2014 CatalogueBroadcastAn easy to use guide for broadcasting, studio and production products distributed and supplied by Jands.

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Introduction

Jands is an Australian owned, privately held and proudly independent company founded in 1970. The company manufactures and distributes the world’s most recognised brands of Audio, Lighting and Staging products primarily for the entertainment and exhibition industry. With headquarters and manufacturing facilities in Mascot, Sydney, New South Wales, a factory in Melbourne and offices in Brisbane and Perth, Jands employs over 120 people across Australia. This publication is designed to give you an easy to use guide to broadcasting, studio and production products distributed and supplied by Jands. The technological innovations employed, and in many cases patented, by our suppliers, including Shure, Clear-Com, and JBL to name a few, have been recognised with numerous industry and technology awards providing further proof that the Jands portfolio of broadcast solutions represent the cutting edge. Jands are not only distributors, but also manufacturers.Jands manufacture lighting consoles and industry leading dimmers, as well as customised staging solutions designed to meet the needs of the modern studio. The Jands Broadcast Catalogue shows a selection of the relevant products available from our portfolio and is designed to be an easy to use reference for application specific product recommendations. If you require further information or find that your particular requirement is not met by the products within this catalogue then please contact the Jands Technical Resource Group for further assistance and recommendations on 02 9582 0909 or support@jands.com.au.

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Contents

Eclipse: Digital Intercom Systems ............................................... 8

Eclipse: Matrix Interface Cards ................................................... 9

Eclipse HX: Configuration Software (EHX) ................................. 10

Eclipse HX: User Control Panels ............................................... 11

Concert and Concert for Newsroom: Software Intercom Solutions ..................................................... 12

HelixNet: Intercom .................................................................... 13

Tempset2400: Wireless Communications Systems .......................................... 14

FreeSpeak and FreeSpeak Integra: Wireless Communications Systems .......................................... 14

IFB (Interruptible Fold Back) Intercom: Wireless Communications Accessories .................................... 14

CC-300 and CC-400: Intercom Headsets .................................. 15

DSi Series: Power Amplifiers .................................................... 29

ScreenArray: Post Production & Cinema Loudspeakers............. 25

Surround Systems: Post Production & Cinema Loudspeakers ... 25

LSR Series: Studio Monitors .............................................. 26 - 27

M2: Master Reference Monitor ................................................. 28

PCM96: Studio Standard Stereo Reverb/Effects Processor ........ 29

BRH: Broadcast Headsets ........................................................ 16

SRH: Professional Monitoring Headphones ............................... 16

Broadcast: Microphones ................................................... 17 - 19

UHF-R: Wireless Microphone Systems .............................. 20 - 21

Wireless Workbench® 6: Wireless Management Software ......... 21

ULX-D and FP: Wireless Microphone Systems .......................... 22

PSM: Wireless In-Ear Monitoring Systems ................................ 23

Axient: Wireless Management Network ..................................... 24

Vi Series: Digital Audio Consoles ................................................ 7

Lighting: Consoles ............................................................ 30 - 31

Sensor3 CE: Installation Racks ................................................. 31

Desire: Studio LED Fixtures ...................................................... 32

Source Four: LED Fixtures ........................................................ 32

DMX: Nodes ............................................................................. 33

HPC: Dimmers ......................................................................... 33

Lighting: Bars ........................................................................... 37

VAB-6 MKII: Acoustic Banner System ....................................... 38

Drapes and Tracking ................................................................ 39

Domino 1000: Cyclorama Units ................................................ 36

VLX: Moving Head LED Wash ................................................... 36

Studio Force: LED Fixtures ........................................................ 34

AutoLED II: LED Fixture ............................................................ 35

Vista Series: Digital Mixing Consoles .......................................... 4

Resource Link: Managed I/O Sharing System .............................. 5

OnAir: Production Digital Mixing Systems ................................... 6

CMS and CMS Lite: Call Management System ............................ 6

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Vista Series: Digital Mixing Consoles

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Studer Vista Series Consoles

Studer are renowned for their quality and innovations in broadcast equipment, and the Vista range does not compromise on any of the values and philosophy that were instilled with the company when founded in 1948.

The Vista console range provides a solution for all broadcast applications, from OB trucks to large production studios, there is a Vista to suit your needs.

The Vista 1 provides the first small format all-in-one Vista console designed to specifically meet the needs of customers who require a small foot print but do not wish to compromise on quality. Everything you need is contained within the console, the control surface, I/O system, DSP and PSU’s are all in one box.

Available with 22 or 32 motorised faders, 96 DSP channels (including 5.1 surround channels) and its simple to use and navigate Vistonics user interface, the Vista 1 is the ideal choice when space is a luxury such as in OB and ENG vans, small studios or for portable applications.

The Vista 5, available in 22, 32 or 42 fader versions, provides the next level of fixed and/or portable console designed for small to mid-sized OB trucks and studios. Its ease of operation provides users with total control and extreme flexibility as well as comprehensive channel, bus and loudness metering (ITU – BS1770 and BS1771, ATSC – A/85 and EBU – R128).

The Vista 5 utilises Studer’s SCore Live to provide all processing and I/O with the option to provide up to 4000 timeslots for freely routing signals within the core. The

SCore live provides redundancy for power supplies, DSP and the HD link for the console for total piece of mind in mission critical applications.

The Vista 9, the flagship of the Vista family, provides operators with the “next level” of control, flexibility and creativity that should be expected in high end broadcast audio consoles. The comprehensive metering, automation, routing and I/O capability are just some of the advantages with this console.

The customisable frame, available in sizes from 32 to 72 fader strips (in steps of 10) utilises the power of the Vista SCore Live DSP core allowing an I/O matrix of up to 1728 inputs x 1728 outputs which can be configured to the users choice. The SCore Live maintains full redundancy, with redundant power supplies and even DSP card redundancy. In the case of a hardware failure any unused DSP card will take over the processing almost immediately. Further, a redundant link between desk and core is available, as is a redundant communication card.

All consoles in the Vista range feature EMBER support for seamless integration with 3rd-party broadcast or newsrooms automation systems over TCP/IP.

Providing the operators with an efficient and smooth workflow, all of the Vista consoles feature the pristine audio quality, flexible I/O configuration, automation and redundancy that is expected from the Studer name.

Studer VistaMix

Un-scripted multi-microphone live events such as talk-shows, game-shows and discussion boards suffer from both microphone spill and background noise. With each active microphone added to the mix, the overall sound quality deteriorates. The result is decreased intelligibility and unpleasant comb filter effects (phase distortion).

Without Studer® VistaMix automatic mixing, an operator needs to manually adjust all the faders all the time, leaving the microphones of talking participants open, while closing the microphones of silent participants in order to reduce spill and background noise. Due to the reaction time of a human operator this often results in audible fadeins

of people who start talking rather unexpectedly. Also changes in fader positions can quickly lead to disturbing changes of the total ambience/noise level in the mix.

VistaMix Offers the Solution - by mimicking the action of a human operator: Increasing gain for ‘talking’ mics and reducing gain for all others, but very quickly and keeping the amount of total gain constant, a clean live mix can be created. VistaMix also offers the ideal solution for news operations when multiple mics are installed in the studio but the desk operator is not sure which ones will be used. VistaMix switches on only those mics that are in use.

Studer Vista 1

Studer Vista 5

Studer Vista 9

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Broadcast Audio

Resource Link: Managed I/O Sharing System

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Studer RELINK

The Studer range can be integrated easily within the Studer RELINK (Resource Linking) managed I/O sharing system, which can link numerous Studer consoles in various locations of a broadcast facility to allow audio input and output sharing across a wide network.

One of the benefits of the Studer RELINK system in comparison to others is that it is based totally on Studer’s existing SCore platform which is an integral part of the Studer console architecture, so no additional hardware or breakout boxes are required to complete the network. Communicating over TCP/IP with each other, any combination of Studer Vista and OnAir consoles, as well as Route 6000 can connect via RELINK.

RELINK is seamless, scalable, flexible, and can start with a simple connection between two Studer consoles, right through to multi-console systems using a two-step topology where all signals are matrixed through a central device.

Source selection is transparent, and signal labels are automatically transferred to the consuming locations, so the operator always knows what source is connected. Signal takeover between studios is seamless, so RELINK is well-suited for live transmission switchover. A resilient mic take-over mechanism ensures that mic control parameters such as analogue gain, phantom voltage, etc, are not unintentionally changed but require conscious takeover confirmation.

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OnAir 1500

The OnAir 1500 – a 12-channel, 6-fader console (expandable to 12 faders), is designed as a flexible hybrid solution for radio broadcasting and production. It’s ideal for studios needing an additional professional grade fader unit and additional I/O or a compact and cost effective mixing console for a production room or studio. Integrated USB playback and record functions make the OnAir 1500 a very compact yet complete mixer.

The Studer Call Management System (CMS) provides broadcasters with total integration of their telephone systems for on air and off air management of callers.

OnAir 2500

The all-in-one Studer OnAir 2500 ensures a new standard in ease-of-use for Radio or TV Broadcast, and is available in both a fixed frame model for portability, or the Modulo version for recessed installation in studio furniture.

Designed as an integrated system – on the Fixed Frame model the control surface, I/O breakout, DSP and controller boards, as well as power supply, share the same chassis – it addresses the medium segment of the live broadcast market including both private and public network stations. Its self-contained architecture without an external core reduces wiring complexity and setup time to a minimum. This makes the OnAir 2500 the ideal audio mixing console for OB applications, where robustness and reliability are a must.

OnAir: Production Digital Mixing Consoles

CMS and CMS Lite: Call Management System

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Callers can be prioritised and details entered in for the DJ or talent to be provided with information on the caller including: name, address/suburb and information on the subject of the call all collected by a producer before the call is put to air.

Callers can be screened by a producer or assistant and put into various holding areas, called Waiting Rooms. Here, incoming callers may be held prior to being put on air, listen to hold music, leave messages or be given messages about the particular show, such as ‘the line is now closed, competition is over’ or ‘all lines are busy’.

CMS provides voting lines for polls set up by radio and TV shows, utilising DTMF tones from the caller’s keypad for Yes/No or multiple choice style “vote for your favourite talent” contests. Voting can be done in the background with the DJ or producer only needing to be informed about the results.

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Vi Series

Vi Series: Digital Audio Consoles

Soundcraft Vi1

Soundcraft Vi4

Soundcraft Vi6

Soundcraft Vi2

Broadcast AudioWhile Soundcraft’s sister company Studer’s Vista range of consoles is designed to give every conceivable broadcast function and system integration possibility, the Soundcraft Vi Series fulfils an everyday need to make quality productions, quickly, within budget. The compact size and light weight make it ideal both for portable studio applications, fixed production suites or OB vehicles.

The Soundcraft Vi Series uses a derivation of Studer’s patented Vistonics™ technology (Vistonics II™), which makes using the Vi Series easy for in-house or freelance engineers.

Based on a touch-sensitive TFT screen with embedded rotary controls, Vistonics presents a complete set of channel information that the engineer can both see and control simultaneously, removing the need for a central set of menus and pages.

Soundcraft’s patented FaderGlow™ allows the engineer to see at a glance which mode the faders are in, as the fader edges are lit differently. For example, amber for Aux sends, green for groups, red for graphic EQ and so on.

Having such colour-coded schemes is a great advantage when working in low ambient light conditions such as those found in a video-orientated facility such as production studios or OB vans.

The smaller Vi4 is highly suited to OB use, since it has an even more compact footprint (just 1.45m wide and 725mm deep) yet can access 96 inputs to mix with 35

bus outputs. Each input channel has 2 selectable input patches, 4-band parametric EQ, aux and group controls, a compressor and gate.

Eight Lexicon effects engines are assignable to inserts or outputs, while there is also a 30-band graphic EQ on every output.

The remote stagebox connects to the local rack and control surface via a digital snake (either Cat5 or fibre) so can be quickly and easily setup in a live studio. It can be used as an active splitter to feed both a PA and OB mix.

Where long distance feeds are involved, the Vi Series uses single-mode or multi-mode fibre cables to run up to 300m from the stagebox to the console as standard, but can reach distances in excess of 2km using the Optocore network interface.

