Deliberating the 2010 Olympic Protests Online: Self-organizing Social Actors Creating Knowledge within Mediated Networks

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    Deliberating the 2010 Olympic Protests Online:

    Self-organizing Social Actors Creating Knowledge within Mediated Networks

    Gary Shilling

    April 26, 2009

    Word count: 5916

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    Deliberating the 2010 Olympic Protests Online Gary Shilling 2

    Deliberating the 2010 Olympic Protests Online:

    Self-organising Social Actors Creating Knowledge within Mediated Networks

    Abstract: This paper explores how deliberative democracy is practiced on the

    Internet by studying online discourse centred on the protests of the 2010 Olympics in

    Vancouver utilizing case study method and critical discourse analysis. Since the

    evolution of the Olympic games into the modern era, the event has been an arena for

    political and diplomatic struggle. The tensions of staging the Olympics within an urban

    centre such as Vancouver were exhibited in the demonstrations and protests and

    deliberated online by media and individuals alike. This research sought to measure the

    hegemony of a global event such as the Olympics and determine the effectiveness of the

    Internet in facilitating deliberative self-organising social actors towards creating

    knowledge that serves the public good.

    Keywords: 2010 Olympics, public protest, deliberative democracy, Internet

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    Knowledge is essentially a public good, but in the global information free market there is

    an antagonism between the creation of social capital and the commodification of

    information and knowledge. The goal of the exploration herein was to understand how

    the colliding forces of competition and cooperation are socially shaped and

    technologically mediated in digital space by engaging in a case study that monitored

    online stories around the 2010 Olympic protests in Vancouver, examining the origins

    and sharing of these stories, and investigating the dialectic that emerged.

    This study was guided by the understanding that participation is an essential

    element of democracy, where participation in the political requires communication as it

    is premised on the articulation, expression or contestation of positions (Siapera, 2007,

    p.154). Within this construct of society, critical theory provides an appropriate

    framework for examining the power dynamic between capitalism and democracy on the

    Internet. It addresses issues in terms of resource distribution and social struggles

    viewing reality in terms of ownership, private property, power, resource control,

    exploitation, and domination (Fuchs, 2009).

    Underlying these themes, it is understood that social phenomena do not have linear

    causes and effects, but are contradictory, open, dynamic, and conceived of in complex

    forms (Fuchs, 2009). Critical theory, and by extension critical discourse analysis, is

    interested in what society could become, and this inquiry studies the potential for the

    Internet to foster positive social change. Within dominant critical theory, the Frankfurt

    School sees the increasing corporate control of media reflected in the global convergence

    of media industry and technology as an impediment to change, and emancipation

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    through enlightenment. Although the Internet is potentially a break from this

    oligarchical trend, corporate colonization of cyberspace can be seen to limit the

    Internet's democratic potential. This research sought to assess the hegemony of a global

    event such as the Olympics and determine the effectiveness of the Internet in facilitating

    deliberative self-organizing social actors towards creating knowledge that challenge

    dominant texts. A reductionist approach was taken to minimize the complexity of

    online postings, with this analysis focused on a selection of mainstream media and

    counter-pubic texts relating to the protests that took place in Vancouver during the 2010

    Olympics.

    Literature Review

    Within what can be termed community computing is the creation of a vast network

    of decentralised power for moving and sharing data breaking codes of behaviour that

    is systematically imposed by mass media (Herman & Chomsky, 1988). The propaganda

    model of media industrialists perpetuates the idea that sharing is criminal; while

    individuals engaged in a collaborative gift economy include the results of social

    interactions with other people their personal reasoning. Whether motivated by altruism

    or reciprocity, sharing behaviour brings positive outcomes for the individual sharing

    and the public commons. Unlike traditional mass media audiences, Internet consumers

    are also producers engaging in creative, communicative, community-building content

    production. This collaborative way of working resonates with Thoreaus vision of

    humanity, where participation by everyone is progress toward a true respect for the

    individual (Thoreau, 1849).

