Class 7 Guitar I, & II• Slow Song

• Accessories

• Chromatic Scale

• Bass Pluck Strum

• More timing work (Maybe)

• Finish fingerpicking 1st pattern.

• Some review and new songs and techniques

Names of the notes on the open strings.

E A D G B E

Below are the names of the notes on the open strings. These need to be memorized. From the lowest pitch to the highest pitch:E, A, D, G, B and E. Note that the 6th string is called ‘low E’ and the 1st string is called ‘high E’.

Below is where the open strings are written on thestaff!

This week let’s play this! Very slowly.

High Heel Sneakers

• Transpose to the key of A. It is now in the key of C.

• Write the new chords in the book.– C becomes A– F or F7 becomes D– G or G7 becomes E7.

• Guitar II students Capo at 5th fret.– C becomes E– F or F7 becomes A– G or G7 becomes B7.

12 bar blues in A: 4/4 ||: A | D | A | | D | | A | | E7 | D | A | : ||

Jump Jive And Wail

A | | | | D | | A | 4/4 ||: Baby, baby it looks like it’s gonna hail. Baby, baby it looks like it’s gonna hail.

A |E7 | D |A | : || Better come inside let me teach you how to jump, jive and wail. (Chorus) Yeah, you gotta jump, jive and then you wail, you gotta jump, jive and then you wail. You gotta jump, jive and then you wail, you gotta jump, jive and then you wail. You gotta jump, jive and then you wail away.

Yeah, Papa’s in the ice box looking for a can of ale. Papas in the ice box looking for a can of ale. Said Mama’s on the front porch learning how to jive and wail.

Chorus

Said, a woman is a woman and a man ain’t nothin’ but a man. Said, a woman is a woman and a man ain’t nothin’ but a man. Said one thing about them, they know how to jump, jive and wail.

Chorus

You know what I heard? Jack and Jill went up hill to get a pail. I said, Jack and Jill went up hill to get a pail. Ah, Jill stood up wants to learn how to jive and wail.

For Guitar II students!!!1/8th notes with a swing. If electric use delay for slap-back.

Fingering 2 2 1 1 2 2 3 3 4 4 3 3 2 2 1 1 Same pattern for all of this.

Kansas City

A D 4/4 I'm going to ||: Kansas City |Kansas City here I | come. |I'm Goin to| Kansas City |

A E7 Kansas City here I | come. | They got some | crazy little women there and |

D A E7 A I'm going to get me | one. | I'm going to be | standing on the corner |

A D 12th street and | Vine. | I'm going to be | standing on the corner | 12th street and |

A E7 D A Vine. | With my | Kansas City baby and my | bottle of Kansas City | wine.

E7 A (Break) Well I | might take a train, | might take a plane but | if I have to walk I'm going to |

A D A get there just the same. I'm Goin to | Kansas City | Kansas City here I | come. |

A E7 D A E7 They got some | crazy little women there and | I'm going to ge me | one. | If I |

A (Break) stay with that women you | know I'm gonna die | gotta find a brand new lover |

A D A that's the reason why. I'm Goin to | Kansas City | Kansas City here I | come. |

A E7 D A They got some | crazy little women there and | I'm going to get me | one. | :||

The Am and E chords

2 3

Am (A Minor)

1

2 3

E Major

0 0 0

0 0 0

1

Notice that the finger pattern is exactly the same but on different strings.Practice changing from the Am to the E and back again, until the change is smooth!

1

3 3 3

E Major Guitar II

7th

Fret

2

3 4

Am (A Minor Guitar II)

1 1 1 1 1 1 5th Fret

Knockin' On Heaven's Door Verse 1 G D Am G D C G D | Mama take this badge off of me | | I can't use it any more | | It's getting dark , too dark for me to Am G D C G D Am | see | I feel like I'm kmockin' on heaven's door | | Knock, knock, knockin' on heaven's door | | G D C G D Am | Knock, knock, knockin' on heaven's door | | Knock, knock, knockin' on heaven's door | | G D C | Knock, knock, knockin' on heaven's door | |

Verse 2 G D Am G D C G D | : Mama put my guns on the ground | | I can't use them any more | | That long black cloud is comin' down Am G D C G D Am | | I feel like I'm kmockin' on heaven's door | | Knock, knock, knockin' on heaven's door | | G D C G D Am | Knock, knock, knockin' on heaven's door | | Knock, knock, knockin' on heaven's door | | G D C | Knock, knock, knockin' on heaven's door | :| |

Repeat verse 1

Notice that the whole song is:4/4 ||: G D | Am | G D | C : ||

Try to play the melody. It starts on the ‘B’ 2nd string open.Also Guitar II students apply the fingerpicking to this!Guitar I students can try the strum once the tune is learned.

