copyrights law india

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    Group 1Misha Rawal : 106

    Ujjwal Gupta : 107

    Anurag Anwariya:108Suveer Malhotra : 109

    Vipul Jain : 110Gaurav Singh : 111

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    Intellectual property (IP) is a legal conceptwhich refers to creations of the mind for

    which exclusive rights are recognized.

    Under intellectual property law, owners aregranted certain exclusive rights to a variety

    of intangible assets, such as musical, literary,

    and artistic works; discoveries and

    inventions; and words, phrases, symbols, anddesigns.

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    Common type of IntellectualProperty Rights

    Patents

    Trade marks

    Geographical denominations

    Industrial designs

    Copyright

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    Copyright is a legal term describing the economic rights givento the creators of Literacy

    Dramatics

    Artistic works

    Producer of cinematograph films

    Sound recording Copyrights includes the right to reproduce the work, to make

    copies and to perform or display the work publicly.

    Copyrights offer essentially the only protection for music ,films,

    and other works of cultural value.

    With the development of new forms of expression, thesecategories have expanded to include the Computer programsand sound recoding .

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    THE PRIMARY FUNCTION OF COPYRIGHT is to

    protect from annexation

    By other people, the fruits of a mans

    work, labour, skill or taste.This protection is given by making it

    unlawful as an infringement of

    copyright to reproduce or copy any

    literary, dramatic, musical or artistic

    work without the consent of the owner

    of the copyright in that work.

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    Introduction:-

    The concept of copyright and neighboring rights have

    assumed significance due to scientific ,economic ,social ,

    political and legal environment in the entire world.

    HISTORICAL EVOLUTION OF COPYRIGHT LAW

    -confined to books only

    -Worlds First Copyright Law was passes in 1709 in England

    -Thereafter in 1911 by name Copyright Act,1911

    COPYRIGHT LAW IN INDIA

    -first act was passed in 1914

    -this act was based on the act of 1911

    -the act of 1914 underwent revision due to advent of

    advancement of Science and Technology

    -thereafter the copyright of 1957 was passed.

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    Artistic work - An artistic work means

    A painting, a sculpture, a drawing (including a diagram, map, chart

    or plan), an engraving or a photograph, whether or not any suchwork possesses artistic quality;

    A work of architecture; and

    Any other work of artistic craftsmanship.

    Musical work

    "Musical work" means a work consisting of music

    includes any graphical notation of such work but does not includeany words or any action intended to be sung, spoken or performedwith the music.

    A musical work need not be written down to enjoy copyrightprotection

    Sound recording "Sound recording" means a recording of sounds from which

    sounds may be produced regardless of the medium on which suchrecording is made or the method by which the sounds areproduced

    . A phonogram and a CD-ROM are sound recordings.

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    Cinematograph film

    "Cinematograph film" means any work of visual recording on any

    medium produced through a process from which a moving image may

    be produced

    Government work - "Government work" means a work which ismade or published by or under the direction or control of

    The government or any department of the government

    Any legislature in India, and

    Any court, tribunal or other judicial authority in India.

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    According to the Copyright Law enacted underthe Copyright Act, 1957, An author is :-

    In the case of a literary or dramatic work the

    author, i.e., the person who creates the work

    In the case of a musical work, the composer.

    In the case of a cinematograph film, the producer.

    In the case of a sound recording, the producer.

    In the case of a photograph, the photographer. In the case of a computer generated work, the

    person who causes the work to be created

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    Sec 22 to 29 of the Copyright Act,1957 deal with this

    aspect:-

    Term varies as per the-

    -Nature of the work , or

    -Whether author is natural/legal person,

    -whether work is anonymous or pseudonymous

    In case of-

    Literary , Dramatic , Musical or Artistic Works;

    -term is for lifetime and thereafter for 60 years;

    -Joint Owners-60 years starts after death of last owner,

    Anonymous/Pseudonymous works-

    -60 Years from the year of publication

    -If identity disclosed , term extended to 60 years afterthe death of the author.

