish cut glass bowl surrounded by four smaller bowls.

Silver plate Neoclassical form with lion capped and loop handles. Regency period.H. 40 cm (15 3/4 in.)

L. 21 cm (8 1/4 in.) Dia. of stand: 29 cm (11 1/2 in.)H. 31.5 cm (12 1/2 in.)$300-500

$300-500 $400-600$600-800

2078 2079 2080 2081

2078 2079

2080 2081


SHEFFIELD PLATE ADJUSTABLE CANDLESTICK

PAIR OF SHEFFIELD PLATE WINE COOLERS

SET OF FOUR SHEFFIELD PLATE CANDELABRAS

SHEFFIELD PLATE COFFEE BIGGIN

Two branch silver plated adjustable candlestick on a flame accented post, with attached shield form screen.

Silver plate wine coolers with remov-able liners, shell and gadrooned bor-der and handles. Made by Matthew Boulton.

Silver plated candelabra with ga-drooned rims and two branch form. One pair initialed W, the other engraved with an anchor crest. All made by Matthew Boulton.

Silver plated coffee pot with plain body and applied border. Burner stand raised on three paw feet. Matthew Boulton.

H. to top of shaft: 50.5 cm (19 7/8 in.)H. 23 cm (9 1/8 in.)

H. 49 cm (19 1/4 in.)

H. with stand: 28 cm (11 in.)$300-500

$800-1200

$1000-1500

$300-500

2082 2083 2084 2085

2082

2084 2085

2083


GRADUATED PAIR OF SHEFFIELD PLATE MEAT DOMES

PAIR OF SHEFFIELD PLATE OPEN WARMING DISHES

TWO SHEFFIELD PLATE PICNIC TEA SETS

PAIR OF GEORGIAN ENGLISH SILVER CANDLESTICKS

Both silver plated meat domes with fluted with a gadrooned border, and foliate and lion mask handle. Engraved with a full armorial. Matthew boulton.

Silver plated stands raised on shell cast claw feet and with acanthus handles. Made by Matthew Boulton.

Two English silver plated stacking tea sets with teapot, cream jug and sugar, all with removable handles and gilt washed interiors. Together with a Georgian teapot.

Mounted with a pair of Matthew Boulton Sheffield plate candelabra branches. Sheffield.

L. of largest: 46 cm (18 1/8 in.)L. of smaller: 30 cm.

L. 33.5 cm (17 1/8 in.)

L: 28 cm (11 in.)

$600-800

$400-600

$500-700

$1000-2000

2086

2087

2088

2089

2086

2087

2088

2089


PAIR OF SHEFFIELD PLATE OIL LAMPS

SHEFFIELD PLATE MONTEITH BOWL

TWO SHEFFIELD PLATE TEA CADDIES

PAIR OF SHEFFIELD PLATE SMALL COVERED TUREENS

PAIR OF SHEFFIELD PLATE CANDLESTICKS

PAIR OF SHEFFIELD PLATE TEA CADDIES

Silver plated candlestick form bases with heavy Rococo decoration and blown textured glass kerosene well.

Silver plated center bowl with crenel-lated top, chased with acanthus leaves and ram head handles.

One silver plate tea caddy in a bombe shape with double compartment and swing handle. Each end engraved with a rubbed in shield with crest and initial. Other tea caddy in oval form with ap-plied leaf and empty shield.

Small covered silver plate pots with ga-drooned rims on matching stands, with pinecone finials and matching period Georgian armorial crests to the lids and bowls. The saucers engraved with a claw and winged crest. Regency period.

Silver plated low games table candle-sticks with foliate form, accented with a matching S scroll branch and sconce.

Each silver plated tea caddy in a rectan-gular form with gadrooned border and crested lids. Makers Creswick.

H to top 63.5 cm (25 in.) L. 29 cm (11 3/8 in.)

L. bombe: 18 cm (7 1/8 in.)

Dia: 16.2 cm (6 5/8 in.)

H. 21 cm (8 /14 in.) H. 12.5 cm (4 7/8 in.)

$500-700 $200-300

$400-600

$400-600

$200-300 $200-300

2090 2091 2092

2093 2094 2095

2090

2093

2091

2094

2092

2095


SIX SHEFFIELD PLATE SERVICE PLATES

Plain silver plated plates with a ga-drooned border. Engraved with an armorial in a rubbed in shield.Dia. 25.5 cm (10 in.)$200-300

2096

SHEFFIELD PLATE SKEP

Silver plated skep chased in a realistic form to resemble a wicker beehive.H. 12 cm (4 3/4 in.)$200-300

2097

PAIR OF FRENCH SILVER PLATED WINE COOLERS

With removable liner, acanthus capped handles, bases marked Double.H. 29.2 cm (11 1/2in.)$500-700

2098

PAIR OF SHEFFIELD PLATE SAUCE TUREENS

Silver plated circular form with foliate and acanthus border and handles, en-graved armorial crest to body. Regency period, possibly R. Gainsford.

W. 20 cm (7 7/8 in.)

$400-600

2099 SHEFFIELD PLATE SWING HANDLE BASKET

Silver plated basket with pierced and bright cut border and wirework body.Dia. 28.5 cm (11 1/4 in.)$200-300

2100

SHEFFIELD PLATE EGG CODDLER

Silver plated egg warmer with pot form body raised on a claw footed warming stand with turned wood handle, hinged double lid with fitted egg holder inside.H. 27.5 cm (10 7/8 in.)$300-500

2101

2096

2099

2097

2098

2100 2101


SHEFFIELD PLATE EGG CRUET

GRENFELL POLAR BEAR AND CUBS HOOKED MAT

CONTINENTAL FIGURAL MAJOLICA JARDINIERE

Silver plated stand with gadrooned border, holding four urn form egg cups with gold washed interiors, Matthew Boulton.

Depicting polar bear and cubs amongst the ice floe. Grenfell Labrador Industries tag on reverse.

In the Minton manner with mythical elves at work surrounding an oval foli-ate body with frogs, 19th C.

H. 21 cm (8 1/4 in.)

68 cm x 99 cm (26 3/4 in. x 39 in.)

L. 43 cm (17 in.)

$200-300

$600-800

$1000-1500

2102

2105

2107

PAIR OF TELESCOPING SHEFFIELD PLATE CANDELABRASSilver plated Neoclassical form with two branches, double telescoping central shaft. Base marked Mortons Patent.H. 49 cm (19 3/8 in.)$600-800

2103

PAIR OF FUSSELL HAMMERED PEWTER ENTREE DISHES

Oval entree dishes with lids, hammered pewter and composite handles, one en-graved First Prize C.N.E. 1934 on base. Toronto, 1934. Andrew Fussell.L. 31 cm (12 1/4 in.)$300-500

2104

ONTARIO REDWARE SPANIEL FORM PENNY BANK

Earthenware seated spaniel with mot-tled red-brown glazes. J. & W.O. Brown & Co., Patented 1859. Impressed mak-er’s mark.

H. 35 cm (13 3/4 in.).Provenance: Ceramics from the Estate of Elizabeth Collard, Ritchies, December 2, 2002, lot 358.$2000-3000

2106

2102

2105

2103

2106

2104

2107


VINTAGE ROLEX SUBMARINER WRISTWATCH

A men’s stainless steel Rolex Submariner Oyster Perpetual wrist-watch, model #6538, serial #638577, band #382/7836, caliber #1030, case back #6538,1958. Comes with authen-tication appraisal.Appraised value of $79,835.00.