Guitar II play the Melody!

Greensleeves

Note: This songIs in ¾ time.The melody isin tablature andtraditional notes.

Again Guitar II play the melody.

Steal My Kisses 4/4 ||: G |C | D | G : || I pulled into Nashville, Tennessee But you wouldn't even come around to see me And since you're headin up to Carolina You know I gonna be right there behind you 'Cos I always have to steal my kisses from you Always have to steal my kisses from you Now I love to feel that warm southern rain Just to hear it fall is the sweetest soundin' thing And to see it fall on your simple country dress It's like heaven to me I must confess 'Cos I always have to steal my kisses from you Always have to steal my kisses from you Now I've been hangin around you for days But when I lean in you just turn your head away Woah, I know you didn't mean that She said I love the way you think But I hate the way you act 'Cos I always have to steal my kisses from you Always have to steal my kisses from you

These chords go for the whole song!

EVIL WAYS Am D Am D E7 Am D Am D You got to change your evil ways, baby Am D Am D Before I stop loving you Am D Am D You got to change, baby Am D Am D And every word that I say is true Am D You got me runnin' and hidin' Am D All over town Am D You got me speakin' and believin' Am D And runnin' you down E This can't go on Am D Am D Lord knows you got to change, baby When I come home, baby My house is dark and my thoughts are cold You hang around, baby With Trina, Joan and a who knows who I'm getting tired of waiting and fooling around Go find somebody that won't make you feel like a clown This can't go on Lord knows you got to change Repeat last verse

The Am to D gets 2 beats each

Guitar II Students Only.

Chromatic Scale.

Remember the chromatic scale can easily be memorized by just remembering a couple of facts: 1. There are sharps and flats between every letter name except between E and F and between B and C, 2. There are enharmonic equivalents as follows: C# = Db, D# = Eb, F# = Gb, G# = Ab, and A# = Bb. Therefore the chromatic scale is as follows (starting on A):

A, A#/Bb, B, C, C#/Db, D, D#/Eb, E, F, F#/Gb, G, G#/Ab, to A.

From one note to the next is called a 1/2 step so from A to Bb is a 1/2 step. Two 1/2 steps make up a whole step so A to B is a whole step.Memorize this scale.

Finding notes on the guitar

Finding the names of all of the notes on any fretted instrument. Start with the open string and just go one space clockwise (when Chromatic scale on a circle) for each fret (1/2 step). The 12th fret should be the same letter name as the open string.

E A D G B E

The ChromaticScale

CC#/Db

D

Eb/D#

E

FF#/Gb

G

Ab/G#

Bb/A#

BF#,GbG

F

G#, Ab

A

A#, Bb

BC

C#, Db

A

E A D G B E

E A D G B E

Now fill in this chart ona separate piece of paper – the 12th fretshould be the same as the open string.Turn it in as homework next week!!!

1 1 1 1 1 1

2

3 4

G D G B D G

R 5 R 3 5 R

G

1

3 3 3

X X

C

1 1 12

3

4

D F# A D F#R 3 5 R 3

D

For Guitar II – Using CAGED and staying in one position.This is basically in 2nd and 3rd position.

G do the E form, C do the A form and D do the C form. You now can play the following songs without moving more than 1 fret. Also listen to how nice the chords move from one to the other. Try this in other keys etc.

1 1 1 1 1 1 8th

fret2

3 4

G D G B D G

R 5 R 3 5 R

C

1

3 3 3

X X

D

1 1 12

3

4

D F# A D F#R 3 5 R 3

G

For Guitar II – Using CAGED and staying in one position.5th to 8th position

G do the E form, C do the A form and D do the C form. You now can play the following songs without moving more than 1 fret. Also listen to how nice the chords move from one to the other. Try this in other keys etc.

7th

fret5th fret

Brown Eyed Girl G C G D G C G D G ||: Hey, where did we | go | days when the rains | came. | Down in the | hollow | playin' a new | game. | Laughin' and a | C G D G C G D C runnin', hey, hey, | Skippin' and a | jumpin, | In the misty morn | ing fog with | our | hearts a thumpin' and | you, D G Em C D G D My Brown Eyed Girl, | | | You're my | Brown Eyed Girl. | | Do you remem- | ber when | we G C G D G C G D used to sing | Sha la la la | la la la la | la la la te da. | | Sha la la la | la la la la | la la la te da.| la te da.:| |

