European Art & Old Masters (Sale 1510)

European Art & Old Masters01/27/15

European Art & Old Masters01/27/15

Sale 1510Tuesday January 27, 2015 at 10:00am1808 Chestnut Street, Philadelphia PA 19103

Thursday January 22 10:00am-5:00pm

Friday January 23 10:00am-5:00pm

Saturday January 24 12:00pm-5:00pm

Monday January 2610:00am-5:00pm

Limited viewing on morning of sale

$37 in the gallery$42 domestic mail$47 international mail

Inside Front Cover: Lot 179 (detail)Inside Back Cover: Lot 209 (detail)

Visit www.freemansauction.com/catalogues or call267.414.1256 to purchase a catalogue. Complimentary digital catalogues may be viewed online along with colorimages of every lot in the auction.

Auction

Exhibitions

Catalogue

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Important Informationfor Buyers

RegistrationAll potential buyers must register for the sale prior to placing a bid.Registration information may be submitted in person at our receptiondesk, by fax or through our website at www.freemansauction.com. Wewill require proof of identification and residence and may require a creditcard and/or a bank reference. By registering for the sale, the buyeracknowledges that he or she has read, understood and acceptedFreeman’s Terms and Conditions of Sale.

Buyer’s PremiumA Buyer’s Premium will be added to the successful bid price and is payableby the buyer as part of the total purchase price. The Buyer’s Premiumshall be: 25% on the first $100,000 of the hammer price of each lot,20% on the portion from $100,001 through $2,000,000, and 12%thereafter.

Sales TaxAll items in the catalogue are subject to the 8% Pennsylvania andPhiladelphia sales tax. Dealers purchasing for resale must register theirtax numbers on current PA forms. Forms should be submitted to ourClient Services office on the second floor.

Catalogue DescriptionsAll item descriptions, dimensions and estimates are provided forguidance only. It is the buyer’s responsibility to inspect all lots prior tobidding to ensure that the condition is to their satisfaction. If potentialbuyers are unable to inspect lots in person, our specialists will be happyto prepare detailed Condition Reports on individual lots as quickly aspossible. These are for guidance only, and all lots will be sold “as is” asper our Terms and Conditions of Sale.

BiddingAt the sale Registered bidders will be assigned a bidder number andgiven a paddle for use at the sale. Once the first bid has been placed,the auctioneer asks for higher bids in increments determined by theauctioneer. To place your bid, simply raise your paddle until theauctioneer acknowledges you. The auctioneer will not mistake a randomgesture for a bid.

By phone A limited number of telephone lines are available for biddingby phone through a Freeman’s representative. Phone lines must bereserved in advance. Requests must be submitted no later than 24 hoursprior to the scheduled start of the sale.

In writing Bid forms are available in the sale room and at the back of thecatalogue. These should be submitted in person, by mail or by fax nolater than one hour prior to the scheduled start of the sale. Theauctioneer will bid on your behalf up to the limit.

On the internet A fully-illustrated catalogue is available on-line atwww.freemansauction.com. Registered bidders may leave absentee bidsthrough the web site and will receive email confirmation of their bid.Freeman’s is not responsible for errors or failure to execute bids.

PaymentPayment is due within ten (10) working days of the sale. Lots purchasedwill not be released until we have received full payment. Payment maybe made in cash, by check, money order, or debit card. Payments bycheck must clear the bank before goods will be released.

Removal of PurchasesDeliveries will not be made during the time of the sale unless otherwiseindicated by the auctioneer. All items must be paid for and removedwithin ten (10) working days of the sale. Purchases not so removed maybe turned over to a licensed warehouse at the expense and risk of thepurchaser.

Shipping and PackingResponsibility for packing, shipping and insurance shall be exclusivelythat of the purchaser. Upon request, Freeman’s will provide thepurchaser with names of professional packers and shippers known to us.

Endangered SpeciesLots marked * are manufactured in whole or in part of restricted mate-rials that may include tortoiseshell, ivory, mother-of-pearl, coral, rhi-noceros horn, whalebone or marine ivory. Such materials may requirespecific licenses, certificates, or CITES documentation for import, export,moving between states in the U.S., or resale. Obtaining these documentsmay require scientific, laboratory or other expert analysis, in order toestablish which species or genus the material came from. Freeman’s isunable to provide this information, and the obligation is on the purchaserof a lot containing any of these materials to ensure that they are able toobtain all the necessary or required documents should they need to,prior to bidding on the lot. If proper documentation or licenses etc. can-not be obtained for a purchased lot, the purchaser will still be required tomake an on time payment for the lot as per our standard terms and con-ditions. Freeman’s cataloguing of the lots marked with this symbol * rep-resents the best of our opinion, and the absence of this symbol from anylot description does not form a warranty that the lot will be free fromany licensing or certification restrictions.


Whitney LongBids [email protected]

Bethany MobbsShipping & [email protected]

Mary Maguire CarrollDirector, Client [email protected]

Alasdair NicholVice [email protected]

Andrew HuberAssociate [email protected]

David WeissSenior Vice President, [email protected]

European Art & Old Masters Department

Client Services

Molly MorrowDepartment [email protected]



European Art & Old Masterslots 1-297

Lot 202 (detail)


1GIOVANNI BATTISTA PIRANESI(italian 1720-1778)six etchings“VEDUTA DEL TEMPIO DE GIOVE TONATE”1756.15 7/8 x 23 9/16 in. (40.4 x 59.8cm)[Focillon 819; Hind 44]together with:“VEDUTA DEL PANTHEON D’AGRIPPAA OGGICHIESA DI S. MARIA AD MARTYRES”1761.18 5/8 x 27 1/4 in. (47.1 x 69.2cm)[Focillon 761; Hind 60]

together with:“VEDUTA DELL’ ANTITEATRO FLAVIO, DETTOIL COLOSSEO”1766.17 1/4 x 27 1/4 in. (43.8 x 27.5cm)[Focillon 760; Hind, 78]together with:“VEDUTA DELL’ ISOLA TIBERINA”1775.18 1/2 x 28 in. (47 x 71.1cm)[Focillon 836; Hind 121]together with:“AVANZI DEGL’ AQUEDOTTI NERONIANI…”1775.19 3/8 x 28 in. (49.4 x 71.1cm)[Focillon 850; Hind 118]

together with:“VEDUTA DELLA VILLA ESTENSE INTIVOLI”1773.18 3/8 x 27 1/2 in. (46.9 x 69.8cm)[Focillon 826; Hind 105](6)provenance:Property of a New Jersey estate.$2,000-3,000



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2REMBRANDT VAN RIJN(dutch 1606-1669)“REMBRANDT IN VELVET CAPAND PLUME”1638. Etching5 5/16 x 4 1/16 in. (13.4 x 10.3cm)[Bartsch 20]provenance:Private Collection, New York, NewYork.$1,000-1,500

3REMBRANDT VAN RIJN(dutch 1606-1669)“THE RETURN OF THE PRODIGALSON”1636. Etching and drypoint6 1/8 x 5 3/8 in. (15.6 x 13.8cm)[Bartsch 91]provenance:Private Collection, New York, NewYork.$1,000-1,500

4REMBRANDT VAN RIJN(dutch 1606-1699)“ABRAHAM AND ISAAC”1645. Etching6 3/16 x 5 1/16 in. (15.8 x 12.8cm)[Bartsch 34]provenance:Private Collection, New York, NewYork.$1,000-1,500

5REMBRANDT VAN RIJN(dutch 1606-1669)“THE ARTIST’S MOTHER SEATED,IN WIDOW’S DRESS AND BLACKGLOVES”ca. 1632. Etching and drypoint5 3/16 x 4 9/16 in. (13.2 x 11.5cm)[Bartsch 344]provenance:Private Collection, New York, NewYork.$1,000-1,500


6REMBRANDT VAN RIJN(dutch 1606-1669)CHRIST HEALING THE SICK (THE HUNDRED GUILDER PRINT)Etching, engraving, and drypoint11 1/16 x 15 11/16 in. (28 x 40cm) ca. 1700[Bartsch 74]provenance:Private Collection, Pennsylvania.note:Rembrandt’s most famous etching, “Christ Healing the Sick,” is an amalgamation of episodes fromchapter 19 of the Gospel of St. Matthew, in which the essence of Christ’s ministry is conveyed. Likelycompleted in 1649, the print features a diversity of printmaking styles and techniques, a result ofRembrandt working on the print over several years. The rich areas of black on the right part of thecomposition contrast severely with the delicate handling of line on the left. Rembrandt also varied thepapers and amount of ink used on each impression, making each print genuinely unique.The print is most commonly known as “The Hundred Guilder Print” and has been since the 18thcentury. There are various origin stories to the name, with a popular one being that Rembrandt himselfpaid this princely sum at auction for one of his own impressions.While the present work is a posthumous print done shortly after the artists death, the print was madebefore the plate was acquired by the Irish printmaker known as “Captain William Baillie,” who alteredthe composition.$20,000-30,000




7FRANCISCO DE GOYA(spanish 1746-1828)“LOS DESASTRES DE LA GUERRA”Album of 80 etchings with aquatint,drypoint, and engraving on laidpaper, bound in original clothcovered album with cover inscribed‘Goya/ I Disastri Della Guerra,Acqueforti, N. 80’Fourth Edition, Printed in Calcografiafor Real Academia, 1906Edition of 275.[Delteil 120-199]Each (sheet size):10 1/16 x 13 9/16 in.(25.5 x 34.4cm)provenance:Private Collection, Pennsylvania.$8,000-12,000


8FOLLOWER OF ALESSANDRO MAGNASCO(CALLED IL LISSANDRINO)(italian 1667-1749)LIBERATION OF SAINT PETER FROM PRISONPen and brown ink with brown washes onpaper8 1/16 x 11 1/16 in. (20.3 x 29.3cm)provenance:Christie’s, London, sale of July 3, 1990, part oflot 177.Private Collection, New Jersey.note:The Liberation of Saint Peter is an eventdescribed in the Acts of the Apostles, Chapter12, in which Saint Peter is rescued from prisonby an angel. Acts 12:3-19 state that Peter wasput into prison by King Herod, but the nightbefore his trial an angel appeared to him, andtold him to leave. Peter’s chains fell off, and hefollowed the angel out of prison, thinking it wasa vision (verse 9). The prison doors opened oftheir own accord, and the angel led Peter intothe city.$800-1,200

9MANNER OF FRANCESO GUARDI(italian 1712-1793)VIEW ALONG THE ADRIATICPen and ink, brown ink and gray washes onpaper18 x 12 1/4 in. (45.7 x 31.1cm)provenance:Mrs. Mary (née Alexander) Whitehouse, NewYork, New York.The Crocker Family, San Francisco, California.exhibited:Springfield Museum of the Fine Arts,Springfield, Massachusetts, 1937, no. 44, asFrancesco Guardi.$2,000-3,000

10AFTER SIR PETER PAUL RUBENS(flemish 1577-1640)ASSUMPTION OF THE VIRGINRed chalk on paper9 7/16 x 13 3/4 in. (23.9 x 34.9cm)provenance:Private Collection, New Jersey.note:The present drawing resembles the Sir Peter PaulRubens’s altarpiece (1620) currently in theHermitage, St. Petersburg, Russia.$800-1,200


11GENOESE SCHOOL(17th century)MADONNA AND CHILD WITH SAINTSInscribed ‘Taverone’ bottom right; also inscribed‘9’ and ‘Taverone’ and with two unidentifiedcollectors’ stamps verso, pen and brown ink withbrown washes on paper, unframed7 3/4 x 5 5/8 in. (19.6 x 14cm)provenance:G. Locarno, (collector’s mark), Milan, sale ca.1868. [Lugt 1691]Pacini, (collector’s mark), Florence, sale at hisdomicile, Via dei Fossi, April 25,1892, no.25. [Lugt2011]Private Collection, Philadelphia, Pennsylvania.$1,000-1,500

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12DUTCH SCHOOL(late 17th-early 18th century)SUSANNA AND THE ELDERSPen and brown ink, brush and brown inkand brown washes on paper laid down5 1/4 x 5 1/8 in. (13.3 x 13cm)[Lugt 1812]provenance:Dr. N. Meyer, 1775-1855.W. Drugulin, Leipzig, May 12, 1862.Private Collection, New Jersey.$1,000-1,500

14VENETIAN SCHOOL(18th century)ARCHANGEL MICHAELWith faint, illegible pencil notationbottom right (in margin), pen andbrown ink on laid paperImage size: 8 x 6 1/4 in.(20.3 x 15.9cm)Sheet size: 10 5/8 x 7 3/4 in.(26.8 x 19.7cm)provenance:Private Collection, New Jersey.$800-1,200

13GIOVANNI RAGGI(italian 1712-1792)STUDY FOR A WEDDING ATCANAInscribed ‘Tiepolo’ bottom left, blackchalk, pen, brown ink and brownwash over black chalk on paper13 3/8 x 10 in. (34.1 x 25.3cm)provenance:Marcel Puesch.G. Vallardi [Lugt 1223] (partialwatermark).Christie's, sale of January 30, 1997,lot 94.Private Collection, New Jersey.note:The present drawing is comparableto drawings by Raggi in theexhibition “Tiepolo: A BicentenaryExhibition,” at Cambridge, Fogg ArtMuseum, 1970, nos. 16-22,(illustrated).$2,000-3,000


16 141682/23ATTRIBUTED TO MARCOBENEFIAL(italian 1684-1764)THE ARCHANGEL MICHAELFIGHTING OVER THE BODY OFMOSESInscribed ‘18’ upper right corner,black chalk with white chalkhighlights on pale blue-gray paper11 1/8 x 7 3/4 in. (28.3 x 19.7cm)provenance:Private Collection, New Jersey.$1,000-1,500


15 141987/31STEFANO DELLA BELLA(italian 1610-1664)STUDY FROM THE ETCHING SERIESDESSINS DE QUELQUES CONDUITS DETROUPES AND VARII CAPRICCI MILITARYWith Charles Gasc collector’s mark bottomcenter left, pen, brown ink and pencil onpaper3 x 4 3/16 in. (7.6 x 10.7cm)[Lugt 544]together withHIPPOLYTE LECOMTE(french 1781-1859) SHEPHERDESS WITH CATTLE AND SHEEPSigned and dated ‘1823 H. Lecomte’ bottomright, pen and brown ink on paper15 3/8 x 7 3/8 in. (39.3 x 19cm)together withATTRIBUTED TO JEANNE RONGIER(french fl. 1869-1900) WOMAN WITH A BOOK ON A BALCONYSigned ‘Jean (?) Rongier’ on the mount, pencilon paper8 5/16 x 6 1/8 in. (21 x 15.6cm)together withITALIAN SCHOOL(19th-20th century) NAPLESSigned with indecipherable monogrambottom left, gouache on paper, tondo3 1/8 x diameter (8cm)(4)provenance:Cabinet Paignon-Dijonval (Della Bella).Acquired from the above.Samuel Woodburn (Art Dealer 1786-1853)(Della Bella).Acquired from the above.Thomas Dimsdale (1758-1823) (Della Bella).Charles Gasc Collection.Property of a New Jersey estate.$1,000-1,500



17 142250/11CIRCLE OF FELICE GIANI(italian 1758-1823)MUCIUS SCAEVOLA THRUSTING HIS RIGHTHAND INTO THE FLAMES BEFORE LARSPORSENNADouble sided drawing; pen, brown ink, and washover traces of pencil on paper (recto)with:NEOCLASSICAL FEMALE NUDE STUDY WITHPUTTOverso, charcoal13 x 18 3/4 in. (33 x 47.6cm)provenance:Private Collection, Maryland.$1,000-1,500

18 141682/26FLORENTINE SCHOOL(16th-17th century)A CAVALRY ENGAGEMENTPen and ink with gray wash and white on paper,unframed6 15/16 x 6 1/4 in. (17.7 x 15.9cm)provenance:Sotheby Parke Bernet, sale of June 3, 1980, lot 29.Private Collection, New Jersey.$800-1,200

19 142250/13PIETRO DANDINI(italian 1646-1712)STUDY FOR CEILING FRESCODouble sided drawing; inscribed ‘P.D.’bottom center (recto), graphite onpaperwith:STUDY OF CLASSICAL BUILDINGSverso, graphite11 7/8 x 10 13/16 in. (29.9 x 27.8cmtogether with:LOMBARD SCHOOL(italian ca. 1630-1650) HEAD STUDIESBears signature ‘G.Gandolfi’ bottomleft, pen and brown ink on paper5 1/4 x 3 1/2 in. (13.3 x 8.9cm)(2)provenance:Private Collection, Maryland.$1,000-1,500

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20 142349/1JAN VAN GOYEN(dutch 1596-1656)BOATERS ON A CANALSigned with initials ‘VG’ in ligatureand dated ‘1640’ bottom right; alsowith stamp ‘J. Fred B’ verso, pencilon laid paper4 5/8 x 6 5/8 in. (11.5 x 16.6cm)provenance:Dr. Albert Weckler [Lugt 2793c]J. Fred Bianchi.Paul Brandt, Amsterdam, sale ofNovember 23-27, 1964, lot 244 (asJan Van Goyen).Private Collection, Belgium.Private Collection, Memphis,Tennessee.$2,000-3,000

21 141682/22ATTRIBUTED TO THEODOR VANTHULDEN(flemish 1606-1669)NYMPHSInscribed ‘10’ bottom left; alsoinscribed ‘50’ on album page,charcoal and red chalk on paper4 3/8 x 7 5/16 in. (11.3 x 18.6cm)provenance:Private Collection, New Jersey.$800-1,200

22 141682/20FRENCH SCHOOL(18th century)STUDY WITH ANGELSCharcoal on paper, laid down7 3/8 x 7 3/8 in. (19 x 19cm)provenance:Private Collection, New Jersey.$1,500-2,000


23 142243/12LOUIS-AUGUSTE BRUN(swiss 1758-1815)RENDEZ-VOUSSigned and dated ‘L. Brun px 1785’bottom right, gouache on paper laidto paperboard10 5/8 x 13 9/16 in.(26.9 x 34.4cm)provenance:Private Collection, Virginia.$1,000-1,500

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24 142394/19ATTRIBUTED TO NOËL NICOLASCOYPEL(french 1690-1734)STANDING FIGURE VIEWED FROMBEHINDSigned ‘Noël Coypel’ bottom left,charcoal and white chalk onblue/gray paper17 7/8 x 11 13/16 in.(45.4 x 29.9cm)provenance:Private Collection, New Jersey.$1,000-1,500

25 141682/16CIRCLE OF FRANCOIS BOUCHER(french 1703-1770)TWO BOYS RESTINGBlack chalk on paper, laid down5 5/8 x 5 1/8 in. (14 x 13.1cm)provenance:Private Collection, New Jersey.$1,000-1,500

