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Pitch,Please!Transcript
aspartofCitadelTheatre’s[esc]Series ACTI(Phonerings.)John:Hello?Lillian:HeyJohn.It'sLillian.John:(Yawns)Hi,how’sitgoing?Lillian:DidIwakeyou?It's11am.John:OhGod,I'mlatefoooorabsolutelynothingbecausewe'restillstuckathome.Lillian:Yeah,yeah,yeah.Listen,John,ourproposalwasaccepted.John:Ourproposal.Lillian:Yeah,forthedigitaltheatreproject.John:Ohshit.Right!Yeah.I…Iforgotaboutthat.Lillian:Wellit'sgreat!John:Cool,great.Congratstous.Lillian:Congratstous!Wegettomakeathing!John:Remindme,remindmewhatwe,whatwepitched.IrememberwetalkedaboutitbutIdon'trememberwhatwesaid.Lillian:Uh…wepitched,"amulti-disciplinarysynthesisofharmonyanddiscordthatdramatizescomedyandfindsdarkhumouringravestoicism,bringingtogetherparodicreimaginingsof
Transcript,PITCH,PLEASE–June9,2020 Pg2of13Nopartofthisdocumentmaybereproducedinwholeorinpartinanymannerwithoutthepermissionoftheowner(Blinov/Lesiak/Martin2020).
bothpreciseorderandcarefulchaosasitseparatesitspermanencefromtheconceptofimpermanenceitself."John:So...nosetideayet,huh?Lillian:Exactly--Ipitchedahoroscope.Itcanmeanwhateverweneedittomean.John:Mmm.Lillian:Butwehaveamonth,wehavelotsoftime.I’mcertainlynotdoinganythingbetternowthatmywholetouriscancelled.So…howlongdoyouthinkyouneedtocomeupwithsomeideas?John:Um…uh,let'ssayaweek.Callmeon,Mondayandwe'llgoovereverythingwe’vegotanddecidewhatthebestthingis.‘Causethat’swhatit’sabout.Lillian:Okay.Thatsoundsfantastic!John,I'msoexcitedtodothisprojectwithyou.John:Lillian.Congratulations.(Laughter.)Lillian:Yeah,yeah.Okay.Talktoyouinaweek.John:Yeah,bye.Lillian:Bye!(Phonedisconnects.)ACTII(Phonerings.)
John:Hello?
Lillian:Hi,areyouready?
Transcript,PITCH,PLEASE–June9,2020 Pg3of13Nopartofthisdocumentmaybereproducedinwholeorinpartinanymannerwithoutthepermissionoftheowner(Blinov/Lesiak/Martin2020).
John:Alright…uh,pitchme—whatchugot?
Lillian:Okay.John,Ihave,I…(Laughter)I'mprettyexcitedaboutsomeoftheseideas.Okay...
John:Great.
Lillian:Firstofall,um,famousmusicaltheaterproductionsstagedwithsockpuppets.
John:Okay.Allright.SolikeLesMis,butwithwhateversocksyou’vegot.
Lillian:Yes.Um,Idohaveafewspecificonesinmind.
John:Ok…
Lillian:Ok.IhavePhantomoftheSock-ra.
John:Ohwow.Sothey'regoingtobepunstoo.Okay.Alright.
Lillian:Ohyeah.Youknow,sobuckleup!Ok,Oklahosema.
John:Wow.
Lillian:Oh.Itgetsworse.DarnYankees.
John:Idon’tevenknowwhatmusicalthat'sreferencing.
Lillian:Oh,sorry.Yes.There'samusicalcalledDamnYankees.
John:Ahhhh.
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Lillian:Yeah.Yeah.It'snotsomodern.ArgylesandDolls.
John:Umm-hmm,wow.Yep.
Lillian:Yeah.SockofAges,SpunFromAway…
John:Mmm-hmm.
Lillian:JesusChristSandalfoot,andeitherHamiltoeorHadestoe.
John:Wow.You’vereallyfoundthepuns.Um…I’mgonna,I’mgonnaneedsometimewithallofthose.
Lillian:Alrightwell,I,Ikindofgotonthemusicaltheatertrainalittlebithere,soIthought—asyouknow,Ihavetwocats.
John:Right.
Lillian:SoIwasthinking,howaboutCats,butwithrealcats.