Verse 2 Whatever happened to Tuesday and so slow Going down the old mine with a transistor radio Standing in the sunlight laughing Hiding behind a rainbows wall Skipping and a sliding All along the water fall With you, my Brown Eyed Girl You, my Brown Eyed Girl. Do you remember when we used to sing Sha la la la la la la la la la la te da. Sha la la la la la la la la la la te da. Verse 3 So hard to find my way, now that I'm all on my own I saw you just the other day, my, how you have grown Cast my memory back there, Lord Sometime I'm overcome thinking 'bout Making love in the green grass Behind the stadium With you, my Brown Eyed Girl. With you, my Brown Eyed Girl. Do you remember when we used to sing Sha la la la la la la la la la la te da. Sha la la la la la la la la la la te da.

The Key here is to first practice the following: 4/4||: G | C | G | D : ||

G C D (Each Line) Another turning point a fork stuck in the road Time grabs you by the wrist directs you where to go Tab 2 Em D C G So make the best of these days and don't ask why It's not a question but a lesson learned in time Chorus Em G Em G It's something unpredictable in the end it's right Em D G C D I hope you have the time of your life. Verse 2 G C D (Each Line) So take the photographs and stillframes in your mind Hang it on a shelf and goodav than good times Tatoos and memories and asking on trial For what it's worth it was worth all the while Chorus

Time Of Your Life

While the intermediates play this read pages 1-10 in the Guitar Reference.

G

1

2 3 4

0 0

C add 9

1

2 3 4

0

D sus4

13 4

0

More advanced chords to Time of Your Life. These are chords that each have a D and a G note on the first 2 strings. This is called a pedal point.

Pluck Strum

• To do this you will use your index finger on the 3rd string, middle finger on the 2nd string and ring finger on the first string.

• They will work together as one group, plucking the strings by slightly hooking under each string then bringing the fingers towards the palm of the hand.

• Each finger hits only the one string and not all of the strings.

• You will do bass – chord just like before but it will be bass – pluck etc.

• Try to just a few chords at first. Be sure to still do the rest stroke on the bass notes.

Here Comes The Sun

• Start by looking at video of Harrison and Simon.

• Watch their hands!!!!!

Look in the book

• Page 100.

• While this is close and will work – the chords do anyway.

• Intro is close enough.

We will start here. First 2 lines only have one issue that is the last 2 measures. Chords change in odd places. We will work on that one the first 5 measures are down.Look at counting on next page for that section.

Start with the chords below.

Count 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &

This is the difficult part. Chords change in groups of 3 1/8th notes.

Count 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &

This is the difficult part. Chords change in groups of 3 1/8th notes.

3

2

1

0

Hold all fingers down as above and then play 3rd string to 2nd string to 1st string. Then lift the 3rd finger, play 3rd string, 2nd string then 1st string, then lift index finger and play the 3rd string, 2nd string, 1st string. Then put the 1st finger down, play 3rd string, 2nd string, 1st string.

For the A7 part is just the scale coming down.

Next try pages 1 and 2. to the repeat. Repeat back to the 2nd line.

Here Comes the Sun in G [G]Little darling, It's been a l[C]ong, cold, lonely w[D7]inter. [G]Little darling, It feels like y[C]ears since it's been h[D7]ere. [G]Here comes the sun. [C]Here comes the s[A7]un, And I say[G], it's all right.[C] [G] [C] [G] [D7] [G] [G7] Little darling, The smiles returning to their faces. Little darling, It feels like years since it's been here. Here comes the sun. Here comes the sun, And I say, it's all right. Little darling, I feel that ice is slowly melting. Little darling, It feels like years since it's been clear. Here comes the sun. Here comes the sun, And I say, it's all right.

One of 5 keys we will do this song in.

Guitar II

1 2 34

D/F# (Means a D chord with an F# in the Bass

0 0

1 2

3

0 0

T

Either of these fingerings will work. I prefer the 2nd one for me. Put this in onAmazing Grace as the 2nd measure of D when D goes to a G chord in the next measure.This is very common when D is changing to G. For you theory buffs this is a D chord in 1st inversion with the 3rd in the bass.This leads to the D form of the moveable chord

The D7 Chord

1

2 3

D7

0 0

1

23 4

D7 (Guitar II)

The C Major Chord

1

23

C Major

When there is just a letter name it means major. C Major isusually written as just a ‘C’. On this chord do not hit the 6th string.Curving the fingers is very important on this chord.

C (Guitar II)

1 1 1 1 1 1

3 3 3

RT

Born To Be Wild

From book page 36

Early example of power chords.

E

0 X X

1

4

6th fret.

