Blue Book of Acoustic GuitarsSixth Edition

Epiphone Acoustic Guitars

Edited by S.P. Fjestad

Blue Book Publications, Inc.8009 34th Avenue South, Suite 175

Minneapolis, MN 55425 U.S.A.

Phone: 800-877-4867 (U.S.A. and Canada orders only)Phone: 952-854-5229FAX: 952-853-1486

Email: guitars@bluebookinc.comWeb site: www.bluebookinc.com

Reprinted with permissionCopyright 1999 Blue Book Publications, Inc.

All Rights Reserved.

No part of this publication may be reproduced in any form whatsoever, by photograph, mimeograph,FAX transmission, or any other mechanical or electronic means. Nor can it be broadcast or

transmitted, by translation into any language, nor by recording electronically or otherwise, withoutthe express written permission from the publisher - except by a reviewer, who may quote brief

passages for critical articles and/or reviews.

Please note: At the request of Blue Book Publications, Inc., all pricing information hasbeen omitted. For detailed pricing information, please either contact Blue Book

Publications for ordering information, or visit their web site at www.bluebookinc.com

Table of Contents

Epiphone Background History -------------------------------------- 3Production Location --------------------------------------------------- 4

Epiphone Recording Models -------------------------- 5Recording Model Series ------------------------------------------------ 5

Epiphone Acoustic Archtops -------------------------- 5

Epiphone Acoustics ------------------------------------------ 7AJ (Advanced Jumbo) Series ----------------------------------------- 7Bluegrass Series --------------------------------------------------------- 8C (Classical) Series ----------------------------------------------------- 8FT Series ----------------------------------------------------------------- 10PR Series ----------------------------------------------------------------- 11

Epiphone Acoustic Electrics --------------------------- 12AJ (Advanced Jumbo) Acoustic Electric Series --------------------- 12Chet Atkins Series ------------------------------------------------------ 13

Epiphone Acoustic Electric Bass -------------------- 14

Please note: At the request of Blue Book Publications, Inc., all pricing information has beenomitted. For detailed pricing information, please either contact Blue Book Publications forordering information, or visit their web site at www.bluebookinc.com

EPIPHONE

Instruments produced in Korea since 1983. Epiphone is a division of Gibson Musical Instruments ofNashville, Tennessee.

The original Epiphone company was based in New York, New York from 1930 to 1953, and later inPhiladelphia, Pennsylvania from 1954 to 1957.

When Epiphone was purchased by Gibson, production moved to Kalamazoo, Michigan from 1958 to1969; then to Japan from 1970 to 1983. Some specialty models were built in Nashville, Tennessee in1982 to 1983, also from 1989 to 1994.

According to family history, Anastasios Stathopoulo (b. 1863) began constructing musical instruments in his hometown of Sparta, Greece in 1873. He moved to the U.S. with his family is 1903, settling in New York City, where heproduced a full range of stringed instruments bearing his own name up until the time of his death in 1915. Thecompany, which soon became known as "The House of Stathopoulo", continued under the direction and ownership ofhis wife, Marianthe (b. 1875) and eldest son, Epaminondas (Epi [b. 1893]).

Following Marianthe's death in 1923, The House of Stathopoulo was incorporated with Epi as president and majorityshareholder, his sister Alkminie (Minnie [1897-1984]) as treasurer, and brother Orpheus (Orphie [1899-1973]) assecretary. They immediately announced "The new policy of business" would be "the production of banjos, tenorbanjos, banjo mandolins, banjo guitars, and banjo ukuleles under the registered trademark of Epiphone". The name"Epiphone" was a combination of Epi's nickname with the Greek word for sound, "phone". Their elegant "Recording"line of tenor banjos was considered to be amongst the finest ever made. These were joined in the late 1920s by a fullline of Recording model guitars. In 1928, the company's name was changed to "The Epiphone Banjo Co."

The Masterbilt series of guitars was introduced in 1931 and marked Epiphone's entrance into the production ofmodern, carved, "f"-hole archtop guitars, based on violin construction principles. Indeed, at the time of theirintroduction, the Masterbilt guitar line was the most complete selection of "f"-hole guitars available from anyinstrument maker in the world. Complementary Spanish and Hawaiian flattop models and carved-top mandolins werelikewise included under the Masterbilt aigis. Soon, Epiphone advertisements would claim that it was "The World'sLargest Producer of First Grade Fretted Instruments". Whether this was an accurate boast or not, it set the stage for atwo decade rivalry between Epiphone and its largest competitor, Gibson.

By 1935, the company was now known simply as "Epiphone, Inc.", and was producing its "Electar" brand of electricHawaiian and Spanish guitars, as well as amplifiers which were designed by electronics pioneer and Danelectrofounder, Nat Daniels (1912-1994). That same year marked the introduction of the flagship 18 3/8" Emperor modelarchtop guitar and signaled the re-design and enlargement of the company's entire Masterbilt archtop line.

Notable Epiphone innovations in this era included the first patented electronic pickup with individual pole pieces andthe distinctive "Frequensator" tailpiece. Both were designed by salesman and acknowledged jack-of-all-trades, HerbSunshine (1906-1988), and in production by 1937. In 1940, the company also introduced a full line of well respectedbass violins produced under the watchful eye of the youngest of the Stathopoulo brothers, Frixo (b. 1905) who hadjoined the firm in the early 1930s.

During this period, Epiphone's growing product line was considered second to none, and could boast such endorsers asGeorge Van Eps (with the Ray Noble Orchestra), Carmen Mastren (with Tommy Dorsey), Allan Reuss (with BennyGoodman's band), and many, many more.

