56

creative confidence

  • Upload
    levi

  • View
    47

  • Download
    0

Embed Size (px)

DESCRIPTION

creative confidence. creative confidence. learning community. Learning community. momentum. Learning community. optimism. momentum. innovation is not an event. innovation is a (design) process. d.mindsets. d.mindsets. Focus of dp0 (design project 0). EMPATHY - PowerPoint PPT Presentation

Citation preview

Page 1: creative confidence
Page 2: creative confidence
Page 3: creative confidence

creative confidencecreative confidence

Page 4: creative confidence

learning community

Page 5: creative confidence

Learning communitymomentum

Page 6: creative confidence

Learning communitymomentumoptimism

Page 7: creative confidence

innovation is not an event

Page 8: creative confidence

innovation is a (design) process

Page 9: creative confidence
Page 10: creative confidence
Page 11: creative confidence
Page 12: creative confidence

d.mindsets

Page 13: creative confidence

d.mindsets

Page 14: creative confidence

Focus of dp0 (design project 0) EMPATHYgives confidence that you are working on a meaningful problem;forces you to take a perspective other than your own

IDEATIONgives you copious and diverse design solution possibilities to select, develop and test

PROTOTYPING & TESTgives confidence that your solution meets the need you uncovered;accelerates learning when you adopt a low-resolution prototyping mindset

Page 15: creative confidence

Mini project for today:

Improve the car maintenance experience . . .

Page 16: creative confidence

Mini project for today:

Improve the car maintenance experience . . .

What could we do to improve the car maintenance experience?

Page 17: creative confidence
Page 18: creative confidence

Erica:Truck owner

John:Mechanic

Page 19: creative confidence

Play: the role of an “imposter” ethnographerNote: what is important to Erica and John

Erica:Truck owner

John:Mechanic

Page 20: creative confidence

Erica video

Page 21: creative confidence

To feel empowered“It makes me feel good” (to drive up in the big truck)

To trust her mechanic“I have to trust, I have no other choice”

To appear knowledgeable“I don’t want to look dumb, or sound dumb”

To learn“I wish they would let me go in the bay . . . So I could learn more”

To be independent“I can deal with the situation . . . I can figure out what I need to do and just do it”

What’s important to Erica?

Page 22: creative confidence

John video

Page 23: creative confidence

What’s important to John?

To build relationships with customers“I love the clientele… familiar faces that come back time and time again comprise 80% of my enjoyment of my job.”

To be trusted“You think you had a good reputation, but it wears on you when people question you.”

To tackle a challenging problem“Watching it drive out of the driveway with no problem at all”

“I listen to Car Talk on my day off to listen to peoples’ gripes and see if I can get the answer.”

To service knowledgeable clientele“They understand stuff, so it’s not a big battle”

Page 24: creative confidence
Page 25: creative confidence

What’s important to Erica

To feel empowered“It makes me feel good” (to drive up in the big truck)

To trust her mechanic“I have to trust, I have no other choice”

To appear knowledgeable“I don’t want to look dumb, or sound dumb”

To learn“I wish they would let me go

in the bay . . . So I could learn more”

To be independent“I can deal with the situation . . . I can figure out what I need to do and just do it”

Page 26: creative confidence

In the context of car maintenance,How might we enable Erica . . .

To feel empowered

To trust her mechanic

To appear knowledgeable

To learnTo be independent

Page 27: creative confidence

To build relationships with customers“I love the clientele… familiar faces that come back time and time again comprise 80% of my enjoyment of my job.”

To be trusted“You think you had a good reputation, but it wears on you when people question you.”

To tackle a challenging problem“Watching it drive out of the driveway with no problem at all”

“I listen to Car Talk on my day off to listen to peoples’ gripes and see if I can get the answer.”

To service knowledgeable clientele“They understand stuff, so it’s not a big battle”

What’s important to John

Page 28: creative confidence

To build relationships with customers

To be trustedTo tackle a challenging problem

To service knowledgeable clientele

In the context of car maintenance,How might we enable John . . .

Page 29: creative confidence
Page 30: creative confidence

HOW to brainstorm: Rules

Page 31: creative confidence

In the context of car maintenance,

To feel empoweredTo appear knowledgeableTo trust her mechanicTo learnTo be independent

Select One Need for Your UserBrainstorm in Team: 12 minutes

To tackle a challenging problemTo be trustedTo build relationships with customers To service knowledgeable clientele

HMW enable Erica . . . HMW enable John . . .