This is for Guitar II, III and IV and is the basic chord. For Guitar I play an E chord for E, E6 and E7. Some of you will note how close this is to Purple Haze as far as the progression goes.

You can also just play an E on this.

3

This is the ultimate power chord. Formation is a power chord formation with the root on the 5th string. This can all be moved to the 6th string and then it would be an 6th form of the power chord.

OK at the end use your 4th finger for the notes on the 11th and 12th frets.While it is not easy at first it is playable. If you just can’t do it then mute the 5th string and only play the 6th and 4th strings. While it isn’t as good it does work well.

This is played where ever there is the E6 and E7 in the 2nd measure pattern on the sheet music. For example, the intro and first 8 measures of the song.

E

0 X X

1

4

6th fret.

3

D

X X X

1

4

6th fret.

3

5th fret

This is for the last line and a ½ for the Guitar II, III and IV students.This would be a good song for one of the Ensemble groups.

Steal My Kisses 4/4 ||: G |C | D | G : || I pulled into Nashville, Tennessee But you wouldn't even come around to see me And since you're headin up to Carolina You know I gonna be right there behind you 'Cos I always have to steal my kisses from you Always have to steal my kisses from you Now I love to feel that warm southern rain Just to hear it fall is the sweetest soundin' thing And to see it fall on your simple country dress It's like heaven to me I must confess 'Cos I always have to steal my kisses from you Always have to steal my kisses from you Now I've been hangin around you for days But when I lean in you just turn your head away Woah, I know you didn't mean that She said I love the way you think But I hate the way you act 'Cos I always have to steal my kisses from you Always have to steal my kisses from you

These chords go for the whole song!

Songs From Book

• Lay down Sally, pg 164

• Hey Jude, (Will transpose to D) pg 102

• It's So Easy, pg 125

• Words of Love, pg 334

• Memphis, pg 180

• Rebel Rouser, pg 216

Dynamics• p = piano or soft• mf = mezzo forte or moderately loud• f = forte or loud.• Apply to the previous song “Knockin on

Heaven’s Door” Play the first part p (soft and the 2nd part f (loud).

• What works well is to do a crescendo on the last chord of the fist part (this would be to gradually get louder or go from p to f.

• Dynamics can make a tune really work. Try to apply them to other songs that you have learned

Knock, Knock, Knockin’ On Heaven’s Door

Simple Melody and Chords

Knockin' On Heaven's Door Words and Music By Bob Dylan

| | G / D / | Am7 / / / | G / D / | C / / / | | Verse 1 Mama take this badge off of me I can't use it any more It's getting dark , too dark for me to see I feel like I'm knockin' on heaven's door Knock, knock, knockin' on heaven's door Knock, knock, knockin' on heaven's door Knock, knock, knockin' on heaven's door Knock, knock, knockin' on heaven's door Verse 2 Mama put my guns on the ground I can't use them any more That long black cloud is comin' down I feel like I'm kmockin' on heaven's door Knock, knock, knockin' on heaven's door Knock, knock, knockin' on heaven's door Knock, knock, knockin' on heaven's door Knock, knock, knockin' on heaven's door Solo Repeat verse 1

Start with learning the Chords

• Do in 1st position then once that is mastered move to Barre chords.

• Once the chords are learned do the melody.• You will need to figure it out. Hint is that the

Chord Rules and the melody is mainly in the chords.

• As a group have each person play the chords and then the melody. Help each other out. The sum of the parts is greater than the whole.

Knockin' On Heaven's Door Verse 1 G D Am G D C G D | Mama take this badge off of me | | I can't use it any more | | It's getting dark , too dark for me to Am G D C G D Am | see | I feel like I'm kmockin' on heaven's door | | Knock, knock, knockin' on heaven's door | | G D C G D Am | Knock, knock, knockin' on heaven's door | | Knock, knock, knockin' on heaven's door | | G D C | Knock, knock, knockin' on heaven's door | |

Verse 2 G D Am G D C G D | : Mama put my guns on the ground | | I can't use them any more | | That long black cloud is comin' down Am G D C G D Am | | I feel like I'm kmockin' on heaven's door | | Knock, knock, knockin' on heaven's door | | G D C G D Am | Knock, knock, knockin' on heaven's door | | Knock, knock, knockin' on heaven's door | | G D C | Knock, knock, knockin' on heaven's door | :| |

Repeat verse 1

Notes in the G chord are G, B and DD is D, F# and AAm7 are A, C, E and GC is C, E and G. The melody follows the notes in the chord for the most part.