26 142316/4CHARLES PARROCEL(french 1688-1752)HAWKING PARTYBrush and black ink with graywashes heightened with whitegouache on tan paper,6 3/4 x 9 1/4 in. (17.1 x 23.5cm)together with:ATTRIBUTED TO GABRIELJACQUES DE SAINT AUBIN(french 1724-1780) GIRL WRITING A LETTERPencil on paper5 3/4 x 5 1/8 in. (14.6 x 13cm)(2)provenance:Mrs. Mary (née Alexander)Whitehouse, New York, New York.The Crocker Family, San Francisco,California.$1,500-2,000

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27 142316/2CIRCLE OF FRANCOIS BOUCHER(french 1703-1770)ELEGANT WOMAN WITH HEAD TURNEDTO RIGHTInscribed ‘764, Ecole Française XVIIIe, Ecolede Boucher’ and ‘764, Ecole XVIIIe’ verso,charcoal heightened with white and redchalks on tan paper, laid down to a mount12 15/16 x 10 3/8 in. (32.9 x 26.5cm)provenance:Mrs. Mary (née Alexander) Whitehouse,New York, New York.The Crocker Family, San Francisco, California.$1,500-2,000

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28 141691/13EUROPEAN SCHOOL(early 19th century)VIEW OF CORDOBA, SPAINBears watermark ‘Crown with Plumes ‘MJL1806’’, pen andbrown ink with brown washes on paper7 1/8 x 8 13/16 in. (18.1 x 22.3cm)provenance:C. Keoning Collection, Vienna, Austria, 1945.Private Collection, Pennsylvania.literature:C. Koenig Collection catalogue, no.175 (illustrated).note:The present drawing may be a depiction of the ForthBridhe (Bridge) in Cordoba, Spain$800-1,200

29 132580/12EUGENE DELACROIX(french 1798-1863)HORSE STUDIESSigned ‘Eug Delacroix’ bottom right, pencil on paper8 x 5 3/16 in. (20.3 x 13.2cm)provenance:Ben Wolf, Philadelphia, Pennsylvania.By descent in the family.Clarence Wolf.University of Michigan, William Clements Library, AnnArbor, Michigan.$1,000-1,500

30 132580/15GUSTAVE DORÉ(french 1832-1883)FIGURAL STUDYWith ‘ATELIER G. Doré’ stamp bottom right, pencil oncard16 1/2 x 13 1/2 in. (41.91 x 34.29cm)provenance:Ben Wolf, Philadelphia, Pennsylvania.By descent in the family.Clarence Wolf.University of Michigan, William Clements Library, AnnArbor, Michigan.$1,000-1,500


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31 142353/1EDOUARD VUILLARD(french 1868-1940)“VAN RYSSELBERQUE”ca. 1898. Etching3 5/16 x 5 1/4 in. (8.4 x 13.3cm)[Roger-Marx 61]together withPIERRE AUGUSTE RENOIR(french 1841-1919) “LE CHAPEAU ÉPINGLÉ (3E PLANCHE)”ca. 1894. Etching4 3/4 x 3 3/8 in. (12.1 x 8.8cm)[Delteil 8, II/II]together withPIERRE AUGUSTE RENOIR(french 1841-1919) “BERTHE MORISOT”ca. 1892. Etching4 1/2 x 3 3/4 in. (11.4 x 9.5cm)[Delteil 4](3)provenance:Private Collection, Pennsylvania.$1,000-1,500

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32 142131/5PAUL KLEINSCHMIDT(german 1883-1949)“IN DER METZGEREI”1923. Pencil signed and numbered‘I/X’ in the margin, drypoint on J.W.Zanders paper, unframed12 1/8 x 14 7/16 in.(30.8 x 36.7cm)provenance:Private Collection, Pennsylvania.$1,000-1,500

33 141374/1HEINRICH CAMPENDONK(german 1889-1957)“SITZENDER HARLEKIN”1922. Edition of 35-40. Pencil signedin margin, woodcut, unframed14 15/16 x 11 1/2 in. (38 x 29.2cm)[Engels/Söhn 59]provenance:Private Collection, Pennsylvania.$1,000-1,500

34 142131/6OTTO DIX(german 1891-1969)“HALBAKT”1924. Edition of 55. Pencil signed inthe margin, lithograph23 3/4 x 19 5/16 in.(60.3 x 49cm)[Karsch 125]provenance:Private Collection, Pennsylvania.$1,000-1,500

35 142131/7MAX BECKMANN(german 1884-1950)“SARIKA”1922. Pencil signed in the margin,lithograph12 x 8 9/16 in. (30.5 x 21.7cm)R. Piper & Co., publisher.[Hofmaier 233]provenance:Private Collection, Pennsylvania.$1,500-2,500

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36 141987/24ATTRIBUTED TO CARLO CIGNANI(italian 1628-1719)SAINT CECELIAOil on canvas26 1/2 x 20 in. (67.3 x 50.8cm)provenance:Collection of George Peabody.Fanny Peabody Mason, acquiredfrom the above by descent in thefamily.The property of a New Jersey estate.$3,000-5,000

37 142070/4NEAPOLITAN SCHOOL(17th century)THE APOSTLE PAULOil on canvas, unframed37 1/2 x 30 in. (95.3 x 76.2cm)provenance:Private Collection, Pennsylvania.$1,500-2,000

38 148022/3AFTER IGNAZ STERN(german 1680-1748)MADONNA AND CHILDOil on canvas16 1/4 x 14 1/2 in. (41.3 x 36.8cm)provenance:Private Collection, Virginia.note:Please see Christie’s, SouthKensington, sale of Dec. 5, 2007, lot91 for a related composition.$1,200-1,800

39 142329/2ANTWERP SCHOOL(17th-18th century)VIRGIN AND CHILD WITHCATHERINE OF ALEXANDRIAOil on canvas33 x 26 in. (33.8 x 66cm)provenance:Private Collection, Pennsylvania.$3,000-5,000


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40 142243/10AFTER RAPHAEL(italian 1483-1520)MADONNA DELLA SEDIAOil on canvas, framed as a tondo15 1/4 x 15 in. (38.7 x 38.1cm)provenance:Private Collection, Virginia.note:This painting is after the original painting inthe Palazzo Pitti, Florence, Italy.$2,000-3,000

41 142445/2FRENCH SCHOOL(17th century)VIRGIN ANNUNCIATEOil on canvas, painted in a feigned oval10 3/8 x 7 3/4 in. (26.5 x 19.7cm)provenance:Private Collection, Massachusetts.$1,000-1,500

43 141931/4ATTRIBUTED TO ALEXIS GRIMOU(swiss 1678-1733)PORTRAIT OF A RABBIOil on canvas29 x 23 in. (73.7 x 58.4cm)provenance:Ex-collection, Edwin A. Ulrich Museum ofArt, Wichita State University.Private Collection, Massachusetts.“Old Master Paintings, Drawings andPrints” Freeman’s, Philadelphia, October 11,2012, lot 166.Private Collection, Philadelphia,Pennsylvania.

42 148083/1CIRCLE OF JACQUES-LOUIS DAVID(french 1748-1825)PORTRAIT OF A GENTLEMAN, POSSIBLY AREVOLUTIONARYOil on canvas, oval29 1/2 x 24 1/2 in. (74.9 x 62.2cm)provenance:Private Collection, Virginia.$4,000-6,000

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related literature:The present work closely follows a portraitformerly attributed to Rembrandt. Pleasesee Cornelis Hofstede de Groot, DieHandzeichungen Rembrandts, HdG 425, as“A Rabbi Seen in Full Face,” 1642; and HorstGerson, Rembrandt Paintings, 1968, no.220, “A Rabbi.”$5,000-7,000


44 142329/3ITALIAN SCHOOL(probably 16th - 17th century)PROFILE PORTRAIT OF AGENTLEMANOil on canvas25 1/2 x 20 1/8 in. (64.8 x 51.1cm)provenance:Private Collection, Pennsylvania.$2,000-3,000

45 141997/1NORTHERN ITALIAN SCHOOL(late 16th century)PROFILE PORTRAIT OF SAINTCATHERINEInscribed ‘ISABELLA D’ARAGNA’verso, oil on thick braced panel22 3/4 x 18 in. (57.8 x 45.7cm)provenance:Private Collection, Maryland.$3,000-5,000

46 142349/5CIRCLE OF JACOPO PALMA ILGIOVANE(italian c. 1548-1628)CHRIST AND THE WOMANTAKEN INTO ADULTERYOil on canvas17 1/4 x 21 1/8 in. (43.8 x 53.7cm)provenance:Private Collection, Memphis,Tennessee.$2,000-3,000


47 145500/12SIENNESE OR FLORENTINE SCHOOLSAINT JOHN THE EVANGELIST;SAINT PETERPair temperas on gold ground on panelEach: 27 x 10 in. (68.6 x 25.4cm)(2)provenance:Private Collection, New Jersey.note:Proceeds to benefit the VinelandHistorical and Antiquarian Society,Vineland, New Jersey.$2,000-3,000

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48 141799/12MANNER OF FRA ANGELICO(italian c. 1400-1455)MUSICAL ANGELSSet of four oils with gold ground onpanel; set in architectural framesTwo: 12 1/4 x 5 1/8 in. (31.1 x 13cm)Two: 11 x 4 1/4 in. (27.9 x 10.8cm)(4)provenance:Private Collection, Philadelphia,Pennsylvania.$2,000-3,000

49 149003/93MANNER OF FRA ANGELICO(italian 1400-1455)TRUMPETING ANGELSPair oils on gold ground on panel; setin architectural framesEach: 6 5/8 x 6 1/2 in.(42 x 15.2cm)(2)provenance:Private Collection, Virginia.$1,000-1,500

50 142299/2JAN MIENSE MOLENAER(dutch 1610-1668)PEASANTS SAYING GRACESigned ‘Molenaer’ bottom left, oil onpanel11 1/4 x 9 in. (28.2 x 22.5cm)provenance:Christie’s, New York, Sale of April 4,1990, lot 70.Private Collection, Pennsylvania.$2,000-3,000

51 141931/3AMALIE KAERCHER(german act. 1860-1926)STILL LIFE OF MIXED FLOWERSAND INSECTS ON A MOSSY BANKSigned ‘Amalie Kaercher’ bottomcenter left, oil on canvas15 3/4 x 12 7/8 in. (40 x 33cm)provenance:Private Collection, Pennsylvania.“International Sale: Old MastersPaintings, Drawings, and Prints.”Freeman’s, Philadelphia, October 11,2012, lot 186.Private Collection, Philadelphia,Pennsylvania.$3,000-5,000

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52 142237/5GILLIS MOSTAERT, THE ELDER(flemish 1528-1598)THE CRUCIFIXIONOil on panel12 1/16 x 7 7/8 in. (30.6 x 20.1cm)provenance:Sotheby Parke Bernet, sale of June11, 1987, lot 103.Phillip’s, London, sale of December14, 1999, lot 161.Private Collection, Maryland.note:We are grateful to Dr. Robert Simonfor confirming the attribution toMostaert, the Elder, on the basis offirsthand inspection. Dr. Simon alsopoints out that the present workrelates to a black chalkMichelangelo drawing of the samesubject in The British Museum,executed circa 1538-1541.$6,000-10,000




53 142349/3SALOMON VAN RUYSDAEL(dutch c. 1602-1670)LANDSCAPE WITH RIVER AND FIGURES ON BANKSigned with initials ‘SVR’ (conjoined) and dated ‘163*’bottom left, oil on cradled panel14 1/8 x 24 1/8 in. (35.9 x 61.3cm)provenance:Private Collection, Memphis, Tennessee.note:One of the preeminent landscapists of the Dutch ‘GoldenAge,’ Salomon van Ruysdael was part of a family oflandscape painters, including his brother Isaack vanRuisdael, his son, Jacob Salomonszoon and his nephew,Jacob van Ruisdael. While Salomon traveled throughout theNetherlands, painting scenes in Utrecht, Dordrecht, Rhenen,Leiden and Arnheim, he spent his entire career in Haarlem.He entered the Haarlem Guild of St. Luke in 1623 andbecame the head of the Guild in 1648. His first river viewswere painted circa 1628, with early works characterized bya thinly painted, restrained and somewhat monochromaticpalette. Later works are bolder and more brilliant in color.Though van Ruysdael painted a small number of still lifes,he remains best known for his landscapes, townscapes andriverscapes – as typified by the present painting.$10,000-15,000


54 142409/1MANNER OF OCTAVIANUSMONFORT(italian 1646-1696)STILL LIFE WITH FIGS; AND ACOMPANIONPair of temperas on thin card withcanted cornersEach: 7 1/16 x 9 3/16 in.(17.8 x 23.4cm)(2)provenance:Private Collection, Delaware.By descent to the present owner,1998.Private Collection, Pennsylvania.Newman Galleries, Philadelphia,Pennsylvania.$1,000-1,500

55 142394/1CIRCLE OF JEAN BAPTISTEPILLEMENT(french 1728-1808)CHINOISERIESPair oils on canvas, both unframedEach: 63 1/8 x 24 in.(160.4 x 63.2cm)(2)provenance:Private Collection, New Jersey.$3,000-5,000

56 142267/1EMILIAN SCHOOL(17th century)MARY MAGDALENEInscribed ‘Guido Reni’ in pencilverso, oil on panel12 5/8 x 9 3/4 in. (31.9 x 24.8cm)provenance:Private Collection, Virginia.$2,000-3,000

57 142459/1CIRCLE OF GIUSEPPE ANTONIOPETRINI(italian 1677-1759)SAINT IN ECSTASYOil on canvas, with raised letters‘DSDSV’ and ‘GSMSG’37 3/4 x 29 1/16 in.(95.9 x 73.7cm)provenance:Private Collection, Philadelphia,Pennsylvania.$3,000-5,000


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58 141808/2JEAN-FRANÇOIS ELIAERTS(belgian 1761-1848)STILL LIFE OF MIXED FLOWERS INAN URN WITH BIRDS NEST,MOUSE, AND BUTTERFLY ON ALEDGESigned and dated ‘Eliaerts 1814’bottom right, oil on canvas38 9/16 x 28 1/2 in.(97.9 x 72.4cm)provenance:Private Collection, Pennsylvania.note:Working in the tradition of an earliergeneration of Dutch and Flemishartists who specialized in paintinghighly ornate still lifes of exoticmixed flowers - such as Jan vanHuysum and Jan Philip van Thielen -Eliaerts was one of the premier nextgeneration painters of this highlydecorative and refined genre.Working in Paris, he was Professorof the Institute of the Legion d’Honneur at Saint-Denis andexhibited regularly at the ParisSalons and also created cartoons forthe famed Gobelin factory.$20,000-30,000


59 142250/20CONTINENTAL SCHOOL(late 18th-early 19th century)NEOCLASSICAL ARCHITECTURALDESIGN WITH PAIR OF GRIFFINSOil on cradled panel23 7/8 x 36 5/8 in.(60.7 x 92.8cm)provenance:Private Collection, Maryland.$1,200-1,800

60 141792/1MANNER OF FEDERICO ZUCCARO(italian 1533-1603)“ROBERT DUDLEY, EARL OFLEICESTER”Inscribed ‘Robert Dudley, Earl ofLeicester’ upper left; also inscribed‘Anno Dovi 1678’ upper right, oil onpanel18 1/8 x 11 9/16 in. (46.1 x 29.3cm)provenance:Private Collection, New York, NewYork.$1,500-2,000

61 142342/15NORTHERN ITALIAN SCHOOL(17th century)SUSANNA AND THE ELDERSOil on canvas47 5/8 x 42 in. (120.7 x 106.7cm)provenance:Private Collection, New Jersey.$1,500-2,000


62 141945/1ITALIAN SCHOOLSAINT SEBASTIANOil on canvas50 x 30 in. (127 x 76.2cm)provenance:Private Collection, Pennsylvania.$1,500-2,000

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66 142250/9FRENCH SCHOOL(late 18th-early 19th century)VILLAGE SCENEWith label ascribing the painting toCharles Barberi (French/Italian1756-1830) on stretcher bar verso,oil on canvas12 1/2 x 16 1/2 in (31.75 x 41.9cm)provenance:Au Vieux St. Jacques, Cannes,France.Private Collection, Maryland.$1,500-2,500

63 142349/6FOLLOWER OF DOMENICOREMPS(italian c.1620-c.1699)TROMPE L’OEIL WITH PORTRAITOF AN ELDERLY MANOil on canvas, unframed20 7/8 x 15 7/8 in. (53 x 40.3cm)provenance:Private Collection, Memphis,Tennessee.$1,000-1,500

64 142342/13MANNER OF CLAUDE FRANÇOISVIGNON(french 1633-1703)PROFILE PORTRAIT OF A CHILDoil on canvas15 x 13 1/4 in. (38.1 x 33.7cm)together with:NORTHERN ITALIAN SCHOOL(i17th-18th century) PORTRAIT OF A YOUNG MANOil on canvas18 x 13 1/4 in. (45.7 x 33.7cm)(2)provenance:Private Collection, New Jersey.$1,500-2,500

65 141922/6FRENCH SCHOOL(early 19th century)MILITARY OFFICER WITH SWORDAND SEASCAPE BEYONDOil on canvas, oval9 3/8 x 7 1/2 in. (24 x 19.1cm)

together with:AFTER ELISABETH VIGÉE LE BRUN(french 1755-1842)SELF PORTRAITInscribed ‘Elisabeth Vigée le Brunfrom the **** portrait by herself inthe Uffizi Gallery Florence/ copiedby G. Maraschini’ verso, oil onboard, oval, in an ornate Florentine-style frame8 1/2 x 6 7/8 in. (21.6 x 17.4cm)(2)provenance:From a Chestnut Hill, Philadelphiaestate.$1,200-1,800

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67 148084/1AUSTRIAN SCHOOL(18th century)PORTRAIT OF A GIRLHOLDING A FLORALGARLAND;PORTRAIT OF A SEATED BOYAND HIS DOGPair oils on canvasEach: 38 x 33 in.(96.5 x 83.8cm)(2)provenance:An estate, Peru, circa 1940s (Byrepute).Private Collection, Virginia.$8,000-12,000

68 142329/1MANNER OF GIOVANNI BILIVERT(italian, b. 1585)THE ARCHANGEL REFUSES TOBIAS’S OFFERINGSOil on canvas72 x 57 1/4 in. (182.9 x 145.4cm)provenance:Private Collection, Pennsylvania.note:The present painting is after the original currently in the PalazzoPitti, Florence, Italy.$6,000-8,000

69 142243/16FOLLOWER OF JEAN BAPTISTE JOSEPH DUCHESNE(french, 1770-1856)NAPOLEON, WEARING UNIFORM WITH GOLD ÉPAULETTES,BREAST STAR AND BADGEOil on canvas28 1/2 x 22 7/8 in. (72.4 x 58.2cm)provenance:Private Collection, Virginia.$2,000-3,000