Epi Stathopoulo died from leukemia in 1943 at the age of 49, and this, combined with the many hardships incurredduring World War II, set the company on a downward spiral. Orphie Stathopoulo, who took over as president, wasunable to recapture the momentum of the prewar years, and constant friction between he and his brother Frixo (nowvice-president) began to pull the company apart at the seams.

In 1951, simmering labor problems resulted in a strike, which shut down the New York plant for several months.During this time, Orphie sold a stake in the business to the large distribution company, Continental Music. Continentalmoved production to Philadelphia, and most instruments manufactured from 1952 to 1957 were made there. It isdoubtful, however, if much was produced in the final two years, as Epiphone was rapidly being overtaken by newentrants into the guitar market, notably Fender and Guild, the later of which had ironically been started by many formerEpiphone employees under the leadership of Alfred Dronge and former Epiphone executive, George Mann.

It had become increasingly apparent that Epiphone was no longer capable of developing the new products necessary tocapture the imagination of the guitar-buying public and its financial viability had come to an end. Following Frixo'ssudden death in 1957, Orphie, by now the company's sole owner, approached Gibson president Ted McCarty, who hadpreviously expressed interest in buying Epiphone's bass violin production. A deal was signed and trucks weredispatched from Kalamazoo to New York and Philadelphia to make the move. Records during this time period indicatethat the out-of-work ex-Epiphone workers in New Berlin, New York "celebrated" by hosting a bonfire behind the plantwith any available lumber (both finished and unfinished!). When the vans returned to the Gibson warehouse inMichigan, McCarty realized (much to his surprise) that not only had he received the bass making operation, but all thejigs, fixtures, and machinery necessary for making guitars, plus much of the work in progress. For the sum of $20,000,Gibson had acquired it's once mighty rival (including what would become the most profitable trademark) lock, stock,and barrel.

It was decided that Epiphone would be re-established as a first rate guitar manufacturer, so that Gibson's parentcompany CMI (Chicago Musical Instruments) could offer a product comparable in every way to Gibson. This was doneprimarily as a way of offering music stores which, due to existing contractual obligations in a particular sales area,were not allowed to carry the exclusive Gibson line. The Epiphone brand could now be offered to competing retailerswho were also carrying many of the other well-known brands which were distributed by the giant CMI. ThoughEpiphone was set up as an autonomous company, in a separate part of the Gibson complex, parallel product lines weresoon established, and Gibson was (in effect) competing with itself.

After Epiphone was moved to Kalamazoo, instruments were built in the U.S through 1969. In 1970, production wasmoved overseas. Instruments were originally built in Japan (1970-1983), but during the early 1980s, Japaneseproduction costs became pricey due to the changing ratio of the dollar/yen.

Since 1984, the majority of guitars have been produced in Korea. However, there have been a number of models likethe Spirit, Special, USA Pro, and USA Coronet that were produced in Nashville, Tennessee. These models are theexception to the rule. Epiphone currently offers a very wide range of acoustic, semi-hollow, and solid body electricguitars.

In 1998, Epiphone offered the new EZ-Bender, a detachable "B" string bender that can be installed on any guitarequipped with a stop bar tailpiece. The EZ-Bender can be installed with no modifications whatsoever to the guitar.

(Source: N.Y. Epiphone information by L.B. Fred and Jim Fisch, Epiphone: The House of Stathopoulo)(Additional Epiphone history courtesy Walter Carter, Epiphone: The Complete History)

PRODUCTION LOCATION:Epiphone guitars have been produced in a wide range of places. The following list gives a rough approximation toproduction facilities by year.

Epiphone-owned production:Guitars produced from the late 1920s up to the time of Gibson's purchase of the company are known by collectors as"New York Epiphones".

New York, NY Late 1920s to 1952Philadelphia, PA 1952 to 1957

Gibson-owned production:Kalamazoo, MI 1958 to 1969

Japan 1970 to 1983Taiwan 1979 to 1981Nashville, TN 1982 to 1983 (Spirit, Special, U.S. Map)Korea 1983 to dateJapan 1988 to 1989 (Spotlights, Thinlines)Nashville, TN 1989 to 1994 (USA Pro)Nashville, TN 1991 to 1994 (USA Coronet)China 1997 to dateIndonesia 1997 to date

For information regarding archtop models with built-in pickups, please refer to the Epiphone Electric Archtop sectionin the 6th Edition Blue Book of Electric Guitars.

RECORDING MODELS

Recording Model SeriesRecording Model archtop guitars feature an asymmetrical body with angled cutaway on treble bout. Some models hadflat tops, others an arched top (see descriptions below). Recording Model guitars are relatively rare in the vintage guitarmarket. These models were introduced during the 1920s, and discontinued around 1931.

RECORDING MODEL A - graduated spruce top, maple or mahogany back/sides, single black body binding, 25"scale, rosewood fingerboard with dot inlay, 3 per side tuners, pin bridge or trapeze tailpiece. Available in Natural orNatural with shaded top finishes.

Recording Model B - similar to Recording Model A, except features bound rosewood fingerboard with paireddiamond inlay.

Recording Model C - similar to Recording Model A, except features carved spruce top, bound ebony fingerboard withpaired diamond inlay, single white body binding. Available in Shaded top finish.

Recording Model D - similar to Recording Model A, except features carved spruce top, bound ebony fingerboard withpearloid block inlay, single white body binding, black pickguard. Available in Shaded top finish.

Recording Model E - similar to Recording Model A, except features carved spruce top, laminated curly maple body,3-ply white body binding, bound ebony fingerboard with celluloid blocks with floral engraving, black pickguard, goldplated tuners. Available in Shaded top finish.