GG G G

1 1

2

1 2

3

1

2

3

7th

fret3rd fret

1

2

3

Some other ways to play the G chord

What you want to do is find out all of the notes in each of the chords. Once you havedone that, map them to the guitar and try as many voicings and ways to play them as you can think of. You will be surprised at how many different ways you can play eachchord. I have given you some for the G chord. It contains the notes G, B and D. The Am7 chord is A, C, E and G, the D chord is D, F# and A, and the C chord is C, E and G.

Words of Love

In Book at 334

A I IV V song.

Start with the chords.

• Only 3 chords A, D and E

• Even though it is simple it is fun to do.

• Sometimes these easy songs have quite a bit to do.

• If singing the harmony will make this piece.

• Whole piece is:4/4 ||: A | D E : || Timing on next page.

On beat 4 of the 2nd measure that open E is played on the last 1/16th note of the beat. You could also play the chord or just the first 2 strings of the chord. This must be played with an up stroke.

Again – What Rules?

• Yes the chord rules.

• This is particularly true when you have to solo without much in back of you. Trio with guitar bass drums etc.

• You could do a faux of this by just playing parts of the chord and most people wouldn’t even know. Best of all it would sound good. Don’t be fancy!

For next class

• Memorize the D, D7, G, A7, E7, A, C and Em chords• Go over all of the songs played in class so far.• Read pages 25, 28 and 29 in Guitar Reference. Listen

to track 14 on the CD• Work on the strums, particularly the Johnny Cash strum• Review all the material.• Go over the chromatic scale. Start to memorize it.• Review all material covered so far.• Introductions to Don’t Be Cruel and to Wonderful

Tonight.• Guitar II work on fingerpicking review and on syncopated

strum. Also do the hooks for the above songs.

Chord Theory 1 - The Numbering System Chords can be built on each note of the major scale. For example, in the key of ‘C’ Major the major scale is: C D E F G A B C Each of these notes can have a chord built on them and each can be numbered as to what note in the scale they are: C is 1, D is 2, E is 3, F is 4, G is 5, A is 6 and B is 7. When we build chords off of these notes we notate them as roman numberals. So a chord off of a C in C major would be a ‘I’ chord, off of the D it would be a ‘II’ chord, off of E a ‘III’ chord, off of F a ‘IV’ chord, off of G a ‘V’ chord, off of A a ‘VI’ chord and off of B a ‘VII’ chord. The chords also have a type associated with them. Following is the type of chord off of each degree - expressed as a type of 7th since that will give you all the information you will need.

Degree Chord Type In C Major I Major 7 C Maj7 II Minor 7 D min7 III Minor 7 E min7 IV Major 7 F Maj7 V Dominant 7 G7 VI Minor 7 A min7 VII Minor 7 b5 B min7b5 (1/2 diminished) The VII isn’t used much with the exception of modern jazz. The 3 main chords are the I the IV and the V. After that the next two most Common are the II and the VI with the III chord used but less than the Rest.Knowing this can help you figure out songs. Also in some styles the chordsCan be changed. In country music the II chord is usually a II7 so in the key ofC it would be a D7. In jazz the III and the VI are often 7 chords.

This can then be used for telling a type of progression. For example: 4/4 ||: I IV| V :|| would equate to Twist and Shout in C major 4/4 ||: C F | G7 :|| A standard 12 bar blues would be: 4/4||: I | | | | IV | | I | | V | IV | I | V :|| in C 4/4 ||: C | | | | F | | C | | G7 | F | C | G7 :|| The most common progression in jazz and standards as well as a very common progression in most types of music is the II V I progression. In the key of ‘C’ major it would be: 4/4 ||: Dm7 | G7 | C (Maj7) | :|| Another common progression is: 4/4 ||: I | VI | II | V :|| In C: 4/4 ||: C Maj7 | Am7 | Dm7 | G7 :|| In most jazz style tunes the VI will become a VI7 chord or in C major a A7 chord so the progression is as follows: 4/4 ||: I | VI7 | II | V :|| In C: 4/4 ||: C Maj7 | A7 | Dm7 | G7 :||

Ear Training

• You need to hear chords. Types are first, there are 3 types of chords learned so far– Major– Minor– Dominant 7th.

• Listen to the difference between each type.• Try to hear each type.• On a piece of paper write numbers 1 – 10.• I will play each chord and write down what you think it is.

I will do the following chords: A, Am and A7.• We will do this a few times.

The Bm (B Minor) Chord

2

3

Bm (B Minor)

1

2

3

Bm

X X 0 X

1 1 1 1 1

4

For some ofyou that can alreadyplay use thisform.

