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The latest from Sofia Coppola is a left turn of sorts for the auteur who is known for her atmospheric, ennui-drenched films. Given the edgy source material, there are plenty of opportunities for biting social commentary on the phenomena of 21st century celebrity idolisation, fetishism, voyeurism — none of which are explored in satisfying enough depth. Fans who love Coppola for her poignantly melancholic character studies will find The Bling Ring a bit of a disappointment.Cannes 2013 premiereReviewed for The Film Stage
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TheBlingRingCannes2013Review
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Director:SofiaCoppola
Runtime:90minutes
WrittenbyShanshanChen,May21,2013at10:30am
ThelatestfromSofiaCoppolaisaleftturnofsortsfortheauteurwhoisknownforheratmospheric,ennuidrenchedfilms.Giventheedgysourcematerial,thereareplentyofopportunitiesforbitingsocialcommentaryonthephenomenaof21stcenturycelebrityidolisation,fetishism,voyeurismnoneofwhicharenotexploredinsatisfyinglyenoughdepth.FanswholoveCoppolaforherpoignantlymelancholiccharacterstudieswillfindTheBlingRingabitofadisappointment.
Agroupofcelebrityobsessed,thrillseekingteenagersplunderthehousesofHollywoodstars,includingParisHilton,LindsayLohanandOrlandoBloom,makingoffwithmillionsofdollarsworthofluxurygoods.Thescript,writtenbyCoppola,isbasedontheVanityFairarticlebyNancyJoSalesthatfirstchristenedtheteenagelootersTheBlingRing.AmongthegroupthereisdaredevilringleaderRebecca(KatieChang),newkidintownMark(IsraelBroussard),fashionistaNikki(EmmaWatson)andthefeistyChloe(ClaireJulien).
Forcynicalviewers,thecharacterscanfeelquitegratinglycaricaturedattimesunliketheentitledprotagonistsofCoppolasotherfilms,therichkidsofTheBlingRingdonotoftencomeacrossassympatheticoreventouchrelatable.ThefilmdemandsatemporarysuspensionofdisbeliefinordertonotchortleatthesceneofNikkisarrest,starringWatsonasantiHermioneinhermostdeterminedvalleygirlaccent(admittedly,ahugeimprovementfromherawfullypatchyAmericanaccentinThePerksOfBeingAWallflower).
Glitzysetdesignculminatesinadizzyingorgyofsequinnedclothes,glitteryshoesandshinycarsasthegangwhirlwindsthroughthehomesoftheiridols.ThelookinsidetheParisHiltonresidenceisonethatissuretostickwithaudiences,whilecameosbyHiltonandKirstenDunstaddanicelayerofmetatextualitytothisfableofcelebrity.
OnecanrelyonCoppolaforatopnotchsoundtrackandstunningcinematography,andTheBlingRingdeliversonthesetwocounts.Thepulsatingsoundtrack,whichincludescutsfromSleighBells,M.I.A.anddeadmau5,setsupafewamusingjoyridescenes,andpumpsupthecharacterslargerthanlifesenseofbravado.
ThelateHarrisSavides,afrequentCoppolacollaborator,capturesthehighliving,fastmovinglifestyleinacombinationoffoundfootage,shakyhandheldvideocamfootageandelegantframedRedOnecamerawork.Heimbuesthefilmwitharefreshingcontemporaryfeelthattiesinwiththegangsfrenziedcrimesprees.Oneofthemostcinematicsequences,whereourstoryisrefreshinglyabletobreathe,isfoundinawideestablishingshotoftheexteriorofTheHillsstarAudrinaPatridgeshouse.ThecameraslowlyzoomsinonRebeccaandMattastheymovefromroomtoroomuncoveringnewtreasures,allinplainsightthroughtheduplexsfulllengthwindows.Theeffectisdisconcertingandtroubling,tosaytheleast.
Inspiteofitsshortcomings,TheBlingRingworksasagenerallyenjoyable,ifslightlyvapid,heistmovieforthesocialmediazeitgeist.
TheBlingRingpremieredatCannesFilmFestivalandopensonJune14th.
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Tags:Cannes2013,EmmaWatson,Festivals,SofiaCoppola,TheBlingRing