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This resource has been designed to support students’ learning and experiences of contemporary art through the exhibition Dancing Umbrellas: An Exhibition of Movement and Light. Outreach and offsite access: Dancing Umbrellas can be explored through a dedicated online portal that extends the exhibition into a virtual realm through images and written material, artist interviews, links to relevant content and integration with social media. Included are activities and worksheets for students to examine contemporary artworks, themes and ideas. Curriculum links: Teachers can use the learning activities for Visual Arts Levels 7-10. This resource addresses VCE Art Unit 3 Outcome 1 with a particular focus on applying the Contemporary Framework. It can also be used for VCE Art Units 1 and 2 to introduce students to the application of Analytical Frameworks and how to apply these to contemporary art. http://dancingumbrellas.heide.com.au/ includes curatorial texts and extensive information about exhibition artists. This can assist senior students in substantiating interpretations of artworks with reference to a range of resources. © 2016 Heide Museum of Modern Art. This material may be downloaded, copied, used and communicated free of charge for non-commercial educational purposes provided all acknowledgements are retained. Belle Bassin It’s Easier to Look At Your Skin 2013 digital image © the artist Courtesy of the artist HEIDE EDUCATION Exhibition dates: 5 March - 5 June 2016 Venue: Heide III, Central Galleries Curator: Sue Cramer

Dancing Umbrellas - ed kit · through the exhibition Dancing Umbrellas: An Exhibition of Movement and Light. Outreach and offsite access: Dancing Umbrellas can be explored through

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Page 1: Dancing Umbrellas - ed kit · through the exhibition Dancing Umbrellas: An Exhibition of Movement and Light. Outreach and offsite access: Dancing Umbrellas can be explored through

This resource has been designed to support students’ learning and experiences of contemporary art through the exhibition Dancing Umbrellas: An Exhibition of Movement and Light.

Outreach and offsite access: Dancing Umbrellas can be explored through a dedicated online portal that extends the exhibition into a virtual realm through images and written material, artist interviews, links to relevant content and integration with social media. Included are activities and worksheets for students to examine contemporary artworks, themes and ideas.

Curriculum links: Teachers can use the learning activities for Visual Arts Levels 7-10. This resource addresses VCE Art Unit 3 Outcome 1 with a particular focus on applying the Contemporary Framework. It can also be used for VCE Art Units 1 and 2 to introduce students to the application of Analytical Frameworks and how to apply these to contemporary art. http://dancingumbrellas.heide.com.au/ includes curatorial texts and extensive information about exhibition artists. This can assist senior students in substantiating interpretations of artworks with reference to a range of resources.

© 2016 Heide Museum of Modern Art. This material may be downloaded, copied, used and communicated free of charge for non-commercial educational purposes provided all acknowledgements are retained.

Belle Bassin It’s Easier to Look At Your Skin 2013 digital image © the artist Courtesy of the artist

HEIDE EDUCATION

Exhibition dates: 5 March - 5 June 2016 Venue: Heide III, Central Galleries Curator: Sue Cramer

Page 2: Dancing Umbrellas - ed kit · through the exhibition Dancing Umbrellas: An Exhibition of Movement and Light. Outreach and offsite access: Dancing Umbrellas can be explored through

In creating their imaginative worlds, these artists reference cultural artefacts and ideas as various as a surrealist play by Picasso, 1960s and 1970s counter-culture and fashion, animist ideas of objects as living beings, the selfie and the romantic sublime. Movement, light and performance are variously used by these artists to explore ideas about perception and time, and to evoke a sense of otherworldliness or the irrational logic of dreams. Luminous moving images sit alongside paintings, sculptures and collages to create a layered and multi-dimensional experience for the viewer. Public performances will accompany the exhibition and a dedicated online portal will extend the project into a virtual realm through images and written material, artist interviews, links to relevant content and integration with social media.

- Sue Cramer, 2016

GLOSSARY leitmotif |ˈlʌɪtməʊˌtiːf| (also leitmotiv) noun a recurrent theme throughout a musical or literary composition, associated with a particular person, idea, or situation.

artefact |ˈɑːtɪfakt| (US artifact) noun 1 an object made by a human being, typically one of cultural or historical interest: gold and silver artefacts.

Minna Gilligan Our Steps Will Always Rhyme 2014 digital print on paper Courtesy of the artist and Diane Singer, Melbourne

EXHIBITION IN FOCUS Annotate the following piece of text, like the example above. Making note of the types of media and themes in this exhibition.