70 141614/1JAN ANTON GAREMYN(flemish 1712-1799)ALLEGORY OF SUMMER;ALLEGORY OF FALLPair oils on canvasAllegory of Summer signed and datedlower center ‘J. Garemyn inv. et pinx.1783’Allegory of Summer: 35 x 40 in.(89 x 101.6cm);Allegory of Fall: 36 1/4 x 42 1/2 in.(92.7 x 108 cm)(2)provenance:Sotheby’s, New York, sale of June 5,2008, lot 104.Private Collection, New York.note:Jan Anton Garemyn’s depictions ofpicturesque landscapes andtownscapes made the 18th-centuryFlemish artist highly sought after forboth public and privatecommissions. Garemyn’s careercoincided with the stylistic shiftfrom late Baroque classicism toRococo frivolity. The present pair ofallegorical paintings are clearlypresented in the light hearted styleof the Rococo—pastoral landscapespopulated by lively putti andrendered in a delicate palette. Theiconography for “Allegory of Fall” isquite clear, as representations of ofautumn were invariably associatedwith the vine from the 15th well intothe 18th-century. “Allegory ofSummer” features putti playing thelute and flute, while another recordsthe verse.$40,000-60,000


71 142243/13AUSTRIAN SCHOOL(late 18th-early 19th century)HALF LENGTH PORTRAIT OF AYOUNG LAWYER IN HIS STUDYOil on canvas21 1/4 x 17 in. (54 x 43.2cm)provenance:Private Collection, Virginia.$1,200-1,800

72 141535/1SPANISH SCHOOL18th centurySAINT IN PRAYEROil on Copper18 1/2 x 14 3/8 in. (47 x 36.5cm)provenance:Private Collection, Pennsylvania.By decent in the family.Private Collection, Pennsylvania.$3,000-5,000

73 142267/2ATTRIBUTED TO FRANCESCOMENESES OSORIO(spanish 1630-1705)SAINT ANTHONY OF PADUAOil on canvas46 1/4 x 30 1/2 in. (117.5 x 77.5cm)provenance:Private Collection, Pennsylvania, ca.early 1960s.By descent.Private Collection, Virginia.note:This present painting follows thecomposition by Bartolomé EstebanMurillo in the Museo de Bellas Artes,Seville, Spain$5,000-7,000

74 142063/1FOLLOWER OF ANDRÉS LÓPEZPOLANCO(spanish d. 1641)PORTRAIT OF A NOBLEMANWEARING A RUFF COLLAR, BELIEVED TO BE PHILIP III OF SPAINOil on canvas, oval23 x 18 in. (58.4 x 45.7cm)provenance:McClees Gallery, Haverford,Pennsylvania.Acquired from the above by the presentowner’s grandfather, circa 1930’s.Private Collection, The Main Line,Philadelphia, Pennsylvania.$2,000-3,000


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75 141987/18FOLLOWER OF ANTONIO CALZA(italian 1653-1725)BATTLE SCENEOil on canvas20 x 28 7/8 in. (50.8 x 73.6cm)provenance:Property of a New Jersey estate.$1,000-1,500

76 141881/1FOLLOWER OF JACQUESCOURTOIS, IL BORGOGNONE(french 1621-1676)MILITARY SKIRMISHOil on canvas37 3/8 x 52 in. (95.2 x 132.1cm)provenance:Private Collection, Maryland.$5,000-7,000

77 141987/27FOLLOWER OF FREDERICK DEMOUCHERON(dutch 1633-1686)EXTENSIVE LANDSCAPE WITHSHEPHERD AND FLOCKOil on canvas29 x 48 3/8 in. (73.7 x 123.1cm)provenance:Property of a New Jersey estate.$2,000-3,000

78 141719/1FOLLOWER OF ANTONIOFRANCESCO PERUZZINI(italian 1646-1724)EXTENSIVE LANDSCAPE WITHFIGURES, CATTLE, AND GOATSOil on canvas, unframed34 1/4 x 48 3/8 in. (87 x 123.1cm)provenance:Private Collection, New Jersey.$2,000-3,000


79 141415/28ITALIAN SCHOOL(17th-18th century)WEDDING AT CANAOil on canvas49 x 58 1/2 in. (124.5 x 148.6cm)provenance:Private Collection, New Jersey.$1,000-1,500

81 142299/1FLEMISH SCHOOL(17th century)THE FALL OF MANOil on copper14 1/4 x 11 in. (36.2 x 28cm)provenance:Christie’s, New York, sale of April 4,1990, lot 42.Private Collection, Pennsylvania.$4,000-6,000


80 141774/22HENDRICH VAN MINDERHOUT(dutch 1632-1696)ITALIANATE LANDSCAPE WITHCOOPERS, HUNTERS, AND OTHERFIGURES BY A HARBOROil on canvas34 x 45 in. (86.4 x 114.3cm)provenance:Sotheby’s, New York, sale of May22, 1997, lot 63.Private Collection, New Jersey.$10,000-15,000

82 (NO LOT)


85 142295/14CIRCLE OF PIETER CASTEELS III(flemish 1684-1749)WATERFOWL IN A LANDSCAPEPair oils on canvasEach: 23 3/4 x 34 1/2 in.(60.3 x 87.6cm)(2)provenance:Sotheby’s, New York, sale of May 21,1998, lot 192.Private Collection, New York, NewYork.$3,000-5,000

84 142318/1FOLLOWER OF MELCHOIR DEHONDECOETER(dutch 1636-1695)EXOTIC FOWLOil on canvas30 x 40 3/4 in. (76.2 x 103.5cm)provenance:Private Collection, New York, NewYork.$1,000-1,500

83 141987/15FOLLOWER OF NICOLAESBERCHEM(dutch 1620-1683)ARCADIAN LANDSCAPE WITHFIGURES AT REST AND CATTLEOil on canvas30 x 36 5/8 in. (76.2 x 92.8cm)provenance:Property of a New Jersey estate.$1,200-1,800



86 141987/23FOLLOWER OF DOMENICO BRANDI(italian 1683-1736)GOAT AND CATTLE HERD IN APASTORAL LANDSCAPEOil on canvas26 3/8 x 28 3/4 in. (59.6 x 73cm)provenance:Property of a New Jersey estate.$1,500-2,000

87 142349/4FOLLOWER OF CLAUDE LOUISCHÂTELET(french 1753-1794)WATERFALLS AT TERNIOil on panel10 1/8 x 13 1/8 in. (25.7 x 33.4cm)provenance:Private Collection, Memphis, Tennessee.$1,000-1,500

88 148151/1CIRCLE OF NICOLAES ELIASZPICKENOY(dutch ca. 1588-ca. 1655)PORTRAIT OF A LADY, THREE-QUARTERLENGTH, WITH MOLENSTEENKRAAG,WHITE LACE COLLAR AND WHITELACE HEADDRESSOil on cradled panel40 1/4 x 31 1/2 in. (102.2 x 80cm)provenance:Private Collection, New York, New York.Acquired from the above, circa 1975.Private Collection, Virginia.$12,000-18,000


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89 141987/25MANNER OF MICHIEL JANSZOONVAN MIEREVELT(dutch 1567-1641)PORTRAIT OF A LADY, HALFLENGTH, IN A BLACK DRESS WITHLACEOil on cradled panel29 1/8 x 23 1/4 in. (73.8 x 59.1cm)provenance:Property of a New Jersey estate.$1,000-1,500

90 148077/1ATTRIBUTED TO JAN DAEMENCOOL(dutch 1589-1660)PORTRAIT OF A LADY, BUSTLENGTH, IN A BLACK DRESS ANDRUFFLED LACE HEADDRESS;PORTRAIT OF A GENTLEMAN,BUST LENGTH, IN A BLACKDOUBLET AND WHITE RUFFCOLLARPair oils on panelEach: 16 1/4 x 12 in.(41.3 x 30.5cm)(2)provenance:Private Collection, Florida.$5,000-7,000

91 142243/5MANNER OF JACOB CORNELISZVAN OOSTANEN(dutch 1477-1533)DOUBLE PORTRAIT: URSULA VANEGMONT AND OTTO VANEGMONT OF DELFTInscribed extensively verso, oil onpanel with arch top set in apolychrome frameSight size 11 3/8 x 8 in.(29.1 x 20.3cm)provenance:Private Collection, Virginia.$2,000-3,000


91 142349/2DUTCH SCHOOL(17th century)SAINT CECELIAOil on canvas33 3/4 x 27 3/4 in. (85.7 x 70.5cm)provenance:Private Collection, Memphis,Tennessee.$3,000-5,000

92 142471/3NETHERLANDISH SCHOOL(18th-19th century)SCENES FROM THE LIFE OFCHRISTSet of four oils on copperEach: 11 x 7 7/8 in. (27.9 x 20.2cm)provenance:Private Collection, Toronto, Canada.$5,000-8,000

93 142349/2CIRCLE OF SEBASTIANO CONCA(italian c. 1676-1764)SAINT CECELIA ACCOMPANIEDBY AN ANGELOil on canvas33 3/4 x 27 3/4 in.(85.7 x 70.5cm)provenance:Private Collection, Memphis,Tennessee.$2,000-3,000

94 142342/12NORTHERN ITALIAN SCHOOL(17th century)SYBIL LIBICAOil on canvas43 1/2 x 30 7/8 in.(110.5 x 78.4cm)provenance:Ford Art and Antiques, Sarasota,Florida.Private Collection, New Jersey.$2,000-3,000


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95 141473/3FLEMISH SCHOOL(late 16th-early 17th century)WOUTER VAN DER NOOT, HIS WIFEDYMPHNA DE GRIMBERGEN, AND THEIRCHILDREN KNEELING BEFORE THEVIRGIN AND CHILDOil on canvas, unframed31 5/8 x 53 9/16 in. (80.3 x 136cm)provenance:Private Collection, New York, New York.

96 141822/24AFTER GERRIT DOU(dutch 1613-1675)ELDERLY COUPLE IN INTERIOROil on cradled canvas, painted with a shapedtop21 7/8 x 17 7/8 in. (55.8 x 45.6cm)provenance:Private Collection, Pennsylvania.$2,000-3,000

97 141822/17AFTER GERRIT DOU(dutch 1613-1675)MOTHER AND CHILDREN IN INTERIORWith two unidentified wax seals verso, oil onpanel painted with a shaped top27 1/8 x 20 3/4 in. (68.7 x 52.7cm)provenance:Private Collection, Pennsylvania.$2,000-3,000

note:The present work repeats, in part, thecomposition in the Fries Museum,Leeuwarden, The Netherlands. The latter,(133 x 181 cm) is larger than the presentwork, its composition extending furtherin each direction and with a lengthyinscription along the bottom edge. Vander Noot was lord of Westwesel;ambassador chevalier; counsel and

chamberlain of the Burgundian dukePhilip the Good. The family can belocated in the northern part of Flanders.Van der Noot’s heraldic sign consists ofa black scallop on gold.We would like to thank the Rijksbureauvoor Kunsthistorische Documentatiefor their assistance in cataloguing thispainting.$5,000-7,000

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98 141774/24CIRCLE OF ANTOINE CARON(french 1520-1599)ARMIDA AND EUSTACHIO BEFOREGOFFREDO (GERUSALEMME LIBERTA,CANTO IV)Inscribed ‘Goffredio’, ‘Eustachio’, and‘Armida’ bottom center left, oil oncanvas38 x 52 1/4 in. (96.5 x 132.7cm)provenance:Christie’s, London, sale of June 27, 1975,lot 68 (As Ambroise Dubois).Sotheby’s London, sale of December 19,1985, lot 60 (As Attributed to AntoineCaron).Sotheby’s, Monaco, sale of November30, 1986, lot 464 (As Attributed toAntoine Caron).Christie’s, New York, sale of May 23,1997, lot 78.Private Collection, New Jersey.$12,000-18,000


99 141563/1ATTRIBUTED TO ANTIVEDUTOGRAMMATICA(italian 1571-1626)TWO MUSICIANSOil on canvas41 3/8 x 31 5/8 in.(105.3 x 80.1cm)provenance:Baron Grundherr, Vienna, Austria(as by Artemesia Gentileschi)Schaeffer Galleries, New York, NewYork (as by Gentileschi)Hammer Galleries, New York, NewYork (as by Gentileschi)Gimbel Brothers, New York, NewYork (as by Gentileschi)Private collection, Washington,D.C., ca. 1950s..exhibited:Vassar College, Poughkeepsie, NewYork, Taylor Hall, 1938 (as byGentileschi)Oberlin College, Oberlin, Ohio,1939, no. 38 (as by Gentileschi)"Old Master Paintings." PortlandArt Museum, Portland, Oregon,July -September, 1940 (as byGentileschi)"Exhibition of Italian BaroquePainting/17th and 18th Centuries."California Palace of the Legion ofHonor, San Francisco, California,May 16 - June 15, 1941, no. 41 (asby Gentileschi)"Gems of Baroque Painting." NewYork, New York, February 1942 (asby Gentileschi)Berkshire Museum, Pittsfield,Massachusetts, June 1942, no. 13(as by Gentileschi)"Music in Art." Berkshire Museum,Pittsfield, Massachusetts, August1942, no. 8 (as by Gentileschi)note:Since being owned by BaronGrundherr, the present work hasbeen given to ArtemisiaGentileschi (Italian 1593-1652),including throughout its exhibitionhistory. Traditionally known as "Girlwith a Viol da Gamba," the presentwork featured only the femalefigure at right - probably the MuseErato, muse of lyric poetry. A latercleaning revealed the male figure at left.It is worth noting that the presentpainting is also very closely relatedto two paintings ascribed to JosephHeintz the Elder (German/Swiss1564-1609) recently offered atauction, each smaller in size thanthe present painting and with thefigures depicted in slightly different


poses (see Van Ham Kunstauktionen, sale of May 17,2013, lot 479, as Follower of Joseph Heintz the Elder,and Dorotheum, sale of October 17, 2012, lot 526 asJoseph Heintz the Elder).literature:R. Ward Bissell, "Artemisia Gentileschi and theAuthority of Art," 1999, footnote 46, p. 405, where thepainting is given to Gramatica. Referencing theGentileschi-Gramatica confusion, Bissell notes: "In 1941a Girl with a Viol da Gamba, then the property of theSchaeffer Galleries of New York, was exhibited in SanFrancisco under Artemisia's name (Italian BaroquePainting, Palace of the Legion of Honor, May 16-June 15,

1941, pp. 17 no. 41, 37). In all probability representingthe Muse Erato, this canvas is absolutely characteristicof Antiveduto Gramatica, by whom the remains of twoseries of Muses, both in Turin, have been recognized."(One in the Circolo Ufficiali di Presidio, the other in thePalazzo Chiablese). "The style of the ex-Schaefferpicture (at 1.05 x .807 m. somewhat smaller in size than the other examples) is more closely related to the remaining works in the first-named series than tothose in the second, yet speaks of an earlier momentstill in Antiveduto's career, specifically between 1610and 1615."$15,000-20,000


100 141688/1ATTRIBUTED TO SIR GODFREY KNELLER(british 1646-1723)JOHN PENN (THE AMERICAN)Oil on canvas49 3/4 x 37 in. (125.9 x 94cm)provenance:Mrs. Admiral Lardner, Philadelphia, Pennsylvania.Mifflin Large Family, Pennsylvania, ca. 18thcentury.By descent in the family.Private Collection, Pennsylvania.exhibited:“Exhibition of Portraits: Presented by the NationalSociety of the Colonial Dames of America in theCommonwealth of Pennsylvania.” PennsylvaniaAcademy of the Fine Arts, Philadelphia,Pennsylvania, December 8, 1958 - January 11,1959.literature:Howard M. Jenkins, “The Family of William Penn,Founder of Pennsylvania, Ancestry andDescendents,” Philadelphia, 1899, p. 73,(illustrated).note:John Penn (1729-1795) was the son of WilliamPenn, and was the only one of Penn’s childrenborn in America, in Philadelphia. John Penn wasalso the last governor of Colonial Pennsylvaniaand a signer of the Declaration of Independence.$6,000-10,000

101 141754/13CIRCLE OF GEORGE ROMNEY(british 1734-1802)PORTRAIT OF A GENTLEMAN WITHRIGHT ARM EXTENDEDOil on canvas32.5 x 26 in. (82.6 x 66cm)provenance:Private Collection, New York.$1,000-1,500




102 141987/26CIRCLE OF THOMAS HUDSON(british 1710-1799)PORTRAIT OF A LADY, HALFLENGTH, IN A FEIGNED OVALOil on canvas30 1/8 x 25 1/2 in.(76.3 x 64.8cm)provenance:Property of a New Jersey estate.$2,000-3,000

103 142386/2ATTRIBUTED TO ISAAC WHOOD(british c. 1688-1752)PORTRAIT OF A YOUNG GIRL,TRADITIONALLY IDENTIFIED ASESTHER TURPIN, SEATED WITH ATOY SPANIELOil on canvas, 45 x 40 1/2 in.(114.3 x 102.9cm)Ca. 1730.provenance:Christie’s, London, sale of June 8,2006, lot 37.Christie’s, South Kensington, sale ofSeptember 6, 2006, lot 22.Private Collection, New England.$7,000-10,000


104 141878/1ARTHUR RACKHAM(british 1867-1939)three illustrations“THE STRULDBRUGS”Signed ‘A. Rackham’ bottom right,ink and watercolor on paper8 1/2 x 5 in. (21.6 x 12.7cm)together with:“THE QUESTING BEAST” (FROMKING ARTHUR AND HIS KNIGHTS)Signed with initials ‘AR’ bottomright, ink on paper7 x 10 in. (17.8 x 25.4cm)together with:“PROCESSION OF WITCHES”Signed ‘A. Rackham’ bottom right,ink on paper4 3/8 x 10 in. (11.4 x 25.4cm)(3)provenance:Sotheby’s New York, sale ofDecember 12, 1995, lot 144 (“TheStruldbrugs”)Private Collection, Pennsylvania.exhibited:“Illustration to Gulliver,” LoanExhibition of Modern Illustration,Victoria and Albert Museum,London, 1900, no. 862 (“TheStruldbrugs”).$4,000-6,000

105 142249/5SIR WILLIAM RUSSELL FLINT(british 1880-1969)“PALL MALL”Signed and dated ‘W. RUSSELLFLINT / 1907’ bottom right,watercolor and gouache en grisaille6 x 10 in. (15.2 x 25.4cm)provenance:Frost & Reed, London.“Fine American and EuropeanPaintings.” Freeman’s, Philadelphia,sale of December 3, 2006, lot 32.Private Collection, Maryland.$2,000-3,000

106 141893/1CIRCLE OF JOSEPH MALLORDWILLIAM TURNER(british 1775-1851)STORMY SEASBears initials bottom right,watercolor with scratching out oncardImage size: 1 5/8 x 4 3/8 in.(3.9 x 11.3cm)Card size: 4 3/16 x 7 3/8 in.(10.7 x 18.9cm)provenance:Private Collection, The Main Line,Pennsylvania.$2,000-3,000

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107 142250/25CHARLES SILLEM LIDDERDALE(british 1831-1895)PEASANT GIRL IN A WOODEDLANDSCAPESigned with initials ‘CSL’ and dated ‘ ‘78’bottom left, oil on canvas22 1/8 x 15 3/4 in. (56.2 x 40cm)provenance:Private Collection, Maryland.$1,000-1,500

