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space jut o op on are lilt. vi sjri1;c..1 of emerirg from

hordships in the wi1erneos to pursue er1if:ite-im8nt.

But, o1tIc L1:nc K’ai mkoo u4o cf corn osit1o End

tectinj-• U00 Of cod, whole effect of pt very differont.

iortrain hish ervironmer, suest1nL $ensorf cLeprvation,

effects of ascetic oractices oting that it plemoant or

covfortoole in pioturo, bare trees are s eiky, pro3Pa

toward him oc if menacingly,

c— s rpjer prt of figure Drn EE non—Coinee, ‘nd n lone

rios:: , heE.t ifeard• . , hair ch•st ari . fhi e.•.x•

of bitterrieos in face is universal, not porticulor to any

cutare, ‘o is tne li°h ly cortorted ostire of hi ezirciatpd

bedy har e ntir cic iot u l] coccntr t( ox resslc’

in the face this way; faces tend to be ispassive, and emotion

1 C 1rccd in oltc a——h osture of figures, relticnap

to setting, etc. This ptg is exceptional, and very moving.

A peintin like this might have been done for a Ch’an Buddhiot

tesiie, oice the C’i sect ‘m hi eo tCe ider 01 e 1rtme t

in earthly life,rather than paradise after death.

3,5, In Shanghai Museum, bandscroll i 8 sections,

“orics of Eight Famous Monks” /‘ . This is

one of them, picture of Bodhidherma facing the cliff,

sadit tart Pyte is CorL istert w2t) 1 . Sung Academy siple,

coald have been doan for temple. Pot so strong as “pakyanuni

c• suing Out of Mountains,” but prohably from around. same period,

when he was servinp in the Acadeny.

3.3, mother section: scholar coming to pay reverence to monk

who lived in tree. Signature of Lieng K’ai ow rock. ctte

Figure of servant, also monk, bewe ra her ii e ‘aces

Phis nairting in another that belongs with slightly eccentric

vim;; ef hang K’ai; quite different from thoroughly serious

sma e of him pre ented by paintirwo preserved in Janan Ptgs

nith this tonoh of xk humor, or grotesque, were not

jn J nec taste, nd cx orted to Jan Those in styls

associated with Ch’an Buddhism, on other hand, not in Chinese

taste, so flot preserved here. We end up with what appears to

be two artists; real] p two sides of same artist.

By this t.ime ,.. ma Oh’ an priests were painting as amatears;.

thep were developing special stples for representing Oh’ sri

themes,5,5. Twelfth century Oh’ an monk named ChiP—puma Lao—niu

painted pictures of buffalo and herdboys in very pale,

bin. bri rtrokcs, crhis of tine called if “geo.nly’ or

“apparitional painting” . The cuewxn; of why this

styIc is cape e.ially suited to Oh’ an j3u..thiiiisn.:. is one the t I would

like to take up a.nether tire——I can give a lectureS on Cii’a.n .tt.

thi. is On]j

survivIng wolic of OhIh—yvrg Lao—mu, waii kie seals

o Ifure of hirduo Dr - in cuica +roa s mt cx reP-s me

activity more than they describe his form,

Llng K’ai, hi’ In. verid fr Ch’n tenjles in large ow

region hili scrwir in c de-5, must hevc cne irc cw at

wit thie tile, a sun hypothesize trial he oh nged from

hcn.emy etle to -h’ar strlc So or is aulrvi rn.rinr

ibhatd to Bteddbiswe. .: pi ali his later work.s,

(S S. hero is hang K’ ai’ S painting Of Sixth Oh’ an Patriarch,

r nen, , attaining cri1irteent esu1 c o pin s

e a bamhoa Si e in f a i ]

m hi t the rad ot f artie wjssatisfstior ‘i

the decadent state al I; cad. aty; or for sinitaal reasons, becanec

i’i

a anteed t a Ii -we friL and praet.i o.e: ill i.e.edi tat L.an; or

fur cli en. ren.a a, ee i So3a co

pine e o Pd, .. in f enaa.l i.. won],. P be a- af em.

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1 j, I ant to x r oct 1 o t hobeir nn th’ I n of u 1 ctur, jO , tio e that they e’i iv you nìc usfìJ ioco nd n r to,that su r rc or umnt c po leo r I tu Cr o

cc’ el ro e ionìt ores you hear or h hoc o rCinc-c pt ‘nLd our, the rio,ier achI-one i3 adnred sat :toiei in meny ports of t .rí;oor indrvito. stwies c be reotly enrichecr ty triero1’exo re of icreps co:d inforrorion. u.te r fe [rc•u• c ncrd] ection of U • S., Eurp n, rn’ Jc1orco s ecieli t” haveo en. to (dim jot r cent yc’r to ot,uj your col1ecoion and

lent m fron 0our peci1iot. c: ohoen in

boo itolity bp C nc e cenc l r r or no “tt ff, cnn rti t.e have ii tb: oj ortunity to :olc crime come Chir cc e ecicJi tin Chirenc art Lo tue U.S. reccnt]y nd ho1 e to n.lcon tmanyrrre in the uture. fhi excbonl e of en le nd ideno, s• bi Poig erie tx photcc rt i:r, nill hpve veryrenefmemal effect on studies of Chic ccc • airtu , I eadinto nev, hinler lvcIo of underst; rrdir of our cobntct.

I want to eupreos my trunks once nore to nrofeesorJin ieinuo £x ann to the Centr’l ncedemny for ivin me

the opportunity to iv these lectores, rid for theirhoeitolity and help in my ovir resezci.

To nk

CL.?

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