$30000-50000

2108

2108

ESTATE JEWELLERY & WATCHES


BREITLING CHRONOMETRE NAVITIMER WRISTWATCH

STAINLESS STEEL HEUER AUTAVIA GMT WRISTWATCH

VINTAGE MEN’S ENCAR SHERPA-GRAPH WRISTWATCH

Men’s watch in stainless steel with silver sub dials and slide rule. Ref. #A23322 and 2000762, stainless strap and original box.

The vintage men’s Chronograph Movement with manual wind, red & blue 24 hour rotating bezel, Heuer crown & pushers.

The chronograph with stainless steel movement, back numbered 314962 172/002. with leather strap.

$2000-3000$4000-6000

$1500-2500

2109 2110 2111

2109

2111

2110


VINTAGE MEN’S VULCAIN WRISTWATCH

MEN’S GOLD ARSA CHRONOGRAPH WRISTWATCH

PHIGIED EXTRA VINTAGE GOLD WRISTWATCH

VINTAGE SWISS CHRONOGRAPH GOLD WRISTWATCH

The chronometer with 17 jewel move-ment, stainless steel case, number 1407.

18k yellow gold case, marked 19248/2378 with leather strap.

Men’s wristwatch, antimagnetic, cas-ing set in 18k yellow gold, brown leather strap. Serial number 807604.

Men’s wristwatch, casing set in 18k yellow gold (stamped), 17 jewels, new leather strap.

$800-1200$600-800

$600-800 $600-800

2112 2113 2114 2115

2112 2113

2114 2115


PAIR OF PALOMA PICASSO GOLD EARRINGS

ITALIAN WIDE GOLD AND GEMSTONE BRACELET

GOLD, TOURMALINE & DIAMOND NECKLACE

AQUAMARINE & DIAMOND GOLD PENDANT

18k yellow gold with graduated cabo-chon multi-coloured stones, including amethyst, peridot, blue topaz, citrine, and pink tourmaline, D.largest stone 1.8 cm. Lower section detachable, to wear as pendant. Stamped ‘750 Tiffany & Co Paloma Picasso’.

14k yellow gold broad design with an array of bezel-set coloured gemstones including emerald, sapphire, ruby, am-ethyst, some surrounded by halos of diamonds, bracelet frame composed of two registers of twist rope design, hinge to open.

An Italian 18k yellow gold curb link necklet, featuring an emerald cut tour-maline (L. 1.5 cm x W. 1 cm), flanked by six baguette channel set diamonds, joined by a push clasp, L. 16 in, 63.3g. t.w.

A significant emerald cut aquamarine approx. 107.00 cts, clarity is eye clean, set in four prongs, topped by three ver-tically set round brilliant cut diamonds on the bale, in 18k white gold, 39.4g. t.w.

L. 4.7 cm, 34.6g. t.w. Makers mark ADLR, 79.5g. t.w.

$3000-5000 $2000-3000

$3000-5000

$6000-8000

2116 2117 2118 2119

2116

2118

2119

2117


DIAMOND AND PLATINUM BROOCH

ART DECO DIAMOND & GOLD BROOCH

SAPPHIRE AND DIAMOND GOLD RING

GRADUATED CORAL BEAD NECKLACE

Hand-crafted platinum circular design, comprising a central pear shape old mine cut diamond approx. 1.10 cts, square shape old mine cut diamond approx. 0.60 cts, and three round shape old mine cut diamonds totalling approx. 1.30 cts, eleven old mine cut diamonds to-talling approx. 1.25 cts.

18k white gold set with round, single, square, and baguette cut diamonds, approx. 1.83 cts

18k white gold, featuring an oval cut sapphire approx. 7.05 carats, held by four prongs, surrounded by fourteen round brilliant cut diamonds, approx. 0.70 cts, 9g. t.w.

Comprising a string of graduated beads, the largest bead measuring D. 14mm, joined by an 18k yellow gold (stamped) push clasp

L. 3.5 cm, 9.4g. t.w.

L. 2.8 cm, 10.1g.

L. 28 inches, 69.3g. t.w.

$4000-6000

$1000-2000$4000-6000 $800-1200

2120 2121 2122 2123

2120 2121

2122

2123


JOSEPH ALBERS(GERMAN/AMERICAN, 1888-1976)

PABLO PICASSO(SPANISH, 1881-1973)

WLS VII, from White Line Squares (Series I)Colour lithograph on Arches

Portrait d’Ambroise Vollard, III (from La Suite Vollard) [Bloch 233]Etching on Montval paper

Signed and numbered 11/125 in pencil to margin Size: 15.6 x 15.6 in (40 x 40 cm) (plate)

Signed in red crayon to marginSize: 13.6 x 9.75 in (35 x 25 cm) (plate) From the edition of 250 published byA. Vollard, Paris, 1939

$2000-3000$3000-5000

21262124

PABLO PICASSO(SPANISH, 1881-1973)Femme au chapeau et à oeillet, avec homme enturbanne, clown, putto at spectateur(from the 347 Series, 1968)[Bloch 1716]Etching on wove paperSigned and numbered 40/50 in pencil to marginReverse dated 3.8.68.I in platePrinted by Atelier Crommelynck, Mougins (Crommelynck established a printing workshop in Picasso’s house in Mougins).Size: 6.7 x 9 in (17 x 23 cm) (plate)$4000-6000

2125

2124

2125

2126

PRINTS & PAINTINGS


HENRY SPENCER MOORE (BRITISH, 1898-1966)Seated Nude, 1979 [Cramer, 519]Etching and dry pointSigned and numbered X/XVSize: 10 x 7.5 in (25 x 19 cm)Provenance: The Estate of June Bramall, Oakville, ON; Purchased from Scrimshaw & Co., The Gallery, Oakville, ON. 1981 with original gallery receipt. Includes a “Certificate of Authenticity” issued by Christie’s Contemporary Art

$1000-1500

2127

SIR STANLEY SPENCER (BRITISH, 1891-1959)

Portrait Graphite drawing

Dated 1922 lower right and inscribed “10 High St. Petersfield 1922” in artist’s hand versoSize: 14 x 10 in (36 x 25 cm)Provenance: Estate of June Bramall, Oakville; purchased from Tom Lapierre, Toronto; Estate of the artist (along with letter from Unity A. Spencer addressed to Tom Lapierre dated November 24, 1981)In 1920-22 Spencer lived with Muirhead Bone at Steep, near Petersfield, Hampshire and then at lodgings in Petersfield at 10 High Street then moving on to another lodging in the Market Square (Pople,”Stanley Spencer,” pg 207-8).

$1200-1500

2128

ARCHIBALD GEORGE BARNES (BRITISH, 1887-1972)

Portrait of a Girl in a Polka Dot DressOil on canvasSigned lower rightSize: 30 x 25 in (76 x 64 cm)$1500-2500

2128A

URSULA VAN LACH(BELGIAN, B. 1949)

Children in a MeadowOil on board Signed lower rightSize: 8 x 10 in. (20 x 25 cm) Inscribed with dedication by artist verso $1500-2500

2128B

2127

2128

2128A

2128B


NICOLAE TONITZA(ROMANIAN, 1886-1940)Portrait of a Turkish ManOil on cardboard

Signed lower leftSize: 19.25 15.5 in (50 x 39 cm)Provenance: Estate of Ladislas Hudak, Ottawa, ON; By descent.