ACOUSTIC ARCHTOPAll high-end professional model Epiphone tenor guitars should be considered rarities, and bring a price comparable totheir 6-string counterparts.

BEVERLY - flat spruce top, 2 segmented f-holes, raised black pickguard, mahogany arched back, mahoganysides/neck, 14/20 fret rosewood fingerboard with pearl dot inlay, adjustable rosewood bridge/trapeze tailpiece,blackface peghead, 3 per side tuners. Available in Brown finish. Mfd. 1931 to 1937.

BLACKSTONE - carved spruce top, f-holes, raised black pickguard, bound body, maple back/sides, 14/20 fret boundrosewood fingerboard with pearl dot inlay, adjustable rosewood bridge/trapeze tailpiece, bound blackface peghead withpearl logo inlay, 3 per side plate mounted tuners. Available in Ebony and Sunburst finish. Mfd. 1931 to 1951.

Blackstone Tenor - similar to the Blackstone, except features a 4-string tenor configuration. Mfd. 1931 to 1949.

BROADWAY - carved spruce top, f-holes, raised black pickguard, multi bound body, walnut back/sides, mahoganyneck, 14/20 fret bound ebony fingerboard with pearl diamond inlay, adjustable ebony bridge/trapeze tailpiece,blackface peghead with pearl Masterbilt banner/logo inlay, 3 per side nickel tuners. Available in Sunburst finish. Mfd.1931 to 1957.

Bretton Tenor - tenor version of the Broadway model. Mfd. 1931 to 1936.

Broadway Tenor - similar to the Blackstone, except features a 4-string tenor configuration. Mfd. 1937 to 1949.

Broadway Regent - similar to the Blackstone, except features a single rounded cutaway body. Mfd. 1949 to 1957.

BYRON - carved spruce top, mahogany back/sides, single body binding, mahogany neck, 20 fret rosewoodfingerboard with dot inlay, f-holes, 3 per side tuners with plastic buttons, nickel hardware, tortoiseshell pickguard,trapeze tailpiece. Available in Sunburst Top finish. Mfd. 1949 to 1955.

DE LUXE - carved spruce top, 2 f-holes, multi bound body, black/white diagonal purfling on top, figured mapleback/sides, 5 piece carved figured maple neck, 14/20 fret bound rosewood fingerboard with pearl slotted diamondinlay, adjustable rosewood bridge/trapeze tailpiece, bound blackface peghead with pearl Masterbilt banner inlay, 3 perside gold die cast tuners. Available in Sunburst finish. Mfd. 1931 to 1957 (New York).

Empire (De Luxe Tenor) - tenor version of the De Luxe model. Mfd. 1931 to 1935.

De Luxe Regent - similar to the De Luxe, except has a single round cutaway body. Mfd. 1949 to 1958.

DEVON - carved spruce top, mahogany back/sides, single bound body, mahogany neck, 20 fret rosewood fingerboardwith oval inlay, f-holes, 3 per side tuners, nickel hardware, bound tortoiseshell logo with 'E' logo, Frequensatortailpiece. Available in Sunburst top and Natural finishes. Mfd. 1949 to 1957.

EMPEROR (Mfr. 1935 to 1957) - carved spruce top, multi bound f-holes, raised bound tortoise pickguard, multibound body, maple back/sides/neck, carved back, 14/20 fret bound ebony fingerboard with pearl split block inlay,adjustable ebony bridge/logo engraved trapeze tailpiece, bound peghead with pearl vine/logo inlay, 3 per side goldtuners. Available in Cremona Brown Sunburst finish. Mfd. 1935 to 1957.

Emperor (Mfr. 1958 to 1970) - reintroduced by Gibson in 1958. Available by special order only in 1963, discontinued1970.

Emperor Cutaway (New York Mfr.) - similar to Emperor, except has single round cutaway. Mfd. 1948 to 1955.

HOWARD ROBERTS CUSTOM - similar to ES-175, arched spruce top, maple back/sides, 25 1/2" scale, 16 1/4"lower bout, 7-piece laminated neck, Tree-of-Life headstock inlay, single Johnny Smith pickup attached to thefingerboard, ebony bridge base, tune-o-matic bridge, ES-175 bail fern tailpiece, oval sound hole, nickel hardware, 1tone and 1 volume control. Available in Black, Sunburst, and Brown finishes. Mfd. 1964 to 1967.

OLYMPIC - carved spruce or poplar top, mahogany back/sides, single body binding, mahogany neck, segmented f-holes, 20 fret rosewood fingerboard with dot inlay, small black pickguard, 3 per side tuners with plastic buttons.Available in Golden Brown and Brown with Sunburst top. Mfd. 1931 to 1949.

Olympic Tenor - tenor version of the Olympic model. Mfd. 1937 to 1949.

RITZ - carved spruce top, maple back/sides, tortoiseshell body binding, cello style f-holes, cherrywood neck, 20 fretrosewood fingerboard with dot inlay, trapeze tailpiece. Available in Natural opaque finish only. Mfd. 1941 to 1949.

Ritz Tenor - tenor version of the Ritz model. Mfd. 1941 to 1949.

ROYAL - carved spruce top, mahogany back and sides, single body binding, segmented f-holes, 2-piece mahoganyneck, 20 fret rosewood fingerboard with dot inlay, black pickguard, trapeze tailpiece. Available in Brown withSunburst top finish. Mfd. 1931 to 1935.