    Globalization and the Olympics

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    Since the evolution of the Olympic games into the modern era, the event has been an

    arena for political and diplomatic struggle. The 1896 Summer Olympics in Athens,

    Greece represented the onset of the New Olympic Era, as documented in photographs of

    the opening ceremonies, the celebrity of the athletes, and the excitement among the

    fourteen nations and 241 participants. Colonialism was challenged as athletes

    participating under the banners of France, England, and (Austria-)Hungary struggled to

    be identified as representatives of nationalities not on the programme (Trbic, 2008).

    Fast-forward to the 1936 Summer Olympics in Berlinthe stage was set for the

    glorification of the newubermench (superman)and a new totalitarianism was

    paraded on the world stage (Trbic, 2008):

    Nazism was visual, and physical theatre, everything from the massive wooden eagle

    at Nuremberg, the gleaming limestone and the polished surfaces, to the rock star

    features of its great Charismatic, and the pageantry and cathedrals of light. The 1936

    Olympics were fully in this tradition, a great Nazis set piece arising out of the

    gullibility of the International Olympic Committee (O'Shaughnessy, 2009, p. 68).

    News media became entrenched in the presentation of the games with Leni Riefenstahl's

    documentaryOlympia (1938), a mainstay in propaganda filmmaking. Exploring the

    Nazi ideal of the perfect human body, the film conforms to the ideals that led Hitler's

    party towards establishing a society based on racial unity, violence, and discrimination"

    (O'Shaughnessy, 2009, p. 83).

    In analyzing the protest activities at the 2000 Olympics in Sydney, Neilson (2002)

    described the activities of the protestors as "unAustralian". His usage of the term was

    meant as positive. Neilson viewed the protest action as a "performance of citizenship

    that exceeds national boundaries" (p. 23). He used the term as a counterpoint to the

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    nationalistic populism embodied in the "most incessant celebration of national sports

    culture". Riggs, Eastman, and Golobic (1993) direct our attention to Espy and his

    hypothesis that it is the "essential neutrality" of sport that is the key ingredient for

    making it a foreign policy tool. The attention, the passion, and the controversy make the

    sports spectacle a suitable instrument for nationalistic focus. The Olympics "involve a

    basic tension between the impulses towards nationalism and globalism, and it is never

    obvious which will dominate" (Wilson cited in Neilson, 2002, p.17).

    The Public Good

    Critical theory aims at the establishment of a cooperative, participatory society and

    asks basic moral questions of justice, equity and the public good (Murdock & Golding

    as cited in Fuchs, 2009, p. 71). The different branches of Marxist media and cultural

    theory are united in their focus on critique and the negation of capitalism and

    domination. By speaking through the media, and standardizing the public conversation,

    national media reach every individual in their home creating an isolated virtual mob

    with no actual power to do anything (p. 102). The result is a worker transformed into

    consumer. And so, instead of co-operating and creating value for our communities, we

    compete to help corporations extract value from our communities (p. 182). The Internet

    challenges this power dynamic created by the oligarchs of media by facilitating massive

    collaboration with the net result being not only a counter-hegemonic move but a

    serious, hard-to-stop mass captivity (Hughes & Lang K.R., 2003, p. 169). Within this

    dynamic association of community members, there is an a sense of interactive problem

    solving, evolving and a building of the collective (Lowey, 1991). Just as production and

    the creation of cultural artefacts underwent a transformation from pastoral hand-made

    crafts to mass-produced commodities during the Industrial Revolution, the Information

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    Economy shifts the values of production again, where anyone with a computer can

    produce media that rivals those created by media industrialists.

    Open Systems

    Unlike radio and TV before it, the Internet allows us to hold on to the images and

    sounds that we viewmodify, augment, and share them. Like its predecessors, the

    Internet serves as a promoter, a catalyst of cultural formation that provides a cost-

    effective way to reach an audience/collaborators, no matter how small a niche that may

    be. What joined the first generation of personal computer users was a relationship with

    the computer and a shared aesthetic for transparent understanding (Turkle, 1984). The

    Internet extended this understanding beyond the personal realm and into the connected

    intelligence of a network where "[p]ersonal computers became symbols of hope for a

    new populism in which citizens would band together to run information resources and

    local government" (p.172).

