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7/28/2019 Employer's Guide to Bradford Goodwin
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7/28/2019 Employer's Guide to Bradford Goodwin
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Copywriter Across DividesSeven years experience in advertising, PR, and social media marketing has taught me
to write across divides to get results that make everyone pulse. I speak fluent German
and have a lifelong passion for Berlin that once earned me a nomination for a Fulbright
research grant to view street art through the eyes of Walter Benjamin.
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Who I Am
At 18, I made a one-page zine and passed it out at random on streetcorners. The many handwritten letters I
received in response showed me that writing matters.
Now a Europe-based copywriter and conceptioner, I am still answering those letters. And still striving to write
the rainbow that makes people stop in their tracks and view the world in a new light.
Relevant Work Experience
COPYWRITER, TEXT & CONCEPTS, CORPORATE CREATIVE SERVICES, D. SWAROVSKI KG; WATTENS,
AUSTRIA OCT 2007-PRESENT (SABBATICAL SINCE JANUARY 2013)
I write for print, digital and online and serve on the editorial board for 1895 magazine(circulation: 30,000).
! Helped build Swarovskis social media profile from the ground up as writer for Facebook, Twitter,
and Google+. Swarovskis Facebook page currently boasts more than 3,500,000 likes.
! Independent research, writing, and content management for Swarovski internal website
! Co-developed apps, including Swarovski Refract app
! Authored film spots, PR films, and training materials in English and German
! Devised campaign concepts, including Lovlots relaunch and naming of flagship products
Education
Master of Arts, Bowling Green State University, Bowling Green, OH German Studies, 2006
Bachelor of Arts, University of Southern Mississippi, Hattiesburg, MS German/Russian (Minor: English), 1999
Training
Certificate, ADC Masters Seminar, Berlin Editorial & Stor ytelling, 2011
Certificate, Werbe Akademie, WIFI Wien Werbekonzeption/Werbetext 1, 2009
Diploma, WiFi, Salzburg Business German (Wirtschaftsdeutsch), 2006
Additional
Created and hosted radio show (Uncommon Threads) on Austrian station FREIRAD 105.9 (Jan 2010-Dec 2012)
Nominated for Fulbright Research Grant, Bowling Green State University, 2006
Outstanding written and spoken German
References
Steven Barthelme, Director, Center For Writers, Department of English, University of Southern Mississippi, 118
College Drive, Box #5037, Hattiesburg, MS 39406-000, Tel.: +1-601-266-5211, E-Mail: [email protected]
Kristina Notch, Strateg ic Operati ons Manager, D. Swarovski KG, 29 West 57th St., 11th Floor, New York, NY,
10019, Tel.: +1-401-369-5390, E-Mail: [email protected]; Beana Bern Photography:
http://beanabern.com!
Bradford Goodwin
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Copy
ADVANCED CRYSTAL Leaflet for SWAROVSKI ELEMENTS
Swarovskis 2012 rollout of a lead-free crystal formula was a sea change in
the DNA of the brands core product. ADVANCED CRYSTAL raised a
question: how to announce the upgrade without devaluing the brand for
past buyers? My answer resulted in this leaflet, the core of the marketing
campaign.
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Copy
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Copy
CREATE YOUR STYLE Magazine 2012, Sound Issue
The 2012 issue of the annual magazine for DIY design with
Swarovski Elements explores crystal's connection with music in
general as well as its role in the contemporary scene.
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Copy
PearlsinBlue,bracelet
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INNOVATIONS | CREATE YOUR STYLE Magazine | 4140 | INNOVATIONS | CREATE YOUR STYLE Magazine
LINE EXTENSION 16MM 5811
in the new color Crystal Petrol Pearl
This extension of the 16 mm Crystal
Pearl line gets a glossy glam-up in thenew Petrol color. Its sleek, industrial
chic fuses flawlessly with modern
fashion, accessories, and jewelry.
GRAPHI
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Thisdynamiccrystalpendantmerges
minimalistleaningswiththekindsof
ornateorchestralflourishesonemight
comeacrossinaDJremixofadisco-pop
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FLAT BACK NO HF 2058
New color/effect: Denim Blue and
Crystal Antique Pink
Shoegazing types will be mesmerized
by these two gorgeous new effects for
Flat Back No Hotfix and other crystal
innovations. Their appeal, however, is
universal like rock n roll itself.
