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Culture 2000 & Culture
SLOVENIA in the EU programmes supporting transnational cultural cooperation
Mateja LazarSCCA–Ljubljana / CCP Slovenia
Theory & Practice (Seminar & Workshop)
Skopje, 3 Sept. / Beograd, 4 Sept. 2008
Contents
How it all started? From Culture 2000 to Culture Slovenia & Culture 2000:
statistics & feedback from cult. operators Project examples Slovenia & Culture: statistics Project examples
How it all started?
1992 – Maastricht Treaty: 1st article devoted to culture (ex-art. 128) = legal base for EU competence in the area of culture
1997 – Amsterdam Treaty (art. 151) = basis for the 1st generation of programs= Presence of a requirement regarding the consideration of cultural implications in all Community policies!
General Aims of the Treaty
Contribution to the flourishing of national cultures of the MSs
Preservation of national & regional cultural diversity
Highlighting of common cultural heritage Fostering of cooperation between MSs, with
international organisations (ex. UNESCO, CoE) and 3rd countries
4 Fields of Action foreseen
1. Improvement of the knowledge & dissemination of the culture & history of the European peoples
2. Conservation and safeguarding of cultural heritage of European significance
3. Non-commercial cultural exchanges4. Artistic and literary creation, including the
audiovisual sector
1st and 2nd generation
1996-1999Kaléidoscope ... artistic & cultural creation & cooperation;Ariane ... books & readingRaphaël ... cultural heritage
2000-2006Culture 2000 ... 1st framework cultural EU programme
From 2nd to 3rd generation
PERIOD 2000-2006 (7 yrs):
I. Culture 2000o 236,5 mio €o supports projects and
promotional activities (awards) – Actions 1, 2, 3
Other programmes:II. Support for European
cultural organisationIII. European Capital of
Culture
Total budget (I.-III.): 294 mio €
PERIOD 2007-2013 (7 yrs):
Culture = single financial mechanism
o supports projects (S1), organisations (S2), promotional activities and research (S3) – Strands 1, 2, 3
Total budget: 400 mio € (+36%)(ca. 43-58 mio €/y)
From 2nd to 3rd generation>No of supported projects / yearCulture 2000
= ca. 220 supported projects per year (A1 + A2)
= ca. 33 mio €= ca. 650 applications= 30 držav (EU25, 3 EGP,
Bolgarija, Romunija)
Culture
= 130 supported projects within the call 2007 (1.1. + 1.2.)
= 27,5 mio € = 700 applications = 32 countries* (EU27, 3 EEA,
Croatia, Turkey) [*34 countries in 2008: + Serbia
& Macedonia]
Why (not) participating in Culture?
Critics lack of budget lack of visibility too bureaucratic
Motivation for Application willingness to cooperate with cultural institutions from other
countries European added value European dimension adding EU support to the national funding
Slovenia & Culture 2000Statistics & feedback from cult. operators
Overview of results (2003*-06) *SLO for the first time fully participating within the call 2003 (in year 2002)
Call 03 Call 04 Call 05 Call 06 Total
Participating countries
30 30 31 (incl. Turkey)
31 From 15 in 2000 to 31 in 2005/06
PROJECTS supported
201 (more than 750 operators)
233 (more than 850 operators)
217 201 ca. 1.500 (2000-2006)
Budget (mio €)Ca. 30 per year
ca. 223,8 mio € (2000-2006)
Successful projects – SLO leaders
5 (out of 10 appl.)
11 (out of 14 appl.)
7 (out of 16 appl.)
6 (out of 24 appl.)
29 (=ca. 1,8 mio €)
Successful projects - SLO coorg.&partners
10 37 37 22 102(143 from 2000 to 2006)
Culture 2000 & SLO
št. vseh uspešnih projektov s SI udeležbo - K2000 (N=115)
4 6
23
712
2014
00
0
5
11
7
6
0
5
10
15
20
25
30
leto2000
leto2001
leto2002
leto2003
leto2004
leto2005
leto2006
št.
pro
jek
tov
SI vodja
SI ostali
Culture 2000 & SLO
št. SI izvajalcev glede na status / področje - K2000 (N=169)
7 213
4 3
22
4
24 24
31
12
12 11
0
1020
3040
5060
70
CH LBR TRL PA VA
št. i
zvaj
alce
v partner
soorganizator
vodja
Culture 2000 & SLO(1.781.919 € for 29 projects)
Pridobljena finančna podpora EU za SI vodje - K2000 (N=29)
0
200.000
400.000
600.000
800.000
1.000.000
2003 2004 2005 2006
Leto
EUR
Culture 2000 & SLO
"top 10" slovenskih organizacij - K2000
6
2
2
1
0
0
0
0
0
0
0
6
0
3
5
6
7
3
4
2
1
0
2
2
4
2
0
2
1
2
0 2 4 6 8 10
Študentska založba
Inštitut za dediščino Sredozemlja
Center za slovensko književnost
Škuc
Univerza v Ljubljani
KID Kibla
Cankarjev dom
MOL
Moderna galerija Ljubljana
Univerza v Mariboru
št.
