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FOR IMMEDIATE RELEASE 16 November 2011 Media Contacts: Gillian Leung (Hong Kong) +852 2978 6736 gleung@christies.com Kate Swan Malin (Hong Kong) +852 2978 9966 kmalin@christies.com Belinda Chen (Beijing) +8610 65006517 bchen@christies.com

CHRISTIE‟S HONG KONG SALES OF

IMPORTANT CHINESE CERAMICS & WORKS OF ART SHOWCASES THE FINEST CHINESE ARTISTRY & CRAFTSMANSHIP

SPANNING THE SONG TO THE QING DYNASTIES

Fall Auctions offer over 400 works valued in excess of HK$600 million across Collecting Categories including Imperial Ceramics, Jades, Textiles and Furniture

Distinguished Provenance from Important Collections Exceptional Chinese Works of Art from an Important European Collection Important Chinese Ceramics and Works of Art Wednesday, 30 November 2011, 10am, 10.15am and 2.30pm James Christie Room, Grand Hall, Hong Kong Convention and Exhibition Centre

HONG KONG – Christie’s Hong Kong 2011 Fall Sales will present Important Chinese Ceramics and Works of Art on

Wednesday, 30 November at the Hong Kong Convention & Exhibition Centre. The sale, estimated in excess of

HK$600 million /US$80 million, brings together over 400 works of exceptional quality and with excellent provenance,

as well as special collection 15 exceptional jade, ivory and rhinoceros horn carvings from an renowned European

connoisseur put together over the past 50 years.

Exquisite Chinese Ceramics

Among the leading lots in the season, and highlighting the sale‟s superb selection of

Ming and Qing ceramics, is an important early Ming blue and white bianhu moonflask

from the Yongle period (1403-1424) that showcases an elegant blending of Chinese and

Central Asia style (Lot 2977, illustrated left, estimate: HK$28,000,000-35,000,000/ US$3,700,000-

4,500,000). While its sophisticated decoration was the invention of Chinese potters, the

distinctive shape of this early 15th century blue and white porcelain moonflask with its flaring

foot was ultimately directly influenced by Islamic glass or metalwork.

A rare underglazed copper-red “mallet” vase with the Kangxi six-character mark and of

the period (1662-1722) (Lot 2936, illustrated right, estimate: HK$15,000,000-

20,000,000/US$2,000,000-2,600,000) is also of particular note this season. The elegant form of

this vase, with its long, slender, slightly waisted neck rising from pronounced shoulders is one

that is particularly associated with the Kangxi reign. In Chinese the name often given to this

form is yaoling zun or “hand bell vase”, a reference to the bronze bells used in formal secular and

religious music. A new addition to the Qing dynasty porcelain repertoire during Kangxi reign,

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this shape was rarely seen thereafter. Setting the present work apart is its striking copper red as well as its

distinguished J. M. Hu Family Collection provenance. Also of note is a large blue and white Ming-style hu vase

from the Qianlong period (1736-1795) from the Robert Chang Collection (Lot 2945, estimate: HK$12,000,000-

15,000,000/US$1,600,000-1,900,000). Well-painted in bold cobalt blue tones, it depicts the eight Buddhist emblems

above two registers of lotus blossoms.

The sale will offer a fine selection of Song ceramics, including a finely moulded dingyao „peacock‟ dish from

the Song/Jin dynasty (960-1234) (Lot 3001, estimate: HK$3,000,000-4,000,000/US$390,000-520,000). Once part of

the famed Carl Kempe Collection, this piece is especially remarkable for its crisp design of two large superbly-

rendered peacocks with long sweeping tails.

Offered within the sale is a superb selection of Longquan celadon wares dating from the Song to the Ming

dynasties. Produced in Zhejiang province, the highly-regarded Song pieces are characterized by their simple

undecorated forms and lustrous soft bluish grey glaze. By the Yuan dynasty and into the Ming dynasty, the decorative

techniques became more elaborate in style, due to the technological advances. A change in the formula for mixing the

glaze and different firing techniques produced much brighter and deeper green glazes. By this time, there was a

flourishing export trade to Europe, East Africa and East Asia. While some of the most significant collections are still

found outside China, today this is a category that is seeing increased interest from collectors throughout Greater

China.