CLASSICSQU
AREFLATBAC
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NEWEFFECTANTIQUEPINKmostimportant:6040,6228,6656,6260,
6261,6262,6264Thesamevintagerosyshadethatsparkles
intheXILIONHeartupgrade(seeabove)nowputsapoetictingeinourotherproductgroupsaswell.Becauseeverythinglooksmorebeautifulwhenviewedthroughrose-coloredglasses!
EXTENSIONS SQUARE BEAD
DOUBLE HOLE 8X8MM 5180
These double-hole Square Bead exten-
sions thread together uniqueness and
versatility. The two holes mean more
creative options the rounded corners
mean magic plain and simple.
RHOMBUSPENDANT6320Tradeinyourrectanglesforthehypnoticangularityofthisnewpendant,whichiscracklingwithparallelograms!Perfectforputtingpunctuationindanglingsparklingcreationsofeverypersuasion.
Wildhearts,necklace
Learn more
about this years
innovations online
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Copy
1895 Magazine
I got quite a schooling in journalism over the six years that I served
on the editorial board of Swarovskis employee magazine
(circulation: 33,000). The work shown here is a small sample.
Fashionology 31
At first glance, the weedy William Goodman also known as Enhanced
Mixture, for his tendency to mix paint with media ranging from varnish to
acetone to bodily fluids appears to be little more than a dreamer with a
milkshake moustache who just managed to doodle his way though high
school. Gaze upon this 26-year-old a bit longer, however, and you may
mistake him for a visionary, possibly because of the look in his eyes, which
more often than not are saucer-wide with enthusiasm.
Two of an un-kind
Though he may lack an art degree, there
is one thing Goodman has in abundance:
energy. His nervous exuberance is
echoed in his creations. Playful and
radiant, Goodmans works burst with
dichotomies of desolation and hope.
Fellow Mississippian Ginger Williams,
now collaborating with Goodman in Paris
on a series of works inspired by their
stay, shares her friends affinity for fashion
and design. The arched eyebrows that
frame her portraitists gaze, however,
suggest that she takes his zest for the
modern in slightly more measured doses.
If the two are unaware of this dynamic,
it is probably because they have both
been busy struggling to meet deadlines
on the requests for paintings that have
flooded their websites since their
participation in the touring exhibit
Katrina Remembered: Six Mississippi
Artists, which donates profits to artists
affected by the 2005 storm.
In the US, both artists are making
formidable splashes. Goodman, for one,
seems happy with this fact. One of his
strengths is his ability to connect with
clientele from the most diverse
backgrounds without losing an ounce
of charm. Along with Williams and ahandful of others, Goodman has helped
re-establish the Fondren district as the
cultural heart of his native Jackson. Not
content to just paint for a living, he lives
and breathes his art every single day as
a full-time artist.
Whether in homage or sabotage,
Goodman, who tends more toward the
tough talk of daily life than the refined
speech of the runway, alludes to fa shion
with every brushstroke. He finds his art
most interesting, however, once he
has passed it on to the viewer for
interpretation. They see things I never
intended, he says. I learn f rom them.
In interpreting my work through their
own experiences, they are making art
out of my art, which is awe-inspiring.
Williams, on the other hand, is fascinated
by the interaction between a design
and the human wearing it. The level
of the models eyes or the curve of a
shoulder becomes an integral part of
the design itself, which is just an empty
vessel. (A conclusion she reached
while looking at early designs by Jean
Paul Gautier hung on mannequins for
display, Goodman adds). Look out for
more from this duo in the near future. bg
GINGERWILLIAMS, BROWNCOAT
WILLIAMGOODMAN,AUTUMNDREAMS
GINGERWILLIAMS ANDWILLIAMGOODMAN, STRIKE
STYLE IS SUPERIOR TO FASHION. IT IS STIMULATEDBY FASHION AND TAKES ITS IDEAS FROM THERE,
WITHOUT COMPLETELY TAKING THEM ON. NOBODY WITHA SENSE OF STYLE WOULD RADICALLY CHANGE THEIR WAY
OF DRESSING JUST FOR THE SAKE OF FASHION. WHATDIFFERENTIATES STYLE FROM FASHION IS Q UALITY.GIORGIO ARMANI
Fashionology 37
Hats off to those who can tower above the rest without first donning headgear.