$20000-30000

2129


Lots 2129-2131 belong to the collection of Ladislas Hudak, a diplomat for Czechoslovakia who emigrated to Canada after the war. Hudak was Consul General in Marseilles from 1945-1948. He left the consulate and his post when the Communists took over the Czechoslovak government in 1948 and lived in Roque Brun Cap Martin in the South of France until 1951. Prior to 1945 he had postings in Romania, and also worked in Corporate Law based in Prague.

The artists collected by Hudak reflect his geographic whereabouts during this period, and a demonstrated eye for important modern art. Romanian artist Nicolae Tonitza and Czech artist Othon Coubine are both revered figures within their respective national cultural heritage.

Nicolae Tonitza

Nicolae Tonitza was born in Barlad in 1885 and spent his early career studying at the Academy of Belle-Arts in Iași. He spent time in Munich, France and Italy developing his artistic skills, before returning to Romania in 1911. Tonitza was drafted into the First World War in 1916 and fell prisoner to the Bulgarians during the Battle of Turtucaia. He was released in 1918.

It was after the War that Tonitza developed the style for which he is most well-known: portraits painted in the post-impressionist and expressionist style du jour with vibrant and vigorous palettes. More specifically, it is his juxtaposition of somber and melancholic subjects set against decorative, colourful backgrounds and motifs for which he is most celebrated. The harmony in which he is able to synthesize these elements, resulting in poetic compositions full of romanticism, defined the painter.

In the 1930s, upon his discovery of Balchik, a coastal town on the Black Sea, Tonitza began to incorporate Orientalist themes inspired by the Turk and Tatar inhabitants of the town. Between 1933-1938 Tonitza painted a large number of characters on this spot. The result, a fresh oeuvre that reflected his connection with ‘the simple man’ and the picturesque that shrouded the poor Tatar slum. Tonitza would remain preoccupied with the Orientalist theme until his death in 1940.

Othon Coubine

Otakar Kubin, known in France as Othon Coubine, was born in Boskovice in 1883. After studying at Academy of Fine Arts, Prague (1900-1904). Coubine travelled to Holland and Belgium before settling in in Provence, France, where he would spend 40 years of his life. France became his second home and the landscape his lifelong inspirational source. Considered a member of artistic movement known as The Paris School (L’École de Paris) Coubine is one of the few Czech artists who have earned their recognition abroad. His artistic style evolved from neo-impressionism through expressionism and cubo-expressionism, which helped him develop his particular style based on the influences of the new classicism. Coubine’s embrace of neoclassicism launched him into the French post-war movement called “Return to Order” (Retour à l’ordre), which was in direct competition with the aesthetics of his contemporary and friend, Pablo Picasso. Coubine’s landscapes are also recognized for use of light, understood as a unifying element.

In 1925 Coubine settled in Aix-En-Provence, approximately 50 km north of Provence, where Cézanne also lived and painted. Here he discovered the landscape of the hills and valleys, fields of lavender, olive trees and almond trees, not only for himself, but even for the French, who rewarded this by adding him to their foremost painters. Coubine returned to Czechoslovakia in 1952 but after 12 years, he decided to return to France, where he died in 1969.

Nicolae Tonitza Othon Coubine Source for self-portraits: Wikipedia - not for auction


OTAKAR (OTHON) COUBINE (CZECH, 1883–1969)Chapel in Simiane(Kaplička v Simiane)Oil on canvasSigned lower right

Size: 20 x 24 in. (51 x 61 cm)Provenance: Estate of Ladislas Hudak, Ottawa, ON; By descent.

Expertise provided by Rea Michalová, Ph. D., Art Historian and Curator:The painting depicts the town of Simiane-la-Rotonde, a Provençal hilltop village, named after the medieval rotunda (donjon) crowning a cluster of homes on a rocky cliff. The artist purchased a house in Simiane and payed tribute to the architecture and beauty of the town in many of his paintings. Michalova writes: “Here he discovered the landscape of the hills and valleys, fields of lavender, olive trees and almond trees, not only for himself, but even for the French, who rewarded this by adding him to their foremost painters… ‘Chapel in Simiane’ is a lyrical landscape, a powerful spell, an oasis of unbroken peace, stability, and noble harmony. The use of lemon and sulfur yellow, inspired by van Gogh, proves once again that Coubine, even in the classical period of “Return to Order” was able to embrace an expressive palette of colours”

[Full assessment is available upon request in Czech and English]

$25000-35000

2130


OTAKAR (OTHON) COUBINE (CZECH, 1883–1969)Provencal Town(Provensálské Mestecko)Oil on canvasSigned lower right

Expertise provided by Rea Michalová, Ph. D., Art Historian and Curator:“The Provencal landscape of the hills and valleys, stone towns and monuments of old times, lonely farms, chapels with bells, olive trees and almond trees formed Coubine’s clas-sicism, a unique synthesis of knowledge and experience of classical traditions of France, modern Czech Landscapes and the entire Latin Mediterranean” This painting, dating from the 1930s, is a beautiful depiction of the French Alpes-de-Haute-Provence region, formerly called the Low Alps (Basses-Alpes). Writes Michalova, “The simple and content environ-ment of Provence, not affected by the dizziness and bustle of city life, allowed Coubine to develop his talent in his painting which are filled with tranquil classical beauty.” [Full assessment is available upon request in Czech and English].

Size: 18.25 x 21.5 in. (46 x 55 cm)Provenance: Estate of Ladislas Hudak, Ottawa, ON; By descent.

$15000-25000

2131


ANDOR BASCH(HUNGARIAN, 1885-1944)

ANTONIN HUDECEK(CZECH, 1872-1941)

Still Life, Articles on a TableOil on boardSigned and dated ‘28 high right

Two works on paper: Spring SunshineSpring Valley Oil on paper laid to board Signed lower right

Size: 15 x 18 in. (38 x 46 cm)

Size: 19.75 x 26.5 in (50 x 67 cm)

$1000-1500

$3000-5000

2132

2133

2132

2133


R. LALIQUE ART DECO OPALESCENT GLASS VASE

GALLE FRENCH CAMEO GLASS VASE

RENE LALIQUE MURES INKWELL TIFFANY GOLD FAVRILE GLASS VASE

Ceylong Budgie pattern, etched mark to base, R. Lalique France.

Yellow ground with layers of purple. Of a tree lined and river landscape.

Frosted glass decorated with thorny branches and berries. Signed R. Lalique on the side.

Baluster form with spreading foot. Marked L.C. Tiffany Favrile 1973 to base. Louis Comfort Tiffany (American, 1848-1933).H 24.2 cm (9 1/2in) H 32.2cm (12 3/4 in.) Dia. 16.5 cm (6 1/2 in.)

H. 21.3 cm (8 3/8 in.)$2500-3500 $3000-5000 $800-1200

$600-800

2134 2135 2136 2137

2134 2135

2136 2137


ROZENBURG DEN HAAG PORCELAIN CUP & SAUCER

MEISSEN PORCELAIN ALLEGORICAL FIGURAL GROUP

MEISSEN PORCELAIN FIGURAL GROUP


Octagonal body eggshell porcelain, hand painted with orchid pattern by Samuel Schellink.

After a model by M.V. Acier & J.J. Schoenheit. Of a crowned female figure holding a key and cornucopia seated on a lion and surrounded by four putt. Crossed swords mark to base.