pro
jek
tov
v
s
p
Culture 2000 & SLO
0
10
20
30
40
50
60
IT DE AT FR ES BE CZ PL UK HU
10 držav, ki so največkrat sodelovale s SI - K2000
Niz1
vodje projektov/država v sodelovanju s SI izvajalci - K2000
21
168
8
55 5
IT
AT
BE
DE
CZ
FR
UK
Feedback from SLO operators
116 Culture 2000 projects with SI participation:- leaders: 29- co-org.: 74- partners: 69 93 different SI operators 40 answered the
questionnaire (42 %)(ca. ½ of all successful leaders responded)
Feedback from SLO operators
14
21
4
3
7
5
6
0 5 10 15 20 25
CCP
partnerske organizacije
Artservis
mediji
spletne strani EU
MK
drugo
Kako ste izvedeli za K2000? (N=40)
Feedback from SLO operatorsKako ste spoznali partnerske organizacije? -
K2000 (N=40)
70%
21%
2%
7% že vzpostavljenosodelovanje
druge organizacije
CCP Sl
drugo
Feedback from SLO operators
Koliko časa ste pripravljali prijavo - K2000?
prijavitelj (N=14)
36%
50%
7% 7%
od 14 dni do 1meseca
od 1 do 3mesecev
od 3 do 6mesecev
več kot 6mesecev
Feedback from SLO operators
Kateri deli prijavnice so vam povzročali največ težav - K2000 (N=14)
0 2 4 6 8 10 12
nejasnost vprašanj
predstavitev projekta
f inančni razrez stroškov
priloge k prijavi
izpolnjevanje v tujem jeziku
Feedback from SLO operatorsAli ste prejeli vsa fin. sredstva s strani EK, v znesku določenim s
pogodbo? - K2000 (N=14)
36%
64%
da
ne
Feedback from SLO operators
Ali s projektom nadaljujete po zaključku podpore K2000? (N=40)
66%
34%
da
ne
Ali s partnerskimi organizacijami še sodelujete tudi po zaključku podpore
K2000? (N=34)
76%
24%
da
ne
Culture 2000 – a positive experience?
YES (100 %)
Slovenia & Culture 2000PROJECT EXAMPLES
Galerija Škuc 14-16. maj 2006
Ateliers d'artistes en résidence à l'hôpital dans l'Europeélargie: Marseille, Madrid, Rome, Ljubljana(A1, VA, 2005)
L: Art dans la Cité (FR) C: Comunidad de Madrid (ES), Zerynthia Associazione (IT)
P: University Medical Centre Ljubljana, Paediatrics (SI), Škuc Gallery (SI)...
WHAT: presentation of contemporary VA in European hospitals WHY: promote contemporary creation in a place where it can positivly
affect people ACTIVITY: workshops by local artists invited to help hospitalised young
patients to create art works later exhibited in hospitals GOAL: improve conditions of children through creative workwww.kracina.com/koralniotok/, www.artdanslacite.asso.fr
www.cimetproject.org
CIMET Cultural Intersections,Mobility, Education and Tradition (PA, A1, 2004)
CIMET
L: Zavod En-Knap, Ljubljana (SI)C: Inteatro, Polverigi (IT), SEAD – Salzburg Experimental Academy of Dance (AT)
EU grant: 96.790 EUR
AIM: support mobility, training, education, collaboration & production on the field of PA, especially young dancers & performing artists under 35 years
ACTIVITIES: over 100 international young dancers and performing artists participated in workshops, classes, research projects, productions and presentations in Ljubljana, Jesi, Milano, Novi Sad, Polverigi, Pula and Salzburg; several productions (Gallery of Dead Women by Maja Delak and Mala Kline, 4U by Rebecca Murgi...)