While the standard audio I/O format is analogue, optional cards provide interfaces for AES/EBU, MADI, ADAT/TDIF, and perhaps more importantly with the advent of HD and surround sound, Dolby D/E decoder and SDI de-embedder/re-embedder .

Additionally, a number of GPIO connections are available to use on fader starts, signalling, etc.

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Eclipse: Digital Intercom Systems

Exceptional Performance

Building on the powerful Eclipse platform, the new Eclipse HX range offers high performance for implementing changes to the system rapidly and easily. Leveraging the existing core hardware design, Eclipse HX allows a seamless transition to the new range.

Eclipse HX-PiCo

Eclipse HX-PiCo provides up to 36 ports for high-quality full-duplex communications in a compact 1RU form. This system is ideal for communication needs in small to mid-size production environments such as OB vans, studio and sports facilities. Built-in display module and menu system enables quick and easy changes to input/output levels, routes and configurations. The new PiCo-Link feature connects audio between two Eclipse HX-PiCo frames with the same capabilities as E-FIB-HX fiber linking of the larger frames.

Eclipse HX-Delta

The Eclipse HX-Delta offers the connectivity and high capacity of a large system in a smaller 3RU frame. It can house two CPU cards, four frame cards, and up to three interface modules. The Eclipse HX-Delta is ideal for mobile productions where size and connectivity are key. It is also optimal for the remote section of a network that needs a smaller expansion.

Eclipse HX-Omega

The 15-slot Eclipse HX-Omega can support up to 460 ports in the 6RU frame using combinations of 64-channel E-MADI64-HX cards, 32 port E-QUE-HX cards and 16 port MVX-A16-HX cards. In addition, other compatible frame cards are available for use with the Eclipse HX-Omega to offer expanded capabilities and connections with the matrix. By connecting multiple Eclipse HX-Omega matrices, this system is perfect for large scale communications productions with many users or destination points located in two or more different facilities in a single cluster.

Note: Restrictions based on power supply set the allowable quantity of IVC-32-HX and E-QUE-HX cards.

Eclipse HX-Median

Based on a powerful 6RU matrix frame, Eclipse HX-Median is expandable up to 448 CAT-5 panel/four-wire ports. It can house two CPU cards and seven frame cards with up to eight interface modules, which makes Eclipse HX-Median ideal for outside broadcast vehicles, mobile flight-case systems, or any production environment where rack space is limited. Up to 64 Eclipse HX matrices can be connected to form a single networked platform.

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Eclipse: Matrix Interface Cards

The Eclipse Matrix interface cards provide a seamless approach to integrate the frames with other Clear-Com intercom technologies and to enable connection to other audio sources.

MVX-A16-HX

The Eclipse 16 port audio and data card set for use with panels interface modules and direct ports using balanced 4-wire audio and RS422 data interfacing by RJ45 connectors.

IVC-32-HX

Utilising Clear-Com’s I.V Core technology, the IVC-32 card delivers a total of 32 IP-Channel (or 32 port) connections for use with the V-series panels and Clear-Com Concert clients. This enables use of panels and soft clients over IP to connect to the frame from either your LAN or remote locations around the world. The I.V Core technology features a decision engine that enables real-time, low-latency and non-blocking intercom capabilities over standard IP networks, making new and traditional intercom systems IP-compatible.

E-Que-HX

This multipurpose card is capable of being used as a wireless cell controller card, known as FreeSpeak Integra, or E1 and T1 digital audio trunks. This allows seamless connection for digital wireless communication and high capacity links between matrix frames. For more information on FreeSpeak Integra, see “Wireless communications”.

E-FIB-HX

This fibre-net card enables dual-redundant, non-blocking, audio fibre network connections with up to 14 other frames.

LMC-64-HX

For use with Clear-Com’s Production Maestro Pro software for ECS, the LMC-64 card provides both activity and level monitoring of feeds at a simple glance, while reducing the need for multiple monitoring speakers.

E-MADI-HX

One E-MADI64 card expands the functionality of the Eclipse Matrix system by providing up to 64 bi-directional channels to any AES10 compatible device.

Broadcast Audio

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Logic Maestro – Now Bundled with EHX

Logic Maestro Programming replaces the current scripted Control Macros in EHX (Eclipse HX Configuration Software) with a simple graphical logic programming tool with EHX, enabling significantly easier design & programming of complex logical function. Logic Maestro makes it easy to add combinational logic between general purpose inputs and crosspoints and general purpose outputs, like relays.

Production Maestro Pro

The Production Maestro Pro application provides a centralised routing tool for enabling simple and reliable routing of 4-wire lines and allows operators to control small or large networked intercom systems. It is a multi-user, multi-matrix PC based software package which provides fast, intuitive audio routing control for Eclipse HX Intercom systems. Production Maestro Pro can manage and preset live external lines in and out of a Master Control Room of sports venue control centre to groups of remote users’ panels and their keys.

Eclipse HX: Configuration Software (EHX)

Eclipse HX Configuration Software (EHX) provides admin-istrators and operators with an easy and intuitive means to configure an entire Eclipse HX network. Its graphical view of features such as operator panels configuration, control logic configuration and system resource utilisation allow efficient system setup and maintenance.

The new EHX software significantly improves user experi-ence. Built-in automation, pre-set factory configuration, and intuitive hardware discovery drastically enhance the out-of-box start-up experience. Now, with the new EHX V7.1, many software improvements have been added to empower users to make more dynamic system changes.

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New Features in EHX:

• Faster software algorithms to enable non-disruptive real-time system-wide updates

• Save time with simplified user interface for the setup of matrix cards and ports

• Restrict access and prevent training errors with System Access Control

• Have confidence in the programming using the new Resource Chart to display the users configuration limits as a tabular list

• Easily-identifiable colour tallies for IFB, phone lines, 4-wire, and partyline assigned keys (Applies to V-Series Rotary Panels only)

• Configure a network of up to 64 matrices and 20,000+ audio ports

• Highlighted off-normal crosspoint levels

• New Online Help

Additional EHX Features

• Automatic setup of initial configuration by hardware discovery and default factory configuration

• Configuration upload from frames

• Real-time key assignment routes, IFB and partyline routing

• Centrally set global and local IFB operations

• Programmable and real-time V-Series Panel audio routing-mixing

• DTMF dial tone inward access

• Activation of relays, routes, and DTMF sequences via controls

• Global label based key latch disable

• Configuration of frame and panel relay controls

• Port I/O audio level control

• Centrally set local and global ISO routes

• 8 programmable pages on a V-Series panel

• 4 configuration maps onboard system configuration card

• Intelligent linking (analog and digital trunks over 4-wires, E1, T1, Dark Fiber, or MADI)

• Hardware graphical diagnostics and reporting

• Event and status logging

• Logic Maestro for graphical logic control programming (Now bundled with EHX Configuration Software)

• FreeSpeak Integra Digital Wireless beltpack configuration

Production Maestro Pro for fast conference and line routing setup

New Resource Utilisation screen for providing at-a-glance status on resource usage

Simple-to-use Eclipse HX Configuration Software (EHX) for configuring and managing the entire Eclipse HX network

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Eclipse HX: User Control Panels

Clear-Com’s comprehensive set of user control panels are advanced, fully programmable digital pushbutton, lever key and LCD units, to basic, non-display panels.

V-Series

i-Series Panels

The 1RU i-Series panels are engineered and built to be rugged and reliable. i-Series panels are factory built with two to four 5-character display selector modules and a microphone headset module. The fully fitted 4 module panels also include a keypad.

There are 5 standard variants available:I-1110E 1x8-key display key module, no keypadI-1210E 2x8-key display key modules, no keypadI-1410E 4x8-key display key modules, no keypadI-1430E 4x8-key display key modules with keypad (dial and assignment menus) I-1470E as per I-1430E but with AUX-101 option (local audio and GPIs plus the I-1410E 4 x 8 display key extension panel)

Broadcast Audio

The most advanced user control panels on the market deliver unmatched features, functionality, audio quality and performance. All Clear-Com V-Series panels are compatible with the Eclipse HX systems and are available in pushbutton, lever or rotary key form.

V-Series Control Panels combine cutting-edge Digital Signal Processing and native IP technology in an acoustically-controlled contemporary design.

The broadest variations in form and size: The V-Series Panels are available in rotary-, pushbutton-, or lever-key in 12-key/1RU panel, 24-key/2RU panel and 12-key Desktop panel forms. Up to eight Expansion panels for additional keys can be added to the 12-key and 24-key panels in rotary-, pushbutton- and lever-key forms.

Distinctive and extensive graphic display: The bright yellow OLED colour provides superior contrast for accentuating the panel labels for greater legibility in dim locations and for enhancing visibility in bright conditions. Source and destination labels are more distinct and easily identified through 10-character high resolution

graphic displays with international character support. Improved Roman English & European character fonts and new font style makes vertical panel mounting possible.

The V-Series panels are capable of simultaneously running both eight shift pages, up to eight extension panels, and many extra physical keys on extension panels for source or IFB routing.

User-configured signalling LEDs and Listen Again digital memory: User-configured signalling LEDs make incoming calls easy to follow at busy times. When there are multiple calls or operators miss the last call, the Listen Again digital memory can replay up to the last 30 seconds of any incoming call at his/her fingertips. Digital Signal Processing (DSP) and Audio Level Controls: Leading DSP makes local and centralized real-time changes to audio routing and effects possible.

Individual up and down level controls let users adjust personal audio mix for all calls or to send call alerts to partylines. The Supervisor functionality centralises control of any V-Series panel, enabling efficient workflow.

V-Series 24-Key Pushbutton Panel

V-Series 12-Key Rotary Panel

V-Series 12-Key Lever Desktop Panel

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Concert Applications

Concert is ideal for many communication applications, including but not limited to:

• Remote Access to Intercom Systems

• Interface Connections with Third Party 3-Wire Audio Devices

• Enterprise-wide Communications and Collaborations

• Collaborations and Communications for Newsroom Members (seamlessly integrated into the ENPS application)

Concert Main Features

• Non-blocking and Instant Point-to-Point, Point-to Multi-point voice communications and conferencing from the user PC:

- Unlimited number of users on a conference

- Instant connections of new participants to in-progress conferences

- Ad-hoc conferencing and pre-defined partyline voice group

- Talk/Listen on multi-conferences simultaneously

Concert and Concert for Newsroom: Software Intercom Solutions

Clear-Com Concert enables collaborative workgroups to in-stantly and reliably intercommunicate. An intuitive user inter-face facilitates ad-hoc communications and makes the user the conductor of his or her own audio conference with easy drag-and-drop functionality and simple point-and-click con-trols. Based on the innovative I.V.Core technology and market

proven audio quality standards experienced in mission-critical settings such as broadcast and live events, Concert is ideal for many communication applications including, but not limited to, enterprise-wide communications and collaborations, re-mote access to existing intercom systems, and interface con-nection with third-party 4-wire audio devices.

• Talk/Listen and Listen Only Modes, and text messaging

• Presence identification for high visibility of participant

• 4-Wire audio interface connections

• Native Eclipse interface (to the IVC-32 card) for communications with intercom panel users

• Encrypted audio for high-level security and privacy (AES 128-bit encryption key)

• Interruptible audio feeds

• High audio quality:

- Built-in echo cancellation for better use of Concert without headsets

- Multiple CODEC support

- Built-in packet reconstruction and recovery

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HelixNet Partyline

HelixNet: Intercom

Communication technology for today’s productions must be highly advanced and more dynamic than ever before, and yet continue to deliver the simplicity of the plug-and-play inter-com systems of the past. HelixNet™, based on the awardwin-ning Clear-Com I.V.Core Technology that delivers the clear

audio experience of professional-grade intercoms and inherit flexibility of IP, is a platform of intercom products designed to offer simplified user operations and cabling requirements, ease-of-set-up and system management, unparalleled voice intelligibility, networking flexibility and system intelligence.

Broadcast Audio

HelixNet Partyline is the first set of products based on the HelixNet Platform, comprising Main Station, Beltpack and Interface modules. The HMS-4X HelixNet Main Station carries four channels of communication for supporting up to 20 digital beltpacks. It is an all-digital system, fitted in a sleek 1RU form that can be mounted into any standard 19” rack.

The HBP-2X HelixNet Beltpack gives you superb digital sound quality in a rugged, ergonomic design. Fabricated from lightweight cast aluminium, HelixNet’s powered Beltpacks are designed to perform on the big stage, and offering reliability and durability across the most demanding production environments.