John:Great?I,Ilovethat.Ijustwishitcouldbestagedlive.(Laughter)Um,uh,cool.Um,mylistisnotnowherenearaspunbasedforwhichI,InowfeelIneedtoapologize.
Lillian:No,noyoureallydon't.
John:Okaygreat.Um,uh,thisisjustaclassicofprankcallstofriendsandlovedones.Idon'tknowwhatgoodpranksexistatatimewhenpeoplecan'tgooutside,but,um,just,justtryin’,justtryingtofoolyourfriends...fromadistance.Lillian:Uh,okay.Alittle,ashockjockradiogoingonthere.That’suh,uhIjustwonder,wheredoestheaudiencefitinhere?John:Umm…You’dhavetobestreamingliveIguess.
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Lillian:Yeah,cool.Okay.Well,alsointheworldofZoomtheater,IwasthinkingShakespeare,butwithSnapchatfilters.Soforinstance,Hamletisplayedbyapotatoand,um,maybethere'dbeapickleOphelia,thatkindofthing?John:Right.Solikestrong,strongmonologuesandscenes,but,yeah…okayyeahloveit.Great.Uh,okay.Uh…thisoneisreallyatitlemorethananythingandit's,ClemensSnickerley:BabyAuditor.AndIfeellikeIneedtostress,I'mnotsureifthat'sanauditorofbabiesorababywhoaudits,um,tobedetermined.Lillian:(Laughter)Babyauditor.Uh,y--canyoutellany…Doyouhaveanythingmoreaboutthat?John:Um,uh,Iguess,uh,eitherbranchofthatforkingpathseemstohavesomemeritinmy,inmyheart.Soum,whetherthat'ssomeone,whatevertheirlistofqualificationsforauditingababy,um,orwhetherthat’sababywho'saverystoicandseriousauditor...Butuh,whonevergetstakenseriouslybecauseoftheiryoungage.IfeelIcanseebothpathwaysandeachonebeckonswithuh,withstrength.Lillian:Yeah,that...that's,I'mgoingtostarthatone.John:Great.Lillian:Okay.NextIhave…I’vereferredtoitasa“ReverseMockumentary.”John:Okay.Um…Idon’tknowwhatthatis,butI’mintrigued.Lillian:Justwhatitsoundslike,amockumentary,butreversed.(Pause.)John:Um…Lillian:Or,inasimilarveintothat,uh,butalittlebitopposite-amockumentarybiographyofafictionalcharacter,butdoneasiftheywerearealhuman.John:Okay.Okay.Hmm…Soreallylikedivingintothebehindthecamera,behindtheperformancesortofthing,butforsomeonewhodoesnot,infact,exist.Like,TheRiseandFallofCaptainCrunch.Lillian:(Laughter)Yeah.Yeah.Prettymuch.
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John:Okay,great,great.Um...Ihadasadone…uh,thatwasjustcallsyou'dmaketopeopleyoucan'ttalktoanymore.Whateverthecontextof,“can'ttalkto”isuh,inthatcase.Lillian:Ohhh...that's,that'sreallynice.John:That'sjustlikea,uh…whetherthat'slikepeopleinyourlifeoragain,historicalfolks,or,orwhereverthoseconversationswouldgo.Lillian:Yeah...SoyoucouldjustcallHitlerandswearathimalot.John:Uh,yeah.YoucouldprankcallAdolfHitlerifyousochose.Oryoucanhaveaheartfeltconversationwithsomeone,butyouknow,(laughter)that's,uh,Iguessthatwouldbeyourchoice.(Pause.)Great.Ihadonemore,atincantelephoneaveryesotericartfilmwherewejustfilmourselveshavinglikeatincan,telephoneconversationfroma,fromasafedistance.Uh,noonehearswhatwesayandmaybewedon'teither.Lillian:Hmm.(Pause.)Yeah…?
John:Okaywell,that’smylist.Um…outofthose,maybelet’s,let’sdothatreversemockumentaryone?
Lillian:Great!Wejustneedasubject.
John:Yeah,sure.Uhgreat.I’llgeta-thinkin’.Um,probablytalktoyounextweek?
Lillian:Uh…time’sa-tickin’.
