Employer's Guide to Bradford Goodwin

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    Copywriter Across DividesSeven years experience in advertising, PR, and social media marketing has taught me

    to write across divides to get results that make everyone pulse. I speak fluent German

    and have a lifelong passion for Berlin that once earned me a nomination for a Fulbright

    research grant to view street art through the eyes of Walter Benjamin.

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    Who I Am

    At 18, I made a one-page zine and passed it out at random on streetcorners. The many handwritten letters I

    received in response showed me that writing matters.

    Now a Europe-based copywriter and conceptioner, I am still answering those letters. And still striving to write

    the rainbow that makes people stop in their tracks and view the world in a new light.

    Relevant Work Experience

    COPYWRITER, TEXT & CONCEPTS, CORPORATE CREATIVE SERVICES, D. SWAROVSKI KG; WATTENS,

    AUSTRIA OCT 2007-PRESENT (SABBATICAL SINCE JANUARY 2013)

    I write for print, digital and online and serve on the editorial board for 1895 magazine(circulation: 30,000).

    ! Helped build Swarovskis social media profile from the ground up as writer for Facebook, Twitter,

    and Google+. Swarovskis Facebook page currently boasts more than 3,500,000 likes.

    ! Independent research, writing, and content management for Swarovski internal website

    ! Co-developed apps, including Swarovski Refract app

    ! Authored film spots, PR films, and training materials in English and German

    ! Devised campaign concepts, including Lovlots relaunch and naming of flagship products

    Education

    Master of Arts, Bowling Green State University, Bowling Green, OH German Studies, 2006

    Bachelor of Arts, University of Southern Mississippi, Hattiesburg, MS German/Russian (Minor: English), 1999

    Training

    Certificate, ADC Masters Seminar, Berlin Editorial & Stor ytelling, 2011

    Certificate, Werbe Akademie, WIFI Wien Werbekonzeption/Werbetext 1, 2009

    Diploma, WiFi, Salzburg Business German (Wirtschaftsdeutsch), 2006

    Additional

    Created and hosted radio show (Uncommon Threads) on Austrian station FREIRAD 105.9 (Jan 2010-Dec 2012)

    Nominated for Fulbright Research Grant, Bowling Green State University, 2006

    Outstanding written and spoken German

    References

    Steven Barthelme, Director, Center For Writers, Department of English, University of Southern Mississippi, 118

    College Drive, Box #5037, Hattiesburg, MS 39406-000, Tel.: +1-601-266-5211, E-Mail: [email protected]

    Kristina Notch, Strateg ic Operati ons Manager, D. Swarovski KG, 29 West 57th St., 11th Floor, New York, NY,

    10019, Tel.: +1-401-369-5390, E-Mail: [email protected]; Beana Bern Photography:

    http://beanabern.com!

    Bradford Goodwin

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    Copy

    ADVANCED CRYSTAL Leaflet for SWAROVSKI ELEMENTS

    Swarovskis 2012 rollout of a lead-free crystal formula was a sea change in

    the DNA of the brands core product. ADVANCED CRYSTAL raised a

    question: how to announce the upgrade without devaluing the brand for

    past buyers? My answer resulted in this leaflet, the core of the marketing

    campaign.

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    Copy

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    CREATE YOUR STYLE Magazine 2012, Sound Issue

    The 2012 issue of the annual magazine for DIY design with

    Swarovski Elements explores crystal's connection with music in

    general as well as its role in the contemporary scene.

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    Copy

    PearlsinBlue,bracelet

    Pearlsinblue

    ,longnecklac

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    INNOVATIONS | CREATE YOUR STYLE Magazine | 4140 | INNOVATIONS | CREATE YOUR STYLE Magazine

    LINE EXTENSION 16MM 5811

    in the new color Crystal Petrol Pearl

    This extension of the 16 mm Crystal

    Pearl line gets a glossy glam-up in thenew Petrol color. Its sleek, industrial

    chic fuses flawlessly with modern

    fashion, accessories, and jewelry.

    GRAPHI

    CPEND

    ANT6

    685

    Thisdynamiccrystalpendantmerges

    minimalistleaningswiththekindsof

    ornateorchestralflourishesonemight

    comeacrossinaDJremixofadisco-pop

    classic.Sharpandeffortlesslyseductive.

    HELIX

    PENDANT

    6020

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    FLAT BACK NO HF 2058

    New color/effect: Denim Blue and

    Crystal Antique Pink

    Shoegazing types will be mesmerized

    by these two gorgeous new effects for

    Flat Back No Hotfix and other crystal

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    universal like rock n roll itself.