Interface modules include 2-wire for connection to an existing partyline system and 4-wire interface for camera and matrix connection. The New v1.1 of HelixNet provides linking of master stations with resource sharing using two new interface modules, an Ethernet module which can use standard network infrastructure or connected directly to another master station or a fibre module for daisy chain connection between master stations.

• Up to 20 independent intercom channels, program and power for Beltpacks transmitted over a shielded twisted-pair (mic cable or CAT-5 cable).

• No rewiring required for communicating on more than one partyline channel or for adding or changing channel assignment.

• Single cable operation to deliver cost savings, cable reductions, and time

savings during setup and configuration. Fewer cables means users have more space and less weight to transport.

• No hum or electro-magnetic interference thanks to an all-digital system architecture.

• Works with existing partyline products and cables.

• Clear-Com Sound: Legendary contoured audio frequency response for maximum intelligibility and exceptional sound quality.

• Plug-and-go system with hardware auto-discovery allows any connected beltpack or user device to be immediately recognised.

• Seamless connectivity to existing analogue intercom systems and audio devices using optional 2-wire and 4-wire interface modules.

• Easy-to-navigate menu provides quick access to system settings and configuration, for fast and painless set up.

• High-resolution, large format OLED displays provide up to 10 characters of user-defined labels.

• Resource sharing of channels between master stations connected by the new Ethernet or fibre modules allowing each beltpack to access two of up to 20 party-line channels from up to 5 master stations.

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Tempset2400: Wireless Communications Systems

Operates in the 2.4GHz band, Tempest2400 is available in a robust 2- or 4-channel system for indoors, outdoors and touring applications.

Tempest2400 offers Multi-Modes of Operations, with each mode providing varying level of communication flexibility and user capacity. Unlimited number of users is possible in Split and Shared Modes. In Normal Mode, up to 10 BaseStations and 5 full-duplex wireless BeltStations can operate on one system with no frequency coordination required.

The systems maintain the high quality voice audio with the Frequency Hopping Spread Spectrum (FHSS) technology and can function in very high ambient noise environments with extremely high audio dynamics range (>94dB). Patented RF architecture allows the system to co-exist with Wi-Fi networks. iSelect On Command Roaming allows users to move from one coverage to another. BaseStation features Seamless Roaming, Stage Announce, Unique GPIO Contact Closures, and Remote Talk Kill; BeltStation features Vibrate Call function, Discreet audio path for point-to-point communication, Unique GPO addressing and more. No license fee required.

The Tempest 2400 now provides users with ability to seamlessly roam between base stations to provide multiple coverage areas throughout a facility without any manual intervention.

The all new Tempest2400 MasterBelt delivers the power, features and reliability in a portable and compact package.

FreeSpeak and FreeSpeak Integra: Wireless Communications Systems

Highly flexible and functional, the FreeSpeak wireless communication system operates within the license-free 1.88GHz-1.9GHz frequency band, away from the crowded frequency where other wireless devices operate. FreeSpeak combines DECT and wireless auto-roaming technologies to allow users to move freely without fading or losing communication connection.

FreeSpeak can operate as a standalone system, with up to 20 full-duplex wireless beltpacks connected to one base station. Active Antennas can enable beltpack-to-base station distance up to 1,000m. The system has 4-wire and partyline intercom connectivity, program feed input, stage announce, IFB, up to 5 wireless partyline groups and partyline call alert functionality.

FreeSpeak Integra provides an integrated solution utilising the E-Que interface card within an Eclipse matrix system. The FreeSpeak beltpacks are seamlessly connected to a Matrix frame and can be configured as part of groups or point-to-point communications from any panel or concert client. Up to 40 user connections per E-Que can be achieved with a total of 4 cards per Matrix frame.

Using ECS, up to 200 roles can be accessed by each beltpack, menu’s can be assigned to be completely user accessible, provided with only some user option or completely locked out. Antenna and beltpack status can be monitored as well as viewing beltpack crosspoints.

IFB (Interruptible Fold Back) Intercom: Wireless Communications Accessories

PTX-3 and PRC-2

The Clear-Com PTX-3 transmitter and PRC-2 receiver provide a wireless IFB solution for studios where talent are unable to be tethered to a traditional wired IFB solutions.

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CC-300 and CC-400: Intercom Headsets

Single or double ear headsets with flexible design, excellent noise attenuation and superior comfort. Able to rotate 300 degrees, microphone boom acts as On/Off switch for quick microphone muting. Available with 4, 5, 6 and 7-pin connectors. Interchangeable cabling for easy connector changing and repair.

CC-300 Single-Ear Intercom Headset

The CC-300 single-ear headset features high ambient-noise attenuation headphones and a hyper-cardioid dynamic microphone that provide high quality audio. The headset has a flexible design and a soft-ear pad to offer superior comfort. Able to rotate 300 degrees, the microphone boom acts as an On/Off switch for quick microphone muting.

CC-400 Double-Ear Intercom Headset

The CC-400 double-ear headset features high ambient-noise attenuation headphones and a hyper-cardioid dyanamic microphone that provide high quality audio. The headset has a flexible design and soft-ear pads to offer superior comfort. Able to rotate 300 degrees, the microphone boom acts as an On/Off switch for quick microphone muting.

Broadcast Audio

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Are you

> Restack Overview> FAQ’s> Updates and Articles> Online Forum> Frequency Guide> Helpful Links

Are you ready for the Digital Dividend Restack? From the

1st January 2015 you may not be able to use your current

wireless audio products. There is a lot of confusion and

misinformation out there about the Digital Dividend and how

it will affect you, so we’ve created the one website where you

can find everything you need to be Ready for Digital.

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SRH840 Reference Studio Headphones

Precision Performance for Critical Listening

Featuring 40 mm neodymium dynamic drivers precisely tailored to deliver rich bass, clear mid-range and extended highs needed for critical listening and studio monitoring. The SRH840 also provides an ergonomic fit and collapsible design for comfort and portability.

BRH31M Lightweight Single-Sided Broadcast Headset

Features a single supra-aural earcup design that enables the user to hear external audio cues.

BRH440M Dual-Sided Broadcast Headset

Features circumaural ear cups that block out background noise. Boom offers flip-up mute function.

BRH441M Single-Sided Broadcast Headset

Features a single-side circumaural ear cup that eliminates background noise. Boom includes flip-up mute function.

Building on 80 years of pro audio experience, Shure Professional Headphones offer excellent sound quality, comfort and legendary Shure sound. The range includes headphones which can be used for studio recording.

Shure broadcast headsets combine the pristine audio reproduction of our critical-listening and monitoring headphones with dynamic microphones developed especially for broadcast and media production.

SRH: Professional Monitoring Headphones

BRH: Broadcast Headsets

SRH1440 Professional Open Back Headphones

Natural Sound. Wide Stereo Image. Optimal Sensitivity.

The SRH1440 provides full range audio with detailed highs and rich bass in a sleek, attractive design. The premium-padded headband with steel frame provides hours of listening comfort.

SRH940 Reference Studio Headphones

Critical Listening, Studio Monitoring and Mastering

Designed for professional audio engineers, SRH940 Headphone provides an accurate frequency response for smooth high-end extension with tight bass, and superior transient response for minimal distortion.

SRH1840 Professional Open Back Headphones

Unparalleled Acoustic Performance and High Fidelity

The SRH1840 Professional Open Back Headphones features individually matched drivers for smooth, extended highs and accurate bass. Developed with premium materials and precision engineering, the custom-crafted design is extremely lightweight and durable.

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Want to know more about Jands? Interested in how to install audio products or stay up to date on the latest product news? Our e-newsletters

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The VP64A and VP64AL are identical except for handle length. The 200 mm (7-7/8 inch) long VP64A is ideal for close-up use and can be used outside as well as indoors. The VP64AL is well-suited to location interviews, sports broadcasting, and other situations where the 244 mm (9-5/8 inch) length is an advantage.

The omnidirectional pickup pattern provides uniform pickup on or off axis, eliminating the need for critical microphone positioning. The VP64A series also features a tailored frequency response with an upper midrange presence rise that adds crispness and clarity to speech. The cartridge utilises a neodymium magnet for higher output and increased signal-to-noise ratio. An internal rubber isolation mount protects the microphone cartridge and minimises handling noise. A water-resistant mesh grille allows the microphone to be used during the most challenging weather conditions. The supplied windscreen further reduces “pop” and wind noise.

KSM Series

KSM microphones deliver world-class mastery of sound reproduction from exquisite electro-acoustical design and technology. Crafted from premium components, each KSM microphone is designed to capture and control the detailed sonic nuance of critical studio performance, while withstanding the punishment of the most accomplished and demanding live sound reinforcement.

Shure microphones are the industry standard for beginners and professionals alike and offer legendary sound quality and reliability.

Broadcasting: Microphones

VP88

The Shure Model VP88 is a single-point, stereo condenser microphone for use in professional studio recording, field production, electronic news gathering (ENG), and studio broadcasting applications. It combines two condenser cartridges in a single housing to create a stereo audio image of the sound source.

It is unique in its ability to capture the realism of a live event and yet withstand rigorous field production environments. The VP88 uses a mid-side (M-S) configuration. One microphone cartridge (Mid) faces forward to capture on-axis sound using a cardioid pickup pattern. The other microphone cartridge (Side) is bi-directional, capturing sound from either side.

The VP88 contains an internal M-S matrix with three settings for different degrees of stereo image separation. The internal matrix can be bypassed if an external matrix is used or if stereo imaging is done in post-production. Switches on the top of the microphone control output mode, stereo imaging, low-frequency rolloff settings, and

VP64

The VP64A and VP64AL are high-output omnidirectional handheld dynamic microphones have a simple, rugged construction and can handle very high sound pressure levels designed for professional audio and video production. They combine exceptional performance and comfortable feel with a handsome on-camera appearance.

battery on/off. The VP88 can operate on phantom power or an internal 6 V battery. The VP88 is supplied with a multi-connector “Y-splitter” cable, foam windscreen, swivel stand adapter, 6-volt battery, and zippered carrying/storage bag.

Optional accessories include an isolation mount, a 7.6 m (25 ft) microphone extension cable, a phantom power supply, and a 4.3 m (14 ft) microphone stand. The optional A88SM Shock Mount provides optimum isolation from stand-transmitted shock and vibration. The A88SM, ideal for critical studio applications, contains a standard mounting foot for use with most electronic news gathering (ENG) video cameras.

SM63

Elegant yet rugged, the high-output SM63 series of dynamic omnidirectional microphones are designed for professional applications where performance and appearance are critical. The three models differ only in length and color. The SM63 is designed for handheld use on stage and in broadcast, recording, and TV studios. The SM63L and SM63LB are ideal for remote interviews and other situations where longer microphones are desirable.

The smooth, wide frequency response of the SM63 is tailored for optimum speech intelligibility, and includes a controlled low-frequency rolloff for reduced pick-up of stand and wind noise. A built-in humbucking coil makes the microphones virtually immune to strong hum fields, such as those produced by studio lighting.

Broadcast Audio

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Countryman Series

Practically invisible to live or broadcast audiences, the WCE6 series earset microphone is the smallest, lightest and most comfortable microphone of its kind.

The WCE6 Earset microphone is ideally suited to singing and spoken word applications for professional performers and presenters in settings such as the theatre, houses of worship and TV studios. The rugged, bendable boom arm assures custom fit and the snap-on cable makes your WCE6 compatible with all Shure wireless microphone systems.

MX150

The Shure Microflex® MX150 is a professional subminiature electret condenser lavalier microphone ideal for use in speech and other applications requiring low profile, discreet placement. Available with cardioid or omnidirectional patterns, the MX150 provides uncompromised sound quality and high reliability with minimal visibility for use in television broadcasting. Commshield® Technology offers superior RF immunity from cellular devices and digital bodypack transmitters. Each microphone is supplied with a snap-fit foam windscreen to minimise wind noise and a multi-position tie clip with integrated cable management to minimise cable handling noise.