SPARTAN - carved spruce top, round soundhole, raised black pickguard, one stripe rosette, bound body, mapleback/sides, mahogany neck, 14/20 fret bound rosewood fingerboard with pearl dot inlay, adjustable rosewood

bridge/nickel trapeze tailpiece, bound peghead with pearl wedge/logo inlay, 3 per side nickel tuners. Available inSunburst finish. Mfd. 1934 to 1949.

Regent Tenor - bound body, mahogany back/sides, trapeze tailpiece. Mfd. 1934 to 1936.

Spartan Tenor - similar to the Regent Tenor. Mfd. 1937 to 1949.

TUDOR - carved spruce top, curly maple back/sides, carved back, 3-ply body binding, 5-ply maple/mahogany neck,segmented f-holes, bound black pickguard, gold hardware, trapeze tailpiece. Available in Brown with Sunburst top.Mfd. 1932 to 1936.

TRIUMPH (Mfr. 1931 to 1957) - 15 1/2" body width, carved spruce top, f-holes, raised black pickguard, bound body,walnut back/sides, mahogany neck, 14/20 fret bound rosewood fingerboard with pearl diamond inlay, adjustablerosewood bridge/trapeze tailpiece, bound peghead with pearl Masterbilt banner/logo inlay, 3 per side nickel tuners.Available in Sunburst finish. Mfd. 1931 to 1957.

Triumph (Mfr. 1958 to 1970) - reintroduced by Gibson in 1958. Available by special order only in 1963, discontinued1970.

Triumph Regent - similar to Triumph, except has single round cutaway. Mfd. 1949 to 1958.

Hollywood Tenor - tenor version of the Triumph. Mfd. 1931 to 1936.

Triumph Tenor - similar to the Hollywood Tenor. Mfd. 1937 to 1957.

ZENITH - carved spruce top, f-holes, raised black pickguard, bound body, maple back/sides, mahogany neck, 14/20fret rosewood fingerboard with pearl dot inlay, adjustable rosewood bridge/trapeze tailpiece, blackface peghead, 3 perside single unit nickel tuners with plastic buttons. Available in Sunburst finish. Mfd. 1931 to 1957.

Melody Tenor - tenor version of the Zenith, walnut back/side. Mfd. 1931 to 1936.

Zenith Tenor - similar to the Melody tenor. Mfd. 1937 to 1957.

ACOUSTICIn 1998, Epiphone began offering guitar and accessory packages for that "one stop shopping" experience for entry levelguitars. Actually, the notion of a guitar package plus strings, a tuner, a gigbag, and a 'How-To' video makes perfectsense for the first time guitar student.

The C-10 Gig Rig package (list $299) includes a C-10 nylon string acoustic guitar, Qwik-Tune quartz tuner, blackgigbag, strap, picks, and a 30 minute Guitar Essentials Hal Leonard video tape. The PR-100 Gig Rig (list $329) issimilar, but substitutes a PR-100 steel string guitar.

AJ (Advanced Jumbo) Series

AJ-15 (Model EAA1) - sloped shoulder jumbo style, select spruce top, round soundhole, black pickguard, bound body,stripe rosette, mahogany back/sides/neck, 14/20 fret fingerboard with pearl dot inlay, rosewood bridge with blackbridgepins, 3 per side chrome tuners. Available in Ebony, Natural and Vintage Sunburst finishes. Mfr. 1998 to date.

AJ-15L (Model EAA2) - similar to AJ-15, except in a left-handed configuration. Available in Natural finish. Mfr.1998 to date.

AJ-1512 (Model EAA3) - similar to AJ-15, except in a 12-string configuration, 6 per side tuners. Available in Naturalfinish. Mfr. 1998 to date.

AJ-18S (Model EAA4) - similar to AJ-15, except has a solid spruce top, single rounded cutaway body, no pickguard,diamond fingerboard inlay/block inlay at 12th fret, gold hardware. Available in Ebony, Natural, and Vintage Sunburstfinishes. Mfr. 1998 to date.

AJ-18SL (Model EAA5) - similar to AJ-18S, except in a left-handed configuration. Available in Natural finish. Mfr.1998 to date.

AJ-1812S (Model EAA6) - similar to AJ-18S, except in a 12-string configuration, 6 per side tuners. Available inNatural finish. Mfr. 1998 to date.

AJ-1812SL (Model EAA7) - similar to AJ-18S, except in a left-handed 12-string configuration, 6 per side tuners.Available in Natural finish. Mfr. 1998 to date.

AJ-28S (Model EAT1) - similar to AJ-15, except has a solid spruce top, bound body/fingerboard/headstock, diamondfingerboard inlay/block inlay at 12th fret, rosewood headstock veneer. Available in Ebony, Natural, and VintageSunburst finishes. Mfr. 1998 to date.

AJ-35S (Model EAT2) - similar to AJ-15, except has a solid spruce top, triple-ply body binding, abalone rosette, dotfingerboard inlay/block inlay at 12th fret, rosewood headstock veneer, gold hardware. Available in Ebony, Natural, andVintage Sunburst finishes. Mfr. 1998 to date.

AJ-45S (Model EAA8) - similar to AJ-15, except has a solid spruce top, 24.75" scale, bound body, blackfaceheadstock with screened logo, tortoiseshell pickguard, 3 per side vintage-style tuners. Available in Vintage Sunburstfinish. Mfr. 1998 to date.

ALHAMBRA (CLASSICAL) - spruce top, curly maple back/sides, round soundhole, mahogany neck, 12/20 fretrosewood fingerboard, rosewood bridge, slotted headstock. Mfd. 1938 to 1941.

BARCELONE (CLASSICAL) - maple back/sides, 25 1/2" scale, black body binding, gold hardware, pearloid tunerbuttons. Mfd. 1963 to 1969.

