7
This book is designed for use with Alfred’s Guitar 101, Book 1 (42546) and Alfred’s Guitar 101, Book 2 (42721). It includes lessons provided by Martha Masters from Book 1, and Tom Dempsey from Book 2, but if you’re in a guitar class that is using Alfred’s Guitar 101 method, you already have these lessons. This songbook will enable you to enjoy playing these great songs, applying the skills and concepts you have been taught. If you are learning on your own or taking private lessons with a teacher, having this book and the song lessons from Alfred’s Guitar 101 will be a great supplement to your studies. While this book is a great start for you to apply your guitar skills and knowledge to playing popular songs, Alfred has an ever-growing catalog of popular music for you to choose from, and it comes in many different forms. You’ll find both easy guitar arrangements and authentic transcriptions in TAB, so there is sure to be something that fits your needs. Learning to play songs is what it’s all about, so have fun! Contents Introduction America: A Horse with No Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 Maroon 5: Payphone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Sheryl Crow: Strong Enough . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9 Soak Up the Sun . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28 John Denver: Take Me Home, Country Roads. . . . . . . . . . . . . . . . . . . . . . . . . . 13 The Who: Behind Blue Eyes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 Baba O’Riley . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 The Rolling Stones: Midnight Rambler . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 Alfred Music P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com Copyright © MMXV by Alfred Music All rights reserved. Printed in USA. No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for such written permission and/or license by contacting the publisher at alfred.com/permissions. ISBN-10: 1-4706-2012-X ISBN-13: 978-1-4706-2012-7 Cover Art: View across the Bay; Juan Gris; Oil on canvas, 1921; Courtesy Wikipaintings.org POPULAR MUSIC TO PLAY FOR FUN! SONGBOOK SONGBOOK

Contents Introduction€¦ · This book is designed for use with Alfred’s Guitar 101, Book 1 (42546) and Alfred’s Guitar 101, Book 2 (42721). It includes lessons provided by Martha

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Page 1: Contents Introduction€¦ · This book is designed for use with Alfred’s Guitar 101, Book 1 (42546) and Alfred’s Guitar 101, Book 2 (42721). It includes lessons provided by Martha

This book is designed for use with Alfred’s Guitar 101, Book 1 (42546) and Alfred’s Guitar 101, Book 2 (42721). It includes lessons provided by Martha Masters from Book 1, and Tom Dempsey from Book 2, but if you’re in a guitar class that is using Alfred’s Guitar 101 method, you already have these lessons. This songbook will enable you to enjoy playing these great songs, applying the skills and concepts you have been taught. If you are learning on your own or taking private lessons with a teacher, having this book and the song lessons from Alfred’s Guitar 101 will be a great supplement to your studies.

While this book is a great start for you to apply your guitar skills and knowledge to playing popular songs, Alfred has an ever-growing catalog of popular music for you to choose from, and it comes in many different forms. You’ll find both easy guitar arrangements and authentic transcriptions in TAB, so there is sure to be something that fits your needs. Learning to play songs is what it’s all about, so have fun!

Contents

Introduction

America: A Horse with No Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2

Maroon 5: Payphone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5

Sheryl Crow: Strong Enough . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9 Soak Up the Sun . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

John Denver: Take Me Home, Country Roads. . . . . . . . . . . . . . . . . . . . . . . . . .13

The Who: Behind Blue Eyes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 Baba O’Riley . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

The Rolling Stones: Midnight Rambler . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Alfred Music P.O. Box 10003 Van Nuys, CA 91410-0003

alfred.com

Copyright © MMXV by Alfred MusicAll rights reserved. Printed in USA.

No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for

such written permission and/or license by contacting the publisher at alfred.com/permissions.

ISBN-10: 1-4706-2012-X ISBN-13: 978-1-4706-2012-7

Cover Art: View across the Bay; Juan Gris; Oil on canvas, 1921; Courtesy Wikipaintings.org

PoPular Music to Play for fun!