MX153

The Shure Microflex® MX153 is a professional subminiature earset microphone ideal for speech and other applications requiring low-profile discreet placement where improved gain before feedback over lavalier microphones is desired. Delivering exceptional speech clarity, the MX153 is ideal for speech reinforcement applications. Additionally, Commshield® Technology offers superior RF immunity from cellular devices and digital bodypack transmitters. Available in three color options, the MX153 provides outstanding clarity in an extremely comfortable, over the ear design.

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SM93

The SM93 omnidirectional miniature lavalier condenser microphone is designed for use in speech applications such as broadcast presenting, speeches, lectures and for use in houses of worship.

Despite its small size, the microphone element provides full, clear sound comparable to that of much larger microphones. Its frequency response is tailored to body-worn applications, with low-end rolloff and presence rise.

The SM93 is supplied with a sew-on mounting bracket, a mounting block with attached tie bar, and an acoustic windscreen to minimise wind noise in outdoor applications. It is also supplied with a dual mounting block with attached tie bar.

Shure Wireless Workbench School

Shure have lifted the veil on the dark art of frequency selection with the release of version 6 of Wireless Workbench (WWB6), their software application for configuration, control and monitoring of wireless audio devices.

Earn 4 renewal units (RUs) toward InfoComm CTS accreditation through successful completion of the Level 1 course.

Recommended for any audio professional involved in the design and / or operation of wireless audio systems. Attendees should have previous experience with wireless audio systems and be familiar with technical terms and concepts.

Classes sizes are limited. We recommend that you register now to ensure your place!

Scan this QR code OR visit the link below to register.

http://www.jands.com.au/shure_wwb

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SM7B

The SM7B is a selectable frequency response cardioid microphone that delivers warm and smooth audio reproduction in close-proximity studio and vocal applications, while shielding from electromagnetic hum. A smooth and warm sounding microphone that is ideal for close-talk applications such as radio presenting and voiceovers for TV. It has also been widely used for vocals on numerous albums.

• Flat, wide-range frequency response for exceptionally clean and natural reproduction of both music and speech

• Bass rolloff and mid-range emphasis (presence boost) controls with graphic display of response setting

• Improved rejection of electromagnetic hum, optimised for shielding against broadband interference emitted by computer monitors

• Internal “air suspension” shock isolation virtually eliminates mechanical noise transmission

• Highly effective pop filter eliminates need for any add-on protection against explosive breath sounds, even for close-up vocals or narration

• Now shipping with the A7WS detachable windscreen, designed to reduce plosive sounds and gives a warmer tone for close-talk vocals

• Yoke mounting with captive stand nut for easy mounting and dismounting provides precise control of microphone position

• Classic polar pattern, uniform with frequency and symmetrical about axis, to provide maximum rejection and minimum coloration of off-axis sound

• Rugged construction and excellent cartridge protection for outstanding reliability

VP89 Shotgun Microphones

The VP89 series provides a range of professional microphone for use in critical broadcast and A/V media production applications. Designed with interchangeable long, median and short capsules, the VP89 model provide scalable, superior off-axis rejection for focus and flexibility in a wide variety of on-site locations.

• State-of-the-art preamplifier redesign with RF immunity

• Long, medium and short cartridge/barrel housings

- Long – for focusing/targeting sources of high volume over long distances- Medium – wider target aperture for greater degree of ambience- Short – high volume, widest aperture – greatest ambience, near-field target

range

• Full range of premium complementary accessories

VP83 and VP83F – Camera Mount Shotgun Microphones

Two new ultra-compact, rugged and battery powered condenser microphones designed to easily capture detailed, high definition audio with HD camcorders and DSLR cameras. Developed with highy directional super-cardioid/lobar polar patterns, both the VP83 and VP83F provide superior off-axis rejection and deliver natural audio reproduction. The VP83F offers digital flash recording and play back with intuitive menu and controls and as well as dedicated headphone audio output for real time monitoring.

VP82 Shotgun Microphone

The VP82 is a compact and lightweight shotgun microphone with wide aperture and excellent off-axis rejection, providing an affordable and reliable professional choice for camera-mounted media production applications.

• Integrated preamplifier design

• Wide aperture for near-field sound sources

• Natural off-axis rejection

• Compatible with VP89/S (short) premium complementary accessories

Broadcast Audio

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UHF-R Series

Shure UHF-R® Wireless Microphone Systems master the high pressure and extreme conditions of large-scale touring or installations environments while delivering uncompromising sound. Rock-solid engineering and unparalleled RF performance provide sound professionals with all the features and flexibility they need to tightly control up to 160 systems for the most elaborate productions.

UHF-R incorporates automatic frequency selection, transmitter sync and smart menu-driven system functionality for fast, intuitive setup. Up to 2400 selectable frequencies across an ultra-wide 60 MHz bandwidth provide superior capability to respond to unpredictable RF conditions. Featuring Shure’s Advanced Track Tuning Filtering Technology, UHF-R delivers up to 40* simultaneously compatible systems per band without audio degradation or interference.

Experience the legendary Shure sound with the total freedom of a wireless microphone system. You can choose from wireless handheld microphones, to wireless headset and lapel/lavalier microphones, or a combination. From the entry to professional sound PG wireless systems, Shure caters for start out bands to the needs of professional touring musicians and presenters.

UHF-R: Wireless Microphone Systems

UR4+ Receiver

The UR4S+ and UR4D+ receivers provide single and dual-channel options for premium wireless. Technology innovations such as Networked Automatic Frequency Selection and Automatic Transmitter Setup provide advanced control and robust flexibility for a wide range of professional uses. RF distribution ports allow up to 10 receivers to share a single pair of antennas.

UR2 Handheld Transmitter

UHF-R handheld transmitters boast a rugged, lightweight construction and an antenna design which advances RF transmission reliability.

The transmitter design allows for interchangeable microphone cartridges. The UR2 is offered with BETA 87A, BETA 87C, BETA 58A, SM86, SM87A, SM58, and KSM9. The new VP68 will provide an omnidirectional capsule option for UHF-R wireless systems.

UR1 Beltpack

The UR1 transmitter is a compact bodypack, constructed of lightweight metal to be exceptionally unobtrusive and abuse-resistant. Also available is the UR1H high powered (250mw) transmitter^.

UR1M Micro-Bodypack Transmitter

The UR1M Bodypack Transmitter is the most compact bodypack available from Shure. About half the size of most standard bodypacks, the UR1M is designed to be easily concealed and worn comfortably by actors, performers, musicians, and public speakers.

Operating on the premium Shure UHF-R Wireless platform, the UR1M offers superior wireless audio and an industry-leading tuning range – all in a durable, ultra-compact and lightweight form factor.

^High power beltpack requires licensing.*Maximum number of compatible systems.

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The Wireless Workbench® application integrates with all Shure® hardware featuring Ethernet connectivity to let you take full advantage of the most advanced features of each product.

Wireless Workbench® 6: Wireless Management Software

UR5 Portable Wireless Receiver

The UR5 is a premium portable wireless microphone receiver component designed to provide Shure UHF-R class wireless technology, performance and quality for professional field and media production applications. Featuring wide-band frequency tuning, hands-on navigation, rechargeability and a wide variety of mounting options, the UR5 is the clearest choice for wireless portability.

• Full bandwidth scan and sync at the touch of a button

• 2400 selectable frequencies across 60 MHz bandwidth

• Audio Reference Companding for crystal-clear audio

• Feature-rich, hands-on navigation control

• MTX (Multi-transmitter) mode

- Populate multiple transmitters with open frequencies

• Headphone monitoring output jack

• Mic and Aux-level balanced output

• Full range of mounting and power options

UR3 Portable Wireless Transmitter

The UR3 is a premium wireless microphone transmitter which provides Shure UHF-R class technology and flexibility. With smart feature and ergonomic industrial design, the UR3 is compatible with any XLR microphone and is an essential component for professional field and media production applications.

• Smart, ergonomic and industrial design

• Microphone preset list

- Program microphone ID lists to tailor settings(gain/phantom power/high pass filter/etc.) per microphone for quick recall

• Audio Reference Companding for crystal-clear audio

• Selectable Mic/Line-level input

• Sweepable high-pass filter (35Hz – 285Hz)

• 2AA batteries provide full range of phantom power

Wireless Workbench 6 can interact over an Ethernet network with the following Shure wireless systems:

• Axient® Wireless Management Network

• UHF-R® Wireless System

• ULX-D™ Digital Wireless System

• PSM®1000 Personal Monitoring System

Comprehensive Frequency Coordination

• Import a saved scan file or perform live, wideband scans.• Coordinate frequencies for all Shure®wireless products, as well as intercoms,

in-ear monitors, and wireless microphone systems by numerous other manufacturers.

• Calculate a list of backup frequencies.• Program Shure networked devices to their assigned frequencies.• Program Axient transmitters remotely over the ShowLink™ network using a

ShowLink Access Point (AXT610).• Group equipment into zones and increase the number of frequencies

available.

Offsite Show Planning

• Do your pre-show planning anywhere, with or without connecting to hardware.

• Use saved scan files and a database of local TV channels. Email and share scan files.

• Import scan files to perform frequency coordination.• Use device markers to see microphones assigned to frequencies, even when

microphones are not online.

Comprehensive Wireless System Control

• Coordinate, monitor, and control your entire wireless system from your laptop.

• Monitor backup frequencies using a Spectrum Manager (AXT600).• View the status of networked equipment and make remote adjustments to

hardware.

Broadcast Audio

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FP1 Bodypack Transmitter

The FP1 Bodypack Transmitter features a lightweight and durable design for use with TA4F-connection microphones including lavaliers and headsets.

ULXD1 Wireless Bodypack Transmitter

The ULXD1 is a wireless bodypack transmitter compatible with ULX-D™ Digital Wireless Systems. The ULX-D dual and Quad receivers provide bodyback frequency diversity by allowing two body backs to be linked together for redundancy on different frequencies.

ULXD4 Digital Wireless Receiver

The Shure ULXD4 is a half-rack, networkable wireless receiver for use with ULX-D™ Digital Wireless Systems.

ULXD2 Handheld Wireless Transmitter

The Shure ULXD2 is a handheld wireless transmitter compatible with ULX-D™ Digital Wireless Systems.

ULXD4Q Quad Channel Digital Wireless Receiver

The Shure ULXD4Q Quad Channel Digital Wireless Receiver offers four channels of uncompromising audio quality, RF signal stability, and advanced setup features in a space-efficient single rack unit.

ULXD4D Dual Channel Digital Wireless Receiver

The Shure ULXD4D Dual Channel Digital Wireless Receiver offers two channels of uncompromising audio quality, RF signal stability and efficiency, and advanced setup features in a single rack unit. Rugged, yet lightweight and compact, the all-metal chassis houses two independent receivers, each with its own audio and RF meters, gain control, and receiver outputs that can be either direct or summed for flexible signal routing.

FP3 Plug-on Transmitter

The FP3 Plug-on Transmitter works with virtually any Shure XLR dynamic microphone and battery-powered condenser microphones.

Ergonomically designed to fit comfortably in the hand, the FP3 is ideal for use with Shure FP Wireless and SLX Wireless.

FP5 Portable Receiver

Designed for on-camera mounting, the FP5 Portable Receiver locates an open frequency at the touch of a button and instantly syncs the transmitter to the receiver frequency.

The battery-powered FP5 is lightweight and durable, featuring diversity antennas and output to either XLR or 1/8” connectors.

FP2 Handheld Transmitter

The FP2 Handheld Wireless Transmitter features either the legendary Shure SM58® cardioid dynamic microphone capsule or the VP68 omnidirectional condenser capsule mounted to lightweight, durable transmitter handles.

FP Wireless Systems

Capturing audio in the most demanding environments has never been easier. Shure FP Wireless Systems offer a full selection of affordable, lightweight portable wireless components that feature 24 MHz bandwidth, automatic frequency selection and automatic transmitter setup.

All powered by 2 AA batteries and compatible with up to 20 systems simultaneously.

ULX-D Digital Wireless Systems

Shure ULX-D™ Digital Wireless offers uncompromising 24-bit audio clarity and extremely efficient RF performance with single, dual, and quad channel receivers for any size professional sound reinforcement application.