The B7 Chord

3

B7

1

2 3 4

B7

X 0 X

1 1 1 1 1

4

For Guitar II

From Book – Will Choose a couple.

• 8 Days a Week, (later tonight) page• I Feel Fine, page 115• Secret Agent Man , page 234 • Words of Love , page 334 • You're No Good , page 342 • It's So Easy , page 125• Memphis , page 180• Crocodile Rock , page 48• Sea of Love , page 235 • Solitary Man , page 250

From the book

• Crocodile Rock to start.• This is basically in the key of G, the bridge goes

through the cycle of 5ths and starts on the 6th degree (E, A, D), the first time the E is minor and 2nd time it is major. Very cool.

• We will do the hook intro.• Intro is I IV II V – Song goes I III IV V. Listen

closely to this as it is very a common progression. Van Morrison uses it quite a bit.

There are 3 versions of this. First is like the book but with open strings it is a bit un-balanced. 2nd one is using the G major scale in 2nd position (E form) and is more balanced. 3rd version is using the G major in a C form of CAGED.

If you are playing electric guitar it is cool to put some compression on the guitar along with just a little distortion. Don’t use too much distortion. If you have a guitar Synthesizer a sax patch (I like alto sax) will work great!!

I Feel Fine

Also uses the Bm chord. Good song for Guitar I chords.

1

2

0 0 0 0

1 1 1 1 1 1

2

3

E 7 G7 (C7 at the 8 th Fret, D7 at 10th Fret)

1 1 1 1 1 1

43

C7 with D7 at the 5th fret.

RT

Rt

Chords for I Feel Fine Guitar I Play G for G7 and C for C7

1 1 1 1 1 1

2

3 4

Bm

1 1 1 1 1 1

3 3 3

C at 3rd fret D at 5th ft.

Rt Rt

Start by Learning the chords

• There are only a couple of different fingerings.

• The G7, D7 and C7 can all be the same fingering with the ‘E’ form on the 6th string root.

• G Major is very similar with just one added finger.

• If you can’t do the barre chords do the chords in 1st position. Will still sound fine.

I Feel Fine {c:Intro:} [D7] (2 Bars) [C7] [G7] [G7]Baby's good to me, you know, She's happy as can be, you know, she [D7]said so. I'm in love with [C7]her and I feel fi[G7]ne. [G7]Baby says she's mine, you know, She tells me all the time, you know, she [D7]said so. I'm in love with [C7]her and I feel fi[G7]ne. {c:Chorus} [G]I'm so [Bm]glad that [C]she's my little [D7]girl. [G]She's so [Bm]glad, she's [C7]telling all the [D7]world. Guitar solo on G7 | | | | D7 | C7 | G7 || Chorus That her [G7]baby buys her things, you know, He buys her diamond rings, you know, she [D7]said so. [D7]She's in love with [C7]me and I feel fi[G7]ne. [D7]She's in love with [C7]me and I feel fi[G7]ne.

Song is in 4/4 time.

I have included the entire arrangement for the Guitar II students who would like to try it. Guitar I just keep it as something you might want to do later.Better to do this from the book page 115. Note thought that the hooks and lines are better played as I have them in the following pages.

Start in 10th position then move to 9th position.

Fingering 1 3 3 1 3 4 3 1 3 1

This is based off of the D mixolydian mode. This pattern repeats for C7 but down 2 frets and for G7 at the 3rd fret. Fingering stays the same for all 3.Other than the 12 fret 3rd string and 9th fret 3rd string all the other notes arein the chord.

Solo Section

Fingering 2 (Slide) 1 2 (Slide) 1 2 (Slide) 1 2 3 1 3

Position 6 8 6 3

Key to this is the slide. Use your 2nd finger for the slides. This just takesa little time to master.

I Feel Fine {c:Intro:} [D7] (2 Bars) [C7] [G7] [G7]Baby's good to me, you know, She's happy as can be, you know, she [D7]said so. I'm in love with [C7]her and I feel fi[G7]ne. [G7]Baby says she's mine, you know, She tells me all the time, you know, she [D7]said so. I'm in love with [C7]her and I feel fi[G7]ne. {c:Chorus} [G]I'm so [Bm]glad that [C]she's my little [D7]girl. [G]She's so [Bm]glad, she's [C]telling all the [D7]world. Guitar solo on G7 | | | | D7 | C7 | G7 || Chorus That her [G7]baby buys her things, you know, He buys her diamond rings, you know, she [D7]said so. [D7]She's in love with [C7]me and I feel fi[G7]ne. [D7]She's in love with [C7]me and I feel fi[G7]ne. End with the run in G7 3 times!

Work on the whole tune

• Start with the chords.