Leading the selection is a rare 14th century

octagonal Longquan celadon meiping from

the Yuan dynasty (Lot 3010, illustrated left 1,

estimate: HK$4,000,000-7,000,000/US$520,000-

900,000). Depicting the eight Daoist Immortals

in molded relief, this piece is a rare example of a

Longquan celadon facetted vase and is one of

only two vases of its size, shape and design to

have been published. Also of note is an exceptionally large early-Ming Longquan celadon barbed-rim charger

that is among the largest ceramic dishes to have been produced in China during the Yongle period (1403-1425) (Lot

3009, illustrated left 2, estimate: HK$2,800,000-3,500,000/ US$370,000-450,000) and a magnificent early Ming carved

Longquan celadon “loquats” dish that is rare among other Hongwu dynasty (1368-1398) examples for depicting

any type of fruit, as opposed to flowers in its main decorative area (Lot 3012, illustrated left 3, estimate: HK$800,000-

1,200,000/ US$110,000-150,000).

Magnificent Chinese Jades

This season collectors will be presented with an outstanding selection of important imperial white jade carvings.

Coming to the market at a time when the demand and appreciation for fine jade carvings is at its zenith, sale

highlights include exceptionally rare jades from the 18th century that are particularly notable not just for the fine

workmanship and pure white material, but also for their illustrious provenance hailing from some of the most

important collections of jade carvings formed in the 20th century.

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Leading the season’s jade selection is a magnificent white jade dragon vase and cover

from the Qianlong period (1736-1795) (Lot 2971, illustrated left, estimate: HK$28,000,000-

35,000,000/US$3,700,000-4,500,000). Formerly in the famed collection of Sir John

Buchanan-Jardine (1900-1969), a Baronet with a distinguished military career who later

became the head of Jardine-Matheson, this exquisite work was among a number of jades

included in the seminal 1935 Royal Academy exhibition of Chinese Art at London‟s

Burlington House. The Royal Academy exhibition was the first, and remains one of the

most important exhibitions of Chinese art ever held in Europe. Offered among the

important works from the Vint Family Collection at Christie’s Hong Kong in 2008, this stunning vase and cover is

crafted from beautifully and highly-polished even-toned white jade and is exquisitely carved using a variety

of carving techniques. An extraordinary work of art by every definition, it depicts a full-faced dragon coiled

around a flaming pearl and encircled by eight Buddhist emblems - wheel of law, paired fish, conch shell, victory

banner, parasol, treasure vase, and lotus.

Other important jade lots include a finely carved white jade cylindrical brushpot from the

Qianlong period (1736-1795) (Lot 2970, illustrated right, estimate: HK$6,000,000-10,000,000/

US$780,000-1,300,000) featuring a variety of auspicious symbols that is exceptional for its generous

proportions, superb carving, and use of top quality stone; a white jade marriage bowl from

Qianlong period (1736-1795) (Lot 2969, estimate: HK$4,000,000-6,000,000/US$520,000-770,000)

with unusual handles depicting winged dragons, representative of Imperial power; and a rare

Imperial white jade phoenix wine pot from the Qinalong period (1736-1795) (Lot 3028,

estimate: HK$3,500,000-4,000,000/US$460,000-580,000.

Rounding out the selection of top jade highlights is an imperial inscribed spinach-green jade

table screen from the Qianlong period (1736-1795) formerly part of the famed Bulgari

collection and inscribed with an extract of an imperial poem by Emperor Qianlong (Lot 2973,

illustrated left, estimate: HK3,00,000-5,000,000/US$390,000-650,000). Displaying an interesting

contrast of color and technique, this work was executed in the Imperial workshops in Beijing

and is one of only a few known examples of spinach–green jade screens carved with imperials

inscriptions.

Important Chinese Works of Art including Textiles and Furniture

Part Two of this season’s sale, also held on 30 November, will focus on Chinese Works of Art across a number of

collecting categories includes scholars’ objects, lacquer, bronze, ivory, furniture, as well Chinese textiles, including

Imperial robes and rank badges.

An important selection of Chinese textiles will be offered from the collection of a European gentleman.

Beginning in the Han dynasty, court rank became the key determinant of social status, economic stability, and prestige.

The practice of using special textiles and garments to mark rank with the imperial government bureaucracy was

already established by the Tang dynasty (618-907), and by the 14th century pictorial badges came to be prominently

displayed on court robes. In 1391 the Ming dynasty (1368-1644) court codified the nine grade ranking system, and

under the Ming and subsequently Qing dynasty, badges with different categories of beasts were assigned to distinguish

the aristocracy from the gentry, as well as to differentiate status with the military and civil bureaus.