Scalable, intelligent hardware delivers the best performing digital wireless available, with a wide selection of trusted Shure microphones to choose from. Unmatched spectrum efficiency enables a dramatic increase in the number of simultaneous

ULX-D and FP: Wireless Microphone Systems

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active transmitters on one TV channel, with rock-solid signal over the entire range. Optional rechargeable accessories eliminate the need for disposable batteries while offering extended run time and metering accuracy in hours and minutes. For secure transmission, all ULX-D components include AES-256 encryption. The ULX-D Dual and Quad receivers also feature Audinate Dante connectivity allowing other compatable devices to receive the receiver’s audio over Ethernet.

Generations ahead of any other available system in its class, ULX-D brings a new level of performance to professional sound reinforcement.

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P9T Wireless Transmitter

The P9T is a half-rack wireless transmitter used in conjunction with the P9R Bodypack receiver as part of the PSM®900 Wireless Personal Monitor System.

It offers state-of-art technology like CueMode (patent pending), Scan and Sync, and RF mute switch for easy setup and operation.

Connections include balanced 1/4” and XLR, loop out, and headphone out. Includes rack-mounting kit, front or back mountable antennas, and power supply.

PSM 900 Wireless Personal Monitor System

The PSM®900 Wireless Personal Monitor System from Shure offers an unprecedented combination of superb audio quality, robust RF performance, and category-leading features for the most demanding professional applications. All new, patent-pending CueMode allows the sound engineer to monitor different stage mixes with the touch of a button.

Precision front-end RF filtering significantly reduces dropouts from RF interference, and the enhanced digital stereo encoder provides excellent stereo separation and audio clarity.

PSM 1000 Personal Monitor System

PSM® 1000 Dual Channel Personal Monitor System – a full-rack professional monitoring system that is designed to integrate seamlessly with Shure Wireless Workbench (WWB) software.

The Shure PSM 1000 Personal Monitor System represents a new benchmark for in-ear monitoring. With best-in-class audio and RF performance, networking connectivity with full WWB integration, and a true diversity-equipped low profile

bodypack receiver, PSM 1000 delivers on the demanding requirements of top tier sound professionals worldwide.

The PSM 1000 builds on the feature set of its counterpart, the PSM 900 to deliver a package suited to high end professional touring applications and demanding end users. Including;

• Full width 1RU chassis incorporating internal mains supply (no wall warts).

• Dual channel transmitter.

• Integration with Shure Wireless Work Bench (WWB) software for configuration and remote control / monitoring.

• Networked automatic scan & sync. Scan ONCE only and deploy frequencies to all networked devices simultaneously.

• True diversity body pack receiver utilising TWO real antennas.

• Rechargeable battery option.

• Backwards compatible with PSM 900 product.

Whether you’re practicing or performing, it’s impossible to sound your best if you can’t hear what’s going on around you. For years, Shure Personal Monitor Systems and Sound Isolating earphones have given professional applications an edge over the wedge.

PSM: Wireless In-Ear Monitoring Systems

*Maximum number of compatible systems.

Broadcast Audio

P9R Wireless Bodypack Receiver

The P9R is a compact, stereo bodypack receiver for use with the PSM®900 Wireless Personal Monitor System.

It offers premium features like RF Scan and Automatic Gain Control for unparalleled RF stability and channel availability, all packed in the thinnest form factor available.

Patent-pending CueMode allows monitoring of different stage mixes and storing of up to 20 separate channels from one bodypack for quick and easy reference.

The P9R is compatible with all Shure SCL Sound Isolating Earphones, designed specifically for use with Shure PSM systems.

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Axient™ Wireless Management Network. Beyond Wireless.

Axient: Wireless Management Network

Advanced Power Management

Axient’s smart, rugged, and reliable suite of batteries and chargers

The Axient rechargeable power system sets new standards for real-time monitoring and lifecycle management of batteries and chargers. Its suite of batteries and chargers are rugged, modular, networkable, and provide real-time intelligence about power levels, charge status, and overall battery health.

Spectrum Management

Detailed Scanning, Coordination, and Visualisation of the RF World

Introducing a new level of RF management.

Axient Spectrum Management tools make clearing the air effortless. Providing detailed RF spectrum scans in rich visual displays, along with compatible frequency coordination for even the highest channel counts, Axient simplifies complex RF environments.

Together with Shure Wireless Workbench 6 software (see p.21), Axient Spectrum Management tools open up a rich graphical interface for viewing the RF world and choosing the optimal frequencies for all wireless channels on a production.

Interference Detection & Avoidance

Move to a clear, compatible frequency when interference strikes

Don’t just accept RF interference. Avoid it.

Interference Detection and Avoidance provides alerts when RF interference occurs, and allows the system to move to a clear and compatible frequency within milliseconds, making even major interference issues nearly undetectable.

Frequency Diversity

Seamless, uninterrupted audio in the face of direct interference.

(Because great performances can’t be interfered with.)

Frequency Diversity simultaneously transmits on two separate frequencies to ensure seamless, uninterrupted audio for mission-critical channels.

Transmitter Remote Control

Real-Time Remote Transmitter Adjustments

Chasing down performers to make changes to their wireless microphone settings is now a thing of the past. ShowLink™ Remote Control provides real-time remote control of all transmitter parameters, from gain adjustments to on-the-fly frequency changes.

The Axient Wireless Management Network from Shure establishes a dramatic new threshold of control, convenience and confidence in wireless audio transmission, reception and spectrum management for mission-critical applications.The foundation of the Axient system is a suite of inter-related spectrum management tools that integrate spectrum analysis,

channel allocation and device management in a seamless, network-based platform.More than an RF solution, Axient is a whole new way to think about wireless. Fully networkable, with advanced automated features and failsafe functionality, Axient is the last word in any conversation about the future of wireless performance.

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No other manufacturer provides a wider, more cost-effective range of solutions to take on the demands of modern cinema and post production facility sound reproduction than JBL Professional. With one of the longest track records in the industry (James B. Lansing Sound, Incorporated manufactured some of the world’s first true highfidelity loudspeakers for cinema sound systems) and JBL’s legendary reputation for quality, reliability, and innovation, it’s easy to see why today the majority of all professional cinema loudspeakers sold worldwide come from JBL Professional. JBL Professional offers three complete lines of enclosed cinema loudspeaker

systems, along with discreet components and electronics, to meet the needs of any cinema application; from the smallest rooms to the most exotic custom installations, renovations and retrofits.

Although primarily developed for installed cinema applications, the need for quality reproduction of cinema level sound in post production facilities has seen the JBL ScreenArray Series come to the forefront, and fulfil the desires of the discerning post-production sound designer.

Built to traditional JBL quality standards, the surround speakers will stand up to long-term use under adverse conditions while delivering excellent performance.

ScreenArray: Post Production & Cinema Loudspeakers

Surround Systems: Post Production & Cinema Loudspeakers

3730

The 3730 ScreenArray provides smooth and accurate reproduction of cinema soundtracks in a compact and very cost effective system for small to medium cinemas. The ScreenArray horn features a patented design that compensates for high frequency spreading caused by perforated screens for greatly improved audience coverage.

8340A

The 8340A Cinema Surround Speaker offers very high power handling, high sensitivity, and extended bass response in a very compact enclosure. The twoway 8340A’s proven reliability and performance features have positioned it as the industry standard for the extended dynamic range required by digital sound formats. The 8340A features a high power, long-throw 250 mm (10 in) low frequency driver for smooth, extended bass response. The high frequency section combines a 25 mm (1 in) coil diameter titanium diaphragm compression driver with a constant coverage horn for very high output capability and wide, even high frequency coverage. The 250 watt continuous power rating (1000 watt peak) provides extended dynamic range required for digital soundtracks with absolute reliability.

3731

The 3731 is a three-way triamplified ScreenArray Cinema Loudspeaker System for critical sound reproduction in small to medium cinemas and studio production and post production applications.

8350

The 8350 Cinema Surround Speaker offers very high power handling, high sensitivity, and extended bass response in a very compact enclosure. The twoway 8350’s reliability and performance features position it as the ideal high power surround for the extended dynamic range required by digital sound formats. The 8350 features a high power, long-throw 250 mm (10 in) low frequency driver for smooth, extended bass response. The high frequency section combines a 38 mm (1.5 in) coil diameter compression driver with a constant coverage horn for very high output capability and wide, even high frequency coverage. The 350 watt continuous power rating (1400 watt peak) provides extended dynamic range required for digital soundtracks with absolute reliability.

3732

The 3732 ScreenArray features true three-way system design enhanced for critical film sound reproduction in small to medium cinema environments.

4732

The 4732 ScreenArray features true three-way system design enhanced for critical film sound reproduction in medium to large cinema, and studio production and post production applications.

Broadcast Audio

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LSR2300

The LSR2325P Bi-Amplified Two-Way Model is based on a 5” (132 mm) long excursion woofer and a 1” (25 mm) soft dome tweeter. It includes balanced XLR, balanced 1/4” TRS, and RCA unbalanced input connectors to allow connection of professional mixing consoles, computer audio interfaces, audio visual equipment, and consumer audio systems. A detented level control allows fine adjustment of individual speaker levels to balance each speaker in the system. Low Frequency and High Frequency Trim controls let you tailor the speaker’s response to preference or room acoustics. A neoprene rubber pad on the bottom of the speaker provides acoustic isolation and increases stability when the speaker is placed on a speaker stand or a console top. Mounting points are included and the enclosure has been reinforced for safe mounting using industry-standard mounting hardware.

The LSR2328P Bi-Amplified Two-Way Model is based on an 8” (203 mm) long excursion woofer and a 1” (25 mm) soft dome tweeter. It includes balanced XLR, balanced 1/4” TRS, and RCA unbalanced input connectors to allow connection of professional mixing consoles, computer audio interfaces, audio visual equipment, and consumer audio systems. A detented level control allows fine adjustment of individual speaker levels to balance each speaker in the system. Low Frequency and High Frequency Trim controls let you tailor the speaker’s response to preference or room acoustics. A neoprene rubber pad on the bottom of the speaker provides acoustic isolation and increases stability when the speaker is placed on a speaker

stand or a console top. Mounting points are included and the enclosure has been reinforced for safe mounting using industry-standard mounting hardware.

The LSR2310SP Powered Studio Subwoofer is based on a 10” long excursion woofer and a 180 watt power amplifier. Added to a stereo system, it extends the low frequency response of the system below 30Hz. In a surround sound system the sub provides stunning reproduction of the LFE (low frequency effects) channel. The LSR2310SP is packed with professional features including two sets of balanced XLR, 1/4” and unbalanced RCA input connectors, selectable crossover settings and two sets of balanced outputs to allow connection of Left and Right main speakers. A detented level control allows independent adjustment of the subwoofer output to balance the subwoofer in the system.

The MSC1 Monitor System Controller includes essential “Monitor Strip” features found in large mixing consoles so you can take control of all monitoring functions from your place at the mix position. Since the acoustics of the room can play a big part in what you hear, the MSC1 includes JBL’s highly acclaimed RMC Room Mode Correction Technology to tune your monitor system to the room. The end-result is a calibrated reference environment in which your speakers work in harmony with your room to take the guesswork out of mixing.

Post-production edit suites, studio’s and broadcast control rooms all require an accurate reproduction. JBL’s LSR (Linear Spatial Reference) family of loudspeakers delivers the professional sound quality you have come to expect.

LSR Series: Studio Monitors

LSR4300

Introducing the new JBL LSR4300 Studio Monitors featuring RMC™ Room Mode Correction, JBL’s exclusive technology that automatically analyses and corrects the response of each speaker in the room for absolute accuracy at the mix position. The first studio monitors with powerful network intelligence built into each speaker specifically designed to deliver an accurate mix in any room, the LSR4300’s are the ultimate monitor for modern production studios. The LSR4300 models feature stunning JBL sound, provide accurate mixes in any workspace, and are priced well within the reach of any project studio. The first self aware monitoring system, they’re the only choice for music, post, broadcast, Surround 5.1, and beyond.

Available in a 6.25” two-way (LSR4326P), a 8” two-way (LSR4328P) and a 12” subwoofer, all speakers feature analogue inputs on both XRL and TRS connectors, S/PDIF I/O, AES I/O and HiQnet network I/O on RJ45 for total control of all connected speakers by remote control. In addition to this, the subwoofer can be used to manage the bass crossover of a low frequency effects channel or all channels which have been implemented as part of a 5.1 channel system.

