KAPELKONKURRENCE

Det Kongelige Kapel

1. SOLOPAUKIST

1./2. maj 2019

Audition Program 1st round:

• Søren Monrad: Test for Timpanists (Can be purchased at: www.editionsvitzer.com) 2nd round: Etude:

• Hans-Jörg Bayer Etüde Nr. 5 Orchestral excerpts:

• Richard Strauss: Der Rosenkavalier, Schneller Walzer. WITH PIANO

• Béla Bartók: Concerto for Orchestra from IV movement, Intermezzo interrotto. WITH PIANO

• Béla Bartok: Musik für Saiteninstrumente, Schlagzeug und Celesta. From II movement

• Dimitri Schostakowitsch: Symphonie Nr. 1: from IV movement, adagio

• Gustav Mahler: Symphonie Nr. 5. From I movement, Trauermarsch

• Carl Nielsen: Symphonie Nr. 4. From III Movement, Poco adagio quasi andante

• Wolfgang A. Mozart: Die Zauberflöte. Marsch from II act Finale No. 21. To be played on small Dresdner crank timpanies. WITH PIANO

• Richard Strauss: Elektra. Etwas breit und wuchtig. Combined part for 1. and 2. timpani. WITH PIANO

• Peter I. Tschaikowsky: Symphonie Nr. 4. I movement, ben sostenuto il tempo precedente

• Richard Wagner: Die Walküre. 2. act. 4. scene. WITH PIANO

• Richard Wagner: Lohengrin. 3rd act, 2. scene, Langsam

• Ludwig van Beethoven: Symphonie Nr. 1. III movement, Allegro molto e vivace. To be played on small Dres-

dner crank Timpani.

• Ludwig van Beethoven: Symohonie Nr. 5. III and IV movement, Allegro.

• Leos Janacek: Glagolitic Mass, Intrada. WITH PIANO

• Richard Wagner: Götterdämmerung. Trauermarsch. Combined part for 1. and 2. timpani.

• Frank Martin: Concerto pour 7 instruments. III Movement.

• Giacomo Puccini: Turandot. End of 1. act, andante lento sostenuto.

• Richard Strauss: Der Rosenkavalier, 2. Act, molto allegro

3rd round with orchestra:

• Johannes Brahms: Symphonie Nr. 1. I moment beginning + IV movement end.

• Wolfgang A. Mozart: Die Zauberflöte. Ouverture. To be played on small Dresdner crank Timpani.

• Jean Sibelius: Symphony no. 1. I movement. from letter T to end of I movement. III movement. Beginning to 10th bar of letter E. IV movement. 7 bars before letter Y to the end.

• Igor Stravinsky: Le Sacre du Printemps. From rehearsal number 186 to the end.

The two pairs of Timpani used for the audition are: 2 small Dresdner Apparatebau crank/machine timpani with Kalfo Heads. These drums should be used in the excerpts from Zauberflöte and Beethoven symphony no. 1. 4 Dresdner Apparatebau timpani. All with dresdner style pedals and fine tuners at opposite site of the drum. Kalfo heads. All of the timpani are recently restored by John Kapenekas and all pedals moves very light and free. For any questions please write to jeju@kglteater.dk