On the other hand, what could be more dispiriting than a world of bare-headed
saints? Historians differ on which came first, the hat or its wearer. In my own
case, it is likely that without the occasional hat bucking its brim to slap me
smack in my perceptive faculties, I would rarely notice people at all.
A hat by any other name
My passion for hats began in childhood,
on Saturdays spent fishing with my
grandfather on a pond behind his home
in Dublin, Georgia. Fishing itself didnt
interest me much, but Papa, as his
grandchildren called him, always brought
along a cooler packed with peanut-butter
sandwiches and cans of orange soda
pop. During our long hours on the water,
I spent more time watching Papas hat
bob in the breeze, in awe of the sheer
existence of the man perched beneath
it, than eagerly eyeing the sinker for the
moment some big catfish would tug it
hook-and-line beneath the waters surface,
jerking Papa and me into a para llel
universe of excitement and adventure as
we battled the fish for its right to exist,
independent of our evening meal.
That war rarely required fighting and Papa
died years ago, but my love for him lives
on, in part, in my penchant for headwear.
From him, I learned to see the hat not as
a mere accessory to the crime of fashion,
but as a multifaceted, functional extension
of ones personality, a character piece
that protects, projects and shelters,
keeping as much in as it keeps out. A
shoe, as it were, for humankinds most
prized and perhaps most dangerous
possession its thoughts.
If the clothes make the person, then the
hat, no doubt, makes the outfit. Hats are
flatterers: when worn well, they not only
bring out the best in a face, but also cast
shadows that make onlookers quake
withc uriosity. In an age of abundant
information, hats offer an air of mystery
and a shelter from the harsh rays of
realism, which are known to accelerate
the aging process and damage the spirit.
Some things a sense of wonder and a
flair for romance, for example are best
kept under ones hat.
Although they have not been worn
universally since the 1920s, it is unlikely
that hats will ever truly fall out of fashion.
Whether worn for physical or mental
hygiene, as a political statement, a formal
accessory, a practical necessity, or for
lack of a better idea, hats are the fine
china on the spinning potters wheel
of the human figure, changing forms,
fashions and functions across eras
as they adapt to the needs (and
measurements) of the people who
wear them.
From tricorne, bicorne, chapeau claque,
capotain or cowboy, to top, cok e, bowler,
beaver, barett, or borsalino; from sombrero
and sugar loaf to fez, fedora, panama,turban, tweed, trilby, or derby, only one
thing is sure: a hat by any name is better
than none at all. Bradford Goodwin
The rush of power to the head is not as becoming as a new hat.
Helen Van Slyke
MY NEW SLOGAN IS: THE MOREYOU CONSUME, THE LESS YOU THINK.
VIVIENNE WESTWOOD
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Dazzling 41
Jewels
Danielle Steel
A journey through five even tful decades,
Jewe ls is the s tory of a fam ily whose lives
are in terwoven in the fabr ic o f history.
On the eve of her 75th b irthday, Sarah
Whitf ield s tands atthe w indow of her
cha teau in France, wa iting for her fam ily
to join her. Her memories take her back
to the 1930s in New York ,to her ear ly
marriage and her subsequen t shame ful
divorce.
Dell, 2007
ISBN: 9780440243977
A F raction ofthe Whole
Steve Toltz
Martin Dean spen t his li fe analysing
absolutely everything,from the benefits
of suicide to the v irtues of strip c lubs , and
passed on h is wisdom to h is son, Jasper.
Once his father is dead, Jasper is ab le to
look back at his life and rea lise that despite
the psychological abuse,the ir time together
was a great adventure .
Spiegel& Grau, 2008
ISBN: 9780385521734
Freakonomics: A Rogue Economist
Exploresthe Hidden Side of Everything
Steven D. Levitt, Stephen J. Dubner
Freakonomics are atthe heart of
everything we see and do and the issues
tha t worry us: from parenting , crime ,
sport, politics, obesity, deception ,fear
and even tra ff ic jams . Ask ing provocative
and profound questions aboutthe way we
live and the motives behind our ac tions ,
Freakonomicslooks atthe world from
an unusual ang le and reaches some
astounding conclusions .
Harper Collins, 2006
ISBN: 9780061242700
1. Pink F loyd s Sh ine On You Crazy D iamond is long enough
to wrap around twice , and lovely enough to warrant repeated
listens .
2. TV on the Radio glimmer with 24-carat op timism in
Golden Age.
3. Frank Sina tra & An ton io Carlos Jobim have the world on
a bossa-nova string in Baub les, Bang les & Beads.