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LSR6300

Broadcast Audio

Control 2P

The Control 2P Compact Powered Reference Monitor System combines JBL’s legendary loudspeaker design with powerful amplification to deliver rich, accurate performance for the most demanding audio applications. The compact design, rugged enclosure, and professional feature-set make the Control 2P Compact Powered Reference Monitor ideal for desk-top recording and video production, audio visual presentations, professional broadcast applications, and monitoring of electronic musical instruments.

The award-winning JBL LSR6300 Series professional loudspeakers deliver the exceptional accuracy and performance needed in demanding music, post audio and broadcast applications.

Each model provides ultra-flat response, extraordinary SPL capability and technology to optimize performance in any size production environment. All models are shielded, ready for mounting and THX® pm3T approved.

The LSR6325P-1 powered 5.25” Studio Monitor provides ultra-accurate response and exceptional SPL capability in a very compact form factor. THX pm3® approved, the LSR6325P-1 is ideal for stereo and surround recording, post production and broadcast systems where space is limited but accuracy and high-output are required.

The LSR6325P-1 Studio Monitor combines JBL’s latest in transducer and system technology and incorporates the LSR Linear Spatial Reference design to provide greater accuracy at the mix position. The Linear Spatial Reference (LSR) philosophy is based on a set of design goals that optimise the overall performance of the system in a variety of acoustic spaces. Instead of focusing on a simple measurement such as on-axis frequency response, LSR design requires the system meet frequency-response criteria for seventy-two off-axis measurements.

Carefully-controlled dispersion, achieved through transducer design, crossover frequency selection and engineering of the enclosure, ensures not just the on-axis sound, but also the reflected sound which reaches of the mix position is neutral. By incorporating LSR into the system design the LSR6325P-1 delivers greater high and mid frequency accuracy to the mix position, in a broad range of production environments.

The LSR6328P powered 8” studio monitor is designed for use in critical stereo and multi-channel monitoring applications that require exceptional spectral accuracy and high SPL capability. The LSR6328P combines the latest in JBL’s renowned transducer and system technology with psychoacoustically derived spatial response criteria, resulting in a more accurate studio monitoring reference system. In this

design process, the system’s frequency response over the forward listening range (±15° vertically and ±30° horizontally) is optimised, as opposed to the conventional approach of optimising the response directly on axis. This design approach involved careful component design, selection of crossover frequency, and precise baffle geometry and detail. The result is a system that can be used for the most critical judgements of recording balance, image placement, and equalisation. The matching of the LSR6328P system to the listening environment is further enhanced through the use of RMC, an analysis/correction system that identifies and corrects response to compensate for the dominant low frequency standing wave in the system’s room response. In addition to a rich array of performance features, the LSR6328P has a reinforced enclosure and integral mounting points to facilitate wall mounting. Recessed handles facilitate easy positioning of the loudspeaker in the environment and aid in transportability.

The LSR6332 passive studio monitor is designed for use as a near or mid-field reference monitor, or a soffit-mounted main monitor in applications requiring exceptional spectral accuracy and high SPL capability. The LSR6332 combines the latest in JBL’s renowned transducer and system technology with psychoacoustically derived spatial response criteria, resulting in a more accurate studio monitoring reference. In this design process, the system’s frequency response over the forward listening range (±15° vertically and ±30° horizontally) is optimised, as opposed to the conventional approach of optimising the response directly on-axis. This design approach involves careful component design, selection of crossover frequency, and precise baffle geometry and detail. The result is a system that can be used for the most critical judgements of recording balance, image placement, and equalisation.

Available as a mirror imaged Left and right models.

The LSR6312SP powered subwoofer is based on a 12” woofer with JBL’s patented Differential Drive® and 250 Watts of power. THX® pm3 Approved. METAlliance® Certified.

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Innovation through meticulous attention to detail

M2: Master Reference Monitor

Addressing the growing need for high dynamic range and reference-monitor accuracy in a broad range of studios, JBL has developed the M2 Master Reference Monitor: a free-standing, 2-way system that can be placed in any environment to provide an exceptionally accurate monitoring experience. Leveraging a new generation of JBL high-output, ultra-low distortion transducers, the M2 provides in-room frequency response of 20 Hz to 40 kHz, and an extraordinary 123 dB maximum SPL to meet the demanding music, cinema and broadcast production requirements for impactful dynamic range.

In a compact form-factor, the M2 integrates three key components that work in harmony to deliver unparalleled performance. At the heart of the system, JBL’s patented D2 high frequency and 2216Nd low frequency transducers are the engines that make this possible. Using a revolutionary design, the D2 produces smooth, extended high frequency response with ultra-low distortion whether listening at very high or subtle levels. Using patented technology, the remarkable 2216Nd woofer offers deep bass extension and very low power compression, even at its full-rated output. In spite of the M2’s minimal footprint, its exceptional low frequency response eliminates the need for a subwoofer.

The unique Image Control waveguide completes the acoustic design. A marvel of engineering in its own right, this new JBL waveguide was designed specifically for the M2. Allowing an acoustically seamless transition between the woofer and high frequency driver, it produces exceptional imaging and delivers rich detail to a broad area of the room. These unique components make possible a two-way design with an unprecedented level of performance, utilising a single seamless cross-over point that reduces system complexity and allows a compact form-factor for flexibility of placement in the room.

Crown® Power Amplifiers with internal floating-point DSP are used to bi-amplify and tune each speaker, optimising the M2’s performance in any room.

The M2 brings a world-class, big monitoring experience with a new level of accuracy to a broad range of production spaces. For rooms wishing to step up, the M2 is a game changer.

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• Includes three models of 500W, 800W, and 1200W per channel at 4 ohms

• Automatic presets for popular JBL cinema speaker systems for quick, easy configuration

• Intuitive front-panel LCD screen guides installers through setup

• Onboard digital signal processing includes crossovers, EQ filters, delay, and output limiting

• Computer connectivity via USB allows fast setup and configuration with HiQnet™ System Architect™ software

• Rear-panel HD-15 connector provides easy input/output connectivity between DSi amplifiers and new DSi-8M System Monitor

• Switch-mode universal power supply

• All products fill 2U rack spaces and weigh under 9 Kgs

• Barrier strip outputs, removable Phoenix-style input

Minimum Guaranteed Power, 1 kHz

DSi 1000 DSi 2000 DSi 4000 DSi 6000

Per channel, both channels driven

Stereo, 2 ohms (per ch.) 700W*† 1,000W* 1,450W* 3,000W*

Stereo, 4 ohms (per ch.) 475W 800W 1,200W 2,100W

Stereo, 8 ohms (per ch.) 275W 475W 650W 1,200W

Bridge-Mono, 4 ohms 1,400W*† 2,000W* 3,000W* 6,000W*

Bridge-Mono, 8 ohms 950W 1,600W 2,400W 4,200W

With 0.5% THD *With 1% THD †Not rated for 100V versions.

DSi Series: Power Amplifiers

Engineered from the ground up for unmatched quality and performance, the Crown® DSi Series of power amplifiers offers four models of 500W, 800W, 1,200W, and 2,100W per channel at 4 ohms. Onboard digital signal processing includes crossovers, EQ filters, delay and output limiting. Rear panel HD-15 connector provides easy input/output

connectivity between DSi amplifiers and the new DSi-8M System Monitor. At the touch of a button, Crown’s DSi cinema amplifiers deliver perfectly matched performance with each award-winning JBL ScreenArray® system, making this the ultimate cinema solution.

An artful blend of heritage and innovation, the PCM96 Stereo Reverb/Effects Processor delivers 28 new and legendary Lexicon reverbs, delays and modulation effects straight into your DAW.

PCM96: Studio Standard Stereo Reverb/Effects Processor

Broadcast Audio

• Two channels XLR analog I/O

• Two channels XLR digital AES/EBU I/O

• Four channels streaming FireWire

• Automation and control via Ethernet or Firewire

• 32-bit floating point processing

• Sample rates up to 96 kHz

Also available in a surround version.

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EOS Ti

Realise your art with the ETC Ti lighting desk’s powerful hardware, easy-to-navigate software and common-sense command syntax.

With two large-format, articulating multitouch displays, Ti gives you a substantial programming surface, and Ti’s dedicated multitouch encoder display, 20 user-definable buttons, backlit keyboard, motorised faders and multiple USB and video ports make quick work of designing and programming.

Partitioned control. Each device on a Ti system can have a discrete workspace, so multiple users can simultaneously build content into a single show file in a safe and effective manner.

Both novices and professionals will feel comfortable with Ti’s logical syntax, working from an abstract concept of a design or a straightforward command sequence. The command line is fully integrated with direct selects and magic sheets, allowing seamless work from the keypad and the touchscreen controls.

Product Features

• Abundant programming surface

• 10,000 channels (devices)

• 4096, 6144, 8129, or 16384 outputs/parameters

• Two 17” articulating multitouch displays

• Large 9” multitouch encoder display

• Dedicated pan and tilt encoders + four pageable encoders

• Easy-to-navigate backlit keypad

• 20 user-defined buttons

• Solid-state hard drive

• Supports up to three external multitouch displays

• Master fader pair + 10 motorised faders x 30 pages

• High-density live and blind displays

• Electronic magic sheets

• Virtual Media Server Control with stock content (user images may be imported)

• Net3™ (ACN based) and ETCNet2™ native

• Artnet and Avab UDP optional

• Multiple MIDI and SMPTE Inputs

• Client/server networking and synchronised backup

• Client and Offline programming on PC (Windows 7 or XP) and native on Macintosh (Intel only, OS X)

• Data-laundering from Obsession®, Express/ion, Emphasis™, Congo® and Strand 500/300 series show files via ASCII

• 12 discrete on-line users with partitioned control

• Eleven multipurpose USB bus (pointing devices, keyboard, touchscreens, flashdrives)

Gio

Need the power of an Eos® lighting system but in a smaller desk, sized just right for your budget and space? Or, maybe you’re going on tour? Lightweight with a tidy footprint, Gio is scaled to travel -- taking Eos’s multi-award winning console feature-set on the road.

The middle child of the Eos line, Gio sits between Ion® and Eos in the product family – sharing the same powerful programming DNA.

Gio also introduces some new technologies to the Eos line-up. Backlit buttons have arrived (so now you can use your dimmable Littlites® for your script instead!) Gio includes two integral, articulating multi-touch displays and supports up to three external displays, all of which can also be multi-touch.

And of course, Gio can integrate into an Eos or Ion system with ease, acting as a primary, back-up, or client console in combination with the rest of the family. All of the accessories available for Eos and Ion service Gio as well.

The keypad layout is virtually identical to Eos, making moving between platforms a snap. If you know Eos – the industry standard in lighting control – you’ll know (and love) Gio.

Product Features

• 10,000 channels (devices)

• 2048, 4096, 6144, or 8192 outputs/parameters

• Dedicated master-playback fader pair

• 10 definable motorised faders, with 30 pages of control

• 999 cue lists

• 200 active playbacks

• 300 submasters

• 4 pageable haptic encoders

• 2 – 12.1” LCD touchscreens

• Supports 3 external DVI/SVGA monitors touchscreens optional

• High-density live and blind displays

• Electronic magic sheets

• Virtual Media Server Control with stock content (user images may be imported)

• Net3™ (ACN based) and ETCNet2™ native

• Artnet and Avab UDP optional

• Multiple MIDI and SMPTE Inputs

• Client/server networking and synchronised backup

• Client and Offline programming on PC (Windows 7 or XP) and native on Macintosh (Intel only, OS X)

• Data-laundering from Obsession®, Express/ion, Emphasis™, Congo® and Strand 500/300 series show files via ASCII

• 12 discrete on-line users with partitioned control

• Seven multipurpose USB bus (pointing devices, keyboard, touchscreens, flashdrives)

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Lighting: Consoles

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ION

With the ease, power and operational style of Eos in a small, affordable package, Ion’s small footprint – 19” wide only – is the perfect solution for space-challenged Control Rooms. Providing fully integrated control of conventional and moving lights, Ion packs a punch.

Elegant, highly intuitive and simple to use, Ion will satisfy the needs of beginners and pros alike. But you don’t need a PhD in Ion to use it! Start with the everyday (channel 5 at full) and let the full potential of Ion – like the powerful effects package, marking and timing functions – unfold with your experience.

