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Image Permanence Institute 2017 - 2018 Collection Preservation and Access Photographic Process Identification Webinar #6

Collection Preservation and Access

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Page 1: Collection Preservation and Access

Image Permanence Institute2017-2018

Collection Preservation and Access

Photographic Process Identification Webinar #6

Page 2: Collection Preservation and Access

Collection

Preservation

AccessIntellectual Control

Page 3: Collection Preservation and Access

Collections

• Environment• Housing Materials• Institutional records• Searchability• Scholarship • Publications• Exhibitions• Education

Preservation

AccessIntellectual Control

Page 4: Collection Preservation and Access

Types of Decay• Chemical • Mechanical • Biological

Page 5: Collection Preservation and Access

Causes of Decay• Light• Heat (T)• Relative Humidity (RH) • Environmental Pollutants

Page 6: Collection Preservation and Access

Light

• Display: Low visible light– Amount of light depends on sensitivity of objects

• 50 lux (5 ft candle) for light sensitive objects

• 100 lux (10 ft candle) for less light sensitive objects

Albumen Print

Silver Gelatin DOP

Page 7: Collection Preservation and Access

Environment

Dew Point Relative HumidityTemperature

Page 8: Collection Preservation and Access

Temperature

• High T– Accelerates chemical

deterioration• Rate of decay doubles

every 5ºC/9ºF increase in T

Why?• Kinetics– Energy of a gas particle

is directly proportional to the temperature

Page 9: Collection Preservation and Access

Relative Humidity

Relative Humidity is the amount of water vapor in the air expressed as a percentage of the amount needed for saturation at the same temperature.

Page 10: Collection Preservation and Access

WaterA deeper look…• As RH increases or decreases water diffuses

into and out of the collection until it reaches equilibrium

What this means…• Mechanical

– Objects physically expand and contract• Chemical

– Lots of water available for chemical reactions

• Biological– Mold city

Page 11: Collection Preservation and Access

Dew PointThe temperature at which air containing a specific about of water becomes saturated. Dew Point determines the temperature and RH combination you can achieve.

Page 12: Collection Preservation and Access

Environment70° F/21° C

50% RH

Environment70° F/21° C

50% RH

Page 13: Collection Preservation and Access

#1: Ideal TemperatureFirst, address chemical stability. Keep T low

Safe Zones

Page 14: Collection Preservation and Access

#2: Ideal Relative Humidity

Safe Zone

Second, avoid RH extremes for long periods of time (1-3 months). This can lead to mold and/or mechanical decay

Page 15: Collection Preservation and Access

Moisture EquilibrationSlow!

Moisture Equilibration at 20˚C (68˚F)

Materials Enclosures 90% Equilibration

Hardcover Book Book on shelf One month

35mm film Metal can Six months

Page 16: Collection Preservation and Access

EnvironmentDew Point Calculator: www.dpcalc.org

Constant Dew Point, Change in Temperature

Page 17: Collection Preservation and Access

Environment

Constant Dew Point, Change in Temperature Lower Dew Point

Dew Point Calculator: www.dpcalc.org

Page 18: Collection Preservation and Access

Monitoring the Environment

Compare T & %RH and its effect on preservation quality

Page 19: Collection Preservation and Access

Preservation Metrics

• PI – Preservation Index

• TWPI– Time Weighted Preservation Index

Page 20: Collection Preservation and Access

Preservation Metrics

• % EMC – Equilibrium Moisture Content

Page 21: Collection Preservation and Access

Preservation Metrics

• Mold Risk Factor

Page 22: Collection Preservation and Access

Monitoring the Environment

Continuous Measuring• Electronic Dataloggers

Page 23: Collection Preservation and Access

Monitoring the EnvironmentLocation• Inside cases• Central location in storage or exhibition space– Away from doors, air vents,

heating/cooling/humidity control equipment

Page 24: Collection Preservation and Access

Monitoring the EnvironmentElectronic data• Software provides graphs• Visualize changes over time• Compare data sets• Overlay data

eClimateNotebook

Page 25: Collection Preservation and Access

Some SpecificsTemperature

Page 26: Collection Preservation and Access

Cold or Frozen

Chemical instability

Cellulose Acetate FilmCellulose Nitrate Film

Chromogenic PrintsChromogenic Film

Inkjet

Page 27: Collection Preservation and Access

Color Processes

• Which of these is best preserved in “frozen storage”?