• Then do the hook – same thing but at different frets.

• Lastly, the solo.

• Put it all together.

Page 48 in book

• Notice the form. Intro then song.

• 3rd ending does the intro as a fade out.

• For class we will play it 2 times and end on the first measure of the intro.

In Rock Fake Book

• I Feel Fine page 115

• 8 Days a week page 72

• Crocodile Rock page 48, Guitar II can try the melody of the instrumental part.

• Here Comes The Sun. Guitar II will do the basic picking on this later.

Verse 1 D E G D Oo, I need your love, babe, guess you know it's true D E G D Hope you need my love, babe, just like I need you Chorus 1 Bm G Bm E Hold me, love me, Hold me, love me, D E G D I ain't got noth-in' but love babe, Eight Day's A Week Verse 2 D E G D Love you every day, girl, always on my mindD E G D One thing I can say, girl, love you all the time Chorus 2 Bm G Bm E Hold me, love me, Hold me, love me, D E G D I ain't got noth-in' but love girl, Eight Day's A Week Bridge A Bm Eight days a week I love you E G A Eight days a week is not enough to show I care [Repeat Verse 1] [Repeat Chorus 1] [Repeat Bridge] [Repeat Verse 2] [Repeat Chorus 1] G D Eight Days A Week (Repeat 2 more times then do the intro again)

8 Days A Week

1 2

3

D

X X 0

E/D

X X 0

G/D

X X 0

1 2

3

1 2

3

A letter then a slash then a letter means:First letter is name of the chord.Slash indicates that the next letter is the bass of the chord.So E/D would be an E chord with a D note as the bass or lowest note. GuitarII use Intro in the book!

The introduction to 8 Days a Week is: 4/4 ||: D | E/D | G/D | D : ||

Notice that the same fingeringapplies to many chords.

Introduction and ending for 8 Days a Week.

Timbre (tonal) differences• Notice the difference in sound when you play close to

the bridge compared to over the sound hole on your guitar.

• The reason is that when you play over the bridge the overtones are sounding louder and the fundamental (note you play) are softer in volume.

• Overtones are the multiples of the fundamental tone. For example, if you played an A = 440 Hz. Then the overtones would be 880 (2X), 1320 (3X), 1760 (4X), 2200 (5X) etc.

• The closer you play to the bridge the louder those overtones sound and the softer the fundamental sounds.

• For 8 Days a week play over the sound hole until you get to the section starting with an A chord (bridge of the song) then play near the bridge, on the repeat go back to playing over the sound hole.

Verse 1 D E G D Oo, I need your love, babe, guess you know it's true D E G D Hope you need my love, babe, just like I need you Chorus 1 Bm G Bm E Hold me, love me, Hold me, love me, D E G D I ain't got noth-in' but love babe, Eight Day's A Week Verse 2 D E G D Love you every day, girl, always on my mindD E G D One thing I can say, girl, love you all the time Chorus 2 Bm G Bm E Hold me, love me, Hold me, love me, D E G D I ain't got noth-in' but love girl, Eight Day's A Week Bridge A Bm Eight days a week I love you E G A Eight days a week is not enough to show I care [Repeat Verse 1] [Repeat Chorus 1] [Repeat Bridge] [Repeat Verse 2] [Repeat Chorus 1] G D Eight Days A Week (Repeat 2 more times then do the intro again)

(Strum near the bridge of the guitar)

Strum over the sound hole of the guitar.

Come As You Are Main Riff (with chorus-effect pedal) Em D E---------------------------------------------|- B---------------------------------------------|- G---------------------------------------------|- D---------------------------------------------|- A---------------0-----0--------------2--------|- E--0--0--1--2------2-----2--2--1--0-----0--0--|- {c:Intro; Repeat main riff 3x} [Em]Come as you [D]are, as you [Em]were, as I [D]want you to [Em]be As a [D]friend, as a [Em]friend, as an [D]old enem[Em]y Take your [D]time, hurry [Em]up, The choice is [D]yours, don't be [Em]late Take a [D]rest, as a [Em]friend, as an [D]old memo[E]ria [G] memo[E]ria[G], memo[E]ria[G], memo[E]ria [G] Come dowsed in mud, soaked in bleach, as I want you to be As a trend, as a friend, as an old memoria memoria, memoria, memoria [A]And I [C]swear that I [A]don't have a [C]gun No I [A]don't have a [C]gun No I [A]don't have a [C]gun memoria, memoria, memoria, memoria And I swear that I don't have a gun No I don't have a gun (5x)

Changing Strings• You should change your strings on a regular

basis. It is important that you have strings that stay in tune and sound good.

