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Jack Wilson
Honors Literature Period 2
Ms. Windisch18, March 2012
Philosophers have tried to answer ontological1
questions since the dawn of human
existence; but despite their greatest efforts, no cogent answer has ever been or will ever
be found. However, by observing how we treat each other and how we form our
perceptions of others, a piece of literature can help us approach an understanding of
ontology. In the roaring twenties, eEach social class despite being different in wealth
was equal in its immorality, an immorality that forever changed our perceptions of
humanspeople of the time period. In his novel, The Great Gatsby, F. Scott Fitzgerald
portrays the social interactions and aspirations of the upper, middle and lower classes in
the roaring twenties through the characters of Daisy Buchanan, Jordan Baker and Myrtle
Wilson and shows how each social class despite being different in wealth was equal in its
immorality.
Daisy Fay Buchanan is symbolic of how upper class women were perceived in the
roaring twenties. Beneath her veneer of beauty and charm, Daisy is actually corrupted by
wealth, incompetent and dependentand her lust for money. When he Fitzgerald describes
her voice as it was full of moneythat was the inexhaustible charm that rose and fell
1Ontology is the study of being. Unlike other forms of philosophy it does not focus on why we are here, or what it means to be
moral. Rather, it focuss on what it means to exist. Not a purpose for life, but rather, an explanation of how we live and how
our moral decisions do affect our being.. In short, ontology is who we are when we exist, what is our being and what is the
perception of our being. When one says that we evaluate how something affects our ontology we generally agree that the
means by which we gather knowledge are perception because what we perceive is the only thing that we can truly have
internal confirmation.
Comment [JW1]: Transition betw
end of this sentence and the next sthink it is adequate but not necessa
worth an excellent
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Comment [JW2]:Daisys paragrashould say that despite being pure
innocent on the outside she is corru
her wealth and incompetence. It sh
two independent paragraphs one f
wealth and greed and one for her
incompetence.
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in it, the jingle of it, the cymbals song of it (Fitzgerald 120), , Fitzgerald heprovides a
clear correlation between wealth and corruption. By characterizing Daisys voice as full
of money, Fitzgerald implies that greed is at the core of Daisys moral charactereven
though it may not be apparent on the surface. .
Likewise, Daisys very name symbolizes how is perceived by societyher corrupted
character. For example,This is due to the fact that a Daisy is a flower with a white
outside and a yellow inside. The white outside is representative of her innocence, and
throughout the entire novel she wears white clothing, for example, she is wearing a white
dress when she has lunch with Nick and again laterat Gatsbys party. (Insert citation for
Fitzgerald) But, the yellow inside of the flower illustrates her corrupted inside, the
corruption that money and wealth has caused. Hence, contrary to her outside, her inside
is corrupted just the like the flower for which she was named after.
Daisy represents how women are perceived by acting extremely incompetent, and
dependent on the source of her wealth. Moreover,Daisysbecause of the....
wealthWealthshe [that she] enenjoys and [due to] the privileged class to which she
belongs, Daisy expects [and needs]others to take care of her (Pelzer 127). Throughout
the entire novel Daisy is dependent on either Tom or Gatsby. In And, in the end she
chooses Tom not necessarilybecause oftrue love but because she knows his wealth will
take care of her. She originally gives up on Gatsby due to his lack of wealth despite his
pure heart, which illustrates her dependence on those who provide for her. For her entire
life, Daisy has been waited on hand and foot. The first time she met Tom he threw her a
magnificent party and treated her like a Queen. (Add internal citation here from the
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Great Gatsby). Her desire for wealth and her need for attention make her seem
incompetent and dependent. Thus, Daisy is symbolic ofthe an upper class , a class that is
perceived to be corrupted and incompetent throughout the entire novel.
Jordan Baker, on the other hand, is symbolic of how the women of the middle
class middle class women were perceived in the era as . Jordan represents the women
who had needed to earn their new money as well as and the women that are willing
towould do anything to rise to the top to society and join the upper class. This portrays
women as the epitome of evil and agents of greed. For example, at her golf tournament
Jordan is willing to cheat in order to win, At her first big gold tournament[as] there was
a row that nearly reached the newspapersa suggestions that[suggesting that] she had
moved her ball from a bad lie [spot] in the semi-final round (Fitzgerald 62). Her
cheating and her deception demonstrate her greedbecause as it portrays how that she she
is willing to stop at nothing to win, no matter the price. Jordans iniquity universalizes a
negative depiction of the middle classbecauseas, Jordan thinks nothing of cheating to
win an important gold tournament (Studyworld Studynotes, The Great Gatsby 5).
Jordans actions further portray the iniquity portrayed by Fitzgerald. Whether it be
drinking or cheating the roaring twenties was full of immorality.
