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Halifax Ukulele Gang (HUG) Songbook 2013 (http://halifaxukulelegang.wordpress.com) Page 31
End of the Line (Traveling Wilburys)
C N F Intro: [F] [C] [F] [G7] [C] [F] [G7] [C] [G7] [C] [C] Well it's all right riding a [G7] round in the [F] breeze Well it's [C] all right if you live the [G7] life you [C] please [C] Well it's all right doing the [G7] best you [F] can Well it's [C] all right as long as you [G7] lend a [C] hand [F] You can sit around and wait for the [C] phone to ring (at the end of the line) [F] Waiting for someone to tell you [C] everything (at the end of the line) [F] Sit around and wonder what to [C] morrow will bring (at the end of the line) Maybe a [G7] diamond ring Well it's [C] all right even if they [G7] say you're [F] wrong Well it's [C] all right sometimes you [G7] gotta be [C] strong [C] Well it's all right as long as you got [G7] somewhere to [F] lay Well it's [C] all right everyday is [G7] judgment [C] day [F] Maybe somewhere down the [C] road aways (at the end of the line) [F] You'll think of me wonder where I [C] am these days (at the end of the line) [F] Maybe somewhere down the road when [C] somebody plays (at the end of the line) [G7] Purple haze Well it's [C] all right even when [G7] push comes to [F] shove Well it's [C] all right if you got [G7] someone to [C] love [C] Well it's all right everything'll [G7] work out [F] fine Well it's [C] all right we're going to the [G7] end of the [C] line [F] Don't have to be ashamed of the [C] car I drive (at the end of the line) [F] I'm glad to be here happy to [C] be alive (at the end of the line) [F] It don't matter if you're [C] by my side (at the end of the line) I'm [G7] satisfied Well it's [C] all right even if you're [G7] old and [F] gray Well it's [C] all right you still got [G7] something to [C] say [C] Well it's all right remember to [G7] live and let [F] live Well it's [C] all right the best you can [G7] do is for [C] give [C] Well it's all right riding a [G7] round in the [F] breeze Well it's [C] all right if you live the [G7] life you [C] please [C] Well it's all right even if the [G7] sun don't [F] shine Well it's [C] all right we're going to the [G7] end of the [C] line
This Ukulele Society of America “Chord Sheet” is for education and personal enjoyment only. Selling this sheet or collecting a fee performing from this sheet without the express written consent from the copyright owner(s) is strictly prohibited and punishable by law.
Page 1 of 3 Revised 04/09/2008
THANKS MR. ROOSEVELT
Key of C Major
THANKS MR. ROOSEVELT Words and Music by George Formby
This Ukulele Society of America “Chord Sheet” is for education and personal enjoyment only. Selling this sheet or collecting a fee performing from this sheet without the express written consent from the copyright owner(s) is strictly prohibited and punishable by law.
Page 2 of 3 Revised 04/09/2008
* UKE SOLO C Dm7 G7
John Bull has written a message and sent it off by Clipper plane today G7 D7 G7
Oh what a wonderful message, now let me tell you what it had to say G7 C D7
* Intro It just said “Thanks Mr. Roosevelt it’s swell of you G7 Dm7 G7 C --G7
For the way you’re helping us to carry on” C D7
You’ll see the British people smiling through G7 Dm7 G7 C
When these dark and stormy days are gone C7 F C D7
And Franklin, by the way, please convey our congratulations G7 Dm7 --G7
To the folks in U. S. A. G7 C D7
We’re saying “thanks Mr. Roosevelt we’re proud of you G7 Dm7 G7 C --- G7
For the way you’re helping us to carry on”
C
Old friend you’re never denied us Dm7 G7
In our hearts your name is evergreen G7 D7 G7
Your land is standing beside us, as in the days of nineteen seventeen
THANKS MR. ROOSEVELT Words and Music by George Formby
This Ukulele Society of America “Chord Sheet” is for education and personal enjoyment only. Selling this sheet or collecting a fee performing from this sheet without the express written consent from the copyright owner(s) is strictly prohibited and punishable by law.