    Open systems of collaborative and peer production challenge the capitalist approach,

    resulting in a collision between commodified and non-commodified Internet economies.

    As Fuchs (2009) notes: "New media do carry a certain potential for advancing

    grassroots socialism, but this potential is antagonistically entangled in the dominant

    structures and it is unclear if the capitalist integument can be stripped away" (Fuchs,

    2009, p.82). This study looks to determine if new forms of social engagement can

    reverse the erosion of social capital and participation noted by Putnam (2000). Closely

    related to civic virtue, social capitalists posit that participation is most powerful "when

    embedded in a dense network of reciprocal social relations" (p. 3). As such, the Internet

    may be the perfect storm for reviving democracy.

    Radical Democracy

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    Radical democracy comes in three flavours: deliberative, agnostic, and autonomist;

    with deliberative being the most popular. As advocated by Habermas, it centres on the

    concept that problems can be resolved through rational argument. "Political community

    is therefore based on communicative reason (Dahlberg & Siapera, 2007, p.8), where

    deliberation through clear communicative channels ensures free and equal

    participation.

    As critical theory proponents, Adorno and Habermas agree that late capitalist

    societies, characterized by a form of objectivity (from Luks) shapes our interaction

    with the environment in a negative way (Cook, 2004). While Adorno denounces the

    effects of economic systems of commodity exchange, Habermas sees the economic and

    political system rationality as ensuring material reproduction of society. For Habermas,

    problems begin when functionalist rationality extends "into areas of action that resist

    being converted over to the media of money and power because they are specialised in

    cultural transmission" (Habermas, 1987, p.330).

    Mainstream deliberative arenas can still leave the most powerless marginalized, with

    counter-publics providing a means for alternative voices to deliberate, articulate, and

    activate resources to contest dominant discourses. "The result is a radicalized public

    sphere conception, radicalized in relation to the deliberative model in that it extends

    public sphere theory to include politics associated with voices excluded from

    mainstream public spheres" (Dahlberg, 2007, p. 142), providing a place for voices that

    may be deemed outside of what is legitimate deliberation. As Marus explains,

    "Capitalist society is a union of contradictions. It gets freedom through exploitation,

    wealth through impoverishment, advances in production through restriction of

    consumption. The very structure of capitalism is a dialectical one: every form and

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    institution of the economic process begets its determinate negation, and the crisis is the

    extreme form in which the contradictions are expressed" (Marus cited in Fuchs, 2008,

    p.23).

    In Athenian democracy, the exercise of citizenship was central to life in society, and

    politics was a preoccupation shared by all. Within their concept of direct democracy, the

    practiced principal is that no one is more capable of making judgements in a person's

    interest than the person themselves (Grossman, 1995, p.35). The notion of self-

    organising democracy is close to Barber's definition of a 'strong democracy' (Fuchs,

    2008), "where citizens are engaged at the local and national levels in a variety of

    political activities and regard discourse, debate and deliberation as essential conditions

    for reaching common ground and arbitrating differences between people in a large

    multi-cultural society. In a strong democracy, citizens actually participate in governing

    themselves, if not in all matters, all of the time, at least in some matters at least some of

    the time (p. 231). Modern representative democracy adds layers between the governor

    and the governed and weakens the connection between the two.

    Method

    This research on the potential for deliberative democracy on the Internet combined

    the case study method with critical discourse analysis to examine online texts posted

    during the 2010 Winter Olympic protests. What case study does best is study process,

    and that process is the heart of an explanatory method (Stoecker, 1991). As Yin (1994)

    suggests, the more one seeks to explain the "how" or "why" of a social phenomenon, the

    more case study method will be relevant. These forms of study are not easily separated

    from the social context in which they occur, with the suitability of a case study grounded

    in the bounded nature of case study, and the flexibility in choosing the data to be

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    gathered (Cutler, 2004). This study used qualitative analysis to understand how

    messages and conversations that took place on the Internet shaped our understanding

    of the Olympics event, public protest, and their social implications.