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Leading the selection of textiles is a rare early 19th century Imperial embroidered yellow

satin twelve-symbol robe for an Empress from the Qing dynasty (Lot 3143, illustrated right,

estimate: HK$1,000,000-1,500,000/US$130,000-190,000) and a rare fur-lined 19th century

Imperial gold-embroidered blue winter „dragon‟ robe from the Qing dynasty (Lot 3144,

estimate: HK$500,000-700,000 / US$65,000-90,000) that would have been worn during

ceremonies for marking the winter solstice, a significant event on the ritual calendar.

Leading the rare rank badge offered from this same European private

collection is a very rare Ming embroidered festival badge for the

Emperor‟s birthday from the Wanli period (1573-1619) (Lot 3145,

illustrated left, estimate: HK$250,000-400,000 / US$33,000-52,000).

Embroidered on the badge are the wan emblem, the shou character and

the lingzhi fungus that together form the rebus “May you live for ten thousand

years.” The use of this phrase was strictly reserved for the emperor,

and the imageries were often found on his birthday gifts. Another top

rank badge offered is a set of eight imperial embroidered dragon roundels (Lot 3153, illustrated

right, estimate: HK$200,000-300,000 /US$26,000-39,000), which include four from an empress’

surcoat.

A pair of Imperial gilt-decorated lacquer armchairs from the Qianlong period

(1736-1795) (Lot 3080, illustrated left, estimate: HK$2,000,000-3,000,000/US$260,000-

390,000) is one of the season’s furniture highlights. Very distinctive and exceptional,

these chairs belong to a rare group of Imperial Palace furnishing densely carved to

resemble naturalistic vegetation with auspicious connotations. Also of note is an

elegant huanghuali and wumu square incense stand from the Kangxi period

(1662-1722) (Lot 3078, estimate: HK$7,000,000-8,000,000/US$910,000-1,000,000), a piece that is unusual in its form

and use of ebony panels, and is indeed the only known stand of its type to be published.

Other highlights include an imperial portrait of Prince Guo (Lot 3294, illustrated right, estimate:

HK$1,800,000-2,500,000/US$240,000-320,000). Born Hongzhan, he was the sixth and

youngest son of the Emperor Yongzheng (1723-35) and was only two years old when his

father passed away. Hongzhan biography, as with those of the other imperial princes, is vague

and is confined to written references of his official appointments. Although it is known that

he was charged with greed and imprudent conduct which demoted him to a prince of the third

rank, shortly before his death in 1765 he undoubtedly found favour again as his half-brother

the Emperor Qianlong conferred to him the prestigious title Prince Guo. In this extremely

rare portrait, the realistic depiction and fine brushwork of both the fur hat and padded,

fur-lined silk jacket - luxurious winter clothing reserved for the emperor and high ranking princes – plus the

naturalism and use of chiaroscuro in the painting of the face indicate a detailed knowledge of western

painting techniques introduced to the Chinese court by European Jesuit missionary artists. The techniques

used in this painting are particularly close to those of the most famous of these artists, Guiseppe Castilgione (1688-

1766) and it is probable that the portrait was painted by a court painter who studied with him.

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A single-owner sale from a renowned European connoisseur that comprised of 15 exceptional jade, ivory and

rhinoceros horn carvings will be offered on 30 November. The outstanding collection was put together over the

past 50 years with a focus on the very finest examples of superbly carved scholarly objects. The pieces

demonstrate the collector’s appreciation of the decorative themes that have traditionally appealed to Chinese literati,

particularly those of the 18th century. This is the second of a series of sales from the collection, following on from the

hugely successful auction of superb jade carvings in New York on the 15th September. A third auction is scheduled to

be held in London in Spring 2012.

Leading the collection is an extremely rare rhinoceros horn „log raft‟ cup (illustrated left, Lot

2913, estimate: HK$10,000,000-15,000,000/US$1,300,000-1,900,000) depicting a superbly

carved scholar seated in the stern. The subject of this magnificent carving was inspired by a

legend involving the Han dynasty envoy and indefatigable traveller Zhang Qian who through

his missions and travels is often credited as initiating the establishment of the famous Silk

Road. Read the full press release on this sale and its highlights here.

Following the success of Christie’s sale of a selection of works from an important European private collection in the

Spring 2011 in Hong Kong, another group of elegant Chinese ceramics from this collection will be offered this

season. One of the striking aspects of this collection is the fine aesthetic judgment shown by the collector.