Page 32: creative confidence

In the context of car maintenance,

To feel empoweredTo appear knowledgeableTo trust her mechanicTo learnTo be independent

Select One Need for Your UserBrainstorm in Team: 12 minutes

To tackle a challenging problemTo be trustedTo build relationships with customers To service knowledgeable clientele

HMW enable Erica . . . HMW enable John . . .

Page 33: creative confidence

In the context of car maintenance,

To feel empoweredTo appear knowledgeableTo trust her mechanicTo learnTo be independent

Select One Need for Your UserBrainstorm in Team: 12 minutes

To tackle a challenging problemTo be trustedTo build relationships with customers To service knowledgeable clientele

HMW enable Erica . . . HMW enable John . . .

Page 34: creative confidence

Selection :: Post-Brainstorm

THERE IS NO ‘BEST’ IDEADON’T EDIT BASED ON FEASIBILITY YETMAINTAIN YOUR INNOVATION POTENTIAL

Page 35: creative confidence

All the creative, wild, bad, OK, and undeveloped ideas from your brainstorm

Yield familiar and incremental results

When evaluated with typical “attractive” and “feasible” criteria before direct implementation

idea selection is a critical step

Page 36: creative confidence

All the creative, wild, bad, OK, and undeveloped ideas from your brainstorm

Can be developed for feasibility

Selected for potential

we will select and develop high potential ideas

Page 37: creative confidence

IDEATION : Select multiple concepts

Use contrasting selection criteria to preserve innovation potential

Page 38: creative confidence
Page 39: creative confidence

Dishmaker by Ted Selker and Leonardo Bonanni from MIT

Page 40: creative confidence

prototyping is an

ATTITUDE

Page 41: creative confidence

keep it

LO-RES

Page 42: creative confidence

create

EXPERIENCES

Page 43: creative confidence

July 7-9th, 2008

Page 44: creative confidence
Page 45: creative confidence

Prototyping Activity

AS A GROUPChoose ~3 ideas that have the most votes

IN PAIRSDivide into pairs and assign one of the ideas to each pair Take 8 minutes to make a tangible version of the idea

Page 46: creative confidence
Page 47: creative confidence

Get Feedback

Find a pair designing for the other userTest your ideaPlay the role of Erica or John as you are giving feedback.4 minutes for each share/test, then switch.

Page 48: creative confidence

Share your results :: Headline!

Share an idea you created.What was the feedback?Where would you take it?

Page 49: creative confidence

EMPATHYgives confidence that you are working on a meaningful problem;forces you to take a perspective other than your own

•imposter ethnographers•observe what people say & do to infer what they think & feel•extreme users

IDEATIONgenerates many unexpected and diverse alternatives to draw from when looking for a new approach

•defer judgement, wild ideas, build on ideas of others•select multiple concepts with different criteria

PROTOTYPING & FEEDBACKaccelerates learning, reduces risk, and gives confidence that your solution is desirable, feasible and viable

•attitude of experimentation•lo-res experiences

Page 50: creative confidence

EMPATHYgives confidence that you are working on a meaningful problem;forces you to take a perspective other than your own

•imposter ethnographers•observe what people say & do to infer what they think & feel•extreme users

IDEATIONgenerates many unexpected and diverse alternatives to draw from when looking for a new approach

•defer judgement, wild ideas, build on ideas of others•select multiple concepts with different criteria

PROTOTYPING & FEEDBACKaccelerates learning, reduces risk, and gives confidence that your solution is desirable, feasible and viable

•attitude of experimentation•lo-res experiences

Page 51: creative confidence

EMPATHYgives confidence that you are working on a meaningful problem;forces you to take a perspective other than your own

•imposter ethnographers•observe what people say & do to infer what they think & feel•extreme users

IDEATIONgenerates many unexpected and diverse alternatives to draw from when looking for a new approach

•defer judgement, wild ideas, build on ideas of others•select multiple concepts with different criteria

PROTOTYPING & FEEDBACKaccelerates learning, reduces risk, and gives confidence that your solution is desirable, feasible and viable

•attitude of experimentation•lo-res experiences

Page 52: creative confidence

EMPATHYgives confidence that you are working on a meaningful problem;forces you to take a perspective other than your own

•imposter ethnographers•observe what people say & do to infer what they think & feel•extreme users

IDEATIONgenerates many unexpected and diverse alternatives to draw from when looking for a new approach

•defer judgement, wild ideas, build on ideas of others•select multiple concepts with different criteria

PROTOTYPING & FEEDBACKaccelerates learning, reduces risk, and gives confidence that your solution is desirable, feasible and viable

•attitude of experimentation•lo-res experiences

Page 53: creative confidence

d.mindsets

Page 54: creative confidence
Page 55: creative confidence
Page 56: creative confidence