Of a Classical male god wearing a crown carrying a nude female figure. Crossed swords mark to base and impressed model number 1448-147.

Of a mother nursing her swaddled baby seated on a goat nursing its kid. Crossed swords mark to base and im-pressed number 155.

Dia of saucer 10.5 cm (4 1/8in)

H. 23.5 cm (9 1/4 in.)H. 25 cm (9 3/4 in.) H. 18.5 cm (7 1/4 in.)

$400-600

$3000-5000$1000-1500 $400-600

2138 2139 2140 2141

2138

2140 2141

2139




MONUMENTAL CONTINENTAL PORCELAIN FIGURAL GROUP

FRENCH 19TH C MARBLE SCULPTURE OF A NUDE

Of a proposal of marriage with the bride and groom standing next to a cupid figure at a table with wine and prayer book, crossed sword marks to base and impressed numbers.

Tailor Of Count Bruehl Riding on Goat. Man holding a pair of scissors, carrying a sack of kids on his back. Blue crossed swords mark to base. Modeled after Johann Joachim Kändler (1706 - 1775).

Salon scene with a female figure play-ing the piano, one male playing a cello and another with a violin. With Chelsea Derby style anchor mark to back, but possibly Samson. French or Dresden German. 19th C / 20th C.

After the Bath standing figure with braided hair holding a robe. Signed Etienne Maurice Falconnet (Falconet).

H 18 cm (7 1/8in) H 23 cm (9 in)

H. 83 cm (32 3/4 in.)

L. 78.7 cm (31 in.)From the estate of June Bramall, Oakville, Ontario, Canada.

$2000-3000 $400-600

$1000-1500

$2000-3000

2142 2143 2144 2145

2142 2143

2144

2145


FRENCH WHITE MARBLE SCULPTURE OF A NUDE FIGURE

Of a nude figure provocatively seated on a draped base, signed Félix Maurice Charpentier H. 73 cm (28 3/4 in.)$2000-3000

2146

BRONZE AND MARBLE FIGURAL CANDLESTICKOf a patinated standing cupid next to a candlestick with ormolu mounts on red marble base. French 19th C.H. 33 cm (13 in.)$600-800

2147

FRENCH BRONZE SCULPTURE ON MARBLE BASEOf a Bacchanalian figural group in pro-cession. Signed Claude Michel Clodion.H. 51.5 cm (20 1/4 in.)$1500-2500

2148

FRENCH BRONZE NUDE SCULPTUREOf the Rape of the Sabine Women. Signed Jean de Bologne.H. 60 cm (23 5/8 in.)$1500-2500

2149

2146

2148

2149

2147


EUROPEAN PANEL PAINTING OF MADONNA & CHILD

EUROPEAN PANEL PAINTING AFTER THE DESCENT

Classically painted in the Renaissance manner of Madonna dressed in red and blue holding a naked child in an Italian architectural setting, 17th/18th C. In carved giltwood frame.

Depicting the thirteenth station of Jesus lying in the arms of his mother with an angel above, 17th/18th C. In a carved giltwood frame.

Panel 32.5 x 25 cm (12 3/4 x 9 7/8 in)

Panel: 25 x 33.5 cm (9 7/8 x 13 1/4in)

$500-700

$400-600

2152 2153

FRENCH BRONZE FIGURE OF A NUDE

Diana the Huntress holding a bow and arrow on black variegated marble base. Signed Houdin.H. 63 cm (24 3/4 in.)$600-800

2150

FRENCH BRONZE FIGURE OF CUPIDBy Moreau after a work by William-Adolphe Bouguereau. Foundry mark and stamped AL1608.H. 34.5 cm (13 5/8 in.)$800-1200

2151

2150

2151

2152 2153


EUROPEAN SCHOOL RELIGIOUS PAINTING ON CANVAS

EUROPEAN SCHOOL RELIGIOUS PAINTING OF APOSTLE

FRENCH 19TH C TERRACOTTA FIGURAL GROUP

PAIR OF 19TH C SILVER PLATED CANDELABRA

Of the Madonna dressed in red and blue in the Italian manner, holding a child Christ. A young apostle next to him holding a ribbon for Ecce Agnus Dei or the Lamb of Christ, in the man-ner of Domenico Piola (1627-1703). In carved giltwood frame.

Of Saint Peter grasping his hands in prayer holding a key and looking to the heavens in prayer, 17th/18th C. In gilt-wood frame.

Of two cherubs at play with bow and arrow and heart on a circular base. Signed Etienne Maurice Falconet.

Six branch, seven light, silver plate on brass. With grotesques, and panels de-picting a victory march with elephants, possibly for Rome or for Hannibal. Possibly French or English. Marks to base.

Panel 24 x 30cm (9 1/2 x 11 3/4in)

32.5 x 42cm (12 3/4 x 16 1/2in)H. 41.5 cm (16 1/8 in.)

H. 68.3 cm (26 7/8 in.)From the estate of June Bramall, Oakville, Ontario, Canada.

$800-1200

$400-600$400-600

$800-1200

2154 2155 2156 2157

2154

2156 2157

2155


FRENCH HAND PAINTED PORCELAIN URN FORM LAMP

PAIR OF PARIS PORCELAIN VASES

PAIR OF MEISSEN PORCELAIN COVERED URNS

CHARGER FROM THE LORD NELSON BALTIC SERVICE

Hand painted with garden scenes, maidens and putti, flanked by foliate lustre base and rim. With ormolu mounts. Signed A. Collot. Possibly Sevres.

Cobalt ground enamel hand painted with a leopard and tiger amongst the foliate in the aesthetic manner, 19th C.

Yellow ground in baluster form, hand painted with an export port scenes and floral bouquet on the reverse. Crossed swords mark to base.

Painted with a large armorial crest in the center for Vice Admiral Horatio, Viscount Nelson of the Nile, K B. Border marked Nelson, 22 April and San Josef in gilt. French porcelain with English decoration. Circa 1802. H. of urn: 47 cm (18 1/2 in.)

H 34.5cm (13 5/8 in)

Dia. 31.5 cm (12 1/4 in.)

H. 22.5 cm (8 7/8 in.)

$1500-2500

$400-600$1000-1500

$600-800

2158 2159 2160 2161

2158

2159

2160 2161


PAIR OF FIGURAL FRENCH BRONZE ANDIRONS

PAIR OF FRENCH BRONZE FIGURAL ANDIRONS

PAIR OF FRENCH EMPIRE BRONZE CANDELABRA

Patinated nude figures of Adam and Eve amongst an ormolu bronze base accented with bull rushes. 19th C.

In the Louis XVI manner, each with a reclining lion atop a classical gilt bronze footed base. 19th C. or earlier.

Each with a seated winged angel above gilt bronze base accented with classical swags and mounts and three branch candelabra.

H. 62.5 cm (24 1/2 in.)

L. 45.5 cm (18 in.)

H. 48.5 cm (19 1/8 in.)

$2000-3000

$2000-3000

$1500-2500

2162

2163

2164

2162

2164

2163


EMPIRE EGYPTIAN REVIVAL BRONZE CENTREPIECE

Patinated and gilt bronze obelisk form raised on claw feet with cut glass centrepiece bowl. Possibly French or Russian with a Russian engraved pre-sentation plaque mounted to base. H. 57.5 cm (22 5/8 in.)$3000-5000

2165

RUSSIAN BRONZE SCULPTURE ON MALACHITE BASEBy Vassily Grachev of Travellers in a Troika. Base signed and titled in Cyrillic.L. 25.5 cm (10 in.)$4000-6000

2166

ITALIAN WHITE CARRARA MARBLE SCULPTUREOf a nude maiden with putti figure amongst the grasses and lyre instru-ment, signed Pietro Bazzanti (1825-1895) Firenze.H 82.5 cm (32 1/2 in.) With dark green marble column.From the estate of June Bramall, Oakville, Ontario, Canada.