Page 3 of 3 Revised 04/09/2008
G7 C D7
So we say “thanks Mr. Roosevelt its swell of you G7 Dm7 G7 C -– G7
For the way you’re helping us to carry on” C D7
You’ll see the British people smiling through G7 Dm7 G7 C
When these dark and stormy days are gone
C7 F C D7
And Franklin, by the way, please convey our congratulations G7 Dm7-- G7
To the folks in U. S. A. G7 C D7
We’re saying “thanks Mr. Roosevelt we’re proud of you G7 Dm7 G7 C
For the way you’re helping us to carry on”
* UKE SOLO -------- (then repeat last verse)
Memphis, TennesseeMemphis, Tennessee
Chuck Berry
G7
Long distance information give me Memphis, Tennessee
Help me find the party that tried to get in touch with me
C
She could not leave her number but I know who placed the call
G7 C
Cause my uncle took a message an he wrote it on the wall
G7
Help me information get in touch with my Marie
She's the only one who'd call me here from Memphis, Tennessee
C
Her home is on the southside high upon a ridge
G7 C
just a half-a-mile from the Mississippi bridge
G7
Last time I saw marie she was wavin me goodby
Hurry home teardrops were tricklin from her eye
C
We were pulled apart because her mom did not agree
G7 C
It tore apart our happy home in Memphis, Tennessee
G7
Help me information more than that I cannot add
Only that miss her and all the fun we had
C
Marie is only six-years old, information please
G7 C
Try to put me through to her in Memphis, Tennessee
Kiss Me
V 1 Kiss me out of the bearded barley. Nightly beside the green green grass.
Swing swing swing the spinning step. You wear those shoes and I will wear that dress. Oh,
C Cmaj7 C7 F
Lift your open hand. Strike up the band and make the fireflies dance, silver moon
Intro
C Cmaj7 C7 Cmaj7
V 2 Kiss me down by the broken tree house. Swing me upon its hanging tyre.
Bring bring bring your flowered hat. We’ll take the trail marked on your father’s map.
C Cmaj7 C7 Cmaj7
Chorus
G Kiss me beneath the milky twilight. Lead me out on the moonlit floor
Dm C Am Dm G C
Dm G C C7 Dm
F
C Cmaj7 C7 Cmaj7
C7
sparkling. So kiss
G
C Cmaj7 C7 Cmaj7
C Cmaj7 C7 F
Kiss me beneath the milky twilight. Lead me out on the moonlit floor
Lift your open hand. Strike up the band and make the fireflies dance, silver moon
Chorus
GDm C Am Dm G C
Dm G C C7 Dm
F
C7
sparkling. So kiss
G
me
Instrumental
GDm C Am Dm G C C7
C Cmaj7 C7 Cmaj7
Kiss me beneath the milky twilight. Lead me out on the moonlit floor
Lift your open hand. Strike up the band and make the fireflies dance, silver moon
Chorus
GDm C Am Dm G C
Dm G C C7 Dm
F C Cmaj7
C7
sparkling. So kiss me
G C7 Cmaj7
me
Kiss Me...p2
Hold Me NowThompson Twins
CI have a picture
AmPinned to my wall
FAn image of you and of me
G7And we're laughing with love at it all
CLook at our life now
AmTattered and torn
FWe fuss and we fight and delight in the tears
G7that we cry until dawn
CHold me now
AmWarm my heart
FStay with me
G7Let the loving start, let loving start
CYou say I'm a dreamer
AmWe're two of a kind
FBoth of us searching for some perfect place
G7We know we'll never find
CSo perhaps I should leave here
AmGo far away
Hold Me Now
FBut you know that there's nowhere that I'd rather be
G7Than with you here today
Chorus
CYou asked if I love you
AmWhat can I say
FYou know that I do and that this is just one of those
G7Games that we play
CSo I'll sing you a new song
AmPlease don't cry any more
FI'll even ask your forgiveness although I don't know
G7Just what I'm asking it for
Am C F G7
INDIANA (Back Home Again In Indiana)
Key F w/Ballard MacDonald Sing C m/James F. Hanley
INTRO: / / / / / / / / 3 2 1 1 4 4 4 4 4 4 1
Back home a-gain in Indi-ana, 2 1 1
And it seems that I can see
The gleaming candlelight, still shining bright,
Through the sycamores for me.
The new-mown hay sends all its fragrance
Through the fields I used to roam.
When I dream about the moonlight on the Wabash,
Then I long for my Indi - ana home.
INDIANA (Back Home Again In Indiana)
Key F w/Ballard MacDonald Sing C m/James F. Hanley INTRO: F / F7 E7 Eb7 / D7 / G7 / G7 / C7 / F / C7 3 2 1 1 4 4 4 4 4 1 F7 E7 Eb7 D7 G7 Back home a-gain in Indi-ana, 2 1 1 C7 F And it seems that I can see F7 Bb Bdim F D7 The gleaming candlelight, still shining bright, G7 Gm7 C7 Through the sycamores for me. F7 E7 Eb7 D7 G7 The new-mown hay sends all its fragrance Em7 A7 Dm Bbm Through the fields I used to roam. F Em7 A7 Dm Bdim When I dream about the moonlight on the Wabash, F Gm7 C7 F Then I long for my Indi - ana home.