108 142123/2WILLIAM FREDERICK WITHERINGTON(british 1785-1865)GIRL AT STILEInscribed on unidentified label onstretcher bar verso, oil on canvas36 x 28 in. (91.4 x 71.1cm)provenance:Wunderly Galleries, Pittsburgh,Pennsylvania.Private Collection, New Jersey.$2,000-3,000

109 142386/3ISAAC POCOCK(british 1782-1835)PORTRAIT OF THE ARTIST’SDAUGHTER, ANNE POCOCKInscribed on label verso, oil on canvas24 x 19 7/8 in. (61 x 50.5cm)together with:PORTRAIT OF THE ARTIST’S SON, ISAACJOHN INNES POCOCKInscribed on label verso, oil on canvas21 x 17 3/4 in. (53.3 x 45.1cm)(2)provenance:Sotheby’s, London, sale of November 25,2004, lot 47.Sotheby’s, Olympia, sale of sale of July 13,2005, lot 17.Private Collection, New England.$2,500-4,000

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112 142243/17G. SHIPLEY(british, active late 18th century)“UNA AND HER LION”;“GOATHERD”Pair watercolors on paper“Una and Her Lion” inscribed and dated ‘from Sir J. Reynolds/drawn by G. Shipley/ 1782’ verso14 3/4 x 11 1/16 in. (37.5 x 28.1cm)“Goatherd” inscribed and dated ‘From Bloemaert/ drawn by G.Shipley/ 1783’ verso14 5/8 x 11 in. (37.1 x 28cm)(2)provenance:Samuel Jennings, London, England.“Holmhurst,” Baldslow, St. Leonard’s-On-Sea, sale of October 13,1908, lots 750-751 respectively.Private Collection, Virginia.$1,000-1,500

110 141631/1FOLLOWER OF SIR JOHNHOPPNER(british 1758-1810)PORTRAIT OF A LADY WITHBONNETOil on canvas29 7/8 x 24 5/8 in.(75.8 x 62.4cm)provenance:Private Collection, Pennsylvania.$1,000-1,500

111 142295/19GEORGE RICHMOND(british 1809-1896)STUDY OF THOMAS KNYVETTAGED THREEInscribed and signed ‘Thos. K.Richmond aged 3 years/ G. R. pinxtUnderriver 1836’ bottom center, oilon board, framed as a tondo15 1/8 x 13 7/8 in. (38.4 x 35.3cm)provenance:Sotheby’s, London, sale of July 4,2001, lot 141.Christie’s, New York, sale ofSeptember 5, 2007, lot 64.Private Collection, New York, NewYork.$3,000-5,000




113 142250/4THOMAS FAED(scottish 1826-1900)THE HUNTERS’ MEALSigned and dated ‘Faed 1857’bottom right, watercolor on paper17 3/16 x 23 1/8 in.(43.7 x 58.6cm)provenance:Private Collection, Maryland.$3,000-5,000

114 142038/1WILLIAM WATSON(scottish 1831-1921)HIGHLAND SHEEPSigned ‘W. Watson’ bottom right, oilon canvas16 1/4 x 14 3/8 in. (41.3 x 36.8cm)provenance:Private Collection, Ohio.$4,000-6,000

115 142243/3JAMES CHRISTIE(scottish, 1847-1914)SCOTTISH TRIOSigned and dated ‘James * Christie187*’ bottom left, oil on canvas31 3/8 x 24 in. (79.9 x 61cm)provenance:Campo & Campo, Antwerp,Belgium.Private Collection, Virginia.$2,500-4,000

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116 141849/103BRITISH SCHOOL(19th century)MOTHER AND CHILDRENOUTSIDE A COTTAGEOil on canvas25 x 25 in. (63.5 x 63.5cm)provenance:G. W. Knight, London, England.From the Collection of Debra and I.Michael Coslov, Haverford,Pennsylvania.$1,000-1,500

117 141614/3NORMAN M. MACDOUGALL(scottish 1852-1939)CHILDREN AT PLAY IN ACARMUNNOCK LANDSCAPESigned ‘Norman M. Macdoug***’bottom left, oil on canvas23 7/8 x 36 in (60.6 x 91.4cm)provenance:Private Collection, New York, NewYork.$3,000-5,000

118 141754/12WILLIAM JAMES MÜLLER(british 1812-1845)NORTH AFRICAN SCENESigned and dated ‘W. Müller 18**’bottom right, oil on panel14 9/16 x 10 5/8 in. (36.8 x 27cm)provenance:Private Collection, New York.$1,200-1,800


119 141822/21CONTINENTAL SCHOOL(early 19th century)ARCADIAN LANDSCAPE WITHHOOKAH SMOKERSOil on canvas15 1/8 x 21 in. (38.4 x 53.3cm)provenance:Private Collection, Pennsylvania.$2,000-3,000

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120 142318/8ALFRED AUGUSTUSGLENDENING, SR.(british 1840-1910)THE MEETING PLACESigned with monogram and dated ‘f(?) 87’ bottom left, oil on canvas15 x 8 in. (38.1 x 20.3cm)provenance:Private Collection, New York.$1,000-1,500

121 142243/9WILLIAM POWELL FRITH(british 1819-1909)SCENE FROM WALTER SCOTT’S“THE BRIDGE OF LAMMERMOOR”Signed ‘W.P. Frith’ bottom left, oil onpanel17 7/8 x 13 7/8 in. (45.5 x 35.3cm)provenance:David Price, Esq.L. Butters, Esq.Roland Hilary, Esq.Private Collection, Virginia.exhibited:Royal Academy Exhibition, 1854.Royal Academy Winter Exhibition,1911.International Exhibition, 1962.$3,000-5,000

122 142243/1CLAUDE ANDEW CALTHROP(british 1845-1893)THE COURT JESTERSigned with monogram and dated‘1871’ bottom left, oil on panel21 x 16 5/8 in. (53.3 x 42cm)provenance:Sotheby’s, New York, sale ofNovember 29, 1999, lot 76.Private Collection, Virginia.$5,000-7,000

123 142243/2SIR JAMES DROMGOLE LINTON(british 1840-1916)ST. VALENTINE’S DAYSigned ‘J.D. Linton’ bottom right, oilon canvas18 x 24 in. (45.7 x 61cm)provenance:Private Collection Virginia.$2,000-3,000

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127 141415/38ALFRED POLLENTINE(british 1836-1890)GRAND CANAL, VENICESigned ‘A Pollentine’ bottom right,oil on canvas20 x 30 in. (50.8 x 76.2cm)provenance:Private Collection, New Jersey.$1,000-1,500


126 148137/22DAVID FULTON(british 1848-1930)ALONG THE LAKEBANKSigned ‘David Fulton RSW’ bottomleft, oil on canvas14 x 21 in. (35.6 x 53.3cm)provenance:Private Collection, Florida.$1,000-1,500

125 142211/4CECIL LAWSON(british 19th century)A NIGHT AT THE CARNIVALSigned ‘Cecil P. Lawson’ bottom left, oil onpanel10 x 13 3/4 in. (25.4 x 34.9cm)provenance:Newman Galleries, Philadelphia, Pennsylvania.Private Collection, Philadelphia, Pennsylvania.$1,200-1,800

124 142243/14GEORGE GOODWIN KILBURNE(british 1839-1924)UNWILLING TO SIGNSigned ‘G. G. Kilburne’ bottom left,watercolor on paper laid to card18 7/8 x 24 1/4 in. (48 x 61.6cm)provenance:Private Collection, Virginia.$1,000-1,500


131 141754/3ALFRED DE BREANSKI, SR.(british 1852-1928)“SNOWDON”Signed 'Alfred de Breanski' bottomleft; also inscribed 'Snowdon /Alfred de Breanski' verso, oil oncanvas24 3/8 x 36 1/4 in.(62.2 x 92.1cm)provenance:Private Collection, New York.$3,000-5,000

130 148115/2WILLIAM SHAYER, THE ELDER(british 1787-1879)VIEW AT BRIGHTLINGSEA ON THERIVER COLNESigned ‘Wm Shayer’ on the rock at bottomcenter right, oil on canvas24 x 33 in. (61 x 83.8cm)provenance:Parke Bernet Galleries, Inc., 1969.Private Collection, Virginia.$4,000-6,000

129 148115/1JAMES BAKER PYNE(british 1800-1870)TIVOLISigned and dated ‘J.B. Pyne 643 1850’bottom center left, oil on canvas25 1/8 x 40 1/8 in. (63.8 x 101.9cm)provenance:Sotheby Parke Bernet, sale of April 2, 1976.Private Collection, Virginia.$3,000-5,000

128 142240/1ALFRED POLLENTINE(british 1836-1890)DOGE’S PALACE, VENICESigned in ligature ‘A Pollentine’ bottomright; also inscribed ‘The Doges/APollentine’ verso, oil on canvas13 7/8 x 24 in. (35.2 x 61cm)provenance:Private Collection, New York, New York.Private Collection, Pennsylvania.$1,000-1,500




133 142033/1CHARLES WILLIAM WYLLIE(british 1853-1923)“WHERE THE ECHOING OARS ORARGE FIRST STARTLED ANUNKNOWN SEA”Signed ‘Charles W. Wyllie’ bottomright; also inscribed verso, oil oncanvas30 x 54 in. (76.2 x 137.2cm)provenance:London, sale of March 29, 1983, lot165.Private Collection, Florida.exhibited:Royal Academy, London, 1915.$2,500-4,000

132 142451/1STUART LLOYD(british 1875-1929)“CHRIST CHURCH, OXFORD”Signed and dated 'Stuart Lloyd 1905'bottom right, oil on canvas30 1/4 x 50 1/8 in. (76.8 x 127.6cm)provenance:Private Collection, Pennsylvania.$2,500-4,000


135 142295/13MARIA L. ANGUS(british fl.1887-1910)“OUT OF MISCHIEF”Signed and dated ‘M.L. Angus 1891’bottom left, oil on canvas20 x 27 in (50.8 x 68.6cm)provenance:Doyle, New York, sale of May 20,1998, lot 161.Private Collection, New York, NewYork.$8,000-12,000

134 142249/2SIR JOHN ALFRED ARNESBYBROWN(british 1866-1955)COWS WATERING IN A MEADOWSigned ‘ARNESBY BROWN’ bottomright, oil on canvas20 x 24 in. (50.8 x 61cm)provenance:Private Collection, Maryland.$3,000-5,000



136 142386/1PHILIP MERCIER(british 1689-1760)A SCHOOL FOR BOYSSigned and dated ‘Ph Mercier fecit ano1738’ bottom center left, also engraved , oilon canvas40 x 50 in. (101.6 x 127cm)provenance:R. Robeson.Christie’s, sale of May 24, 1902, lot 51.Purchased from the above by Mr. Parsons.Messrs, Laurie & Co.Christie’s, sale of January 28, 1905, lot 66.Purchased from the above by Mr. Schroeder.Dr. Felix Graf, Heppenheim, Germany, c.1922.Private Collection, Britain.Sotheby’s, London, sale of November 14,1993, lot 97.Christie’s, London, sale of July 11, 1997, lot 9.Christie’s East, sale of May 29, 2001, lot 74.Sotheby’s, New York, sale of June 6, 2008,lot 39.Private Collection, New England.engraved:J. Farber (II), 1739.exhibited:“600 Years of British Painting: The BergerCollection.” Denver Art Museum, Denver,Colorado, October 10, 1998-March 28,1999.literature:J. R. Green, “The Short History of theEnglish People,” 1894, IV, p. 1617,(illustrated).John Ingamells, “A Catalogue of thePaintings, Drawings, and Etchings of PhilipMercier,” Walpole Society, 1976-1978, vol.XLVI, p. 61, no. 261.“600 Years of British Painting: The BergerCollection” exhibition catalogue, Denver ArtMuseum, Denver, Colorado. pp. 166-167.$7,000-10,000

137 142406/1WILLIAM LANGLEY(british 1852-1922)HIGHLAND CATTLE BY A LOCHSigned ‘William Langley’ bottom right, oil oncanvas19 7/8 x 30 in. (50.5 x 76.2cm)provenance:Freeman’s, Philadelphia, sale of February 25,2000, lot 57.Private Collection, Philadelphia,Pennsylvania.$1,000-1,500


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138 142342/11HENRI LE JEUNE(british 1820-1904)CONTEMPLATIONInscribed ‘Painted by Hy Le JeuneA.R.A.’ on frame verso, oil on panel24 x 19 13/16 in. (61 x 50.3cm)provenance:Hayward & Leggatt, H. Smith Esq.,York.Sotheby’s, New York, sale ofOctober 27, 1988, lot 122B.Private Collection, New Jersey.exhibited:“Exhibition and Fancy Fair.” YorkInstitute, York (n.d.)$6,000-10,000

139 141308/1JOHN EVERETT MILLAIS(british 1829-1896)LANDSCAPE AND FIGURESSigned with monogram lower right,oil on panel9 1/4 x 13 1/4 in. (23.5 x 33.7cm)provenance:From the Collection of Mrs. H. J. Lay,Surrey, England.Freeman’s, Philadelphia, sale ofOctober 19, 1933.By descent in the family, 1952.The Honorable Lawrence MeredithClemson Smith, Former Board ofTrustees President of the AmericanFederation of Arts, 1948-1951.By descent in the family.Private Collection, Philadelphia,Pennsylvania.$6,000-10,000


140 142256/1FRANK BRAMLEY(british 1857-1915)ROCKY COASTSigned ‘Frank C. Bramley’ bottomright, oil on canvas24 x 36 in. (61 x 91.4cm)provenance:Private Collection, Pennsylvania.$2,000-3,000

141 141614/2JOSEPH HENDERSON(british 1832-1908)CHILDREN ALONG THE SHORESigned ‘J. Henderson’ bottom right,oil on canvas28 x 44 in. (71.1 x 111.8cm)provenance:Private Collection, New York.$6,000-10,000

142 142408/1GEORGE BLACKIE STICKS(british 1843-1938)MARSDEN BAY BEACH, SOUTHSHIELDS, ENGLANDSigned and dated ‘GB Sticks 1873’bottom right, oil on canvas24 x 41 in. (61 x 104.1cm)provenance:Private Collection, Princeton, NewJersey.$2,000-3,000




143 142243/11G. BALL HUGHES(british 19th century)HUNTSMAN WITH CHESTNUTSigned ‘G. Ball Hughes’ bottom left,also inscribed ‘J. Dixon of Astel/Picture done for the Cheshire Huntpicture/ G. Ball Hughes/ 29Montague Place/ Ru.. Square’ verso,oil on canvas25 x 20 in. (63.5 x 50.8cm)provenance:Private Collection, Virginia.$2,500-4,000

144 141593/5THOMAS WEAVER(british 1774-1843)“GROUSE”Signed and dated ‘T. Weaver Pinxt18*3’ bottom center left; alsoinscribed ‘GROUSE/ The Property ofDavid Pugh, Esqr/ Won in twomatches of John Beck Esqr. 1823/190_ Sovereigns’ bottom right, oil oncanvas27 7/16 x 36 1/8 in.(69.8 x 91.5cm)provenance:Private Collection, Pennsylvania.$4,000-6,000

145 142199/2JOHN FRANCIS SARTORIOUS(british 1775-1831)JOCKEY UPSigned with initials and dated‘1778’(?) bottom right; alsoinscribed on stretcher verso, oil oncanvas24 3/4 x 35 in. (62.9 x 88.9cm)provenance:Captain N. Heywood, Jones Sale,Lark Hill. (n.d.)Private Collection, New Jersey.$3,000-5,000

146 141613/3JAMES BARENGER, THEYOUNGER(british 1780-1831)“LOST HIM”Signed ‘Barenger’ bottom centerright, oil on canvas20 1/8 x 27 in. (51.1 x 68.6cm)provenance:Newhouse Galleries, New York, NewYork.Private Collection, Virginia.$5,000-7,000

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147 141593/1JOHN ARNOLD ALFRED WHEELER(british 1821-1903)“FULL CRY”Signed with conjoined initialsbottom right, oil on canvas20 x 24 in. (50.8 x 61cm)provenance:Private Collection, Pennsylvania.$3,000-5,000

148 142199/4ATTRIBUTED TO SAMUEL HENRYGORDON ALKEN(british 1810-1894)“EPSOM DERBY”Oil on canvas15 7/8 x 20 in. (40.4 x 50.8cm)provenance:Private Collection, New Jersey.$3,000-5,000

149 141613/1WILLIAM HENRY HAMILTONTROOD(british 1848-1899)“TALLY HO”;“OVER THE FENCE”Pair oils on canvas, one signed withinitials ‘W. H. T.’ Each: 8 x 11 in. (20.3 x 27.9cm)(2)provenance:Private Collection, Virginia.$2,000-3,000

150 141613/2ATTRIBUTED TO DAVID DALBYOF YORK(british 1780-1849)“THE FRESH TEAM”Oil on canvas15 x 24 in. (38.1 x 61cm)provenance:Chapman Brothers, England.Private Collection, Virginia.$2,000-3,000


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151 141593/7ATTRIBUTED TO LAMBERTMARSHALL(british 1810-1870)ON THE TRAILOil on canvas12 1/2 x 14 1/2 in. (31.8 x 36.8cm)provenance:Private Collection, Pennsylvania.$1,000-1,500

152 148108/3WILLIAM H. HOPKINS(british 1853-1890)SPOILS OF THE HUNTSigned and dated ‘ W. H. Hopkins1871’ bottom left, oil on canvas,unframed36 x 30 in. (91.4 x 76.2cm)provenance:Private Collection, Florida.$1,000-1,500

154 141593/3BRITISH SCHOOL(19th century)LORD WITH DARK BAY ANDGREY; AND A COMPANIONPair oils on canvasEach 21 x 27 in. (53.3 x 68.6cm)(2)provenance:Private Collection, Pennsylvania.$3,000-5,000

153 141593/6HENRY FREDERICK LUCAS LUCAS(british 1848-1943)SKETCH OF WALNUTTitled and signed with initials ‘byH.F.L.L’ bottom left, oil on panel8 7/8 x 12 in. (22.8 x 30.5cm)provenance:Private Collection, Pennsylvania.$1,000-1,500

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155 141593/8BRITISH SCHOOL(19th century)“SAINT SIMON”Oil on canvas15 x 21 in. (38.1 x 53.3cm)provenance:Private Collection, Pennsylvania.$2,500-4,000

156 142199/5BRITISH SCHOOL(19th century)“LORD FALMOUTH’S SKYLARK”;“LORD FALMOUTH’S LADYGOLIGHTLY”Pair oils on canvas, one with partiallabel on stretcher bar versoEach 17 1/8 x 21 1/8 in.(43.5 x 53.7cm)(2)provenance:Private Collection, New Jersey.$3,000-5,000