SONGBOOKSONGBOOK

Page 2: Contents Introduction€¦ · This book is designed for use with Alfred’s Guitar 101, Book 1 (42546) and Alfred’s Guitar 101, Book 2 (42721). It includes lessons provided by Martha

Guitar 101: Pop Songbook 5

M A R O O N 5 : P A Y P H O N E

Ti p s fo r pl ay i n g Th i s so n g

Chords Used Capo 4th fret

Strumming Pattern

• You can learn this song two ways, or choose your preferred style.Wehaveprovidedafingerpickingaccompanimentarrangement,butyoucouldalso(orinstead)choosetostrumthechordsintherhythmsuggestedabove.Thestrummingforthissongmovesalongatafastpace.Practicethechangesusingjustonestrumperchangeuntilyou’recompletelyfamiliarwiththechordprogression.

• Thechordschangeconsistentlythroughouttheentiresong,onemeasureoneachchordinthesameorder,withoutexception.Don’tworrytoomuchaboutreadingthelyricsandthecorrespondingchanges,but,rather,listentotherecordingandplayalonglookingonlyatthechordchartsforthefirstseveraltimesthrough.Thechangeswillbeevidentquickly.

Cadd9X 12 3 4

G Major1 42 3

E Minor21

D Sus41 3 4X X

& 44 Û≥ Û≤ .Û≥

JÛ≥

1 2 3 4 &

JÛ Û≤

JÛ≤ Û≥ Û≤

1 & 2 & 3 4

Page 3: Contents Introduction€¦ · This book is designed for use with Alfred’s Guitar 101, Book 1 (42546) and Alfred’s Guitar 101, Book 2 (42721). It includes lessons provided by Martha

6 Guitar 101: Pop Songbook

PayphoneWords and Music by

WIZ KHALIFA, ADAM LEVINE, BENJAMIN LEVIN, AMMAR MALIK, JOHAN SCHUSTER and DANIEL OMELIO

©2012WARNER-TAMERLANEPUBLISHINGCORP.,WIZKHALIFAPUBLISHING,UNIVERSALMUSIC–CAREERS,SUDGEEMUSIC, WHEREDAKASZAT?,MATZABALLMUSIC,MARYCHACHA,MARATONEAB,BMGRUBYSONGSandEARENTERTAINMENT

AllRightsonbehalfofitselfandWIZKHALIFAPUBLISHINGAdministeredbyWARNER-TAMERLANEPUBLISHINGCORP. All Rights Reserved

&

&

TAB

# # # # #

# # # # #

44

44

..

..

.

.

œ œ œ œ

I'm at a pay

ÓCapo 4th fret

œ œ œ œ œ œ

phone try ing to call

œ œ œœ Jœ .œ

3

02

3 33

Eadd9

Cadd9

( )

œ œ œ œ œ œ

home, All of my change

œœ œ

œ Jœ .œ

3

00

3 33

B

G

( )

Jœ œJœ œ œ œ œ

I spent on you

œ œ œœ Jœ .œ

20

2

3 33

G#min

Emin

( )

- -

&

&

TAB

# # # # #

# # # # #

˙ œ œ œ œ

Wherehave the times

œ œ œœ Jœ œ Jœ

02

0

3 3 2 3

F#sus4

Dsus4

( )

œ œ œ œ œ œ

gone, ba by it's all

œ œ œœ Jœ .œ

3

02

3 33

Eadd9

Cadd9

( )

œ œ œ œ œ œ

wrong. Where are the plans

œœ œ

œ Jœ .œ

3

00

3 33

B

G

( )

-

&

&

TAB

# # # # #

# # # # #

Jœ œJœ œ œ œ œ

we made for two?

œ œ œœ Jœ .œ

20

2

3 33

G#min

Emin

( )

Ó ‰ œ JœYeah, I,

œ œ œœ Jœ œ Jœ

02

0

3 3 2 3

F#sus4

Dsus4

( )

‰ Jœœ œ œ œ œ œ œ

I know it's hard to re mem ber

œ œ œœ Jœ .œ

3

02

3 33

Eadd9

Cadd9

( )

- -

&

&

TAB

# # # # #

# # # # #

‰ Jœœ œ œ œ œ œ

the peo ple we used to be.