John:Okay,laterthisweek?Lillian:That’stheJohnIknowandlove.John:Great.Uh….bye!(Laughter.)ActIII(Phonerings.)
Lillian:Hello.
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John:Allright,Lillian,hearthis.Myreverse-mockumentarypitchisDressage,butseenfromtheperspectiveofthehorses.
Lillian:(Laughter)Okay.W-what’sDressage?
John:Uh,Dressage…Dressageis,um,it'stheBritishsportwherehorseswearcostumesandtrotandcanterandchoreographedmovestoasong.It'slikefigureskating,butwithhorses,andnotice,butprettymucheverythingelseisthesame.
Lillian:Fromthehorse'sperspective?
John:Yeah.Soit'dbelike,youknow,likethetalkingheadinterviewshotsoflike,butthehorsesjustchewingthehay,like…likethatsortofthing.
Lillian:(Laughter)Oh,that'sfun.Ilikethat.That's,that’sgood.
John:Great.Yeah,ifwejustum,ifwecanjustgetahorse,um,andwecouldjustputitincostumesanditcouldbeallofthehorsesweneed.
Lillian:Okay...Iamnotsurearealhorseisfeasiblerightnow.
John:Uh,wellthereareseveralranchesaroundthecity,likeonFoxDrive/anduh-
Lillian:YeahIdon’tthinkit’sreallyproximitysomuchasuh,access.
John:Okfair.
Lillian:Also,Ihatetopointthisoutbutthat’snotreallya“ReverseMockumentary.”It’sjustkindofaregularmockumentary.
John:Hmm…I,hmm.IguessIthoughtifamockumentaryislikeusingthestoictoolsofadocumentaryonsomethingsilly…Thenyeah,Iguessthatisjustaregularmockumentary.ButthenIguessIdon’tunderstandwhata“ReverseMockumentary”is.
Lillian:Okayokay.So,forexample,Iwasthinkingwecouldlookatareallifehistoricaleventandpretenditwasamadeupthing.Solikethemoonlanding:wecouldhaveKubrick—wellanactorplayingKubrick—asthedirectordoingacommentarywithinputfromNeilArmstrongandBuzzAldrinasactorsinthewholething.
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John:Sure.So,okay.So,soweneedtogathersomebudstobethiscrewofvoices.
Lillian:AhhhhImean,wecouldmaybeusesomeofthatvoicedisguisingsoftware?Likethat'sathing,right?
John:Isn’titeasiertojustusepalswhoaregoodatvoices?
Lillian:Well…we'reonlygettingsomuchmoneyforthisandIdon'tknowhowmanyshareswewanttosplitthisupinto...
John:Oh,asfewaspossible.Um,okay,great.Uh,cool.So,sothenthefootage…
Lillian:Ithinkthat’sthewholebit.Tousethehistoricalfootage.Itisarealnewsevent.
John:Yeahokay,cool.Umm…wejustneedtopullthatanduseit.Isthatlegallysomethingwecando?
Lillian:Um,Ithinkso…I’mprettysure.Imeanit’sprettyoldfootage—butIwillgoandlookintothat.
John:Iwilllookintovoicealteringsoftware.
Lillian:Andyoudovideoediting,right?
John:Nnnn—um,Iwilllearn.
Lillian:(Laughter)Okay,great.Dosomeresearchandwe’lltalkagaininafewdays.
John:Great.I’llgeta-googlin’.
Lillian:Perfect.Okay.Bye!
John:Bye!ActIV(Phonerings.)
Transcript,PITCH,PLEASE–June9,2020 Pg9of13Nopartofthisdocumentmaybereproducedinwholeorinpartinanymannerwithoutthepermissionoftheowner(Blinov/Lesiak/Martin2020).
Lillian:Hey!
John:Hi.SorryI'mlate.Iwentdownarealinternetspiralonvoicealteringsoftware.Idon’tknowhowtouseit,butIdoknowlotsaboutthedeepstatenow.
Lillian:Ialsotookaquicklookintovoicealteringsoftware...anditjustsounds—It’sreallycreepyandnotaroadwewanttogodownatall.Uh,andunfortunately,Iuhdon'treallyhaveanybetternewsaboutthemoonfootage.It'sthere.It'sbeenremastered,isthreehourslong,butthere'sonlyabout30secondsofitthat'sactuallyinteresting,andIjusthavetosay,Idon'tthinkitholdsup.