157 142452/1RICHARD ANSDELL(british 1815-1885)A CHESTNUT AND A DARK BAYSigned and dated ‘R. Ansdell 1836’bottom right, oil on canvas25 x 30 1/8 in. (63.5 x 76.5cm)provenance:An Estate, Delaware.$4,000-6,000

158 141808/1ROSA BONHEUR(french 1822-1899)HORSE IN A LANDSCAPESigned ‘Rosa Bonheur’ bottom right;also with ‘VENTE ROSA BONHEUR1000’ red wax seal on stretcherverso, oil on canvas19 3/8 x 24 1/4 in. (49.2 x 61.6cm)provenance:Private Collection, Pennsylvania.$4,000-6,000


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159 141593/9ALFRED SHELDON WILLIAMS(british 1841-1880)“BLAZONRY”;“UNLIKELY”Pair oils on canvas, each signed withconjoined initials ‘SW’ bottom rightEach: 12 x 16 in. (30.5 x 40.6cm)(2)provenance:Private Collection, Pennsylvania.$2,000-3,000

160 141603/1C.T. STRODE(european 19th century)“HALLALI D’UN RENARD SUR UNTOIT”Signed and dated ‘C.T. Strode 1893’bottom right; also titled verso, oil oncanvas16 x 24 in. (40.6 x 61cm)provenance:Private Collection, Pennsylvania.$1,000-1,500

162 148133/2PETER SMITH(british b. 1949)“MAKE A LINE, JOCKEYS”Signed ‘ P.A. Smith’ bottom left,oil on canvas20 x 30 in. (50.8 x 76.2cm)provenance:Frost and Reed Gallery, London.Private Collection, Virginia.$1,500-2,000

161 148108/2BRITISH SCHOOL(19th century)“FROM BELVOIR HILL IN THEGRASSLANDS COUNTRY/ A VIEWACROSS VALE TOWARDSBACHELORS HALL”;“GONE A WA-WA-WAY FROMLONGVIEW BIG BOTTOMS/ AQUICK ‘UN IN THE GRASSLANDSCOUNTRY/ THE FIELD WERESPURRING TO BE IN IT”Pair oils on canvasEach: 20 1/4 x 30 1/8 in.(51.4 x 76.5cm)(2)provenance:Private Collection, Florida.$3,000-5,000

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163 142199/3JOHN FREDERICK HERRING, THEYOUNGER(british 1815-1907)GROOMS WITH BAYS, A GREY,AND A HUNTER IN THEIR STALLSSigned ‘J. F. Herring’ bottom right, oilon canvas20 x 30 in. (50.8 x 76.2cm)provenance:Private Collection, New Jersey.$5,000-7,000

164 148133/1JOHN FREDERICK HERRING, THEYOUNGER(british 1815-1907)FARMYARD FRIENDSSigned ‘J.F. Herring’ bottom right, oilon canvas12 x 18 in. (30.5 x 45.7cm)provenance:Richard Green Fine Paintings,London.Private Collection, Virginia.$4,000-6,000

165 148108/1JOHN FREDERICK HERRING, THEYOUNGER(british 1815-1907)HORSES WATERINGSigned ‘J.F. Herring’ bottom right, oilon canvas laid to board, framed as atondo23 3/8 x 23 1/4 in. (59.6 x 59.1cm)provenance:Private Collection, Florida.$5,000-7,000




166 141849/92JULES-BERTRAND GELIBERT(french 1834-1916)WAITING FOR THEIR MASTERSigned ‘Jules-Bd Gelibert’ bottomleft, oil on canvas9 5/8 x 12 3/4 in. (24.2 x 32.4cm)provenance:From the Collection of Debra and I.Michael Coslov, Haverford,Pennsylvania.$1,200-1,800

167 141415/42CHARLES OLIVIER DE PENNE(french 1831-1897)HOUNDS AT RESTSigned ‘Ol. de Penne’ bottom left, oilon panel, unframed16 1/8 x 11 5/16 in. (41 x 28.7cm)provenance:Private Collection, New Jersey.$2,000-3,000

168 141593/2BRITISH SCHOOL(19th century)BEAGLE IN A LANDSCAPEOil on canvas27 1/4 x 38 in. (69.2 x 96.5cm)provenance:Kentshire Galleries.Private Collection, Pennsylvania.$4,000-6,000



169 141287/18R. DAVID DIGBY(british b. 1936)FIVE WATERCOLORSEach: signed ‘R. David Digby’ and dated“LESSER PRAIRIE CHICKEN”together with:“CHUKAR”together with:“GREATER PRAIRIE CHICKEN”together with:“SCALED QUAIL”together with:“CALIFORNIA QUAIL”Each: 14 3/4 x 19 5/8 in. (37.5 x 49.6cm)(5)provenance:Private Collection, Pennsylvania.$2,000-3,000

171 141287/25R. DAVID DIGBY(british b. 1936)FOUR WATERCOLORSEach: signed ‘R. David Digby’ and dated“RING NECKED PHEASANT”together with:UNTITLEDtogether with:“WHITE PTARMIGAN”together with:“MONTEZUMA QUAIL”Each: 14 3/4 x 19 5/8 in. (37.5 x 49.6cm)together with:EDWIN PENNY(british b. 1930)RED DEERSigned ‘Edwin Penny’ bottom left, watercolor on paper20 x 28 in. (50.8 x 71.1cm)(5)provenance:Frost and Reed Gallery, London (Penny).Private Collection, Pennsylvania.$2,000-3,000

170 141287/24R. DAVID DIGBY(british b. 1936)FIVE WATERCOLORSEach: signed ‘R. David Digby’ and dated“NORTHERN BOBWHITE”together with:“RUFFLED GROUSE (RED PHASE)”together with:“SAGE GROUSE”together with:“MOUNTAIN QUAIL”together with:“SPRUCE GROUSE”Each: 14 3/4 x 19 5/8 in. (37.5 x 49.6cm)(5)provenance:Private Collection, Pennsylvania.$2,000-3,000

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172 142318/10GEORG HAUSDORF (german/american 1888-1959)TRAIN IN THE SNOWSigned 'Georg Hausdorf' bottomright, oil on canvas27 7/8 x 34 7/8 in. (71 x 88.7cm)provenance:Private Collection, Long Island, NewYork.$3,000-5,000

173 142074/2F. MAJEWSKI(polish 19th century)GOLD TRANSPORTING IN SIBERIASigned ‘F. Majewski’ bottom left, oilon canvas20 3/4 x 39 3/8 in.(52.7 x 100.2cm)provenance:Private Collection, California.$4,000-6,000



174 142074/1GEORGI ALEXANDROVICHLAPCHINE(russian 1885-1950)LILACSSigned ‘ G Lapchine’ bottom left, oilon canvas29 1/4 x 35 1/2 in.(74.3 x 90.2cm)provenance:Private Collection, California.$6,000-10,000


177 141674/9MICHAEL SIMONIDY(romlanian 1870-1933)THREE WOMEN BEFORE AFOUNTAINSigned ‘Simonidy’ bottom right, oilon canvas39 3/4 x 32 1/4 in. (101 x 81.9cm)provenance:Collection of Dr. Daniel Lovette.$3,000-5,000

176 142471/1NINA AIZENBERG(russian 1902-1974)“PROJECT DE COSTUMES POURUN MARIN TRANSFORMABLE ENHOOLIGAN”Pair gouaches on paper, framedtogetherEach: 6 7/8 x 4 3/8 in.(17.5 x 11.3cm)provenance:Le Minotaure, Paris.M. Lissnevsky (The Artist’sNephew), Jerusalem.Private Collection, Toronto, Canada.$3,000-5,000

175 142450/2BORIS IVANOVICHPASTOUKHOFF(russian 1894-1974)FLORAL BOUQUETSigned ‘Boris Pastoukhoff’ bottomleft, oil on canvas20 x 16 in. (50.8 x 40.6cm)provenance:Private Collection, Washington, DC.$1,000-1,500



178 142238/1KONSTANTIN MEFODEVICHMAKSIMOV(russian 1913-1993)“GRADUATE”Signed in Cyrillic bottom right, oil oncanvas196040 x 25 1/4 in. (101.6 x 64.1cm)provenance:Overland Gallery, Scottsdale,Arizona.Private Collection, Pennsylvania.exhibited:“Historic Treasures-Utopian Spirit.”Fleischer Museum, Scottsdale,Arizona, February 3-April 30, 1998.Evansville Museum of Arts andScience, Evansville, Indiana,September 5-October 31, 1999.“Russian Realism: Paintings frombehind the Iron Curtain “ TennesseeState Museum, Nashville,Tennessee, March 3-May 31, 2000.The Museum of Russian Art,Bloomington, Minnesota, May 29-July 27, 2003.note:Born near Moscow in 1913,Konstantin Maksimov studied underthe renowned painter GeogiRyazhski at Surikov Art institute inMoscow. There, he garnered his firstpublic recognition in the “All UnionArt Exhibition of Young Painters” in1939. One of the most influentialpainters of the Soviet Union,Maksimov was awarded the Stalinprize, the most prestigious nationalaward, two times during the 1950s.The artist enjoyed a long teachingcareer from 1942 to 1989, duringwhich he was granted the rarepermission to travel out of hiscountry. From 1955-1957, he spent asabbatical in China, assisting withthe organization of the ChineseAcademy of Arts in Peking. He ismost famous for his portrait “Sasha,the Tractor Driver”, now in theTretyakov Museum, which waspainted in 1954.$50,000-80,000




179 141912/2IVAN FEDOROVICH CHOULTSÉ(russian 1877-1932)“SOIR D’AUTOMNE (BOIS DEBOULOGNE)”Signed ‘Iw F. Choultsé’ bottom right;also titled in pencil on stretcherverso, oil on canvas25 1/2 x 25 1/2 in.(64.8 x 64.8cm)provenance:Private Collection, New Jersey.

note:Choultsé was born in St. Petersburgbefore establishing residency inParis following the RussianRevolution in 1917. One of Russia’smost revered painters of the late19th and early 20th centuries, he isbest known for his ability to capturethe effects of sunlight and shadow,as seen in the present work.Receiving his first formal trainingfrom the celebrated miniature

painter Konstantin Krijitski, heexhibited at the Académie desBeaux-Arts, Petrograd, while still inhis twenties, going on to exhibit atthe Salon des Artistes Français,Galérie Gerald Frères and theUniversal Exposition in Paris. Chiefamongst his many accolades washis election to serve as CzarNicholas II’s Court Painter.$30,000-50,000


180 141835/2ROBERT RAFAILOVICH FALK(russian 1886-1958)STREET SCENESigned ‘R. Falk.’ bottom left,watercolor and gouache on paper14 7/8 x 19 9/16 in. (38 x 49.6cm)provenance:The Artist.Gifted to the present owner’sparents, ca. 1950.By descent in the family.Private collection, Pennsylvania.$10,000-15,000




181 141835/1ROBERT RAFAILOVICH FALK(russian 1886-1958)BOATS ON THE SHORESigned ‘R. Falk.’ bottom right,watercolor and gouache on paper16 x 21 3/16 in. (40.6 x 53.9cm)provenance:The Artist.Gifted to the present owner’sparents, ca. 1950.By descent in the family.Private collection, Pennsylvania.$10,000-15,000


182 148136/1LUDWIG HERMANN(german 1812-1881)TOWN ALONG THE RHINESigned and dated ‘L. Hermann 78(?)’ bottom right, oil on canvas26 7/8 x 38 3/16 in.(68.5 x 97.1cm)provenance:Private Collection, West Virginia.$3,000-5,000

183 141761/1FRANZ RICHARD UNTERBERGER(austrian 1838-1902)NEAPOLITAN SHORELINE WITH VIEW OF MT.VESUVIUSSigned ‘FR Unterberger’ bottom right, oil on canvas20 1/2 x 29 3/4 in. (52.1 x 75.6cm)provenance:Private Collection, Pennsylvania.By descent in the family.Private Collection, Pennsylvania.note:The authenticity of this work has kindly beenconfirmed by Dr. Karin-Sybille Moser-Ernst, whodates the painting circa 1866 when Unterbergermoved from Dusseldorf to Brussels. She notes that itis one of the earliest Italian views known to her.$3,000-5,000

184 141761/2FRANZ RICHARD UNTERBERGER(austrian 1838-1902)FIGURES REGALING AT DUSK, NAPLESSigned ‘FR Unterberger’ bottom right, oilon wood panel19 1/8 x 29 1/4 in. (48.6 x 74.3cm)provenance:Private Collection, Pennsylvania.By descent in the family.Private Collection, Pennsylvania.note:The authenticity of this work has kindlybeen confirmed by Dr. Karin-SybilleMoser-Ernst, who dates the painting circa1866 when Unterberger moved fromDusseldorf to Brussels.$3,000-5,000




185 141757/1CONTINENTAL SCHOOL(19th century)LANDSCAPE WITH FIGURESALONG A RIVERBANKOil on canvas27 x 38 in. (68.6 x 96.5cm)provenance:Private Collection, Pennsylvania.$1,000-1,500

186 142122/7THEODORE ALEXANDER WEBER(german 1838-1907)OFF THE QUAYSigned ‘Th. Weber’ bottom left, oilon canvas21 7/8 x 33 1/2 in.(55.6 x 85.2cm)provenance:Private Collection, Indiana.$2,000-3,000

188 141774/23NORTHERN EUROPEAN SCHOOL19th centuryBREEZING UPIndistinctly signed and dated ‘A.*** 1870’bottom left, oil on canvas laid to panel18 x 31 1/2 in. (45.7 x 80cm)provenance:Sotheby’s, lot 508 (n.d.)Private Collection, New Jersey.$1,200-1,800

187 142243/6J. G. BIJLERMAN(danish 19th century)SHIP OFF THE SHORESigned ‘J. G. Bijlerman fe’ bottomleft, oil on paper laid to panel13 13/16 x 16 7/8 in.(35 x 42.9cm)provenance:Private Collection, Virginia.$1,000-1,500


189 142040/1BENGT NORDENBERG(swedish 1822-1902)A FESTIVE GATHERINGSigned and dated ‘B. Nordenberg1850’ bottom center left, oil oncanvas30 x 39 3/8 in. (76.2 x 100.2 cm)provenance:Private Collection, Ohio.note:Nordenburg was a Swedish painterwho settled in Dusseldorf, German,in the 1850s - roughlycontemporaneous with the time thepresent work was executed - andbecame of a member of theDusseldorf School of Painting.


Combining the linearism of theNeoclassicists with the gesture ofthe Romantics, the DusseldorfSchool of artists included Andreasand Oswald Achenbach, KarlFriedrich Lessing and AdolfSchrodter. At its height, the Schoolwas under the direction of Wilhelmvon Schadow, and ultimatelyincluded many prominent Americanartists, including WorthingtonWhittredge, Albert Bierstadt, andGeorge Caleb Bingham. Nordenburgstudied under Theodor Hildebrandtand Adolph Tidemand, and brieflywith Thomas Couture.$10,000-15,000



190 148149/1HEINRICH JOHANN VON ZÜGEL(german 1850-1941)SHEEP IN A MEADOWSigned and dated ‘H. Zügel 18**’bottom right, oil on canvas19 5/8 x 27 3/4 in.(49.8 x 70.5cm)provenance:Private Collection, Virginia.note:A founding member of the MunichSeccession - an association ofartists who broke away from theconservative Munich Artists’Association - von Zügel specializedin painting what he termed ‘heavywork’ themed paintings: horses andplowing oxen. Working into hiseighties, his paintings first acquired

by museums while in his thirties,von Zügel’s prodigious output alsofeatures a large number of sheep-themed paintings, as typified by thepresent work. After study at the artschool in Stuttgart and theAcademy of Fine Arts, Munich, itwas his fellow countryman, animalpainter Anton Braith, who was vonZügel’s was his most importantmember. Sheep in a Meadow ishighly typical of von Zügel’s bestpaintings: a depiction of a group offarm animals with a concentrationworked in heavy impasto, theconcern with the effects of light andshadow revealing the stronginfluence of Impressionism.$8,000-12,000


191 142250/8NORTHERN EUROPEAN SCHOOL(19th century)SHIPPING ON ROUGH SEASOil on canvas25 x 30 in. (63.5 x 76.2cm)provenance:Private Collection, Maryland.$2,000-3,000

192 141537/2* SCHWENIGR(autrian/german 19th century)MOUNTAIN LANDSCAPE WITHFIGURESSigned ‘Schwenigr’ bottom right, oilon canvas27 x 41 3/8 in. (68.6 x 105.3cm)provenance:Private Collection, South Carolina.$1,500-2,000

193 141888/4J. G. CLAIRMONT(continental 19th century)HARBOR SCENESigned ‘J.G. Clairmont’ bottom right,oil on canvas21 3/4 x 26 3/4 in.(55.2 x 67.9cm)provenance:Private Collection, Philadelphia,Pennsylvania.$1,500-2,000


194 141774/27JULIUS HERMANN KUMMER(german 1817-1872)EXTENSIVE LANDSCAPE WITHBOATERSSigned ‘J. Kummer’ bottom left, oilon canvas30 1/4 x 40 1/8 in.(76.8 x 101.9cm)provenance:Private Collection, New Jersey.$3,000-5,000

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195 141849/104EDMOND VAN COPPENOLLE(belgian 1846-1914)MIXED FLOWERSSigned ‘Coppenolle’ bottom right, oilon canvas36 1/4 x 28 5/8 in.(92.1 x 72.4cm)provenance:Collection of Debra and I. MichaelCoslov, Haverford, Pennsylvania.$1,200-1,800

196 145500/11PETER JOSEPH WILMS(german 1814-1892)STILL LIFE WITH CHAMPAGNEFLUTE AND MIXED FRUITS ON AMARBLE LEDGESigned and dated ‘i WiLMS 1863’bottom right; also inscribed on(partial) stretcher bar label verso, oilon canvas15 7/8 x 13 3/8 in.(40.5 x 34.2cm)provenance:Private Collection, New Jersey.note:Proceeds to benefit the VinelandHistorical and Antiquarian Society,Vineland, New Jersey.$1,500-2,000

197 142243/15MICHAEL STOHL(austrian, 1813-1881)FAMILIEN PORTRAITSigned and dated ‘M. Stohl 1836’bottom right, watercolor19 1/4 x 22 1/2 in. (48.9 x 57.2cm)provenance:Neumeister Kunstauktionen, sale ofJuly 1, 1992, lot 261.Private Collection, Virginia.$1,000-1,500

198 142445/1MAX LIEBERMANN(german 1847-1935)WOMEN ON HORSEBACKSigned ‘M Liebermann’ bottom right,pencil on paper, unframed5 5/16 x 7 5/8 in. (13.4 x 44.6cm)provenance:Private Collection, Massachusetts$1,000-1,500

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199 142250/2EUROPEAN SCHOOL(late 19th century)A NORTH AFRICAN MANOil on canvas16 x 20 in. (40.6 x 50.8cm)provenance:Private Collection, Maryland.$1,000-1,500