BARD - 12-string configuration, spruce top, mahogany back/sides, multiple-bound body, 24 3/4" scale, oval pegheadinlay. Mfd. 1962 to 1970.

Bluegrass Series

BISCUIT RESOPHONIC (Model EFB1) - resonator model with round neck, chrome hardware, 2 f-holes. Availablein Black, Brown, Heritage Cherry Sunburst, Red Brown Mahogany, and Translucent Blue finishes. Current mfr.

Spider Resophonic (Model EFSP) - similar to Biscuit Resophonic, except has square neck, 2 mesh-coveredsoundholes, slotted headstock. Current mfr.

C (Classical) Series

BARCELONA CE (Model EC7C) - single soft cutaway body, solid spruce top, mahogany body and neck, rosewoodfingerboard, 25 1/2" scale, gold hardware, Piezo/Epi-Six pickup and pre-amp/EQ. Available in Antique Natural finish.New for 1999.

CLASSICA (Model EC70) - top of the line traditional classical model, solid spruce top, rosewood body andfingerboard, mahogany neck, 25 1/2" scale, gold hardware. Available in Antique Natural finish. New for 1999.

C-10 (Model EC15) - Available in Natural Satin finish. Mfr. 1997 to date.

C-25 (Model EC25) - classical style. Available in Natural Satin finish. Current mfr.

C-40 (Model EC40) - classical style. Available in Natural gloss finish. Current mfr.

CLASSIC - spruce top, mahogany back/sides, tortoise body binding. Mfd. 1963 to 1970.

CONCERT (CLASSICAL) - maple back/sides, mutiple-body bindings, bound rosewood fingerboard (extends oversoundhole), rosewood bridge, slotted peghead, gold hardware. Available in Natural finish. Mfd. 1938 to 1941.

DON EVERLY SQ-180 (Model EAQ1) - star fingerboard inlay, soundhole-surrounding pickguard. Available inEbony finish. Current mfr.

DOVE (Model EADV) - double parallelogram fingerboard inlay, dove artwork on tortoiseshell pickguard, moustache-style bridge with wing inlay, bound fingerboard. Available in Cherry and Natural finish. Mfr. 1998 to date.

EJ-200 (Model EAJ2) - jumbo style, spruce top, round soundhole, tortoise pickguard with engraved flowers/pearl dotinlay, 3 stripe bound body/rosette, maple back/sides/neck, 14/20 fret bound pointed fingerboard with pearl crown inlay,rosewood mustache bridge with pearl block inlay, white black dot bridge pins, bound blackface peghead with pearlcrown/logo inlay, 3 per side gold tuners. Available in Ebony, Natural and Vintage Sunburst finishes. Current mfr.

EJ-212 - similar to the EJ-200, except has 12-string configuration, 6 per side tuners. Available in Black, Natural, andVintage Sunburst finishes. Disc. 1999.

ELVIS PRESLEY EJ-200 (Model EAEP) - similar to the EJ-200, except has special fingerboard inlay, yellow"Elvis" graphic on lower bout, special graphic pickguard. Available in Black finish. Disc. 1999.

Elvis Presley EJ-200 CE (Model EEEP) - similar to the Elvis Presley EJ-200, except features single roundedcutaway, piezo bridge pickup, volume/tone controls. Available in Black finish. Disc. 1999.

EL DORADO - squared shoulder Dreadnaught, spruce top, mahogany back and sides, multiple body binding, boundfingerboard with single parallelogram inlay, oval headstock inlay. Available in Natural finish. Mfd. 1963 to 1970.

EO-1 - rounded cutaway, spruce top, round soundhole, 3 stripe bound body/rosette, mahogany back/sides/neck, 21 fretbound rosewood fingerboard with pearl dot inlay, rosewood bridge with white black dot pins, rosewood veneer onbound peghead with star/crescent inlay, 3 per side chrome tuners. Available in Natural finish. Mfd. 1992 to date.

ESPANA (CLASSICAL) - maple back/sides, black bound body. Available in Walnut finish. Mfd. 1962 to 1969.

EXCELLENTE - squared shoulder Dreadnaught style, spruce top, rosewood back/sides, multiple body binding, roundsoundhole, bound ebony fingerboard with cloud inlay, pearl and abalone peghead inlay, eagle inlay on pickguard, tune-o-matic bridge, gold hardware. Available in Natural finish. Mfd. 1963 to 1970.

Excellente (Model EAEX) - Contemporary re-issue. Available in Natural and Vintage Sunburst finishes. Current mfr.

FOLKSTER - 14 1/4" body width, spruce top, mahogany back/sides, rosewood fingerboard with dot inlay, 2 whitepickguards. Mfd. 1966 to 1970.

GRANADA (CLASSICAL) (Model EC60) - traditional classical body, Select Spruce top, mahogany back and sides,rosewood fingerboard, bound body, 25 1/2" scale, gold hardware. Available in Antique Natural finish. New for 1999.

NEIL DIAMOND SQ-180 (Model EAND) - maple body, Select Spruce top, mahogany neck, rosewood fingerboardwith diamond-shaped inlays, 24 3/4" scale, facsimile signature on headstock, gold hardware. Available in BlackMetallic finish. New for 1999.

FT SeriesBetween 1980 to 1982, Epiphone offered a number of additional FT Series models. The FT-120 (retail list $170) wasoffered in a Natural finish, while the FT-130 (list $190) was featured in Brown Sunburst. All other models wereavailable in a Natural finish. The FT-140 had a retail list price of $200; the FT-145, list $220; FT-150, list $270; FT-160, list $250; FT-165, list $300. The FT-165 was produced between 1980 to 1981.Most secondary prices on these early 1980s FT Series models range between $95 to $125.