Amassing this group of ceramics over a period of some thirty years, he has consistently chosen pieces that

display a harmonious combination of elegant form, beautiful colours, and skillful decoration. The main

concentration of the collection is on imperial porcelains of the Ming (1368-1644) and Qing (1644-1911) dynasties.

Half of the lots in this collection date to the Yongzheng period (1723-1735), and leading

the selection is a rare „narcissus‟ dish that stands an excellent example of doucai from

this period (illustrated right, Lot 2933, estimate: HK$3,000,000-4,000,000/US$390,000-

520,000). The porcelains of this period are famous for their refinement of their white

porcelain, their fine potting, and their delicacy and elegance of decoration. This dish is

exceptionally fine, even amongst other vessels, with its decoration not only beautiful, but

also chose to convey an auspicious meaning suitable for a birthday. And based on evidence

in a series of album paintings in the Palace Museum in Beijing, it is highly probable that

the design was inspired from a garden view outside the emperor‟s studio.

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IMAGES available for download: http://cshk.myftp.org/2011%20Fall%20Christie's%20Hong%20Kong%20Auctions/WOA/PRESS%20RELEASES/VO%20RELEASE%20IMAGES/

VIDEO available for download: http://cshk.myftp.org/2011%20Fall%20Christie's%20Hong%20Kong%20Auctions/Early%20Highlights/Video/ChineseCeramics&WorksOfArt.wmv

In advance of the 30 November sale in Hong Kong, highlights from the sale will be on view in the following cities:

Date Location Venue 19-20 November Taipei Fubon Life Assurance Building 24-30 November Hong Kong Hong Kong Convention and Exhibition Centre

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Note to Editor: Updated Christie‟s Hong Kong Fall 2011 Auctions Schedule:

CHRISTIE‟S HONG KONG AUTUMN AUCTIONS 2011 Auctions: 25 – 30 November | Public viewing: Begins 24 November

Grand Hall, Hong Kong Convention & Exhibition Centre

Friday, 25 Nov

James Christie Room 11am Fine & Rare Wines featuring Important Ex-Cellars Consignments: Part I

Saturday, 26 Nov

Woods Room James Christie Room

11am 7pm

Fine & Rare Wines featuring Important Ex-Cellars Consignments: Part II Asian 20th Century & Contemporary Art (Evening Sale) Faces of New China: An Important Private Collection (Evening Sale)

Sunday, 27 Nov

James Christie Room James Christie Room

10am 3pm

Asian 20th Century Art (Day Sale) Asian Contemporary Art (Day Sale)

Monday, 28 Nov

Woods Room James Christie Room

11am 2.30pm

Fine and Rare Wines: The Property of a Gentleman Fine Chinese Classical Paintings and Calligraphy

Tuesday, 29 Nov

James Christie Room Woods Room

10am &2.30pm 1.30pm

Fine Chinese Modern Paintings Hong Kong Magnificent Jewels

Wednesday, 30 Nov

James Christie Room James Christie Room Woods Room

10am 10.15am&2.30pm 11am & 3pm

Exceptional Chinese Works of Art From An Important European Collection Important Chinese Ceramics and Works of Art Important Watches

About Christie‟s Christie’s, the world's leading art business had global auction and private sales in the first half of 2011 that totaled £2.0 billion/US$3.2 billion. In 2010 it achieved global auction and private sales of £3.3 billion/US$5.0 billion. Christie’s is a name and place that speaks of extraordinary art, unparalleled service and expertise, as well as international glamour. Founded in 1766 by James Christie, Christie's conducted the greatest auctions of the 18th, 19th and 20th centuries, and today remains a popular showcase for the unique and the beautiful. Christie’s offers over 450 sales annually in over 80 categories, including all areas of fine and decorative arts, jewellery, photographs, collectibles, wine, and more. Prices range from US$200 to over US$100 million. Christie’s has 53 offices in 32 countries and 10 salerooms around the world including in London, New York, Paris, Geneva, Milan, Amsterdam, Zurich, Dubai and Hong Kong. More recently, Christie’s has led the market with expanded initiatives in emerging and new markets such as Russia, China, India and the United Arab Emirates, with successful sales and exhibitions in Beijing, Mumbai and Dubai. *Estimates do not include buyer’s premium. Sales totals are hammer price plus buyer’s premium and do not reflect costs, financing fees or application of buyer’s or seller’s credits.

Visit Christie’s Website at www.christies.com View www.christies.com/chinese for Christie's Hong Kong Autumn Auctions highlights in Chinese