œœ œ

œ Jœ .œ

3

00

3 33

B

G

( )

‰ Jœœ œ œ œ œ œ œ

It's e ven har der to pic ture,

œ œ œœ Jœ .œ

20

2

3 33

G#min

Emin

( )

‰ Jœœ œ œ œ œ œ

that you're not here next to me.

œ œ œœ Jœ œ Jœ

02

0

3 3 2 3

F#sus4

Dsus4

( )

- - - -

&

&

TAB

# # # # #

# # # # #

44

44

..

..

.

.

œ œ œ œ

I'm at a pay

ÓCapo 4th fret

œ œ œ œ œ œ

phone try ing to call

œ œ œœ Jœ .œ

3

02

3 33

Eadd9

Cadd9

( )

œ œ œ œ œ œ

home, All of my change

œœ œ

œ Jœ .œ

3

00

3 33

B

G

( )

Jœ œJœ œ œ œ œ

I spent on you

œ œ œœ Jœ .œ

20

2

3 33

G#min

Emin

( )

- -

&

&

TAB

# # # # #

# # # # #

˙ œ œ œ œ

Wherehave the times

œ œ œœ Jœ œ Jœ

02

0

3 3 2 3

F#sus4

Dsus4

( )

œ œ œ œ œ œ

gone, ba by it's all

œ œ œœ Jœ .œ

3

02

3 33

Eadd9

Cadd9

( )

œ œ œ œ œ œ

wrong. Where are the plans

œœ œ

œ Jœ .œ

3

00

3 33

B

G

( )

-

&

&

TAB

# # # # #

# # # # #

Jœ œJœ œ œ œ œ

we made for two?

œ œ œœ Jœ .œ

20

2

3 33

G#min

Emin

( )

Ó ‰ œ JœYeah, I,

œ œ œœ Jœ œ Jœ

02

0

3 3 2 3

F#sus4

Dsus4

( )

‰ Jœœ œ œ œ œ œ œ

I know it's hard to re mem ber

œ œ œœ Jœ .œ

3

02

3 33

Eadd9

Cadd9

( )

- -

&

&

TAB

# # # # #

# # # # #

‰ Jœœ œ œ œ œ œ

the peo ple we used to be.

œœ œ

œ Jœ .œ

3

00

3 33

B

G

( )

‰ Jœœ œ œ œ œ œ œ

It's e ven har der to pic ture,

œ œ œœ Jœ .œ

20

2

3 33

G#min

Emin

( )

‰ Jœœ œ œ œ œ œ

that you're not here next to me.

œ œ œœ Jœ œ Jœ

02

0

3 3 2 3

F#sus4

Dsus4

( )

- - - -

&

&

TAB

# # # # #

# # # # #

44

44

..

..

.

.

œ œ œ œ

I'm at a pay

ÓCapo 4th fret

œ œ œ œ œ œ

phone try ing to call

œ œ œœ Jœ .œ

3

02

3 33

Eadd9

Cadd9

( )

œ œ œ œ œ œ

home, All of my change

œœ œ

œ Jœ .œ

3

00

3 33

B

G

( )

Jœ œJœ œ œ œ œ

I spent on you

œ œ œœ Jœ .œ

20

2

3 33

G#min

Emin

( )

- -

&

&

TAB

# # # # #

# # # # #

˙ œ œ œ œ

Wherehave the times

œ œ œœ Jœ œ Jœ

02

0

3 3 2 3

F#sus4

Dsus4

( )

œ œ œ œ œ œ

gone, ba by it's all

œ œ œœ Jœ .œ

3

02

3 33

Eadd9

Cadd9

( )

œ œ œ œ œ œ

wrong. Where are the plans

œœ œ

œ Jœ .œ

3

00

3 33

B

G

( )

-

&

&

TAB

# # # # #

# # # # #

Jœ œJœ œ œ œ œ

we made for two?