FT DE LUXE - spruce top, maple back/sides, round soundhole, multiple body binding, maple neck, bound rosewoodfingerboard with cloud inlay, tortoise pickguard, trapeze tailpiece, vine peghead inlay, gold hardware. Available inNatural and Sunburst finishes. Mfd. 1939 to 1942.

De Luxe Cutaway - similar to the FT De Luxe, except features a single rounded cutaway body, flower peghead inlay.Mfd. 1954 to 1957.

FT 27 - spruce top, mahogany back/sides, bound top, 14/20 fret rosewood fingerboard with dot inlay, Masterbiltpeghead decal, rosewood bridge. Available in Sunburst finish. Mfd. 1935 to 1941.

FT 30 (CABALLERO) - OO style, mahogany top, round soundhole, tortoise pickguard, mahogany back/sides/neck,14/20 fret rosewood fingerboard with pearl dot inlay, rosewood bridge with white pins, 3 per side tuners with plasticbuttons. Available in Natural finish. Mfd. 1941 to 1949.

FT 37 - spruce top, quartered walnut back/sides, cherry neck, 20 fret rosewood fingerboard with dot inlay, tortoiseshellpickguard, rosewood bridge, 3 per side tuners with plastic buttons. Available in Yellow Sunburst top and Naturalfinishes. Mfd. 1935 to 1941.

FT 45 (CORTEZ) - OO style, spruce top, round soundhole, tortoise pickguard, white body binding, walnut back/sides,cherry neck, 20 fret rosewood fingerboard with pearl dot inlay, rosewood bridge with white pins, metal logo platemounted on peghead, 3 per side tuners. Available in Natural and Sunburst finishes. Mfd. 1941 to 1949.

FT 50 - OO style, spruce top, round soundhole, mahogany back/sides, tortoiseshell body binding, cherry neck, tortoisepickguard, 14/20 fret bound rosewood fingerboard with dot inlay, rosewood bridge, 3 per side tuners with plasticbuttons. Available in Natural finish. Mfd. 1941 to 1949.

FT 75 - spruce top, curly maple back/sides, multiple body binding, mahogany neck, 20 fret bound rosewoodfingerboard with parallelogram inlay, rosewood bridge, 3 per side open back tuners. Available in Cherry Burst, Natural,and Sunburst finishes. Mfd. 1935 to 1942.

FT 79 (TEXAN) - Dreadnaught style, spruce top, walnut back/sides, cherry neck, 20 fret bound rosewood fingerboardwith parallelogram inlay, rosewood bridge, 3 per side open back tuners. Available in Natural and Sunburst finish. Mfd.1941 to 1957.

Texan (Model EATX) - contemporary model. Available in Natural and Vintage Sunburst finishes. Current mfr.

FT 110 (FRONTIER) - Dreadnaught style, spruce top, curly maple back/sides, 5-piece cherry neck, 20 fret boundrosewood fingerboard with slotted block inlay, rosewood bridge, 3 per side open back tuners. Available in Natural andSunburst finish. Mfd. 1941 to 1957.

Frontier (Model EAFT) - contemporary re-issue. Available in Natural and Vintage Sunburst finishes.

Frontier Left-Handed (Model EAFTL) - similar to Frontier, except in left-handed configuration. Available in Naturaland Vintage Sunburst finishes. Mfr. 1997 to 1998.

FT 140 (Korea Mfr.) - spruce top, mahogany back/sides, bolt-on neck, zero fret, 20 fret rosewood fingerboard withpearl dot inlay, black pickguard, rosewood bridge with black buttons, 3 per side chrome tuners. Available in Naturalfinish. Mfd. 1973 to 1976.

HUMMINGBIRD (Model EAHB) - Dreadnaught style, bound body, double parallelogram block inlays,flowers/hummingbird artwork on tortoiseshell pickguard, 3 per side chrome vintage-style tuners. Available in HeritageCherry Sunburst finishes. Current mfr.

MADRID (Mfr. 1931 to 1941) - spruce top, curly maple back/sides, tortoise body binding, 12/19 fret fingerboard.Available in Natural finish. Mfd. 1931 to 1941.

Madrid (Mfr. 1962 to 1970) - classical style, mahogany back/sides, tortoise body binding. Available in Natural finish.Mfd. 1962 to 1970.

NAVARRE - Hawaiian style, spruce top, mahogany back/sides/neck, round soundhole, 20 fret bound rosewoodfingerboard with dot inlay, tortoiseshell pickguard, rosewood bridge, 3 per side tuners with plastic buttons. Available inBrown finish. Mfd. 1931 to 1941.

PR Series

PR-100 (Model EA10) - Dreadnaught style, spruce top, round soundhole, black pickguard, stripe rosette, mahoganyback/sides/neck, 14/20 fret rosewood fingerboard with dot inlay, rosewood bridge with black pins, 3 per side chrometuners. Available in Ebony, Natural Gloss, and Vintage Sunburst finishes. Mfr. 1997 to date.

PR-200 (Model EA20) - Dreadnaught style, spruce top, round soundhole, black pickguard, stripe rosette, bound body,mahogany back/sides/neck, 14/20 fret rosewood fingerboard with pearl dot inlay, rosewood bridge with white pins, 3per side chrome tuners. Available in Natural Satin finish. Mfr. 1992 to date.