    Critical Discourse Analysis (CDA) rejects the possibility of a "value-free" science, and

    sees discourse as part of social structure, produced in social interaction. With a focus on

    social problems and political issues, it is by necessity multidisciplinary, exposing "the

    ways discourse structures enact, confirm, legitimate, reproduce, or challenge relations of

    power and dominance in society" (Van Dijk, 2001, p. 353). Society by its very nature is

    characteristically discursiveour knowledge of the world (and its truths) is primarily

    derived from discourse. Meaning making depends not only on what is explicit within the

    text, but what is implicit. This is partly a matter of understanding, partly a matter of

    judgement and evaluation, partly our relationship to an event.

    A central concept in most critical work on discourse analysis is power dynamics, and

    more specifically, the social power of groups or institutions within society and politics

    (van Dijk, 2001). Fairclough (1992) describes the CDA method as a combination of

    'micro-analysis' and 'macro-analysis', with the former concerned with the explication of

    how participants produce and interpret texts on the basis of their members' resources.

    In their interrelationship, the dimension of discursive practice mediates the relationship

    between the dimensions of social practice and text, wherein "it is the nature of social

    practice that determines the macro-processes of discursive practice, and it is the micro-

    processes that shape the text" (p. 86). Fairclough (1992) creates a three-dimensional

    social-theoretical sense of discourse, seeing any discursive event "as being

    simultaneously a piece of text, and instance of discursive practice, and an instance of

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    social practice" (p. 4). This research strategy is based on interpretation and

    understanding, combining ontological and epistemological elements.

    Discourses within media propagate texts, images and graphics that promote biased

    models of persuasion. These discourses include representations of how things are, and

    have been, as well as imaginariesrepresentations of how things might or could or

    should be (Fairclough, 2005). According to Habermas, Only through their controversial

    presentation in the media do such topics reach the larger public and subsequently gain a

    place on the public agenda. (Habermas, 1996, p.381). The media are both sites of and

    stakes in class struggle (Fairclough, 1992) their power undeniable.

    Analysis and Discussion

    Habermas conceptualized the public sphere as a singular shared space where

    members of that public could contribute to issues of concern. Recognizing the single

    public sphere as a physical impossibility, Habermas evolved this idea to reframe the

    public sphere as a network of communication for deliberation (Simone, 2008). The

    World Wide Web as a public sphere is a place for connected knowledge, and as such, is

    messy. Sir Tim Berners-Lee, the inventor of the World Wide Web designed it as a

    permission-free zone" (Weinberger, 2007, p. 189). The Web has no central registry, no

    approval process, and no hierarchy. Anyone can post anything they want; and link to

    pages, images, graphics, or texts. Within the open communities of the web, physical

    displacement and collaborative production necessitate "Connected Knowledge". This

    type of intelligence exists within interaction: Knowledge that is grown through

    connections between individuals and inference (Downes, 2005).

    The industrial revolution produced the steam-powered printing machinery of the

    1830s and gave rise to commercial media in the form of the "penny press", altering the

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    landscape of how politics were conducted thereafter. The result was the invention of the

    idea of "news" (Grossman, 1995) and the attaching of financial gain to its distribution.

    The telegraph wire services in the 1840s accelerated this trend and began a process of

    decentralizing reportage and local input. In the modern era, newspapers grew more

    corporate, and became business properties of press barons, treating news as a

    commodity.

    While globalization means many things to many people, anti-globalization protesters

    rally primarily against the neo-liberal international institutions that have been created

    to regulate the globalization process; organizations such as the World Trade

    Organisation (WTO) and the International Monetary Fund (IMF). In the international

    world of sports, the Olympics regulate the globalization of sport as the ultimate

    transformative spectacle, and the stage at which the commodity has succeeded in

    totally colonising social life" (Debord, 1977, para. 42). For Zizek (2008), globalism is the

    new racism, where commodities travel freely but people do not. The result is a

    segregation of economic order between those with economic prosperity and those

    without.