• When strings get old they do not stay in tune up the fingerboard.

• When strings get old they don’t sound good.• There are basically 3 types of strings. Ones for

electric guitar, ones for steel string acoustic and nylon strings for classical guitars. The type of strings are geared to your guitar. You can not switch from nylon to steel or vice versa. You also should use acoustic guitar strings for acoustic guitar and electric guitar strings for electric guitar.

Changing Strings• Do one string at a time. • Start by removing the old string. Loosen the old string. If the

guitar is a steel string you will need to pull the peg out using a string peg remover or side-winder (string changer).

• Once the old string is removed, clean under the string area.• If it is classical you must tie the new string on at the bridge –

you put the string through the hole and then do 2 to 3 winds around itself and hook the end at the bottom of the bridge.

• If steel string put the string end with the ball in the string hole in the bridge, then push the peg into the hole with the cutout area around the string.

• If it is an electric guitar you will need to run it through the tailpiece.

• Then put the run the other end through the tuning head. Wrap it around the opposite way and hook it. Then tighten the string. Bring it up to the pitch and then stretch the string a few times.

For next class

• The Bm and B7 major chords• 8 Days A Week – With Introduction and with

dynamics.• Notes on the first strings.• Work on the strum D DUDUDU.• Review the right hand strums.• You have done the following chords so far:

– A, Am, A7, Bm, B7 C, D, D7, E, Em, E7, and G – Make sure you memorize those chords.

Correct Picking Hand Position.

• The right hand position is important in order to get not only a good tone but to play progressively more difficult pieces.

• If you are right handed the thumb needs to be in front of the other fingers (to the left). Have it ready to hit the lower pitched strings (4, 5 and 6).

• The fingers should be curved and touching each other. They should be ready to hit the following (index ready to hit the 3rd string, middle finger the 2nd string and ring finger the first string.

The Rest Stroke

• For the bass you should do the rest stroke.

• How it works is that when you hit a note with the thumb you will follow through and rest or stop on the next string.

• This gives you the fullest sound.

Pluck Strum

• To do this you will use your index finger on the 3rd string, middle finger on the 2nd string and ring finger on the first string.

• They will work together as one group, plucking the strings by slightly hooking under each string then bringing the fingers towards the palm of the hand.

• Each finger hits only the one string and not all of the strings.

• You will do bass – chord just like before but it will be bass – pluck etc.

• Try to just a few chords at first. Be sure to still do the rest stroke on the bass notes.

High Heel Sneakers

• Transpose to the key of A. It is now in the key of C.

• Write the new chords in the book.

Play Get Back in Book

• Using your book we will do Get Back.

• Guitar II students to do the blues backup. Review pages 49-52 in the Guitar Reference.

Get Back 4/ 4 | | :A | | D | A (G,D) | Jo Jo was a man who thought he was a loner but he knew it wouldn't last. A | | D | A (G,D) | Jo Jo left his heart in Tucsan Arizona for some California Grass. A | | D | A (G,D) | Get Back. Get Back Get Back to where you once belonged. A | | D | A (G,D) :| | Get Back. Get Back Get Back to where you once belonged. Sweet Loretta modern thought she was a woman but she was another man. All the girls around her say she has it comin' and she gets it while she can. Get Back. Get Back Get Back to where you once belonged. Get Back. Get Back Get Back to where you once belonged.

First try clapping the rhythms.

Review of some simple rhythm

Now we will try to do these rhythms with a pick. When you are on a numberthen you will strum down. When on an & you will strum up.

You hold the pick between the thumb and the index finger with only the very tip sticking out. Strum with your wrist movement.

When you have 2 downs in a row you will still bring the hand up but bymaking a small circle going over the tops of the strings.

The Am and E chords

2 3

Am (A Minor)

1

2 3

E Major

0 0 0

0 0 0

1

Notice that the finger pattern is exactly the same but on different strings.Practice changing from the Am to the E and back again, until the change is smooth!

1 1 1 1 1 1

3 3 3

E Major Guitar II

7th

Fret

2

3 4

Am (A Minor Guitar II)

1 1 1 1 1 1 5th Fret

For next class

• Memorize the D, D7, G, A7, E7, A, C, Bm, and Em chords

• Go over all of the songs played in class so far.• Read pages 25, 28 and 29 in Guitar Reference. Listen

to track 14 on the CD• Work on the strums, particularly the Johnny Cash strum• Review all the material.• Go over the chromatic scale. Start to memorize it.• Guitar II work on fingerpicking review and on syncopated

strum. Also do the hooks for the above songs.