œ œ œœ Jœ .œ

20

2

3 33

G#min

Emin

( )

Ó ‰ œ JœYeah, I,

œ œ œœ Jœ œ Jœ

02

0

3 3 2 3

F#sus4

Dsus4

( )

‰ Jœœ œ œ œ œ œ œ

I know it's hard to re mem ber

œ œ œœ Jœ .œ

3

02

3 33

Eadd9

Cadd9

( )

- -

&

&

TAB

# # # # #

# # # # #

‰ Jœœ œ œ œ œ œ

the peo ple we used to be.

œœ œ

œ Jœ .œ

3

00

3 33

B

G

( )

‰ Jœœ œ œ œ œ œ œ

It's e ven har der to pic ture,

œ œ œœ Jœ .œ

20

2

3 33

G#min

Emin

( )

‰ Jœœ œ œ œ œ œ

that you're not here next to me.

œ œ œœ Jœ œ Jœ

02

0

3 3 2 3

F#sus4

Dsus4

( )

- - - -

&

&

TAB

# # # # #

# # # # #

44

44

..

..

.

.

œ œ œ œ

I'm at a pay

ÓCapo 4th fret

œ œ œ œ œ œ

phone try ing to call

œ œ œœ Jœ .œ

3

02

3 33

Eadd9

Cadd9

( )

œ œ œ œ œ œ

home, All of my change

œœ œ

œ Jœ .œ

3

00

3 33

B

G

( )

Jœ œJœ œ œ œ œ

I spent on you

œ œ œœ Jœ .œ

20

2

3 33

G#min

Emin

( )

- -

&

&

TAB

# # # # #

# # # # #

˙ œ œ œ œ

Wherehave the times

œ œ œœ Jœ œ Jœ

02

0

3 3 2 3

F#sus4

Dsus4

( )

œ œ œ œ œ œ

gone, ba by it's all

œ œ œœ Jœ .œ

3

02

3 33

Eadd9

Cadd9

( )

œ œ œ œ œ œ

wrong. Where are the plans

œœ œ

œ Jœ .œ

3

00

3 33

B

G

( )

-

&

&

TAB

# # # # #

# # # # #

Jœ œJœ œ œ œ œ

we made for two?

œ œ œœ Jœ .œ

20

2

3 33

G#min

Emin

( )

Ó ‰ œ JœYeah, I,

œ œ œœ Jœ œ Jœ

02

0

3 3 2 3

F#sus4

Dsus4

( )

‰ Jœœ œ œ œ œ œ œ

I know it's hard to re mem ber

œ œ œœ Jœ .œ

3

02

3 33

Eadd9

Cadd9

( )

- -

&

&

TAB

# # # # #

# # # # #

‰ Jœœ œ œ œ œ œ

the peo ple we used to be.

œœ œ

œ Jœ .œ

3

00

3 33

B

G

( )

‰ Jœœ œ œ œ œ œ œ

It's e ven har der to pic ture,

œ œ œœ Jœ .œ

20

2

3 33

G#min

Emin

( )

‰ Jœœ œ œ œ œ œ

that you're not here next to me.

œ œ œœ Jœ œ Jœ

02

0

3 3 2 3

F#sus4

Dsus4

( )

- - - -

Page 4: Contents Introduction€¦ · This book is designed for use with Alfred’s Guitar 101, Book 1 (42546) and Alfred’s Guitar 101, Book 2 (42721). It includes lessons provided by Martha

Guitar 101: Pop Songbook 13

J O H N D E N V E R : T A K E M E H O M E , C O U N T R Y R O A D S

Chords Used

Strumming PatternWhile you can play this tune in any key by using a capo, the strumming pattern is illustrated with a G chord for clarity.