    CLASSICSQU

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    intheXILIONHeartupgrade(seeabove)nowputsapoetictingeinourotherproductgroupsaswell.Becauseeverythinglooksmorebeautifulwhenviewedthroughrose-coloredglasses!

    EXTENSIONS SQUARE BEAD

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    RHOMBUSPENDANT6320Tradeinyourrectanglesforthehypnoticangularityofthisnewpendant,whichiscracklingwithparallelograms!Perfectforputtingpunctuationindanglingsparklingcreationsofeverypersuasion.

    Wildhearts,necklace

    Learn more

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    1895 Magazine

    I got quite a schooling in journalism over the six years that I served

    on the editorial board of Swarovskis employee magazine

    (circulation: 33,000). The work shown here is a small sample.

    Fashionology 31

    At first glance, the weedy William Goodman also known as Enhanced

    Mixture, for his tendency to mix paint with media ranging from varnish to

    acetone to bodily fluids appears to be little more than a dreamer with a

    milkshake moustache who just managed to doodle his way though high

    school. Gaze upon this 26-year-old a bit longer, however, and you may

    mistake him for a visionary, possibly because of the look in his eyes, which

    more often than not are saucer-wide with enthusiasm.

    Two of an un-kind

    Though he may lack an art degree, there

    is one thing Goodman has in abundance:

    energy. His nervous exuberance is

    echoed in his creations. Playful and

    radiant, Goodmans works burst with

    dichotomies of desolation and hope.

    Fellow Mississippian Ginger Williams,

    now collaborating with Goodman in Paris

    on a series of works inspired by their

    stay, shares her friends affinity for fashion

    and design. The arched eyebrows that

    frame her portraitists gaze, however,

    suggest that she takes his zest for the

    modern in slightly more measured doses.

    If the two are unaware of this dynamic,

    it is probably because they have both

    been busy struggling to meet deadlines

    on the requests for paintings that have

    flooded their websites since their

    participation in the touring exhibit

    Katrina Remembered: Six Mississippi

    Artists, which donates profits to artists

    affected by the 2005 storm.

    In the US, both artists are making

    formidable splashes. Goodman, for one,

    seems happy with this fact. One of his

    strengths is his ability to connect with

    clientele from the most diverse

    backgrounds without losing an ounce

    of charm. Along with Williams and ahandful of others, Goodman has helped

    re-establish the Fondren district as the

    cultural heart of his native Jackson. Not

    content to just paint for a living, he lives

    and breathes his art every single day as

    a full-time artist.

    Whether in homage or sabotage,

    Goodman, who tends more toward the

    tough talk of daily life than the refined

    speech of the runway, alludes to fa shion

    with every brushstroke. He finds his art

    most interesting, however, once he

    has passed it on to the viewer for

    interpretation. They see things I never

    intended, he says. I learn f rom them.

    In interpreting my work through their

    own experiences, they are making art

    out of my art, which is awe-inspiring.

    Williams, on the other hand, is fascinated

    by the interaction between a design

    and the human wearing it. The level

    of the models eyes or the curve of a

    shoulder becomes an integral part of

    the design itself, which is just an empty

    vessel. (A conclusion she reached

    while looking at early designs by Jean

    Paul Gautier hung on mannequins for

    display, Goodman adds). Look out for

    more from this duo in the near future. bg

    GINGERWILLIAMS, BROWNCOAT

    WILLIAMGOODMAN,AUTUMNDREAMS

    GINGERWILLIAMS ANDWILLIAMGOODMAN, STRIKE

    STYLE IS SUPERIOR TO FASHION. IT IS STIMULATEDBY FASHION AND TAKES ITS IDEAS FROM THERE,

    WITHOUT COMPLETELY TAKING THEM ON. NOBODY WITHA SENSE OF STYLE WOULD RADICALLY CHANGE THEIR WAY

    OF DRESSING JUST FOR THE SAKE OF FASHION. WHATDIFFERENTIATES STYLE FROM FASHION IS Q UALITY.GIORGIO ARMANI

    Fashionology 37

    Hats off to those who can tower above the rest without first donning headgear.

    On the other hand, what could be more dispiriting than a world of bare-headed

    saints? Historians differ on which came first, the hat or its wearer. In my own

    case, it is likely that without the occasional hat bucking its brim to slap me

    smack in my perceptive faculties, I would rarely notice people at all.

