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BTEC MEDIA
Roles and responsibilities
AIMS AND OBJECTIVES
Show an understanding to the importance of
team work
List key job roles on a film production
Demonstrate an understanding of
responsibilities within each roles
Apply the key roles to your own production
THE PRODUCTION PROCESS
Pre-Production
Production
Post-Production
Distribution
Exhibition
WHY HAVE JOB ROLES?
Job roles are crucial within the media industry. They help each part of
every sector in the industry run smoothly to ensure everything gets done
efficiently to the highest of standards. Job roles ensure that a specific
task is not diluted by too many people doing too many things at any one
time. By concentrating on a particular tasks within the role, jobs can be
managed effectively and within time constraints within distractions.
Everybody has a defined job role in the industry in order to get
everything done as a whole. A job role means that other people know
what abilities and tasks based personal training and experience the
employee can carry out. This means a long explanation of job is not
needed – they just do what their job title says they can do before training
to include other tasks.
For example, on the radio a newsreader and their team (editors,
researchers, journalists) would not get involved in music choice and
playlists involved in the actual radio show as this is nothing to do with
their specialised topic of choice and their preferred job role. This takes
them away from their preferred job role. Also, a newsreader does not
edit, research or any of the other things that go into the final piece of
information – they just read it.
KEY ROLES IN MEDIA PRODUCTION
DIRECTOR
A music video director is given the job of this task. Once assigned task has
been given, they review scripts and speaks with the writers of the music video
in order to improve the music video if any necessary changes have to take
place, after determining if there are any to make. The director of the music
video chooses which actors are best to fit certain roles for the music video
and which are best suited for the roles. The video director will have some
input with the producers to make the creative decisions for a television show,
advert or a film. The advantages of having this job are that there is room for
specialisation within the job – e.g. Films, television shows, documentaries etc,
potentially high paying and there is an opportunity to be self employed. The
disadvantages of this job include unusual and long hours, constant stress and
the fact it is a difficult career to break into as there is a lot of keen competition.
The salary of this job is on average $90,000 per annum in America.
PRODUCTION MANAGER/PRODUCER
Production managers organise the business and other important issues
including finance in both film and television productions. Production
managers control the budget and make sure that everything runs to plan.
Before production work would involve but not be limited to; meeting other
production staff, drawing up a schedule and estimated cost, hiring crews
and negotiations of pay, overseeing location bookings. During production
duties include but are not limited to; making sure everything runs to
schedule, managing the budget, managing the team, sorting out problems
and making sure all legal requirements are followed. To be a production
manager a candidate needs a lot of experience in both TV and/or film, an in
depth understanding of how the production process works and a large
contact list within the industry, formal qualifications are not as important as
experience but it is helpful to have skills and have had numerous work
placements. Also needed is an understanding of how to manage a budget
within the industry. For a senior role in this sector, the salary can go all the
way up to $150,000 a year, starting at $10,000. The advantages of this job
include excellent earning potential and there is an opportunity for self
employment. The disadvantages of this job include extreme
competiveness, it’s a highly stressful job, jobs are short and irregular and
hours are long.
CASTING DIRECTOR
A casting director will work directly for the studio and production companies.
They normally work free-lance charging a set fee. They must have strong
communication levels as they work with all kinds of industry specialists. A casting
director will also need flexibility because of the long hours and frequent travel to
meet producers and directors. Casting directors read the scripts to learn what is
needed for each role. Casting directors have to select the most qualified actors,
schedule auditions and sift through CVs to make sure they sure they get the best
person for the job. Salary average is approximately $93,000 a year.
SCREEN WRITER
Screenwriters are creative writers who write scripts for television and films. In
some cases, they are adaptations from books or occasionally they generate
original ideas of their own. The job is demanding and the days are long and
stressful for screenwriters as they have to meet deadlines set by production
companies. If the work is for television, there may be a team of writers for any
particular show. The process normally starts by sitting at a table discussing
and researching ideas. Screenwriters can alongside directors and producers
so that shooting a script is made easier and it could need re-writing numerous
times during filming. If the screenwriter is writing for a television show, a new
script may be needed weekly. The advantages of having this job include that
fact it’s one of the highest paying writing specialities, they can work anywhere
with access to a computer and there are numerous genres to choose from.
Disadvantages include that the pay may be inconsistent, travel may be
required and a college degree is normally required. The average salary is
$100,000 per annum.
SOUND OPERATOR
Sound operators are required to assemble, operate and maintain technical
equipment used for all aspects of sound within the production. Sound operators
identify the requirements for any given task and perform the appropriate actions
for this. Sound operators are needed for film, broadcasting, advertising, live
performances and audio recordings. Sound operators’ roles are split into two
categories – production and post production. For film productions, sound
operators will normally work within a team and the sound team is to follow the
instructions of the director, designer or supervisor. There are specialised roles
within the team including boom operators, assistants, editors, mixers, Foley
artist, Foley editor, sound designer, and sound editor. The advantages of this
job include that this is the best paid speciality in the broader field of broadcast
and sound engineering and they get above average salaries which average out
at around $57,000 per annum. The disadvantages include round the clock
broadcasting mean long, odd hours and working at live events or deadlines can
be stressful.
CAMERA PERSON
Camera operators can work for news stations, film studios and television
studios – as well as filming special events such as Bar Mitzvahs and
Weddings. Job duties vary depending on the type of work carried out, for
instance – broadcast studio people typically follow directions, film camera men
may be on location using track mounted cameras. Most camera operators are
in charge of their own equipment. Operators might have several assistants to
help with their duties. One of the most important aspects of the role is to shoot
from the best possible angle and ensure the camera stays in focus. Average
salary is approximately $52,5000 per year. The advantages of this job are that
you can work your way up from smaller stations to larger stations, you can be
promoted to producer or director and there may be self employment
opportunities. Disadvantages include possibly travelling for extended periods of
time, location work could be potentially dangerous and you’re required to stand
for long periods of time.
EDITOR
As an editor, you may be responsible for cutting images and using the best
angles and effects to produce the highest quality product. You might have to
correct errors, edit the dialogue and insert music into the video. The main aim
of this role is to help produce a film or video that is clearly presented and
aesthetically pleasing. Skills needed for this job role include media
background, computer skills, verbal skills and time management.The average
salary of an editor role is $69,500 per year. The advantages of this role are
that they can be employed or self employed, most editors will have a team to
support them, and technology and special effects have increased the demand
for editors. Disadvantages of this job include that entry-level usually requires a
degree, long hours may be needed to meet deadlines, there could be periods
of unemployment between jobs.
TASK
Apply these roles to your group
Make a list of YOUR duties
Research your role(s)