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    Photographs-

    -60 years from the year of publication

    Cinematograph film--60 years from the year of publication

    Government undertaking-

    -60 years from the year of publication

    International organization60 years from the year of publication

    Performers right

    -25 years from the year of publication

    Broadcasting Reproduction Rights-

    -25 years from the year of publication

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    LITERARY,DRAMATICS AND MUSICAL WORK:-

    a)To reproduce or store the work

    b)To issue copies to the public

    c)To perform the work in public

    d)To make cinematograph film or sound recording

    e)To make translation of the work.

    f)To make adaptation of the work.

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    ARTISTIC WORK:-

    a)To reproduce the work.

    b)To communicate the work to public.c)To include the work in cinematograph film.

    d)To make adaptation of the work.

    CINEMATOGRAPH FILM:-

    a)To make copies of the film

    b)To sell or give on hire a copy of the film

    c)To communicate the film to the public.

    SOUND RECORDING:-a)To make any other sound recording embodying

    it.

    b)To sell or give on hire a copy of the sound

    recording.

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    The Act defines 'Broadcast' as communication to thepublic by any means of wireless diffusion, whether inany one or more of the forms of signs, sounds orvisual images; or by wire.

    Every broadcasting organization has special rightswith respect to its broadcasts and these rights areknown s as broadcast reproduction rights.

    The broadcasting organization has the exclusive rightto:

    1). re-broadcast the broadcast;2). cause the broadcast to be heard or seen by the

    public on payment of any charges;

    3). make any sound recording or visual recording ofthe broadcast;

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    4). make any reproduction of such soundrecording or visual recording where suchinitial recording was done without license or,where it was licensed, for any purpose not

    envisaged by such license and5). sell or hire to the public, or offer for

    such sale or hire, any sound recording orvisual recording of the broadcast.

    This right subsists until 25 years from thebeginning of the calendar year next followingthe year in which the broadcast is made.

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    Communication to the public means making anywork available for being seen or heard orotherwise enjoyed by the public directly or byany means of display or diffusion.

    It is not necessary that any member of the publicactually sees, hears or otherwise enjoys thework so made available.

    For example, a cable operator may transmit acinematograph film, which no member of thepublic may see. Still it is a communication to the

    public. The fact that the work in question is accessible

    to the public is enough to say that the work iscommunicated to the public.

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    An author is entitled to claim his moral rights evenafter the assignment of his copyrights.

    Kinds Of Moral Rights:-

    a).Right Of Paternity (Droit de paternite)

    -An author has a right to claim authorship of his work

    and can prevent all others from claiming authorship

    of his work.

    -He can also demand to include his name to appear inall the copies of his work at appropriate place.

    I

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    b)Right of Integrity( Droit de respect deloeuvre )

    -An author has a right to prevent distortion ,mutilation or other alteration of his work , etc.,

    which would be prejudicial to his honour and

    reputation.

    -It is essential where a license or assignment has

    been granted to adapt or alter the work in some

    way, e.g. . Novel into play, play in film, etc.

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    Is it necessary to register a work to claim copyright?

    No. Acquisition of copyright is automatic and it doesnot require any formality.

    Registration is optional and not mandatory

    It is not a pre-requisite condition to claim Copyrights.

    However, certificate of registration of copyright and theentries made therein serve asprima facie evidence in acourt of law with reference to dispute relating toownership of copyright.

    ABHISHEK WALIA V/S SHREY PUBLISHING (1987)

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    Copyright Office:-Sec.9

    Copyright Office is at New Delhi, which is under thecontrol of Registrar of Copyright, which is under the

    control and supervision of Central Government.

    Registrar and Deputy Registrar:-appointed by theCentral Government. They posses certain powers of

    the civil court.

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    The author or the publisher ,etc. may apply for registration to the

    Registrar in Form IV along with prescribed fees. Separate applications should be made for registration of each work.

    Each application should be accompanied by the requisite feeprescribed in the second schedule to the Rules

    The applications should be signed by the applicant or the advocatein whose favour a Vakalatnama or Power of Attorney has beenexecuted.

    The Power of Attorney signed by the party and accepted by theadvocate should also be enclosed.

    Each and every column of the Statement of Particulars andStatement of Further Particulars should be replied specifically.