200 142418/5I.G. HELLER(continental 19th century)HORSECART DEPARTINGSigned, dated and located ‘I.G.Heller/ 1875 Munchen’ bottom left,oil on panel11 x 18 7/8 in. (27.9 x 48.1cm)provenance:Private Collection, Pennsylvania.$3,000-5,000

201 141761/3JOSEPH URBAN(austrian 1872-1933)THE POACHERSigned ‘J. Urban’ bottom right, oil onpanel18 1/2 x 12 1/4 in. (47 x 31.1cm)provenance:Private Collection, Pennsylvania.$1,000-1,500




202 142295/16FERNAND BLONDIN(swiss 1887-1967)TEA IN THE GARDENSigned and dated ‘F. Blondin/ 17’ topleft, oil on canvas33 x 40 in. (109 x 129.5cm)provenance:Habsburg, Geneva, sale of June 26,1988, lot 7.Private Collection, New York, NewYork.$10,000-15,000


203 142122/5OSZKAR GLATZ(hungarian 1872-1958)GIRL AND HER DOLLSigned ‘Glatz’ bottom right, oil oncanvas20 x 16 in. (50.8 x 40.6cm)provenance:Private Collection, Indiana.$2,000-3,000

204 141987/19LOUIS WILLEMS(belgian 1820-1889)A LOCKET FOR THE CATSigned ‘ L. Willems’ bottom right, oilon panel15 3/8 x 12 1/2 in. (39.3 x 31.8cm)provenance:Property of a New Jersey estate.$1,000-1,500

205 142030/3FRANZ HECKENDORF(german 1888-1962)MIXED FLOWERSSigned and dated ‘F. Heckendorf 32’bottom right, oil on canvas29 1/2 x 39 1/4 in (74.9 x 99.7cm)provenance:Private Collection, Pennsylvania.$4,000-6,000




206 142284/1KARL VIKAS(austrian 1875-1934)MEDITERRANEAN VIEWSigned ‘K. Vikas.’ bottom right, oil oncanvas22 3/4 x 31 1/8 in. (57.8 x 79.1cm)provenance:Private Collection, Washington.$1,000-1,500

207 142030/2FRANZ HECKENDORF(german 1888-1962)LAKE SIDE VIEW WITH FIGURESsigned and dated in pencil ‘F.Heckendorf 34’ bottom right,watercolor on paper15 9/16 x 19 in. (39.5 x 48.3cm)provenance:Private Collection, Pennsylvania.$1,500-2,500

208 142427/1JAKOB STEINHARDT(israeli 1887-1968)JACOB’S DREAMSigned ‘Steinhardt’ bottom left; alsosigned, inscribed in Hebrew, dated‘1949’, and located ‘Jerusalem’verso, oil on canvas12 5/8 x 18 1/4 in. (31.9 x 46.4cm)provenance:Private Collection, Connecticut.$4,000-6,000


209 142183/1ISIDOR KAUFMANN(austian/hungarian 1853-1921)THE ZEALOT (YOUNG RABBI)Signed ‘Isidor Kaufmann’ bottomright, oil on panel16 x 11 in. (40.6 x 27.9cm)provenance:Private Collection, Vienna, Austria.By descent in the family, ca. 1920.Private Collection, East Coast.note:Isidor Kaufmann is arguably themost important painter of Rabbisand other Jewish figures - often withshtreimel, tallit, peyot, and Talmudin hand - of late 19th and early 20thcentury Eastern Europe. His sitters,whether from Poland, Hungary orSilesia, are rendered in a highlyrealistic manner, typically depictedin half-length format, and reveal thepersonalities of the sitters.Kaufmann began painting at age 14,studying under Joseph MatthausAigner and Joseph Trenkwald inVienna, where he settled in 1876. Hewas awarded the BaronKonigswarter Kunstler-Preis and agold medal at the InternationalExhibition, Munich amongst hisother honors.$100,000-150,000




210 142427/2YOSL BERGNER(israeli b. 1920)KING AND THE BIRDSSigned in Hebrew bottom left, oil on canvas31 3/4 x 45 5/8 in. (80.6 x 115.7cm)provenance:Clark’s Auctioneers, Sherman Oaks,California, sale of September 15, 2012, lot 18.Private Collection, Connecticut.note:A well-traveled painter, Yosi Bergner wasborn in Vienna, grew up in Warsaw,emigrated to Australia in 1937 - where hestudied at The National Gallery School,Melbourne - moved to Israel, and hasexhibited widely in Montreal, New York, andParis. A highly prolific artist, he has alsodesigned costumes and scenery for Yiddishtheaters and illustrated books. The presentpainting is related to a number of hiscanvases featuring figures, and sometimesbirds, peering out from rectangular and archtop windows.$20,000-30,000


211 142371/1FRITZ WAGNER(german 1872-1939)“EIN INTERESSANTE BRIEF”Signed ‘Fritz Wagner Mch’ bottomleft, oil on canvas25 3/4 x 31 1/2 in. (65.4 x 80cm)provenance:Private Collection, Pennsylvania.$3,000-5,000


212 142371/2FRITZ WAGNER(german 1872-1939)READING THE DOCUMENTSigned ‘Fritz Wagner Mch’ bottomright, oil on canvas31 1/2 x 27 5/8 in. (80 x 69.9cm)provenance:Private Collection, Pennsylvania.$3,000-5,000



213 141076/2JOHANNES HUIBERT (HENDRIC) PRINS(dutch 1757-1806)TOWN SCENE WITH FIGURESOil on canvas24 3/8 x 30 in. (61.9 x 76.2cm)provenance:The Architect, Clarence Mack, Palm Beach,Florida.Given as a gift to the present owners.Private Collection, Florida.note:We would like to thank the Rijksbureau voorKunsthistorische Documentatie for lending theiropinion to the attribution of this painting on thebasis of an electronically transmitted image.$4,000-6,000

214 142418/1ANTON MAUVE(dutch 1838-1888)WAITINGSigned ‘A. Mauve’ bottom right, oil on boardlaid to panel6 7/8 x 9 7/8 in. (17.5 x 25.1cm)together with:COW GRAZINGSigned ‘A. Mauve’ bottom left, oil on canvas6 x 9 3/8 in. (15.2 x 24cm)(2)provenance:Private Collection, Pennsylvania.$2,000-3,000

215 142345/1CORNELIS WESTERBEEK, SR.(dutch 1844-1903)TENDING THE SHEEPSigned and dated ‘C. Westerbeek 99’ bottomright, oil on canvas23 5/8 x 39 7/16 in. (59.8 x 100.2cm)provenance:“Fine Paintings and Sculpture.” Freeman’s,Philadelphia, sale of December 7, 2003, lot 15.Private Collection, Philadelphia, Pennsylvania.$2,500-4,000


216 142249/1HERMAN JOHANNES VAN DERWEELE(dutch 1852-1930)SHEEP WATERINGSigned ‘H. J. v.d. Weele’ bottom left,oil on canvas, unframed26 7/8 x 35 1/16 in. (68.1 x 89cm)provenance:Private Collection, Maryland.$1,500-2,000

217 142393/2GERARDUS HENDRICKS(dutch 1804-1859)COWS IN LANDSCAPESigned ‘G. Hendricks fe’ bottomcenter, oil on canvas27 1/4 x 35 1/2 in.(69.2 x 90.2cm)provenance:Private Collection, Pennsylvania.$2,000-3,000

218 141694/1ANTHONIE JACOBUS VANWIJNGAERDT(dutch 1808-1887)LANDSCAPE WITH COWSSigned ‘A. J. V(?). Wijngaerdt fe’bottom right, oil on panel10 5/8 x 17 in. (26.8 x 43.2cm)provenance:Kunstveilinger, Amsterdam, June1970.Acquired from the above.Private Collection, Pennsylvania.$1,000-1,500


219 142198/1JAN JACQUES MATTHYSDAMSCHROEDER(dutch 1825-1905)WOMAN IN INTERIORSigned ‘J. Damschroeder’ bottomright, oil on canvas laid to panel19 x 15 7/8 in. (48.3 x 40.4cm)provenance:Private Collection, Pennsylvania.$1,500-2,000

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220 142250/1BERNARDUS JOHANNESBLOMMERS(dutch 1845-1914)A PAUSE IN THE DAYSigned ‘Blommers’ bottom right,watercolor on paper laid to card14 3/4 x 14 3/4 in. (37.5 x 37.5cm)provenance:Private Collection, Maryland.$2,000-3,000

221 142418/9WILLEM JACOBUS BOOGAARD(dutch 1842-1887)STABLE SCENESigned and dated ‘W. J. Boogaard’bottom left; also inscribed ‘Theundersigned declared that thispicture has been painted by himselfto the order of A. d’Huyoeffer (?) Jr.of Antwerp/ WJ Boogaard’ verso, oilon canvas27 3/8 x 23 3/8 in.(69.8 x 59.6cm)provenance:Private Collection, Pennsylvania.$5,000-7,000

222 142418/2EUGENE REMY MAES AND JANDAVID COL(belgian 1849-1931) and (belgian1822-1900)OFFICER AND MAIDENSigned ‘E. R. Maes/ D. Col’ centerright; also inscribed ‘Je soussignédeclare que le tableau ei contre cotoriginal et peint par mei, E. R. Maes/Je déclare avoir peint les figures ei-contre, David Col. Antwerp.’ verso,oil on canvas31 1/2 x 25 5/8 x 80 x 64.9cm)provenance:Private Collection, Pennsylvania.$4,000-6,000

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223 142466/1FRANS VAN LEEMPUTTEN(belgian 1850-1914)THE RETURN HOMESigned ‘Frans van Leemputten’bottom left, oil on canvas31 5/8 x 25 3/4 in.(80.3 x 65.4cm)provenance:Private Collection, New Jersey.$3,000-5,000

224 142418/3JOHANN GEORG MEYER VONBREMEN(german 1813-1886)THE SEWING LESSONSigned and dated ‘Meyer vonBremen 186*’ bottom right, oil oncanvas18 3/4 x 14 15/16 in.(47.6 x 38cm)provenance:Private Collection, Pennsylvania.$4,000-6,000

225 142418/8HERMANN BETHKE(german 1825-1895)WOMAN SEWINGSigned ‘H. Bethke pt’ bottom right,oil on canvas28 1/2 x 23 in. (72.4 x 58.4cm)provenance:Sotheby’s, New York, sale of January31, 2009, lot 216.Private Collection, Pennsylvania.$4,000-6,000

226 142243/4REINIER CRAEYVANGER(dutch, 1812-1880)CONTEMPLATIVE MOMENTSigned ‘R. Craeyvanger’ bottomright, oil on canvas21 3/8 x 17 in. (54.4 x 43.2cm)provenance:Weschler’s, Washington, DC, sale ofMay 22, 1993, lot 10.Private Collection, Virginia.$2,000-3,000


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227 142393/1DUTCH SCHOOL(19th century)EXTENSIVE LANDSCAPE WITHHORSEMAN AND MAIDEN ON ATRACKBears signature and date ‘BCKoekkoek 1833’ bottom center right,oil on cradled panel14 x 17 1/8 in. (35.6 x 43.4cm)provenance:Private Collection, Pennsylvania.$3,000-5,000

228 141980/1ATTRIBUTED TO VALENTIN DEZUBIAURRE(spanish 1879-1963)LANDSCAPE WITH FIGURESBears signature 'Zubiaurre' bottomright, oil on canvas, unframed31 3/4 x 45 1/2 in. (80.6 x 115.6cm)provenance:Private Collection, Pennsylvania.note:For a related composition byValentin de Zubiarre, please seeFernando Durán Subastas de Arte,Madrid, sale of March 21, 1995, lot314$3,000-5,000

230 142451/2BELISSARIO GIOJA(italian 1829-1906)THE SUITOR'S PROPOSALSigned and located 'B. Gioja Roma'bottom right, watercolor on paper21 13/16 x 14 3/4 in. (55.3 x 37.4cm)together with:GUERRINO GUARDABASSI(italian 1841-1893)THE RETURN HOMESigned 'G. Guardabassi' bottomright, watercolor on paper19 x 14 7/8 in. (48.3 x 37.9cm)(2)provenance:Private Collection, Pennsylvania.$1,200-1,800

229 142393/4UMBERTO CACCIARELLI(italian 1880-1910)HAREMSigned and located ‘U. CacciarelliRoma’ bottom left, watercolor onpaper laid to heavy card21 1/2 x 29 13/16 in.(54.6 x 75.7cm)provenance:Private Collection, Pennsylvania.$4,000-6,000

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231 142250/19ARTURO RICCI(italian 1854-1919)THE DRAWING ROOMSigned ‘A. Ricci’ bottom left, oil onpanel7 1/16 x 9 7/8 in. (18.3 x 25cm)provenance:Private Collection, Maryland.$2,000-3,000

232 142254/2FEDERICO ANDREOTTI(italian 1847-1930)THE SUITORSigned and located ‘F. Andreotti/Firenze’ bottom right, oil on canvas16 1/2 x 23 in. (41.9 x 58.4cm)provenance:Christie’s East, sale of May 20,1986, lot 41.Private Collection, Virginia.$3,000-5,000

233 142295/15LIONELLO BALESTRIERI(italian 1872-1958)DEVANT L’OPERA, PARISSigned ‘L. Balestrieri’ bottom left;also with partial unidentified labelon stretcher verso, oil on canvas13 x 18 in. (33 x 45.7cm)provenance:Shannon’s Auction, Milford,Connecticut, sale of October 27,2011, lot 99.Private Collection, New York.$3,000-5,000




234 148053/1EUGENIO ZAMPIGHI(italian 1859-1944)THE HAPPY FAMILYSigned ‘E. Zampighi’ bottom left, oil on canvas22 x 30 in. (55.9 x 76.2cm)provenance:Private Collection, Virginia.note:A prodigy who entered The Modena Academy at13, Eugenio Zampighi delighted in the portrayal ofeveryday domestic interior scenes of commonItalian families. His 'slice of life' paintings typicallyfeature numerous family members spanninggenerations - from infants to grandparents,engaged in play, courtship, mealtime orstorytelling, delighting the viewer with theirebullient expressions and animated gestures. Hetypically worked on a commission basis, appealingto the Italian middle class as well as collectorsabroad.$10,000-15,000


235 142250/6CAMILLO INNOCENTI(italian 19th century)LADY AT HER DRESSING TABLESigned ‘Innocenti’ upper left, oil on panel9 5/8 x 4 1/2 in. (24.3 x 11.4cm)provenance:Private Collection, Maryland.$1,000-1,500

236 121077/2GIOVANNI COSTA(italian 1833-1893)REVERIESigned ‘G. Costa’ bottom right, oil oncanvas44 1/2 x 27 in. (112.4 x 70.5cm)provenance:Private Collection, Newport, Rhode Island.$3,000-5,000

237 141987/30ITALIAN SCHOOL(19th century)“TEMPI DI PESTO;” AND TWOCOMPANIONSThree gouaches on paperLargest image size:10 3/4 x 16 3/16 in.(27.3 x 41.2cm)(3)provenance:Property of a New Jersey estate.$1,500-2,000


238 142250/22ITALIAN SCHOOL(19th century)THE FLOODING OF AN ITALIANTOWNSigned with indecipherable conjoinedinitials and dated ‘18**’ bottom left;also inscribed extensively in Italianverso, oil on canvas, unframed34 5/16 x 57 in. (87 x 144.8cm)provenance:Private Collection, Maryland.$3,000-5,000

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239 142436/2EUGENIO CECCHINI PRICHARD(italian 1831-1896)SEA COAST IN BRITTANYSigned ‘Eugenio P. Cecchini’ bottomright, oil on canvas31 1/2 x 51 1/2 in. (80 x 130.8cm)provenance:Doll & Richards, Boston.Private Collection, Massachusetts.exhibited:Royal Academy, Venice, (n.d.)$2,000-3,000

240 141771/11TOMMASO DE SIMONE(italian 1805-1888)SHIPPING IN THE BAY OF NAPLESSigned and dated ‘De Simone 1863’bottom right, oil on canvas12 1/2 x 18 1/2 in. (31.8 x 47cm)provenance:Private Collection, Pennsylvania.$1,000-1,500

242 142295/17FELICE CASTEGNARO(italian 1873-1935)A VENETIAN CANALSigned ‘F. Castegnaro’ bottom right;also signed and located ‘FCastegnaro Venezia’ verso, oil onpanel12 1/8 x 10 in. (30.8 x 25.4cm)provenance:Bonham's, New York, sale of June28, 2007, lot 125.Private Collection, New York, NewYork.$2,000-3,000

241 141634/10ATTILIO PRATELLA(italian 1856-1949)NEAPOLITAN SCENESigned ‘A. Pratella’ bottom right, oilon canvas17 x 21 in. (43.2 x 53.3cm)provenance:Private Collection, New Jersey.$2,500-4,000

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243 131619/1ANTONIO MARÍA DE REYNAMANESCAU(spanish 1859-1937)VENICESigned and located ‘A. ReynaVenezia’ bottom right, oil on canvas13 1/2 x 29 1/2 in. (34.3 x 74.9cm)provenance:Private Collection, New York.$4,000-6,000

244 142458/1ZOE (SUZI) ACTYPI(greek 1927-1996)LANDSCAPE WITH ROW OFTREESSigned and dated ‘S. Actypi 63’bottom right, oil on canvas,unframed18 1/8 x 24 in. (46.1 x 61cm)provenance:Private Collection, New Jersey.$3,000-5,000

245 141875/1ROBERT WAKEHAM PILOT(canadian 1898-1968)DRYING SAILSSigned and dated ‘R. Pilot 22’bottom right, oil on panel12 3/8 x 17 1/4 in. (31.7 x 43.8cm)provenance:Private Collection, North Carolina.exhibited:Watson Art Galleries, Montreal,Canada, 1928, no. 40.$4,000-6,000




246 142318/4BRUNO COTE(canadian 1940-2010)“FIN DE JOURNÉE”Signed ‘bruno cote’ bottom right;also signed and titled verso, oil onboard19 7/8 x 24 in. (50.5 x 61cm)provenance:Kastel Gallery, Quebec, Canada.Private Collection, New York.$2,000-3,000

247 142318/5BRUNO COTE(canadian 1940-2010)“PRINTEMPS AGUANISH”Signed ‘bruno cote’ bottom right;also signed and titled verso, oil onboard19 7/8 x 24 in. (50.5 x 61cm)provenance:Kastel Gallery, Quebec, Canada.Private Collection, New York.$2,000-3,000

249 142318/7BRUNO COTE(canadian 1940-2010)“RIVIÈRE MANICOUAGAN”Signed ‘bruno cote’ bottom centerright; also signed and titled verso, oilon board25 1/2 x 39 1/2 in.(90.2 x 100.3cm)provenance:Kastel Gallery, Quebec, Canada.Private Collection, New York.$3,000-5,000