Ion sports a generous programming keypad, dedicated encoders for non-intensity parameter control, a grand master and blackout button, as well as a master split fader. For more hands on control, Ion hosts up to six USB fader wings – the 1x20, 2x10 and 2x20 - for a total of 300 additional submasters with paging controls. The desk can support one or two external high-resolution DVI monitors, which can also be touchscreens.

Ion is available in five basic configurations –1024, 1536, 2048, 2560 or 3072 outputs. Each of these versions supports channel numbering from 1 – 10,000. A networked Ion system can support four discrete control inputs, including a combination of Ion desks, Ion Remote Processor Units - for synchronised backup or stand-alone lighting applications, Net3 Remote Video Interfaces or PC’s running the Eos Client Software. Remote control is also provided with the Net3 Radio Focus Remote.

Product Features

• Available in 1024, 1536, 2048, 2560 or 3072 output configurations

• Dedicated master playback fader pair

• Dedicated grand master and blackout switch

• 999 cue lists

• 200 active playbacks

• 300 submasters

• 4 x 1000 palettes (Intensity, Focus, Colour, Beam)

• 1000 presets, effects and macros

• 4 pageable encoders

• Channel summary or table views, user configurable in live/blind

• Blind spreadsheet views

• Offline programming on PC (Windows 7 or XP) and native on Macintosh (OS X Power PC or Intel)

• Data import from ETC Obsession, Express/Ion, Emphasis, Congo and Strand Show files via ASCII

• Show file compatibility with Eos and Element

• Client/server networking and synchronised backup

Sensor3 CE Installation Racks

Sensor3 is the foundation for a versatile power system that builds on our proven Sensor™ workhorse system with CEM3 control. ETC’s Sensor3 Power Control Systems are the performance standard for top theaters, TV studios, and concert halls worldwide. Because a complete range of Sensor3 racks are available, smaller venues like schools and community theaters can also afford Sensor3 excellence.

Modularity means configurability: mix and match the modules in the racks according to your particular fixture inventory. Now with Sensor3’s new three-in-one ThruPower modules, you can freely jump from Dimmable to Non-Dim, as well as lock a circuit to a constant hot output override without changing modules. The compact design lets you slide up to 48 modules for up to 96 circuits of 1.3kW, 2.3kW, 3.0kW, 5kW and 10kW dimming in and out of a single Sensor3 rack – without tools!

With CEM3 Power Control, your system is high performance, fast to set up and easy to use! Quickly override levels with console-style number-pad entry. Take remote management even further with Advanced Feature (AF) monitoring by providing circuit-specific information, such as load changes, lamp failures or breaker trips directly to the control console.

Our philosophy at ETC is “zero downtime!” Add the optional backup stations for an easy, ‘off the network’ control backup solution for failure proofing. Additionally, system backup is stored directly in the rack – which means no setup during controller changes – and options are available for secondary USB backups.

Product Features

• 12, 24, 36 and 48-module configurations

• 1.3kW, 2.3kW, 3.0kW, 5kW and 10kW dimmers

• Standard, enhanced, and high rise-time choices

• Front-access installation with easily accessible line, load and control terminations

• Dual processors for redundant tracking

• Direct Ethernet control-signal input and two DMX512 inputs

• Standard system- and rack-monitoring with diagnostic reporting

• Advanced Features (AF) option records and monitors circuit-specific load information

• CE-compliant

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Broadcast Lighting

Lighting: Consoles

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Desire: Studio LED Fixtures

Source Four: LED Fixtures

Studio HD

Broadcast lighting designers no longer have to compromise when it comes to LED lighting. ETC designed the Studio HD luminaires to generate spectrally balanced white light for high definition uses. The fixtures combine warm and cool white LEDs with five coloured LED emitters to provide Kelvin adjustable white light. And Studio HD arrays give you the ability to vary the tint of your lighting. Easy green and magenta tint control allows for superior colour balancing. The high brightness light produced by the Studio HD luminaires makes talent look great on camera or in person and beautifully renders the colour of sets and clothing. Studio HD arrays mean easy lighting for television and film applications.

Source Four CE LED TungstenAn LED luminaire that perfectly emulates tungsten light

Source Four LED Tungsten fixtures give you the look of tungsten from a highly efficient, low-power LED source. With the soul of a Source Four, the Source Four LED Tungsten luminaires create pure, warm-white light.

Source Four CE LED DaylightThe look of daylight… from an LED source

Source Four LED Daylight luminaires produce beautiful light that mimics natural daylight. They provide the same functionality as other fixtures in the Source Four family, with a low-power, high-efficiency output of cool white light.

Source Four LED Studio HD

The camera loves you when you’re lit by Studio HD.

The more spectrally-complete the white light -- the more finely tuned to the on screen talent, for the highest-quality colour rendition in video, broadcast, and film production. The Studio HD combines impressive light output with the most flexible, variable white light, for more accurate colour performance on camera. The Studio HD’s unique recipe of LED colour blending pleases the most discerning professional.

Studio Tungsten and Daylight

Desire Studio Tungsten and Studio Daylight luminaires feature new, all-white Luxeon Rebel Energy Saving LEDs to create more light with less energy. The emitters are balanced evenly to replicate HMI daylight or tungsten fixtures’ light production, while using only 140 watts of power.

ETC crafted the Studio Daylight arrays with a select range of cool white LED emitters, so the luminaires produce a large quantity of daylight white-light without drawing as much power as HMI fixtures. With a colour temperature of 5,600K, the Studio Daylight fixtures work well with arc-based automated lighting that already has a high colour temperature. Use Studio Daylight luminaires on the set to mimic the beautiful, natural look of daylight.

A stand-in for power-hungry tungsten units at studio applications, Desire Studio Tungsten luminaires combine warm-white emitters to produce stunning, warm-spectrum light. The fixtures use a fraction of the energy needed to run conventional tungsten sources, and can be used wherever you need a fill of warm white colour. Outputting a colour temperature of 3,200K, Studio Tungsten illuminators can be used alongside tungsten fixtures or replace them completely.

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The Jands HPC dimmer range integrates both dimming and high current full-on and full-off contactor-type elements for each channel to create a power control product that can be used to control any type of mains load.

Relay operation is dependent upon the channel mode as set by the operator i.e. Off, Dimmer, Switch, or On. Additionally the appropriate relay/s will operate if the dimmer drive level is at full or off for more than 1 minute, maximising system efficiency and safety. You can now connect a dimmer per outlet in your lighting system and without the need for patching and be able to deliver high quality dimmed power or clean mains from each socket as required. The adaptability of the HPC series is not limited to the output mode however as it is fully capable of operating under a variety of conditions and in a range of configurations.

The HPC will operate from a 100 to 240VAC supply with various rise time options, single Triac or dual SCR switching devices, various channel current ratings, and with a variety of output connectors. Additionally the Hi Rise Time variant of the HPC may be optionally fitted with an RCD protection device per channel ensuring maximum safety. All models may be powered from two phase power supplies while maintaining equal numbers of channels per phase, and will operate from mains power supply frequencies of between 40 and 66Hz with no setting changes. Remote dimmer configuration and monitoring via RDM is incorporated for those who want to work at a distance.

Product Features

• Mains Voltage – 90 to 264v Phase to Neutral

• Mains Frequency – 40-66Hz

• Operating Temp -0-40 Degrees C Ambient

• Output Risetime 220 or 470uS, 10-90%

• Dissipation <1.0% of output load

• Power rating 10A per channel

HPC: Dimmers

DMX: Nodes

Broadcast Lighting

Building an Ethernet-based network that utilises Pathport nodes for DMX integration provides a number of significant advantages over conventional DMX distribution solutions.

• Provides a robust and modern Ethernet-based backbone for sending lighting data

• Seamless integration between Ethernet-based and DMX-based lighting devices is easily achieved

• Any universe of DMX data can be sent to any node with no hard DMX re-patching required

• Multiple DMX-over-Ethernet protocols are supported allowing seamless cross manufacturer compatibility

• Simple star topology layout and reduced cabling costs

Product Features

• Single, 2, 4 or eight port nodes

• Portable, fixed install, rack-mount and IP rated Touring models

• Address up to 64000 universes depending on the protocol chosen

• Support for Strand Shownet, ETCNet3 (SACN), Ki-Net, ArtNet and Pathport Protocols

• POE or Auxiliary power

• DMX routing on a universe or channel by channel basis, merged and or prioritised

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Studio Force D 12 Studio Force D XT 12

Studio Force V 48 / 72

Product Features:

• 6,100K CCT (+/-200k) daylight white

• Extreme output – up to 15,000* lumens

• Extremely smooth, uniform wash

• Theatrical grade dimming

• Ideal for TV, film, touring, exhibitions, corporate events and theatre

• 335mm / 13.2” length ideal for floor, wall or truss mounting

• Camera friendly

• PowerCon input and output for easy daisy chaining of fixtures

• Broad range of accessories available, including lightbank kit and barn door

• Flat end plates for seamless wall-washing

• Built-in power supply

• Hidden quick release fixings

• Rugged extruded aluminium body

Product Features:

• 3,000K - 6,100K CCT variable white

• Extreme output - 16,900 lumens (48) / 25,400 lumens (72)

• Extremely smooth uniform wash

• Theatrical grade dimming

• Ideal for TV, film, touring, exhibitions, corporate events and theatre

• PowerCon input and output for easy daisy chaining of fixtures

• Optional cyc and border light lens media accessories

• Hidden quick release fixings

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Product Features:

• 6,100K CCT daylight white

• Extreme output - 6,000 lumens

• Extremely smooth uniform wash

• Theatrical grade dimming

• Ideal for TV, film, touring, exhibitions, corporate events and theatre

• 335mm / 1ft* length ideal for floor, wall or truss mounting

• PowerCon input and output for easy daisy chaining of fixtures

• Broad range of accessories available, including lightbank kit and barn door

• Hidden quick release fixings

Extreme Output Variable White LED Battens

Utilising the same core technologies as the innovative Chroma-Q™ Color Force™ LED battens range, the new Studio Force™ V 48 & 72 models are 3,000K - 6,100K CCT variable white versions featuring laboratory calibrated 3200°K and 5600°K presets that are specifically designed for TV, film, touring, exhibitions, corporate events and theatre lighting applications. With an extreme output of up to 25,400 lumens, the battens evenly wash large areas, complemented by smooth, theatrical grade dimming.

Also available are the Studio Force D 48 / 72 Daylight White LED Battens.

Ultra Bright Daylight White LED Fixture

Utilising the same core technologies as the innovative Chroma-Q™ Studio Force™ D 12 daylight white LED fixture, the new Studio Force D XT 12 is an ultra bright, higher-output version that provides a blistering 15,000 lumens output. Specifically designed for TV, film, touring, exhibitions, corporate events and theatre lighting applications, the Studio Force D XT 12 is perfect for evenly washing large areas, complemented by its smooth, theatrical grade dimming. At only 335mm / 1ft* long, the unit is ideal for floor, wall, stand or truss mounting.

*Measurements may have been rounded, please see specification sheet for full measurements.

Extreme Output Daylight White Phosphor LED Fixture

Utilising the same core technologies as the innovative Chroma-Q™ Color Force™ 12 multi-purpose LED fixture, the new Studio Force™ D 12 is a 6,100K CCT, daylight white version that is specifically designed for TV, film, touring, exhibitions, corporate events and theatre lighting applications. At only 300mm / 1ft* long, the unit is ideal for floor, wall or truss mounting. It also provides an extreme output of 6,000 lumens for evenly washing large areas, complemented by smooth, theatrical grade dimming.

*Measurements may have been rounded, please see specification sheet for full measurements.

Also available Studio Force V 12 and Studio Force T 12.