Don't Fonce Me In Words and Music by
COLE PORTER PIRST NOTE
¿K Aiort
i *=* Oh, give me land, lots of land un - der star - ry skies a - bove;
A7
don't fence me in. Let me ride through the wide o • pen
D r
* ' bJ J.- J & coun - try that I love; don't fence me in. Let me
D7
_
be by my-self in the eve -ning breeze, l is-ten to the mur-mur of the
Gm D i i 1 f"T"
Am B7 G m
cot - ton-wood trees. Send me off for-ev - er, but 1 ask you please,
- f t 3 « 1944 WARNE« DROS. INC (Renewed)
This Arrangement O ZOOS WARNER BROS. INC All Rights Reserved Used by Permission
D A7 D D7
* • » •-* * w v '—w ^ ^ W-- 5
don't fence me In. Just turn me loose, let me strad - die my old
D D7
~~*~- 3—3~ «? » *
sad - die un - der-neath the west • e m skies.. On my cay
G D
*•—*—9T~*—^JfT
use, let me wan-der o - ver yon-der 'til I see the moun-tains rise..
A7 D D7
I want to ride to the ridge where the West com - menc - es
G Gm _ J
D Am
gaze at the moon 'til I lose my sens - es; can't look at hob - bles, and I
3
B7
-; Gm D A7 D
D.C.
can't stand fenc - es; don't fence me in.
} II
I'll be your baby tonightI'll be your baby tonight
Bob Dylan
C
Close your eyes, close the door
D D7
You don't have to worry any more
F G7 C G7
I'll . . . . . be your baby to-night
. . . .
C
Shut the light, shut the shade
D D7
You don't have to be a-fraid
F G7 C C7
I'll. . . . . be your baby to-night
. . . .
F
Well, that mockingbird's gonna sail away
C
We're gonna forget it
D
That big, fat moon is gonna shine like a spoon
G7
But we're gonna let it, you won't regret it
. . . .
C
Kick your shoes off, do not fear
D D7
Bring that bottle over here
F G7 C
I'll . . . . . be your baby to-night
Baby BelugaRaffiRaffi and D. Pike
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Blue BayouG D7I feel so bad I've got a worried mind I'm so lonesome - all the time GSince I left my baby behind - on Blue Bayou
G D7Savin' nickels, savin' dimes Workin' 'til the sun don't shineD7 G [N.C.]Lookin' forward to happier times on Blue Bayou
G D7I'm goin' back some day, come what may, to Blue BayouD7 GWhere you sleep all day and the catfish play on Blue BayouG G7All those fishin' boats with their sails afloat C Cm G D7 G [N.C.]If I could only see - that familiar sunrise thru sleepy eyes how happy I'd be
G D7Oh, to see my baby again - and to be with some of my friends GMaybe I'd be happy then on Blue Bayou
G D7I'm goin' back some day, come what may, to Blue Bayou GWhere you sleep all day and the catfish play on Blue Bayou G7 C CmAh, that girl of mine by my side - the silver moon and evening tide G D7 G [N.C.]are some sweet day gonna take away this hurtin' inside D7 GI'll never be blue, my dreams come true - On Blue Bay...ou
G
D7
C
Cm
Ukulele Club of Santa CruzApril 2002
Roy Orbison
4
Mrs. Brown You've Got a Lovely Daughter Herman’s Hermits Hear this song at: http://www.youtube.com/watch?v=lv8k0VI9tBc
[C] Mrs. [Em] Brown you've [F] got a [G7] lovely [C] daughter [Em] [F] [G7] [C] Girls as [Em] sharp as [F] her are [G7] somethin' [C] rare [Em] [F] [G7] [Am/C] But it's [C] sad [Am/C] she doesn't [C] love me now [Am/C] She's made it [C] clear enough it ain't no good to [G7] pine [C] She wants [Em] to re[F] turn those [G7] things I [C] bought her [Em] [F] [G7] [C] Tell her [Em] she can [F] keep them [G7] just the [C] same [Em] [F] [G7] [Am/C] Things have [C] changed [Am/C] she doesn't [C] love me now [Am/C] She's made it [C] clear enough it ain't no good to [G7] pine [Bb] [Eb] Walkin' a[Gm]bout [Ab] even in a [Bb] crowd well [F#] You'll pick her [Bb] out makes a bloke feel [G7] so proud [C] If she [Em] finds that [F] I've been [G7] round to [C] see you [Em] [F] [G7] [C] Tell her [Em] that I'm [F] well and [G7] feelin' [C] fine [Em] [F] [G7] [Am/C] Don't let [C] on [Am/C] don't