Moreover, in the middle class, people such as Jordan are not corrupted by the
money itself but rather for the desire for wealth.. ,This This immorality propels women
like Jordan to be successful no matter the cost asJordan will [to] stop at nothing to
succeed in her [their] world (Studyworld Studynotes: The Great Gatsby 5). Her desire
for success therefore, trumps her moral decision calculus inciting a negativeperception
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deleteriousof to women in ofthe time period. Despite her social standing being lower
than that of Daisy her unique desire to be wealthy drivers her iniquity. Hence, Jordan
illustrates women full of iniquity and those who are willing to do whatever it takes, no
matter the moral cost, to rise to the top.
Contrary to Daisy and Jordan, Myrtle Wilson is representative of the poor lower
class2
women, only dreaming of rising above the ashes and starting a new life. This
desire for a fresh start deceives Myrtle and other lower class women by giving them a
taste of something that they can never have. Myrtles appearance like her attitude is not
attractive but rather, frank and abrupt as, She was... in her middle thirties, and faintly
stout, but she carried her surplus flesh sensuously as some women can. [And hHer
face..., above blue crepe-de-chine, contained no facet or gleam of beauty (Fitzgerald 29-
30). Hertough hardy appearance also illustrates her desire to rise above the ashes to a
soft, comfortable life that the wealthy women such as Daisy lead.
Her taste of the good life, or the American Dream comes when she serves acts
as Tom Buchanans s mistress in New York City,. (Fitzgerald 27). For example,
TThrough herselfish quest, to seek a little of the good life, Myrtle... gladly accepts
[Toms advancesTom]... and takes advantage of his generosity. In particularFor
2The Great Gatsby takes place in three distinct settings. There is the Oyster Bay Region (known by East and West Egg in the
novel), the Flushing Meadows region (Valley of Ashes) and New York City. The poorest of these three regions is the city valley
of ashes. There is practically no money and all these the people inhabitantswant is a chance to rise above the ashes in other
words have a fresh start in a world full of wealth and prosperity. Thus, when I say the rise above the ashes the analogy implies
a fresh start.
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example, when Myrtle is with Tom she goes on extravagant shopping sprees..,
practicallybuying everything in sight (Bloom 71) , as. Myrtle is always willing to spend
a little of Toms money on dogs, magazines or perfume. (Insert internal citation) It gives
hera impossible dream a hope and only makes it harder more difficult for her to return to
her loving husband Wilson.
This dream of wealth betrays Myrtle as she embarks on a hopeless journey for
happiness in wealth, something she will never truly have. This is illustratedwhen she, is
never truly happy reaching out for something she can never have, never finding
contentment in either situation...[and].... aAs she meets her tragic end and her
husband[Wilson] realizes the lie that she has been living, [as] he is left alone to avenge
her betrayal (Searles 45-46). Thisportrays depicts the women of the lower class seem
as needybut and still hopeless. This hopeless dream,almost essentially dehumanizing
deceiving themby as making their escape from poverty is impossible. Thus, Myrtle
represents the lower class women in the roaring twenties with big hopes and dreams; but
the impossibility offulfilling thosemaking those dreams come realities renders them
helpless, hopeless and needy.
In the Great Gatsbyy the three women Daisy Buchanan, Jordan Baker and
Myrtle Wilson each play a vital role in portraying the social structure. Likewise, these
three women also play vital roles in determining how women are portrayed in their
societal roles. This is explained when, The reader is exposed to three distinct levels of
society each with its own triumphs and trials. Daisy typifies a [rich] women of the era,
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while Jordan represents a defiant up to date women and Myrtle illustrates a typical
working class women trying to escape the harsh realities of her meager existence
(Searles 43). Within these social classes Daisy portrays women as corrupted, spoiled and
dependent. Jordan depicts women as self-reliant but immoral and deceptive and Myrtle
illustrates women trying to rise above the ashes to have the ability to be spoiledescape
their harsh reality. Each of these women portray women each social class in a negative
connotation within their social classes suggesting that women people at the time where
devalued compared to men. despite being different in wealth, were equal in iniquity.
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Works Cited
Bloom, Harold. Gatsby. New York: Chelsea House Publishers, 1991.
Fitzgerald, F. Scott. The Great Gatsby. New York: Simon and Schuster, 1925.
Lewis, CS. Mere Christianity. 1943. New York.
Pelzer, Linda C. Beautiful Fools and Hulking Brutes: F. Scott Fitzgeralds the Great
Gatsby (1925). Women in Literature: reading through the lens of gender. Ed.
Jerilyn Fisher and Ellen S. Silber. Westport, CT: Greenwood Press, 2003. 127-
129.
Searles, Susan. Fitzgeralds the Great Gatsby. Explicator 50.1 (1991): 45-47.
Studyworld Studynotes: The Great Gatsby. 1996. Studyworld. 29, February 2012.
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