John:Wow.Themoonlandingdoesn'tholdup.
Lillian:I,lookI'msorry,butit'strue.Andit…itlooksfake.Icanseewhysomepeoplethinkitit’sactuallyfake.
John:Yeah.themoonjustisn’tthatimpressive.
Lillian:Idon'tthinkthisprojectcanwork.We’vegottacomeupwithsomethingelse.
John:Uhokay.Well,um,whatdowehavethatwecanactuallyuse?We'rebothtryingtofigureoutthingsthatwedon’talreadyknow.Whichmaybeinhindsightisthewrongapproach.
Lillian:WellsoIguesswehaveourrealvoicesandwecanwritethings.Ihavesomebasicsoundeditingknowledge—likesoundeffects-thatkindofthing.
John:Right.
Lilian:Whatelse?Doyouhaveanythingelse?
John:Um,uh.Imeanifwecouldgetinaroom,it'dbedifferent.Butthat'snotanoptionrightnow.Soyeah,those,thosearethethingswehave.
Lillian:Ijustdon'tknowhowanyofthistechnologyworks.It'shatethis.Iworkinaroomwithpeople…
John:Yeah.Iworklivetoo.PerformingoverZoomisnotthesamething.It’sliketryingtotypeasentencewithonehandtiedbehindyourbackandtheotherhandfranticallytryingtokeepupyourusualpace.
Lillian:I’msofrustrated.
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John:Oksoifwebothhatethiswhydidwewanttodothis?Whydidwedecidetotryadigitalartproject?
Lillian:Well…Imeanwhataretheoptionsrightnow?It'stheonlywaytogetstuffoutthere.We’renotgoingtogetbackinaroomwithanaudienceanytimesoon,soifwedon’tdothis,wecan’tdoourworkuntil…Godknowswhen.
John:Imean,dowe,uh,asidefromwehavecommittedtoaproject,isthereareasonwhyweneedtobeworkingrightnow?
Lillian:Idon'tknow.Imean,whydidyouagreetothisproject?
John:Itwas,itwassomethingtotry.Imean,I've,I'veneverreallydonemuchonlinestuff,but,um,youknow,asanadultsometimesit'shardtoforceyourselftolearnanewskill.AndthisseemedlikeasituationwhereIcoulddothat.
Lillian:WellI…(sighs.)That’sgreatforyou.It'sreallyadmirablebutthat’snothowIfeelfrankly.IjustfeelpressuretoprovetomyselfthatIcanadapt—andnowI’mbeingforcedtolearnyetanothernewwholesuiteofskillsontopofthe50millionotherthingsI'vehadtolearntobeanindependentartist?Uh,I’mabookingagent,accountant,graphicdesigner…I’msobadatit,nobodyshouldletmedothat.Socialmedia?Ihateit.Ihateitsomuch.Butattheendofthedayit’sworthitbecauseIgettocreatemagicwitharoomfullofstrangers,andit’ssobeautiful..Butnow…butnowIdon’tevengetthatpayoff.Ijustgetmorethingstolearn.AndifIdon’tlearnthemthenIfeellikeI’mfallingbehind.AndI'mjustso…tired.YouknowhowgeeseflyinaVformation?
John:Yeah.
Lillian:Otherbirdstoo—apparentlytheIbis.Anyway,youknowthatthefrontgooseworkswayharderthanthegeeseatthebackandtheycreatea,there'salifteffect,kindoflikeaslipstream?Anyway,mypointisthatthegeeseatthebackdon'thavetoworksohard—andthentheytaketurns,right?Soagooseatthebackwilltaketheleadsothefrontgoosecanrest.Andrightnow,I'mtiredofbeingthegooseatthefront.
John:Hmm.Youwanttobeintheslipstream.Ilovethatasadviceforlife—wehavelotstolearnfromthewisdomoftheslipstreamgoose.WhenI,whenIpitchedthis,Ifeltlike“Oh,wehaveabunchoftime.Um…uh.weshouldbemakingsomething.Ourhandsshouldnotbeidle.”But,it'snotlikethisisapaidvacation.EveryoneIknowisgraspingfor“normal”whenthesituationisdefinitelynotnormal.Uh,it'slikethatmomentinanyTwilightZoneepisodewherelike,everythingseemsfine,butjustonethingoff.Andthat,that'skindofwherewe'reat.And
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thatonethingoffisthatfactthatwecan'tmeet,um,and,dosomething,like,liveforaroomfullofpeople,orevenspendtimetogetherwithoutananxietyspikeandso,well,thatsucks.
