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Contemporary British Fiction. Cool Britannia and After: British Literature, Culture, and Society from the 1990s to the Present Session Two

Contemporary British Fiction. Cool Britannia and After: British Literature, Culture, and Society from the 1990s to the Present Session Two

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Page 1: Contemporary British Fiction. Cool Britannia and After: British Literature, Culture, and Society from the 1990s to the Present Session Two

Contemporary British Fiction.Cool Britannia and After: British

Literature, Culture, and Society from the 1990s to the Present

Session Two

Page 2: Contemporary British Fiction. Cool Britannia and After: British Literature, Culture, and Society from the 1990s to the Present Session Two

Agenda

• A Tour of the 1990s:– Jay Roach, Austin Powers: International Man

of Mystery (1997)– Britpop– Britart– Heritage films– Foreign and domestic politics– What people remember

Page 3: Contemporary British Fiction. Cool Britannia and After: British Literature, Culture, and Society from the 1990s to the Present Session Two

A Tour of the 1990s

• Jay Roach, Austin Powers: International Man of Mystery (1997)

Page 4: Contemporary British Fiction. Cool Britannia and After: British Literature, Culture, and Society from the 1990s to the Present Session Two

A Tour of the 1990s: Britpop

Page 5: Contemporary British Fiction. Cool Britannia and After: British Literature, Culture, and Society from the 1990s to the Present Session Two

BBC, ”Cool Britannia”

• Growing up in the 90s was fantastic, it seemed anything was possible, Britain was cool again, we had our own music, our own art, our own identity. Who'd have thought a few years down the line there would be debate on whether Britain even had an identity? In the 90s we did, and it was cool, working class kids were leaving school with optimism, the world seemed open to them, music was good, life was good, for once their seemed to be a government in charge that was making things positive. How did it all go wrong?Eddie Tyrell, Liverpool

Page 6: Contemporary British Fiction. Cool Britannia and After: British Literature, Culture, and Society from the 1990s to the Present Session Two

A Tour of the 1990s: Politics

• Tony Blair• 1994: Labour elects

Blair• 1995: dumps Clause

Four: New Labour• 1997: Landslide

victory

Page 7: Contemporary British Fiction. Cool Britannia and After: British Literature, Culture, and Society from the 1990s to the Present Session Two

A Tour of the 1990s: Britpop

• Oasis, ”Supersonic”: video and lyrics

• Blur, ”Girls and Boys”: video and lyrics

• Pulp, ”Common People”: video and lyrics

• The Spice Girls, ”Wannabe”: video and lyrics

Page 8: Contemporary British Fiction. Cool Britannia and After: British Literature, Culture, and Society from the 1990s to the Present Session Two

A Tour of the 1990s: Britart

• Young British Artists

• Damien Hirst

• Tracey Emin

Page 9: Contemporary British Fiction. Cool Britannia and After: British Literature, Culture, and Society from the 1990s to the Present Session Two

The Physical Impossibility of Death in the Mind of Someone Living

(1991)

Page 10: Contemporary British Fiction. Cool Britannia and After: British Literature, Culture, and Society from the 1990s to the Present Session Two

The Physical Impossibility of Death in the Mind of Someone Living

(1991)

Page 11: Contemporary British Fiction. Cool Britannia and After: British Literature, Culture, and Society from the 1990s to the Present Session Two

The Physical Impossibility of Death in the Mind of Someone Living

(1991)

Page 12: Contemporary British Fiction. Cool Britannia and After: British Literature, Culture, and Society from the 1990s to the Present Session Two

Mother and Child Divided (1993)

Page 13: Contemporary British Fiction. Cool Britannia and After: British Literature, Culture, and Society from the 1990s to the Present Session Two

Mother and Child Divided (1993)

Page 14: Contemporary British Fiction. Cool Britannia and After: British Literature, Culture, and Society from the 1990s to the Present Session Two

Mother and Child Divided (1993)

Page 15: Contemporary British Fiction. Cool Britannia and After: British Literature, Culture, and Society from the 1990s to the Present Session Two

Mother and Child Divided (1993)

Page 16: Contemporary British Fiction. Cool Britannia and After: British Literature, Culture, and Society from the 1990s to the Present Session Two

Tracey Emin, My Bed

Page 17: Contemporary British Fiction. Cool Britannia and After: British Literature, Culture, and Society from the 1990s to the Present Session Two

Tracey Emin, My Bed

Page 18: Contemporary British Fiction. Cool Britannia and After: British Literature, Culture, and Society from the 1990s to the Present Session Two

Tracey Emin, My Bed

Page 19: Contemporary British Fiction. Cool Britannia and After: British Literature, Culture, and Society from the 1990s to the Present Session Two

Interpretations

• What sort of work of art are we dealing with?

Page 20: Contemporary British Fiction. Cool Britannia and After: British Literature, Culture, and Society from the 1990s to the Present Session Two

Six Factors of Verbal Communication

• Roman Jakobson, ”Linguistics and Poetics”

context

Addresser message addressee

contact

code

Page 21: Contemporary British Fiction. Cool Britannia and After: British Literature, Culture, and Society from the 1990s to the Present Session Two

Six Functions of Verbal Communication

• Roman Jakobson, ”Linguistics and Poetics”

Referential

Emotive poetic conative

phatic

metalingual

Page 22: Contemporary British Fiction. Cool Britannia and After: British Literature, Culture, and Society from the 1990s to the Present Session Two

Five Approaches to Art

Contextual

Expressive Formalist Reader response

(phatic)

Structuralist

Page 23: Contemporary British Fiction. Cool Britannia and After: British Literature, Culture, and Society from the 1990s to the Present Session Two

Saatchi Gallery commentary

Tracey Emin• My Bed• 1998• Mattress, linens, pillows, objects• 79 x 211 x 234 cm• Tracey Emin shows us her own bed, in all its

embarrassing glory. Empty booze bottles, fag butts, stained sheets, worn panties: the bloody aftermath of a nervous breakdown. By presenting her bed as art, Tracey Emin shares her most personal space, revealing she’s as insecure and imperfect as the rest of the world.

Page 24: Contemporary British Fiction. Cool Britannia and After: British Literature, Culture, and Society from the 1990s to the Present Session Two

Herritage Film: Pride and Prejudice (1995)

Page 25: Contemporary British Fiction. Cool Britannia and After: British Literature, Culture, and Society from the 1990s to the Present Session Two

The two openings

• Jane Austen• Authorial comment by

narrator (Telling)• Dialogue between Mr

and Mrs Bennett (Showing)

• The BBC