$2000-3000

2167

PIETRO BAZZANTI CARVED ALABASTER FEMALE FIGURE

19th C sculpture of a woman holding a basket of fruit while reading a book. Inscribed P. Bazzanti, Florence to base. Pietro Bazzanti (Italian, 1825-1895).H. 78.7 cm (31 in.)$1500-2500

2168

2165

2166

2167

2168


ANTIQUITIES FROM A TORONTO COLLECTION

ROMAN TERRACOTTA SATYR MASK

The bacchanalian theater mask with pierced eyes and mouth, probably late Hellenistic, circa 2nd C.H 26.5cm (10 in.)

Provenance: Dr. T.A. Heinrich, former director of the Royal Ontario Museum, Toronto. Former curator of European Art, Metropolitan Museum of Art, NY.

Exhibited 1959, Royal Ontario Museum, Toronto, The Many Faces of Man.

Exhibited 1961, Isaac Delgado Museum of Art, New Orleans, Mask and Masquerages.

$7000-9000

2169

ANCIENT ROMAN MARBLE HEAD OF A GODDESSIn the Louis XVI manner, each with a reclining lion atop a classical gilt bronze footed base. 19th C. or earlier.H of marble 25.5 cm (10 in)$7000-9000

2170

2169

2170


ANCIENT GREEK CARVED MARBLE ALTAR LEG

ANCIENT GREEK ATTIC BLACK POTTERY SKYPHOS

AN ANCIENT BOEOTIAN TERRACOTTA HORSE AND RIDER

ANCIENT TERRACOTTA RAM FIGURE

Tapering column-form terminating in a classical female head, possibly Alexandrian, 100BC-100AD.

Large format with a central panel of classical warrior figures. Fully restored.

Hand-modelled, with painted stripes along the horse’s body, Archaic period, circa 575-550BC.

Modeled with realistic hair and horns, probably, Luristan, 700 BC.

H 94 cm (37in)L 34.5 cm (13 1/2 in)

L 12cm (4 3/4in)H 11.5cm (4 1/2in)

$6000-8000$1500-2500

$800-1200$200-400

2171 2172

2173 2174

2171

2172

2173

2174


TWO LURISTAN BRONZE MASTER OF ANIMALS FINIALS

A SUMARIAN ANCIENT BRONZE VESSEL

ANCIENT BRONZE FIGURAL PIN ROMAN BRONZE LION MASK HANDLE APPLIQUE

Early, 1st Millennium, BC. on lucite stands.

The bowl with elongated spout, Mesopotamia Valley, 3000 - 2000 BC.

With a Zebu Bull handle, probably Amlash-Marlik Culture, North-West Persia, circa 1500-1000 BC.

Possibly a door knocker with separated loop, Hellenistic. On lucite stands.

H of tallest 20.5 cm (8 in) L 15 cm (6in)

Exhibited in the Royal Ontario Museum Near Eastern Galleries. With accession number.

L 32 cm (12 3/4in) Dia of lion13 cm (5 1/8in)

$1000-1500

$500-700

$600-800 $1000-1500

2175 2176 2177 2178

2175

2177

2178

2176


THREE LURISTAN BRONZE BIRD PENDANTS

FIVE LURISTAN BRONZE ANIMAL PENDANTS

ANCIENT BRONZE WARRIOR FIGURE

ANCIENT BRONZE CAT PENDANT

Including a three-headed bird from the Zagros mountains, Persia, all circa 700 BC.

Birds and figures. Zagos Mountains, Persia, 700BC.

Probably Luristan, in standing position on lucite stand.

Of the front half of the cat, possibly Egyptian.

H 2.5cm (1in).

L 2.5cm (1in)

H 7.3cm (2 7/8in)Total H 12 cm (4 3/4in)

$400-600$400-600

$300-500 $600-800

2179 2180

2181 2182

2179

2180

2181 2182


EGYPTIAN PRE DYNASTIC HAIR PIN

ROMAN GLASS BEAKER BOWL

Terminating in a bird finial with cross hatched design, of a hippo tooth, circa 3500BC.

Green glass with applied foot and rough pontil, probably Palestine descent, cir-ca 200-300AD.

H 10cm (4 in)

Dia 9.5 cm (3 3/4i n)

$300-500

$300-500

2183 2184

PATRICK NASMYTH(SCOTTISH, 1787–1831)

Landscape with CottageOil on CanvasSize: 28 x 36 in (71 x 91 cm)Provenance: With Odon Wagner Gallery, Toronto Partial remains of old labels verso identify the artist as Patrick Nasmyth

$3000-5000

2185

2183

2185

2184

18TH/19TH CENTURY BRITISH & SCOTTISH PAINTINGS


HENRY CHEADLE(BRITISH, 1852-1910)A Pair of Landscapes:In the Valley, North WalesIn the Conway Valley, North WalesOil on canvasBoth signed lower leftSize: 29 x 20 in. (74 x 51 cm)Provenance: With Odon Wagner Gallery, Toronto

$1500-2500

2187

2187

HENRY CHARLES BRYANT (AMERICAN, 1812-1890)Farmyard AnimalsOil on CanvasSigned lower right

Size: 28 x 34 in (71 x 86 cm)Provenance:With Odon Wagner Gallery, Toronto

$2000-3000

2186

2186


GEORGE WALTER HARRIS (BRITISH, 1835-1912)

Still Life with Fruit: a pairOil on CanvasSigned lower right and lower left, re-spectivelySize: 12 x 14 in (30 x 36 cm) (each)Provenance: With Odon Wagner Gallery, Toronto$800-1200

2188

SIR WILLIAM BEECHEY(BRITISH, 1753-1839)Portrait of Sir John Chambers Reade (Sixth Baronet of Barton Berks 1785-1866)Oil on canvasSize: 36 x 28 in (91 x 71 cm)Provenance: The Estate of June Bramall, Oakville, On.; with accompanying auction receipt D&J Ritchie dated 11/30/1994 sale 390$2000-3000

2189

CIRCLE OF ROBERT WYLIE (AMERICAN, 1839–1877)A Breton GirlOil on canvas Bears another signature ‘George Clausen’ lower rightSize: 31.5 x 23.75 in (80 x 60 cm)Provenance: Estate of June Bramall, Oakville, ON

$2000-3000

2190

STANSMORE R.L. DEAN STEVENSON (SCOTTISH,1866-1944)Girl in Blue (c. 1897)Oil on canvasSigned mid-right

Size: 50.25 x 20 in (128 x 51 cm)Provenance: Estate of June Bramall, Oakville, ON;The Fine Art Society, London;with accompanying receipt dated 19 March 1997

$3000-5000

2191

2188

2190 2191

2189


$2000-3000

ALFRED AUGUSTUS GLENDENING SNR (BRITISH,1861-1907)Pair of Landscapes:On the ThamesMan with FlockOil on canvasSigned with initials and dated ‘67 lower left & ‘68 lower right

Size: 8.25 x 15 in (12 x 38 cm)Provenance: With Odon Wagner Gallery, Toronto

2192

LOUIS BOSWORTH HURT (BRITISH, 1856-1929)Glencannich, ArgyllshireOil on canvasSigned lower right

Size: 24 x 40 in (61 x 102 cm)Provenance:Purchased fromW.B. Simpson, Glasgow in 1952;By descent to present private collection, Toronto.