PR-350 (Model EA35) - Dreadnaught style, spruce top, round soundhole, tortoise pickguard with stylized E, 3 stripebound body/rosette, mahogany back/sides/neck, 14/20 fret rosewood fingerboard with pearl snowflake inlay, pearlcrown/logo inlay, 3 per side chrome tuners. Available in Natural finish. Mfr. 1992 to date.

PR-350 C (Model EA3C) - similar to the PR-350, except features a single rounded cutaway body. Available in Naturalfinish. Disc. 1999.

PR-350 M (Model EM35) - similar to PR-350, except has mahogany top. Mfd. 1993 to 1998.

PR-350 S (Model EAOS) - similar to PR-350, except has spruce top. Mfr. 1992 to date

PR-350 S Left-Handed (Model EAOL) - similar to the PR-350 S, except in left-handed configuration. Available inNatural finish. Current mfr.

PR-350-12 (Model EA3T) - similar to the PR-350 S, except has 12-string configuration. Available in Natural finish.Current mfr.

PR-400 (Model EA40) - Available in Natural finish. Mfr. 1997 to 1999.

PR-720 S - Dreadnaught style, solid spruce top, round soundhole, tortoiseshell pickguard, 3 stripe rosette, bound body,African ovankol back/sides, mahogany neck, 14/20 fret rosewood fingerboard with pearl diamond inlay, rosewoodbridge with white pins, 3 per side chrome tuners. Available in Natural finish. Mfd. 1992 only.

PR-775 S - Dreadnaught style, solid spruce top, round soundhole, tortoiseshell pickguard, abalone bound body/rosette,rosewood back/sides, mahogany neck, 14/20 fret bound rosewood fingerboard with abalone pearl block/triangle inlay,rosewood bridge with white black dot pins, rosewood veneer on bound peghead with crescent/star/logo inlay, 3 per sidechrome tuners. Available in Natural finish. Disc. 1996.

PR-775-12 - similar to the PR-775 S, except in 12-string configuration.

PR-800 S (Model EA80) - Available in Natural finish. Disc. 1998.

SERENADER - 12-string configuration, 14 1/4" body width, mahogany back/sides, 25 1/2" scale, adjustable saddle,dot fingerboard inlay. Available in Walnut finish. Mfd. 1963 to 1970.

SEVILLE (Mfr. 1938 to 1941) - classical style, spruce top, round soundhole, mahogany back/sides, mahogany neck,12/20 fret rosewood extended fingerboard, rosewood bridge, slotted headstock. Available in Natural finish. Mfd. 1938to 1941.

Seville (Mfr. 1961 to 1970) - classical style, mahogany back/sides, 25 1/2" scale, tortoise body binding. Available inNatural finish. Mfd. 1961 to 1970.

SONGWRITER (Model EABM) (Formerly BLUESMASTER) - slope shouldered folk style, bound body. Availablein Ebony, Natural, and Vintage Sunburst finishes. Disc. 1999.

TROUBADOUR - squared shoulder Dreadnaught style, spruce top, maple back/sides, multiple body binding, 12/19fret rosewood fingerboard with slotted block inlay, 2 white pickguards, solid peghead, gold hardware. Available inWalnut finish. Mfd. 1963 to 1970.

ACOUSTIC ELECTRIC

AJ (Advanced Jumbo) Acoustic Electric Series

AJ-15 E (Model EEA1) - sloped shoulder jumbo style, solid Sitka spruce top, round soundhole, black pickguard,bound body, stripe rosette, mahogany back/sides/neck, 14/20 fret fingerboard with pearl dot inlay, rosewood bridgewith black bridgepins, 3 per side chrome tuners, piezo pickup, Electar preamp system. Available in Ebony, Natural andVintage Sunburst finishes. Mfr. 1998 to date.

AJ-18S CE (Model EEA2) - similar to AJ-15 E, except has single rounded cutaway body, no pickguard, diamondfingerboard inlay/block inlay at 12th fret, gold hardware, piezo pickup, Electar Epiphone 6 preamp system. Availablein Ebony, Natural, and Vintage Sunburst finishes. Mfr. 1998 to date.

AJ-30 CE (Model EEA3) - similar to AJ-15 E, except has single rounded cutaway body, dot fingerboard inlay/blockinlay at 12th fret, piezo pickup, Electar Epiphone 6 preamp system. Available in Ebony, Natural, and Vintage Sunburstfinishes. Mfr. 1998 to date.

AJ-40 TLC (Model EE4C) - similar to AJ-15 E, except has single rounded cutaway body, no pickguard, bound body,dot fingerboard inlay/block inlay at 12th fret, gold hardware, piezo pickup, Electar Epiphonic 2000 preamp system.Available in Ebony, Natural, and Vintage Sunburst finishes. Mfr. 1998 to date.

AJ-45S E (Model EEA8) - similar to AJ-15 E, except has 24.75" scale, bound body, blackface headstock withscreened logo, tortoiseshell pickguard, 3 per side vintage-style tuners, piezo pickup, Electar Epiphone 6 preamp system.Available in Vintage Sunburst finish. Mfr. 1998 to date.

C-70 CE (Model EOC7) - classic style, single rounded cutaway body, spruce top, round soundhole, bound body,wooden inlay rosette, rosewood back/sides, mahogany neck, 19 fret rosewood fingerboard, rosewood tied bridge,rosewood peghead veneer with circles/star design, 3 per side chrome tuners with pearl buttons, piezo pickup, volume/3band EQ. Available in Natural finish. Current mfr.

Selena C-70 CE (Model EESE) - similar to the C-70 CE, except features Selena signature graphic on body. Availablein Black finish. Mfr. 1997 only.

CABALLERO (Model EECB) - contemporary re-issue. Available in Natural finish. Mfr. 1997 to 1999.