    Protestors at the Vancouver 2010 Winter Olympics focussed on four issues of

    disenfranchisement: The marginalization of the homeless in the city; the impact of the

    Games on First Nations land without treaty; the appropriation of arts funding in the

    province of British Columbia; and the hegemonic practices of the corporate sponsors of

    the event. The impact of the Games on personal freedom began in July of 2009, when it

    was announced that the Olympic Security Officials were creating free speech areas for

    the Olympics (2010 Olympic security plans, 2009). And although the head of security

    later claimed that protesters would not be required to use these spaces, the authority of

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    the Games accelerated with the installation of 900 closed-circuit cameras, the legalized

    arrests of homeless people citing that it was for their safety, a patrol force of more than

    4,500 Canadian soldiers, and an additional 15,500 private security guards (Dvorak,

    2010).

    In January 0f 2010, the City of Vancouver spent $50,000 (Bader, 2010) and

    published The 2010 Vancouver Residents Guide, explaining the magnitude of impact

    of the games and how every resident will play a part in its success in some way (City of

    Vancouver, 2010, p.1). Central to the theme was a list of 10 ways to be a good host.

    Highlights included: Learn your venues, Be patient on public transit, Show off your

    language skills, Share your love of the city, and enjoy yourself (p. 1). The mandated

    nature of behaviour modification clearly dictated the responsibilities of all citizens for

    welcoming the world.

    The Olympics kick-off was a countrywide torch relay funded in part by $25 million

    dollars from the Government of Canada (Feds to give $25M, 2010), and supplemented

    by sponsorship money from Coca Cola Ltd., and Royal Bank of Canada. On February

    12th, 2010, the torch relay was stopped on Commercial Drive in Vancouver, where

    marchers chanted No Olympics on Stolen Native Land and the torchbearer was

    ushered away under police protection (Olympic Torch Blocked by Protestors, 2010).

    Protestors in the Downtown East Side (DTES) came with their families and marched

    peacefully (Anti Olympic 2010 Protest, 2010). On day three of the Olympics, February

    13th, 2010, a protest organized by the Black Bloc sought to block access to the opening

    day of the games. Black Bloc is described as a tactic for protest rather than a formal

    group wherein the common goals are to provide solidarity in the face of a repressive

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    police state and to convey an anarchist critique of whatever is being protested that day

    (Blackbloc faq, 2007).

    The Anti-Olympics protest tactics scrutinized story on local independent

    publisher The Georgia Straights website quotes Mark Leler, director of SFUs Centre for

    Labour Studies at Simon Fraser University, and his evaluation of the protest as more in

    the way of disturbance than it was violence directed against people (Pablo, 2010, para.

    3). Leler sees the protest as setting the stage for a dialogue between what is respectable

    protestors and disruptive ones. Habermas believes that only through their

    controversial presentation in the media do such topics reach the larger public and

    subsequently gain a place on the public agenda (Habermas, 1996, p.381). As such,

    discerning the line between violence and vandalism frames the discourse that follows.

    Leler probes into the dialectic of anarchy versus anarchism. Anarchy tends to mean

    lawlessness, no order, Leler explains. Anarchism, though, is a political ideology that

    says people do not need an authoritarian state to live in harmony. Anarchists do not say

    that the world should simply be chaotic. What they say is that human beings can

    actually live together without force (para. 8). In the final paragraph of the reporters

    text, Leler describes the field of action defining social practice, as such: the anarchist

    ideal is a time when peoplenot their leadersdecide for themselves what form of

    action they need to fight for their interests (para. 14). And with that, reader comments

    on the story begin.