© Heide Museum of Modern Art 2016

Curatorial intention – KEY THEMES What does curator Sue Cramer say are the key themes or ideas for the exhibition Dancing Umbrellas? Add to the glossary any definitions you looked up.

Page 3: Dancing Umbrellas - ed kit · through the exhibition Dancing Umbrellas: An Exhibition of Movement and Light. Outreach and offsite access: Dancing Umbrellas can be explored through

Leslie Eastman For the Time Being #2 2012 mirrored stainless steel, electric motor, wire Courtesy of the artist

CONTEMPORARY ART Contemporary Art is art made and produced by artists living today. It is art that is happening now.Art movements of the past can be described and defined by the style, materials, ideas and subject matter that artists were exploring at the time.

Contemporary artists often comment on modern day society and create artworks that engage with current issues, topics and concerns of a global environment. They also draw selectively from the art of the past to create contemporary art. Our world is culturally diverse, technology is advancing rapidly and contemporary art and artistic practice reflects this multifaceted and changing world.

Curiosity, openness and dialogue are important tools for engaging with Contemporary Art.

Asking questions about Contemporary Art will further your understanding of what it could be.Ask yourself, does this work of art challenge, interest, engage me?

Using the online portal http://dancingumbrellas.heide.com.au/ explore the Dancing Umbrella exhibition artworks by 19 contemporary artists.

ACTIVITY Create a poster about Contemporary Art Include information and examples:

• your own definition of contemporary art

• images of contemporary artworks

• materials and tools that contemporary artists use

• where do artists find inspiration to create art?

© Heide Museum of Modern Art 2016

Page 4: Dancing Umbrellas - ed kit · through the exhibition Dancing Umbrellas: An Exhibition of Movement and Light. Outreach and offsite access: Dancing Umbrellas can be explored through

RESEARCH TASK Art analysis

Chose an artwork that you discovered in Dancing Umbrellas at Heide or online. Research your chosen artwork and artist to answer the following questions. Create a poster in your visual diary to present the information. Remember questions worth more marks mean more detailed answers (approximately 1 mark = 1 sentence)

Title: Artist: Year: Media: Dimensions:QUESTIONS MARKS

ArtworkIntroduce your chosen artwork. Give the title, artist, date it was completed, media, size and the collection it is in. You will usually find this information in small writing near the artwork or an image of your selected artwork. /2Complete a detailed drawing of your artwork

/3Explain how you think the artwork was made? What materials has the artist/s used and how have they been included in the artwork? /5Describe the artwork in detail. What is the subject matter? In other words, what do you think it is about? Describe all the things that can be seen and where they are located in the work. /8What do you see first when you look at the artwork? What do you think the main focal point is? What makes it stand out? It could be the material, the size, the colour – What leads your eye to this part of the artwork?

/3Describe the mood or feeling that the artwork creates for you. At Heide spend 2 minutes silently looking at your chosen artwork At School have a close look at the dimensions of the artwork and try to imagine standing next to it. Does the artwork have colours that make you feel happy? Does it incorporate wires that create a tense atmosphere? Remember there is no right or wrong answer, it is subjective.

/8

ArtistGive the name of the artist and some background information. (Briefly mention some important details about their life eg: where they live and make art, their art training, major exhibitions or prizes. do they work with lots of different materials?) To be written in your own words. /8In your opinion, what do you think was the artist’s intention in creating this artwork? In other words, what do think the artist is trying to say or express in this artwork? /3

© Heide Museum of Modern Art 2016

Page 5: Dancing Umbrellas - ed kit · through the exhibition Dancing Umbrellas: An Exhibition of Movement and Light. Outreach and offsite access: Dancing Umbrellas can be explored through

Finally, why did you choose this particular artwork? Did you like a particular element, did something about it appeal to you? Give three reasons why you chose this artwork to research.

/3Bibliography, make a list of resources that you used to complete this task

/2Presentation Check that your research task is complete, including • All questions are completed in full sentences. • All work is neatly written or printed out and glued into your visual

diary • You have included a hand drawn image of your artwork

/5Self-evaluation What was the most interesting thing that you learnt whilst completing this task? What would you like your teacher to notice about your work?

Extension question Select another artwork from Dancing Umbrellas by a different artist. Compare and contrast the two artworks in your own words. What are the similarities and differences?