• The original key for this song is A Major. In order to play it in that key using the chord forms above, you need to capo the 2nd fret. If you are singing this song, you can place the capo anywhere on the fretboard that suits your vocal range.

• Practice the strumming pattern slowly for accuracy. You want to make sure you are able to keep this rhythm going comfortably throughout the song.

• To vary the pattern, you can alternate between the root of the chord on beat 1 and a different note of the chord—on an adjacent string—on beat 3.

• Practice in sections by isolating the verse, chorus, and bridge.

Ti p s fo r pl ay i n g Th i s so n g

Swing

5

4

3

2

1

G3 412

5

4

3

2

1

Emin32

5

4

3

2

1

DX X 1 3 2

5

4

3

2

1

CX 3 2 1

5

4

3

2

1

F1 3 4 12 1

5

4

3

2

1

D7X X 12 3

& 44œ

œœœœœ œ

œœœœœœœœœœ œ

œœœœœ œ

œœœœœœœœœœ

Page 5: Contents Introduction€¦ · This book is designed for use with Alfred’s Guitar 101, Book 1 (42546) and Alfred’s Guitar 101, Book 2 (42721). It includes lessons provided by Martha

14 Guitar 101: Pop Songbook

Take Me Home , Country RoadsWords and Music by

JOHN DENVER, BILL DANOFF and TAFFY NIVERT

&

&

TAB

###

#

44

44

..

..

.

.

œœœœœœ œ

œœœœœœœœœœ

3

33002

3

33002

33002

A

GCapo 2nd fret

Swing

œ

œœœœœ œ

œœœœœœœœœœ

3

33002

3

33002

33002

Ó jœ .œAl most

œ

œœœœœ œ

œœœœœœœœœœ

3

33002

3

33002

33002

A

G

.œ jœ ˙hea ven

œ

œœœœœ œ

œœœœœœœœœœ

3

33002

3

33002

33002

˙ œ œ œWest Vir gi

œœœœœœ œ

œœœœœœœœœœ

0

00022

0

00002

00022

F#min

Emin

- - - -

&

&

TAB

###

#

jœ .œ ˙nia

œœœœœœ œ

œœœœœœœœœœ

0

00022

0

00002

00022

œ Œ Jœ.œ

Blue ridge

œœœœ œ

œœœ œœœ

0

232

0

232

232

E

D

.œJœ ˙

moun tain,

œœœœ œ

œœœ œœœ

0

232

0

232

232

œ œ œ œShe nan do ah

œœœœœ œ

œœœœœœœœ

3

0102

3

0102

0102

D

C

jœ œ jœ ˙ri ver.

œœœœœœ œ

œœœœœœœœœœ

3

33002

3

33002

33002

A

G

- - - - - -

&

&

TAB

###

#

w

œœœœœœ œ

œœœœœœœœœœ

3

33002

3

33002

33002

Ó œ œ œLife is old

œ

œœœœœ œ

œœœœœœœœœœ

3

33002

3

33002

33002

.œ jœ ˙there,

œ

œœœœœ œ

œœœœœœœœœœ

3

33002

3

33002

33002

œ œ œ œ œol der than the

œ

œœœœœ œ

œœœœœœœœœœ

0

00022

0

00002

00022

F#min

Emin

œ .˙trees,

œ

œœœœœ œ

œœœœœœœœœœ

0

00022

0

00002

00022

-

&

&

TAB

###

#

œ œ œ œ œ œYoung er than the moun

œœœœ œ

œœœ œœœ

0

232

0

232

232

E

D

.œJœ ˙tains,

œœœœ œ

œœœ œœœ

0

232

0

232

232

œ œ œ œ œgrow ing like a breeze.

œœœœœ œ

œœœœœœœœ

3

0102

3

0102

0102

D

C

˙ œ œ œCoun try roads,

œ

œœœœœ œ

œœœœœœœœœœ

3

33002

3

33002

33002

A

G

w

œœœœœœ œ

œœœœœœœœœœ

3

33002

3

33002

33002

- - - -

&

&

TAB

###

#

44

44

..