$7000-9000

2193

ALFRED FONTVILLE DE BREANSKI JR (BRITISH, 1877-195DerwentwaterOil on canvasSigned lower rightSigned and titled versoSize: 20 x 30 in (51 x 76 cm)Provenance: With T. Eaton Co. The Fine Art Galleries stock number 3202$2000-4000

2194

2192

2193

2194


GEORGIAN MINIATURE FIVE DRAWER CHEST

MINIATURE BOW FRONT FIVE DRAWER CHEST

VICTORIAN OAK MINIATURE ROLL TOP DESK

ANTIQUE OAK MINIATURE TWO DOOR ARMOIRE

ANTIQUE MAHOGANY MINIATURE FIVE DRAWER CHEST

VICTORIAN MINIATURE THREE DRAWER CHEST

With parquetry inlay in burled walnut and rosewood, English, 18th/19th C.

Mahogany in the Georgian style, English, 19th C.

With three full drawers and two smaller drawers in interior, bronze escutch-eons, English, late 19th C.

In the 17th/18th C English manner with panel doors and shelved interior, 19th C.

With wood pulls and bun feet on plat-form base, English, 19th C.

Made of softwood stained to look like Mahogany on two turned front feet, English, 19th C.

H 18cm (7 in.) H 25cm (9 3/4 in)

H 28 cm (11 in.)

H 45cm (17 3/4in.) H 38cm (15 in.) H 44cm (17 1/4in)

$600-800 $400-600$400-600

$400-600 $500-700 $300-500

2195 2196 2197

2198 2199 2200

2195

2198

2196

2199

2197

2200

ANTIQUE MINIATURES


GEORGIAN MINIATURE MAHOGANY CANDLE STAND

PAIR OF 18TH C CARVED MAHOGANY CHAIRS

DUTCH DELFT POTTERY FIGURAL CHARGER


Square form with gallery, plane sides and drink slide, English, 19th C.

With Chippendale style carved backs, egg and dart decoration around the seat, raised on ball and claw feet, possi-bly Provincial or Colonial origins.Oil on canvas

Of a royal queen on horseback sur-rounded by a leaf border in a purple and yellow palate, 18th C.

Polychrome painted with a bird perched amongst flowers, brown bor-der, 18th C.

H 44 cm (17 1/4 in.)

H 102.5 cm (40 1/4in.)

Dia 34.5cm (13 1/2in) Dia 42cm (16 1/2in)$200-300

$1500-2500

$300-500 $400-600

2201 2202 2203 2204

2201

2203 2204

2202


TWO DUTCH DELFT POTTERY FLORAL CHARGERS

TWO DUTCH DELFT POTTERY CHARGERS

THREE DUTCH DELFT POTTERY CHARGERS


TWO DUTCH DELFT POTTERY FIGURAL CHARGERS

THREE DUTCH DELFT POTTERY PLATES

Each polychrome painted in blue, iron red and yellow with central floral bou-quets, 18th C.

Both in a palate of blue and white in the manner of Chinese export Kraak ware and Kangxi, 18th C.

All with a scalloped body. Two larger polychrome painted with figural scenes of deer and a gentleman riding horse-back. The third blue and white in the Chinese export manner, 18th or earlier.

Polychrome painted in yellow, pink and green with a bird amongst foliage, 18th C.

Polychrome painted in a muted palette of blues, purple and yellow. Each with a bird amongst foliage, 18th C.

Including a pair of polychrome painted floral plates and another, 18th C.

Dia 34 cm (13 1/2in) Dia of largest 34cm (13 1/2 in)

Dia of larger 32.5 cm (12 3/4in)

Dia 35.4cm (13 1/2 in)

Dia 32.5 cm (12 3/4 in)Dia 23cm (9 in)

$500-700 $500-700

$500-700

$300-500

$500-700$300-500

2205 2206

2207 2208

2209 2210

2205

2208

2206

2209

2207

2210

DELFT POTTERY CLASSICAL FORM URN

Serpentine handles terminating in grotesque masks, blue and white floral painted neck and base, with central Dutch port scene and figures on re-verse.H. 53 cm (20 7/8 in.)$600-800

22112211


DIRK JAN HENRIK JOOSTEN (DUTCH, 1818-1882)Still Life with FruitOil on panelSigned lower leftSize: 29.5 x 23 in (75 x 58 cm)Provenance:With Odon Wagner Gallery, Toronto

$7000-10000

2212

FOLLOWER OF WILLEM VAN DE VELDE THE YOUNGER(DUTCH/BRITISH, 1633–1707)British and Dutch Squadrons at SeaOil on canvas

Size: 57.5 x 36 in (145 x 91 cm)Provenance: Private Collection, MontrealNote: Probably depicting a battle from the Anglo-Dutch Wars

$4000-6000

2213

ATTRIB. TO ALLART VAN EVERDINGEN(DUTCH, 1611-1675)

Galleons in Roiling WatersOil on canvasSize: 15.5 x 28.25 in (39 x 72 cm)Provenance: The Estate of Ruby Fowlie, wife of Patrick Milligan Fowlie, President of Shell Oil 1929-1948; Dominion Gallery, Montreal, with original receipt dated 31 May 1958;Acquired by father of Max Stern of Dominion Gallery from the collection of Baron von Bethmann-Hollweg, Schloss (Castle) Rheineck, Western Germany.$5000-7000

2214

ATTRIBUTED TO JOHN GILES ECCARDT(GERMAN/BRITISH, 1720-1779)

Portrait of a Naval Officer (Possibly Matthew Bootle) Oil on canvas Size: 50.5 x 40 in (128 x 102 cm)Size: 50.5 x 40 in (128 x 102 cm) Note: Label verso gives name of sitter as “Matthew Bootle; Brother of Sir Thomas (tradition says he was lost at sea) and artist as ‘Johann Eckhardt.’ Sir Thomas Bootle (1685-1753), Lathom Hall, Lancashire, was a member of parliament for Liverpoole (1724-34) and for Midhurst (1734-1753) (The History of Parliament: the House of Commons 1715-1754, ed. R. Sedgwick, 1970)

$3000-5000

2214A

2213

2214A

22142212


DOMINIQUE DE BAST(DUTCH, 1781–1842)

GUSTAVE JEAN JACQUET (FRENCH, 1846-1909)

FERDINAND VICTOR LEON ROYBET(FRENCH, 1840-1920)

AFTER JEAN-ANTOINE WATTEAU (FRENCH, 1684-1721)

Port SceneOil on panelSigned lower left

Portrait of a Lady in Pink HatOil on cradled panelSigned lower left

CavalierOil on panelSigned high left

Gathering in the Country with View of a Lake (I’Isle Enchantee)Oil on canvas laid to boardFramed in the oval.