    A hat by any other name

    My passion for hats began in childhood,

    on Saturdays spent fishing with my

    grandfather on a pond behind his home

    in Dublin, Georgia. Fishing itself didnt

    interest me much, but Papa, as his

    grandchildren called him, always brought

    along a cooler packed with peanut-butter

    sandwiches and cans of orange soda

    pop. During our long hours on the water,

    I spent more time watching Papas hat

    bob in the breeze, in awe of the sheer

    existence of the man perched beneath

    it, than eagerly eyeing the sinker for the

    moment some big catfish would tug it

    hook-and-line beneath the waters surface,

    jerking Papa and me into a para llel

    universe of excitement and adventure as

    we battled the fish for its right to exist,

    independent of our evening meal.

    That war rarely required fighting and Papa

    died years ago, but my love for him lives

    on, in part, in my penchant for headwear.

    From him, I learned to see the hat not as

    a mere accessory to the crime of fashion,

    but as a multifaceted, functional extension

    of ones personality, a character piece

    that protects, projects and shelters,

    keeping as much in as it keeps out. A

    shoe, as it were, for humankinds most

    prized and perhaps most dangerous

    possession its thoughts.

    If the clothes make the person, then the

    hat, no doubt, makes the outfit. Hats are

    flatterers: when worn well, they not only

    bring out the best in a face, but also cast

    shadows that make onlookers quake

    withc uriosity. In an age of abundant

    information, hats offer an air of mystery

    and a shelter from the harsh rays of

    realism, which are known to accelerate

    the aging process and damage the spirit.

    Some things a sense of wonder and a

    flair for romance, for example are best

    kept under ones hat.

    Although they have not been worn

    universally since the 1920s, it is unlikely

    that hats will ever truly fall out of fashion.

    Whether worn for physical or mental

    hygiene, as a political statement, a formal

    accessory, a practical necessity, or for

    lack of a better idea, hats are the fine

    china on the spinning potters wheel

    of the human figure, changing forms,

    fashions and functions across eras

    as they adapt to the needs (and

    measurements) of the people who

    wear them.

    From tricorne, bicorne, chapeau claque,

    capotain or cowboy, to top, cok e, bowler,

    beaver, barett, or borsalino; from sombrero

    and sugar loaf to fez, fedora, panama,turban, tweed, trilby, or derby, only one

    thing is sure: a hat by any name is better

    than none at all. Bradford Goodwin

    The rush of power to the head is not as becoming as a new hat.

    Helen Van Slyke

    MY NEW SLOGAN IS: THE MOREYOU CONSUME, THE LESS YOU THINK.

    VIVIENNE WESTWOOD

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    Dazzling 41

    Jewels

    Danielle Steel

    A journey through five even tful decades,

    Jewe ls is the s tory of a fam ily whose lives

    are in terwoven in the fabr ic o f history.

    On the eve of her 75th b irthday, Sarah

    Whitf ield s tands atthe w indow of her

    cha teau in France, wa iting for her fam ily

    to join her. Her memories take her back

    to the 1930s in New York ,to her ear ly

    marriage and her subsequen t shame ful

    divorce.

    Dell, 2007

    ISBN: 9780440243977

    A F raction ofthe Whole

    Steve Toltz

    Martin Dean spen t his li fe analysing

    absolutely everything,from the benefits

    of suicide to the v irtues of strip c lubs , and

    passed on h is wisdom to h is son, Jasper.

    Once his father is dead, Jasper is ab le to

    look back at his life and rea lise that despite

    the psychological abuse,the ir time together

    was a great adventure .

    Spiegel& Grau, 2008

    ISBN: 9780385521734

    Freakonomics: A Rogue Economist

    Exploresthe Hidden Side of Everything

    Steven D. Levitt, Stephen J. Dubner

    Freakonomics are atthe heart of

    everything we see and do and the issues

    tha t worry us: from parenting , crime ,

    sport, politics, obesity, deception ,fear

    and even tra ff ic jams . Ask ing provocative

    and profound questions aboutthe way we

    live and the motives behind our ac tions ,

    Freakonomicslooks atthe world from

    an unusual ang le and reaches some

    astounding conclusions .

    Harper Collins, 2006

    ISBN: 9780061242700

    1. Pink F loyd s Sh ine On You Crazy D iamond is long enough

    to wrap around twice , and lovely enough to warrant repeated

    listens .

    2. TV on the Radio glimmer with 24-carat op timism in

    Golden Age.

    3. Frank Sina tra & An ton io Carlos Jobim have the world on

    a bossa-nova string in Baub les, Bang les & Beads.