    The applicant is required to give a notice of his application toevery interested person to invite for any objection.

    If no objection are received within 30 days of the notice , theRegistrar, if satisfied that the contents of the application if correct, enter the contents in the register of Copyright.

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    If a person uses any of the rights without thepermission of author it is said to be the

    infringement of copyrights.

    INFRINGEMENT OF COPYRIGHTS BY COPYING:-

    Copying can be done in three ways:-1.Direct Copying:-Reproduction of the authors

    work falls under this category .

    -But difficulty may arise if the infringer instead

    of copying the entire work may copy some

    portion of the copyrighted material.

    LANDBROKE V/S WILLIAM HILL

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    2.INDIRECT COPYING:-Means copying the workof a person by changing its form .Eg. If the

    work in a drawing has been copied by the 3

    dimensions by the Defendants, or if the novel

    is turned in to stage play which in turn

    converted in to a ballet.

    3.SUBCONSCIOUS COPYING:-This copying may occur subconsciously where a

    person reads ,sees or hears a work , forgets

    about it but then reproduce it , genuinely

    believing it to be his own.

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    R.C Anand v Delux Films

    (1) No copyright in an idea. Violation

    ofcopyright confined to form, manner and

    arrangement, as well as expression ofidea by the author

    (2) Where same idea developed in different

    manner, similarities happen. Court to rule

    on whether similarities are merelysubstantial or fundamental

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    (3)Safest Test: Does the reader/

    spectator/viewer have the opinion/get

    the unshakeable impression that the

    second work is a copy of the original?(the viewer test)

    (4) Same theme, different presentation

    Completely new work, noinfringement

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    (5) Where there are only incidentalsimilarities, there is no copyrightinfringement

    (6) Copyright infringement = piracyit must be clearly proven

    (7) Very difficult to prove

    violation of copyright ofstage play by a filmproducer: the viewer test is applicable

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    INFRINGING COPY:-Sec (m)

    In relation to artistic work ,a reproductionthereof.

    In relation to a cinematographic film, a copy of

    the film. In relation to a sound recording any other

    sound recording embodying the same soundrecording.

    In relation to any program or performance inwhich the broadcasting reproduction orperformers right subsist, the sound recordingor the cinematographic film of such program orperformance.

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    It was held by the

    court that if a

    there is a version

    recording releasedby the Defendants

    of a popular film,

    do not prima facia

    fall within thedefination of

    infringing copy.

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    FOR COPYRIGHT INFRINGEMENT

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    Remedies forCopyright

    Infringement

    Civil Criminal Administrative

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    CivilRemedies

    Injunction Damages Accounts Costs

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    Injunction

    Only effective remedy

    Court has to weigh the

    damage to the plaintiff if theinjunction is not granted, as

    opposed to the damage to the defendant if it is

    Interlocutory injunction is the preferred method

    for preventing infringement, sometimes an ex parte

    injunction

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    Criminal

    Remedies

    Cognizable

    Offences

    Imprisonment

    up to 3 years

    Fine up to

    200,000 INR

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    Copyright Act 1957, s.64 empowers the

    Police (any officer not below the rank of sub-

    inspector) to seize infringing copies without

    warrantPolice Raids (Power ofsearch, seizure &

    arrest without a warrant)

    Fines (min. 50,000-200,000 INR)

    Imprisonment (6 months to 3 years)

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    PROS

    Judicial determination of rights

    Likelihood of damages award

    Less vulnerable to a challengeCommissioners seizure orders more effective

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    CONS

    Delays Trial, Appeal Stages

    Damages not usually awarded

    No severe punishment for violation of rights

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    PROS

    Quick remedy

    Greater opportunity to quickly counteract

    violation, with arrest acting as a deterrent

    CONS

    Chances of seizure of goods low

    Difficulty in coordinating with the police

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    Administrative remedy in the form of an AntonPiller Order can be obtained.

    These orders direct opponents to allowapplicants to search their premises forevidence (of infringement) and seize suchevidence.

    They are granted if there is a very strongprima facie case against the opponent. Thesuspected infringer is not warned in advance

    that a search will take place. This ensures that he does not have the

    opportunity to conceal or destroy evidence.

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