    The media produce the text that initiates the discourse. As Fraser notes, "mediapublicity serves to determine what things become political, and hence, worthy of state

    and/or public action" (Simone, 2008, p.12), whereas Habermas argues that legitimizing

    norms in the context of pluralism can only occur through the process of rational

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    argumentation (Barney, 2007). The media text and dialogue that follows is a

    heterogeneous intertextual chain of reciprocal posts engaged in asynchronous discourse

    combining the two approaches.

    Mainstream media present a commoditized perspective of the events.The Wall

    Street Journal story on the protests opens with, Anti-Olympic protests turned violent

    here Saturday, as demonstrators smashed windows, overturned newspaper boxes and

    spray painted buildings and cars downtown (Dvorak, 2010, para. 1), equating the

    destruction of property with violence. InTheGlobe and Mail, the black bloc protestors

    are described as thugs from central Canada (Matas, para. 2, 2010).The Globe and

    Mail andThe Wall Street Journal are the leading business newspapers in Canada and

    the United States respectively and as such are aligned with the priorities of property as

    tenets of capitalism, commodities, and consumerism.

    Marx, in his analysis of the commodity, asserts the damage that capitalism has

    caused to human life. He argued: "No sooner does a sensuous object emerge as a

    commodity than it changes into a thing which transcends sensuousness" (Cook, 2004,

    p. 39). Commodities become animated, while human life becomes passively subjective.

    Marx's concept of "commodity fetishism" is grounded in this inversion of values, where

    capitalist society "personifies things and reifies people" (p. 39). Since the introduction of

    television in 1952 the Olympic performance and pageantry has been reduced to a fervent

    spectacle to fit the medium's niche, while facilitating "nationalistic internationalism" .

    Within the spectacle of the Olympics, national pride gets confused with the commodity

    fetishism of collecting medals. Canadas own the podium initiative, places winning as

    the primary objective of involvement, as stated in the number one goal: Place first in

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    the total medal count at the 2010 Olympic Winter Games

    (http://ownthepodium2010.com/about).

    The competition for international domination in medals creates a complex

    relationship between the Olympics, national pride, and public protest. Medal tallies

    become symbolic of national success and superiority (Riggs, Eastman, & Golobic, 1993).

    When the Canadian Press distributed a story entitled Caped Canadians surprise

    world with national pride rarely seen (Keller, 2010), news outlets throughout

    Canada carried the story. The superhero hooliganism of fandom was interpreted as

    national pride, with the reporter recounting the scene, where one cry prompts another,

    sparking a chain reaction of hooting and hollering that rises above fans draped in flags,

    with hockey jerseys on their backs and maple leaves temporarily tattooed on their faces

    (para. 2). The dialectic between hooting sport fans and hooded thugs of protest

    plays out in the comments on the online news sites. Threads of conversion spiralled as

    the dialogue focussed on publicly unmasking the cowards as a form of justice. The

    scale of the violence is lost to the denouncement of the Other.

    Zizek (2008) believes that the tolerant liberal attitude that prevails today is to

    oppose all violence, with the notion of objective violence taking on a new shape with

    capitalism. He posits that there is a false sense of urgency in left-liberal humanitarian

    discourse on violence and that this urgency is accompanied by a fundamentally anti-

    theoretical edge. He proposes that when we find ourselves bombarded with mediatic

    images of violence, we must learn what causes this violence. "What kind of universe is it

    that we inhabit, which can celebrate itself as a society of choice, but in which the only

    option available to enforced democratic consensus is blind acting out?"(p. 64). Within

    this construct, opposition to the system can only take the shape of anarchistic outburst,

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    where the only choice is playing by the rules or self-destructive violence. For two

    members of The Raised Fist Collective who participated in the Heart Attack protest

    rally, their purpose is clear: To give capitalism a heart attack, you know, clog the

    arteries (Stimulator, 2010).

    Tactical Media producer, protest supporter, and counter-public domain,

    Submedia.tv, documented the activities the mother-fuckin resistance and its effect on

    the sub-class in the video series Its the end of the world as we know it and I feel

    fine. For a resistors view of the Olympic Games,The 5 Cock Rings Died Episode

    (Stimulator, 2010), is required viewing. In this episode, the documentation of protest

    activities is animated by independent media producers and mashed up on Submedia.tv.