..

.

.

œ

œœœœœ œ

œœœœœœœœœœ

3

33002

3

33002

33002

A

GCapo 2nd fret

Swing

œ

œœœœœ œ

œœœœœœœœœœ

3

33002

3

33002

33002

Ó jœ .œAl most

œ

œœœœœ œ

œœœœœœœœœœ

3

33002

3

33002

33002

A

G

.œ jœ ˙hea ven

œ

œœœœœ œ

œœœœœœœœœœ

3

33002

3

33002

33002

˙ œ œ œWest Vir gi

œ

œœœœœ œ

œœœœœœœœœœ

0

00022

0

00002

00022

F#min

Emin

- - - -

&

&

TAB

###

#

jœ .œ ˙nia

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- - - -

© 1971 (Renewed) RESERVOIR MEDIA MANAGEMENT, INC., CHERRY LANE MUSIC PUBLISHING COMPANY, INC., ANNA KATE DEUTSCHENDORF, ZACHARY DEUTSCHENDORF and JESSE BELLE DENVER

All Rights for RESERVOIR MEDIA MUSIC Administered by RESERVOIR MEDIA MANAGEMENT, INC. RESERVOIR MEDIA MUSIC Administered by ALFRED MUSIC

All Rights for ANNA KATE DEUTSCHENDORF and ZACHARY DEUTSCHENDORF Administered by CHERRY LANE MUSIC PUBLISHING COMPANY, INC. All Rights for JESSE BELLE DENVER Administered by WB MUSIC CORP. (ASCAP) All Rights Reserved

Chorus

Page 6: Contents Introduction€¦ · This book is designed for use with Alfred’s Guitar 101, Book 1 (42546) and Alfred’s Guitar 101, Book 2 (42721). It includes lessons provided by Martha

28 Guitar 101: Pop Songbook

S H E R Y L C R O W : S O A K U P T H E S U N

&#### 44 Û Û Û Û

E5 B/D#

Û Û Û ÛD5 B/D#

Û Û Û ÛE5 B/D#

Û Û Û ÛG5 A5

Chords Used

Strumming PatternsIntro/Verse

• Allthreebasicsectionsofthetunearepresentedabove.Practiceeachoneslowlyforaccuracy.

• Practicealongwiththeoriginalrecording.

Ti p s fo r pl ay i n g Th i s so n g

Bridge

Chorus

11

10

9

8

7

E531X 4 X X

9

8

7

6

5

D531 4 X XX

11

10

9

8

7

E7sus4

11X 1 X X

5

4

3

2

1

G543 X X X1

5

4

3

2

1

B531 4 X XX

5

4

3

2

1

E32 1

5

4

3

2

1

A51X 1 X X

5

4

3

2

1

B21 13 4X

5

4

3

2

1

Asus2

1X 3

5

4

3

2

1

F#min43 11 11

8

7

6

5

4

B/D#13X 1 1 X

9

8

7

6

5

A43 12 11

5

4

3

2

1

A/C#13 X1 1X

&#### 44 Û Û

JÛ ‰ Œ ‰

JÛ ‰

JÛ ‰

JÛ Û Û

E7sus4 Esus2E5 E5 B5 A5 A5

&#### 44 Û Û Û Û Û Û

E

Û Û Û Û Û Û Û Û Û Û Û Û ÛB

Û Û Û Û Û Û Û

&#### Û Û Û Û Û Û Û Û

F#min

Û Û Û Û Û Û Û ÛA

Û Û Û Û Û ÛB

Û Û Û Û Û Û Û Û

Page 7: Contents Introduction€¦ · This book is designed for use with Alfred’s Guitar 101, Book 1 (42546) and Alfred’s Guitar 101, Book 2 (42721). It includes lessons provided by Martha

Guitar 101: Pop Songbook 29

Soak Up the SunWords and Music by

SHERYL CROW and JEFF TROTT

&

&

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44

44

..

..

.

.

..

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.

.