Teacher’s comments

/50

© Heide Museum of Modern Art 2016

Viv Miller Stills from The Power Part II 2005 video animation, colour, sound duration 00:04:30 Courtesy of the artist, Neon Parc, Melbourne

Page 6: Dancing Umbrellas - ed kit · through the exhibition Dancing Umbrellas: An Exhibition of Movement and Light. Outreach and offsite access: Dancing Umbrellas can be explored through

INTERPRETING ART VCE ArtUnit 3: Interpreting Art Areas of Study 1 Students analyse and interpret artworks using the four Analytical Frameworks. The Contemporary Framework is used to interpret artworks by applying contemporary ideas and issues to artworks produced pre- and post-1970.

CONTEMPORARY

Rebecca Baumann is a contemporary Australian artist who has produced artworks since 1970. Her installation Reflected Glory IV 2016 is on display in Dancing Umbrellas.

View the artwork at Heide or online.

Rebecca Baumann Reflected Glory IV 2016 mirror, origami paper, plexiglass, foil, theatre spotlight Courtesy of the artist and Starkwhite, Auckland, New Zealand

Rebecca Baumann Working drawing for Reflected Glory 2013 water colour on paper Courtesy of the artist and Starkwhite, Auckland, New Zealand

© Heide Museum of Modern Art 2016

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MODERN

Grace Cossington Smith (1892-1984) was a twentieth century artist and an important early exponent of modernism in Australia. Her iconic painting The Bridge in Curve 1930 depicts the Sydney Harbour Bridge under construction. Cossington Smith was a brilliant colourist who transformed Australian cityscapes into vital images infused with vibrant light.

Complete further research and select a second artwork by Baumann and Cossington Smith.

RESOURCES

http://dancingumbrellas.heide.com.au/

http://www.rebeccabaumann.com http://www.mca.com.au/collection/artist/baumann-rebecca/ http://www.artgallery.nsw.gov.au/collection/artists/cossington-smith-grace/ http://www.ngv.vic.gov.au/explore/collection/work/3007/

Grace Cossington Smith The Bridge in Curve 1930 tempera on cardboard 83.6 × 111.8 cm National Gallery of Victoria, Melbourne Presented by the National Gallery Society of Victoria, 1967 © Estate of late Grace Cossington Smith See http://www.ngv.vic.gov.au/explore/collection/work/3007/, accessed 13/4/2016

© Heide Museum of Modern Art 2016

Page 8: Dancing Umbrellas - ed kit · through the exhibition Dancing Umbrellas: An Exhibition of Movement and Light. Outreach and offsite access: Dancing Umbrellas can be explored through

Rebecca Baumann Grace Cossington SmithTitle: Year: Media: Dimensions: Formal Framework What can you see?What first attracts your attention, what has the artist emphasised visually?Briefly describe the subject matter.

Which of the art elements and principles best describe the artwork?

Identify and describe the materials and techniques employed to create the artwork.

What equipment was used? How have the materials been applied to the artwork?How has the artwork been made? Precisely/Carefully/Roughly/Expressively/Other? What effect has this created? Describe any possible symbols in the artwork?What could they represent?

Do you think the artist has used an art element—such as colour—to communicate something?What could that be? Do you think it belongs to a specific art movement?

What qualities in the artwork make you associate this artwork to that art movement?

Personal Framework What aspects of this artwork appeal to you? How do you relate to the artwork? Consider the key design elements and principles

What is your personal response to this artwork?

Use this table to compare and contrast various aspects of each pair of artworks.

© Heide Museum of Modern Art 2016

Page 9: Dancing Umbrellas - ed kit · through the exhibition Dancing Umbrellas: An Exhibition of Movement and Light. Outreach and offsite access: Dancing Umbrellas can be explored through

Cultural Framework What aspects of the artwork reflect the culture in which it was made? This might be the subject matter of the artwork, the use of techniques or the ideas that the artist is expressing.

Why did the artist produce this artwork?

How does the intention of the artist differ from your view? What meaning did the artist give to the work?

Are you interpreting it in the way that was intended? How does your interpretation differ?

Contemporary Framework When was this artwork produced? Would it be considered Post Modern? Contemporary?

Does the artwork challenge traditional understandings of art? What visual evidence supports these ideas?

Does the way in which the artist use materials and techniques reflect or challenge artistic or social traditions?

© Heide Museum of Modern Art 2016

School Assessed Coursework WRITTEN RESPONSE Unit 3 Area of Study 1, Outcome 1: Compare and contrast, through analysis and interpretation, the

work of one artist who has produced work before 1970 with the work of one artist who has

produced work since 1970. In your response you must refer to at least two artworks by each artist

and aspects of the Analytical Frameworks: Formal, Cultural, Personal and Contemporary.