    As The Stimulator (our host) points out, You break a few windows and corporate boot

    lickers from the ass crunching corporate media start paying attention (Stimulator,

    2010). Profanity peppers The Stimulators dialogue, as he willingly alienates those that

    are offended by his language.

    Johan Galtung defines violence as "the cause of the difference between the potential

    and the actual, between what could have been and what is" (Fuchs, 2008, p.247). Using

    this definition, one can draw that political systems of modern society institutionalize

    violence in their control of certain groups against the will of others. Even in

    representative democracy this may entail controlling the majority through a minority

    group. For Zizek (2008), it is not the masked protesters that are the perpetrators of

    criminal violence; it is the violence masked within capitalism is the real offender. The

    "mad self-enhancing circulation of capital" (p. 10), and its pursuit of profitability is

    indifferent towards the affects on social reality. As he describes it, the violence of

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    capitalism is no longer attributable to individuals, but becomes "purely 'objective'"(p. 11)

    in its systemic and anonymous movement.

    ConclusionThe idea of using media as forms of dialogic many-to-many communication to

    strengthen democracy was first formulated in Berthold Brechts 1932 radio theory,

    where every device was envisioned as having a dual-functioning speaker/microphone

    enabling an interactive circuit of participation. Fast-forward to 1997, where Jorn Barger

    starts a daily log of interesting web links and publishes them a weblog (Carvin, 2007).

    The idea catches on, and in 2007 there are over 120,000 blogs created every day (Sifry,

    2007). A significant attraction to these blogs is the combination of the posting of the

    author, and the dialog that ensues in the comments about the post. Due to the potential

    anonymity and non-verbal expression in text-based online communication, Habermass

    claims to validity of truthfulness (correspondence of intention and statements) and

    normative rightness (clarification of and agreement on the normative context of

    communication) are difficult to achieve (Fuchs, 2008, p.314). Online communication is

    easier and shifts into a more expressive and affective mode. Dewey described the public

    as a deliberative body that responds to the consequences of actions taken by members of

    civil society (Dewey, 1927). To be a citizen, after all, is to be engaged in the practice of

    judgement (Barney, 2007) and a part of the democratic tradition through the ages.

    In determining the validity of the Internet as a public sphere, we can again turn to

    Habermas, who suggests, regardless of whether or not the media conform to normative

    ideals, they still function as a public sphere, albeit a defective one, in the sense that they

    operate as a network for communicating information and points of view (Habermas

    1998, p. 360). Radical democracy is part of a healthy public sphere, advanced through

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    the contestation between dominant and marginalized publics, where deliberation and

    articulation explore and extend a range of neo-liberal and reactionary discourses.

    Protest during the Olympics can be viewed as an expression of citizenship leveraged

    against the inequalities of a social order that glorifies sport at the expense of personal

    freedom. In contrast to the capitalist globalization of sport and media and an incessant

    celebration of competition and dominance, the Internet nurtures a culture of sharing

    that results in the creation of public good. The open deliberation facilitated by media

    sites and counter-publics is diametrically opposed to the regulatory nature of the

    physical and economic space of the Olympic Games.

    As researchers, we are inclined to look at the order of these communications and

    their impact to determine the nature of this emerging social sphere. For Barber, "If the

    technology is to make a political difference, it is the politics that will first have to

    change" (Barber as cited in Dahlberg, 2001, p. 630). Technology can only facilitate

    change not create itand so to understand how democracy can thrive within the

    relatively young Internet and access the impact on political process, further situational

    research is required to interrogate its practice.

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    Acknowledgments

    Thanks to my critical research buddy Nigel Barker for walks and talks in the rain atRRU; to Trish Riemer & Helen Simeon for reviewing my first draft; and to April Vannini

    for her thoughts during an illuminating tour through the DTES.

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