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42

22

42

442

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220

220

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..

.

.

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42

22

42

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Chords simile

Jœœ Jœ œ Œmun ist

‰ jœœœ‰ jœœœ

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442

220

220

Œ œJœ œ

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42

22

42

442

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Jœ Jœ .œhis R V.

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220

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42

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220

220

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42

22

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220

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42

22

42

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220

220

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42

22

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220

220

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.

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220

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.

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42

22

42

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220

220

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Holds meet ings in

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42

22

42

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220

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- - - -

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42

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220

220

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So I'm stuckhere wat

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42

22

42

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ching T V

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220

220

- - -

&

&

TAB

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œœ œœ ˙̇ ‰ jœœœ

42

22

42

442

‰ jœœœ‰ jœœœ

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220

220

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œœ œœ ˙̇ ‰ jœœœ

42

22

42

442

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220

220

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42

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44

44

..

..

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.

..

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.

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42

22

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220

220

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&

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..

..

.

.

Œ œ œ œ œ

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œœ œœ ˙̇ ‰ jœœœ

42

22

42

442

Chords simile

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‰ jœœœ‰ jœœœ

˙̇˙

442

220

220

Œ œJœ œ

Holds meet ings in

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42

22

42

442

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‰ jœœœ‰ jœœœ

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220

220

- - - -

&

&

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42

22

42

442

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442

220

220

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42

22

42

442

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ching T V

‰ jœœœ‰ jœœœ

˙̇˙

442

220

220

- - -

&

&

TAB

# # # #

# # # #

œœ œœ ˙̇ ‰ jœœœ

42

22

42

442

‰ jœœœ‰ jœœœ

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442

220

220

Œ œ œ œ œ

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œœ œœ ˙̇ ‰ jœœœ

42

22

42

442

Jœœ Jœ œ Œgi tal

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442

220

220

Œ œJœ œ

I don't have did

œœ œœ ˙̇ ‰ jœœœ

42

22

42

442

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44

44

..

..

.

.

..

..

.

.

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42

22

42

442

E5 E7sus4 E5 B5

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442

220

220

A5

&

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..

..

.

.

Œ œ œ œ œ

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42

22

42

442

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‰ jœœœ‰ jœœœ

˙̇˙

442

220

220

Œ œJœ œ

Holds meet ings in

œœ œœ ˙̇ ‰ jœœœ

42

22

42

442

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Jœ Jœ .œhis R V.

‰ jœœœ‰ jœœœ

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442

220

220

- - - -

&

&

TAB

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# # # #

Œ œ œ œ œ

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42

22

42

442

Jœœ Jœ œ Œhis gas,

‰ jœœœ‰ jœœœ

˙̇˙

442

220

220

Œ œ œ Jœ œ Jœ

So I'm stuckhere wat

œœ œœ ˙̇ ‰ jœœœ

42

22

42

442

Jœœ Jœ Jœ .œ

ching T V

‰ jœœœ‰ jœœœ

˙̇˙

442

220

220

- - -

&

&

TAB

# # # #

# # # #

œœ œœ ˙̇ ‰ jœœœ

42

22

42

442

‰ jœœœ‰ jœœœ

˙̇˙

442

220

220

Œ œ œ œ œ

I don't have di

œœ œœ ˙̇ ‰ jœœœ

42

22

42

442

Jœœ Jœ œ Œgi tal

‰ jœœœ‰ jœœœ

˙̇˙

442

220

220

Œ œJœ œ

I don't have did

œœ œœ ˙̇ ‰ jœœœ

42

22

42

442

- - -

©2002RESERVOIR416(BMI),OLDCROWMUSIC(BMI)andCYRILLICSOUP(ASCAP)AllRightsforRESERVOIR416(BMI)andOLDCROWMUSIC(BMI)AdministeredbyRESERVOIRMEDIAMANAGEMENT,INC.

RESERVOIRMEDIAMANAGEMENT,INC.AdministeredbyALFREDMUSICAllRightsReserved