Size: 10.25 x 13.5 in (26 x 34 cm)Provenance:With T. Eaton Co. of Montreal inventory 30908/2

Size: 13 x 9.5 in (33 x 24 cm)Provenance:With Frederick W. Thom Limited, Toronto

Size: 31.25 x 24.7 in (79 x 63 cm)Provenance:With Frederick W. Thom Limited, Toronto

Size: 30 x 36 in. (76 x 91 cm)Note: The original painting was said to belong to J.S. Cartault, architect to the Duc de Berry and Crozat. Then it belonged to the painter Joshua Reynolds, who retouched it extensively. The original is now said to belong to a private collection in Switzerland.

$3000-5000

$3000-5000$2500-3500

$7000-9000

2215 2216 2217 2218

2215

2217

2218

2216


PHILIBERT-LEON COURTURIER (FRENCH, 1823-1901)

The Bounty of the Day’s HuntOil on panelSigned lower rightSize: 12.75 x 18 in (32 x 46 cm)$1800-2200

2219

FRENCH BRONZE SCULPTURE, LE TRAVAILOf a blacksmith seated amongst his tools. Signed Charles-Auguste Le Bourg (1829-1906). Md. Fondeur Acquis par la Ville de Paris. H. 33 cm (13 in.)

$600-800

2221

FRENCH BRONZE SCULPTURE OF A BOY

Carrying the harvest, being chased by a bird. Signed Auguste Moreau. 19th C.H. 71 cm (28 in.)$1500-2500

2222

2219

2220

2220A

LOUIS THEODORE-DUBÉ(ACT. 1861-1925)Ploughing the Nevers(After Rosa Bonheur)Oil on canvas

Signed and dated ‘Paris 1890 d’apres Rosa Bonheur’ lower rightSize: 30.75 x 55.5 in (78 x 141 cm)Note:After the original by Rosa Bonheur (1822-1899)Ploughing in Nevers also called The First Dressing1849, in the collection of the L’Ouvre, Paris.Louis Theodore-Dubé was born in Saint-Roch Des Aulnets (Quebec) and studied in Montreal. He is recorded as a Canadian artist-copiest granted permission to copy works in the National Gallery, London and was known to have worked in Paris between 1891-1909 (Journal of Canadian Art History)

$1500-2500

2220

2221

2222

JOSEPH-ANTOINE BOUVARD (FRENCH, 1840–1920) Venice at Dusk Oil on canvas Signed lower rightSize: 9.5 x 13 in. (24 x 33 cm) Provenance: With Galerie Walter Klinkoff, Montreal$2000-3000

2220A


FRENCH BRONZE BUST ON MARBLE BASE

FRENCH BRONZE SCULPTURE OF A CHILD WITH BIRD

FRENCH BRONZE SCULPTURE OF A FAIRY

FRENCH ART NOUVEAU BRONZE BUST

Signed Jean-Antoine Houdon. And nest of eggs in the other hand, seated amongst foliage and tree, on fitted wood stand. Signed Moreau.

Entitled Libellule. Signed Math. Moreau.

Patinated young woman with head scarf and shawl. Signed Lorenzo Colombo (1856-1885).H. 36 cm (14 1/8 in.)

Total H. 54.5 cm (21 1/2 in.)H. 50 cm (19 3/4 in.)

H. 35.5 cm (14 in.)$400-600

$600-800$400-600

$800-1200

2223 2224 2225 2226

2223

2225 2226

2224


FRENCH BRONZE SCULPTURE OF A WOMAN

WHITE MARBLE TORSO OF VENUS

PAIR OF ITALIAN BLANC DE CHINE POTTERY FIGURES

LARGE ITALIAN BLANC DE CHINE POTTERY FIGURAL GROUPStanding in draped garment, titled Le

Crepuscule. Signed Auguste Moreau.Standing with a slight bend in her body, possibly Roman, circa 1-2nd C AD, on lucite stand.

Of: ratto di una sabina museo di firenze & ratto di pulissina museo di firenze. Naples, 18th/19th C.

A classical bacchanalian theme of the gods at play, impressed Naples N with crown mark, 18th/19th C.

H. 50 cm (19 3/4 in.)H of figure 31cm (12 1/4in)

H35.5 cm (14 in.)H 42cm (16 1/2 in.)

$600-800$1000-1500 $800-1200

$600-800

2227 2228 2229 2230

2227 2228

2229

2230


PAIR OF COALPORT ENGLISH PORCELAIN URNS

PAIR OF ANTIQUE ENGLISH GILT FRAMED MIRRORS

BRITISH SCHOOL PORTRAIT OF THOMAS CRANMER

17TH C DUTCH SCHOOL

Cobalt and cream ground with gilded handles and swags. Each side hand painted with a landscape cartouche. Model numbers to base.

Each accented with a classical painted portrait medallions and candle sconce. 18th C.

Archbishop of Canterbury 1533-1555. Oil on panel, probably 16th century mounted in a later frame.

Dutchman in Fur Cap and CloakOil on copper contained in an ebonized wood frame Monogram “PDG” mid-leftSize: 9.75 x 8.75 in (25 x 22 cm)

H. 45.7 cm (18 in.)

41.5 x 80.5 cm (16 x 31 3/4in)From the estate of June Bramall, Oakville, Ontario, Canada.

H 33 cm (13in)Provenance: The Estate of Ruby Fowlie, wife of Patrick Milligan Fowlie, President of Shell Oil 1929-1948; Sold to the above by Margarethe Lindemann, Picture restorer, London in 1956

$600-800 $1500-2500

$800-1200

$1000-1500

2231 2232 2233 2234

2231

22332234

2232


PAIR OF CARVED & POLYCHROME PAINTED BLACKAMOORES

PAIR OF AUSTRIAN GLASS & BRONZE URNS

BLACK FOREST CARVED WOOD FRAGMENTS

Each in traditional Venetian dress and holding plateaus and a paddle while standing on a gondola boat, 19th C.

With classical handles, the covers re-verse to be candle sconces, late 19th/early 20th C.

Of birds, fruit and blossoms each mounted to a contemporary wood stand.

H 54cm (21 1/4 in)H 25 cm (9 3/4 in.)

Overall L 130cm (51in)

$600-800$300-500

$400-600

2235 2236

2237

ANTIQUE FRENCH CARVED GILTWOOD MIRRORWith decorative ribbon top accented with an oval mirror, 18th/early 19th C.H 70cm (27 3/4in)$250-350

2238

2235 2236

2237

2238


JOHN WILLIAM BEATTY OSA, RCA (1869-1941)

Rocky Mountain PeakOil on boardSigned lower leftSize: 10.5 x 8.5 in. (27 x 22 cm)Titled faintly in pencil verso$4000-6000

2239

NORVAL H. MORRISSEAU(1931-2007)Learning Traditional WaysTriptych (1978)Oil on canvasSigned in syllabicsSize: 19.5 x 15.25 in (50 x 39 cm) (each)Provenance: Pollack Gallery, Toronto$35000-45000

2240

2239

2240

CANADIAN FINE ART


ARTHUR SHILLING(CANADIAN, 1941-1986)Reflections I (1982)Oil on canvasSigned and dated ‘82 lower leftSigned, titled and dated Rama 1982 to stretcher versoSize: 18 x 24 in. (46 x 61 cm)Provenance: Estate of Ludovic A. Veilleux,Signed verso “Aug 19/84” “Black River, Muskoka Ont”$4000-6000

2241

ARTHUR HENRY HOWARD HEMING(CANADIAN, 1870-1940)Three works:MountieOil on canvasSigned and dated ‘07 lower left

Rescue at SeaOil on canvas

Encounter of a Wolf and Mountain GoatOil on canvas

Size: 13.75 x 11.2 in (35 x 28 cm)