248 142318/6BRUNO COTE(canadian 1940-2010)“BIENTÔT L’HIVER”Signed ‘bruno cote’ bottom right;also signed and titled verso, oil onboard35 7/16 x 39 11/16 in.(90.1 x 100.9cm)provenance:Kastel Gallery, Quebec, Canada.Private Collection, New York.$3,000-5,000

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250 142239/1GERARD SEKOTO(south african 1913-1993)TWO BOYS IN CHECKEREDSHIRTS WITH A BLACK CATSigned ‘G. Sekoto’ bottom left, oil oncanvas13 x 16 1/4 in. (33 x 41.3cm)provenance:Private Collection, Pennsylvania.$30,000-50,000


251 142239/2GERARD SEKOTO(south african 1913-1993)TWO CHILDREN FACING THE SUNSigned with initials ‘G.S.’ bottomright; also inscribed ‘Best wishes for1951/ to Mr. and Mrs. M.H. Purcell/Sincerely Gerard Sekoto’ bottomcenter, ink and watercolor withtraces of pencil on wove paper6 x 4 5/8 in. (15.2 x 11.5cm)provenance:Private Collection, Pennsylvania$1,000-1,500



252 148031/4MAURICE DENIS(french 1870-1943)PROFIL DE JEUNE FILLESigned ‘MAUD’ bottom left,watercolor over pencil on paper4 1/2 x 2 7/16 in. (11.4 x 6.3cm)provenance:Private Collection, Norfolk, Virginia.$3,000-5,000

253 141808/4JEAN FRANCOIS RAFFAELLI(french 1850-1924)“LE PETIT CHIFFONIER”Signed ‘J F Raffaelli’ bottom right;also with Durand-Ruel label verso,oil on panel9 x 4 1/16 in. (22.9 x 10.3cm)provenance:Durand-Ruel, Paris, no. 2289.Private Collection, Pennsylvania.$5,000-7,000


254 142318/9VICTOR GILBERT(french 1847-1933)HAVING A DRINKSigned ‘V. Gilbert’ bottom right, oilon panel18 x 14 7/16 in. (45.7 x 36.7cm)provenance:Private Collection, New York.$3,000-5,000

255 141601/2ÉTIENNE PROSPER BERNE-BELLECOUR(french 1838-1910)IN WAITSigned and dated ‘Berne-Bellecour1908’ bottom right, oil on cradledpanel13 3/4 x 10 1/4 in. (34.9 x 26cm)provenance:Private Collection, Pennsylvania.$2,000-3,000

256 142198/3E. HÜNTER(continental school 19th century)CAVALRYMANSigned ‘E. Hünter’ bottom left, oil on canvas16 5/8 x 13 5/8 in. (42 x 34.4cm)provenance:Private Collection, Pennsylvania.$1,500-2,000


257 142342/10HENRI PIERRE PICOU(french, 1824-1895)“MOLIÈRE À VERSAILLES”Signed and dated ‘Henry Picou 1868’ bottom right, oilon canvas25 x 30 in. (63.5 x 76.2cm)provenance:Sotheby’s, New York, sale of October 27, 1988, lot 214.Private Collection, New Jersey.$4,000-6,000

257256

255254



258 142295/18HIPPOLYTE CAMILLE DELPY(french 1842-1910)COIN DE VILLERVILLESigned and dated ‘H.C. Delpy *7’bottom right, oil on panel10 3/8 x 15 3/4 in. (26.6 x 40cm)provenance:Goupil Gallery, New York, New York.Private Collection, Pennsylvania.$3,000-5,000

259 142198/2VICTOR PIERRE HUGUET(french 1835-1902)CARAVAN AT RESTSigned ‘V. Huguet’ bottom left, oilon panel18 1/16 x 14 7/8 in.(45.8 x 37.8cm)provenance:Private Collection, Pennsylvania.$7,000-10,000

260 141192/71CIRCLE OF GUSTAVE COURBET(french 1819-1877)MONKS AND A TRAVELER ON ATRACK IN A LANDSCAPEBears signature and date ‘G.Courbet 6*’ bottom center; also withParisian preparer’s stencil verso, oilon canvas16 1/8 x 26 in. (41 x 66cm)provenance:Property of a Delancey Place,Philadelphia, Pennsylvania Estate.$2,000-3,000

261 141192/43ATTRIBUTED TO LOUIS GABRIELEUGÈNE ISABEY(french 1803-1886)SHIPWRECKOil on canvas56 x 78 1/4 in. (142 x 198.8cm)provenance:Property of a Delancey Place,Philadelphia, Pennsylvania Estate.$4,000-6,000

259

261

261

258


262 142450/1A. FOURNIER(french 19th century)FISHING ALONG A STREAMSigned ‘A. Fournier’ bottom right, oilon panel10 5/8 x 14 9/16 in.(26.8 x 36.9cm)provenance:Private Collection, Washington, DC.$1,000-1,500

263 141894/1CHARLES EDOUARD FRÈRE(french 1837-1894)GENTLEMAN IN AN INTERIORSigned and dated ‘Ed Frere 64’bottom left; also with Parisianstencil verso, oil on canvas9 3/4 x 13 1/4 in. (24.8 x 33.7cm)provenance:Private Collection, Maryland.$1,200-1,800

264 141849/100EMILE GEORGES (GÉO) WEISS(french 1861-1929)FISHINGSigned ‘Geo Weiss’ bottom left; alsowith Parisian preparer’s stencilverso, oil on canvas19 3/4 x 25 9/16 in.(50.2 x 64.8cm)provenance:From the Collection of Debra and I.Michael Coslov, Haverford,Pennsylvania.$1,000-1,500


265 142418/4CHARLES ÉMILE JACQUE(french 1813-1894)SHEEP AND ROOSTER IN A BARNSigned ‘Ch. Jacque’ bottom left, oilon panel4 1/16 x 5 3/8 in. (10.3 x 13.9cm)provenance:Private Collection, Pennsylvania.$1,000-1,500

265264

263262



266 141650/3CHARLES ÉMILE JACQUE(french 1813-1894)SHEEP IN A STABLESigned ‘Ch. Jacque’ bottom right, oilon canvas18 5/8 x 15 1/2 in. (47 x 39.4cm)provenance:Private Collection, Massachusetts.$3,000-5,000

267 142418/7CHARLES ÉMILE JACQUE(french 1813-1894)SHEEPFOLD WITH SHEPHERDESSSigned ‘Ch. Jacque’ bottom left, oilon canvas12 1/2 x 18 1/4 in. (31.8 x 46.4cm)provenance:Private Collection, Pennsylvania.$5,000-7,000

269 142393/3CHARLES EUPHRASIE KUWASSEG(french 1838-1904)VIEW ACROSS THE VALLEYSigned and dated ‘C. Kuwasseg(Pere) 1875’ bottom right, oil oncanvas12 3/4 x 23 5/8 in.(32.4 x 59.7cm)provenance:Private Collection, Pennsylvania.$3,000-5,000

267 142418/6CHARLES FRANÇOIS DAUBIGNY(french 1817-1878)WASHERWOMANSigned ‘Daubigny’ bottom left; alsowith ‘Vente Daubigny’ stamp versoand inscribed ‘Je garantes cettecomme étant (?) un original de monpère/ Karl Daubigny’, oil on panel8 9/16 x 15 in. (21.7 x 38.1cm)provenance:Private Collection, Pennsylvania.$5,000-7,000

268 269

267266


270 148110/4CHARLES CLEMENT CALDERON(french 1870-1906)VENICESigned ‘C. Calderon’ bottom right,oil on canvas25 5/8 x 31 7/8 in. (64.9 x 81.1cm)provenance:Private Collection, Georgia.$4,000-6,000

271 142444/1HENRI ALPHONSE BARNOIN(french 1882-1940)FRENCH CANALSigned ‘H. Barnoin’ bottom left, pastel onpaperSight size: 25 x 20 1/2 provenance:Mrs. Arthur Hagen, New York, New York.Private Collection, New York, New York.exhibited:Galerie Georges Petit, Paris, France,February 2-15, 1928.$3,000-5,000

272 148110/3CHARLES MALFROY(french 1862-1918)BOATS ON THE SHORESigned ‘Malfroy’ bottom left, oil oncanvas18 1/8 x 25 3/4 in.(45.8 x 65.4cm)provenance:Private Collection, Georgia.$1,500-2,000




273 142295/20EDOUARD JEAN DAMBOURGEZ(french 1844-1931)CHEZ UN AMISigned and dated ‘E. Dambourgez 1882’bottom right, oil on canvas31 3/4 x 46 in. (81 x 116.8cm)provenance:Private Collection, New York.Christie’s East, sale of May 23, 1995, lot296.Private Collection, New York.$7,000-10,000

274 142342/16FRANCOIS MARTIN-KAVEL(french 1861-1931)RECUMBANT NUDE ON TIGER SKINRUGSigned ‘Martin-Kavel’ bottom right, oil oncanvas18 3/8 x 36 3/8 in. (46.8 x 92.5cm)provenance:Private Collection, New Jersey.$3,000-5,000

275 142122/8JULES TAVERNIER(french b. 1879)RECLINING NUDESigned and dated ‘Jules Tavernier 1925’bottom left, also inscribed in pencil onstretcher verso, oil on canvas21 1/4 x 25 1/2 in. (54 x 64.8cm)provenance:Private Collection, Indiana.$1,000-1,500

276 142342/14JEAN-BAPTISTE (JAMES)BERTRAND(french 1823-1887)CHRÉTIENS RETIRANT DU TIBRE LESCORPS DES MARTYRSSigned ‘James Bertrand’ bottom right,oil on canvas38 1/4 x 58 in. (97.2 x 147.3cm)provenance:Private Collection, New Jersey.note:A painting of the same subject byBertrand is in the Musée des Beaux-Arts, Lyon, France.$3,000-5,000

276

275

274273


277 142237/2JULES WORMS(french 1832-1914)“THE PROPOSAL”Signed ‘J. Worms’ bottom left, oil onpanel14 3/8 x 10 1/8 in. (36.6 x 25.7cm)provenance:Christie’s, South Kensington, sale ofOctober 14, 1999, lot 242.Private Collection, Maryland.note:Best known for his often light-hearted,sometimes comedic depictions ofcourtship in 19th century Spainfollowing his visit there in 1861, JulesWorms’s highly detailed paintingsearned him numerous accolades asone of the leading realists of hisgeneration. Following study at theÉcole des Beaux-Arts in 1849, hedebuted at The Paris Salon in 1859,going on the become a member of theSociety of French Artists in 1883.$3,000-5,000

278 142237/3JULES WORMS(french 1832-1914)“THE MORNING OUTING”Signed ‘J. Worms’ bottom left, oil oncanvas19 3/4 x 23 5/8 in.(50.2 x 59.8cm)provenance:D.G. Dery, American ArtAssociation, New York 1923 (as“Spanish Street Scene, Valencia").Eli B. Springs, American ArtAssociation, New York, sale ofNovember 23, 1934, lot 16.Schweizer Gallery, New York, NewYork.Sotheby Parke Bernet, sale of June 8,1982, lot 91.Phillip's, London, sale of June 14,2000, lot 18.Private Collection, Maryland$6,000-10,000




279 142342/17EUROPEAN SCHOOL(19th century)LEAVING FOR HOLIDAYSigned with initials ‘E.B.’ (?) bottomright, oil on canvas laid on panel24 1/4 x 16 3/4 in. (61.6 x 42.5cm)provenance:Private Collection, New Jersey.$3,000-5,000

280 141774/25HENRI RIVIÈRE(french 1864-1951)A COMPENDIUM OF ANCIENTMYTHS AND LEGENDSSigned and dated ‘H Rivière 1923’bottom right, oil on canvas55 1/2 x 42 in. (141 x 106.7cm)provenance:Sotheby’s, New York, sale ofOctober 12, 1994, lot 283.Private Collection, New Jersey.$5,000-7,000


281 141781/2ARMAND GUILLAUMIN(french 1841-1927)“PAYSAGE”Signed ‘Guillaumin’ bottom right;also inscribed ‘“Paysage”/Guillaumin Armand (1841...)’, withDurand-Ruel label verso, oil onboard21 5/8 x 25 7/8 in.(54.8 x 65.7cm)provenance:Durand-Ruel, Paris.Simpson Galleries, Houston, Texas.A Kentucky Estate.Private Collection, Alabama.$15,000-25,000




282 148110/7JEAN JACQUES ROUSSEAU(french 1861-1911)BASTILLE DAYInscribed, signed and dated ‘a.m...leDocture le.../J.J. Rousseau 1887’bottom right, oil on canvas18 1/8 x 24 1/4 in. (45.8 x 61.6cm)provenance:Private Collection, Georgia.$3,000-5,000

283 148110/5JOSEPH VICTOR COMMUNAL(french 1876-1962)CHAMBRAYSigned ‘J Communal’ bottom left; alsoinscribed in pencil verso, oil on cradledpanel24 x 19 9/16 in. (61 x 49.6cm)provenance:Frances Aronson Gallery, Atlanta, Georgia.Acquired from the above.Private Collection, Georgia.$1,000-1,500

284 142322/1CHARLES HENRY CONTENCIN(french 1898-1955)LAC LERIE ET LA MEIJESigned ‘C.H. Contencin’ bottomright, oil on canvas21 3/8 x 28 3/4 in. (54.4 x 73cm)provenance:Private Collection, Illinois.$5,000-7,000


285 142295/21A. DUBOIS(french 19th century)STILL LIFE OF FLOWERS ON A LEDGESigned and dated ‘A. Dubois 1860’bottom right, oil on canvas18 1/8 x 15 in. (46.1 x 38.1cm)provenance:Sotheby’s, New York, sale of July 20,1994, lot 344.Private Collection, New York, NewYork.$3,000-5,000

286 142237/4ANGE LOUIS GUILLAUMELESOURD-BEAUREGARD(french 1800-1873)GRAPES, PEACHES, AND PLUMSON A STONE LEDGESigned ‘Lesourd Beauregard’ bottomleft, oil on canvas15 x 18 1/16 in. (38.1 x 45.8cm)provenance:Christie’s East, sale of November 2,1999, lot 88.Private Collection, Maryland.note:A pupil of Gerard van Spaendonckand a successor to the famed flowerwatercolorist Pierre Joseph Redoute,Lesourd-Beauregard regularlyexhibited at the Paris Salons..$6,000-10,000




287 142266/1SUZANNE EISENDIECK(french 1908-1998)“FÊTE À SAINT JEAN”Signed ‘Suzanne Eisendieck’ bottomright; also titled verso, oil on canvas21 1/4 x 25 5/8 in. (54 x 64.9cm)provenance:Private Collection, Sarasota, Florida.Private Collection, Maryland.$3,000-5,000

288 141754/18JOSEPH B. B. FAVEROT(french 1862-1946)LES SALTIMBANQUESSigned ‘J. Faverot’ bottom right, oilon canvas27 7/8 x 43 7/8 in. (71 x 111.6cm)provenance:Private Collection, New York.$1,000-1,500

289 142030/1LUCIEN ADRION(french 1889-1953)ALONG THE PROMENADESigned ‘Adrion’ bottom right, oil oncanvas25 x 29 3/8 in. (63.5 x 74.8cm)provenance:Private Collection, Pennsylvania.$4,000-6,000


290 142471/2GEORGES D’ESPAGNAT(french 1870-1950)“FEMME ET ENFANT DANS UNHAMAC”Signed with initials ‘G d E’ bottomleft, oil on canvas18 1/4 x 21 3/4 in. (46.4 x 55.2cm)provenance:Estimations & Ventes aux Enchères,EVE, Paris, sale of June 20, 2007, lot74.Private Collection, Toronto, Canada.$10,000-15,000




291 142168/8HUGHES CLAUDE PISSARRO(french b. 1935)“LE CHEMIN FLEURI DE LA FERMEDE PLACY”Signed ‘Claude Pissarro’ bottomcenter left; also titled and inscribedverso, oil on canvas18 1/8 x 21 5/8 in.(45.9 x 54.8cm)provenance:The Masters Gallery of Scottsdale,Ltd., Scottsdale, Arizona.Acquired from the above.Private Collection, Philadelphia,Pennsylvania.$5,000-7,000

292 142471/4CAMILLE BOMBOIS(french 1883-1970)DEUX PECHEURS SUR UNEBARQUESigned ‘Bombois C.lle’ bottom left,oil on panel7 x 10 in. (17.8 x 25.4cm)provenance:Christie’s, Paris, sale of December 1,2006, lot 237.Galerie Dina Vierny, Paris.Acquired from the above.Private collection, Paris.Christie’s, New York, sale ofSeptember 20, 2011, lot 140.Private Collection, Toronto, Canada.$3,000-5,000


293 142471/5CAMILLE BOMBOIS(french 1883-1970)“PAYSAGE PRÈS DE NANTES”Signed ‘Bombois C.lle’ bottom left,oil on canvas7 1/2 x 10 3/4 in. (19.1 x 27.3cm)provenance:Soufer Gallery, New York, New York.Millon & Associés, Paris, sale ofNovember 27, 2013, lot 357.Private Collection, Toronto, Canada.$3,000-5,000

294 142448/1ANTOINE BLANCHARD(french 1910-1988)“RUE ROYALE, MADELEINE”Signed ‘Antoine Blanchard’ bottomright, oil on canvas13 x 18 in. (33 x 45.7cm)provenance:Leopold Landsberger, New York,New York.O’Shea Gallery, Tulsa, Oklahoma.Private Collection, Oklahoma.note:The present painting is#MDRR1318.0009 in the AntoineBlanchard Catalogue Raisonnéprepared by Rehs Gallery, New York,New York.$3,000-5,000




295 142505/2LUDOLF LIBERTS(latvian/american 1895-1959)THE TOWER BRIDGE, LONDONSigned ‘L. Liberts’ bottom right, oilon canvasboard22 1/2 x 17 1/4 in. (57.2 x 43.8cm)provenance:Marquand Gallery, New York &Paris.Presumably acquired from theabove.Private Collection, New York, NewYork.By descent in the family.Private Collection, New York, NewYork.$5,000-7,000

296 142505/1LUDOLF LIBERTS(latvian/american 1895-1959)“PARIS MADELEINE”Signed ‘L. Liberts’ bottom right, oilon canvasboard16 x 20 in. (40.6 x 50.8cm)provenance:Marquand Gallery, New York &Paris.Acquired from the above.Private Collection, New York, NewYork.By descent in the family.Private Collection, New York, NewYork.$5,000-7,000


297 142238/2EDOUARD LÉON CORTÈS(french 1882-1969)PLACE DE LA RÉPUBLIQUESigned ‘Edouard Cortes’ bottom left,oil on canvas10 3/4 x 14 in. (27.3 x 35.6cm)provenance:Private Collection, Pennsylvania.$12,000-18,000




names

attributed to

studio of

circle of

follower of

manner of

school of

after an artist

signatures & dates

measurements

any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to betaken as a statement or representation of fact. freeman’s reserves theright, in forming their opinion, to consult and rely upon any expert orauthority considered by them to be reliable.