    4. The Apples in S tereo remind us tha t our thoughts are the

    most precious jewe ls of all in the psychedelic Sh ine

    (In Your M ind) .

    5.A Carrotis as C lose as a Rabbit Comes to a D iamond, say

    Cap tain Beefheart & the Magic Band in an instrumen taltha t

    is as c lose as rock comes to perfec tion .

    6. The queen of Pau l Simon s heart has D iamonds on the Soles

    of Her Shoes or are they Swarovski crystals?

    7. The Zheng lu tists of A Jade Chain s trum the ir way to a p lace

    Above the C louds, where Chinese hakkamus ic

    re igns supreme.

    8. My Brightest Diamond mourn a lost love in I Had a Pear l.

    9. Aphex Twin cu t a stone to sparkli ng perfec tion in

    Yellow Calx.

    10 . The Hold Steady mine gems from double en tendres in

    Yeah Sapphire .

    11 .T. Rex reveal wha t J.R.R. Tolkien would have been like as a

    rock star in Jewe l.

    12 . When Maria Ca llas debuted in La Gioconda, her costume

    jewell ery was as s triking as her incredible talen t. Ac t II finds

    her reciting Il Rosar io.

    13 . Sergio A lvarez makes earr ings shimmer effortlessly in

    Los Aretes.

    14 . Sonny Charles & the Checkmates p ledge to give a B lack

    Pearl a chance to sh ine .

    15 . Isaac Hayes shaven head, sunglasses and love of gold

    jewell ery made an immed iate impression ,though brillian t

    ear ly recordings like Precious , Precioustook longer to

    ca tch on.

    16 . Mott the Hoople wan tto pry Momma s L itt le Jewelfrom

    the chest.

    17 . Br ian Eno invites us on an amb ien t romp Among Fields

    of Crystal.

    18 . Iron & W ine trade a beau ty queens crown to a White Tooth

    Man for a wad of already-spent cash.

    19 .Pearls on a Stringf inds Ryan Adams strung out on

    loves charms.

    20 . KRS-One expounds on the h idden sting o f ma ter ialism in

    B ling B lung .

    BOOKTIPS

    1895playlist:

    JEWELLERY

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    FANTASTIC FLOWERS Brochure and Catalog

    I wrote a series of haiku poems to accomany the visuals of the six

    limited-edition jewelry pieces that Andre Putman designed for SWAROVSKi

    CRYSTALLIZED in 2009 (two of which are shown here).

    Breeze-trembled

    Zinnias bright blossoms

    Scatter butterflies

    ZINNIA CUTCOLOUR: CRYSTAL SILVER SHADE

    ORCHID CUT

    Sunrise beheld

    In the blush

    Of an orchid's blossom

    COLOUR: CRYSTAL GOLDEN SHADOW

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    Concept

    1088 Chaton Naming

    I devised a name and conceot fior Swarovskis top-sell ing B2B product, which was

    launched in conjunction with the company founders centennial birthday.

    page 1

    1088: Naming

    Approach: Natural Science

    In keeping with Swarovski's technological expertise, SWAROVSKI

    ELEMENTS put serious scientific muscle into making the 1088. The

    accomplishment is akin to the discovery of a previously unknown chemical

    element or mineral substance: a technical breakthrough with all the allure of

    a magic trick.

    XILITE

    X=ILION The first letter indicates the cut's link to the

    XILION product family. The ending in '-ITE'

    (derivation from the Greek word for 'stone'frequently used to name minerals, e.g. adamite,

    gyrolite, hematite, etc.) gives it technical allure

    the cool elegance of a rare stone.

    Another bigbreakthrough for

    crystal's first family

    Fashion's pioneers do it again! Swarovski

    bridges the gap between science and the arts

    boldly going where no geologist has gone

    before.

    Between invention and

    discoveryPuts the spotlight on Swarovski's history as a

    company on the crossroads of creativity and

    technical mastery.

    Nature's jewel unearthed The Earth's palette of creative materials

    expands by a whole dimension the perfect

    platform for Advanced Crystal. In the same way,

    the "lite" suggests sustainability the leaving of

    a lighter footprint on our ecosystem. What could

    be more 'A.C.' than that?

    Massively marketable Think "Periodic Table of the SWAROVSKI

    ELEMENTS!" The potential for imaginative,

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    PRHeartschallenger Initiative

    IWhen the electropopgroup Heartsrevolution partnered with Swarovski for the launch

    of their first full-length album, I spearheaded the PR campaign.

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    Bra or oo win

    Honors

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    Sureas

    youre

    born!

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    My Family Tree

    Type to enter text

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