say she's [C] broke my heart [Am/C] I'd go down [C] on my knees but it's no good to [G7] pine [Bb] [Eb] Walkin' a[Gm]bout [Ab] even in a [Bb] crowd well [F#] You'll pick her [Bb] out makes a bloke feel [G7] so proud [C] If she [Em] finds that [F] I've been [G7] round to [C] see you [Em] [F] [G7] [C] Tell her [Em] that I'm [F] well and [G7] feelin' [C] fine [Em] [F] [G7] [Am/C] Don't let [C] on [Am/C] don't say she's [C] broke my heart [Am/C] I'd go down [C] on my knees but it's no good to [G7] pine [C] Mrs. [Em] Brown you've [F] got a [G7] lovely [C] daughter [Em] [F] [G7] [C] Mrs. [Em] Brown you've [F] got a [G7] lovely [C] daughter [Em] [F] [G7] [C] Mrs. [Em] Brown you've [F] got a [G7] lovely [C] daughter [Em] [F] [G7] [C] Mrs. [Em] Brown you've [F] got a [G7] lovely [C] daughter [Em] [F] [G7] [C]
Richard G’s Ukulele Songbook www.scorpex.net/uke.htm
I Had But Fifty Cents(a.k.a. "I took My Girl To A Dance One Night", "(When) I Had But Fifty Cents", "The Half Crown
Song", "Only Half-A-Crown", "The Social Hop", "Eighteen Pence", "Pretty Little Dear", "Betsy Brown")Words & Music:
Various Traditional
Bb F7I took my girl to a dance one night, it was a social hop. BbWe danced until th' lights went out an' th' music had to stop. EbI took her to a restaurant, th' finest in th' state. Bb F7 BbShe said she wasn't hungry, but this is what she ate: FA dozen raw, a plate of slaw, a chicken and a roast. BbSome applesass, and asparagrass and soft-shell crabs on toast. EbA box of stew, and crackers, too; her appetite was immense. Bb F BbWhen she asked for pie, I thought I'd die, for I had but fifty cents.
She said she wasn't hungry and didn't care to eat.But I've got money in my clothes to bet she can't be beat.She took it in so cozy, she had an awful tank.She said she wasn't thirsty, but this is what she drank:A whiskey skin, a glass of gin (which made me shake with' fear).A ginger pop, with rum on top, a schooner then of beer.A glass of ale, a gin cocktail; she should have had more sense.When she called for more, I fell on th' floor, for I had fifty cents. Of course I wasn't hungry and didn't care to eat.Expecting every moment to be kicked out in th' street.She said she'd fetch her family 'round some night, an' we'd have fun.When I gave th' man fifty cents, this is what he done:He tore my cloth'es, he smashed my nose, he hit me in th' jaw.He gave me a prize of a two black eyes and with' me swept th' floor.He took me where my pants hung loose and tossed me o'er th' fence.Take my advice, don't try it twice, if you've got but fifty cents!
From The Indies To The Andes In His Undies Words & Music BY: Larry Royal. Billy Faber.Ä Ernie Burnett (1935)
V i OOP
ifrfl J ^ llj J J 1 J J^=< E 0 M
V From the In - dies to the an - des in his un-dies
car - ried for a charm a kipp - ered herr-ing a And he to pro
r r r- r J- J J. J i J~3 T E r ^ i nev tect A7
er took him when
a shave the tro
ex - cept pic sun
QMM
on was giar - in
! •
And he And who
J« J J. J J. j = — - j = | j 1 fr fr J j l J»J .^~J ] I 1~ did-n't eat a thing but choc-'late sundaes ev-er met him thougTit he need-ed air-ing G û Û7 r
'Twos a ver-y ver-y dar ing thing to twos a ver-y ver-y dar ing thing to
% z u T ULLLl m P^PPP
do and he do Ot-to Zilch.
A7 11 011
he's a her-o of the a
QHIN 0,7
ges—
¡A j r p bJT^ g J J' J I í ZE
_ O t - t o Zilch. * D ^
He will sure-ly en-ter h i s - f r y ' s Pa - ges from the
I From The Indies To The Andes In His Undies
l V
' f f» J J 1 1 J« 5 s * - * ií
In-dies to the an-des what a mission Stopping on-ly now and then to do some
Ä7 Mí
QMIK
«n> I J ^ 1B J J. J j , j j , j i n y y p fish-in' And he went with out a cop - y right per - miss ion 'Twos a
V
J * J J * J J« J •*' * | f " T 1 24 ver y ver y dar ing thing to do