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ch 11 1 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main topics Sound stimuli, amplitude and frequency Sound quality (timbre) Ear (structure) Place theory Central auditory processing

Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Page 1: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Sensation & Perception

Ch. 11: Sound, The Auditory System, and Pitch Perception

© Takashi Yamauchi (Dept. of Psychology, Texas A&M University)

Main topicsSound stimuli, amplitude and frequency

Sound quality (timbre)

Ear (structure)

Place theory

Central auditory processing

Page 2: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Sound

• Demonstration

• Different types of sound

• Many different types of sound

• Sound of lots of different types of texture

Page 3: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Sound

• What is it?

• Something to do with air vibration?

• Why can we hear?– an object vibrates the air changes its

pressure the air vibrates we hear a sound.

Page 4: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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– sound is a wave ????

???????????????

Page 5: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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What is a wave?• A wave is something that goes back and

forth, up and down, or ebbs and flows, comes and goes…

Page 6: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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• When air vibrates, it doesn’t travel straight.

• The vibration propagates like a wave

– Regular and organized manner.– Imagine when surface waves spread in a lake

Page 7: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Sound wave • Figure 1: Graphic representations of a sound wave. (A) Air at equilibrium, in the absence of a sound wave; (B) compressions and rarefactions that constitute a sound wave; (C) transverse representation of the wave, showing amplitude (A) and wavelength (taken from Britannica Online)

Page 8: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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A sound wave is determined by two factors

• Magnitude– Y axis

• Frequency– X axis

Page 9: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Sound wave

• The perceptual quality of a sound is related to the characteristics of a sound wave.

Page 10: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Demonstration

– A simple sound

– Record my voice

– Change amplitude

– Change frequency

Page 11: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Specifying a sound stimulus• Amplitude

– Y axis– Decibel (dB)– Number of dB = 20 x

log(P/P0)– (P: the sound pressure of

the stimulus, P0: a standard pressure)

– P0:=the pressure of a 1000Hz tone at threshold.

• Frequency– X axis– Hertz (Hz) one cycle

per second

Page 12: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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dB: Decibel

• dB? With p=200, p0(standard pressure level)=20

dB=20 x log (200/20)= 20 x log (10)

= 20 x 1= 20

• with p = 2000dB = 20 x log (2000/20)= 20 x log (100)

= 20x 2 = 40

With p = 20000dB = 20 x log (20000/20)= 20 x log (1000)

= 20x 3 = 60

Page 13: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Page 14: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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dB as function of P

0

10

20

30

40

50

60

0 50 100 150 200 250 300 350

P

dB

Page 15: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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What does this tell?

• Remember a psychophysics experiment?

Page 16: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Do you remember a psychophysics experiment we

talked about?

• Magnitude estimation

Page 17: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Complex sound

Page 18: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Synthesizer

• Kohei Nagayama

• (my cousin)

Page 19: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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• create a complex sound by combining simple sound waves

Additive synthesis• reduce a complex sound

wave into a collection of simple sound waves.

Fourier analysis

Page 20: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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• A sound wave from clarinet.

• Simple sound waves that make a sound of clarinet

Page 21: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Figure 11.9 The frequency spectrum for the tone in Figure 11.8d. The heights of the lines indicate the amplitude of each of the frequencies that make up the tone.

Page 22: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Figure 11.10 Frequency spectra for a guitar, a bassoon, and an alto saxophone playing a tone with a fundamental frequency of 196 Hz.

The position of the lines on the horizontal axis indicates the frequencies of the harmonics and their height indicates their intensities.

Page 23: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Ear

Page 24: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Ear

Page 25: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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What do they do?• Sound vibration of air vibrate the eardrum,

the malleus, the incus, and the stapes

the vibration spreads to the cochlea.

the vibration in the cochlea is captured by hair cells

• transduction (physical vibration is transduced to neural energy)

Page 26: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Page 27: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Demonstration

• CD Rom Demonstration: Physiology of Behavior

Page 28: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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From vibration to neural energy, how does it happen?