Chromogenic Silver Dye Bleach Dye Imbibition

Page 28: Collection Preservation and Access

Don’t Freeze!

• Glass Plates• Internal Dye Diffusion Transfer

Page 29: Collection Preservation and Access

Gelatin vs Collodion POP

Page 30: Collection Preservation and Access

Preparedness

• Emergency• Project Planning• Collection Survey Priorities

Page 31: Collection Preservation and Access

Housing Materials

• Words, Words–Archival–Acid free

Page 32: Collection Preservation and Access

Housing MaterialsISO 18902 Imaging materials — Processed imaging materials — Albums, framing and storage materials.• Passed P.A.T.• Alkaline Reserve: 2% by weight calcium carbonate (CaCO3)• Kappa Number: 7 or less• pH Test: pH 7-10• Bleed Test: no bleed

Page 33: Collection Preservation and Access

Plastics

• Good– Polyester (PET)– Polypropylene– Polyethylene

• Bad– Polyvinyl Chloride

(PVC)– Cellulose Acetate– Anything greasy to the

touch and/or smelly

Page 34: Collection Preservation and Access

Paper vs. Plastic

PaperPro• No static• Write on itCon• Opaque• Abrasive

PlasticPro• Transparent• Non-abrasive

(polyester)Con• Static• Traps pollutants• Can’t write on it

Page 35: Collection Preservation and Access

Resources

• Storage Environments: The Big Picture– https://www.connectingtocollections.org/storage-environments/

• Choosing the Datalogger that is Right for You– https://www.connectingtocollections.org/recording-community-webinar-choosing-the-datalogger-that-is-right-for-you/

Page 36: Collection Preservation and Access

Resources

• www.filmcare.org• www.imagepermanenceinstitute.org

Page 37: Collection Preservation and Access

Collections

Preservation

AccessIntellectual Control

Page 38: Collection Preservation and Access

Access: NomenclatureSome processes have MANY different namesWhat’s in a name?• Should describe what it is…– Technology–Materials

Page 39: Collection Preservation and Access

Access: Nomenclature

Inkjet Prints• Archival Digital Print• Digital Exhibition Print• Archival Pigment Print• Digital Pigment Print• Digital Print• Archival Pigment Photograph• Pigment Print

“That which we call a rose by any other name would smell as sweet”

Chromogenic Prints (digitally exposed)• Lambda Print• Fujicolor Crystal Archive Print• Digital Chromogenic Dye Print• Digital C-Type Print• LiteJet Exposure on Alu-dibond• Lambda Digital Print• Archival Chromogenic Print• Digital C-Print• Digital Silver Halide C-Type Print

Page 40: Collection Preservation and Access

Access

• Cataloging style guide– Standardize list of process names • Use technical names rather than industry proprietary

names– Chromogenic vs. C-print– Silver Dye Bleach or Dye Destruction vs. Cibachrome

– Retrieve information– Provide better access and better information to

researchers

Page 41: Collection Preservation and Access

Collections

Preservation

AccessIntellectual Control

Page 42: Collection Preservation and Access

• How photographs were used, by whom, and when• How the materials contribute to aesthetics

Intellectual Control

Page 43: Collection Preservation and Access

Gum bichromateover silver-platinum print

Metropolitan Museum of Art

PhotogravureNational Gallery of Art

PhotogravureGibson Gallery

Edward Steichen Portraits—Evening

Edward Steichen Mr. and Mrs. Steichen

Edward Steichen Portraits, Evening

Intellectual Control

Page 44: Collection Preservation and Access

Resources

• Object: Photo– www.moma.org/inter

actives/objectphoto/#home

• Graphics Atlas– www.graphicsatlas.org

Page 45: Collection Preservation and Access

Survey & Thank You

Thank you!• National Endowment for the Humanities

Division of Preservation and Access• The Andrew W. Mellon Foundation

Survey!• A brief survey will appear at the end, please give

us feedback!

Page 46: Collection Preservation and Access

Buffered vs. Non-buffered

Does it matter?