4. The Apples in S tereo remind us tha t our thoughts are the
most precious jewe ls of all in the psychedelic Sh ine
(In Your M ind) .
5.A Carrotis as C lose as a Rabbit Comes to a D iamond, say
Cap tain Beefheart & the Magic Band in an instrumen taltha t
is as c lose as rock comes to perfec tion .
6. The queen of Pau l Simon s heart has D iamonds on the Soles
of Her Shoes or are they Swarovski crystals?
7. The Zheng lu tists of A Jade Chain s trum the ir way to a p lace
Above the C louds, where Chinese hakkamus ic
re igns supreme.
8. My Brightest Diamond mourn a lost love in I Had a Pear l.
9. Aphex Twin cu t a stone to sparkli ng perfec tion in
Yellow Calx.
10 . The Hold Steady mine gems from double en tendres in
Yeah Sapphire .
11 .T. Rex reveal wha t J.R.R. Tolkien would have been like as a
rock star in Jewe l.
12 . When Maria Ca llas debuted in La Gioconda, her costume
jewell ery was as s triking as her incredible talen t. Ac t II finds
her reciting Il Rosar io.
13 . Sergio A lvarez makes earr ings shimmer effortlessly in
Los Aretes.
14 . Sonny Charles & the Checkmates p ledge to give a B lack
Pearl a chance to sh ine .
15 . Isaac Hayes shaven head, sunglasses and love of gold
jewell ery made an immed iate impression ,though brillian t
ear ly recordings like Precious , Precioustook longer to
ca tch on.
16 . Mott the Hoople wan tto pry Momma s L itt le Jewelfrom
the chest.
17 . Br ian Eno invites us on an amb ien t romp Among Fields
of Crystal.
18 . Iron & W ine trade a beau ty queens crown to a White Tooth
Man for a wad of already-spent cash.
19 .Pearls on a Stringf inds Ryan Adams strung out on
loves charms.
20 . KRS-One expounds on the h idden sting o f ma ter ialism in
B ling B lung .
BOOKTIPS
1895playlist:
JEWELLERY
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FANTASTIC FLOWERS Brochure and Catalog
I wrote a series of haiku poems to accomany the visuals of the six
limited-edition jewelry pieces that Andre Putman designed for SWAROVSKi
CRYSTALLIZED in 2009 (two of which are shown here).
Breeze-trembled
Zinnias bright blossoms
Scatter butterflies
ZINNIA CUTCOLOUR: CRYSTAL SILVER SHADE
ORCHID CUT
Sunrise beheld
In the blush
Of an orchid's blossom
COLOUR: CRYSTAL GOLDEN SHADOW
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Concept
1088 Chaton Naming
I devised a name and conceot fior Swarovskis top-sell ing B2B product, which was
launched in conjunction with the company founders centennial birthday.
page 1
1088: Naming
Approach: Natural Science
In keeping with Swarovski's technological expertise, SWAROVSKI
ELEMENTS put serious scientific muscle into making the 1088. The
accomplishment is akin to the discovery of a previously unknown chemical
element or mineral substance: a technical breakthrough with all the allure of
a magic trick.
XILITE
X=ILION The first letter indicates the cut's link to the
XILION product family. The ending in '-ITE'
(derivation from the Greek word for 'stone'frequently used to name minerals, e.g. adamite,
gyrolite, hematite, etc.) gives it technical allure
the cool elegance of a rare stone.
Another bigbreakthrough for
crystal's first family
Fashion's pioneers do it again! Swarovski
bridges the gap between science and the arts
boldly going where no geologist has gone
before.
Between invention and
discoveryPuts the spotlight on Swarovski's history as a
company on the crossroads of creativity and
technical mastery.
Nature's jewel unearthed The Earth's palette of creative materials
expands by a whole dimension the perfect
platform for Advanced Crystal. In the same way,
the "lite" suggests sustainability the leaving of
a lighter footprint on our ecosystem. What could
be more 'A.C.' than that?
Massively marketable Think "Periodic Table of the SWAROVSKI
ELEMENTS!" The potential for imaginative,
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PRHeartschallenger Initiative
IWhen the electropopgroup Heartsrevolution partnered with Swarovski for the launch
of their first full-length album, I spearheaded the PR campaign.
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Bra or oo win
Honors
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Sureas
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My Family Tree
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