www.cimetproject.org
AIM: to reinforce the awareness of gothic architecture in the Mediterranean (Portugal, Spain, Slovenia, Italy and Greece)
ACTIVITIES: production of multilanguage promotional materials, a portal with virtual museum and a travelling exhibition that presents Mediterranean gothic architecture through models and virtual presentations; further travelling exhibition of gothic monuments and virtual reality panoramas in Middle East and North Africa sponsored by Institute Cervantes Spain
www.gothicmed.com
L: Generalitat Valenciana, Secretaria Autonomica de Cultura (ES)
C: MIT - International tourism institute, Ljubljana (SI), Arsenale di Palermo (IT), Directorate of Byzantine & Postbyzantine Monuments (GR), Instituto Cervantes (ES), Hipocaust (PT)
P: Palais des Papes, Avignon (FR), Università degli studi di Palermo (IT), Università degli studi di Roma »La Sapienza« (IT), Universitat de Barcelona (ES), Cervantes Virtual Alcalà de Henares (ES)
EU grant: 567.304 EUR
Lepa Pušča – Schöne Öde – Bella Brulla / Beautiful Wasteland (VA, A1, 2002)
L: Universitätskulturzentrum UNIKUM (University cultural centre), Klagenfurt (AT)C: Gornjesavski muzej Jesenice (SI), Unione dei Circoli Culturali Sloveni, Trieste (IT), Kultur und Kommunikationszentrum St. Johann im Rosental (Cultural & Communication centre) (AT)P: Kraigherhaus, Kunstverein Kärten (AT), Museo della tradizione mineraria di Cave del Predil (IT), Slowenischer Kulturverein »Rož« (AT), Stazione di Topolò (IT) EU grant: 80.256 EUR
AIM: to encourage regional identity & respect of the »unattractive« FOCUS: themes characteristic of 3 towns in the border triangle of AT,
SI and IT (Feistritz im Rosental in Carinthia, Jesenice in Slovenia and Cave del Predil in Friuli): water, abandoned industrial objects, railways, museums, everyday & industrial culture and multilingualism
Lepa Pušča – Schöne Öde – Bella Brulla
ACTIVITES = various artistic happenings:
1. ARRIVAL: visitors travelled through the landscape & experienced it like a film2. MUSEUM: visitors, with the help of artistic installations in museums uncovered a new view on classic museum collections3. DECAY & READYMADE: dedicated to everyday culture of apartment inhabitants4. SPEAK WELL - »language footpaths«: sentences on signs in 7 languages described unusual images of these places5. artistic event NO ART, NO: portraits of anonymous industrial workers, former iron workers and miners, were presented in Cave del Predil6. final project WATER: attempt to symbolically redirect rivers’ currents by using water captured from the rivers Sava, Feistritz-Bach and Rio del Lago
www.unikum.ac.at
Review within Review (RvR)(LBR, A1, 2006)
L: Apokalipsa Cultural and Artistic Association, Ljubljana (SI)C: Jelenkor, Pécs (HU), Literatur und Kritik, Salzburg (AT), Romboid,
Bratislava (SK), Studium, Kraków (PL) P: Quorum, Zagreb (HR), Host, Brno (CZ), Ars, Cetinje (Montenegro),
Naše pismo, Skopje (FYROM), Blesok, Skopje (FYROM) EU grant: 51.007 EUR
AIM: intra-European collaboration among smaller national cultures (creative multilingual projects) without the mediation of large languages; integration of the CE cultural space
ACTIVITIES: 10 magazines/journals 40 exchanges in 9 languages, translations of books, numerous promotions at international fairs, festivals and meetings The project will further include 15 magazines from 12 countries, expanding into SE and Western Europe..
www.revija-v-reviji.si
3rd generationCULTURE PROGRAMME
(2007–2013)
STATISTICS &
PROJECT EXAMPLES
Overview of results (2007*-08) *For the call 2007 only information about project leaders are available.
Call 2007 Call 2008 TOTAL
Participating countries
32 (Croatia incl.)
32+2(+RS,MK partly)
From 6 Feb. 2008: 34 countries
PROJECTS supported(without S2 & S3)
130 (out of 700 appl.)
145+ca.40* = ca.185?*envisaged for 2nd TRL deadline /no.appl?
ca. 315 in 2 yrs??= ca. 160/y ??? (for S1 only)
Budget (mio €) 27,5 38 ca. 43-58 mio €/y (for all Strands!)
Successful projects – SLO leaders
4 (all TRL)(=127.763 €)
13 S1 (+1 S2)(=ca. 2 mio €)
17 (S1) (=ca. 2,1 mio €)
Successful projects - SLO coorg.&partners
8 14 22
Dance Explorations Beyond Front@
• Aug. 28, 2008 – Aug. 27, 2010• L: Flota, Murska Sobota & Ljubljana (SI)C: OffenesHausOberwart (AT), Dance Identity, Pinkafeld (AT), Cie Pal Frenak, Budapest (HU)• EU grant: 198.368 €
AIMS: - stimulate & support production & presentation of
contemporary dance for artists & audiences from SI, AT, HU, HR
- reconnect (through a dance festival) the border regions outside capital cities that often face a certain cultural/economic discrimination & lack of accessibility to culture
- compare, analyse & advocate for the development of cont. dance and dance audiences in a culturally under served regions
Dance Explorations Beyond Front@
ACTIVITIES: Performances Beyond Front@: present contemporary dance
performances from 4 participating countries Audiences Beyond Front@: increase audience accessibility to
culture & mobility (free transportation, special performances for targeted groups)
Dialogue Beyond Front@: foster cross-cultural dialogue & exchange among artists and audiences; generate dialogue & interest about the cutting edge issues of contemporary dance (roundtables, public discussions, theoretical debates, informalgatherings)
DCL (“diesel”) – Dance Communication Lab: series ofcross-cultural contemporary dance improvisation evenings for young professional dancers & artists whose work intersects the dance field
Creation Beyond Front@: cross-cultural co-productions among the participating countries
Additional information
Cultural Contact Point SloveniaSCCA–Ljubljana, Metelkova 6, Ljubljana
Mateja Lazar ([email protected])
www.ccp.si