Studio Force: LED Fixtures

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Broadcast Lighting

Studio Force D 12 Phosphor

Product Features:

• 5,600K CCT daylight white

• Extreme output – up to 7,000 lumens

• Extra soft beam – very wide output

• Extremely smooth, uniform wash

• Theatrical grade dimming

• Ideal for film and studio applications

• Factory calibrated to match Black Body Locus

• 335mm / 13.2” length ideal for floor, wall or truss mounting

• Camera friendly

• PowerCon input and output for easy daisy chaining of fixtures

• Broad range of accessories available, including barn door and spigot adaptor

• Fanless, studio & full control modes

• Intuitive colour touch screen interface

• Flat end plates for seamless wall-washing

• Built-in power supply

• Hidden quick release fixings

• Rugged extruded aluminium body

Extreme Output Daylight White Phosphor LED Fixture

The new Chroma-Q™ Studio Force D Phosphor™ is a 5,600K CCT, daylight white fixture which utilises innovative LED technologies found in the Studio Force™ range to provide an equivalent soft edge output to a fluorescent fixture - up to 7,000 lumens - developed specifically for use in TV, film and broadcast studio environments. Other features include an extremely smooth uniform wash, extra soft beam, theatrical grade dimming, laboratory calibration to match Black Body Locus. Designed for practicality, the unit is equipped with a manual control mode, colour touch screen interface, fanless, studio & full modes for maximum control of the units and a range of optional accessories.

Also available is the Studio Force V Phosphor Variable White.

AutoLED II

Ultra Bright Daylight White LED Moving Light

Utilising the same core technologies as the innovative Chroma-Q™ Studio Force D XT 12™, the new AutoLED II™ is a 6,500K* CCT daylight white LED moving head fixture that boasts an extreme 16,430* lumens output for ultra bright, long distance throw; a high CRI; and a smooth linear dimming curve. Specifically designed for providing precise daylight illumination of motor industry tradeshows, fashion events and retail environments, the AutoLED II incorporates DMX control, allowing it to be operated from any DMX enabled lighting console – saving time, energy and manpower when rigging, focusing and cabling fixtures.

Product Features:

• 6,500K* CCT (+/-200K) Daylight White

• Extreme output – up to 16,430* lumens

• High CRI

• Precise daylight illumination

• Energy-efficient LED light source

• Extremely smooth, uniform wash

• Theatrical grade dimming

• Ideal for tradeshows, fashion & retail events, broadcast & performance applications

• 16-bit pan & tilt movement

• Camera friendly

• Comes supplied with louver accessory

• Optional beam shaper kit accessory available

• Built-in power supply

Studio Force: LED Fixtures

AutoLED II: LED Fixture

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For over 40 years Italian manufacturer Spotlight has been supplying quality luminaires to the professional stage and broadcast markets.

The DOMINO 1000 is a modular, asymmetrical floodlight that delivers uniform washes to cycloramas both from above (suspended) or below (as a groundrow). The modular design means the Domino can be configured for use in square, or linear multiple units, where a single element can be independently focused in the vertical plane.

Mechanics

• The shape of the DOMINO 1000 and its exclusive spring locking system allow fast and accurate focusing, both from the stage floor and overhead. The absence of knobs on the sides of the unit allows the source of the light to be homogeneous when several units are used side by side.

Cooling

• The “labyrinth” system used for this equipment allows excellent ventilation of both gels and housing, while ensuring no spill from the body even in the darkest conditions.

Safety

• A wire grid protects the lamp and stops it from falling if it breaks. This grid also ensures that the colour filters cannot suffer from accidental damage. All electrical parts are resistant to high temperatures. The power cable is toughened silicon insulated with flame resistant outer sheathing, according to CEI safety regulations.

Optics: the asymmetrical curve of the reflector has been specially designed to give maximum output and uniformity in the vertical plane. The mirrored sides increase the sideways spread of the light thus ensuring a better colour mix when using adjacent units.

The VARI*LITE® VLX Wash Luminaire is the next generation of solid-state lighting from the company that started the revolution in automated lighting. The VLX wash gives you all the benefits of LED technology and the best visual performance characteristics of traditional automated luminaires. VLX offers stunning colours and intensity, multi-year source life and high reliability. Combined with low energy consumption and maintenance costs, the VARI*LITE® VLX wash series resets the bar for all other LED fixtures.

Product Features

• Intensity Control: Smooth, high resolution dimming control of R, G, B, and W LED’s.

• Colour Mixing System: Seven x 120 watt, replaceable custom RGBW LED chipsets. Each chipset contains high density red, green, blue, and white LED emitters.

• Zoom Optics: Patented optical zoom system with continuously variable field angle from approximately 23° to 58°. (Zoom module is easily removable for fixed field angle of 22°.)

• Strobe: High speed with multiple strobe effects.

• Pan and Tilt: Smooth, time-controlled continuous motion by way of a pair of three-phase stepper motor systems.

• Range: Pan - 540°, Tilt - 270°.

• Accuracy: 0.3° resolution.

• Source: Seven x 120 watt, replaceable custom RGBW chipsets.

• Colour Temp. White: Variable between approximately 3000 and 9000 Kelvin.

• CRI: Dynamically adjustable.

• Manufacturer Rated Life: In excess of 10,000 hours (at full RGBW).

• Output: Approximately 14,000 lumens (white light).

• Power Requirements: Standard AC power distribution from 100-240VAC, 50/60Hz.

• Operational Temperature: -20° to 122°F (-29° to 50°C).

• Cooling: Variable forced air cooling.

• DMX Control: Completely compatible with a wide variety of DMX512 lighting control consoles. 23 channels. 5-pin in and thru DMX.

• Mounting Position: May be mounted and operated in any orientation.

• Spacing: Hangs on 22 inch (55.9 cm) centres.

• Weight: 62 lbs. (28 kg) with included pair of hanging rails.

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VLX: Moving Head LED Wash

Domino 1000: Cyclorama Units

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Broadcast Staging

JLX-LITE - The Economical, Flexible Fixed Install System

The Jands JLX-LITE is a lighting bar system that has been designed for cost effective ease of installation in fixed applications such as school halls, clubs, ballrooms and exhibition spaces.

In a neat ready-to-go package, the Jands JLX-LITE features standard 10 amp 240V outlets on one side and optional DMX outlets on the other, making it versatile enough to handle both your conventional theatrical fixtures or moving lights, as well as LED fixtures.

The most innovative feature of the Jands JLX-LITE however is the segregated cable path in the base plate, allowing you to run both power and data along the bar, avoiding electrical interference and guaranteeing compliance with Australian electrical regulations. This ensures your lights behave properly and your safety remains paramount.

A generous distribution of a variety of fixing holes means that the JLX-LITE can be either flush mounted to the ceiling or suspended when using industry standard threaded rod. This helps the bar blend into the room, particularly when you have the options of standard black, or a white that can also be painted into any desired colour.

The Jands JLX-LITE is available in either 2m or 3m lengths with an underhung 48.4mm OD tube, and has a distributed load of 50kg/m (max) or an individual point load of 50kg (max).

The Jands JLX-LITE is designed to be installed by a licensed electrician.

SLX-100 - The Ultimate ‘Out of the Box’ Motorised Lighting Bar Solution

The Jands SLX-100 Motorised Lighting Bar is an innovative self contained hoist system for schools, television studios, media venues, theatres and other performance or corporate spaces.

This all-in-one system provides an extremely cost effective, quick and easy solution to having a motorised lighting bar in your venue.

Noise levels are so important in any performance environment, so the SLX-100 boasts a quiet operation adhering to requirements of the strictest settings, with a design ensuring smooth acceleration and deceleration even under an emergency stop or power failure conditions.

Safety is paramount with the system featuring a dynamically irreversible gearbox and patented safety catch adhering to the highest levels of German Safety Standard BGV-C1 and tested to AS/NZS 3100.

Overload and underload sensing is provided, with a gimballed design of the hoist support system. An integrated energy chain cable management system reticulates the cabling from the lighting bar up to ceiling level.

JLX-PRO - Modular Pre-Wired Bars for Heavy Duty Systems

The Jands JLX-PRO is a modular pre-wired lighting bar designed for venues that also contain motorised fly systems and require an adaptable system. They are designed specifically for professional applications such as theatres, convention centres and Houses of Worship.

A range of pre-wired multi core cable options are available, and the allowance for Socapex style connectors is perfect for venues that move flown lighting bars and circuits around frequently.

The JLX-PRO Lighting Bar is rated to carry distributed loads of (up to) 100kg/m and point loads of (up to) 100kg, depending on installation or rigging configurations. Three module lengths (2.35m, 3.5m and 4.7m) and three outlet densities (low, medium and high) provide for customised solutions using standardised building blocks.

The JLX-PRO features a central load bearing extrusion with aluminium side panels, forming two mechanically and electrically segregated wiring compartments. Top and bottom strut channels accept accessories for fixing to wire ropes, chains, RHS or pipe battens and fixed supports. They are fitted with Jands SB Plates, which allow installation of Extra Low Voltage services on the “reverse” side of the lighting bar.

The Jands JLX-PRO Lighting Bar is designed to comply with the electrical safety requirements of AS3100 and is also designed for use as a lifting beam to AS4991:2004, Classification C2.

Jands recommend professional advice be sought for applications requiring motorised lighting bars.

Lighting: Bars

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VAB-6 MKII – Self Contained Acoustic Banner System

Have you ever needed to dampen the acoustics of your venue? The Jands VAB-6 MKII is the solution to your problem!

The Jands VAB-6 MKII acoustic banner system is a self contained, modular, motorised sound control banner. It is designed for simple installation in venues where adjustment of the acoustic characteristic is often required. The VAB-6 MKII consists of a motorised drive module and banner containment pelmet that enables the unique sound absorbing banner to be deployed to any height within the available 6 metres. When not required the banner can be rolled up to store discretely in the containment pelmet.

The Jands VAB-6 MKII provides optimal acoustic performance through two layers of a custom-woven fire retardant 650gsm wool fabric, with 90mm separation between fabric surfaces.

The standard fabric colour is black, with other colours available upon request. The banner is 1500mm wide.

Up/Down switches (not supplied) are used to lower the banner to the desired length and then raise it when not in use. Where multiple units are installed to control the acoustics of one room, multiple sets of switches are required. An optional group control system is available if required.

VAB-6 MKII: Acoustic Banner System

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Movecat develops and manufactures chain hoists and controllers in Germany with the highest standards of safety

and functionality. Movecat products are suitable for the most critical applications such as operation in TV studios, where

safety and versatility are key required features.

Dynamic Stage technology

Now distributed by

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The things that make Jands theatrical drapes stand out from the rest can be summarised in four words: elegance, reliability, longevity, safety.

Where other drapes will lose their colour, begin shredding threads or start to become transparent, Jands curtains retain their original look and feel for far longer. Why? Because we only choose the best-quality materials and the colour most suited to your venue, then expertly sew and hang the drapes to ensure they retain their original condition for as long as possible. We take great pride in our ability to design and install theatrical drapes so they have the longest possible life.

All Jands drapes are manufactured with fire safety* as a first priority. We only build safe drapes, and what other kind would you want?

Jands Curtain Tracks, (“JH” Heavy Duty and “JT” Medium Duty) have become industry standards over the past 15 years. The range enables any theatrical or public space to be equipped with a robust and long lasting tracking system. Utilising “JS” accessories, compound curves and very long runs can be easily assembled

*For theatrical drapes, current BCA Regulations require compliance with AS 1530 Part 3 (pertaining to spread of flame and smoke developed indices) and for NSW, additionally, compliance with AS 1530 Part 2 pertaining to the flammability index. Please note that fabrics used for non-curtain wall treatments now require compliance with other standards. Contact Jands for further details.

Drapes and Tracking

Broadcast Staging

Complete Staging Solutions – Nationwide.

Whether you need winches for your lighting grid, drapes or cycloramas for your studio,

Jands can do it all. www.jands.com.au/staging

Over the past 40 years, Jands has become known as Australia’s premier supplier of high quality audio, lighting and staging products. These products are found world-wide in applications where excellence is paramount.

Jands designed and manufactured dimmers and lighting control equipment enjoy an international reputation for innovation and reliability. The Staging division at Jands supplies solutions to the challenges of providing high quality theatrical presentations.

Best Products, Best Solutions, Jands.

Distributed by Jands Pty Ltd ABN 45 001 187 837

Sydney 40 Kent Road • Mascot NSW 2020

Ph: (02) 9582 0909 • Fax: (02) 9582 0999

Melbourne Unit 11/21 Sabre Drive • Port Melbourne VIC 3207

Ph: (03) 8698 0909 • Fax: (03) 8698 0994

www.jands.com.au • email: info@jands.com.au

Information in this document is subject to change without notice and does not represent a commitment on the part of the vendor. Jands Pty Ltd shall not be liable for any loss or damage whatsoever arising from the use of information or any error contained in this document.