Page 29: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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A quick review: Vision

Page 30: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Page 31: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Page 32: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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the tectorial membrane vibrates

the hair cells’ cilia bend.

depending on how they bend, the hair cells release neurotransmitter

Page 33: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Page 34: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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• Transduction• The neurotransmitters

released in the hair cell are captured in nerve fibers.

The neural energy is sent to the brain.

Page 35: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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• Transduction• The

neurotransmitters released in the hair cell are captured in nerve fibers.

The neural energy is sent to the brain.

Page 36: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Perceiving sound

• How do we perceive sound?

• How do we represent different sound waves?

Page 37: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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– sound is a wave ????

???????????????

Page 38: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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A sound wave is determined by two factors

• Amplitude– Y axis

• Frequency– X axis

Page 39: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Neurons sensitive to different frequencies?

Page 40: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Bekesy’s place theory

Page 41: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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How does the basal membrane vibrate?

• Demonstration:

• Jumping rope

Page 42: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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• A wave spreads.• The wave reached the

peak at a particular location.

The height of the wave reaches the peak at P, and then gradually subsides.

Page 43: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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• Different locations of vibration peak are produced by different spatial frequencies.

Page 44: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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• Different frequencies of sound waves activate hair cells in different locations

Page 45: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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• This wave bends hair cells of this area most.

• When hair cells bend most, they fire most.

• So, hair cells are tuned to different frequencies.

Page 46: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Some physiological and psychophysical findings that support the place theory

• Tonotopic map on the cochlea (Fig. 10.30)

• Different parts of the cochlea respond maximally to different frequencies (Fig 10.30)

Page 47: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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• The tuning curve of a single hair cell in the guinea pig cochlea.

• Frequency tuning curves of cat auditory nerve fibers

What do these graphs tell you?

Page 48: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Auditory masking and psychopysical experiments.

• Ss listen to tones of various frequencies.

• Masking is placed at a particular frequency.

• Ss have difficulty in identifying the tone at which masking is placed.

Page 49: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Psychophysical tuning curve

• The sound level of masking tone necessary to mask a 2kHz tone.

• Note that the minimum masking intensity is needed to mask a tone of 2000Hz.

The frequency of the masking and test tones.

The intensity of the masking tone

The frequency of the masking tone

The intensity of the masking tone

Dots: The frequency of the test tone

Page 50: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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What does this tell you?

Tonotopic maps

A nice correspondence between the frequency of a sound wave and the cochlea location at which the sound is captured.

Page 51: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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• Remember retinotopic map?

• What is it?

Page 52: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Retinotopic map: the locational information of retina is preserved in the LGN cells.

Page 53: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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How about a complex sound ( a mixture of sound waves with different

frequencies?

Page 54: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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• A complex tone (440Hz, 880Hz, and 1320Hz)..

• The auditory system basically carry out a “Fourier analysis” treat a complex sound as a composite of simple waves.

Page 55: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Central Auditory Processing

Page 56: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Hierarchical Processing:

Core belt Parabelt

Complex sounds are processed later

What vs. Where system:

Where: dorsal pathway

Sound localization

What: ventral pathway

Identifying sounds

Page 57: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Tonotopic map in the cortex

• The Tonotopic relation is maintained in the auditory corcortex as well (A1)

This figure indicate the locations of neurons that are responsive to particular frequencies (see the number -- kHz)

Page 58: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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The effect of the missing fundamental

Example

http://en.wikipedia.org/wiki/Missing_fundamental

Page 59: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Figure 11.9 The frequency spectrum for the tone in Figure 11.8d. The heights of the lines indicate the amplitude of each of the frequencies that make up the tone.

Page 60: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Figure 11.10 Frequency spectra for a guitar, a bassoon, and an alto saxophone playing a tone with a fundamental frequency of 196 Hz.

The position of the lines on the horizontal axis indicates the frequencies of the harmonics and their height indicates their intensities.

Page 61: Ch 111 Sensation & Perception Ch. 11: Sound, The Auditory System, and Pitch Perception © Takashi Yamauchi (Dept. of Psychology, Texas A&M University) Main

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Removing fundamental frequencies change their timbre. But their pitch remains the same.

The perception of the pitch of complex tones cannot be explained by the place theory alone.