Epiphone Chet Atkins Series

CHET ATKINS SST STANDARD (Model ECSS) - semi-solid thinline acoustic. Available in Ebony, HeritageCherry Sunburst, and Natural finishes. Current mfr.

Chet Atkins CEC (Model ECCE) - Available in Antique Natural finish. Mfr. 1995 to 1999.

Chet Atkins Custom (Model ECSF) - Available in Heritage Cherry Sunburst and Natural Finishes. Current mfr.

Chet Atkins Deluxe (Model ECBE) - Available in Heritage Cherry Sunburst and Natural finishes. Current mfr.

DOVE A/E (Model EEDV) - double parallelogram fingerboard inlay, dove artwork on tortoiseshell pickguard,moustache-style bridge with wing inlay, bound fingerboard, piezo pickup, Electar preamp system. Available in Cherryand Natural finish. Mfr. 1998 to 1999.

JOHN LENNON EJ-160 E (Model EEEJ) - Dreadnaught style, bound body/fingerboard, trapezoid fingerboard inlay,built-in pickup, volume/tone controls (on top), tortoiseshell pickguard, screened 'John Lennon' signature on body.Available in Natural and Vintage Cherry Sunburst finishes. Mfr. 1997 to date.

EJ-200 CE (Model EEJ2) - similar to the EJ-200 (Model EAJ2), except features piezo bridge pickup, volume/tonecontrols. Available in Black, Natural, and Vintage Sunburst finishes. Current mfr.

EO-2 (Model EO2E) - rounded cutaway folk style, arched walnut top, oval soundhole, 3 stripe bound body/rosette,walnut back/sides, mahogany neck, 21 fret bound rosewood fingerboard with pearl dot inlay, rosewood bridge withwhite black dot pins, rosewood veneer on bound peghead with star/crescent inlay, 3 per side chrome tuners, piezopickup, volume/tone controls. Available in Natural finish. Mfd. 1992 to date.

JEFF "SKUNK" BAXTER (Model EAJB) - Available in Ebony, Red Brown Mahogany, Natural, and VintageSunburst. Current mfr.

PR-5 E (Model EEP5) - single sharp cutaway folk style, figured maple top, round soundhole, multi-boundbody/rosette, mahogany back/sides/neck, 20 fret bound rosewood fingerboard with pearl diamond slot inlay, rosewoodbridge with white black dot pins, blackface peghead with pearl crown/logo inlay, 3 per side gold tuners, piezo bridgepickup, 4 band EQ. Available in Black, Natural, and Vintage Sunburst finishes. Mfd. 1992 to date.

PR-5 E Artist (Model EEA5) - Available in Heritage Cherry Sunburst, Vintage Sunburst, and White finishes. Disc.1999.

PR-5 E Left-Handed (Model EEP5L) - similar to the PR-5 E, except in a left-handed configuration. Available inNatural finish. Current mfr.

PR-6 E (Model EEP6) - Available in Heritage Cherry Sunburst, Translucent Amber, Translucent Red, and TobaccoSunburst finish. Disc. 1998.

PR-7 E (Model EEP7) - Available in Heritage Cherry Sunburst, Natural, Orange Sunburst, Translucent Black, andVintage Cherry Sunburst. Current mfr.

PR-200 E (Model EE20) - Dreadnaught style, spruce top, round soundhole, tortoise pickguard with stylized E, 3 stripebound body/rosette, mahogany back/sides/neck, 14/20 fret rosewood fingerboard with pearl snowflake inlay, pearlcrown/logo inlay, 3 per side chrome tuners. Available in Natural finish. Mfd. 1992 to date.

PR-350 E (Model EE35) - Available in Natural finish. Disc. 1998.

PR-350 12 String E (Model EE3T) - similar to PR-350 E, except features 12-string configuration. Available inNatural finish. Disc. 1998.

PR-350 C E (Model EE3C) - similar to PR-350 E, except features a single rounded cutaway body. Available inNatural finish. Current mfr.

PR-350 M E (Model EME5) - similar to PR-350 E, except has mahogany top, piezo bridge pickup. Mfd. 1993 to1998.

PR-775 SC E (Model EO77) - single rounded cutaway body, gold hardware, Electar preamp system. Available inAntique Natural finish. Mfr. 1997 to 1999.

PR-800 S E (Model EE80) - Dreadnaught style, gold hardware, Electar preamp system. Available in Natural finish.Disc. 1999.

ACOUSTIC ELECTRIC BASS

EL CAPITAN (Model EBEC) - jumbo style, maple body, set-in maple neck, 34" scale, rosewood fingerboard withdot inlay, piezo bridge pickup, Para-EQ preamp system. Available in Ebony, Natural, and Vintage Sunburst finishes.Current mfr.

El Capitan Cutaway (Model EBC4) - similar to El Capitan, except features a single rounded cutaway body. Availablein Ebony, Natural, and Vintage Sunburst finishes. Current mfr.

El Capitan Cutaway Fretless (Model EBC4F) - similar to El Capitan, except features a single rounded cutaway body,fretless fingerboard. Available in Ebony, Natural, and Vintage Sunburst finishes. Disc. 1998.

El Capitan 5 String Cutaway (Model EBC5) - similar to El Capitan, except features a single rounded cutaway body,5-string configuration, 3/2 per side tuners. Available in Ebony, Natural, and Vintage Sunburst finishes. Current mfr.

El Capitan 5 String Cutaway Fretless (Model EBC5F) - similar to the El Capitan 5 String Cutaway, except featuresa fretless fingerboard. Available in Ebony, Natural, and Vintage Sunburst finishes. Current mfr.