Forename(s) and surname of painter is in our opinion a work by that artist;e.g. Charles Willson Peale. When an artist’s forename(s) is not known, aseries of asterisks followed by the surname of the artist, wether preceded byan initial or not, indicates that in our opinion the work is by the artistnamed.

Refers to probably a work by the artist; e.g. Attributed to Charles WillsonPeale.

Refers to a work from the studio of the artist which may or may not havebeen executed under his direction; e.g. Studio of Charles Willson Peale.

Circle of..... refers to a work of the period of the artist executed under hisimmediate influence; e.g. Circle of Charles Willson Peale.

Follower of..... refers to a work by a painter working in the artist’s style,contemporary or nearly contemporary, but not necessarily his pupil; e.g.Follower of Charles Willson Peale.

Manner of..... refers to a work in a style related to that of the artist, but of alater date; e.g. Manner of Charles Willson Peale.

School accompanied by the name of a place or country and a date meansthat we believe the picture was executed at that time and in that location;e.g. Italian School, 18th Century.

After an artist is in our opinion a copy of any date after a work by that artist;e.g. After Charles Willson Peale.

Signed and/or dated and/or inscribed means that we believe the signatureand/or date and/or inscription are from the hand of the artist.

Bears a signature and/or a date and/or an inscription means that we believethe artist’s name and/or date and/or inscription have been added byanother hand.

All references to signature, inscriptions and dates refer to the present stateof the work.

Dimensions are given height before width.

Glossary


Actypi, Z., 244Adrion, L., 289Aizenberg, N., 176Alken, S.H.G., 148Andreotti, F., 232Angelico, F., 48, 49Angus, M.L., 135Ansdell, R., 157Antwerp School, 39, 71

Balestrieri, L., 233Barenger, The Younger, J., 146Barnoin, H.A., 271Beckmann, M., 35Beneficial, M., 16Berchem, N., 83Bergner, Y., 210Berne-Bellecour, E.P., 255Bertrand, J.B., 276Bethke, H., 225Bijlerman, J. G. , 187Bilivert, G., 68Blanchard, A., 294Blommers, B.J., 220Blondin, F., 202Bombois, C., 292, 293Bonheur, R., 158Boogaard, W.J., 221Boucher, F., 25, 27Bramley, F., 104Brandi, D., 86British School, 116, 154, 155, 156, 161,

168Brown, J.A.A., 134Brun, L.A., 23

Cacciarelli, U., 229Calderon, C.C., 270Calthrop, C.A., 122Calza, A., 75Campendonk, H., 33Caron, A., 98Casteels Iii, P., 85Castegnaro, F., 242Châtelet, C.L., 87Choultsé, I.F., 179Christie, J., 115Cignani, C., 36Clairmont, J. G., 193Col, J.D., 222Communal, J.V., 283

Conca, S., 93Contencin, C.H., 284Continental School, 19, 59, 79, 119,

185Cool, J.D., 90Cortès, E.L., 297Costa, G., 236Cote, B., 246, 247, 248, 249Courbet, G., 260Courtois, Il Borgognone, J., 76Coypel, N.N., 24Craeyvanger, R., 226Crivelli, F., 19

Dalby Of York, D., 150Dambourgez, E.J., 273Damschroeder, J.J.M., 219Dandini, P., 19Daubigny, C.F., 268David, J.L., 42de Breanski, Sr., A., 131de Goya, F., 7de Hondecoeter, M., 84de Moucheron, F., 77de Penne, C.O., 167de Reyna Manescau, A.M., 243de Saint Aubin, G.J., 26de Simone, T., 240de Zubiaurre, V., 228Delacroix, E., 29Della Bella, S., 15Delpy, H.C., 258Denis, M., 252D'espagnat, G., 290Digby, R.D., 169, 170, 171Dix, O., 34Doré, G., 30Dou, G., 96, 97Dubois, A., 285Duchesne, J.B.J., 69Dutch School, 12, 227

Eastern European School, 172Eisendieck, S., 287Eliaerts, J., 58Emilian School, 56European School, 28, 199, 279

Faed, T., 113Falk, R.R., 180, 181Faverot, J.B.B., 288


Flemish School, 81, 95Flint, W.R., 105Florentine School, 18, 47Fournier, A., 262French School, 22, 41, 65, 66Frère, C.E., 263Frith, W.P., 121Fulton, D., 126

Garemyn, J.A., 70Gelibert, J.B., 166Genoese School, 11Giani, F., 17Gilbert, V., 254Gioja, B., 230Glatz, O., 203Glendening, Sr., A.A., 120Gonzalez Y Serano, B., 74Grammatica, A., 99Grimou, A., 43Guardabassi, G., 230Guardi, F., 9Guillaumin, A., 281

Heckendorf, F., 205, 207Heller, I.G., 200Henderson, J., 141Hendricks, G., 217Hermann, L., 182Herring, The Younger, J.F., 163, 164,

165Hopkins, W.H., 152Hoppner, J., 110Hudson, T., 102Hughes, G.B., 143Huguet, V.P., 259Hünter, E., 256

Il Giovane, J.P., 46Innocenti, 235Isabey, L.G.E., 261Italian School, 15, 44, 62, 237, 238

Jacque, C.E., 265, 266, 267

Kaercher, A., 51Kaufmann, I., 209Kilburne, G.G., 124Kleinschmidt, P., 32Kneller, G., 100Kummer, J.H., 194

Index



Kuwasseg, C.E., 269

Langley, W., 137Lapchine, G.A., 174Lawson, C., 125Le Jeune, H., 138Lecomte, H., 15Lesourd-Beauregard, A.L.G., 286Liberts, L., 295, 296Lidderdale, C.S., 107Liebermann, M., 198Linton, J.D., 123Lloyd, S., 132Lombard School, 19Lucas, H.F.L., 153

Macdougall, N.M., 117Maes, E.R., 222Magnasco, A., 8Majewski, F., 173Maksimov, K.M., 178Malfroy, C., 272Marshall, L., 151Martin-Kavel, F., 274Mauve, A., 214Mercier, P., 136Millais, J.E., 139Molenaer, J.M., 50Monfort, O., 54Mostaert, The Elder, G., 52Müller, W.J., 118

Neapolitan School, 37Netherlandish School, 92Nordenburg, B., 189Northern European School, 188, 191Northern Italian School, 45, 61, 64,94

Osorio,F.M., 73

Parrocel, C., 26Pastoukhoff, B.I., 175Penny, E., 171Peruzzini, A.F., 78Petrin, G.A., 57Pickenoy, N.E., 88Picou, H.P., 257Pillement, J.B., 55Pilot, R.W., 245Piranesi, G.B., 1

Pissarro, H.C., 291Pocock, I., 109Pollentine, A., 127, 128Pratella, A., 241Prichard, E.C., 239Prins, J.H., 213Pyne, J.B., 129

Rackham, A., 104Raffaelli, J.F., 253Raggi, G., 13Raphael, 40Remps, D., 63Renoir, P.A., 31Ricci, A., 231Richmond, G., 111Rivière, H., 280Romney, G., 101Rongier, J., 15Rousseau, J.J., 282Rubens, P.P., 10

Sartorious, J.F., 145Schwenigr, 192Sekoto, G., 250, 251Shayer, The Elder, W., 130Shipley, G., 112Siennese School, 47Simonidy, M., 177Smith, P., 162Spanish School, 72Steinhardt, J., 208Stern, I., 38Sticks, G.B., 142Stohl, M., 197Strode, C.T., 160

Tavernier, J., 275Trood, W.H.H., 149Turner, J.M.W., 106

Unterberger, F.R., 183, 184Urban, J., 201

van Coppenolle, E., 195van der Myn, H., 67van der Weele, H.J., 216van Goyen, J., 20van Leemputten, F., 223van Mierevelt, M.J., 89van Minderhout, H., 80

van Oostanen, J.C., 91van Rijn, R., 2, 3, 4, 5, 6van Ruysdael, S., 53van Thulden, T., 21van Wijngaerdt, A.J., 218Venetian School, 14Vignon, C.F., 64Vikas, K., 206von Bremen, J.G.M., 224von Zügel, H.J., 190Vuillard, E., 31

Wagner, F., 211, 212Watson, W., 114Weaver, T., 144Weber, T.A., 186Weiss, E.G., 264Westerbeek, Sr., C., 215Wheeler, J.A.A., 147Whood, I., 103Willems, L., 204Williams, A.S., 159Wilms, P.J., 196Witherington, W.F., 108Worms, J., 277, 278Wyllie, C.W., 133

Zampighi, E., 234Zuccaro, F., 60


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American Art & Pennsylvania Impressionists

Auction 06/07/15

EDWARD WILLIS REDFIELD(american 1869-1965)

“THE ROAD TO CENTER BRIDGE”Signed ‘E.W. Redfield’ bottom left,

oil on canvas38 x 50 in. (96.5 x 127cm)

$150,000-250,000 (detail)

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Purchase removal, shipping and offsite storage information

v3.2014


All property offered and sold (“property”) through Samuel T. Freeman & Co, (“Freeman’s”) shall be offered and sold on theterms and conditions set forth below which constitutes the complete statement of the terms and conditions on which allproperty is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone,internet or other means, the buyer agrees to be bound by these terms and conditions.

total purchase price. The Buyer’sPremium shall be: 25% on the first$100,000 of the hammer price ofeach lot, 20% on the portion from$100,001 through $2,000,000, and12% thereafter.

14Unless exempted by law from thepayment thereof, the buyer will berequired to pay any and all federalexcise tax and any state and/or localsales taxes, including wheredeliveries are to be made outside thestate where a sale is conducted,which may be subject to acorresponding or compensating taxin another state.

15Freeman’s may, as a service to buyerarrange to have purchased propertyposted and shipped at the buyer’sexpense. Freeman’s is notresponsible for any acts or omissionsin packing or shipping of purchasedlots whether or not such carrierrecommended by Freeman’s. Packingand handling of purchased lots is atthe responsibility of the buyer and isat the entire risk of the buyer.

16In no event shall any liability ofFreeman’s to the buyer exceed thepurchase price actually paid.

17 No claimed modification oramendment of this Agreement onthe part of any party shall bedeemed extant, enforceable orprovable unless it is in writing thathas been signed by the parties tothis Agreement. No course ofdealing and no delay or omission onthe part of Freeman’s in exercisingany right under this Agreement shalloperate as a waiver of such right orany other right and waiver on anyone or more occasions shall not beconstrued as a bar to or waiver ofany right or remedy of Freeman’s onany future occasion.

18These Conditions of Sale and thebuyer’s, the Consignor’s andFreeman’s rights under theseConditions of Sale shall be governedby, construed and enforced inaccordance with the laws of theCommonwealth of Pennsylvania andConsignor and Buyer agree to theexclusive jurisdiction of thePhiladelphia, Pennsylvania Court ofCommon Pleas and the UnitedStates District Court for the EasternDistrict of Pennsylvania.

will also be responsible for all costs,including warehousing, the expenseof the ultimate sale, and Freeman’scommission at its regular ratestogether with all related andincidental charges, including legalfees. Payment is a precondition toremoval. Payment shall be by cash,certified check or similar bank draft,or any other method approved byFreeman’s. Checks will not bedeemed to constitute payment untilcleared. Any exceptions must bemade upon Freeman’s writtenapproval of credit prior to sale. Inaddition, a defaulting buyer will bedeemed to have granted andassigned to Freeman’s, a continuingsecurity interest of first priority inany property or money of, or owingto such buyer in Freeman’spossession, and Freeman’s mayretain and apply such property ormoney as collateral security for theobligations due to due to Freeman’s.Freeman’s shall have all of the rightsaccorded a secured party under thePennsylvania Uniform CommercialCode.

10Unless the sale is advertised andannounced as “without reserve”,each lot is offered subject to areserve and Freeman’s mayimplement such reserves by biddingthrough its representatives on behalfof the Consignors. In certaininstances, the Consignor may payless than the standard commissionrate where Freeman’s or itsrepresentative is a successful bidderon behalf of the Consignor. Wherethe Consignor is indebted toFreeman’s, Freeman’s may have aninterest in the offered lots and theproceeds therefrom, other than thebroker’s Commissions, and all salesare subject to any such interest.

11No “buy” bids shall be accepted atany time for any purpose.

12Any pre-sale bids must be submittedin writing to Freeman’s prior tocommencement of the offer of thefirst lot of any sale. Freeman’s copyof any such bid shall conclusively bedeemed to be the sole evidence ofsame, and while Freeman’s acceptsthese bids for the convenience ofbidders not present at the auction,Freeman’s shall not be responsiblefor the failure to execute, or, toexecute properly, any pre-sale bid.

13A Buyer’s Premium will be added tothe successful bid price and ispayable by the buyer as part of the

8Upon the fall of the hammer, title toany offered lot or article willimmediately pass to the highestbidder as determined in the exclusivediscretion of the auctioneer, subjectto compliance by the buyer withthese Conditions of Sale. Buyerthereupon assumes full risk andresponsibility of the property sold,agrees to sign any requestedconfirmation of purchase, and agreesto pay the full price, plus Buyer’sPremium, therefore or such part,upon such terms as Freeman’s mayrequire.

9No lot may be removed fromFreeman’s premises until the buyerhas paid in full the purchase pricetherefor including Buyer’s Premiumor has satisfied such terms thatFreeman’s, in its sole discretion,shall require. Subject to theforegoing, all Property shall be paidfor and removed by the buyer athis/her expense within ten (10)days of sale and, if not so removed,may be sold by Freeman’s, or sentby Freeman’s to a public warehouse,at the sole risk and charge of thebuyer(s), and Freeman’s mayprohibit the buyer fromparticipating, directly or indirectly,as a bidder or buyer in any futuresale or sales. In addition to otherremedies available to Freeman’s bylaw, Freeman’s reserves the right toimpose a late charge of 1.5% permonth of the total purchase price onany balance remaining ten (10) daysafter the day of sale. If Property isnot removed by the buyer within ten(10) days, a handling charge of 1%of the total purchase price permonth from the tenth day after thesale until removal by the buyer shallbe payable to Freeman’s by thebuyer; Freeman’s shall charge 1.5%of the total purchase price permonth for any property not soremoved within 60 days after thesale. Freeman’s will not beresponsible for any loss, damage,theft, or otherwise responsible forany goods left in Freeman’spossession after ten (10) days. If theforegoing conditions or anyapplicable provisions of law are notcomplied with, in addition to otherremedies available to Freeman’s andthe Consignor (including withoutlimitation the right to hold thebuyer(s) liable for the bid price)Freeman’s, at its option, may eithercancel the sale, retaining asliquidated damages all paymentsmade by the buyer(s), or resell theproperty. In such event, the buyer(s)shall remain liable for any deficiencyin the original purchase price and

1Unless otherwise indicated, allProperty will be offered by Freeman’sas agent for the Consignor.

2Freeman’s reserves the right to varythe terms of sale and any suchvariance shall become part of theseConditions of Sale.

3Buyer acknowledges that it had theright to make a full inspection of allProperty prior to sale to determinethe condition, size, repair orrestoration of any Property.Therefore, all property is sold “AS-IS”. Freeman’s is acting solely as anauction broker, and unless otherwisestated, does not own the Propertyoffered for sale and has made noindependent investigation of theProperty. Freeman’s makes nowarranty of title, merchantability orfitness for a particular purpose, orany other warranty or representationregarding the description,genuineness, attribution, provenanceor condition to the Property of anykind or nature with respect to theProperty.

4Freeman’s in its sole and exclusivediscretion, reserves the right towithdraw any property, at any time,before the fall of the hammer.

5Unless otherwise announced by theauctioneer at the time of sale, allbids are per lot as numbered in theprinted catalogue. Freeman’sreserves the right to determine anyand all matters regarding the order,precedence or appropriate incrementof bids or the constitution of lots.

6The highest bidder acknowledged bythe auctioneer shall be the buyer.The auctioneer has the right to rejectany bid, to advance the bidding at hisabsolute discretion and in the eventof any dispute between bidders, theauctioneer shall have the sole andfinal discretion either to determinethe successful bidder or to re- offerand resell the article in dispute. If anydispute arises after sale, theFreeman’s sale record shall beconclusive in all respects.

7If the auctioneer determines that anyopening or later bid or any advancebid is not commensurate with thevalue of the Property offered, he mayreject the same and withdraw theProperty from sale.

Terms & Conditions


bidding & registration form

sale no bidder no client no

name business name

address

city state country

zip code e-mail

phone (primary) phone (secondary) fax

resale / tax identification state

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $100,000 of hammer price of each lot, 20% on

the hammer from $100,001 through $2,000,000, and 12% thereafter. All lots must be paid for and removed within 10 days.

lot no description maximum bid

please adhereto the bidding increments

$10until $200 is reached

$25until $500 is reached

$50until $1,000 is reached




$1,000until $30,000 is reached



over $100,000auctioneer’s discretion

bank reference

bank name account no

contact name telephone

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.

signed id confirmed(signature required to execute your bids)

please send me information to subscribe to freeman’s catalogs

1808 Chestnut Street, Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: [email protected]

www.freemansauction.com

v1.2014


Directory

v6.2014

Officers

Samuel M. Freeman IIChairman

Alasdair NicholVice Chairman

Margaret D. FreemanVice Chairman

Paul S. RobertsPresident

Hanna DougherChief Operating Officer

Departments

AppraisalsAmy [email protected]

Business DevelopmentThomas B. McCabe [email protected]

Client ServicesMary Maguire [email protected]

FinanceMark [email protected]

Marketing & CommunicationTara Theune [email protected]

Museum ServicesThomas B. McCabe [email protected]

PhotographyElizabeth [email protected]

Press & MediaMelissa [email protected]

Shipping & ReceivingBethany [email protected]

Trust & EstatesSamuel T. Freeman [email protected]

Specialist Departments

American Art & PennsylvaniaImpressionistsAlasdair [email protected]

American Furniture, Folk & Decorative ArtsLynda [email protected]

American SilverSamuel M. Freeman [email protected]

Asian ArtsRichard A. [email protected]

Books, Manuscripts, Maps & EphemeraDavid [email protected]

English & Continental Furniture & Decorative ArtsDavid [email protected]

European Art & Old MastersDavid M. [email protected]

Jewelry & WatchesMichael Larsen, GIA [email protected]

Virginia B. Salem, GIA [email protected]

Modern & Contemporary ArtAnne [email protected]

Oriental Rugs & TapestriesRichard A. [email protected]

Photographs & PhotobooksChristiana [email protected]

PrintsAnne [email protected]

Silver & Objets de VertuDavid [email protected]

Representatives

New EnglandKelly [email protected]

Mid-AtlanticMatthew [email protected]

Southeast Colin [email protected]

Mid-WestWilliam [email protected]

West CoastMichael [email protected]

Main LineGabrielle [email protected]


www.freemansauction.com 1808 Chestnut Street Philadelphia Pennsylvania 19103Tel-215.563.9275 Fax-215.563.8236

Documents

European Art & Old Masters (Sale 1510)