Lillian:Imean,that'sjustit.Andofcourse,somanypeoplearesufferingso,somuchmore--ononehand,IknowI’moneoftheluckyones—butontheotherhand,I’veworkedforyearstohaveasuccessfultouringshow,andnoweverything’scancelled,andI’mscareditwillnevercomebackatall.SoI’matthedrawingboardagain,onlyit’snotadrawingboard,it’ssomecomputerapp-based-integrational—Idon’tevenknowwhatitis.
John:Yeah.Butuh,thatbeingsaid,wedidcommitandwearegettingpaidsomedollarssoIthinkwestillhavetodoathing.IwouldloveittoinvolvethesportofDressage,(laughter)butIwillacknowledgethatthatisalsooutofthereachofthismoment.
Lillian:Canwejustpromisetodothatwhenthingsopenup?Ireally,reallywanttoseethathappen.
John:Oh,absolutely.Butfornowlet'stakestockofwhatwehave,andwhatwecandoanddosomething.Itdoesn'thavetobeperfectorgame-changing.AndIthinkifitletsusworkthatcreativemuscleabitthenthat'sgood.“That'sgoodenough”ismypitch.Ialsosuggestweavoidvideoentirely.
Lillian:Oh,pleaseyes.Andwhateveritis,canitbelive?IjustwanttofeellikeI'mconnectingwithsomeone.Imeannooffence,butyou'retheonlypersonI'vetalkedtoinages.
John:Wow.Uh,sometaken.Butyes,yeswecandosomethinglive.OurstatementwasWIDEopen.
Lillian:Okay.OhthanksJohn.Thatsoundslikeaplan.Justoutofcuriosity...youdon'thaveaccesstoababywecouldaudit?
John:I...donot.
Lillian:Toobad.ActV—LifeAdvicefromtheSlipstreamGoose(SaxophoneMusicPlays.)
MCLillian:GoodeveningandwelcometoLifeAdviceFromtheSlipstreamGoose.
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MCJohn:Theshowwherewe’realllearningtorideeasyontheupdrafts.
MCLillian:Let'sgotoourfirstcaller.ChelseafromEdmonton,You'reontheair.What’syour
question?
Chelsea:Hi!Um,witheverythingthat’sgoingonthesedaysI’mfeelingprettystuck.SoIguessI’mwondering,howdoIgetmyselftoactuallydothethingsthatIshoulddo?MCJohn:Isn'tthatTHEquestion.Butitisn'tforustoanswer...MCLillian:Let'sgotothegoose.
(Honkingsoundeffect.)MCLillian:ThanksforcallinginChelsea.Nextup,we’vegotMartinfromArdrossan...
(Endcreditsmusicplays.)
Credits
Paul:Pitch,PleasewascreatedbyPaulBlinov,ChristineLesiak,andSuzieMartinaspartofthe“EscapeSeries”fundedbytheCitadelTheatre,theEdmontonArtsCouncil,andtheEdmontonCommunityFoundation.Christine:AudioproductionandmixingwasdonebyAndrewPaul.Paul:ThisprojectwascreatedandrecordedonTreaty6territory.Christine:WeacknowledgethisisthetraditionalhomelandofmanyIndigenousPeoples,includingCree,Nakota,Saulteaux,Blackfoot,Dene,andMétis,andastreatypeople,wesharetheresponsibilityforstewardshipofthisland.Paul:MusicfeaturedincludesSopranoSaxsolobyVedas,andthismusicplayingrightnowisthestereomodremixoffoolboymedia’sNewYorkJazzLoop,bothfromfreesound.org.
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Christine:Someadditionaltitlesforsockpuppetmusicalsareasfollows:AChorusLaundryLine.Paul:TheSoundofMusock.Christine:IntotheWools.Paul:LesMiseRuffles.Christine:TheKing&Kneehigh.Paul:DearEvanHandstitch.Christine:andMarySockins.