15.75 x 11.5 in (40 x 29 cm)

17.25 x 22.25 in (44 x 57 cm)

Note: “Rescue at Sea” and “Encounter” are not signed but belong to same collection as “Mountie”$5000-7000

2242

2241

2242

Arthur Heming, the “Northern Chronicler” was an illustrator and writer, publishing three wilderness adven-ture stories, was an illustrator and writer, who published three wilderness adventure stories: Spirit Lake (1907), Drama of the Forests (1921), and The Living Forest (1925), and illustrated for many other Canadian and American publications in the first decades of the twentieth century. The subject of his illustrations fea-tured scenes of the North, often with dramatic action and magnificent beasts meant to appeal to readers of fiction. The Mountie was a staple of American fiction during this era and this example shows the Mountie in uniform with a hand drawn, thick border that was characteristic of his style, as found in Mooswa and Others of the Boundaries (William Alexander Fraser and Arthur Heming, 1900) for instance. One of the most remarkable aspects of Heming’s work in addition to the streamlined and perfected design in the tradition of the Arts and Crafts aesthetic, is the achromatic colour palette, a result of his diagnosis of colour blindness as a child. The marine subject matter of “Whalers in a Stormy Sea” is unusual for the artist, though in 1916 Heming published a series of whaling paintings in McLeans for which this canvas may have been prepared but never published. In his lifetime Heming was somewhat of an outcast from the traditional art world and was criticized by his contemporaries including members of the Group of Seven for being too commercial. While the dominant aesthetics of the time were centered on portraying an uninhibited, pure northern landscape, Heming, in the tradition of Paul Kane, George Catlin and others illustrator-reporters, was instrumental in defining how the world, and in particular, how Americans, came to understand the Canadian life and culture.

[Thanks to Jaleen Grove and James Stone for their contributions.]


ALFRED JOSEPH CASSON OSA, PRCA (1898-1992)Credit Forkes, 1930WatercolourSigned lower rightSize: 9.1 x 10.5 in (23 x 27 cm) (sight)Provenance: Private Collection, Hamilton;Roberts Gallery, Toronto.$8000-12000

2244

ARTHUR LISMER OSA, RCA (1885-1969)Tree Trunk and FoliageCharcoal and inkSigned and dated July 31 ‘60 lower leftSigned again in felt pen above

Size: 16.5 x 12.5 in (42 x 32 cm) (sheet)$1800-2200

2245

NO LOT

2246

2244

2245

2243

FREDERICK ARTHUR VERNER OSA, ARCA (1836-1928)Farmyard in WinterOil on canvasSigned lower rightSize: 16 x 22 in (41 x 56 cm)Provenance: Master’s Gallery, partial label to stretcher verso$2000-3000

2243


FREDERIC MARLETT BELL-SMITH OSA, RCA (1846-1923)Lake Louise, BanffWatercolourSigned lower left

Lake Louise

Mount Cavell

Hermit Range

Mount MacDonald

Mount Robson

Eagle Pass

and:Six miniature landscapesWatercolourEach signed.Including:

Size: 11.5 x 18 in (29 x 46 cm) (sight)

(3.25 x 4.25 in) (8 x 10 cm)

(3.5 x 3.5 in) (9 x 9 cm)

(3.1 x 4.1 in) (8 x 10 cm)

(4.1 x 3.1 in) (10 x 8 cm)

(4 x 2.9 in) (4 x 7 cm)

(4 x 3 in) (10 x 8 cm)

$3000-5000

2247

JEAN-PAUL RIOPELLE (CANADIAN, 1923-2002)Le Singe (1968)EtchingSigned and numbered 8/75 in pencil to margin

Size: 17.3 x 13.1 in (44 x 33 cm) (plate)$1500-2000

2248

2247

2248


SPODE STAFFORD FLOWERS PATTERN SERVING PIECES

FOUR SPODE STAFFORD FLOWERS PATTERN SERVING PIECES

SPODE STAFFORD FLOWERS TEA & COFFEE SERVICE

SPODE STAFFORD FLOWERS PATTERN DINNER SERVICE

TWO PRS OF SPODE STAFFORD FLOWERS CACHE POTS

Including a large soup tureen on stand, open vegetable bowl, footed comport and low tureen. Made in England.Patterns include Iris & Sphaerolobium,

Two graduated platters and two shell dishes. Made in England. W. of largest platter:

Five pieces including teapot, coffee pot, covered sugar, milk jug, creamer, and tea bag dish. Made in England.

39 pieces including eight sandwich plates, six dinner plates, nine salad plates, four side plates, six bread and butter plates, and six demi-tasse cups and saucers.

Larger pair probably ice buckets or wine coolers. Together with a smaller pair. Made in England.

24 cm (17 1/4 in.)

Dia. of dinner plate: 28 cm (11 in.)

H. of largest: 17 cm (6 3/4 in.)

$800-1200$600-800

$600-800

$1000-1500

$600-800

2249 2250

2251 2252

2253

2249

2251

2250

2252

2253


FRENCH BRONZE AND MARBLE TWO TIERED SIDE TABLE

FRENCH BRONZE AND MARBLE TOP GUERIDON TABLE

ANTIQUE FRENCH CARVED GILTWOOD MIRROR

ITALIAN CARRERA MARBLE FIREPLACE MANTEL

ANTIQUE MURANO GLASS MIRROR

ANTIQUE MURANO GLASS MIRROR

Circular guéridon form raised on three ram head capped ormolu legs.

Two toned patination with heavy claw feet and dragon capped legs.

With double mirrored sides and carved top.

The legs of the surround each carved with a cherub, foliage and fruit swags.

Scrolling form accented with blown glass florets and flourishes. The mirror frame etched with swags.

Scrolling form with applied glass florets and etched decoration.

H. 31 in. Dia. 19 1/2 in.Dia. 25 1/2 in.

23 1/2 x 40 in. 67 in. x 46 3/4 in. (W x H). Interior: 38 in. x 33 1/2 in. (W x H)

51 in. x 29 in. (L x W)51 x 48 in

$700-900 $400-600

$400-600$3000-5000

$500-700$600-800

2254 2255

2256 2257

22592258

2254

2255

2256

2258

2259


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ASIAN ARTS AUCTION70 A.H. WILKENS

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Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away. Notwithstanding the previous conditions of sale, if within fourteen(14) days after the sale of the lot the purchaser gives notice in writing to A.H. Wilkens Auctions & Appraisals Inc that the lot sold is a forgery and within seven days after such notification the buyer returns the same to A.H. Wilkens Auctions & Appraisals Inc in the same condition as at the time of sale, A.H. Wilkens shall have the right to have the purchaser obtain, at the purchasers expense, the written opinion of two recognized experts in the field, mutually acceptable to the purchaser and A.H. Wilkens, before we determine whether to rescind the sale. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000) Should the item not be paid for within the time limit stated, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

ASIAN ARTS AUCTION A.H. WILKENS

299 Queen St. East, Upper Gallery | Toronto . Ontario . M5A 1S7

P 416.360.7600 | F 416.360.8900 | E [email protected]

二九九www.ahwilkens.com

Documents

FINE & DECORATIVE ARTS - ahwilkens.comahwilkens.com/pdf/ahw-june2018-deco-web.pdf · GEORGE II ENGLISH SILVER TOT CUP ... thumb piece. Amsterdam, 1868. L. Cast shell terminal and